#literally I have never seen people so obsessed with a character they DON'T like

[preciouslittle-bhaalbabe]

Just a general PSA. If you don't like Ascended Astarion and avoid media with him in it, I would just block my blog. I post both routes depending on the playthrough and I do have fun with both routes. So if you come onto my page and use my asks box to insult me and my choices in a video game based off your distaste for a fictional character, I will be blocking you. Anons doing the same thing will just have thier ask deleted. I will no longer be answering asks that attempt to "educate" me on how A!A is abusive and I'm romanticising it by playing that route. I don't care what you think of me based off the very little information you have. If you think I'm a terrible person because I like to play evil routes in video games that's fine. Keep it to yourself <3

[artsy-waffle19]

They literally put Edwin through every possible gay-romance trope but made it realistic and that's so special to me like

we got the "probably former friend can't handle feelings and turns into bully instead" but it doesn't end with them, making up and being happy, they break apart, things escalate and they both suffer from that situation for a major part of their existence. With a bit of luck and a LOT of growing they manage to talk it out and the victim finds it in himself to forgive his bully but it's never going to be truly fine. But even though they both suffer tremendously, they are faced to deal with themselves in the process and find a kind of peace they wouldn't have gotten otherwise. Because maybe it's better to hurt for a long time only to realise that it really doesn't have to be torture to be the way you are and finally freeing yourself entirely than quietly live without the conflict but also without the realisation and resenting yourself for its entirety.

then there's the situation with the cat king. Older, emotionally unstable guy obsesses over younger inexperienced guy who actually understands him and causes some sort of gay awakening. But instead of some "I can fix him" bullshit with them, ending up happily ever after because "they're the only ones who understand each other"TM we get to see Edwin set boundaries and standing up for himself which benefits the both of them. For Edwin this ends in going "Hey thank you for opening that door to discovering that part of myself but I'm actually gonna have to leave you at the doorstep now" and for the cat king it ends up with him actually feeling seen because for once somebody didn't fall for his probably usual game of "I'm bored so I'm going to make a game of getting that guy to do what i want by seducing him". The fact that they don't end up together is the reason they were good for each other.

Also the situation with Monty which is basically the experience of a lot of queer peoples first relationship. They meet and they're both somehow new to all of this. Being queer, relationships, all that stuff. And they get along and share some interests, they like soending time with each other and technically it's like in a romance book because they meet and one of them is immediately interested and then they talk and they sit on a swingset and they kiss. And there's the excitement about "apparently I'm making my first experience with romance right now" and the worry of "I'm queer...I have it harder with relationships...what if this is the best option i have? what if it's the only one?" so they go through all the romance book tropes but the spark simply isn't there and it ends in one of them getting way more invested tha the other and they eventually end up breaking up in blood. But in a way both of them got an idea about what they actually want in life out of it so even if that sone didn't end well, it did give them something.

And last but not least the "in love with best friend who likes someone else/someone of the opposite gender specifically" but instead of having that best friend be secretly in love with the character all along or suddenly turn homophobic and the friendship being ruined they talk about it and they move on and the friendship isn't damaged and in a way it might even be better because sometimes our feelings are unrequited and sometimes that's okay.

I just really really love how the show took all of those options for cheesy and in a way sometimes even forced romance tropes and went "hey, life is not a romance novel but actually that kind of makes it better because look where it got you now"

[bluebasie]

Sanegiyuu Makes So Much Sense!!

I absolutely adore the ship of Sanemi and Giyuu and it never fails to confuse me when people say they don't understand why people ship them or when people say it makes no sense, especially when compared to other ships. I understand it's one thing to personally not ship Sanegiyuu because obviously it's just not for everyone and other people prefer other ships, but I definitely feel like I can confidently say that the ship makes a ton of sense from a character perspective. 

Firstly, Sanemi and Giyuu have this mutual interest in each other that just isn't displayed when Giyuu or Sanemi interact with the other Hashiras or just others in general. While Sanemi loves to say that he hates Giyuu’s attitude he could just as easily just ignore him and leave him alone since he ‘dislikes him so much’. But clearly Sanemi has some sort of interest with Giyuu as seen when he gets so worked up when Giyuu tries to leave the Hashira meeting after it was over in comparison to the other Hashiras who albeit showed care for Giyuu’s abandonment, they all remained seated except for Sanemi who tried to physically force Giyuu to stay. If Sanemi really did dislike Giyuu’s presence he wouldn't have cared if Giyuu left or stayed but the fact that he wanted him to stay shows he does care about him even if it was negative at first. Then there was their whole sparing scene in which Sanemi apparently stormed to Giyuus house to try to talk to him or at least get some kind of reaction out of him which clearly shows Sanemi’s abnormal obsession with Giyuu whether it be his actions or trying to understand him. Then when Tanjiro 'interrupted’ the two fighting Sanemi seemed to gain a new layer of protectiveness that he clearly didn't have while fighting when he noticed Tanjiro’s presence. While Sanemi seemed unrestrained and free while fighting Giyuu with an onslaught of loose movements and confident attacks as if his spar with Giyuu was a form of stress relief for him, when seeing Tanjiro and realizing his spar with Giyuu was being perceived by another he immediately put his borders back up. Sanemi immediately came to the conclusion that Tanjiro was spying on them as if their spar was a private moment between two close companions. Sanemi already seemed to get defensive when Tanjiro arrived but when Tanjiro revealed Sanemi enjoyance of frivolous things such as ohagi and green tea and Sanemi’s persona as some kind of extreme tough guy who didn't care for things such as sweets was broken obviously Sanemi started to get irritated. What's interesting about this scene though is that it isn't until Giyuu comments on Sanemi’s affection for ohagi does Sanemi crash out and punch the lights out of Tanjiro. It's just so obvious that Sanemi was embarrassed that Giyuu could think he's soft which just provided another example of Sanemi caring what Giyuu thinks of him when he clearly does not care when it comes to others. It's just too funny how much Sanemi cares about Giyuu to the point where the scene right before THE ENTIRE INFINITY CASTLE ARC AND THE DEATH OF SO MANY CHARACTERS he is literally just storming off and steaming at the thought of “what would have happened if Tanjiro didn't interrupt”.

It’s even more hilarious that Giyuu, the character that is literally known for being antisocial and having no friends, just wants to be Sanemi’s friend. Giyuu has Tanjiro and Shinobu and definitely a few others who are trying or have tried desperately to befriend him with absolutely no reaction but apparently Giyuu decides that he wants to befriend the unapproachable guy with anger issues who says he dislikes him. I'm sorry but that is such homosexual activity I don't even know how else to put it. Like Sanemi literally barged into Giyuu’s house, fought him, knocked his little brother out, and stormed off without a word, and all Giyuu can think of afterward is how happy he is to know Sanemi’s favorite food and is already coming up with a sad plan to win him over. This dude is really smiling and all thinking of his perfect future interaction with Sanemi with floating flowers in his little fantasy. I also just love the idea that he uses Tanjiro as his little wingman to help come up with ideas to win Sanemi over that all probably fail miserably just like the ohagi. 

Sanemi and Giyuu have been set up from the beginning and you can see the future of their relationship from the fact that Giyuu’s voice was enough to distract Sanemi enough to get hit by Tanjiro who was a much lower rank than himself in the scene of Nezuko’s trial. The characters have been set up as parallel characters throughout the series in so many ways it's hard to not spot the special relationship between them that isn't there between other characters. Their character design and personalities are already foil with Sanemi’s white hair and impulsive and explosive personality compared to Giyuu’s black hair and calm and collected personality. There is Sanemi’s ability to speak his mind at all times and Giyuu’s inability to speak his mind at times at all. There is Sanemi’s main emotion and expression being one of anger with Giyuu’s being sadness. Another big foil being Giyuu’s compassion and trust towards Tanjiro and Nezuko and their situation while acting as an advocate for them while Sanemi had clear mistrust towards them and their situation acting as their biggest opponent during Nezuko’s trial. Finally, there is the fact that Giyuu’s fighting style is one that revolves around ultimate defense while Sanemi is one that focuses on the ultimate attack. Just by noticing their opposites you can tell the importance of their relationship, but this continues throughout the series in which they are the ONLY two hashiras to survive which was definitely done for a reason. Their relationship is also displayed during their clash to turn their blades red showing their status as equals. The fact that they are the two last Hashiras ties them together even more seeing as after the war they both kind of don't have anyone to lean on besides themselves with the Kamaboko squad all living together and the Uzui’s having each other, Sanemi and Giyuu don’t have some big family to stay with, so they hang out with each other as seen in the panel why their having lunch together.

