#like. the best thing I can say about it is that the main character is quite literally the guy from the painting “son of man”

[thankskenpenders]

Thoughts on Sonic 3!

On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.

Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.

I, too, have now seen this movie, and... yeah, it's pretty good.

I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.

If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.

On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.

And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.

Shadow and his reams of lore

Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.

Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.

For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.

Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.

Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.

The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.

And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.

And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.

So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...

Tails and Knuckles

I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.

I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!

Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.

As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?

Miscellaneous humans

For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.

On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.

Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)

You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.

I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.

The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.

But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.

The Robotniks

I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.

Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?

Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.

I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.

Sonic

I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.

I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.

And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.

The climax

God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.

Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.

And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)

... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.

Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.

And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.

It hasn't quite run out of steam yet, though...

The post-credits scenes, and the future

One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?

Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!

Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.

But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.

(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)

Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?

It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.

Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.

The kids are gonna be okay.

[that-nerd-who-writes-fanfiction]

Sometimes I think Merlin and Arthur started the sacrificing each other to save each other shit too soon into the series.

Then I remember this scene exists.

(Screenshot from S1E2 - Valiant of Merlin bringing the snake head from the enchanted shield to Arthur to warn him that he’s in danger.)

They moved quickly, but they have a damn good reason for it. I honestly can’t say I blame them.

Merlin learned two things about his destiny with Arthur from this episode:

The first is that Arthur will listen when it matters, but his father’s influence runs deep. Arthur cares more about people’s opinion of him than anything else because he’s been groomed his entire life to become the future king, and Uther is tyrannical in his power so he believes that his is the only way to rule. Arthur picked up bad habits, so while he’s still young and learning what kind of man and leader he wants to be, he could still go either way and Merlin can’t yet trust him to always make the best decisions. (Proved in S1E3 when he enlists Morgana to talk to Arthur about the Afank)

The second thing is that Arthur believes in the systems that Merlin knows to be broken, so he learns it’s better to come to Arthur with results rather than warnings, because Arthur believes the systems in place can help, even in situations where they’d be more of a liability.

Both points are then enforced through season 1 and reinforced by Merlin himself in season 2 onwards.

Arthur learned that Merlin is loyal and honest to a fault, but because of the lifelong grooming as royalty and someone who’s supposed to be “above all others” - as proven when Uther says “his life isn’t worthless, it’s worth less than yours” to Arthur in S1E4 when he denies Arthur a group of men to take to save Merlin - it takes a while for it to really sink in that someone can be loyal and genuinely like him without ulterior motive, and when he finally does recognise that Merlin’s devotion is genuinely sincere, he pushes Merlin away (S2E1) in an attempt to keep himself from getting too close and then hurt by what his father would call his own naivety, rather than just admitting that sometimes people are just bad people who do bad things.

He then subconsciously or not learns that Merlin not being by his side is bad so he keeps him around but at a distance with walls built to protect himself. I can go more into that another time. Uther scapegoats Arthur for a lot, and even acknowledges that he’s a bad parent a few times but never does anything to change the behaviour so his apologies aren’t worth shit. Add that to the genocidal tyranny, and you’ve got a fascinating character who somehow isn’t the main villain of the story. I hate him, he should go play hop scotch on quick sand, but damn is he interesting from a writing/analytical standpoint.

So, yeah, they moved from “if anyone wants to kill him, they can go right ahead. I’ll give them a hand” (-Merlin S1E1) to “…Certain death. Few who have crossed the mountains in search of the Mortaeus Flower have made it back alive” “Sounds like fun” (-Gaius and Arthur S1E4) pretty quickly, but it makes sense when you think about why they moved that quickly with context of how they interact and their (assumed) past experiences.

[cringefortress2]

Finished reading the comics

Gonna cry so hard tonight you can't even imagine

I love everything about how it's done, knowing how little resourses they had. Gonna leave some spoiler thoughts ahead

(old artwork just to make this post a bit more presentable)

Sad that demo literally got no screen time, but I'm happy that he'll be living his best life. Love that he's still living with his ma and eyelander. Love those little details with him and sniper hanging out together, seems like they got a bit closer wich is cool even in a friendly way. But i still feel kina robbed (not blaming this on the creators of the comics though. they really did a great job not only finishing the "big plot", but also managing to at least a bit show us the future of all the characters)

Love the way scout turned out. I always hated him as a person, but now he's kinda..grown? He now takes responsibilities and learns that world doesn't spin around him. And it breaks my heart to realise he only has like about 8 years left to spend with his family until the "scout's death date".

