#limbus company abnormality

[lu-is-not-ok]

Stuck in Heaven (ego gift: Late-bloomer's Tattoo) has been grinding my gears for a while now. It has an idea - and a clear one at that - but i can't figure out what it *is*. Wiki has the event transcript. Pls send help

Alright, back to my proper analyses, and... *cracks knuckles* Oh this one's gonna be fun. I want to say that since this one won't need to get into E.G.O analysis, then this post will be a bit shorter than my other full-length analyses...

But. You know how it is with me. For all I know this one might end up ridiculously long anyway. Also, uh, spoilers for Lobotomy Corporation and Library of Ruina ahead.

So, before we can talk about Stuck in Heaven, we need to talk about the other Abnormality it's directly related to - The Burrowing Heaven.

The Burrowing Heaven debuted in Lobotomy Corporation, but later made a return in Library of Ruina as one of the Abnormality Battles. For the sake of completion, I will be taking a look at both of its appearances in the series.

In its original appearance, Burrowing Heaven takes on the form of a tree-like entity, made up of a fleshy material, with branches that seperate into wing-like shapes and many eyes.

Its main mechanics in Lobotomy Corporation is that the Abnormality needs to be on-screen to prevent it from breaching and teleporting away once it does breach. This mechanic is reflected in a lot of flavor text about it, most directly in the description of its E.G.O Gear, which includes the sentence "Just contain it in your sight."

Burrowing Heaven's story further expands on this idea. The Abnormality is repeatedly said to "live inside your eyes/gaze", to feed on the attention and focus others give it by looking at it. However, the moment one looks away for too long, it begins to stretch the stalks of its wings for two reasons - one, to gather corpses as food for the fruit it bears; two, to reach towards the sky and sun, as if to cover it up.

Religious imagery and symbolism is used all over for this Abnormality. From the act of stretching its limbs being compared to praying to an old-forgotten god, to its wings reaching the skies being compared to an angel, to the action of it growing its thorns and burrowing being described as for the purpose of "reaching heaven inside one's vision".

Now, there's a very interesting part of Burrowing Heaven's story in LobCorp that I want to point out. Usually, when those stories are said in first person, it's either through the use of "we" (to reflect the company/employees writing those down as a whole), or with the passage being specified as either some testimony or log or otherwise being quoted.

However... That's not the case here. For Burrowing Heaven, there is a whole section in its story written in first person, with no clear note of it being quoted from something else. Allow me to paste the segment in its entirety.

"That's what a gaze is. Attention. An invisible string that connects us.  Sole focus.  Do not come here, as there is no place for you to rest.  But you see, I could only bear fruit when I stood inside your sight. Is this what you wanted to see?  When your tears dry up at last, tell me your answer."

Interesting, isn't it?

However, we're not done yet. There is still the context of its appearance in Library of Ruina, so let's look at that, shall we?

In Library of Ruina, Burrowing Heaven's Abno Battle is placed on the Floor of Religion, aka Hokma's Floor, alongside Price of Silence, Blue Star, and WhiteNight.

Narratively, this Library Floor explores the faith and dedication that Carmen's group put into her and Ayin, especially from Hokma's perspective, who unconditionally put his trust into Ayin back when he was known as Benjamin. Thus, all of the Abnormalities fought on this symbolically represent Carmen's unwavering dedication to gathering like-minded people to make her dream come true, and the devotion those who followed felt towards her and her goals.

When it comes to the Burrowing Heaven, there is some more info we can gather from its Abno Battle in this game, starting off with its new appearance:

As you can see, the previously tree-like form has been replaced with one that very clearly represent a human's central nervous system, brain and spinal cord included. The bloody wings and eyes still remain though.

...Now. Those who have played Lobotomy Corporation might recognize what Burrowing Heaven is meant to represent in this form. And for those who haven't, allow me to show you something.

This is what became of Carmen after her death:

A disembodied central nervous system, with its nerves spread out in an almost wing-like fashion.

