#live-action snow-white

[adarkrainbow]

Given I haven't seen people talk about this, here is the simple thing you need to know about the "Snow-White live action battle".

Everybody heard and talked of the upcoming live-action remake of Disney's Snow-White. Everybody had a part in the never-ending debate this caused. This seemed to be all rounded up, and we were awaiting for the movie to be released to be finally able to speak about it...

And then, something came up. This to be precise:

A trailer for an upcoming movie called "Snow-White and the Evil Queen". This is set to be released on Bentkey, a new streaming platform part of the DailyWire+ group - basically DailyWire has recently decided to create a whole branch dedicated to the making of kid content. Children-aimed movies, children tv shows and cartoons, all that. And what everybody has been talking about is how this movie was made with one specific design: to oppose and contrast Disney's own Snow-White release.

The people behind this movie, openly dismissing and disdaining the live-action remake project of Disney, decided to create their own movie adaptation of the fairytale, which would be more traditional and closer the folktale, and thus show what an "actual" live-action remake of the Disney cartoon might look like. A lot of people have been chering and celebrating at this "anti-woke" and "anti-Disney" move, and they're all amused and all that...

And if you don't know who or what is behind Daily Wire and Bentkey, you might be tempted to support this movie. Well, please, DO NOT. Because I personally did not even know what DailyWire was - but I went searching for Bentkey, this "brand new streaming platform". And I found the Youtube video posted on the DailyWire channel introducing Bentkey, where the platform's creator explains why they launched this project and... And this is vile and frightening. You can see it down there but if you don't want to give more views to this I'll give you a little breakdown below:

I only watched one minute and a half of this nauseating thing, and it was already enough to make me identify this whole project as just pure evil. Under the pretense of fighting against "woke extremes" and "far-left politics", the creator of Bentkey and its team explain very clearly their homophobic, racist and misogynistic views. The guy literaly opens up by saying that Disney is pushing a "queer agenda" to "brainwash" and "indoctrinate" children into the "LGBT cult". He also criticizes some of the things the Disney company does such as "paying for abortions" as dangerous political extremes ; and to add a cherry on top, he accuses the fact of Disney making shows acknowledging the existence of racism and discrimination in the USA as being "anti-American" and against everything Walt Disney stood for.

So, funnily enough, while we all mocked and insulted and accused Disney of being an homophobic, racist company... Turns out THIS, DailyWire and Bentkey, is the actual "evil Disney" people have been denouncing and criticizing all along. As in... Our fear of a massive corporation making tons of kids' shows and movies while pushing forward homophobic, racist and far-right agendas is now real. These guys do not even hide their intentions, they blatantly say "We will make kids movie so that they will grow up straight and only straight, we will make kids show that will not mention anything about racism or discrimination, and we will certainly not allow any of our employees to have any abortion".

So yes if you see people cheer for this "Snow-White and the Evil Queen" movie, make sure to check if they are aware of Bentkey's socio-political goals and intentions. And if they are... well I don't need to say anymore, do I?

[artist-issues]

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

[baltharino]

Enchanted (2007) + References

[princess-ibri]

Ok @galacticnightsky123 ya talked me into it xD

Here's a redesign for the Live Action Snow White cuz goodness knows it needs all the help it can get

I wanted to keep the hallmarks of the classic dress but, in the words of the goldstandard of Disney Live Action Remakes "key it up a bit".

I tried to tie the dress more into a Renaissance time period while still keeping it fairytaley. I also wanted to give it something new to help set it apart from the original dress, ala Cinderella's with her butterlfies. So I decided to give Snow her own symbol, in universe.

Disney always gives her apple imagery but I felt that wouldn't make sense in the story itself, so I opted for a snowdrop flower, as that's actually her name in an earlier version of the Grimm's story.

I also did some deigns for her peasant dress, tying it back in more to the time period (was delighted to find the wooden shoes were period accurate) and I also designed a day-dress for her to wear as well. This would be something made later at the dwarf's cottage. A lot easier to run around the woods and clean in then that big old ball gown xD

Also I think I'd pull in a bit of the old Snow White stageplay as well, in this hypothetical rewrite, and have the Queen be pretending to send Snow White off to school, or maybe even pretending to send her to visit the Prince, with the intention of having her killed along the road, to explain why she's all dolled up in such a fancy dress.

Finally I couldn't resist doing a wedding dress for her, based of course on the old concept art from the og movie for the wedding scene we didn't get.

Hope ya'll enjoy! I don't know if I'll do more redesigns (maybe Belle's gown at least) but this was fun! Thanks for the suggestion!

[dommnics]

2021 - 2024

Some more Snow White's (with birbs) I've done over the years!

--

Check out more of my work on other platforms!

My Instagram -- My Twitter

[ginger-grimm]

DISNEY PRINCESSES & ONCE UPON A TIME LIVE ACTION

Ginnifer Goodwin as Snow White Jessy Schram & Dania Ramirez as Ella (Cinderalla) Sarah Bolger as Aurora (Sleeping Beauty) JoAnna Garcia Swisher as Ariel Emilie de Ravin as Belle Karen David as Jasmine Jamie Chung as Mulan Mekia Cox as Tiana Alexandra Metz & Meegan Warner as Rapunzel Amy Manson as Merida Georgina Haig as Elsa Elizabeth Lail as Anna

INSPIRED BY THIS POST

[toaverse]

Upcoming Disney movies to expect:

Inside Out 2

Toy Story 5

Zootopia 2

Frozen 3

Frozen 4

Cars 4

Moana 2

Live action Lilo and Stitch

Live action Moana

Live action Snow White

Live action Mufasa prequel

Live action Bambi

Live action Hercules

What the fuck is this??!!