Out of every non canon ship I truly think thank Sanemi and Giyuu have the most developed and well written relationship down to basic characterization to where these two seem like they were really made together as a pair. Even though they aren’t canonically romantic, their relationship is written better than some actual cannon ships and I think some people should look more into the smaller details when it comes to this ship!

[wilwheaton]

favorite goncharov character

Goncharov! Holy shit I haven't thought about Goncharov in YEARS!

I remember seeing it at the Vista theatre downtown in ... I want to say 1983? It was either 82 and I was 10, or 83 and I was 11. Now that I think about it, it must have been Spring of 83. I remember that Kimmy Mendini was my babysitter, and she drove my friend Ahmed and me all the way downtown to see Goncharov. She would have been at least 16, but I feel like she was a little older. I remember that she LOVED movies and just never stopped talking about European cinema.

Ha! I can still her her sort of roll "Cinema" out of her mouth. Movies were for the masses to watch, while sophisticated adults experienced Cinema. I'm just realizing now that she absolutely pronounced it with a capital C. She was like "you are so lucky to see a clean print of Goncharov!"

I had no idea what a clean print was, but I understood it was important and impressive.

She had read about this screening in the LA Weekly, which I didn't know at the time was TREMENDOUSLY subversive in our suburban part of Los Angeles County, and we were going to an old theatre in maybe not the greatest part of town, but Kimmy had been watching me since I was in second grade and was like my big sister. I knew we'd be safe with her.

That old theatre (which is now a fucking swap meet) was just so beautiful inside. 100 foot ceilings, box seats, gold paint and murals. It felt like a place you went to experience Cinema, but, like ... it had absolutely seen better days. I remember that I felt kind of bad for the place, a little embarrassed, like when I got a good grade and accidentally made eye contact with a friend who got a D.

Okay. This clearly hit a memory artery, and I appreciate you staying with me this far, when we finally get to the fireworks factory. We're walking up to the box office, and she tells Ahmed and me that we have to wait on the sidewalk, because *technically* it's rated R, and she's not our legal guardian, but what does this guy making two bucks an hour know about art anyway?

So we wait. She buys the tickets, and then we all walk in as casually as we can.

I remember how scared I was that we were going to get caught and they'd call the cops (that's how it worked in my anxiety-ridden brain), but literally nobody cared. The theatre wasn't even half full, and everyone there was a dude at least as old as my parents.

You know the story, so I don't have to recount all of it, but I can at this very moment remember how shocked I was when Bruno was shot. This was the first time, ever, I had felt an emotional connection to a character. I didn't cry when Bambi's mother was shot, I didn't cry when ET died, I didn't cry E V E R.

But when Bruno died? I didn't make a sound. I just silently wept. Tears just poured down my face and I wanted to roll back time, rewrite the movie, and get him out of that room.

I obviously understand now, all these years later why I connected to him and why his story meant and means so much to me, but at the time I had no idea. I just thought the actors were that good.

I can't believe that guy who played him died so young. I think he was like 40? I remember thinking that was old. Now I know different.

When the movie was over, Kimmy asked us how we liked it. Ahmed was obsessed with the photography (he grew up to be an illustrator), and I obviously had my Bruno Moment.

We got Thrifty ice cream on the way home and listened to Donna Summer in her Datsun.

I haven't thought about Goncharov or Cinema or Kimmy in FOREVER. Leave it to Tumblr to boost my nostalgia check to a natural 20.

tl;dr: Bruno. I know he's supposed to be that character we all hate, and there are so many valid reasons for that. But when I was 12 ... well, I was a different person.

Oh! And now that I know what a "clean print" is, having seen so many "dirty prints" in revival houses before they all turned into swap meets or churches (hey, two places where people sell you stuff and take your money!), I retroactively appreciate it in a way that would make Kimmy happy.

Thanks for the trip into the crumbling mall that is my childhood memories. I haven't been here in awhile and it was nice to visit.

[jogetsobsessed]

Always an Angel - Paul Lahote

Ok, I've been obsessed with the lyric “Always an angel, never a god for a few days now. I don't know why all of a sudden but it's been all I can think about. I know there are a bunch of literal interpretations but I look at it as a version of “always the bridesmaid, never the bride”, always the side character, never the main character. So I hope this comes across how I want it to lol. 

Also, the timeline is kinda messed up in this, just live in ignorant bliss and ignore it pls, and thank you!

---------

Always the option, never the priority. 

Always the bridesmaid, never the bride. 

Always the lover, never the loved. 

Always the fighter, never the fought for. 

Always an angel, never a god. 

------------

You were used to being sidelined, looked right through. 

No matter what you were doing, or who you were with, you were never the main focus. 

Growing up boys never spared you a glance, your best friends being the main targets for their glances and flirty remarks. You were never the one asked to dance, always the one asked to hold a friend's purse or bag. If the car was full on the way to get ice cream, you were always the one that was going to be left out. You never learned inside jokes and standing alone at parties, you didn't even know why you went, it's not like anyone would notice if you left anyway. 

At night when you would break and confide in the one person you knew truly loved you she would always question why you remained friends with the people that caused you so much pain. And through your blubbering, you would look at her like she was crazy. Explain to your mother that it must have been too long since she was a teenager. Because that's not how it works. Living in a small town the pool of potential friends is small, and having friends that treat you horribly is better than having no friends at all. 

You would apologize to her years later, after maturing, and realizing that the remarks you directed towards her were uncalled for. The anger you threw her way was misguided and unfair. She didn't deserve the way that you treated her. 

When Bella Swan moved to town you thought everything was going to change. She was from a big city, you didn't know much about Phoenix but you knew they probably didn't harbor the same small-town mindset that Forks did. 

She had no clue who you were. She didn't know the unspoken reputation that hung above your head like a storm cloud. 

And at first, you were right. 

The two of you became friends quickly, Bella taking a liking to your quiet demeanor, such a drastic change from Jessica and her goons. 

Your friendship appeared surface-level, to everyone but the two of you. In school, you both kept to yourselves and didn't talk much, even to each other. You would drag her along with you when you gathered the strength to hang out with your old friends. But you didn't do that often, seeing as they saw her as a shiny new toy and didn't treat her as a second-class citizen. 

But after school the two of you would talk, your friendship would come alive in the comfort of your own homes, and you two would look like actual teenage girls and not two seventeen-year-olds who should be on the highest dose of Lexapro. 

She was the first person that you saw as a true friend, that was until she committed, in your opinion, a cardinal sin. 

Bella had gone off the deep end and you hadn't seen her in days. But that was normal, she would spiral, skip school, and then show up as if nothing happened. So you weren't concerned, sent her a few texts checking up on her and getting one-word responses back. Then the following Monday came around. You were waiting by your truck, lazily twirling your hair, eyes glazed over as you dissociated waiting for the bell to ring. 

But amid your dissociation, you were pulled back to reality when a shiny black Volvo came to a screeching halt a row over. You knew who drove the expensive car so you tried to be as nonchalant as possible as you peered over your shoulder to get a good look at the owner. 

You wished you hadn't. 

Because getting out of the passenger seat was the person that you considered your best friend. Your best friend was sitting in the passenger seat of the car of the guy you had a crush on since he arrived at Forks High School. 

She knew about your long-standing crush on Edward, she was the only person other than your mother who you had told. It came tumbling off your tongue one late night about a month after she had arrived in town. And you had sworn her to secrecy, begging her to never tell another soul. 

But now it seemed to not matter, she had broken your trust and your heart. 

------------------

The next year drug on. With Bella being completely infatuated with Edward you were left to crawl back to your old friends. They accepted you with barely open arms, reluctantly saving you a seat at the lunch table, sometimes sending you the location for Friday night activities. 

When the Cullen clan abruptly left Forks Bella did to you exactly what you had done to your friends months earlier. Part of you didn't know why, but you let her back in, although this time keeping her at an arm's length away, never fully trusting her, 

Eventually, however, Edward came back. First making his appearance walking hand in hand with Bella in the dreadful hallways of Forks High School after she had disappeared yet again for a few days with not even a courtesy text. 

