#little book review

[maddie-grove]

Little Book Review: My Sweet Audrina

Author: V.C. Andrews.

Publication Date: 1982.

Genre: Horror but we all know that V.C. Andrews is sui generis.

Premise: Raised in a crumbling estate in the Virginia countryside with her domineering father, wilting violet of a mother, fractious aunt, and cruel cousin, young Audrina Adare struggles to keep track of what time, date, or even year it is. She’s also haunted by the legacy of “the first and best Audrina,” her older sister who died in a mysterious and lurid incident before she was born. Her father claims that their family only has a normal quantity and quality of secrets, but you don’t need a strong grasp of concepts like “Tuesday” in order to smell a rat.

Thoughts: V.C. Andrews’s most famous novel is about four siblings who are trapped in an attic for several years, which should give you an idea of where her strengths lie. She excels when she’s dealing with a small, weird family in a claustrophobic setting, but the moment she has to portray, say, a public high school or (even worse) a small Appalachian town, the spell breaks. My Sweet Audrina is, therefore, the platonic ideal of a V.C. Andrews novel. Audrina’s house, Whitefern (of course it has a name), is miles from anywhere and only accessible by one road. Audrina is locked away from the outside world as a child, and all her attempts to escape or expand her horizons as a teen or young adult are quickly shut down. She loses, gains, and regains various family members, but the end result is that her circle gets even smaller. It’s absolutely horrifying, and also the most satisfying thing Andrews ever wrote. As over-the-top as the events of the novel are, Audrina’s struggles to extricate herself from her family felt all too real. It’s hard to say to what extent she succeeds, but I was totally invested.

Hot Goodreads Take: “Seriously, is there no other way to die than falling down the stairs?” laments one reader. Yes, but for a respectable lady it’s that or childbirth.

[mostlysignssomeportents]

Sandra Newman’s “Julia”

The first chapter of Orwell's Nineteen Eighty-Four has a fantastic joke that nearly everyone misses: when Julia, Winston Smith's love interest, is introduced, she has oily hands and a giant wrench, which she uses in her "mechanical job on one of the novel-writing machines":

https://gutenberg.net.au/ebooks01/0100021.txt

That line just kills me every time I re-read the book – Orwell, a novelist, writing a dystopian future in which novels are written by giant, clanking mechanisms. Later on, when Winston and Julia begin their illicit affair, we get more detail:

She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She 'didn't much care for reading,' she said. Books were just a commodity that had to be produced, like jam or bootlaces.

I always assumed Orwell was subtweeting his publishers and editors here, and you can only imagine that the editor who asked Orwell to tweak the 1984 manuscript must have felt an uncomfortable parallel between their requests and the notional Planning Committee and Rewrite Squad at the Ministry of Truth.

I first read 1984 in the early winter of, well, 1984, when I was thirteen years old. I was on a family trip that included as visit to my relatives in Leningrad, and the novel made a significant impact on me. I immediately connected it to the canon of dystopian science fiction that I was already avidly consuming, and to the geopolitics of a world that seemed on the brink of nuclear devastation. I also connected it to my own hopes for the nascent field of personal computing, which I'd gotten an early start on, when my father – then a computer science student – started bringing home dumb terminals and acoustic couplers from his university in the mid-1970s. Orwell crystallized my nascent horror at the oppressive uses of technology (such as the automated Mutually Assured Destruction nuclear systems that haunted my nightmares) and my dreams of the better worlds we could have with computers.

It's not an overstatement to say that the rest of my life has been about this tension. It's no coincidence that I wrote a series of "Little Brother" novels whose protagonist calls himself w1n5t0n:

https://craphound.com/littlebrother/Cory_Doctorow_-_Little_Brother.htm

I didn't stop with Orwell, of course. I wrote a whole series of widely read, award-winning stories with the same titles as famous sf tales, starting with "Anda's Game" ("Ender's Game"):

https://www.salon.com/2004/11/15/andas_game/

And "I, Robot":

https://craphound.com/overclocked/Cory_Doctorow_-_Overclocked_-_I_Robot.html

"The Martian Chronicles":

https://escapepod.org/2019/10/03/escape-pod-700-martian-chronicles-part-1/

"True Names":

https://archive.org/details/TrueNames

"The Man Who Sold the Moon":

https://memex.craphound.com/2015/05/22/the-man-who-sold-the-moon/

and "The Brave Little Toaster":

https://archive.org/details/Cory_Doctorow_Podcast_212

Writing stories about other stories that you hate or love or just can't get out of your head is a very old and important literary tradition. As EL Doctorow (no relation) writes in his essay "Genesis," the Hebrews stole their Genesis story from the Babylonians, rewriting it to their specifications:

https://www.penguinrandomhouse.com/books/41520/creationists-by-e-l-doctorow/

As my "famous title" stories and Little Brother books show, this work needn't be confined to antiquity. Modern copyright may be draconian, but it contains exceptions ("fair use" in the US, "fair dealing" in many other places) that allow for this kind of creative reworking. One of the most important fair use cases concerns The Wind Done Gone, Alice Randall's 2001 retelling of Margaret Mitchell's Gone With the Wind from the perspective of the enslaved characters, which was judged to be fair use after Mitchell's heirs tried to censor the book:

https://en.wikipedia.org/wiki/Suntrust_Bank_v._Houghton_Mifflin_Co.

