#like why not y'know
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glitzybunny · 1 year ago
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Guys do I cave and watch the funny little pony show?
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egophiliac · 3 months ago
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buckle up lads we're going BACK INTO THE BOOK
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#art#twisted wonderland#twisted wonderland spoilers#lost in the book with nightmare before christmas#hajimari no halloween#(the origin of halloween huh) (oooh)#why yes i did wake up way too early to watch the stream and will have no memory of drawing this later#anyway THE MAGIC BOOK IS BACK TO EAT US ONCE AGAIN!!!!#this does make things make a lot more sense if it doesn't have to. y'know. actually take place in the established world#like how jack and sally are apparently just gonna be THERE as themselves WHY NOT#i'm certainly not complaining mind you#scully looks like he's gonna be super adorable and i love him already#spooky scary skeleman who just goes :O a lot and is excited for halloween#he seems like he might actually be more of a fusion of jack and sally? or maybe i'm just reading too much into it#still getting jazzy vibes off of him though. is not scully j graves an incredible jazz musician name.#does this open up the possibility that the last time we went into the book there was a sexy anime boy stitch just offscreen the whole time#...maybe some things are best left uncontemplated#god everyone in this event looks fantastic i'm so glad i saved up some keys after all#a little sad that there's no lilia but you know what the fact that a halloweentown malleus exists is still pretty dang good#and sebek's hat is SO tall#the biggest hat for the loudest boy#i hope oogie is here too i need him and jamil to meet#i need jamil to be faced with a guy who's just a bunch of bugs standing on each other's shoulders in a trenchcoat#i am not coherent right now i just needed to get this out before i go pass out again
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fluentisonus · 5 months ago
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I've said this before but valjean's view of the bishop throughout the book gets me so bad because like. he knew him for what, a day maybe? and it absolutely had a vast & profound & positive impact on him. but then he goes on to spend the whole book comparing himself to his idealized vision of the bishop & finding himself wanting & feeling guilty and miserable about every petty or selfish thought that crosses his mind. but it's so fucked up because like we as the readers know the bishop better! we've read the whole first book and we know he came from a privileged & wealthy background, that he was a rake when he was young, it wasn't til he was in his 40s or 50s to have some sort of change of heart & become a priest (a similar age to valjean when he met him!), that he has moments that seriously shake him, that he has some dubious politics left over, that he still has moments of pettiness he has to work through on the page (his initial approach to the member of the convention, e.g.). and also he's just kind of a weird old guy (affectionate). and like this is not to criticize the bishop, I think he's a genuinely really good guy, just that while the bishop has a realistic view of himself & his past ("he described himself with a smile, an ex-sinner,"), valjean is not getting any of this except maybe like. what would be mentioned in the newspaper when the bishop died. so his whole view of him is of this one shining moment where he changed his life and he feels he doesn't live up to that. which is sad! because the bishop understood him more than he realized & wouldn't have wanted him to feel that way
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rhupi · 2 months ago
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Hiiii I love your swap au and was had an idea for it :)
Kushina finds obito walking around at an ungodly hour reading a medical book and she's obviously concerned and obito basically almost passes out and she calls the entire team to come help put as they figure out he's sick and kakashi and minato scold him whilst rin and kushina draw up a schedule for him to follow so it doesn't happen again.
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Hell yeah🔥
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otome-dissection · 24 days ago
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Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.
It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).
It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.
(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).
It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).
It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.
It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.
It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.
She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)
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It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.
It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.
Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.
On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)
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slyandthefamilybook · 4 months ago
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Imagine you have a friend over for dinner and you make them steak. It's a traditional family recipe, and you know it turned out great. You're really proud of this good steak you made. After the meal you ask your friend what they thought of your steak and they say: "I loved it! I hate food poisoning, though."
"... Okay, what did you mean by that?"
"Nothing! The steak was great! I just hate getting food poisoning!"
"... Is the steak going to give you food poisoning?"
"Oh, not this one. This one was great. But some steaks give you food poisoning."
"Okay, but not this one, right?"
"No, not this one."
"... Then why did you bring up food poisoning?"
"I just didn't want you to think that because I liked your steak that I also like food poisoning."
"Why would I think that?"
"Because some steaks give you food poisoning."
"But not this one."
"No, not this one."
This is how goyim talk about Jews
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shu-of-the-wind · 1 year ago
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END the copaganda that not giving your DNA to your cops makes you more suspicious.
END the copaganda that if you don't tell your side of the story to a cop you're going to be arrested.