While most of the flavor text here repeats what we know about the Abno from LobCorp, there are a few unique pieces of text I want to shine a spotlight on right here.

"The desire for the unreachable will only grow bigger. And to pursue it… is to tread a path riddled with thorns."

"Basking in everyone’s gaze and attention… It will finally come to fruition and spread its wings."

"The one who spread their wings sacrificed everything they had, and yet…"

"Just close your eyes. That’s right, you’re doing good…"

"If we ever open our eyes again, will we get to see the fruit of our labor in that gaze?"

...In case you were wondering why I was being so scant on the interpretation part of this analysis, this is why. This connection is what changes Burrowing Heaven from a nebulous concept to a direct parallel.

Burrowing Heaven, at its core, is a reflection of Carmen. More specifically, Carmen's dream, and the way she and her followers acted to reach her goals. How, to pursue it, they had to single-mindedly focus on that goal, to make many sacrifices for the sake of reaching what seemed unreachable.

It could also represent how Carmen's seeming demise and the following tragedies happened because nobody paid attention to the warning signs, nobody focused on Carmen when she was at her lowest. And yet, those very tragedies are what led to even more attention being put on making progress towards that goal, towards Carmen's wings spreading out and reaching ever closer towards the heaven she so desired.

The gaze being put on her may have put her deep underground, in the vat where her nervous system became a source of Cogito... but it also eventually led to the breathtaking sight that was the Light. And now that there is no more gaze left on her, her wings can spread everywhere, blocking out the sun with her own Light.

When you think about it, isn't that how Distortions take place under Carmen's influence? Just close your eyes and ignore the world around you. Let your desires guide you. Just like Carmen is encouraging you to do, patiently. That's right, you're doing good, following what she says.

...Okay that's all fine and good, but what the fuck does all this mean for Stuck in Heaven? Let's get to that.

From just a cursory look at its physical description, Stuck in Heaven appears to be the next step of progression in this Heaven line of Abnormalities. From the tree-like form of the LobCorp Burrowing Heaven, to the brainstem in Library of Ruina, to Stuck in Heaven taking the form of growths directly growing over a person.

Interestingly enough, the Mirror Dungeon event describes Stuck in Heaven as having "the appearance" of a branch, yet being human. Curious.

This is also where a difference is established between Stuck in Heaven and Burrowing Heaven, with the event text directly referencing the Abnormality that Stuck in Heaven is related to.

"Heaven sometimes burrows; other times, it makes a home in the heart. Once taken root, that heaven will only be visible through the eyes of others."

Immediately, this tells us one major thing - Stuck in Heaven does not burrow like Burrowing Heaven, it does not need to feed on the attention people give through vision. Rather, the thing it aims to take root in is the heart.

The text you get from taking the [Close your eyes.] option explains why Stuck in Heaven does that. When it takes root in one's heart, closing one's eyes is not enough to get it out of one's gaze, as the sight it sought out is that coming from the heart itself.

I believe this is also why actually trying to [Return the gaze.] with one's eyes does nothing. With Burrowing Heaven, which actively sought out one's eye vision, one can find many references to it being alive and actively watching its observer back. However, trying to do so with Stuck in Heaven results in it ignoring the observer. The heaven Stuck in Heaven is looking for is not in the eyes, but past them. "Behind me", as the text puts it.

Now... all of that might not have much meaning without further context. After all, what's all this looking with one's eyes and looking with one's heart stuff about?

And this. Is where we get to The Little Prince.

Yeah, remember how Demian seems to be representing the titular Little Prince himself, through him directly quoting the kid?

Yeah, that's not the only thing Limbus Company borrows from that book. In fact, from what I've gathered, The Little Prince might just be one of, if not the most important books when it comes to the themes Limbus Company is setting itself up to explore.