In ruling for Randall, the Eleventh Circuit Court of Appeals emphasized that she had "fully employed those conscripted elements from Gone With the Wind to make war against it." Randall used several of Mitchell's most famous lines, "but vest[ed] them with a completely new significance":

https://law.justia.com/cases/federal/appellate-courts/F3/268/1257/608446/

The Wind Done Gone is an excellent book, and both its text and its legal controversy kept springing to mind as I read Sandra Newman's wonderful novel Julia, which retells 1984 from the perspective of Julia, she of the oily hands the novel-writing machine:

https://www.harpercollins.com/products/julia-sandra-newman?variant=41467936636962

Julia is the kind of fanfic that I love, in the tradition of both Wind Done gone and Rosenkrantz and Gildenstern Are Dead, in which a follow-on author takes on the original author's throwaway world-building with deadly seriousness, elucidating the weird implications and buried subtexts of all the stuff and people moving around in the wings and background of the original.

For Newman, the starting point here is Julia, an enigmatic lover who comes to Winston with all kinds of rebellious secrets – tradecraft for planning and executing dirty little assignations and acquiring black market goods. Julia embodies a common contradiction in the depiction of young women (she is some twenty years younger than Winston): on the one hand, she is a "native" of the world, while Winston is a late arrival, carrying around all his "oldthink" baggage that leaves him perennially baffled, terrified and angry; on the other hand, she's a naive "girl," who "doesn't much care for reading," and lacks the intellectual curiosity that propels Winston through the text.

This contradiction is the cleavage line that Newman drives her chisel into, fracturing Orwell's world in useful, fascinating, engrossing ways. For Winston, the world of 1984 is totalitarian: the Party knows all, controls all and misses nothing. To merely think a disloyal thought is to be doomed, because the omnipotent, omniscient, and omnicompetent Party will sense the thought and mark you for torture and "vaporization."

Orwell's readers experience all of 1984 through Winston's eyes and are encouraged to trust his assessment of his situation. But Newman brings in a second point of view, that of Julia, who is indeed far more worldly than Winston. But that's not because she's younger than him – it's because she's more provincial. Julia, we learn, grew up outside of the Home Counties, where the revolution was incomplete and where dissidents – like her parents – were sent into exile. Julia has experienced the periphery of the Party's power, the places where it is frayed and incomplete. For Julia, the Party may be ruthless and powerful, but it's hardly omnicompetent. Indeed, it's rather fumbling.

Which makes sense. After all, if we take Winston at his word and assume that every disloyal citizen of Oceania is arrested, tortured and murdered, where would that leave Oceania? Even Kim Jong Un can't murder everyone who hates him, or he'd get awfully lonely, and then awfully hungry.

Through Julia's eyes, we experience Oceania as a paranoid autocracy, corrupt and twitchy. We witness the obvious corollary of a culture of denunciation and arrest: the ruling Party of such an institution must be riddled with internecine struggle and backstabbing, to the point of paralyzed dysfunction. The Orwellian trick of switching from being at war with Eastasia to Eurasia and back again is actually driven by real military setbacks – not just faked battles designed to stir up patriotic fervor. The Party doesn't merely claim to be under assault from internal and external enemies – it actually is.

Julia is also perfectly positioned to uncover the vast blank spots in Winston's supposed intellectual curiosity, all the questions he doesn't ask – about her, about the Party, and about the world. I love this trope and used it myself, in Attack Surface, the third "Little Brother" book, which is told from the point of view of Marcus's frenemy Masha:

https://us.macmillan.com/books/9781250757531/attacksurface

Through Julia, we come to understand the seemingly omniscient, omnipotent Party as fumbling sadists. The Thought Police are like MI5, an Island of Misfit Toys where the paranoid, the stupid, the vicious and the thuggish come together to ruin the lives of thousands, in such a chaotic and pointless manner that their victims find themselves spinning devastatingly clever explanations for their behavior:

https://www.bbc.co.uk/blogs/adamcurtis/entries/3662a707-0af9-3149-963f-47bea720b460

And, as with Nineteen Eighty-Four, Julia is a first-rate novel, expertly plotted, with fantastic, nail-biting suspense and many smart turns and clever phrases. Newman is doing Orwell, and, at times, outdoing him. In her hands, Orwell – like Winston – is revealed as a kind of overly credulous romantic who can't believe that anyone as obviously stupid and deranged as the state's representatives could be kicking his ass so very thoroughly.

This was, in many ways, the defining trauma and problem of Orwell's life, from his origin story, in which he is shot through the throat by a fascist: sniper during the Spanish Civil War:

https://www.rjgeib.com/thoughts/soldiers/george-orwell-shot.html

To his final days, when he developed a foolish crush on a British state spy and tried to impress her by turning his erstwhile comrades in to her:

https://en.wikipedia.org/wiki/Orwell%27s_list

Newman's feminist retelling of Orwell is as much about puncturing the myth of male competence as it is about revealing the inner life, agency, and personhood of swooning love-interests. As someone who loves Orwell – but not unconditionally – I was moved, impressed, and delighted by Julia.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/28/novel-writing-machines/#fanfic

[velichorus-k]

I hope me just constantly posting stickers isn't getting annoying but I have SO many ideas and I am an avid sticker enjoyer I'm having so much fun coming up with these lol

Ford and Fiddleford batch! I've got two more batches of 5(?) sticker designs each and then I'm gonna focus on the Bill animatic for realzies :)

[ricky-mortis]

Have some Ted doodles- as a treat.

[jesncin]

I wanted to doodle a celebration illustration for Lunar Boy making it to NPR's Books We Love 2024 curated list!! Out of about 350 books, only 20 of the books are comics and graphic novels- I can't believe our little moon boy made it in!