This time seeing them together didn't feel like a hot knife was piercing your skin. How could it, you no longer felt the same that you had for Edward. Because he had proven himself to be just like everyone else. He made you feel invisible. 

------------

The heat of late spring had arrived and you took in all the warmth that you could as you walked down the small rocky path to the mailbox. Graduation had come and gone and you found yourself in isolation. The people you had forced yourself to be friends with in high school no longer mattered. You didn't have to play the uncertain game of high school politics anymore. Starting university was on the horizon and while you dreaded leaving the comfort of home you were excited, this was going to be your chance to reinvent yourself. You were no longer going to be the person no one cared to look towards. 

Pulling out the various envelopes you felt your heart stop beating when the light lilac envelope was pulled to the front. You knew what it was, you didn't even have to open it. But you did, ripping it open, praying that you hadn't torn apart the coveted invitation. Sure enough in bold letters, you read “Edward Anthony Masen Cullen and Isabella Marie Swan request your presence…”. 

The phone call with Bella that night was awkward. You haven't talked much since graduation but she assured you that she wanted you to be at the wedding. You had wanted to push and ask her why she was rushing to get married. I mean you along with everyone else knew that they had only known each other for a year and hadn't been dating for the entirety of said year. But she sounded happy, the happiest she had ever seemed. So you didn't say anything, instead prying for details about the impending nuptials. 

-------------

Thousands of flowers cascaded down creating a custom perfume in the air. Your eyes darted between the bunches of wisteria and sweet peas and you were in awe. The wedding had snuck up on you. So much had happened over the summer leaving you feeling unprepared to start school in the fall. Leaving you to make one of the hardest choices that you had ever made, deferring your acceptance into your top school to the following fall quarter. 

So when you got a reminder on your phone that read “Bella and Edward wedding tmr” you were at a loss for words. I mean you had everything you physically needed, a dress, a present, the right pair of shoes. But you had forgotten one important thing, a date. 

It wasn't going to be the first time you had shown up to an event without one, but it was probably going to feel the most embarrassing. 

So here you were, standing next to your group of “friends'' from high school as they gossiped about the possibility of Bella being pregnant. “What do you think?”Erik asked you, giving your arm a soft nudge with his. “I don't know guys '. Jessica of course had a counter, pointing out that out of the group you were the closest with her. Luckily before you had to come up with an excuse of why you didn't know for certain the music began, signaling that it was time for everyone to turn their attention to the altar. 

A few tears managed to slip down your cheeks as you watched your sometimes best friend say “I do”. In that moment all the turbulent times the two of you experienced didn't matter. You were just happy to be in the presence of two people who were madly in love and confessing it to each other, permanently sealing their love with a dramatic kiss. 

The reception area was decorated equally as beautiful. You were grateful that Bella, or more likely Alice had set you close to the dance floor. That way you could watch people without feeling like a total loser, hanging out in the corner by yourself. At least this way you could still enjoy the happiness of the other guests without feeling the gross amount of body heat from the dancing bodies. 

The ice was melting quickly in your lemonade, the night had not been rewarded with a cool late summer breeze so you were appreciative of the cool drink. The night had seemingly been going according to plan. Your ‘friends’ had migrated to another table across the dance floor with the excuse of wanting to talk to some of the other guests, but they had not returned in almost two hours so you were holding your breath. 

Mentally you were planning your escape plan, glancing at your watch. Waiting for an acceptable time to leave, not too early into the night but not too late that you were leaving only minutes before the bride and groom's big exit. As you granted yourself yet another glance at the heirloom watch you wore and looked back up a gasp unwillingly left your lips. 

The mystery man, who looked almost familiar, chuckled at your surprised look. Confidently he took the empty seat next to yours, turning his body to give you his full attention. “May I help you”, you didn't recognize your own words, your tone was a bit rude and you didn't even give him a second to introduce himself after she sat. 

“I’m Paul Lahote”. 

Once he gave his name to you your eyes moved up to meet him and the electric shock that you felt in your veins almost felt real. There was no doubt blush forming on every inch of your face and you were praying that the low light of the Edison bulbs did a good job at protecting some of your dignity. You gave him your name, barely squeaking out your last name. 

Things like this didn't happen to you. A man that looked like him didn't talk to you. A part of you wondered if Jessica or someone like her had already turned him down, because let's face it, you were always the option but never the priority. 

“I think you should share a dance with me, no pretty girl like you should be sitting alone at a wedding”. The flare in your cheeks was visible now, you were sure of it. No matter how low the light was you could have sworn a red glow was emitting from your body, like an accusing halo. 

“Paul…you don't have to dance with me, I was just getting ready to leave”. Gathering your belongings as you begin to stand up. “No!”. He said, eyebrows raising to the top of his forehead once he realized how loud he exclaimed. Sheepishly he looked around offering small smiles as an apology to a few of the guests who looked at him like he had three heads. 

“Please, I noticed you when I walked in before the ceremony and I haven't been able to shake you from my eyeline all night. I don’t think I can take no for an answer”. 

The fact that your heart was still caged behind your chest was an act of god. Because at this point it should have flown away due to how hard it was beating. You were at a loss for words. The thought that someone was putting you first, taking interest in you was unbearable. And you were crumbling at his gaze. 

His outstretched hand found yours that you slowly had begun to uncurl from against your body. Swiftly he whisked you out onto the dance floor, pulling your body flush to his. 

Clumsily your feat matched his falling into routine with his steps, your body swaying in unison to the light melody. He hummed along softly to the quiet music as he kept a firm grip on you, almost like he was afraid to let you go. 

The song ended and awkwardly you looked around not knowing what to do. Paul however looked happy as can be, letting go of your hand but keeping the one on your lower back in place. He led you back to the table where you had spent most of the night, pulling out your chair before you could even react. You thanked him as you sunk into the back of the chair trying to ground yourself. 

“Man, I feel like the luckiest guy here at this whole damn wedding I got to dance with the prettiest guest of them all”. He said matter-of-factly triumphantly, taking a sip out of the glass he abandoned when he first approached your table. You scoffed, there was no way he was being for real, the alcohol had to have been getting to him now if he was saying such an untrue statement. 

“I think you've had enough”. Your voice was shy and your eyes barely peeked through your almost closed eyelids. The embarrassment you hadn't felt earlier had returned and you were suddenly hyper-conscious of everything happening around you. 

“Doll this stuff doesn't make me feel anything, you, however, are making me feel alive for the first time”. His drink was abandoned yet again as he scooted his chair closer, invading your bubble, and causing you to squirm under his gaze yet again. 

“Paul, I'm flattered but again I think your choices are impaired. There's no way you feel anything like that for me”. 

Paul was out of his chair before you could continue your babbling, cutting you off by capturing your lips in his. 

After he pulled back for air his forehead rested against yours, the two of you matching your breathing. You were yet again at a loss for words, kissing the hottest boy at your best friend's wedding was not on this year's bingo card. But as per usual it seems Paul had the perfect thing to say, “My angel forgive me if this is forward, but l you need to let me love you, I have a feeling that you're gonna be stuck with me for a long time”.

[nalooksthrough]

Dale Dimmadome Analysis (with screenshots)

Dale is one of my favourite characters on the show. He's a funny evil man, that amuses me with his antics and his role as a child slave/kidnap victim in the original series leaves a lot to be explored.

This analysis will be talking about his attachment to money which trust me is a lot more interesting than it sounds. This will be quite a long post. I'll put a cut under this paragraph, so that the people who aren't interested don't have to scroll through the whole post.

Going to assume that since you decided to keep reading, that your interested in what I have to say. This analysis will only be covering "Stanky Danky" and "Lost and Founder's Day" with a brief mention of "Operation Birthday Takeback". I think those two episodes are more than sufficient enough to convey my point.

When we first meet Dale in "Stanky Danky" he's seen coming down from a helicopter, onto a big stage to sell products to people. He appears to be level headed with confidence oozing out of him. But this changes the moment he realises that people aren't going to buy anything.

He almost immediately starts to panic.

He starts shuttering as he calls out to the crowd to buy more things.

His panic becomes anger. Briefly switching back to panic before fully settling into anger. His anger then becomes targeted at the person whose telling these people not to buy from him. He questions who this girl is, what's her name.