END the copaganda that not allowing the cops into your home without a warrant is criminal behavior.
END the copaganda that not allowing cops to interrogate you without an attorney present is inherently more suspicious.
END the copaganda that if you don't speak to a cop that stops you on the street, you are breaking a law.
this is all bullshit and it is framed in a way that destroys your constitutional right to be protected from unreasonable intrusions into your life and into your home. it is a way for cops and the law enforcement system to intrude on your privacy in ways they are legally not allowed to, by making YOU feel like YOU will be seen as a bad guy for standing up for your rights.*
demand to see a warrant. if they stop you on the street, ask if you're being detained and if so, why. do not speak to cops without your attorney present. that is WHY miranda rights exist. you are ALLOWED to keep your mouth shut.
*ALL of this is stuff that will be more dangerous to do if you are black or brown or visibly trans or queer or disabled. if at ANY POINT you feel that you are going to be at risk of harm for doing these things, you are NOT at fault for complying. your rights are important but they are not more important than preserving your life. stay safe out there y'all.
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feralnumberfive · 5 months ago
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Another thing to add to Five's character assassination is during the fight scene with The Cleanse. Diego, rightfully angry and upset, tells Five to stay away from Lila. Instead of trying to apologize or explain himself or voice his anger at Diego, Five just immediately starts fighting him. He doesn't try to help his family or save Ben, he fights his little brother over his own wife (though Diego also didn't stop fighting either). Five even blatantly states that he wants to kill Diego. Lila tells him it's over and he just goes "Damn ✌️😕" and blinks away, again leaving his family to try to save Ben and stop The Cleanse
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Why does he tell the player this. AND NOT HIS BIZZZYBOYS?? His boys are so scared…
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Spoilers. And rambling
Shouldn’t it be the other way around if he wants us to “leave it to the professionals”? Wouldn’t it be better if he let us be afraid and not his boys?
Why does he tell the Godpoke at all? Isn’t sowing seeds of doubt and distrust the whole point of what he’s doing? He wants the player to stay out of his way and telling them stuff like this seems counterproductive. He could’ve not told us that without looking suspicious, he’s definitely got the plausible deniability on this one. No one’s seen Cobigail in years. Even she doesn’t remember for certain if she eats people or not.
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SHE DOESN’T REMEMBER! Gosh, just… her genuine self-doubt over this. She’s pretty sure she doesn’t eat people… but what if they’re right, what if she is a monster? This bit breaks my heart, poor Cobi
I wonder if having her question herself that way was part of the plan.
ANYWAY! Inspekta could’ve easily told the player he doesn’t know if the blood sacrifice stuff is true or not, but considering the other letters it’s probably part of “King’s” plan, and that he and his boys are looking into it and the Godpoke should stay out of it until they know things are safe.
Again. Cobigail is not doing herself any favors. And again, Inspekta has the plausible deniability, and isn’t creating distrust towards the other gods the whole point of his plan?
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She is NOT helping her case.
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MA’AM!! I love you so much but you are making yourself look very guilty as far as the whole blood sacrifice thing goes. I AM TRYING TO CLEAR YOUR NAME RIGHT NOW MA’AM AND. YOU’RE REALLY NOT HELPING
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She even says it’s an understandable mistake to make. (After all the trouble that lie caused her… Cobi, how are you so sweet and understanding?) Inspekta could’ve played dumb. I guess his pride wouldn’t allow that, and he just couldn’t pass up the opportunity to make King look bad.
Or maybe a part of him recognized that he went a little too far with that one. Cobigail isn’t really a threat to him the way he perceives the other gods to be. And accusing her of blood sacrifice when she’s already been isolated for 20 years is disproportionately harsh compared to like… forging a breakup letter and sabotaging a roundabout love confession. (If you could even call it that. Those two probably would've went at least another century without admitting their feelings without Inspekta's meddling prompting the Godpoke to slap Clicky in the face with it)
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Anyway now I’m imagining Hector apologizing to her after the events of the game and her responding with a similar “I can see how you would get that confused” and uh Hector saying like, “No, Cobbie, I new yew we-aren’t a blood drink-her. I lied ‘bout yew”
and Cobigail just going like: Oh…. Oh! That was a good one, then! You even had me going for a bit there! and then she does her scary face at him and tells him to never do that again or she’ll barbecue him. And then she says she’s just messing around but seriously dial it back next time.
And I dunno something like how she responds to you throwing her own jumpscare prank back at her.