[thedeathwitchescats]

Okay, review time!! If you are one of the oddballs who thinks you cant be critical of something you love I suggest you stop reading now before I ruffle your feathers. Iron flame, second in the empyrean series. I am gonna start with what I was not a fan of and then go into the shit I adored.

1) what in the actual fuck was the pacing of this book?? I can tell you what, it was non existent. There was none. Where I thought there was a lot of filler in the last book there was none in this one. We got snap shots of conversations and then *boom* more plot flew at you. The timeline of this book greatly suffered for it i think bc we end only a couple weeks, if that, after threshing, which happens sometimes in October. This book was actually so wild with times.

2) while it was a spectacular cliff hanger, xaden becoming venin pisses me off. Especially if Rebecca yarros isnt going to have him tell violet. Like if that small tid bit of a conversation we got wasnt him telling vi that he was venin then the entire romantic conflict of this book was rendered pointless and their going to be having the same fucking fight for the rest of the series and at rhat point I give up.

3) I understand that the revolution is trying to take down basgaith and make the world better or whatever the fuck but can someone actually formulate a real plan for me?? Because I feel like their mission is just, giving violet and xaden something to be pissed at each other about.

4) the entirety of cats character. I get that she was set up as a spin on the typical jealous ex. Like having her be bitter about xaden picking violet over her but OH WAIT it wasnt actually about the man it was about the crown, oohh not like other girls. Im a writer too I see the point. I dont care. I think it was trashy. If you wanted her to be a bitter spiteful ex then have her be a bitter spiteful ex, the whole crown thing was shallow.

OKAY haters your time is up now onto the shit that made my heart hurt with joy and sadness

1) xadens arc in this book. I really liked that he went from "transparency is never gonna happen" to losing his fucking mind over violet and giving her everything. I love feral men and he qualifies. I think his arc was really well done and i liked it.

2) I appericiate that violet stuck to her guns for this book. She wouldnt let xaden off without a fight and I loved that. She made him bow and scrape and I was eating it up. It was spectacular.

3) the throne room scene. Violet on the throne. "Im making a temporary point not a lasting vow of maschocism" xaden being feral.

4) that gets its own point actually, just xaden being completely feral this entire book healed a part of my soul.

5) andarna's little speech at the end where she was like "I waited for you violet" made me ugly cry. That was just so hopelessly good I loved it. Andarna in general heals my heart but that part was just *chefs kiss*

6) tarin being completely and utterly ready to eat people this entire book. Just, at every turn "I want lunch their pissing me off " was spectacular

7) every scene their squad was in. Rihannon, violet, sawyer and ridoc are my roman empire. Their bond is so amazing. The fact that they launched a rescue mission for violet. Rihannon being ready to kill xaden at every turn. Ridoc being so platonically and adorably in love with violet. Just- augh happy cries happy cries. I love it all. Their so special tbh.

8) I love xaden actually, just, the whole book every scene hes in lives in my brain.

9) I liked that we saw a small bit of violet being feral this book too. I hope that we get more of that in future books. I want more of violet losing her fucking mind. Hot, badass women covered in blood

10) Liam. Fucking Liam. When violet was kidnapped and Liam was there. Now, do I logically understand that he was a hallucination, yes, do i care?? No. He was a gift from Maleck I will be hearing no critiques on that. It was so fucking sweet and amazing. I love violet and Liam and Liam being dead so horribly breaks my heart. I loved Liam. Liams death lives rent free in my skull.

[carriagelamp]

My favourite books from 2024! Another really strong year of books for me -- every year will have some stinkers and a bunch of middling reads, but the highs of this year were really high so I'm pretty content

As always, I give more detailed descriptions and opinions of the books in my month reviews, but here's a quick breakdown for anyone who's interested:

The Anxious Generation by Jonathan Haidt

A non-fiction book that looks at how childhood has been “rewired”, focusing specifically on the increase of overprotective parenting, increase of tablet/social media usage, and decrease of unstructured, independent play. It was a fascinating read that really looked at how children need to be given lots of opportunities to play, take risks, and make mistakes in order to learn and grow and how a loss of that might be impacting people’s mental health. As someone right on the cusp of the age bracket that’s being focused on, it felt very exposing.

Apothecary Diaries v1-2 by Natsu Hyuuga

Maomao is kidnapped and sold as a servant to the imperial palace, where she serves as a general dogsbody in the rear palace, home of the emperor’s various consorts and concubines. She’s determined to keep her head down until her contract is up… until she helps solve a mystery and catches the eye of the powerful eunech Jinshi who soon learns about her in-depth knowledge of apothecary work and anything to do with poisons. Very funny premise, Maomao hates Jinshi soooo much and he is such a simp for it. She just wants to eat poisons and be left alone and he says “no<3” to both of those

Bury Your Gays (and Straight) by Chuck Tingle

Both of these are very explicitly queer horror novels. Straight is a novella that riffs on the format of a zombie story, but with straight people becoming inexplicably violent towards queer people one day a year. Bury Your Gays is about a Hollywood screenwriter who realises his horror creations are begin to stalk him in the real world. Both are very intentionally built around social commentary on queer issues, and despite have audacious premises they completely own their camp and end up producing really well thought out, insightful stories. I can’t say I liked either as much as Camp Damascus but either is worth a read.

Console Wars by Blake J. Harris (and Blood, Sweat, and Pixels by Jason Schreier)

Console Wars is a nonfiction book I’ve meant to read for years on my brother’s recommendation and I quite enjoyed it. It explores the history of the video game console market in North America, with a focus on how Nintendo revitalized it and how Sega then swooped in to upset the monopoly it held. The book is written in a very narrative, personable style and I found myself really rooting for the various people and companies being portrayed ahahaha. A shockingly fun read. I also read Blood, Sweat, and Pixels which wasn’t quite as narratively compelling but a related read that looked at games with complex development cycles.