Once he's learnt her name. He starts thinking up a way he can stop her and get the customer's interest back.

And once he's found it he strikes.

Going as far as to kidnap Danky and emotionally manipulate him just so he can get what he wants.

Leaving the monster in an isolated area of his estate when he's not of any current use to him. I mean talk about becoming your abuser.

And when Hazel and Danky leave he rushes out calling out to the trash monster, saying that he was "like a son" to him. Trying to appeal to Danky's emotions, desperately trying to get him back. All so he doesn't lose that source of profit.

And when he starts losing all his profits at the end of the episode he falls to his knees, wailing in a fit of despair. He's obsessed with money, he needs it and he's willing to do anything to get it. This obsession of his is best shown in "Lost and Founder's Day"

He spends the first portion of the episode happily monologing as he explains how his Dim Watches "tickle" a child's brain to indicate when they want something. Everything is going exactly as he planned.

Until it isn't.

The moment he spots someone not buying anything he starts getting angry. Ranting at the screen.

His anger only growing more when he realises that this "anomaly" is stopping other people from buying things too.

And when Dev points out that stuff is still getting sold and they are still earning money. He shuts him down.

Stating that while yes people are still buying things. The profit he's making from the festival in going down. And he is not happy about it.

In fact he's so enraged by this that he starts to send drones and his son after it so that he can "learn it's secrets". He can't handle the idea that someone doesn't want to buy anything from him.

And when that doesn't work, he activates the statues. Putting the whole festival on lock down until he can track down the "anomaly".

And when a drone points out how counter productive terrorising the festival attendees is to earning money and making a profit. He quite literally shuts it down.

And at the end of the episode, when the statues are put to a stop and everyone leaves.

He's back in that pit of despair. A literal stream of tears flowing out of his eyes. And he so affected by this that he spent literal months studying this "anomaly" figuring out why it didn't seem interested in buying anything during the festival. And the thing is. If he had just left it alone. The festival would have gone on without much of a hitch. But he just couldn't, because it was never about the money. Not really. It was about him.

It's clear that he puts a lot of value onto money. More than most. With money being tied directly to his identity and sense of security. The more money he makes, the better he feels about himself and when he starts to lose money, he takes it as a direct attack on him. He knows what it's like to have nothing and he doesn't ever want to be in that state again. So he obsessively tries to earn more and more in order feel secure in himself. But it's never enough. And when someone threatens that security he goes on the defence. Even at the cost of the losing other potential sales.

And when he loses all his profits and is no longer generating money, he breaks. And for a brief moment, he's no longer Dale Dimmadome owner of Dimmadome G0bal.

He's Dale. A frighten young boy working in a factory underneath a lemonade stand, whose only wish is for his father to come and rescue him.

[cybertron-after-dark]

I was gonna ask a question but i honestly forgot it 😅 so just tell me something you want to rant about

If you do happen to remember what you were gonna ask feel free to do so, do not worry about spamming my inbox bc I live for that shit.

As for the rant

Transformers Rescue Bots had some of the best, kindest, and most respectful representation of neurodivergence I have ever seen in media and I'm tired of pretending it didn't.

While there are obvious complaints to be made about neurodivergent traits (especially autistic traits) usually being portrayed in media by inhuman characters like aliens or robots, this being a case of both, I feel like thats a pretty negligible sin given just how human the show makes the robots feel. (Also it was like 2011 and we were STRUGGLING for any scraps of rep anyway)

But like. The behaviors all these robots exhibit are all shit that I do that was always deemed unacceptable when I was a kid and seeing it portrayed with the level of kindness and gentleness they do in that show has me fuckin crying a little man. I wish I had actually watched it when I was younger and it was first airing because maybe if I did I would've had an easier time explaining what the hell was going on with my brain a LOT sooner.

Blades being anxious, overly sensitive, and WHOLEHEARTEDLY queer (which they had the absolute unparalleled balls to just casually confirm by having him swoon over "hunky vampires" in one episode and NOBODY commented on it. Fucking iconic) and getting so so deeply invested in the shows and movies he loves that he acts out the roles with enough passion to steel his nerves and completely flourish.

Boulder getting really confused at concepts that are basic and intuitive for most people, but still being so fucking intelligent, and never being made to feel stupid for the mix-ups, as well as just being so wholely, unabashedly in love with the planet he's found himself on, even if he doesn't understand all of it (Also apologizing to inanimate objects when he knocks them over 😭)

Chase being obsessed with rules and law because he NEEDS the structure to not fall apart at the seams, even feeling the need to fabricate a minor crime to justify using the emergency line to get a hold of the firehouse when he can't find the other bots. As well as just fully not understanding comedy (BUT TRYING HIS DAMNEDEST), taking things super literally, and having a lot of trouble with tone and expressions (even though you know just how deeply he feels All The Time).

Heatwave being desperate for attention and recognition, but completely allergic to asking for it. And honestly allergic to showing any genuine emotional responses other than aggression. The constant sarcasm and sass and defensiveness that he POORLY maintains because everyone knows that underneath that tough guy front is the loneliest robot on earth that wants to be loved SO bad but would rather jump into unicron's mouth than voice it because if he lets his guard down who knows what will happen to him or the people he cares about.

Just. All of it man. Seeing them exhibiting all these behaviors and quirks that all too often get met with poor reactions from people who don't want to deal with what they don't really get, but here they're met with patience and understanding?? It's got me fucked up. They get to be functional adults that struggle with what they have going on but still push through. They get to have unconditionally loving relationships with people that treat them with respect. And that's the kind of shit that gives me a lot of hope for folks like me because maybe some neurotypical kids that watched it picked up on what's helpful when their friend who acts like one of the bots is going through it. And maybe some neurodivergent kids watched it too and for the first time they just felt SEEN.

Okay rant over, I'm gonna go cry over some plastic robots 👍

[kingscourthouse]

hold up i NEED to know more about your Xisuma Views thing.... I just saw the art with Joel and i'm obsessed

Well it's just how it sounds, it's Xisuma's view of the world. Unlike other players, he can't see the layers they have to hide.

Lemme put it like this. You're making a minecraft skin and have your second layer, yeah? That's their base layer. And then there's a second layer that's more heavily concealing.

Xisuma isn't from minecraft and his code is glitched, so not only do layers not work for him, but he can't see the layers either. Some people use only base layers to hide "actual forms" if they have one, and others use a second layer to hide scars or parts of their body that don't need a heavy cover.

So Xisuma sees people in a bit of a weird way. He thinks how he sees people is how everyone sees eachother. He sees their true character.

Skizz is a really nice guy. He's always looking out for people, tries to be there for someone, some people say he acts like an angel.

And so Xisuma never questions it. He sees Skizz as an angel, other people supposedly see him as an angel. Skizz is just an angel, why would anyone see anything else? It's just Skizz.

Though the Skizz people actually see is his layers with the torn suit and brown hair. The layers also affect his interactions with people too. If he's around Skizz, he tends to squint alot or avoid looking in his direction if he's not in his armour. Skizz is blinding to Xisuma, so he has trouble looking at him. Though Skizz does have features, but he's too bright to see any of them.

Xisuma also has a type of layer as well, but it's not on him. He's too broken in the games code (that's a whole 'nother can of worms) for him to use layers. So what does he do? He adds a layer to everyone else.

Xisuma doesn't leave hermitcraft too often, so everyone outside it will see what he really looks like. In the server though? Everyone has a layer that covers Xisuma from their eyes. He's lucky his admin panel isn't from minecraft or else he'd be screwed.

What's fun with Xisuma seeing people's real forms is that (in my au at least) he's kind of a grey character. If there's ever a fight or spat between hermits, he can have trouble taking sides. Not all Hermits are angelic or aliens like Skizz and Joel. There's hermits who are monsters and beings who do or did bad things in the past. Not all Hermits talk about those things.

He can get better insights to people's decisions or just things about them. Joel has a habit to make things around bright areas or access to a lot of light. Maybe because he's made of it. Skizz only ever keeps one pair of elytra. Maybe because he's missing his second pair of wings that can't glow anymore.

He can see people for who they were. Keralis is an eyesore (literally) and can hurt to look at. Grian has too many evenly split scars across his body and Xisuma knows what's behind them. Doc isn't a creeper.