And the main theme that Limbus Company borrows from that book is the theme of seeing with the eyes vs seeing with the heart. It is all over this narrative. The constant focus on perception and what everyone is percieving through their senses. The equal focus on the heart, of how subjective reality is when looking at the reflections of one's heart, yet how one has to follow the heart to reach the unreachable. I mean, for fuck's sake, the word Limbus can refer to both a part of the eye and a part of the heart!

Most importantly, I think it's also the key to understanding Stuck in Heaven a bit better. In The Little Prince, a clear divide is established between the Little Prince, who uses his imagination to understand his reality, and "the grown-ups", who focus solely on the physical world.

Stuck in Heaven's E.G.O Gift is named Late-Bloomer's Tattoo. A late-bloomer is someone who takes a long time to develop one's skills or grow up. For Stuck in Heaven to be able to leave its mark (or Tattoo) on someone, to take root in their heart, one has to not be a grown-up yet, to still be able to see the world with one's heart rather than one's eyes.

So... What does it all mean?

I'll be honest, I don't fucking know! I don't even know if Stuck in Heaven even still has connections to Carmen the way Burrowing Heaven does!

What I can say however, is that Stuck in Heaven is likely extremely interconnected with the main plot and themes of Limbus Company, the same way Burrowing Heaven was for Lobotomy Corporation and Library of Ruina.

Does it represent the goals of Limbus Company itself? Faust? The Golden Boughs? The fucking Mark of Cain?

The reality of it all is... we just aren't far enough along in the story yet to be sure. The way it connects to one of the bigger themes of Limbus Company, alongside it being directly related to the Abnormality that was so directly paralleling the end-game reveals about Carmen in LobCorp, means that we likely just don't have enough of the puzzle pieces yet to see the full picture of what Stuck in Heaven truly represents.

I'm sure as we head closer towards Limbus Company's endgame, the true meaning of Stuck in Heaven will become much, much clearer to us. But, until then, all we can do is wait and see what comes next. It's definitely a subject I'll want to revisit later on, once we get a better grasp on the overarching plot and will be able to start properly connecting the pieces.

Sorry that I couldn't give a more definite answer as to what Stuck in Heaven's exact meaning is, but from all the analysis I've done I genuinely think this is the best answer I can give. That it's a direct parallel to something within the main plot of Limbus Company that we have yet to learn, similarly to how Burrowing Heaven is a direct parallel to Carmen and the path taken to reach her goals.

[cloverpatches]

Order Up!

[tatonslice]

gee fairy festival how come you get two aberrations

[melonisopod]

Lifetime Stew is so much darker in hindsight.

Sinclair and Don Quixote both get it, and it’s specifically *Lust*, not *Gluttony*, despite being food-themed. (Although Gluttony in Limbus terms is basically Greed, and Lust very broadly refers to “desire” for things that aren’t material).

So, Lifetime Stew is based on the fable of Stone Soup, wherein a man managed to feed his whole village by bringing each together with a different ingredient, to make a soup that would last forever. He just kept telling each person in the town square, “All it needs is one more ingredient,” and everyone just kept adding to it. Is the gist of it.

Sinclair and Don have voice lines that more or less imply the same thing - the Abnormality (Basilisoup) just wants everyone to try its delicious soup! Cute, silly concept, right?

So what do Sinclair and Don Quixote have in common?

(SPOILERS beyond this point! You’ve been warned)

In Canto 3, Sinclair recalls that once his mother, father, and sister all received full-body prosthetics, they no longer had a need to eat. The table was set and food was placed only for him. It’s one of the things he found so especially heartbreaking, that he was the only one left in his family who could still eat food. It’s such a core memory that it’s plastered on the window-wall of his cell for his base E.G.O., four roboticized humans sitting at the table, with no food present.

He desperately misses getting to share meals with his family.