Defekt by Nino Cipri

Technically the sequel to Finna which I also read this year, but Defekt works as a stand-alone and is, imho, the better of the two. Both deal with a surrealist horror Ikea setting, where the sheer density and liminal-space-ness of it all allows strange wormholes to open up between these stores from different dimensions. Finna deals with actual wormhole hopping, whereas Defekt focuses in on one employee who gets assigned to a very strange overnight inventory shift.

The Disabled Tyrant’s Beloved Pet Fish v1-2 by Xue Shan Fei Hu

Fish isekai book. Is this a good book? No. Is it a really really fun book? Yes, in spades. In this book, Li Yu wakes up in a court drama novel… but not as a character but rather as the tyrannical prince’s pet fish. He is given the task to improve the prince and is stuck figuring out how the hell to do this as a fish. This book knows exactly how ridiculous it is and leans into it. Li Yu and Prince Jing are both idiots in very unique and exciting directions. No one knows what the fuck is happening.

Down Among the Sticks and Bones by Seanan McGuire

A prequel to Every Heart a Doorway, though it works perfectly well as a standalone. Honestly I liked it more than the first. This book has deliciously gothic horror vibes, and it plays with all the tropes you would expect from gothic horror / fear of the sublime. It’s about sisters who find a strange chest that lets them descend to the sinister land of the Moors. This is where vampires rule, werewolves stalk, and mad scientist’s ply their craft. The girls end up separated on and very different trajectories as they grow and acclimatize to the brutal existence of the Moors.

Escape From Incel Island by Margaret Killjoy

Exactly what it says on the tin. Completely insane book that is very worth the read if you feel like something that is patently insane. I strongly recommend treating this as a read aloud with a friend or loved one because I read it with my brother and couldn’t stop laughing. Top notch mercenary Mankiller Jones is sent to escort a computer scientist to Incel Island to retrieve lost governmental data. There they have to survive the hoards of Nice Guys, Volcels, Betas, and every other violent inhabitant of the island if they ever want to… escape from Incel Island.

Heaven Official’s Blessing v6-8 by Mo Xiang Tong Xiu

I finished the main series of Heaven Official’s Blessing (without reading the extras yet), and man what an ending! I could not have asked for a more epic or satisfying conclusion! The final battle and its various stages? The character reconciliation? The villain reveal? Perfect, no notes. The series itself follows Xie Lian, a prince who has ascended to godhood twice and been cursed and cast out from Heaven just as many times, giving him the title of the Laughingstock God. The story begins with him, to everyone’s dismay, ascending a third time.

Horrorstör (and Paperbacks from Hell, My Best Friend’s Exorcism) by Grady Hendrix

This book also deals with a Strange Alternate Ikea, but is the superior book. This was one of my top reads for 2024, and it was flawless horror. It is essentially a haunted house story set in an Ikea, that manages to be both chilling, disgusting, and a shockingly insightful critique of capitalism and retail. Very worth the read. 

After reading this I also read Paperbacks from Hell (a nonfiction book that does an analysis of horror fiction from the ‘70s and ‘80s, very good read) and My Best Friend’s Exorcism (which was decent but not my favourite of Hendrix’s since possession and exorcism isn’t my favourite brand of horror. The vaguely queer undertones and ending I found interesting, and it did some cool things throughout.)

Jeeves and Wooster books by P.G. Wodehouse

I ended up listening to so many of the Jeeves and Wooster audiobooks this summer while I was travelling. There were some I really really loved and some that fell very flat for me. I think I listened to too many in a row by the end… These books are like popcorn, not deep but very fun, and follow the airheaded but good natured Bertie Wooster and his man Jeeves who unfailing swoops in to solve all the strange and inane problems the Bertie gets involved in. They tend to be funny, light-hearted, and clever in their resolution of plot problems… though some of the issues do get rather repetitive. My favourites were: The Inimitable Jeeves, Very Good Jeeves, Right Ho Jeeves, and the Code of the Woosters.

Kaiju Preservation Society by John Scalzi

Some excellent science fiction, especially for my Pacific Rim loving heart. This bordered on the cosy fantasy genre, while mixing in plenty of science, world-building and a good dash of excitement. During the Covid-19 lockdown, Jamie Gray is stuck trying to make ends meet as a food delivery driver… until he runs into an old acquaintance who suggests he might have a very different job offer for him. Jamie ends up joining this very secretive “animal rights group” and finds out just how massive, dangerous, and otherworldly these “animals” are by being risked to an entirely different dimension filled with giant, radioactive monsters.

Lula Dean’s Little Library of Banned Books by Kirsten Miller

One of my favourite books from this year! Tthis book managed to hit on very topical subjects with both tact and humour. Lula Dean has spearheaded a book banning crusade, managing to get a number of “problematic” books removed from the library and has made a show of setting up a Little Free Library in her yard full of “appropriate” books instead. When Beverly Underwood visits her mother and hears about this she’s so exasperated with it all that she quickly hatches a plan swapping out the dust jackets of some of the banned books with the ones in Lula Dean’s Little Free Library. The rest of the story is about various people in the town who borrow a book from Lula Dean’s library and how the book they got instead ends up impacting not just themselves but their town. The first story involves a penis cake. Can’t recommend it enough, starts out humour and quickly becomes something you want to rally around.