[the-hypocrisy]

Mainstream mob: "Blackwashing The Little Mermaid is fine, because it's a fictional creature...

BUT you can't whitewash Black Panther, cause his skin tone and origin are relevant to the plot "...

Also mainstream mob: "Blackwashing Snow WHITE is totally fine, tho." - Even if the setting is clearly ancient GERMANY, it's written by the Grimm brothers, who where German, and she's literally called Snow WHITE. LIKE IT'S PART OF THE ACTUAL PLOT...

"Oh, we can blackwash Hermione too, in the book her skin tone is never mentioned, even the author did not specify it".

THE GRIMM BROTHERS DID THO.

AND OMG I JUST DISCOVERED. "We can blackwash a VIKING CHARACTER. LIVING IN SCANDINAVIA. IN THE MOTHERFUCKING VIKING ERA. YES."

Just admit you have a double standard based on race (hate to tell you so, but it's still racism) and shut up. Please.

(Edit for the person who reblogged - Scandinavian is not a "race"... ofc the actors are not Scandinavian, but omg you KNOW what I'm talking about here, don't even pretend).

[madame-helen]

[livehorses]

I'm just going to leave this here.

[multifandominfj]

THESE TWO WERE RIGHT THERE! We literally could’ve had Charlize or Lana play The Evil Queen, instead we got the Zionist who can’t act. Disney really dropped the ball here.

[nxx-jordiepord]

Now that the Live-action Snow White trailer is out, please please PLEASE do not forget that Gal Gadot is in it.

Gal Gadot served in the IOF and she's still a raging zionist.

DO NOT ENGAGE WITH CONTENT RELATING TO HER OR THE SNOW WHITE MOVIE !!

BOYCOTT DISNEY !! BOYCOTT GAL GADOT !! BOYCOTT ISRAEL !!

People in Palestine are dying every day. This has been going on for years. The least we can do is not spend our money on a cash-grabby remake with zionists in it.

KEEP FIGHTING FOR PALESTINE TO BE FREE !!

KEEP TALKING ABOUT PALESTINE !!

We cannot afford to be apathetic towards this. This is a genocide. We have to take proper action and show them that this won't be tolerated.

People are dying.

Don't support their killers.

FREE PALESTINE !!

[pufftheninja]

Did some pottery glazing for the first time at a local pottery store earlier this week, and decided to do a Snow White themed mug and saucer/salad plate set. I’m not a potter, glazer, or painter, so the mirror’s kinda eh, but I like how the mug turned out. It was a fun experience, and I’m looking forward to going there again. ☺️💜

[dyingroses]

Ozai burning Zuko's face is really giving Evil Queen trying to kill Snow White because she was prettier than her. Shitlord really said, "No way am I gonna let my son be more handsome than me!" *Pictures of adult Zuko* and he still failed!

[artist-issues]

If you actually hate how Rachel Zegler disrespects the original Snow White and the Seven Dwarfs, do not go see or stream the remake.

If you actually hate how Disney has turned the Lilo & Stitch live-action into a bad statement about race, do not go see or stream it.

If you actually believe that the original The Little Mermaid was perfect and needed no adjustments, and Eric was not a bland prince, do not go see or stream the remake.

If you actually thought that Emma Watson misread and mishandled the role of Belle, who, in the original, was expertly characterized, do not go see or stream the remake.

If you actually believe that the Genie wanted to be free, and Aladdin learned to trust, and Jasmine taught them both how, while the Live Action version ruined that, do not go see or stream the remake.

If you actually believe that the original Lion King movie was perfect and needed no bland NatGeoWild embellishment, do not go see or stream the remake.

If you actually believe that the Cinderella (2015) movie was a good remake, go out and buy the DVD—and then don’t go see and stream the other remakes.

Don’t do it. They don’t read our tumblr rants or watch our rage reels, but they count how many of us go see the new stuff. And they count our money as it goes into their bank account to fund the next one. And they count the time we spend on their streaming services. Teach them that we have standards, and the standards aren’t spectacle, and you can’t just buy us with soulless puppets of our favorite movies.

When you’re tempted to go hear the soundtrack play and listen to the dialogue you miss, just go watch the original. That’s what you really love.

#NotMyDisney alienated me with these last few movies, so I’m not playing the games anymore. Make movies for me, as if I’m the smart child you raised on good movies, or else I won’t go see them. If you guys want me, I’ll be waiting for the day that the Live Action Remake comes out, and then immediately streaming the original on Disney+.

Let ‘em measure how many seats are filled in their theaters, versus how many streams of the originals are playing on the same day.

[dommnics]

Just a little in between work sketch of Rachel Zegler's Snow White. This particular shot from the trailer has been making the rounds online, for the way the styling around Rachel has been disappointing some people. I'm finding I haven't been too fussed about the aesthetic they've been going for, but I can definitely see where improvements could have been made. Overall, I'm liking what I've been seeing, and I'm really interested in how they've interpreted the fairy tale this time around.

But just for fun, had I been the one to approach the way her hair was styled in the movie, I would have been really tempted to lean into a tangled mess of princess hair - curls and braids and laces. When I think "Snow White", Trina Schart Hyman's illustrations aren't far away in my mind and I think that really influences how I see her in my head. But I do feel that the short hair is an absolute staple for the Disney version, and I know they would want to capitalize on that look.