#liveproduction

[techartspodcast]

Choosing the right vocal mic for your singers is important. THE TECH ARTS PODCAST: Mic It Up with Matt Lowe talks vocal mics, drum mics, choir mics, techniques and more! Watch or Listen now https://www.digitalgreatcommission.org/resources/mic-it-up-matt-lowe or go to wherever you get your podcasts. #earthworks #digico #DGCM #TheTechArtsPodcast #LiveProduction

[seeder-roboticcrane]

undefined

SEEDER #rail #robotic elevating system is developed for automatic shooting of AR, VR, XR, MR or real scene with high tracking accuracy in various studios, specifically intended for live studio broadcasts. #RB30Rail Contact us for more details and fast quotation!Email: jack@seeder.comWhatsApp: +86 135 8820 8864    

[eyetcsuffolk]

Not to be missed Eye Bach Choir in Eye Town Hall performing Rossini. Your chance to be part of this live performance 🎭 in Eye Suffolk on Saturday March 11 th 7.30 PM tickets 🎫 available online www.eyebachchoir.co.uk or visit Ollie @eyehandyman and pick up your tickets here. Book early and enjoy a night out as seats sell fast for live events. @bruhabrewing @hartismere @hartismeremusic @hartismereart @hartismerewellbeing @eyehairandbeautysalon @eyeprimarysuffolk @suffolk_events @cafeye14 @theblossomcharity @nifti.___ @the_queens_head_eye @gardiner.leigh @outflux @lifesolesuffolk @dream_on_woman @tudorbakehouse @tuddenhampress @vpmagazine @virtualhighstreetuk @the_oaksmere @oldramnorfolk @aboutmediasuffolk @abbey_hall_eye @clairekey14 @ka_penley @janeirven @jandasevitt @jackjprior @eastenglanduk @visit_suffolk @visitengland @loudvisionstudios #entertainment #liveproduction #liveproformance #liveinsuffolk #suffolksinger #singing #onstage #towncentre #eyesuffolk #suffolkcounty #livebands #rossini #voice #choir #choirs #music #livemusic #bbcsuffolk #dissexpress #musicandlyrics #localentertainment #nottobemissed #saturday #tickets #booking #bookingnow #concert (at Eye Town Hall) https://www.instagram.com/p/CpXIdg0oexx/?igshid=NGJjMDIxMWI=

[steelcityreviews]

PREVIEW INTERVIEW with GRAND HORIZONS director Ryan Trepanier

Coming soon to Dundas Little Theatre is a play about families, acceptance and growth. I had the pleasure of a virtual interview with director Ryan Trepanier and we discussed their vision for Grand Horizons as well as the company's winter clothing drive to assist our community.

What influenced you to direct for Dundas Little Theatre's Grand Horizons? 

I was happily surprised to find that when I read Grand Horizons for the first time, it was much more than a hilarious family comedy (which it still very much is). This play is a lot more personal to me than I would have ever expected. I can see my entire family in the characters Bess Wohl has given us. I thought it would be fun to direct this show from the perspective of the kids watching their parents look back on their lives together, whether that's regrets, desires, fears, etc. In a way, this play is a love letter to my parents, but hopefully to all parents of adult children. It's a really unique dynamic - how do us kids interact with and reason with our parents, who for so much of our lives, are the leaders, the ones who have all the knowledge and all the answers. This is really the question that permeates the show, as a real family dynamic plays out on stage.

For those unfamiliar with this show, how will the show speak to audiences? 

Ultimately, this is a play about very real people. Sure, the situation they're thrown into at the very beginning probably isn't a common problem most families face, but I challenge our audience not to find pieces of your own family in these characters. I can't help but empathize with this family, and I sincerely believe our audiences will too. Oh, and of course, the glue that holds this together is that while it's authentic and sincere, it's also incredibly funny. Because ultimately, we know families are funny and ridiculous in their own unique way. This play captures that, and I think audiences will appreciate how well constructed these characters are.

What challenges, if any, have you faced while bringing your vision to the stage and what have you taken from the experience? 