My Happy Marriage v1 by Akumi Agitogi

This was pure mindless fluff, it was honestly a delight. This is a low-fantasy, Cinderella-esque story set in the Taishō era. It focuses on Miyo Saimori who lives under the thumb of her cruel step-mother, haughty step-sister, and indifferent father. She’s resigned to being treated like a servant in her own home and ekeing out a strained existence, but her life takes a turn when she finds herself nominally engaged to the allegedly cold and cruel Kiyoka Kudou. It’s just absolutely overwhelmingly cute and I really enjoy the contrasting POVs.

A Series of Unfortunate Events and Poison for Breakfast by Lemony Snicket

I’d never finished The Series of Unfortunate Events when it was originally coming out, so I finally sat down and did that, and honestly it was well worth the wait! It was a very interesting series to read as an adult, especially all in one go, because it really let me appreciate everything that Snicket was trying to say. It was a much more clever and philosophical read than I was anticipating, and The End was fucking superb. He absolutely stuck the landing, it completely blew me away. Poison For Breakfast was also a very interesting standalone novella that felt like surrealist philosophy. I might have even enjoyed it more than the basic TSOUE.

The Poison Squad (and The Poisoner’s Handbooks) by Deborah Blum

Poison Squad is a very compelling and topical nonfiction about the formation of the American Food and Drug act. The state of unregulated food processing in the late 19th century was, in a word, nightmarish. Don’t read this book if you have a weak stomach. But it’s completely fascinating to see how one person, Dr Harvey Wiley, made it a personal mission to scientifically prove what all these mysterious food additives were doing to people and put limits to what could be sold to consumers. I liked it so much I went to read Blum’s other book, The Poisoner’s Handbook which is set during Prohibition and explores the rise of forensic medicine and again exposes how people were being poisoned by simply living their standard lives.

The Pushcart War by Jean Merrill

The real, true history of the New York City Pushcart War!! For real!!! This is a delightful underdog story that is really written in the style of a history textbook recounting the fictional Pushchart War. This war started in New York City as the roads get increasingly congested with traffic, the worst offenders being the increasingly massive and arrogant trucks. The trucking companies hatch a plan though: if they begin to push out the little pushcarts, framing them as the problem for the congestion, then how hard would it be to push out taxis next? Or buses? Or motorcars? How long until they can make the road a perfect habit for trucks and trucks alone? How can something as small and poor as a pushcart owner fight back?

Railsea (and This Census-Taker) by China Miéville

I heard Railsea described on tumblr and it sounded sufficiently insane that I had to read it for myself. This author is truly unrivaled when it comes to bizarre worldbuilding that feels both very, very grounded in reality while also being completely unexplained and impossible. Railsea is essentially a Moby Dick meets Treasure Island retelling but with trains instead of boats and giant, mutated, vicious moles instead of whales. Unhinged. Can’t recommend enough. I followed this up by reading his novella This Census-Taker which was not as much of a frolicking adventure but fucked with my brain just as much or more than Railsea did. Genuinely not sure I even know what happened in that story but I enjoyed the experience of being completely fucking baffled for some 200 pages.

The Salt Grows Heavy by Cassandra Khaw

Another book to ideally not read if you have a weak stomach. This novella is very big on unrelenting body horror. This is a twisted fairytale retelling in which a cannibalistic Little Mermaid meets a plague doctor Frankenstein. Both of them are walking away from cruel past lives, along a trail that’s soaked in blood and viscera. You feel how painfuly and disgustingly human this book is, while also being so wildly separate from anything that resembles human anatomy or morality. Superb.

Scum Villain’s Self-Saving System v1-4 by Mo Xiang Tong Xiu

The last of MXTX’s three series I needed to read. It was the one I was most hesitant about, but I ended up having a really great time with it. It is simultaneously the most light-hearted and silly of the three series, while also the one that most gleefully dives into torture and sex. So you get a bit of everything with this, and as usual MXTX does a really good job of mixing the humour and series in a way that keeps things constantly interesting. The story is about Shen Yuan who dies our of pure, frothing fury after reading the shitty ending to the shitty, porny webnovel he’s been reading for hundreds of thousands of words. He dies cursing the lousy author and the lousy writing so he’s given a chance: step up and do it better! Which is easier said than done, when he finds himself waking up in the body of the series’ villain who is destined to be gruesomely tortured to death. Better get on that!

Shakespeare: The Man Who Pays the Rent by Judi Dench and Brendan O'Hea

This is the written result of a number of interviews held between Judi Dench and Brendan O’Hea and she discusses her time as a Shakespearean actress. It looks into what her time working with theatre companies was like, summarizes the plays she took part in, and delivers into some fascinating character analysis of the roles she played. An absolute treasure of a book for someone who enjoyed their Shakespeare and/or Judi Dench.

Singing Hills Cycle v1-5 by Nghi Vo

Probably my favourite series that I read this year, I can’t wait for the next book! This series follows Chih and her magical bird companion who come from the Singing Hills Monastery, an order that is devoted to keep recording tales and keeping a history of the land. Chih travels all over in these various novellas, collecting stories, memories, and histories that they come across. The first book has them entering the recently unwarded palace of the late Empress to learn about her marriage, imprisonment and rise in power. The second has them trapped by a pack of tigresses with nothing to do but frantically lure them into comparing stories. 