There's a lot to Xisuma's View thing and I do wanna eventually start drawing how everyone looks to him, but I'm indecisive and don't know where to start. So idk maybe I'll open ask box for hermit requests. Can be interactions between Xisuma and specific hermits (both ones seen and not) or it can just be their design.

Idk but feel free to ask about them, I have designs for every hermit, empires member and even everyone in the life series. So he's got plenty of people to show you.

[quirkle2]

something i've noticed in my obsession with ritsu kageyama is that he underestimates people a lot

i think the first example of this is in episode 8, and it's absolutely littered throughout the rest of season 1. it starts with koyama, and the way ritsu says, "that guy is finished—it's over," when shigeo reaches 100%. while he Does have good reason to believe this, and so does the audience, koyama still manages to "win" by pulling a trump card that completely negates anything shigeo would be able to throw at him

when he's locked up with the awakening lab kids, his first idea is to act like he and the others don't have powers at all, which Wildly underestimates claw's communication between members. ritsu was literally noted to be an above-average esper, and "special treatment" was suggested for him. the fact that he even thought that would work at all suggests he either thinks they're incompetent (which, since all he's seen from claw is koyama so far and koyama can pack a fucking punch, is a little silly) or he's panicking and clinging to desperate, sloppy plans. it also kinda reminds you he's Literally Thirteen. god . he'sso small

also, the fact that ritsu doesn't even remember the awakening lab's kids names is another example of this—he deemed them "unimportant" during his arc, and continued to think this for a good while (i'd say he even holds onto some of those views well past the show's runtime, if his little comments about the twin's telepathy in the transmission arc is anything to go by) (also also, that <- deserves a post all on its own bc the fact that he meets another pair of siblings with esper abilities and sees that it's brought them closer instead of torn them apart . wow that makes me ill)

reminder that he listens to one of the kids "get killed" in another room and then watches a claw member drag the kid back out and throw his bloody, lifeless form to the floor. This Happens To Him. he watches this go down, and then he Continues to misjudge them. his little comment about the claw lackies "underestimating them because we're kids" is a bit funny to me now, given this entire post

he does it to shou immediately. he doesn't see a scar on him, so he immediately assumes he's lower tier and about as strong as the lackies. even after shou stomps and cracks the fucking hallway in half, ritsu walks right up to him and doesn't seem threatened. i doubt he's trivializing this situation just bc shou is a kid—that just wouldn't make sense from ritsu's perspective on things

he's already seen the biggest baddest esper in town—he lives with the guy. he knows the strongest esper is his own brother, so his view on other people's powers are very skewed. ritsu is so caught up in his trauma that he thinks shigeo is unbeatable, and i think part of that is because he was so young when The Incident occurred. anything scary that happens to you at that age is going to seem insurmountable to you, if you've never tried to overcome that fear. ritsu fully believes ???% is completely invulnerable (and yes, that's largely true) but he seems to carry that idea over to shigeo as a whole

maybe dimple's comment about ritsu being able to reach shigeo's level got more into his head than i originally thought it did—he "knows" he's at least close enough to shigeo to eventually surpass him, and since he puts shigeo's powers on a pedestal built with shaking hands, he thinks, hey, i must be pretty close to that. i must be pretty invincible too

he tends to mentally call fights finished before he's seen everything his opponent can do. ritsu straight up responds "i don't believe that," to shou's little you can't defeat me, and he's seen basically nothing in shou's arsenal

to his credit, once all the scars show up, he shuts his mouth and admits he's no match. and i think after the 7th division arc, he stops brushing people's abilities aside so much

this is why the shimazaki fight is so important for his character.

he fights him even though he Knows he'll lose. the shimazaki fight is Not ritsu underestimating him—previously, he's lost battle after battle because he truly and fully thought he'd win. he does not think he'll win this, and he's doing it purely to distract shimazaki from shou's position

ritsu kageyama is 1000% ride or die, especially when it comes to his own beliefs and trauma. i think if shou's situation wasn't as similar to ritsu's as it rly was, ritsu wouldn't have tried so hard to help him. ritsu risks his life to give this kid just a few extra minutes to deal with his father, and the way he enters the fight speaks pretty highly of how much he Wasn't underestimating him

he enters the fight by blinding shimazaki, by pulling a trick from his pocket underhandedly, and even though it obviously doesn't work, it shows that ritsu believes he'll need to do more than just use his powers like he normally does. i believe this is the first time he fights this way as well, with this covert trickery that uses his environment to his advantage—he keeps doing it throughout the fight; throwing cars, dislodging rocks to collapse ceilings. he's truly trying to think outside of the box because he entered this fight with the knowledge that he'll likely lose, and he needs more than just Himself to stay alive

but enough about ritsu underestimating claw, or awakening lab kids. i think the person he underestimates most of all is his own brother.

maybe i'm stretching the definition of "underestimate"—maybe there's a better word for it that i can't think of right now—but the way ritsu seems to think that shigeo will snap at the slightest issue in his life is... well. it's a little,,, patronizing, isn't it? he doesn't seem to have faith in shigeo's ability to keep a cool head, and even though he knows for sure that shigeo is Powerful (and even, sometimes overestimates that aspect of him) i think he tends to undermine his control over that power, tends to believe he'll blow up and scarcely doubting that assumption. he grew up like that, constantly in fear of his brother unleashing that "monster" again, and that in and of itself is an example of ritsu not having enough faith in his brother

when he sees onigawara talking to shigeo loudly in the hallway, ritsu sees how nervous shigeo is and narrows his eyes, like he senses something building in him. when reigen gets slashed during the 7th division arc, the fear in ritsu's gaze is not directed to reigen's "killer," it is directed to his brother, in fear of an oncoming explosion. and i Would say he gets better at this, but even at the tail end of s3, at the beginning of confession arc, ritsu fully believes (until he sees the car that hit shigeo, i think) that ???% came around because tsubomi rejected him. he thinks his brother would react so negatively to that, that other side of him would come out to wreak havoc.

when mob Does actually ask tsubomi out, he just cries when he's rejected. he reacts like every other teenage boy reacts, by quietly crying to himself. it's a very normal thing—after the absurdity and the sheer vastness of power and destruction the audience was just put through, mob walking away and crying quietly about being rejecting by a love interest is the first taste of normalcy we've had in like three episodes. what ritsu thought would spark this is actually the thing that calls the story and the audience back to a place that is solid and grounded

i'm not saying ritsu is a bad brother—that is so so SO far from my point—i'm saying that he's young and he's full of multitudes, and that includes mistakes. and that is Refreshing

this little guy is So full of faults, and it's one of the many things i love about him. he's a character that's practically built upon flaws with "good traits" as an afterthought, instead of the other way around, and the fact that he's been written like that, but introduced to be the polite, honor student, supportive, younger brother type is So Fuckin Cool!

it compliments his arc perfectly, because the reason big cleanup arc starts is because he's tired of being all that. he's tired. i never stop thinking about his maybe i wanted to find out what it would feel like to be a fool, it's Such a good line, and even if his reasonings for big cleanup arc seem nonsensical to some, i think it makes perfect sense in this odd, fucked up way. he literally Says it, right there. he explains everything in those few lines during that rooftop scI'M GETTING OFF-TOPIC

ritsu is a good character and his numerous flaws are what make him interesting to me. if he stayed that polite, honor student, supportive, younger brother type, i probably wouldn't give a shit about him. he is interesting Because he's made some pretty bad choices, Because he's made some pretty disgusting assumptions. he's a kid, fumbling along, with trauma dragging him by the wrists. i could talk about him for hours

[uglynavel]

Since I'm back in my teen wolf obsession after the movie I'm just gonna say it. The vitriolic hatred for both Scott McCall and Tyler Posey was just fucking racism. There was literally no reason to hate them so much and every excuse I've seen people have for hating Scott is that he didn't center himself around Stiles (his white friend) more.

Scott McCall's only flaw was that he loved his friends too much and he was too trusting and forgiving of people.

I'm all for ship and let ship but Tyler is right about Sterek being weird. Stiles was a minor and Derek was at least 20-23 and as a former Sterek shipper who has seen the light. I don't blame Tyler. Y'all got hella annoying with that ship.

Sterek was never queerbait

Stiles and Derek did not like each other. They only tolerated each other because of Scott. Derek literally says he only came back to beacon hills for Scott. Y'all let Dylan and Tyler Hoechiln convince you otherwise.