And in La ManchaLand, the Bloodfiends have been starved of blood for the past 200 years, barely sustaining themselves on hemobars that don’t satisfy them. They can *live* without subsisting on human blood, but they’re utterly miserable doing so. The only one of the First Kindred’s clan who escaped such a fate was of course, Sancho, though she’d long forgotten she is a Bloodfiend, Faust says she still craves blood. She’d been in effect, the only Bloodfiend allowed to sate her cravings, while the rest of her kin starved. Being the only Bloodfiend able to escape their fate was so traumatic for Sancho that she wanted to forget everything about herself.

In other words, Basilisoup/Lifetime Stew is about “the joy of sharing a meal with family,” something both Sinclair and Don Quixote desperately wish for.

KIM JIHOON WHEN I FUCKING GET YOU

[yaoicarus]

apocalypse bird trio....

[eldarianduelist]

Abnormality Heathcliff AU in collaboration with @fix-it-luciano

For more info please paruse: Round and round we go

[firestorm09890]

Just as Red Shoes represents giving in to the desire to hurt others for your own gain, Pink Shoes represents giving in to the desire to give up, and let others make the decisions for you. We've seen this in how Ishmael needs someone to be her compass, and if she lacks one, she latches onto one goal obsessively (prior to her learning to chart her own course in Canto V, at least), and how Hong Lu is expanding his horizons merely because his family told him to. It's about taking a passive role in your own life, but in a guilt-laden way- you know you shouldn't be letting others dictate what your every action will be, but... doesn't it feel good to be guided?

However, it is also equally and transparently about bdsm, so if you want to draw any character in that EGO for those themes and NOT to draw something incredibly horny you're shit out of luck

[cryptidcrocuta]

I don't typically draw project moon stuff but here's a year's worth of shit posts I've doodled in private

[cosmonova]

Hello residents of the City it's that time of year again

(Transparent logos)

[buruhas]

Laetitia with the Voodoo Doll

Art trade with @DickPeacock11 on Twitter!

[toriyaki]

My Limbus OC, Darwin. A member of the LCCB whose life's dream is to write her own book on all the monsters and beasties she's encountered while on the job.

Unfortunately, due to lack of funding, Darwin's journal entries are done with a Company Issued Ballpoint Pen™ inside a Company Issued Composition Notebook™.

Darwin's abno entries will be tagged "Darwin's Notes" on my blog :3c (Keep in mind, I originally made these notes and guides for my friends who recently got into Limbus. They are by no means a meta guide, and are only based off my own personal experiences with these abnos as well as the tactics I personally found to be effective when dealing with them. Don't cancel me for any mistakes I made pls thanks ;w;)

[lu-is-not-ok]

Say, I've been reading your analysis on the EGOs and abnormalities they come from, and I'm curious as to your thoughts on the pairing of So Nobody Will Cry and Fairy Gentleman.

So this is gonna be the first time I'm analyzing just the Abnormalities themselves, since there's no actual E.G.Os tied to them yet, so it might end up being a shorter post than usual.

Also, before anyone says, no I'm not counting the Lobotomy E.G.O IDs as E.G.Os for the sake my method of analysis, mainly because the amount of content available for analysis on an ID is very different to that of an E.G.O.

Got that? Alright. Gonna go under the cut as usual.

Since we're looking at just the Abnormalities, I'm gonna try to go into as much detail as I can, though there's still a chance that I miss things.

So That No One Will Cry is a doll covered in talismans, which its Observation Log reveals to be a form of curse. In its Mirror Dungeon event, it can be seen in a dark candle-lit room with those same talismans covering the walls.

What we know about the talismans is that they grant power, but also bind and restrict whoever wears them. Removing the talismans from the walls in the Mirror Dungeon event causes the candles to burn brighter and brighter, until the doll gets up on its own when all of them are removed to give something to the Sinners. If the talismans are removed from the doll, it will kneel, but not do anything else.

I think the text during the Mirror Dungeon event is quite interesting, as it keeps pondering on what the doll itself is wishing for. Does it wish for its room to be covered in talismans? Does it wish for those talismans to be removed? When its talismans are removed, does it kneel begging for them to not be taken away, or is it in gratitude?