In a world with COVID, live theatre has definitely changed a lot. We've had to be flexible and patient in terms of rehearsing this play. But ultimately, having such an amazing group of people to work with - 7 incredible actors and an incredible team behind the scenes - it's made the whole process far less stressful than it probably should have been. The biggest takeaway from this production, though I think this just solidifies or confirms what I've always suspected, is that the hardest/most important part of any show is the casting and/or choosing your team to surround you. 

What have you found rewarding about bringing this production to the stage?

It's always incredibly satisfying to see a play take its shape in rehearsals. With this particular play, it's wonderful to watch the cast react to the heartfelt and meaningful moments on stage. I think, that much like myself, our cast and crew see the real people in this play. Everyone can mine their own meaning, and their own relation to these very real people portrayed on stage. And, every time a show goes up and it looks as good as you thought it would - that always feels like a little miracle, and I'm thankful for all of the people responsible for making that happen.

           5.   During this production, DLT will be collecting winter clothing items for Good Shepherd, Hamilton. What influenced the company to organize this and how can audiences help ensure that the clothing drive is a success? 

I have always felt that art should inspire. In the play, Grand Horizons, Nancy is organizing a clothing drive for refugees. Nancy wants to live in a world where people care about others and I saw an opportunity to follow her lessons. We reached out to the Good Shepherd and they were happy to partner with us. Audiences are encouraged to bring in their gently used seasonal clothing to the theatre on the night they see the show.

Thank you Ryan, for such fond insights regarding directing Grand Horizons and for finding such inspiration within the show to help set up a much needed clothing drive this winter!

Look for my full review of the show coming January 21.

For tickets and more information, please visit: https://dundaslittletheatre.com/tickets

Rehearsal photos provided by: Keith Sharp

[kayuwerott]

Thanks for listening to my music

Kay Uwe Rott https://open.spotify.com/playlist/37i9dQZF1DZ06evO04O7Kh?si=tOrCYhuiQWGCYcFQtH0P9A

#NewProfilePic #Trending #TikTok #LoveIsland #NewMusicAlert #musicsalad #MusicVket #FYP #ViolaComeilmare2 #Netflix #HBOMax #Tbt #LoveStory #fypシ #PlaylistOfTheDay #SpotifyTop5 #LikeCrazyTo1B #FolloMe #Feet #composer #artist #writer #digitalart #musicproducer #classicalmusic #orchestra #conductor #director #editing #production #show #liveproduction #tvproduction #epic

[zanimljivaekonomija]

Posle dva dana odlaganja, Belgrade Beer Fest napokon počeo....

Uprkos obilnim kišama koje su odložile početak festivala za dva dana, publika je spremno dočekala početak Belgrade Beer Festa pa je najmanje 30-40 hiljada ljudi stiglo na Ušće u subotu uveče. Jubilarno, 20. izdanje Beer festa otvorili su Đura i Bombaj štampa i to sa jednom od svojih najpoznatijih pesama „Trese, lupa, udara“. Bend, osnovan u Sarajevu pre pune 4 decenije, tokom sat vremena svirke publiku je proveo kroz vremeplov svojih hitova. Posetioci su u nastavku večeri imali priliku da uživaju u nastupima Partibrejkersa, Van Gogha, Incognito i Repetitora. Partibrejkers su pripredili autentičan rok doživljaj koji je podigao atmosferu na neslućene visine uz eksploziju oduševljenja kada su pred sam kraj nastupa izveli svoju čuvenu numeru „Kreni prema meni“. Ništa manje energično nije bilo ni na Van Gogh-u, budući da je već sa prvim taktovima vanvremenskog hita „Neko te ima“ ovaj bend publiku doveo do ekstaze! Kulminacija večeri usledila je sa nastupom britanskog acid-jazz benda Incognito, koji su po ko zna koji put dokazali da su danas jedan od najkvalitetnijih bendova na svetskoj muzičkoj sceni. Oni su svoj nastup završili oko jedan sat posle ponoći, da bi sama završnica prvog dana Belgrade Beer Fest-a na glavnoj bini (Main Stage) pripala Repetitoru, sastavu koji je doneo sirovu i žestoku energiju, a „pržili“ su gotovo sat i po.

Ništa manje dinamično nije bilo ni na Riff stage-u, gde su prve festivalske večeri nastupali neki od najperspektivnijih ovdašnjih alternativnih bendova, dok su Electro stage obeležili moćni elektro vajbovi i nastupi poznatih imena sa ove scene - DJ Damnjan, Second Story, DJ Ana Petrov i DJ Angela Kochinatz.