Also people hating Scott is another case of white people having this weird issue with not being able to relate to a poc character because y'all literally take all of Scott's traits and give them to Stiles (because mostly I only see white people hating him and a few people of color)

The "iconic" baseball batt and red hoodie y'all love to give Stiles is literally what Scott was wearing in episode 1 of Season 1

EDIT: I'll also never forgive you FREAKS for bullying Tyler Posey after his mom died and said it was karma for saying sterek is weird. You people are fucking sick, disgusting pathetic excuses of a human being--no you're not human. You're literal scum for doing that.

Stiles and Dylan O'Brien were not the face of Teen Wolf. It is Tyler and Scott. Hell for example the sims 3 Supernatural. The werewolf on the cover looks like season 1 Scott.

I LOVE Stiles but those certain Stiles fans have put a sour taste in my mouth for the character.

Also the "Scott McCall is a bad friend" tag is so dumb cause Stiles and every other character on that show would laugh in your face if you tried to tell them that

[keepingmyoptionsfluid]

I don't know who needs to read this, but people who are pro Buck and Tommy having a healthy relationship with good representation on screen, whether it goes the distance or not, are not automatically against Eddie having a coming out arc.

Like guys chill the fuck out.

I would argue that 7x05 had too many storylines and felt rushed. I'd honestly rather have fewer stories an Episode and each is given proper time (so they don't skip over shit like Buck and Eddie talking post basket ball, or Chim and Buck talking post punch, or Bobby and Athena talking post ship disaster etc). They actually showed the Karen and Hen talks after the Eva storylines and that's so important and good.

Tommy isn't getting screen time without a main with him so stop pretending he is. He's a background character who is currently there to prop up other people's storylines. It's unlikely he will ever be a main as they already have 7 of them. Can you think if you've ever seen a Karen or a Ravi or a Lucy or a Taylor storyline that wasn't there to really be about one of the mains? No.

I am literally seeing BuckTommy enjoyers having to fucking preface their posts with the fact they obviously ship buddie too just so they don't get abused. It's genuinely disgusting that people are more fixated on their specific (and I would defo class it as fetishistic at this point with the obsession some people have with buddie) ship that they would actively damage other people's enjoyment of the show.

This accusation that people don't care bout buddie anymore because Tommy has kissed Buck and Tommy is white is fucking insane. This fandom regularly accuses anyone who says good things about Buck or Bobby of being racist. Maybe, and hear me out, people are happy that they are getting some bi representation? People who have been pro buddie since 2x01 are getting sent hate because they are happy that a character has come out, despite never turning against buddie.

It's literally normal to be watching a show and be like "yes, I want characters X & Y to end up together but currently they aren't and that's not an issue for me". It's a fictional show.

I want Eddie to get a coming out story line and I would not be upset if it didn't revolve around Buck because 1. Eddie is his own person, and 2. I KNOW that if it did revolve around Buck, you guys would immidiately say it's worthless because it's not an Eddie story but actually a story about the "white boy". Like you literally cannot have it both ways.

You can't beg for coming out story lines and then say "wait that's the wrong person they're kissing." It's a coming out story line. It's literally a gateway to a whole new world of stories in the show.

Chill out, go outside, maybe try to enjoy the show you claim to love instead of shitting on it, the actors and the other fans

[marthawrites]

I'm feeling ranty and I'm not even putting this bitch under a read more

Ewan Mitchell is an ACTOR. He's not your friend, boyfriend, celebrity hook up, or even someone you can follow on social media. He's an actor who, assumedly, prefers to live a private life outside of his JOB of acting

Literally everything we know about him from behind the scene stuff from The Last Kingdom and House of the Dragon (I assume more of his projects too but idk) is that he is a lovely person, very kind, and generally a good dude. Like, that's what EVERYONE says

And given all the event content we've seen of him over the last week, all those people who've talked good on his name are correct! He really does seem like a genuinely good dude!

Idk why so many people are (badly) foaming at the mouth about it???

He's an adult who can do whatever he wants. If he wants to wear that, he can. If he wants to go to two different events in the same week he can. If he wants to bombard the media with pretty boy behind the scene sillies, HE CAN

HES AN ACTOR. DOING A JOB. FOR THE BIG STUDIOS HES WORKING FOR. HE PROBS HAS A CONTRACT.

"He's an introvert" "he doesn't like being in the spot light" "he doesn't like interviews" "he just wants to live a quiet life" BLAH BLAH BLAH

You can still be an introvert and have fun at parties. Like wtf. Introverts aren't weird little hermits who live in caves and don't ever have fun

As much fun as I've had seeing Ewan Mitchell content this past week it's also a huge reminder of why I've never dove into fandoms like I have with HotD. People are insane over celebrities. It's gross. It makes me uncomfortable. The way people treat and obsess over celebrities is genuinely ODD and sometimes disturbing behavior

Do I admire and respect Ewan Mitchell? Absolutely. This last week hasn't changed that

BUT at the end of the day this blog is centered around FICTION, reading and writing imaginary stories, and CHARACTERS within their respective universes. I avoid the celebrity bullshit as much as I can. I'm here for the CHARACTERS actors portray

I really enjoy my fandom space here. But wow this last week has really opened my eyes a lot to how people feel about celebrities aside from their acting capabilities

END RANT.

[starcurtain]

Hii!! I saw your fact checking myths about aventurine and the ipc and I agree with your takes definitely. One thing I want to add is that I do believe Aventurine is owned by the ipc (under a legal binding contract) and even if he gets "kicked" out of Stonehearts, the ipc has some form of ownership over him. Especially since in the jade scene he seems to be willing to lay down his life to the ipc for his goals and the ipc are known for lifetime contracts mentioned by some npc and topaz. I've seen a lot of people compare him to a sugar daddy or with the genshin character childe as both being "rich" . This might be my lawyer brain coming in but I'm pretty sure anything aventurine owns is not actually his but belongs to the ipc. For example aventurine could buy himself an apartment under his name and he could be the sole owner of that said apartment but if ipc had a contract where aventurine's life is essentially theirs then that apartment actually belongs to them. Obviously it is down to specifc terms and conditions, he is more so a corporate slave than what he was before but I think the contract is very detrimenting to him. They provide aventurine with money and goods but it's a false sense of wealth he never actually truly owns. I think when aventurine mentions many times he has nothing left he means it metaphorically and literally as well. If the ipc wish they could strip him bare of any goods he "owns' because he is their property just as much as whatever he buys for himself is. This is one of the reasons why I think leaving the ipc is something he doesn't want yet because essentially he would have nothing and no one to turn to (there is ratio obviously but we know how self destructive and insecure aventurine is so he would never want to be a burden to the doctor). But anyway these are my thoughts on this i wanted to share.

Thank you for your message; I'm glad you enjoyed the original post!

As I mentioned elsewhere, I definitely think everyone should hold tight to their headcanons and enjoy their own versions of the story to the fullest. There's no wrong way to enjoy a game's story!

For me, I just get a little obsessive over having evidence from canon. I'm just the type who reads too much into the tiny lore details in every readable in the game all the time. I love to take every detail we know from canon and weave it into my personal headcanons.

I definitely think it's fine and logical to feel like Aventurine might have a life-time contract with the IPC. I don't think he could just leave his job if he felt like it, definitely not!

But for me, I worry that people choosing to view Aventurine as a corporate slave might be... minimizing his active role in being an IPC employee? Like, I think that with Topaz and Aventurine in particular, people want them very much to be good guys. They don't want to think of Topaz or Aventurine willingly doing the things that we see other IPC members doing, like manipulating people, cheating people, or just in general being kind of awful (RIP Skott, I'll be your fan if no one else will!!).

If we say that Aventurine is a slave of the IPC and that he doesn't own the riches he's surrounded with, then we're creating a barrier between him and the IPC's behavior--he isn't like them, he's just doing these things because he has to. He's not a hedonist; that wealth doesn't even actually belong to him, it's just the IPC's tool to control him. This makes Aventurine out to be someone who is "forced to be bad" and morally separates him from the mindless money-hoarding mindset of the IPC. To me, I just don't personally think this is how the story intends Aventurine to be viewed.