The themes are a bit vague on this one, but I think it's mostly focused on the idea of something being both a blessing and a curse. Something that gives safety and power, but at the cost of making one bound and trapped.

I think the name of the Abnormality fits that theme, and could likewise be interpreted in two ways. The talismans could be blessings that keep people from crying, as they give them safety. However, they could also be curses that ensure nobody will cry through entrapment rather than comfort.

Now onto the other one.

Fairy Gentleman seems to be connected to the Fairy Festival Abnormality from Lobcorp, and in a way parallels it.

As a reminder, or to those who don't know, Fairy Festival is a group of cute-looking fairies that follow employees around and care for them. However, it's revealed that these fairies are in fact carnivores that are only caring for humans as a way to keep their meat fresh.

Fairy Gentleman has similar ties to cannibalism, however it seems like this abnormality prefers to consume other Fairies over humans,.

Another interesting note, is that while Fairy Festival are only feigning their kindness, Fairy Gentleman seems to be genuinely cordial and jovial, despite its more imposing appearance. It's also interesting to note that when fighting Fairy Gentleman, the Abnormality doesn't seem to be treating the ordeal too seriously, as all of its attack names imply all it wants to do is get everyone as drunk as it is.

While the theme of gluttony is obvious here, I think we could add irresponsible indulgence in here as well. With the usage of alcohol imagery, the fact that the fairy wine is horrible in every regard besides its taste, and the way Fairy Gentleman urges others to share its drink, I think it adds up well enough.

As for why they might be paired up... it might be the overarching theme of overuse or overindulgence? So That No One Will Cry's talismans are helpful until there's too many of them, at which point they become a curse. Fairy Gentleman's offer of wine is kind, and the drink itself tastes great and has healing properties, but the rest of the drinking experience is horrible and leaves the person really drunk.

[repusstax]

Myiasis

[amalga-mate]

Sinking brothers

[literallys-illiteracy]

Trans Allegories in Lobotomy Corporation

Part 0.5 in a series that i'm making going over the archetypes, themes, and interpretable meanings of all the abnormalities in this game, before the next, and then finally in Limbus.

Cut is for further explainations

First Tier: Trans Allegory 100%

It is important to note that there is no strict defining line on what a trans allegory is, which I also have a project working on to describe my theory, but in the Scaffold one could theoretically understand the structure that I have.

Snow Queen:

The power of love overcoming that of cold, stagnating, uncaring evil in order to help one re-find themselves. The snow queen herself does not represent that of the allegory, it is rather Kai (Kay) and Gerda's story from the original tale that can represent this, however interlinked all the same to the queen.

King Of Greed:

Part 1, the work line:

"When The King of Greed assumes the form of an egg, you can faintly see a smiling girl inside it."

alongside the fact that her title is "king", a traditionally masculine rank.

Part 2, the actual thematic:

The concept of "greed" in this abnormality is not truly one that is borne of what one would traditionally think, rather than the desire to take for the sake of taking, it is the concept that the root of happiness is desire, and at the root of all desires is an insatiable greed within.

While desires many will go unfulfilled, they will always be the root of ones happiness, and will always remain in ones subconscious.

Snow Whites Apple:

Snow whites apple is one of being discarded and abandoned, hoping to rot (similar to another teleporting, hallway damaging, plant based Waw in this same tier), who, after time passed, realised that the life she had seen come to fruition for Snow White was not the life that would come forth for her, so she leaves to go on her own journey, to find herself.

The apple, realising that the life they had once thought was not for them, sprouted forth, grew, and became a princess in search of a story.

Nothing There:

Egg.

Beauty and the Beast:

Change, death, a life trapped in a body that is not *you*, an endless cycle that all parties wish to part from.