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Wanna draw that now. But alas I have other projects on my plate at the moment
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o3o-lapd-o3o · 1 month ago
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DINNER IS (finally) SERVED
3000ish words later and part 8 is here! hope you guys enjoy!
(p.s my headcanons explainations are in the tags if you're curious)
(p.p.s credit also goes to @rin-solo for the first headcanon )
the post/thread that started this whole au
dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7
there's a masterlist now!
*odysseus is making his way to the dining hall, while athena and poseidon are following behind*
poseidon: *looking around at the decorations/tapestry dotted around*
poseidon: *see’s a tapestry of what looks to be a very much younger odysseus in full king & armour attire*
poseidon: *stops walking, and turns to look at the actual odysseus in front of him, then back at the tapestry*
poseidon: *to odysseus with a sardonic tone* do your weavers like making you look like a boy, or was that a decision you made to make yourself look younger?
odysseus: *pauses his walking to see what poseidon is talking about*
athena: *also pauses and turns to poseidon*
odysseus: *sees the tapestry in question*
odysseus: *sighs* of course you point that one out 
athena: *who knew odysseus before he was king*
athena: *glaring at poseidon* uncle, you shouldn’t make assumptions, especially when you don’t know the facts
odysseus: *pats athena on the shoulder as he passes her*
odysseus: it’s fine athena
odysseus: *next to poseidon and looking up at the tapestry* if you must know, that is actually the age i was. 
poseidon: *not believing him* yeah right, you couldn’t be older than fifteen in this
odysseus: *turns to him with a sharp look* you’re correct, i was fifteen
poseidon: *slightly wary of odysseus’ mood* so… you became king at fifteen? isn’t that a little bit young for a mortal to rule a kingdom?
odysseus: *turns back to the tapestry* i was already the king, i was actually crowned when i was thirteen
poseidon: *shocked and confused* why would a child be given a kingdom to run?
odysseus: *looks down with a sad smile, at the memory of his father telling him about him losing his mind, and how sorry he was to place such a huge responsibility on his young son’s shoulders*
odysseus: well, i had no choice, but i would do it again if i had to… 
odysseus: *turns to athena* besides, i had athena to help guide me
athena: *smiles with a nod at odysseus*
odysseus: *starts walking in the direction of the dining hall again* anyway…enough of that, can we please just make our way to the dining hall now
*they all continue making their way down the hall*
poseidon: *notices a stain on the floor tiles not far in front of them*
poseidon: *points* i think your servants missed a spot
athena & odysseus: *both look to where he’s pointing*
athena: *chuckles to herself in knowing*
odysseus: *smirks* 
poseidon: *sees both their expressions, and is confused* 
odysseus: oh that..oh don’t worry it’s clean
odysseus: *shrugs* it’s just so hard to get bloodstains out of white titles
poseidon: *wide eyed* blood?
odysseus: yeah.. not long after i finished with you, i arrived back on my island to find my palace overrun with 108…mutts… all vying for my wife’s hand. 
odysseus: *waving his hand like it was a simple issue* so i made sure to deal with them all myself… unfortunately one of them left a stain.
odysseus: -oh look we’ve made it
odysseus: hope we haven’t kept them too long
poseidon: *shocked at all the new odysseus lore he’s unlocked*
athena: *laughing at poseidon’s expression*
odysseus: *opening the door* come on let’s head in
poseidon: *shakes away the shock*
odysseus: *to poseidon* i guess it’s time to introduce you to my wife
*they all walk through the doorway into the dining hall*
*there penelope and telemachus both stand not too far from the dining table; which has quite the feast laid out, and from the steam coming off of it, it had not long be put there*
odysseus: *heads over to his son & wife*
odysseus: *looks at poseidon* poseidon, you’ve met my son telemachus before.
telemachus: *can barely keep in his excitement* 
telemachus: hi- i mean good evening lord poseidon, i’m so happ- grateful you accepted my father's invitation for dinner. 
telemachus: *puts his arm on his chest, and leans forward in a  bow of respect* i hope you enjoy the evening.
odysseus: *narrows his eyes at poseidon, silently threatening him to not be rude to his son*
telemachus: *looks back up at poseidon, smile on his face*
poseidon: *quickly nods his head in greeting to telemachus* good evening prince, your father tells me that this was all your idea 
telemachus: *raises a hand to nervously scratch under his chin* um… yes i guess it was
poseidon: well then, thank you for the idea to invite me.
telemachus: *hand leaves his chin and a big smile breaks out* well of course! you are my father’s friend after all!
poseidon: *eye twitches before he quickly composes himself* 
poseidon: yes… friend.
odysseus: *coughs* yes and now that you’ve both reacquainted yourselves again… telemachus why don’t you go speak with athena for a moment
telemachus: sure!