As I see it, Aventurine is very much a morally grey character who, although initially setting out to do something virtuous, lost his noble motivation along the way when he discovered his people, who he was trying to save, had all been wiped out. Losing the central motivation that was driving his decision-making left him utterly adrift, with no reason to keep on living, to cling to his morals, or to even care about who was taking advantage of him.

Personally, I don't view Aventurine as a slave of the IPC. Instead, I would argue that he is a slave of destiny--the destiny that told him he was a "chosen one," that he would lead his people to safety, that proved time and again that he alone would always, always be the final victor... He chased that destiny by gambling his own life--only to be entirely too late, leaving him with absolutely no reason to keep living, something the IPC was merely happy to capitalize on. And Aventurine allowed that.

Pre-Penacony, Aventurine's connection to the IPC was a symbiotic relationship--the IPC gave Aventurine opportunities to try to kill himself (which is what he wanted, not them) and they gained from him when fate continually failed to let him die. He allowed himself to be knowingly exploited and took an active role in generating wealth for the IPC/furthering their agenda.

He's an IPC employee, not a slave. This is just my personal understanding of the character, but I think Aventurine's morally grey nature and his willingness to allow himself to be taken advantage of for evil means is an important aspect of his character. To me, that absolute despair with the world, that complete sense of purposeless that he felt, which made him no longer care who exploited him or what they used his power to do, is a central facet of his character arc.

Aventurine's arc in Penacony involved, very literally, being confronted by the "future" his own actions were hurtling him toward, and having to choose between the nihilism of that future and the true freedom represented by accepting his "past." And he chose the past--he chose to reaffirm his faith in Gaiathra, embrace the pain of what happened to his family, and seek new meaning by finally recognizing his own life's value.

It's important that the "enemy" Aventurine fought in his 2.1 character story was himself.

(Sorry that was mega-long. I am very passionate about Aventurine's self-destructive behavior, apparently.)

Just in general though, I think there might be some canon hints that sort of dispute the idea that Aventurine has a lifetime contract like Topaz's.

For one, Sigonia-IV didn't join the IPC in the same way Topaz's planet did. They maintained a clear "Sigonian Sovereignty" and are allowed to make decisions on their people's behalf. We're not told that anyone from Sigonia has been forced into contracts with the IPC like Topaz's planet was, and while Aventurine did brush up against the IPC queen of deals, Jade, I don't think his encounter with her counts as a formal "Bonajade Exchange" because his goal and hers were the same from the beginning. He wanted in to the IPC, and she wanted to get him in. There was no cost or soul contract to be signed because it was a win for everyone from the start.

There's also multiple hints throughout the game that Topaz's lifelong contract is odd and not something that most people--even from her own planet--actually signed on to. Other members of the IPC are surprised to hear about it and act as if it not a standard IPC thing.

I definitely agree that Aventurine probably cannot just quit his job because he's part of one of the highest up teams in the shady evil mega-corporation, but I don't think he's in the same situation as Topaz, who the game tells us is pretty unique.

As for Aventurine's money and material possessions not being his... I'm sorryyyy, I just don't think this is the case. He a highly-ranked member of the richest corporation in the world. There's no way he doesn't get a well-earned, very high salary. He buys his jewels, fancy watches, and expensive perfume with his own paychecks, I can almost guarantee.

I don't disagree that money and material wealth is a way to manipulate people though! By giving him the cushy, comfortable life of luxury he never had before, the IPC is definitely creating a situation in which no one would want to leave and give up on all that money and power, for sure.

But I just don't think we have any evidence in-game that Aventurine doesn't have control of his own finances or doesn't own the items that he buys.

When he says "I have nothing," I do agree that he means this both metaphorically and literally, but I think the "literal" point is that wealth and material objects are completely pointless to him because he has no one to share them with. They can't benefit his family or his people because none of the Avgin are left. What is the point of having a beautiful home if you have no one left to live with? What is the point of being able to buy the most exquisite food in the universe if you have no one of value left to feed?

To me, the idea that Aventurine doesn't have any control of even his material items or money feels like a popular fanon take. People love to imagine their favorite in the scary or angsty situation of having everything taken away from him! (Which, hey, I don't mind this kind of angst either, to be honest! 😂)

[blackbatcass]

helloo :D

So, I keep seeing people saying that Jason is Bruce’s favorite child, and the only one that was actually like a son to Bruce. (aside from Damian) Also that just because Dick and Bruce were partners/brothers too, it means that Dick isn’t really like Bruce’s son. How Jason and Bruce are each other’s favorite and Dick wishes he could be Bruce’s son (basically it just gets worse and worse jekskenjske)

AND I DON’T REALLY GET THIS AT ALL.. I COMPLETELY DISAGREED

But then I saw SO MANY posts about this (just getting harsher and harsher LMAO) and I thought I’d ask someone who knew more. So, yeah, here I am!

Thanks for answering if you do, and have a wonderful day!

anon do you want me dead. is that what's happening here

JK JK my first fanon jason ask... what a historic day! basically you're completely right. I don't know where this frankly insane take comes from but whenever me, my mutuals, and pretty much anyone in this corner of the dc fandom sees a post like it we roll our eyes to the heavens. to put it simply the idea that jason is bruce's favorite and the only one he actually loved like a son is a complete fucking lie lol.

first of all to claim that bruce didn't love dick like a son is......I mean. let's just say people saying that have probably never read a comic with bruce and dick before. literally the number one thing to know about these characters is that the love bruce and dick have for each other can be seen from outer space. they have never been normal about each other. bruce raised dick since he was eight. they are thee og codependent father-son partners 'we saved each other we are pack bonded for life if anything happened to him i'd kill everyone in this room and then myself' duo. I mean... there is nuance to be had where they had a very complicated tangled up hard-to-label relationship that had elements of being father & son, elements of being brothers, and ofc partners as batman and robin but that is a function of their relationship being TOO crazy and close not the other way around lol. it is patently true that bruce and dick know each other better than anyone else in the world. it is pretty much true that if you're going to play the favorites game, it's hard to deny that dick is bruce's favorite. that's his eldest his most trusted his saving grace his person who understands him better than anyone. I could pull like an endless amount of panels as evidence that dick was bruce's favorite. there are so many 'dick is the only thing i did right' 'i only feel pride when i look at nightwing' etc etc. dick is his child in every way that matters basically

which is not to say that jason isn't bruce's son! he definitely is! bruce does love jason, but jason was his second kid lol. and it's...i mean jason was robin for a very short time in the grand scheme of things. you can blow through his robin run super fast because it's just not very long. the idea that bruce loved jason more or there's more of a father-son bond to be found in the few issues they were together for as opposed to the 10 years dick was robin is actually insane. bruce literally admitted that the reason he let jason be robin was because he missed dick. lol. lmao even.

basically yeah claiming that jason is bruce's favorite and dick was never treated as bruce's son is just a lie. it's not true. it's like that 'jason is tim's favorite robin' nonsense that was going around a few months ago; it completely ignores canon and essential character elements in jason's favor. I don't know why some jason fans are so obsessed with putting him up on a pedestal by bashing other characters on his behalf. and like...it is possible to have two sons? and love them both? lmfao? and that's not even getting into like tim and cass (also bruce's adopted children). I don't know why people just decided this was a thing but it is false<3

[allastoredeer]

manlyman al/uwu lucifer, buff al/skinny lucifer, lucifer in a drag with al dressed in a suit - all the same crap, it's also very noticeable how much of luci in dress with al in a suit there is and how little the other way around or when they both in dresses and also luci in dress? 10000+ likes, while rare alastor in dress? well, barely 1000 or 2000. Same with any reverse of usual fandom versions of them. Very telling if you ask me. Blond, short, goofy, did a sad face few times? Of course it's the one who's we gonna make a girly girl here and there's can be only one in our mlm ship 🙄 People want fanon charlastor but without charlie in it because she's actually a female

Damn, you came in swinging.

But, like...I see no lies here. It is kind of funny that people put Lucifer in dresses more than Alastor when Alastor literally wore a nun outfit in the show. It's such a shame too because with Al's long legs and slim waist, DAMN he'd look so good in dresses.

It is very telling that in every fandom space, with at least one pairing - usually a very popular one - one of two becomes a girly girl and the other a darker, menacing, and more intimidating manly man. There's nothing wrong with feminine male characters, nor them being in mlm relationship, but when it happens to every. Single. Ship. where the characters are stripped down to basic archetypes.... ಠ_ಠ

It really is funny, because going by what we've seen in the show, Alastor is so much more of a girly pop than Lucifer is. Him and all his little wrist flicks and sassy remarks.