Ni ostale zone nisu zaostajale budući da je Luna park bio prepun ljudi koji su imali priliku da uživaju u bogatoj ponudi zabavnog festivalskog programa te da posete ringišpile i najveći rolerkoster na ovim prostorima. Craft Beer Land i Beer Market ovogodišnjeg Belgrade Beer Fest-a su prosto bili okupirani od posetilaca, posebno onih koji obožavaju zanatska piva.

                                                                            Foto: LiveProduction

[amvone]

Chopping this sample up for this RnB beat

#live #production #rnb #westcoast #hiphop #producer #beatmakers #producers #beatmaker #liveproduction #amvone

[mhosni]

لطالما كانت الموسيقى جزءًا من حياتنا. لقد كان شغفًا للكثيرين ، ولهذا السبب لدينا هذه الأنواع العديدة اليوم. هل يمكنك تخيل عالم بدون موسيقى؟ سيبدو الأمر مختلفًا ، وقد يبدو الأمر وكأن شيئًا ما مفقود. تجعلنا الموسيقى نشعر أيضًا بالاختلاف ، ونستخدمها بعدة طرق مختلفة.

بالنسبة للعديد من الأشخاص ، تضفي الموسيقى الألوان على يومهم. يساعدهم في أنشطتهم ، سواء كانت البقالة والتسوق والذهاب إلى الجيم وغيرها الكثير. فهو لا يجلب الألوان فحسب ، بل يمنحنا أيضًا الطاقة في كل ما نحتاج إلى تحقيقه. بالنسبة للآخرين ، يجدون الموسيقى كوسيلة لتهدئة عقولهم من الإجهاد اليومي

[mathiasriverus]

14/05/2022. Concert Lighting for Nipplepeople

[viely777]

View this post on Instagram

A post shared by Viely777 (@el_viely777)

Aquí no se le baja a la intensidad 🔥🔥🔥 💥¡FARÁNDULA VIP💥 #influencer #music #dance #fyp #artist #eddy_live #lesterpro #liveproduction #night_addiction_hall #movimientourbanodelcentro #Las_Empresas_Odisea #seponeweno #paquete_semanal #allaboutmusicincuba #parati #farandula_vip #artist #artista #artistaurbano #socialgood #love #instagood #art #follow #followme #instagram #style #repost #instadaily #me #instalike https://www.instagram.com/p/CSkOj0hhg6L/?utm_medium=tumblr

[techartspodcast]

In this episode of The Tech Arts Podcast, Digico's Matt Larson and Ryan Shelton dive into the essential strategies for setting up volunteers for success in tech arts roles. They explore various topics including the intricacies of Digico Consoles, optimizing professional sound systems, effective training methods, and best practices for volunteers. Plus we laugh allot at some of our touring and church stories. Whether you're a pastor, leader, seasoned tech professional or just starting out, this episode provides valuable insights and practical tips to ensure your volunteers excel in their roles. Tune in to learn how to elevate your team's performance and enhance your tech! https://www.digitalgreatcommission.org/resources/volunteer-success-digico-matt-ryan #digico #earthworksaudio #liveproduction #worshipproduction #churchproduction

[waitingforzyo]

New video performance with my old Amiga 600 and Octamed

[steelcityreviews]

REVIEW: Emerson Arts FRIGHT NIGHT: Carnival is Monstrous Fun...

Emerson Arts is becoming synonymous with experimental theatre. With several original works under their company banner, they have delved into the surreal, the tragic, the nostalgic and the downright haunting. Their annual FRIGHT NIGHT series has enjoyed three spooky iterations thus far and this year's carnival theme may just be their most polished and gruesome yet.

Audiences are led by the Bearded Lady (an unnerving Renata Ona) through the "backstage" setting of a typical big top travelling carnival. Elements of inspiration can be seen from popular media such as American Horror Story: Freak Show, Carnivale and Nightmare Alley. The daring audience walk the haunted halls of Hamilton's COTTON FACTORY, and gather at various locations as monologues and group scenes play out before them, at times powerless to stop the horrors unfolding as they nervously (or gleefully) watch. It is an immersive and often interactive experience and it works overall, despite some atmospheric missed opportunities in lighting and sound. This is likely due to the safety measures in place for audiences and the cast of creepy carnies so it's understandable but it inevitably takes the audience out of the foreboding nature of the show going from scene to scene.

