#literally one of my favorite things

[killugon-truther]

i’m actually this close to taking screenshots of every single visual killua & pitou parallel in the CAA bc there is MULTIPLE of them & they’re all so good & deep & their similarities make me feel like i’m going insane.

[iliketowatchmyblobrossuffer]

God though that moment when a Whumpees rescuers find them or like even just see them for the first time after the Whump the horror the anger the softness I am such a sucker for that so much character can be communicated in that momment of reaction it’s soooooooo good

[frogsandmagic]

There’s honestly something so poetic about Wendell and Usha both having this big moment of confronting their alter egos,

but while Wendell is learning how to become one with his persona, Usha is slowly being taken over by hers.

[biggest-gaudiest-patronuses]

weird hearing "were you a Theatre Kid" "were you a Sports Kid" "were you a Choir Kid" "were you a Dance Kid" bc no? i mean i did all of that and more but resented ever minute of it? actively avoided sticking with anything? i was a "In This Family After School Activities Are Mandatory Kid"

[hiding-under-the-willow]

anyways. What

[kyberkanan]

it’s thinking about anakin and luke hours

[novodontia]

lil pootis save me.... lil pootis.... save me lil pootis.....

[rendevok]

“Take my hand” pages 12-15

1 - 2 - day 3 - 💙free day❤️ - 4

[awaywithself]

Thinking about zosan where they butt heads during the day, shoes to blades, scalding words, scathing glares. while none of it holds any real weight, they still play up this grand facade of hating each other, swearing by the stars they can’t stand to be in the same room.

but when night falls, those same stars pay witness to how zoro lingers in the galley as sanji cleans up after dinner, dozing off to the gentle clinks of washed plates. they see how sanji climbs up to the crow’s nest long after everyone has fallen asleep, with blankets and a bottle of zoro’s favorite sake in tow.

they see how zoro ambles into the men’s quarters after night watch and clambers into his hammock, bumping not-so-subtly into sanji’s. they see how sanji gently rouses at the movement, and when zoro’s settled, his breathing even, he slides out of his own bed and climbs in with him. he nudges him over, zoro huffing with childish and weightless petulance as he shifts to give sanji the space to curl into his side. they stay like that for however long the darkness of night lasts, sanji’s head on zoro’s chest and zoro’s arm around him, tucked close into each other, warm under the blankets and briefly, blissfully impervious.

and when the sun rises, chasing away the stars and their secrets, they part and do it all over again.

[thelaurenshippen]

911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this

[carnivalcarriondiscarded]

i saw them in the cookbook pages and Immediately thought of this meme:

[morganbritton132]

17 year old CEO Tim Drake sending out a company wide email letting the board of directors know that he won’t be in the meeting this afternoon because he’s going to the DMV to get his driver’s license. Lucius Fox will be there in his place.

This is the third time he’s missed a meeting for this reason. Also the third time he’s sent this email to everybody in the directory.

[lemongogo]

they should get to kill each other at least twice .i think

[deimosatellite]

like idk it just seems actually nefarious to take one of the very few widely known instances of queerness in older history being a symbol to show queer people that we've always existed and aren't alone for CENTURIES and taking away the queerness from it. like. i know some people say that ''the queerness isnt important in the book" which i mean in my opinion i could go off for 10k words in an essay as to how basil's love for dorian is integral to the story BUT EVEN APART from that its really just. having a real explicitly queer character in such an old and widely regarded classic novel is HUGE for queer history and this is just. literally like. its 2024. why are you doing queer erasure to DORIAN GRAY

[royaltea000]

Don’t let me cook

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.