I mean

Look at this guy

Look at him

LOOK AT HIM

LOOOOOOK AT HIMMMMMMMM

How can people see this man as a super serious big bad muscle daddy? I don't understand. He's so unserious. So full of whimsy. He's a clowning troll. And I'm telling you, look at that thin waist and those long legs. He'd look amazing in a dress.

This actually reminds me of a previous ask I got a while back. The topic was centered around some fans saying that Alastor would never bottom and the over all characterizations of him and Lucifer, and this line here sums it up perfectly:

"shows such a patriarchal-ly drenched heterosexual view of sex, that they then apply to a MLM ship that drives me INSANE."

Particularly, the drenched in a patriarchally heterosexual view. Having one man in a mlm relationship be more feminine than the other is totally okay, there is nothing wrong with that, and there are a lot gay relationships like that.

But the way a lot of radioapple is depicted feels weirdly heterosexual, and it's because of the behaviors and archetypes that get assigned to them. Lucifer becomes this teeny tiny, wide-eyed, awkward little waif and Alastor this big dark possessive boyfriend who's always looming over his shoulder and glaring at anyone who looks at Lucifer. It reads like every other cringy straight romance I've read. Add in the trope of Alastor drinking Lucifer's blood and it's basically "Twilight" set in Hell.

Okay, not to derail, but there was this one AU that I was obsessed with. It's a Hades/Peresphone AU for radioapple, and it sounded amazing, but there were so many depictions of Alastor as Hades and Lucifer as Persephone and I was just...

I was flabbergasted.

You have Lucifer, the king of Hell, the DEVIL himself, be the goddess of spring instead of the Lord of the Underworld. I'm....whut?!!?!?! Alastor is literally a deer, he would be perfect to play Persephone. That guy would be hunting down all the people poaching and harming his domain and making them suffer, and I can totally see Niffty as a psycho little nymph that tags along on his "hunting trips."

I've seen one or two au's where Alastor is Persephone and Lucifer is Hades, and they are glorious, but every time I see the opposite I feel like I'm taking psychic damage. A year of my life gets taken away. I fear I'll be on my death bed soon.

Also this line "People want fanon charlastor but without charlie in it because she's actually a female" it's so true to fandom it hurts, but it's so fucking funny, I'm wheezing

You ate with this ask 🤌

[tainbocuailnge]

Realizing I haven't seen an exceptionally fantastic character analysis from you on my dashboard for a while, so I'd like to ask: what are your thoughts on Elizabeth Bathory?

liz is in a bit of a weird position here in the west because you could try to connect the dots and read between the lines of her localised appearances to figure out the hidden depths behind the funny seasonal girl, or you could read a fantranslation of CCC and have her deal laid out for you very clearly and i mean very very clearly there's really not much digging you have to do to understand elizabeth from reading CCC

elizabeth in CCC is a young girl who does not understand why the people around her came to hate her, and is terrified of it happening again. her obsession with youth is because she could tell that as she grew older the patience of those around her was wearing thinner, but she didn't understand what it was about her that caused this and in her desperation to cling to the youthful innocence that made them stay their hand in punishing her crimes she just committed more crimes. her desire to be an idol is a direct continuation of this: she is trying to attract a love and adoration that will instantly turn to hatred should she ever fail to adhere to a strict yet arbitrary standard of youthful purity and innocence.

elizabeth is excruciatingly lonely. she was raised to be extremely aware of her noble heritage and the inherent superiority it gives her. she calls people piglets and squirrels because she was literally not taught to see the common people as people rather than livestock. she has some natural violent inclinations that went completely unchecked and combined with her emotional frustrations into a habit of brutally torturing both people she hates and people she likes. she craves emotional connection between equals but has no idea, no example, no internal model of what such a relationship would actually look like, because the only interactions she had in her life were between the countess and her subjects that were completely at her mercy until they weren't.

this is barely even analysis, I'm just repeating things CCC directly tells you here. you can infer pretty much all of this from her secret garden flavour text alone.

her first SG is that she falls in love easily because she only experienced love in storybooks. "What seems to make her heart skip a beat is the strength of heart to firmly look back at her, even while shaking in pain, never giving in no matter how much she strikes or stabs." -> elizabeth craves a relationship of equals, her romantic ideal is someone who will stand up to her.

her second SG is that she enjoys cooking for/taking care of others, but absolutely sucks at actually making food. "She “bestows meals” to her husband as a noble. It’s no different from feeding... raising an animal. It contains none of the “romance” she longs for. The overlord disposition ingrained into her by heredity devours even her modest dreams." -> the way elizabeth was raised to view herself and others leaves her incapable of actually having such a relationship of equals, because her only models for human interaction don't respect the humanity of the other party.

her third SG is purity. "We would like to leave just what constitutes “purity” to the reader’s imagination. Servants are revived in the form that represents golden age of their lives. So Elizabeth appears as an unwed daughter of house Báthory, a young girl in love with love… presumably. An idol must be pure like snow. Romance might be fine, but the moment she comes to know love, her radiance is lost." -> elizabeth deep down is terrified of actually obtaining a relationship of equals, because her arbitrary purity (a purity the text doesn't even try to define! it's completely subjective!) is the only thing standing between her and a hatred of her for which she doesn't understand the cause. once she comes to view other people as people she can no longer claim not to understand the crimes that made those people hate her, and she will lose the purity that protects her from their wrath.

CCC has a lot to say about arbitrary standards of maturity and purity. BB splits off her own "improper" feelings into various oversexed and unstable versions of herself that she can punish for not living up to the impossible standards she imposes on herself. kiara uses her outward appearance of maturity to cover up a complete lack of emotional maturity while hans looks like a child after a lifetime of being seen as immature for writing children's stories (respecting the humanity of children). elizabeth wasn't taught to respect the humanity of others, but where is the line on when she is "old enough to know better"? what could she have done different? what should she have done different?

naturally, CCC for elizabeth is a long and gruelling process of learning that other people are people, and that even if she was simply doing as taught it was still her own actions that made her subjects hate her. this is such a thorough shattering of her worldview that she's briefly a berserker with both mad enhancement and a unique to her mental disorder skill that makes her numb to the pain or mood of others, just to keep herself vaguely functional. when defeated she screams that she prefers death to being locked up again, because what she fears even more than retaliation is having to reflect on the reason for that retaliation.

you will note that elizabeth in all her subsequent appearances is a very earnest and hardworking girl, who puts a lot of effort into maintaining her friendships. she knows what she did wrong now and is determined not to repeat that mistake, determined enough that in extella link karl's oraclisation brainwashing program that instantly got top tier servants like arjuna and scathach was unable to get elizabeth, and karl decides to let her go out of respect for that determination. one of the earliest cross-installment relationships FGO established is that vlad is very protective of elizabeth because he wants to make sure she does in fact get the chance to become a better person than the circumstances of her life allowed her, and even though carmilla has complex feelings about liz because liz's existence as the young and innocent one means carmilla exists as the one who is beyond saving, she can still be dragged into helping liz with her efforts because the redemption liz works for is one they both want.

elizabeth is a very dutiful person. she's desperate to be liked for fear of what will happen to her otherwise, but also has an actual strong sense of responsibility as countess, and her efforts to become someone likeable and dependable are fuelled by both of those aspects. in every halloween event liz is loud and annoying and self-important, and every halloween event she makes honest and difficult efforts to forge and maintain relationships and make up for past and current transgressions. her singing is beautiful when it's for someone else's sake.

elizabeth is actually one of a very small handful of characters from older works who I feel didn't get flanderised in some way by FGO, her characterisation as funny seasonal girl follows naturally from how her arc concluded in CCC and shallow fandom misunderstanding of the funny seasonal girl is more a result of early FGO assuming most players would be fate veterans who would already know her deal from CCC so they could just build on that uninterrupted without needing to give context first. and I also don't think it's wrong for people to base their understanding of liz on the funny seasonal girl because that's still liz, unlike how for example FGO nero is just not representative of nero most of the time. i haven't actually paid much attention to fgo since lb6 by the way and haven't opened NA in months so i don't actually know what happens in cindereli event other than guda turns into a goat monster (based)