Love how spy, that always seemed the most emotionally "grown-up" still finds a lesson to learn and to change for the loved ones. I love how they showed us his face and not pyro's. Spy hiding his face is a portrayel of him not really trusting people around. So seing him without his mask shows that maybe slowly, but he manages to start opening to the people that he cares about. And hopefully one day he'll finally be able to say out loud that he's scout's father. But it can easily stay off screen

Love Merasmus. I always loved his goofy interactions with soldier and mercs. It always was obvious he'll be trolled for the rest of his life. But I really love that he had at least some time to gain self-esteen, other's respect. And love that at the end he can stay with at least somebody (talking about his roommate Tom Jones, but also soldier I guess). It's silly. And I just love that not everyone has to survive for a happy ending. That's the TF2 vibe in general

And of course I really love Zhanna and Soldier arc. Love them so much and so happy that they got the screen time they deserved. Don't know how to express it, just seeing their emotions, love they show to each other, their kids. Not a big fan of the "And then they married and had kids" trope, but here it feels so sincere. They stayed chaotic and stupid. Love it

Oh, and also Saxton and Maggie's final scene... I love it. Can't put it into words in English since it's already pretty hard for me to translate most of my ideas, so here i'll just leave it be

ALSO I love a lot of things and details about the main plot, but I'm afraid it'll take me a bit too much time to wright all my thoughts about it so to make things short:

I love how they managed to portrait the "eye for an eye" and pointless revenge in here. Through the covers of the chapter. through emotions, moments, the whole concept

Love the fact that mercs are literally the loosers of a big company that didn't even get payed enought without even knowing it. They veren't supposed to play an important role. Yet they did. Just like the game itself did in real life. I love it.

And also of course huge thanks for the artists. This comics was one of the most detailed ones. Huge, a lot of pages, great colors. Maybe it's hard to get used to the new style (especially since some of the characters are reeeaally different from the previous chapters), but i'm glad to see it and see how much time and effort was put in it.

[absolutebl]

This Week in BL - I'm using the word "ridiculous" a lot

Organized, in each category, with ones I'm enjoying most at the top.

Dec 2024 Week 3

Ongoing Series - Thai

Your Sky (Sun iQIYI) ep 5 of 12 - OMG they’re so fucking cute I can’t stand it. It’s too much. Everyone is adorable. Including the father. (That said, I wouldn’t recommend watching Naughty Babe with your dad. That’s a big leap there, cutie pie.) The 10 minutes of holding hand negotiation and then finally walking together across campus was truly fucking fantastic. This show is GLORIOUS. Now we also know when it finally does move from dreams to reality, that these two can kiss.

Actual name of this show?

How to Train Your Seme

Speaking of names, Fah's brother, whose name I forget, is now going to referred to by me as Sarcastic Cupid. Because that is his role in this narrative. I love him very much.

On a completely different note, and I know this is not that kind of show, but this is me so I have to say it, if these two ever do have sex it’s gonna take them hours. They just gonna spend half the night negotiating. Which is kind of tantric, but my goodness would they even make it into bed?

ThamePo (Fri YT) ep 2 of 12 - i just love this show!!!! so happy to have this one my screen. The dads have to save the little musical family! So cute! And illegally pretty.

Love Sick 2024 (Sun iQIYI) ep 14 of 15 - They substantially took steps to fix Phun‘s dad character in the new version and I really like that a lot. I'm chronicling my experience with 2024 as compared to 2014 here. 

Caged Again (Fri Gaga) ep 7 of 10 - Why is this absurd show so damn good? When Sun has to beg it’s just too much. It’s too sweet and aching and hurtful and wonderful. Catnip = the sex herb trope was not anything I’ve ever thought I would see in my lifetime. Okaaay now. Relax little show. Too far.

Fourever You (Thurs YT) ep 12 of 16 - The extended version is clearly better. But I’m not gonna bother to pay for it. Again, I’m liking the new couple more and more each week. I still prefer the first couple of course cause Pond but it’s enjoyable enough.

Note: I'm super grateful for those posting them as clips here on the hellsite. Because man can these boys kiss!

The Heart Killers (Weds Gaga) ep 4 of 12 - this show is so entirely and utterly ridiculous. I don’t even know what to do with it or myself. Or what to say. Carry on, I guess?

Also I don't know what GMMTV is smoking to tease this one, but I'll take a hit next time they pass the BL bong.

Perfect 10 Liners (Sun YT?) ep 7 of 24 - I am living for Pond & Sand. they are pretty much all I care about. Yes including the upcoming couples. I just want pond sand. sure the main couple was fine it was a perfectly serviceable ending to their arc such as it was. All in all I enjoyed this episode big smile on my face most of the time.

Secret Love (????) 1-60 of 81 eps - Someone dropped a cut together of episodes one through 60, and I actually quite enjoyed it. It’s a total soap opera and very much a pulp. But I kind of love that right now. Frankly, 1-60 is a completed story arc. If you want that. I will probably watch the whole thing if anybody ever uploads it or it turns up grey anywhere. But this was quite satisfying. Ridiculous but charming fluff about two stepbrothers, who aren’t really stepbrothers, who have loved each other forever and are reunited under trying family circumstances. 7/10 passes the sniff test

Ongoing Series - Not Thai

Our Youth AKA Miseinen: Mijukuna Oretachi wa Bukiyo ni Shinkochu (Japan Tues Gaga) ep 7 of 11 - ARGH. The pain. what an absolutely stellar show. I can't believe we are only on ep 7!

See Your Love (Taiwan Weds Gaga) ep 9 of 13 - I love it. This show is fantastic. It’s classic BL, it’s hitting all of the tropes, and it reminds me of some of the best that Taiwan has done in the past. I’m charmed and enjoying it immensely. Taiwan isn’t great on endings so I’m reserving judgment, but what a current highlight to my week. I like these boys so much. Please be kind to me and them, Taiwan?