Today's Shy Look:

someone in a discord server noted that this abnormality is a parallel to neurodivergence, especially ASD. Unfortunately i beat them to that analysis a few months ago.

The themes of identity, denial, and divergence all carry over to themes of trans nature, however that is not to say that Shy Look is intended to be one, it is almost certainly intended to be that of ASD.

That being said, kill the author with your own bare hands, the autonomous psyche that exists in humanities collective contains these archetypes of identity and denial, and integrally they are linked to these conscious perceptions we have of them — Inseparably these ideals are linked to conscious perceptions, though borne from the unconscious mind, and forth from this there is no way to remove change from identity, to remove denial from the 'self', to differentiate one's societal differences and strife to that of another. We are all human, we all share in this human collective, these unconscious symbols are not defined by a singular perspective, interpret things as you wish. If you disagree with my analyses, by all means, slay me by your own hands; forthcoming the 'Death of the Author' is the 'Birth of the Reader'.

Alriune:

Doll wished to be human, abandoned to the wayside, finding their own goals shattered.

Though Alriune may be interpereted very strongly as a trans allegory, which i also have a different (netzach) project related to, that is once again to the visceral humanity of these abnormalities, which i plan to touch on at a later date if a certain mutual doesn't beat me to it.

Funeral of Dead Butterflies:

Whom also has their own post on this topic. which is another 'death of the author' tangent for you to read on i guess.

The Funeral of Dead Butterflies' thematic is that of death, and hence that of rebirth, of life.

This concept is best demonstrated through a quote from Demian:

“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas.”

Herman Hesse, Demain

However, i also have a topic essay separated from PM somewhat regarding the nature of death as an allegory, alongside an additional essay named "Transing Death".

Notes of a Crazed Researcher:

"The final chapter ends with the phrase: “Born again.” "

Notes of a Crazed Researcher, observation level 4.

We Can Change Anything:

Don’t like how you look? Are you too fat? Too skinny? We can change that!

We Can Change Anything, Observation level 3.

Being somewhat more serious, with both the notes and this tool, though not integrally linked to that of these allegories, they are both understandably interpretable as this with reasonable argument to support them.

Tier 2: Plausible to Write as a Trans Allegory:

Burrowing Heaven:

This abnormality will come back later. Keep an eye on this one for a moment until then, hold on.

So Burrowing Heaven's gimmick is that of attention, wings, and eyesight.

It's descendant from the trope of 'gazing upon a god' often present in fictional or extant religions such as in the Lovecraft mythos (which is noted in particular due to the abnormality being described i later depictions as "wings of an elder god").

That being said, this abnormality's concept of "existing within ones perception" is interpretable as that of identity, alongside the line of "I could only bear fruit in your sight", akin to the concept of only flourishing when viewed as what or who you are.

Scorched Girl:

Abandonment, sights of a better future, disregard by society.

This abnormality only gets this lower tier due to its source material's differentiation, rather than seeking a better life for strictly herself, she sees in the fires a world of warmth, of joy. Though hope is a powerful emotion, and one that is linked to desires at a primal root neighbouring the king of greed, it is wrote here in a way that is less linked to that integral theme of identity I seek.

The following three exist in the same vein:

Queen of Hatred, Little Red Riding Hooded Mercenary, and Big and Might be Bad Wolf:

All three of these abnormalities share the same virtual story framework, one of managing your identity within a predestined story.

Queen of Hatred defines her existence upon the extant force of evil, though in opposition to it, hence her dual thematic of both love for good, and hatred for evil. Little Red, similarly, is not a being without her antithesis, without the wolf she cannot exist as an individual, without her hatred for the one which haunted her for so long.

The Might be Bad Wolf exists in a barely different stream, though still that of a predestined story, it is rather that of societal fatalism, wherein its nature as a wolf determined its future, the wolf is always the villain of the story, the wolf is meant to hunt.

The wolf is also the most trans-coded out of any of these abnormalities, its nature of being hated due to its nature alone, its lack of decision in the matter, its fate, it "will be" the Big and Bad Wolf.