*telemachus makes his way to athena, and they start talking amongst themselves*
odysseus: *puts his arm around penelope’s waist* now, please let me introduce you to my wife; the queen of ithaca, penelope. 
penelope: *doesn’t bow like telemachus, but nods in greeting* welcome to our palace lord poseidon
poseidon: *nods back* thank you for having me queen penelope
penelope: *smiles but her eyes have a certain glint to them* 
penelope: my husband has told me all about your part in his journey home to us
poseidon: *totally not panicking a little* uh-
penelope: *glint leaves her eyes, but her smile remains*
penelope: -and also how you have helped out on his and my son’s fishing trips lately.
penelope: of course, i would also like thank you for taking the time to attend tonight
poseidon: sure… no problem?
odysseus: great, everyone has met everyone! 
odysseus: *to everyone* now, shall we sit down and eat the lovely feast the cooks have made us, before it gets cold?
odysseus: *moves to pull out one of the chairs at the head of the table for penelope as he normally does, when he notices that, there is only one chair instead of two*
odysseus: *looks up at the table and sees a piece of parchment with ‘mother’ written on it* 
odysseus: huh?
telemachus: *makes his way over to his father* oh! there’s a different than usual seating plan for tonight! i’ve put everyone's names where they should sit.
odysseus: *smiles at telemachus* oh ok, sure!
odysseus: well, i guess i should look for mine then, hey?
telemachus: yes, and please everyone else too!
*everyone makes their way to the table to see where they’re sitting (even though three of them already know)*
odysseus: *sees the parchment with ‘father’ on it* 
odysseus: *expecting to have either athena or telemachus next to him*
odysseus: *watches as athena stands in front of the seat opposite him*
odysseus: *thinks it’s weird to put athena & poseidon together, but thinks telemachus has done is as they are uncle & niece*
odysseus: *then sees telemachus stood in front of the seat next to athena*
odysseus: wait-
poseidon: *sees his name and heads towards it, only to look up and see odysseus standing in front of the seat next to him*
poseidon: wait-
poseidon & odysseus: *both look at each other in horror that they're stuck next to each other all evening*
telemachus: *not noticing the looks of doom on their faces* isn’t this great? it’s a family dinner, so what better than friends sitting together? 
telemachus: *turning to penelope* sorry you’re by yourself at the head of the table though mother
penelope: *smiles and waves her hand* i don’t mind
penelope: anyway, let's sit and eat!
*everyone but odysseus and poseidon sit down. both who have a death grip on the back of their seats*
penelope: *clears her throat* odysseus, lord poseidon… would you both please sit down.
odysseus: *snaps out of his staring at poseidon* 
odysseus: uh sure…
odysseus: *sits down and look back to poseidon, nodding his head at poseidon’s seat in the motion for him to also sit down*
poseidon: *still doesn’t sit*
odysseus: *a millisecond of a flash of red eyes* 
poseidon: *sits*
odysseus: *internally to himself* oh this is gonna be a long evening
odysseus: *to everyone* ok, everyone dig in!
odysseus: *to poseidon* can you get what you want for yourself, mighty sea god? or do you need a mortal’s help?
poseidon: *grabbing a lamb chop off a platter and tearing into it savagely in defiance*
odysseus: *rolls his eyes at poseidon, but goes to place a filet of fish on his plate*
*everyone has been eating and talking*
poseidon: *looks at penelope (who is talking to telemachus & athena) and then looks at odysseus*
poseidon: *thinking and then looks back to penelope*
odysseus: *to poseidon* is there a reason you keep looking at my wife?
poseidon: *jumps at little at being caught looking* 
poseidon: *turns to odysseus* oh do not worry yourself, i have no interest in your wife
odysseus: *unimpressed* why do you keep looking at her then?
poseidon: im..curious 
odysseus: *narrowing his eyes* about?
poseidon: normally you mortal men choose women younger than them for their wives… yet clearly your wife is; from my estimates… about a decade older than you
poseidon: *now with his hand under his chin, leaning on the table* 
poseidon: do you perhaps…prefer older women odysseus?
odysseus: *hands tighten in grip around his cutlery*
poseidon: *notices odysseus hasn’t responded yet*
poseidon: i’m right aren’t -
odysseus: no.