Eternal Butler (Taiwan Fri Gaga) eps 1-2 of 12 - Ever 4, a sophisticated AI combat robot, becomes the personal butler/bodyguard to Luo Bu Shi, a spoiled yet lonely young heir. And I like it a lot. Odd with a very old fashioned yaoi feel. Also actually kinky (not Thai kinky), I mean it's no JBL but I like it. Dommed into reading = hot. 

Teenager Judge (Vietnam Sat YT) ep 12 of ? - I love our new rescuer, he v cute! Nice addition to the cast. I hope we get more of him. Otherwise, this was more of the same. I’m getting pretty fatigued with this bully stuff at this juncture.

Love in the Air: Koi no Yokan (Japan Sat Gaga) ep 8 end - A lackluster adaptation of some already questionable content, that managed to lose all the limited charm and massive chemistry of the original. It was a mistake to do with less runtime not to mention put both climaxes in the final episode.  Too much all at once. By dividing up the two rescues and keeping them exclusive to their respective couples they highlighted the formulaic nature of the narrative and weakened the foundational friendships. The best thing about the original was the friendships both between the semes and the ukes. By having each boyfriend simply rescue his own boy without help, we didn’t get to see the depth of those friendships at all. For this reason, this installment was weaker than the original. My final feeling at the end was simply “OK whatever” not a ringing endorsement. 7/10 but barely that.

It's airing but......

Spare Me Your Mercy (Thurs iQIYI) ep 5 of 8 - on hold because it went out side genre conventions and I'm not sure what to expect. I'm waiting until it ends, then if safe I will binge.

Be Moon - Falling for my enemy's son (China YT) movie from HBD Studio airing in short bits but I couldn't find any this week.

Winter Is Not The Death of Summer (Thai ???) - has been picked up to air on WeTV, or something? Criminals who meet in prison fall in love. I did find it on YouTube, initially un-subbed, then subs happened by which time I got distracted. The first episode seems to be only six minutes long. It is very pulp. But it is intriguing. For now it's to the wayside until someone tells me it landed safely. Occasionally Thai pulps want to be edgy and it's not a good look on them.

0.5D (Japan ????) 4 eps - Supposedly a completed short. "Sales ace, Sada, has a secret that only his junior, Daiki, knows. He has pretended to have a gf for years, resulting in him being a virgin. But now Sada has fallen in love. Confused, Sada seeks advice from his junior." I sense another queer Cyrano De Bergerac. I can't find and it's good very poor review so Imma stop looking. Info here.

The Renovation (Thai mini One31) 2 eps - Writer turns his blossoming romance with holiday resort owner into a novel. Eh is it worth trying to find?

It Ended But?

Blue Canvas of Youthful Days (China Sun Viki) paused at eps 9-10 of 12 - I have been told the ending is OK if not great. I’m gonna hold off for a bit.

Next Week Looks Like This:

Final still to come:

12/29 Sangmin Dinneaw (Thai ????) ??eps - trailer Childhood friends (Thai & Korean) reunite after being apart for ten years. As the boys reconnect, their bond matures and feelings of romance begin to develop, in Thai.

Impression of Youth (Taiwan ????) ??eps - rumors are this is supposed to start this month.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK���S BEST MOMENTS

10 years later and it's still one of BLs best cuddles (Love Sick)

Always like a seme who asks permission. (Perfect 10)

(last week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

[maxdibert]

Agree with your last post. I'm so annoyed by people putting Pandora with Regulus, Barty and Evan or Dorcas with the Slytherin gang or idk what else. Like Pandora was Luna's mother, why are they making her to be friends with canon death eaters? Dorcas was killed by Voldemort personally, why are they making her to be so young? Idk it's making me sad that people don't even try to respect the canon story and its characters and expand upon that. Instead they completely butcher it. I understand having fun but these headcanons have completely overshadowed the correct information we have and people now pretend like they have some canon merit.

Pandora is Luna's mother, and that's all we know about her. At what point does she magically end up being the same age as the Marauders? Why turn her into a Rosier? Where did the ridiculous idea come from that she was best friends with Barty Crouch Jr.? Like, hello? She's not Luna's mother; she's just an OC someone made up to fit their narrative, and they justify her existence by saying she’ll eventually become that Pandora. End of story. Like everything they write and do. Their Marauders aren't the real Marauders. That's not James; it's some random guy they invented and slapped his name on, and the same goes for the rest of them. What even is a Dorcas Meadowes? Is that something you can eat? And what's a Marlene McKinnon? Nobody cares—they're not real characters. We don’t care about them, especially if you only include them to hit a lesbian target audience or so the stories aren’t overwhelmingly male-centered and ridiculously problematic because the female presence and relevance don’t even hit the minimum gender quotas from two decades ago, like…

They say "fuck canon," but only to have an excuse to whitewash psychopaths and portray them as twink icons. It makes no sense. I insist: they could create their own lore within the Harry Potter universe. Take all those OCs, remove the canon names of characters they have nothing in common with, give them original and unique names, and create a new category on AO3 for the lore you've created. You wouldn’t be the first to do it, and it’s totally valid. And stop setting the stories in the '70s because all those OCs with canon names act like Gen Z kids—or even Gen Alphas—living in pre-Thatcher Britain, like, what the hell?