The War That Saved My Life by Kimberly Brubaker Bradley

Ten year old Ada was born with a club foot and because of it has never been allowed to leave her apartment. She lives a hard life trying to care for her younger brother and suffer through the abuses of her mother. Things change though as the Second World War truly begins and London begins to evacuate children to the country. Ada is determined — she and her brother will evacuate, they will escape their mother’s house, even if it means her learning how to walk on her club foot. Even if it means facing how different life is for unwanted slum children in the country, and confronting how much she and her brother don’t know about life. This was a very touching book, it did a great job of balancing Ada’s justifiable pain and anger with an optimistic story. Queer elements are all subtext but there — they aren’t the main focus of this story.

When Women Were Dragons by Kelly Barnhill

This book absolutely took my breath away, it was a next level literary experience. It’s very, very solidly magical realism, so don’t go into this expecting true fantasy, everything going on here is allegorical and a beautifully done allegory at that. This story is set during the 1950s, in a time surrounding an event known as “The Mass Dragoning” when thousands of women suddenly, spontaneously, transformed into dragons and flew away. The story follows Alex Green who was a child during this event. Her aunt transformed. Her mother didn’t. Both of these things have profound impacts on Alex as she grows up, and a woman’s role in society, a woman’s anger, her joy, her desire are all questioned and explored.

[internetgiraffekid1673]

Bring Back the Bombshells Batgirls!

In helping a friend of mine map out who all has been Batgirl across various DC continuities, I remembered a little jaunt to TVtropes where it mentioned that in a charming little number called Bombshells, the batgirl identity is shared by a baseball team.

This reminded me to actually go READ Bombshells, and oh. My. GOSH. It is the BEST FUCKING THING EVER!

What is Bombshells?

Basically, almost every male superhero got yeeted from the story or relegated to side character/civilian, while every female superhero takes the spotlight and gets to KICK SOME NAZI ASS (it's set during world war 2). Plenty of people get spotlight, but I'm gonna argue that the MAIN characters are probably Kate Kane's batwoman, Diana of Themyscira's Wonder Woman, Mera's Aquawoman (she hates that name, lol), Harley Quinn and Poison Ivy, Zatanna, and Kara Starikov's Supergirl. All the storylines tend to revolve around them.

Oh, also it's super gay. Like, every single character is a lesbian or bi, there's tons of ladies kissing and dating and having implied sex, and at least one character---one of the batgirls actually---is trans.

In summary, go read bombshells it's really good, but today I'm here to specifically talk about:

The Batgirls (and boys)

"One for the ribbon, two for the pearls! Three for the crimefighting---

So first off, Bombshells is an elseworld, so it can do whatever the fuck it wants with backstories and shit.

Subsequently; this version of Kate Kane is a major league baseball player, and her Batwoman costume is literally just a pallet swap of her baseball costume (plenty of people figure out her "secret" identity because of this, but she's not super concerned about it). She uses an actual bat as her main weapon as Batwoman, and it kicks ass. More fanfic writers, and hell, comics writers need to hand the Batfamily some baseball bats, because it gives us scenes like this:

Or this:

(Yes her bat has a gun, it's supplied by Amanda Waller through goverment money, don't question it. Her baseballs are also explosives).

Oh, and also this:

Anyway, point is, Batwoman has a bat and it's great. But this means when Gotham's bat-weilding protector gets drafted into the Bombshells to go fight Nazi's, some new faces have to pick up the slack in Gotham.

And so:

Inspired by their vigilante/baseball hero, Harper Row, Kathy Duquesne, and Nell Little pick up some bats of their own and start busting up crime! The three of them are mechanics, that old car is their batmobile, and they're the best of friends!

Of this original trio, Kathy is "the brass" or the leader, and she remains nominally in charge through the whole thing. Nell is "the brawn" and while every batgirl is good in a fight, Nell is a bit of a demolition specialist. Finally you have Harper, "the brain" who invents their gadgets, works on their batmobile, and also jokes that she's the mascot, as this whole thing was her idea.

They don't stay a trio for very long though! They're quickly joined by "the beauty" Alysia Yeoh, an old friend of Kathy's, in an effort to break Cullen Row out of a prison-like orphanage (she's the t-girl btw):

You may notice another girl crouched in the corner up there too! That's Bette Kane, Kate's niece and the rightful owner of Kane Industries who will forcibly take it over, clean it up, and use it for good on her 18th birthday in like a week!

In the meantime though, she heard about the batgirls and decided she wanted in! She crashes their jailbreak and helps them wreck shop! She mostly shares the "brass" role with Kathy---a leader in her own right.

Anyway, their now quintet quickly finds the awful headmistress of the Pinkney orphanage berating one Tim Drake, who still has a living dad somewhere, but was snatched up by a dirty cop because this whole city runs on Newsies rules (not even kidding, I'll get there in a sec). Turns out Tim and Alysia are old best friends. Anyway, Tim fills them in on the sitch: the headmisstress has been using the orphans as slave labor to build war robots for the nazis.

The batgirls (now including Tim!), bust up the basement and the robots, free all the orphanage kids, including Cullen, toss the awful headmistress and the dirty cop helping her to one Detectice Maggie Sawyer---Kate's wife---and the day is saved!

In the subsequent week, Bette takes over Kane Industries, starts funneling funds into housing for immigrants and refugees and relief and aid and all that good stuff, and also recruits the final batgirl of the team: Felicity Smoak (the chick in braids)! Thus we have a full team!

Who's who in the alt text

I'm only halfway through Bombshells, but the batgirls and their adventures are a recurring plot thread, since protecting Gotham is entirely up to them while Kate is away. They gain lots of other allies and enemies (including one hispanic immigrant Lois Lane who does straight up help them pull a newsies and make their own newspaper with the real news in it at one point), and their sections are probably one of my favorite parts about the comic. It just feels so sweet and high school, while still feeling Batman-esque/Gotham-typical.