The synopsis is straightforward. An innocent runaway (a strong performance from Grace M.) finds her new home in the mysterious travelling carnival and she discovers the horrifying truths and sad realities of the one of the happiest places on earth. There's horror tropes galore here: monstrous mother figures, murder, possession, otherworldliness, insanity, blood rituals, sacrifice, and more that I won't spoil here. The script could use a bit of work, if only to fine tune each monologue or scene so that each piece flows more naturally. Due to the type of guided tour the audience undertakes, there is frequently too much silence and not enough engagement or scary atmospheric elements as they weave throughout the factory, which, perhaps unexpectedly, becomes as much a character as the performers themselves.

The strength of FRIGHT NIGHT: Carnival comes from the intense dedication of the actors in their roles. From the malicious Ringmaster (played with frightening delight by Katlyn Alcock) to the disturbingly beautiful dance of the wordless clown (an impressive performance from Ayva Money) and the unexpected uprising from the once-faithful Carnie (played with intense ferocity by DJ Wright), this ensemble has the love of horror and storytelling in their souls.

One of the strongest demonstrations of this comes from the Fortune Teller (a mysterious and playful Grace C.) who charms us during the audience interaction parts and ultimately has one of the best scenes channeling the demonic souls of lost runaways and buried secrets (beware the pianos....). The audience responds to this as expected. Small gasps, gleeful smiles at the gore and violence (bravo to the fight choreography - VERY impressive work here) and a deep feeling of trepidation mixed with nervous laughter throughout.

Emerson Arts will experience one of their most successful FRIGHT NIGHTS to date as the entire run is already sold out. Be sure to reach out if you feel daring enough to be put on a waitlist. It is spooky fun, and the guided tour format works well with the carnival atmosphere. The themes of family, belonging and revenge bring satisfying cohesion to this production and I hope the misfits enjoy this eerie evening of monsters and mayhem.

For more information about upcoming Emerson Arts productions, please visit: http://EmersonArts.ca/

[natureswayent]

#newmusic #comingsoon #produce by #natureswayent #youtube #subscribe #wedoworldmusic #newmusic #liveproduction #liveproformance #R&B #pop #dancehallmusic #jazz #jamaica🇯🇲 #california #canada🇨🇦 #uk #australia #china #japan #france🇫🇷 #eroupe #hollywood #la #lasvagas #producer #indie #label #timeless #themessageisinthemusic🎤🎵 https://www.instagram.com/p/B9KPDJUnFGb/?igshid=ehlzl2zq4nxa

[remilauw]

Lost Frequencies @ Tomorrowland & Parookaville

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A post shared by Remi Lauw (@remilauw) on Jul 22, 2019 at 2:23am PDT

[mackandthebackpack]

UB Springfest 2019 - 5/4

From late Saturday afternoon till very early morning, the show and load out went better anticipated.  After a very long load in process with tons of troubleshooting, the show went fantastic.  Our LD, Emily, did a great job of lighting the acts, and allowed our ME, Matvey, to light up one of the performer’s sets.  Towards the end of the evening, I was able to get on the board with Emily and help throw in effects for the two headliners.  Easily one of the coolest feelings, even if the music isn’t my typical cup of tea.   Throughout the show, I was able to help troubleshoot and change out fixtures and check issues when required, learning new things as the night progressed.  

Come time to load out, we were able to smoothly do so and learn more hands on rigging practices.  By the time early morning came, the job was done, and it didn’t feel like we had just spent so long there.  This experience as a whole was incredibly rewarding, to work alongside a small team of UB folk, Local 10, and with AudioImages.  Sam from AI was extremely patient and helpful to Emily, Matvey and I as we learned new things throughout this weekend, and throughout this entire month.  A 35 hour weekend is never long when you have great coworkers and are doing what you love.

This CPI was a great experience overall, and one that truly helped my growth as a technician.  I am hopeful this opportunity will continue next year, and would love to participate in it once again!