The best thing about the First Wizarding War universe years ago was that the CANON was unexplored, and you could create fascinating things. But always based on the CANON. Because no, “fuck canon” doesn’t work, because if you say “fuck canon,” then you're just talking about characters you don’t like. You say you’re a fan of Sirius Black, but you’re not a fan of Sirius Black. You’re a fan of an original fanfic character with traits that have nothing to do with Sirius Black, but you slapped his name on it—why? Sirius Black was the tallest, most handsome, and most masculine and violent of the Marauders in canon. He wasn’t a girly, whiny twink. Rowling spends the ENTIRE saga CONSTANTLY emphasizing how masculine, how macho, how handsome, how masculine, how handsome, and (again) how masculine Sirius Black was. Over and over. The only other character Rowling insists so much on describing physically is Snape, but only to constantly point out how ugly he is and ironically assign him FEMININE traits. Snape, who is canonically unattractive but also canonically not masculine by patriarchal standards, is someone super macho types like Sirius mocked precisely for that.

I think the problem with this fandom is that they want to be the protagonists, the cool kids, the main characters everyone admires. But the reality of the canon is that both the Marauders and the pure-blood Slytherins of the era would have hated, mocked, and marginalized people with the characteristics fans assign to these characters in fandom. That Sirius the fandom adores wouldn’t have lasted half an hour with the real teenage Sirius Black, who would have bullied him immediately for being “weird.” The fandom’s James would have been ridiculed by canon James, who would’ve seen him as a total loser. Fandom Barty? Canon Barty would’ve Crucio’d him to bits. Canon Regulus would’ve paid someone to drown fandom Regulus. And yes, that Severus fandom invented—a sort of rapist or something—would’ve disgusted canon Severus, who didn’t even dare say anything to Lily. But honestly, who’s that fandom Lily? Because canon Lily didn’t know what feminism was and was dying to have a traditional family before 20 with a rich guy who could give her financial stability. Like, seriously, xD.

I’m sorry, but your OCs wouldn’t last half an hour in '70s Hogwarts because both sides would tear them to pieces. And in the end, all the “fuck canon” rhetoric is just a way to deny that they need to project themselves as protagonists, but they know they never would be in the Marauders’ lore because, in that context, they’d end up as bad or worse than Snape. And that’s precisely why they hate Snape so much—because that character constantly reminds them that, in fact, the Marauders were bullies. And they were bullies to those who didn’t have the looks, social class, appearance, or clothes deemed acceptable. Snape is actually the closest thing to themselves that fans of the Marauders will ever find, and that reminds them that in that universe, they would’ve been the nerds, losers, and outcasts of the class.

I’m sorry for being so harsh, but it’s true. They’ve invented characters in their own image, slapped canon names on them to feel important and central, but the reality is that the actual canon characters would’ve bullied them so much they’d have ended up the same or worse than Snape.

[cripplecharacters]

Hey there! I'm wondering how to describe mobility devices in a character's physical description.

At one point I was describing a character (he/she/they, cerebral palsy) I made for an applyfiction and I wanted her personality to show through everything in her appearance, including her crutches. He was a very chaotic and optimistic person, so I described his crutches as bright yellow and cluttered with colorful stickers when I got to the point in the paragraph where I wanted to include them. The focus was more on how the user decorated them than the actual purpose they served, which is the main thing I'm worried about. Eventually I ended up scrapping the character but the way I wrote the description still stuck with me and I wanted to check in here to see if it was okay. Was it acceptable to describe it in such an artsy way or was I making it seem trendy?

And where in the character description should we include mobility aids? Assuming it's only about a paragraph long, should it be at the beginning, the middle or the end? Do you know of any examples of authors doing this well?

Thank you so so much for reading this far, and for running this blog in general. I've learned so much just from reading through your responses to other people's asks!! /gen

Hi!

Of course, it's 100% okay to decorate mobility aids! Some of my friends have painted theirs, added wheel spoke covers, put stickers on them, hung keychains and other little accessories, anything you can think of :) [smile face] They're a great way to show personality!

I don't mind at all if personality comes over the specifics of disability in this instance. That honestly feels like a nice neutral way of having a character who exists beyond their disability.

I would say put the detail wherever you feel it fits best. I'm glad you're putting a description of their aids in the character description; it can seem like you are using their disability for shock value if you don't reveal it early. If their aids a very noticeable trait--like this character where they're bright yellow-- it likely will come first.

Mod Rock

[thydungeongal]

Hey, so what’s your opinion on “system-agnostic” modules?

I think they work best as a starting point for GMs, because ultimately the game system you end up running a module in will invariably end up affecting how the module itself runs. As such, with system-agnostic modules more than anything designers really shouldn't try to present a neat progression of scenes that the characters can be expected to go through regardless of system, but instead a situation with multiple ways to approach it.