Why You Should Care:

Now. I may only be halfway through Bombshells, but I am in LOVE. With the story and the characterizations and everything!!! And the batgirls are a personal fave of mine cuz I'm a sucker for found family and teens fighting crime and bat-weilding superheroes!

But my point is: for all that fanfic loves these tropes too, there is NO fanfiction for them (or at least not on ao3). There's practically nothing for the Bombshells continuity PERIOD, which is a shame, but also to be expected for an elseworld.

But that's why I'm here and telling you about it!

You guys! This is fanfiction! We love flinging the batfamily through alternate universes and making lots of different characters take on the familiar Batgirl and Robin roles!

Why not bring forth the Bombshells Batgirls?

If you're writing your own elseworld, I suggest you nab this adorable team, or something like it! If you're writing an alt universe crossover, feature these guys!

They are the Batfamily found family you want! They CALL THEMSELVES a Bat-family! They all move in together! They loooooovvveee each other! And, as is the nature of the Batgirl mantle, they do what they do largely as independent operatives without adult supervision!

I would really love to see these guys yeeted into an alternate universe and have to cope with just HOW different their continuity is. Not only will they inevitably be flung way into the future, since they're around in the 40s, but in most continuities they're completely unconnected from each other and are absolutely not a team of bat-weilding crime fighters! It would be so baffling for any mainline batgirl and robin to meet a team that is so disconnected from them and so unconditionally supportive of each other and so Badass Adorable!

In Summary:

I may have lost the plot a little with this, but my points are:

Bombshells is really good and you should all go read it

Bombshells has a team of adorable bat-weilding batgirls that has all the found family crime fighting tropes you could want without the bad blood of the mainline batfam

More people should write fanfiction for Bombshells

The Bombshells!Batgirls in particular I think are a great place to start with that. Nab the premise of a baseball team being crime fighters, or Gotham being protected by a group of scrappy children whenever the big bad vigilantes are away, or give these colorful kids their Bombshells!backstories.

Also use the Bombshells universe in particular when you're flinging bats across the multiverse. Yeet these babies into a mainline comics verse and let the juxtaposition and chaos run WILD! There's a million and one of these fics for the Young Justice cartoon, I know ya'll can do it for Bombshells

Also. Take every opportunity to give your Batfamily, and your Batgirls in particular, an actual bat. It'll be so much fun, I promise

Anyway, I'll probably be back with another Bombshells rant later, PEACE!

[turquoisemagpie]

Appreciate the little things.

Not to ignorantly deny all of the big bad things in the world, but to survive them.

[takenbytheships]

- mood board as of recent -

~been very preoccupied with school, sorry for the lack of posts 🔖

remember to send me any questions if you feel🍂

[maddie-grove]

Little Book Review: General Fiction Round-Up (May-December 2022)

Maddaddam by Margaret Atwood (2013): In the final volume of Atwood's environmental dystopian trilogy (preceded by Oryx and Crake and The Year of the Flood), the survivors of a manmade eco-fascist plague, along with a population of genetically engineered humanoids, must try to make a life in the ruins. Atwood is one of my favorite authors and, while I generally prefer her non-speculative fiction, I really enjoyed the whole trilogy. She's really engaged with the ideas she explores (mostly related to GMOs and income inequality) and grounds them vividly in everyday life. I especially like the way the genetically engineered humanoids (the Crakers) process the world around them.

The Testaments by Margaret Atwood (2019): In the sequel to The Handmaid's Tale, Atwood tells the story of three women in the same universe: a Commander's daughter in Gilead, a daughter of Mayday operatives living in Toronto, and Aunt Lydia, first seen "training" Handmaids in The Handmaid's Tale. I liked The Handmaid's Tale in high school, but I can't say I came away wanting to know more about that world...yet, as it turns out, I totally did want to know more about the pastel horrors of an elite Gilead girlhood. The audiobook is also top-notch, with Ann Dowd, Ann Whitman, and Bryce Dallas Howard doing the three main POVs.

Magic for Beginners by Kelly Link (2005): In nine "short" stories (many of them are quite long), Link writes about absurd things happening in mundane settings. Pretty Monsters, another short story collection of hers with some overlap, was one of my favorite books I read in 2014, but this time I wasn't feeling it. I'd already read the three best entries: "Stone Animals" (about a nebulously haunted house in a suburb of NYC), "Magic for Beginners" (about a mysterious TV show and a teen boy whose father is maybe trying to murder him via writing a novel), and "The Faery Handbag" (about a girl whose grandmother carries around an entire lost country in her purse). The others never really came together. I might have lost my taste for whimsy.

Dune by Frank Herbert (1965): In the very distant future, fifteen-year-old Paul Atreides has to move to a different planet for his father's work, and it only gets worse from there. I resisted reading Dune for the longest time because it sounded as dry as a desert planet where you have to reabsorb your own urine to survive. However, it fucks. I loved the layers of power dynamics and game-playing, especially in the scenes with Lady Jessica. Evil, horny Baron Harkonnen and his weirdly tragic nephew Feyd-Rautha were also great. I didn't like it so much after the time skip, though, and I think I'll give the sequels a pass.

The Final Girl Support Group by Grady Hendrix (2021): Paranoid and reclusive after being targeted twice by Christmas-themed killers, Lynette Tarkington's social life consists of a support group for "final girls" (women who have survived grisly massacres that were adapted into horror movies). I never quite got on board with this one, for two major reasons. The first is that I was irrationally annoyed by the idea that horror movies were seemingly all one-to-one true crime stories in this universe. That's on me. The second is that Hendrix never managed to convince me that most of these women had ever had a significantly positive relationship with each other. This novel could've been a Toast article.