odysseus: *his eyes may not be red, but are clearly full of anger*
poseidon: *eyes widen in worry* whoa whoa! no need to get angry, it’s just a simple observation…. anyone if they pay attention can see the age difference
poseidon: *moves his hand to flick his hair back over his shoulder* it’s not a bad thing
odysseus: *takes a breath in to calm down and then slowly releases it*
odysseus: we are- were the same age… physically at least
poseidon: *confused* i don’t follow
odysseus: *looks at poseidon* during the 10 years it took for me to get home… i found myself stuck on a goddess’ island for 7 of them…
poseidon: ok…
odysseus: *closes his eyes* caly- the goddess had full control over everything on the island… her magic influenced everything… including a mortal's ability to age.
poseidon: so you didn’t-
odysseus: -age? yeah
odysseus: *sighs and opens his eyes* when i realised i wasn’t… i- i- 
odysseus: lets just say i didn’t handle it well
poseidon: *blinks at this new information* oh
odysseus: yep ‘oh’ indeed… 
odysseus: *looks back at poseidon*
odysseus: didn’t you think it was odd that i looked exactly the same when we met again, almost 10 years after our first meeting?
poseidon: in my defence… i was angry and trying to kill you, i wasn’t really paying attention to how you looked
odysseus: *rolls his eyes* i guess that's true
telemachus: uh lord poseidon? may i ask you a question?
poseidon: *happy to not continue his conversation with odysseus*
poseidon: *to telemachus* ask away prince of ithaca
telemachus: is it true that you gave achilles his horses balius & xanthus?
poseidon: *amazed at telemachus’ knowledge* 
poseidon: not directly… but yes i am the reason he came to acquire them. you see i gave them to his father peleus, as a wedding gift for his wife thetis…
*poseidon continues to tell the tale, and odysseus speaks with athena and penelope while more time passes*
*the meal is continuing smoothly as can be*
poseidon: *notices that odysseus has only been eating the fish. not touching a single bit of pork, beef or lamb that's also on the table* 
poseidon: *who has continuously eaten all meats available*
poseidon: *to odysseus* is there something i should know about the meat?
odysseus: huh?
poseidon: *points at the selection of meat in question* what's wrong with the meat? you’ve only touched the fish.
poseidon: if i hadn’t seen the others eat it, i’d worry you’d asked your cooks to poison it or something. 
odysseus: *raised eyebrow* poison won’t hurt you though? 
odysseus: *pointing a fork at him* also, why do you care about my eating habits?
poseidon: *frowning at the fork* i don’t, i’m just-
odysseus: curious? poseidon, i thought you were the god of the sea, not curiosity…
poseidon: *huffs* forget it-
odysseus: i can’t
poseidon: *now his eyebrow is raised* you…can’t?
odysseus: *now using the fork to push the food on his plate around* i can’t stomach eating lamb, pork or beef anymore
poseidon: *forever confused by odysseus* uh why?
odysseus: *gives poseidon a ‘do i really have to explain everything?’ look*
poseidon: *just stares*
odysseus: *once again sighing because of poseidon* well i thought you’d understand lamb… after the whole sheep incident with… your son.
odysseus: then after i escaped you with the wind bag-
poseidon: *rolls his eyes at the memory*
odysseus: we wound up on the sorceress circe’s island… where she turned my men to pigs. 
odysseus: i managed to convince her to turn them back, but it now feels weird to eat pork
odysseus: as for beef, short story is my men ignored my warnings and killed the sacred cattle of the sun god… so yeah beef is a no go for me also. 
poseidon: *wondering how one mortal managed to interact with so many gods on a journey to get home*
poseidon: *laughs at odysseus* and you’re letting that affect your eating habits? i expected you to be stronger than that odysseus
odysseus: *narrows his eyes at poseidon* oh just like how you let my handling of your trident, affect you into doing as i say?
poseidon: *now glaring back* 
poseidon: *turns away from odysseus* whatever, more meat for me
*dinner continues, with telemachus asking poseidon more questions. poseidon loving the interest in him and telelmachus’ knowledge, answers the all the questions with surprising enthusiasm*
*eventually what was once a giant feast of food has nearly been cleared from the table, thanks to having two gods eating most of it*
telemachus: have you enjoyed yourself so far lord poseidon? 
telemachus: *smiling* it’s been really fascinating and fun to learn so much more about you
poseidon: *almost letting a small smile appear on his face in return*
poseidon: *instead just nods* yes, it certainly has been an interesting & knowledgeable evening
telemachus: what about the seating, was it a good idea to put you with my father?