Like, the reason it's kind of popular to present an "adventure" in modern D&D and similar games as a sequence of challenges that the characters can be expected to get through, the main variable being "how many resources do the characters expend," is because D&D is ultimately a game where challenge is the main gameplay and things are skewed in favor of the player characters. If you however tried to run a Mythras group through a D&D 5e adventure, even if you somehow managed to convert the stats so they're fair approximations of the original stats in Mythras, it would still result in heavily different gameplay because Mythras is very different from D&D (despite them both being very trad!).

So yeah, system-agnostic modules if anything require the designer to be more aware of all the various gleeblors they are operating under. Are you assuming a baseline of competence that is only true in a very specific type of game? Are you assuming that characters will have access to verbs which are in fact not universal? Are you assuming that the characters will be working together? All of this and more is important stuff to think about and make explicit in the text!

So yeah, none of this is to say that you shouldn't write a system agnostic module, but if you do you REALLY have to remember that you are not writing a story: the story is what HAPPENS in the game, and you as a module writer cannot write a progression of events that will be unaffected by the game system, because the game system is an active participant in creating the story. What you can and should write is a setup, a starting situation, with lots of room for the story to emerge from the empty space.

[warblogs17282]

Now that helluva boss season 2 has hit it's finale, let's discuss everything we know about season 3 at this point in time!

aka, a comprehensive list of everything about season 3 that we've been told about so far. (Please tell me if I've missed anything, thanks!)

I do not think that any of this information necessitates a spoiler tag on this post, but if you want to go into season 3 completely blind, click off this post now.

Bluesky Stuff:

What we learned from this bluesky thread posted shortly before Sinsmas was released is as follows:

The wait until Season 3 starts will be quite long.

The team decided that helluva boss having closer releases of episodes was the best decision (heard this meant a month in-between episodes but I forgot where I saw that), so thee team wants to commit to a more traditional release going forward.

Confirmed once again that season 3 has a total of 15 episodes.

We will also be getting shorts in-between the wait until season 3 starts, and I assume this means monthly shorts as well, based on the fact we had monthly shorts last time as well.

Vivziepop has also described season 3 as a 'queer roller coaster.', so we gotta be prepared to get back on that ride again.

At some panel it was confirmed that in season 3 we will be getting an episode that contains some more Millie backstory.

Tweet link here:

In some other panel, alongside confirming Vassago's appearance in the Mastermind episode, they also confirmed that we will be seeing 'much more' of Vassago in season 3, the post in the picture above contains the clip of this moment in the panel as well.

In what appears to be a recording for the second half of season 3, they're doing recording work for a Stolas song titled 'Dirty Bird', and yes, it is going to be super horny. There is a video of this Instagram post on the post below, plus one extra screenshot.

In the Los Angeles Comic Con 2024, quite a few things were revealed to us, with those being as follows:

As said before, this traditional release schedule does mean that the episodes will hopefully be a month apart from each other, and that Vivziepop saw the show was moving towards a more narrative direction, with this also being where the heart of the show is, and as a result, the direction the team is going in.

Lastly, we probably won't see all 72 Goetias, but we will see a lot more of them in season 3.

Post referenced in above screenshot contains a youtube link to said Comic Con.

According to the reblogs under this post, it appears that Erica (Loona's VA), was asked what her favorite song/episode was, and she responded with 'the song that Loona has in season three', confirming that Loona does have a song during season 3.

Video can be found within this post:

At 1:06:19 of this video, Vivziepop does state that the show will eventually get to Stella's perspective, which I have to imagine the show will get to in season 3, and that Vivziepop hearkens Stella's character to the character of BoJack Horseman's mother (Beatrice Horseman) because they are very similar in that regard.

Finally, Vivziepop posted these screenshots of her doing some audio editing to her Instagram over a year ago, we don't know what episode this is from but based on the long name in line 7 that doesn't appear to match any character we know at the moment, this appears to likely be a picture of some season 3 audio.

The main things we can gather from these screenshots appear to be Millie talking with Stolas a bit, and the absolute explosion of voices following something that Blitz said.

Post where I found these screenshots from can be found here, some additional discussion regarding is also in the reblogs:

To wrap things off, I believe the next significant reveal or such regarding season 3 will be found in the 2025 LVL UP EXPO, as there are quite a lot of VAs involved with Helluva Boss there, plus Sam Haft and Vivziepop.

Especially considering that in the 2024 LVL UP EXPO, the first helluva boss short was shown, we got the song featured in s2 e8, 'When I See Him' and the season 2 trailer.

[kiraridertime03]

We need to free the Weasel

A brief discussion about the way that Creature Commandos uses politics in its narratives.

Spoilers for it and everything else James Gun DC up to this point though, below the cut.

Also, it is a busy post, content warnings for discussions of white supremacists and cops, as it is necessary.

With the release of the trailer of James Gunn's Superman film, hype for his grand DC Universe has kicked into high gear, and for good reason. That trailer, no matter the quality of the final film, is a goddamn work of art. A piece of film that understands Superman better over the course of 2 minutes and 20 seconds than Zack Snyder did over the course of 3 overlong movies. That mixed with his solid back catalogue of Superhero films. However, slightly more obscurely, this universe has already started with the animated series Creature Commandos, and especially with the fourth episode, which released hours before Superman's trailer, shows the kind of skill and thought Gunn and co. are putting into this new universe.