Horrorstör by Grady Hendrix (2014): Amy, a cash-strapped and unhappy twenty-something working at an IKEA knockoff, is offered a transfer to a better store if she'll stay after-hours to investigate some strange recent happenings. This isn't my favorite Hendrix novel; however, it is the fucking scariest. The characterization isn't as rich as it is in most of his other novels--I would describe it as efficient--but the pacing is effectively brisk and the nature of the fake-IKEA haunting almost made me shit my pants.

We Sold Our Souls by Grady Hendrix (2018): Kris Pulaski, once a guitarist/songwriter for up-and-coming heavy metal group Dürt Würk, now lives a life of resignation as a hotel night manager. Meanwhile, her ex-bandmate Terry Hunt is still a massively successful rock star after going nu-metal...and suddenly Kris has reason to believe that he did something truly sinister to make that happen. After My Best Friend's Exorcism, this is my favorite Hendrix novel. He's unusually moderate in putting his heroine through the mill, both in terms of physical peril and self-flagellation, and balances it with the joy she finds in her creative life. The otherworldly threat she faces is nicely chilling, and I loved the bittersweet ending.

Stranger Things: The Other Side by Jody Houser (2019): In this tie-in comic to Stranger Things, we see the first season from twelve-year-old Will Byers's point-of-view as he struggles to survive in the Upside Down. There's some good characterization of Will and a few cool visuals, but overall it's pretty inessential. The writing is kind of flat and sometimes awkward, and the art style is overall muddy and unappealing.

Mysterious Skin by Scott Heim (1995): Neil and Brian, two kids growing up in the same midsized Kansas town, both have life-altering traumatic experiences in the summer of 1981. Brian doesn't remember what happened, and comes to believe in the following years that he was abducted by aliens; Neil knows exactly what went on between him and his sexually predatory Little League coach, but that doesn't mean he understands it. Several years ago, I saw the 2004 movie version, which is amazing both as an adaptation and on its own terms: nuanced, well-paced, beautifully acted and shot, and faithful to all that's good in the source material. Unfortunately, this did slightly lessen the impact of the (also stellar) novel.

Ghost Wall by Sarah Moss (2018): In the early 1990s, working-class seventeen-year-old Silvie spends a summer holiday in a Northumberland village, reenacting Iron Age life with her churlish history buff father, her downtrodden mother, a pompous anthropology professor, and three of his students. It's promising to be more miserable than your average family camping trip, between the lack of modern tech/food and Silvie's father's domestic tyrannies, but are we getting into The Wicker Man territory? This is a tense, deliciously creepy, and lyrical little novella that I finished in one evening because it was so exciting.

Normal People by Sally Rooney (2018): Withdrawn rich girl Marianne, despised at home and at school, starts a no-strings-attached relationship with working-class Connell, who's handsome and bright but kind of a follower. Thus begins an on-again, off-again thing that will follow them through college and change them forever. I really liked this romance between two troubled yet essentially sensible and sweet college students, although it's a bit slow at times. I especially enjoyed the first time that Connell and Marianne's power dynamic flips; she's kind of an It Girl at university, while he's out of his depth.

Summerwater by Sarah Moss (2020): Several families "enjoy" a miserable summer holiday by a Scottish lake over the course of a rainy day. We get the perspectives of several vacationers--judgmental moms, crotchety old men, worried newlyweds, teenagers desperate for wifi and privacy, anxious little kids--with several dark hints that someone will meet a terrible fate. Moss's writing is pleasurable to read and often funny, but I needed a damn flow chart for these people.

The Brittanys by Brittany Ackerman (2021): Brittany, a Floridian high school freshman in 2004, navigates life in her gated community and her suburban high school, hanging out with her friends (most of whom are also named Brittany) and wearing low-rise jeans. Maybe I was unduly influenced by the author being named Brittany, but this novel reads like a bunch of fond adolescent memories with the occasional gesture at some larger meaning. It feels like the author couldn't decide between trying to do an emotional mid-oughts coming-of-age story (like Lady Bird) or a slice-of-life portrait of a certain type of high school experience (like Fast Times at Ridgemont High). The stakes aren't high enough for the first (the biggest through-line is that Brittany's BFF Brittany might be a lesbian but neither of them seems to know it) and the scope isn't wide enough for the second. I think the book would've been better off as, like, two short stories.

[fumifooms]

<3

[a-ramblinrose]

📖 Little Free Library Walk Moments 📖

[su4vz]

“I know you’re out there,” she said again.

Silence, again—and then a familiar, if tinny, voice: “No, sunshine, you don’t.”

[ahappydnp]

hello ahappydnp

I wanted to complain about bad timing of things lol I’m in law school, my first semester, and I get my grades back on the 10th but dnp will prob be pajama week’d up, so parasocially I won’t have any fresh content to roomba up and distract me

congrats on finishing your first semester!!! i think you should reward yourself by having your own pajama week and rewatching a series you haven't seen in a long time like undertale orrr sap from the beginning (x) or if you want more chill vibes pick a year and watch all their old younow shows (x)(x) <33 those are always fun to revisit because you will ALWAYS find something that hits different now

[meredithmcclaren]

Hello!

@andyharvest and I got a really nice review from Kirkus the other day on our upcoming book CRUMBLE! (out Feb 2025)

I'm so happy this book is coming into the world and that soon other people will get to read it! <3