The former two however share this in many ways, due to the aforementioned predetermined nature of their tale, however in both a meta, and mirrored parallel.

The Hood and Queen both define themselves on another's basis, being unable to exist without the other, leaving themselves as incomplete — In queen's hysteria we can see the repercussions of this unfold, her strands of being still loose she unweaves into a beast, into a creature that she does not *want* to be.

The Hood exists in a slightly different manner once again, as she has found herself in the wolf's hunt, though less so in this unweaved state that the Queen has.

Warm hearted Woodsman:

Desires and is denied a heart due to its nature from birth, from its creation.

Do you know what letters heart has? thats right. HRT. I rest my case.

Der Freischutz:

Loss and searching for identity, sacrifice of ones old life in order to create a new one on their own accords.

Red Shoes:

This abnormality is the literal incarnation of desire, so much so that it's EGO is the only one to actually include the word "desire".

The Firebird:

The Russian avian version of Moby Dick essentially, a bird which wishes to be perceived, wishes to be hunted like it once was, in order to regain its glowing feathers.

This bird exists in the same concept of Burrowing Heaven (you can stop keeping an eye on it now), wanted to exist in ones perception, as beautiful as it truly can be.

Plague Doctor/Whitenight:

Both Plague Doctor and Whitenight share both of their placements due to its fucktonne of different plausible interpretations, this one was extant on its own, but furthered by someone named "chaos" in a twitch chat when i first made this list.

This concept is mostly that of change, of becoming your true self, and finding those that know about and accept this self before the advent comes.

This transformation is integrally linked to Whitenight, alongside Plague Doctor, however they will get their time in the spotlight soon enough.

Mirror of Adjustment:

Changing one's self though appearing the same in the mirror, see Limbus Company canto 4 for more details.

Meat Lantern:

Appearance verses reality.

Knight of Despair:

Yet another struggle to find one's identity in a cruel world, a tale as old as time, where the knight's experiences, her cycles of despair, lead to her view of herself, her sough purpose in life, to be naught.

This purpose is then renewed through the protection and guidance of others, similar to mine, like how i attempt to guide others (in both understanding themselves, alongside subconscious themes, and media literacy), the knight attempts to guide others, and protect them from the harm that she could not protect others.

Yin/Yang:

The innate feminine and masculine traits that each holds, alongside their obvious dichotomy and wholeness in unity can be understood as one coming to understand or accept their true identity.

The reason that this is not in a higher tier is because of some psyche stuff that i don't want to get into here but i think i may have wrote about in the past.

[Censored]:

This abnormality is by design an enigma, which is its entire purpose, the concept of a hidden form, of redacted information, of a 'true form'.

Now as the river of humanity I may be a bit biased but i think that this abnormality is the peak form that one could take in a transition i think.

Tier 3: Transphobic:

Forsaken Murderer:

Medical experiments forced upon someone in order to cure an unseen disease of the mind, which removes ones identity and personhood in the process.

The above paragraph is describing what is known as "conversion therapy" which is a fucking horrendous concept that draws parallels to the forsaken murderer's story involving medical experiments forced upon someone in order to cure an unseen disease of the mind, which removes ones identity and personhood in the process.

Whitenight:

This is about people who use religion to justify their hatred of others, about people who make their anger justified through their posited god, who make their disdain, their xenophobia, into a so called 'Divine' wrath.

Plague Doctor:

[...] cure an unseen disease of the mind, which removes ones identity and personhood in the process.

(me, 3 paragraphs ago).

The plague doctor, sharing the concept of Forsaken Murderer, seeks a so called 'Disease of the mind', which culminates in the deaths of many once its mission is seemingly complete.

Bald:

[...] forced upon someone in order to remove [...] which removes ones [Hair] and [Hair] in the process.

[mellot02]

Don't you wanna try ABNO☺️