At its front, Creature Commandos feels very... blunt, in a lot of ways. It's like The Suicide Squad but with Creatures! It's big and raunchy, being an animated series with blood and swearing and sex and whatnot. And, when it comes with its politics, some of the early villain's mooks are a bunch of weird incels, and one of the main characters constantly advocates for killing Nazis. It is a work that immediately shows its hand, making the type who would decry the wokeness of modern movies and games or whatever. However, with these early examples, it can feel like a bit too much, maybe. I love it, don't get me wrong, I'm the type to really enjoy blunt earnestness. Though, given the more comedic approach that many of these elements take in the early episodes, it can feel a bit like it's only there for the bit.

Where the series really starts to excel, though, is when it starts integrating its flashback segments. As a whole, even outside the point of this post, the flashbacks feel like a wonderful decision. A way of fleshing out our characters while giving each episode a distinct feel, justifying the series as, well, a series rather than just one long movie. However, here, I want to discuss some of its political ideas, and how they integrate. Because, for these, they integrate more thematically, being an undertone to each character's own story.

For the bride, her story is centered around this idea of the objectification of women. I mean, it makes sense. She was literally made to simply be the bride of Frankenstein, an object of his affection. However, as she gained her own independence, the masculine figure who feels he is owed her hand in marriage breaks out into a rage, harming her and the person she actually loves. This story is what gives her the cynical edge she gains in the series proper, giving her an interesting, sympathetic story while using the elements of said story to say something about how many men perceive woman. A strong enough parable that acts as an undercurrent for her character.

Then, we get to G.I. Robot's episode, a real tear-jerker of a thing about a silly robot character, the exact thing to set my brain off in all sorts of ways. Much of this story is designed to set up his tragic past, so that we can feel catharsis once he gets his big moment, then feel the tragedy when he gets brutally murdered. However, it again is saying a lot of complex things. Many have discussed the PTSD angle for GI, which I do see, however, in GI's story specifically, I see the way that the American state treats veterans. Like, think about it. This being who was forged and created for the purpose of making war, goes to war, then once the war is over, they are, best, used for spectacle on live TV (Where they are unable to properly adjust to the tone of peacetime, accusing the audience of being Nazis themselves), studied not to help them, but to make the next generation of soldiers even more efficient at their goal of warcraft, then thrown to the side when they are no longer useful. The man selling GI to the collector literally says he slipped through the cracks. It, again, is a wonderful metaphor that takes advantage of what GI is, and uses it to emphasize these issues in a more literal way. It is a lot easier to show a robot who was programmed in a specific way weird the room out than the rocky adjustments a veteran may have to go through. It then, also, shows the kinds of people who really benefit from this warcraft, those it appeals to. The collector who buys GI turns out to be a part of a White Supremacist group in America, a group of people who gladly use Nazi iconography, identify with it, and gladly push it. Those also happen to be the types who want to buy old war memorabilia. Obviously, not all war collectors are Nazis. But these are people who see this kind of might makes right ideology that America so often employs with its military, and latch onto it. GI, rightfully, finds this appaling, and kills them on sight. It is this wonderful moment from this delightfully twisted series.

However, even that could be seen as a tad blunt. Again, GI is very clear with his words, he doesn't hide much. So, where I see this series going from good to great is with Weasel's flashback segments. This begins when a lawyer, a member of a nonprofit, demands she see Weasel, as she is putting on a case for him. In essence, she states that, at least to her and her organization, he was unjustly prosecuted. To both Rick Flag and us, this seems absurd, as we have a lot of predisposed biases towards Weasel. You see, he is one of the few pre-existing characters in this cast. Weasel was previously seen in James Gunn's The Suicide Squad, though only briefly. There, as a member of the Decoy Team, he makes weird, gross noises, they make a joke about him having killed 27 kids, then have him promptly drown before the mission even starts (Though, in the post credit, it turns out he survived, because that's even funnier). Even if you hadn't seen that film (Which you should if you haven't), they reestablish all that in this series in the first few episodes, portraying him as a stupid, vulgar, violent creature who isn't worthy of rights. However, expertly, this is all a front.

In the flashbacks, we learn that Weasel only interacted with about 8 kids, a bunch of students left at an after school program. Contrary to what we had been told, he really just played around with the kids, chasing around a ball. They eventually get inside the school and, while messing with stuff they shouldn't have, start a small fire. However, some antics are afoot. While he is playing around, an old senile man sees this and, rather than asking about what's going on, decides to run back to his home, call the cops about what is a clear, if odd, misunderstanding, then grab his gun to try to take things into his own hands. And, as he does, shakily trying to shoot Weasel, he makes the problem of the small fire worse, shooting a gas canister behind them, turning the small fire into a school-destroying explosion and fire. Then, the cops show up. Many of the kids are already dead, seemingly, but one survived. So, as he pulls her out of the wreckage, what do the cops do? They start shooting. Throughout this whole sequence, the cops do nothing but shoot and get in the way of things. It all culminates in the final shots, where Weasel has dropped the kid after being shot. And, instead of either of them going to get the kid, they both pin Weasel down, try to pull him out. This leaves the young girl to be crushed.

This is a massive tragedy, a game of tragic misudnerstandings that gets kids killed. However, again, it does this by hiding its politics into a genuinely moving character based story to make them more effective. It is a story, in part, about our predisposed biases. I mean, the narrative literally sets this up. Characters around Weasel say things about him without him being able to have a say. Because he's a Weasel. Then, our characters make judgments based on what they believe and what they've heard from secondhand sources over what they actually see. Even when Weasel is his most violent (taking down Circe in episode 3), he does it to protect his teammates, and he doesn't actually kill her. In his backstory, characters make rash decisions based on their misinformed judgments in hopes of "protecting the kids," when all they are actually doing is harming them. They get 8 kids killed all because Weasel is a little freaky.

Then there's the cops themselves. It so masterfully uses showing rather than telling. The most it tells us is of the trail at the start, and again, this is moreso used as setup, playing into our dispositions. However, when it is time to actually depict the injustices, it shuts the fuck up. It doesn't just say that cops are bad with a couple of clear shitheads and moves on. It shows how cops are bad. Their only answer to this situation is violence. They don't actually serve their community, in this instance the children stuck in the fire, their only answer is to start shooting things. Because they have no other answer than state sanctioned violence. And they did this all with an episode about FUCKING WEASEL!

Now, imagine what they can do with Superman. It doesn't even have to be political, like these previous examples. However, to me, this shows that he can do what, to me, some of the best storytellers do. They weave every element of their story together with deliberate choices that strengthen each other. If anything, more than any well edited trailer, it is that that excites me about everything James is working on. Of course, he is doing this with a team, but James is the type to surround himself with smart people who understand these things inside and out. That one David Corenswet quote about the shorts proves that to me in shades. That's what gives me hope about these works. That they will be movies and shows that mean things. Which seems like a low bar, but hey, so many fail at it that it's kind of impressive.

[the-100-days-of-junkan]

Day 82

Another one that I love!~ Gonna be a lot of those from here on if you couldn’t tell!

Junko’s the Ultimate Fashionista (in the english release at least but hey Ultimate Gyaru has to have a little crossover right??), so of course she handles Mikan’s wardrobe the moment she’s allowed to. So . . . Extremely cute scene of her having Mikan try out clothes to see what she does and doesn’t like. 

An opportunity for Junko to pamper Mikan, AND i get to draw Mikan in a sweater???? Heaven. Also like are we all in agreement that sweaters just look fuckin amazing on Mikan?? Like I admit, I think I just like drawing Sweaters on Mikan but they just make her look so much cuter because of how god damn cozy she looks in em. 

Unfortunately that’s all I have to talk about for that topic? I think? So instead let’s shift over to a recent development involving Junkan!

I’m in the midst of working on the Junkan Christmas Eve comic, which hopefully will be getting posted on time a few days after this, and during the process of making there’s been something new with my current abilities.

I have officially hit the point of proper freehanding on these two.

Y’see this probably won’t make too much sense but i’ll do my best to explain. 

So normally when it comes to sketches I’ve done things a bit less proper compared to more professional artists. I usually get a little start on the anatomy, and then just start sketching all the character details and moving out from there. It isn’t often that I do a full sketch for the basic anatomy of a character, I only do it when I really wanna not fuck up a pose. And as you also know up till now only one piece in this event was drawn normally. Everything else is a sketch that i cleaned up and colored, or just a sketch. 

This is because generally speaking I can’t do art using my normal pen tool without a sketch to work off of, it requires a lot more finesse to use the G-Pen both because of the larger shifts that can occur in line width, and the slightly looser feel it has compared to my Pencil Tool. 

That’s all to say that I have drawn Junko and Mikan so many fucking times that I can just, draw them without proper sketches now. I’m at a point where I just need to draw the head, torso, and legs for an anatomy sketch, and then with the G-Pen I can just, draw from there. That’s big for me personally, and also fucked up because god how even??? There hasn’t been a drop in quality either so far, i’m still able to refine the expressions and i haven’t fucked up with the arms too much yet, I’d even say it’s resulted in some of my favorite Junkos and Mikans period.

Now, the catch is that again, this is only Junko and Mikan. I could prooooobably get to this point with Mukuro eventually just because her design is much simpler compared to other DR Characters? I struggle with getting her colors right rather than linework, but that’s about it and still not really useful in my main line of work unless I memorize every character that’s ever existed, and it took like 150 fucking times for Junkan I can’t do that for an obscure RPG character that I might get commissioned once and then never again. 

It’s also not something that I think i’ll apply to my normal Junkan works, because I am a perfectionist to a fault when it comes to pieces I care about and I want to make sure every detail these is exact. I need to be meticulous for ship art like this, every detail is important. And I can maximize that with sketching.

This new skill is basically useful for one thing. Speed. 

I pride myself on my efficiency, even if I have waned over the years due to burnout and overwork, when I get into it I can fuckin move with my art. And so if I need to say, make a 28 page comic in under a month? Being able to mostly skip an entire phase of the art process is very, VERY useful, ESPECIALLY because it’s a comic. Something which generally takes more time than my normal art by nature of it’s format and what it involves. When making the Comic for Day 60 it was all sketches, which was equally fast but could leave small imperfections at the time that either went under my radar or I just let slide because i was trying to be efficient. 

This is basically perfect for having to speedrun a Junkan comic, it’s all the speed with the usual amount of visual quality.

So in short . . . I’m turning into a nightmarish hell machine but specifically for drawing Junkan. I am genuinely curious how much farther I can go up from here, like, what the hell else could I be capable of with this???? Am I just gonna learn how to fuckin beam the art onto the canvas with my brain???

Moral of the story is just get mind numbingly obsessed with a ship and I guess you’ll get better at stuff??? I have no idea, i’m still kind of processing the comedic value of what this year has been because I was desperate for these two to make out. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[averlym]

i have been thinking about this lyric all day 

[theokusgallery]

I hate that I have reoccurring themes in everything I make. YES this guy has a complex over the fact that everyone prefers his sibling AGAIN. YES he was ostracized by his peers since he was in primary school and never knew why until years later. URGH

[etchif]

Don't know how controversial of a take this is (not very I assume) but I don't really like I Am Me it's painfully generic lyric and sound-wise and it also doesn't really fit into the show that well

[sidesteppostinghours]

pulps law is that whenever i get insane enough about something, i will inevitably attempt to make a persona 5 au, regardless of whether or not i am successful at it.

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[cripplecharacters]

I have a question about an idea I've seen. This is going to be kind of weird and involves the death of a real person during an epileptic seizure, and whether or not giving the character epilpsy would be a good or a bad idea.

So, in this fandom I write for, one of the characters, Carlos de Vil, was played by disabled actor Cameron Boyce. Mr Boyce was epileptic and passed away during a seizure before the series was completed and Disney decided not to recast him, instead choosing to have Carlos pass away in some event that canon barely acknowledges (there are nods but no cause of death is ever given, not even one small clue. Carlos's death is simply "he's no longer with us and is missed dearly.") Because he is a main character, people have been trying to find and work in a cause of death for the character that would make sense. Recently, I've seen people giving Carlos Mr Boyce's disability, epilepsy, and I was wondering if that was something that should be done, if it's okay to do, or if it's just disrespectful to his memory no matter what. It just feels weird, especially when this evolves into Carlos's passing being due to seizure like Mr Boyce's. By the way, Mr Boyce's friends and loved ones have little to no interaction with the fandom and thus probably have no idea this is happening. If they do, they haven't given an opinion on it beyond "Please respect our privacy." Mr Boyce was also a fairly private person about his medical history. He kept it so that no one except the people closest to him in real life knew he was epileptic at all, and no one really knew he was epileptic and being treated for it until his passing was announced.

I don't know. Would giving Carlos epilepsy be a disrespectful thing to do, considering Mr Boyce passed during a seizure? Or is the idea kind of okay, but giving Carlos the same cause of death isn't? Or is there no problem with this as long as the depiction of epilepsy is accurate?

Hello!

This is... a complicated topic to say the least and there's not really one right answer I can give you. Everybody will have a different opinion on this and I can only share mine.

I do have some familiarity with the fandom and the character in question, though I've admittedly not been involved recently or seen any of the newer films/shows.

In most cases where real people are involved or can be affected, it's generally best to go by their wishes (Or, in lieu of that, their friends/family's wishes). This doesnt mean you have to ask an actor before you headcanon their character as having a disability, it just means that you should keep it in mind if it's something they've spoken against before.

In this situation, of course, that's not really something you can do. And from the sound of it, there's nothing to go on from his friends/family either beyond respecting their privacy.

Personally, I wouldn't do it. I've been seizure free for several years now but the idea of dying during a seizure is something that still terrifies me, especially considering how many close calls I had when I was a child. It's something that is incredibly traumatic, especially when you're young.

Although headcanoning a character as having the same disability as their actor can be done as a way to show respect, that becomes a lot more complicated when the actor in question has died -- and especially when it was because of that disability.

To me, this feels a bit insensitive -- especially given that the intent is to have had Carlos die from a seizure as well. The fact of the matter is that there's not really a need for it.

If the people responsible for the films had chosen to specify the cause of death and had mentioned Carlos having epilepsy as a tribute of some sort, that would be a little bit different in my view. It would have been done with careful consideration and -- hopefully -- with some thought for his family/friends and what it would mean to them.

But that's not what happened. They made the choice not to do that and instead decided to -- from the sound of it -- keep it purposefully vague. When writing fics or creating art or otherwise interacting with the fandom, it's incredibly easy to either follow that and also keep it purposefully vague or invent another reason. In short, the reasoning behind headcanoning Carlos as having died from a seizure seems to be more out of convenience or some sort of "hey look, both of them had epilepsy!" thing instead of any attempt at a tribute or anything like that.

Giving Carlos epilepsy, however, in situations where Carlos wouldn't have died (In AUs, settings before his death, etc.) would be a bit different but it should still be done with care and consideration.

That said, this is just my opinion on the matter. Having Carlos die from a seizure rubs me the wrong way and feels like it's in bad taste but it's not something that's actively causing real harm, especially since you mentioned that his family/friends are likely unaware of all this.

Essentially, if it's something you want to do you're free to do it/keep doing it. But I'd strongly encourage people to think about why they're doing it and to consider alternate options.

Cheers,

~ Mod Icarus