poseidon: *wants to answer no, but feels a kick from under the table. clearly from odysseus*
poseidon: yes, you came up with an ok-
odysseus: *gives another kick* 
poseidon: -great idea
telemachus: *laughs in happiness* 
telemachus: oh but i can’t take all the credit
odysseus: *raises an eyebrow in curiosity* 
athena: *who is sipping wine next to him*
athena: *slightly chokes* wai-
odysseus: *suspicious* son, you must make sure to tell us who else to thank for this
telemachus: *not understanding the bombshell he’s about to drop* oh athena actually came up with the idea!
athena: *suddenly nervous with the two very intense stares directed at her*
athena: w-well it was just a suggestion really…
telemachus: no ‘thena! remember you said as it’s a family dinner, friends should sit with friends!
odysseus: *to athena with the fakest smile* oh athena, how considerate!
penelope: *who has been quiet this whole exchange*
telemachus: *as if he hasn’t already unknowingly thrown one person to the wolves* but i of course had to run it by mother first, as she was helping me with all the planning!
penelope: *eyes have totally not widened*
telemachus: she said it was a great idea!
odysseus: *now to penelope* oh my dear wife, a great idea eh?
poseidon: *just chugs back his cup of wine at the revelations*
*after a awkward moment (at least for 4 of them) they continue on finishing the meal*
*eventually the food is finished and the dinner has come to an end, everyone has moved away from the dinner table and are now sitting on cushion chairs or standing around them talking amongst themselves*
poseidon: *looking out the window seeing just how dark the night sky now is* 
poseidon: well this has been a lovely evening, but it is getting late and i have been away from the sea for as long as i can.
poseidon: *turning to penelope and nodding his head in actual respect* queen penelope, thank you for your hosting
poseidon: *without nodding at them* athena, odysseus… good night.
*before poseidon can turn to bid telemachus good night, the prince runs out the room*
telemachus: *yelling before he leaves the room* please lord poseidon, wait a moment! i forgot something!
poseidon: *turns to look at odysseus in confusion* 
odysseus: *just shrugs also confused* 
poseidon: *turns back to the door, telemachus long gone* uh sure.
*not long later telemachus runs back into the room dishevelled but holding something in his hand*
telemachus: *walks up to poseidon* 
telemachus: *bows and holds out something covered in a silk cloth to him*
poseidon: uh-
telemachus: it’s a gift! i’m not expecting anything in return, and i’m sure you have better things… but i saw it and thought you’d like it
poseidon: *blinks, but takes the gift from telemachus’ hands*
poseidon: *carefully unties the silk cloth*
poseidon: *breathes in sharply*
telemachus: *not sure if that's a good or bad reaction* uh if you don’t like it that's fin-
poseidon: *holds his hand to stop telemachus* 
poseidon: prince of ithac-
telemachus: telemachus- sorry for interrupting. please my lord, call me telemachus
poseidon: …telemachus. thank you, this is a very thoughtful gift. 
poseidon: i will cherish it.
penelope & odysseus: *curious over what's got the god of the seas ‘cherishing’ something*
athena: *small smile as she knows*
*penelope & odysseus move closer to poseidon who is still staring down at his gift. once close enough they can see in his hand is a a handcrafted glass/crystal hippocampus*
*poseidon ended up wrapping it back in the silk cloth, and placing it in his chiton. He then thanked telemachus again and bid him good night & farewell. odysseus offered to walk back to the cove with him, but poseidon waved him off and told him to stay with his family*
#poseidon: *returned home back to his palace*#poseidon: *once again looking at the gift this time with a small smile on his face*#amphitrite: *looking at poseidon* whatcha got there?#poseidon: *stuffs telemachus’ gift into his chiton* uh… uh…MOLY?!#amphitrite: *raised eyebrow* the king of ithaca… odysseus gave you…moly?#poseidon: this isn't from odysse- *cough* i mean; no… he didn't#poseidon: it's from his son.#amphitrite: *now both eyebrows raised in disbelief* the prince gave you moly?#poseidon: *panicking as he's the god of the seas not of lies*#poseidon: well they're descended from hermes… he practically hands out this stuff as you know…#amphitrite: uh huh... what ever you say husband#okay headcanon 1 - calypso said 'under my spell we're stuck in paradise' & to me this made me think well if she controls everything#then surely a goddess' magic can have other consequences like stopping a mortal aging. or extremely slowly aging.#once poor odysseus realises he wasn't getting older but his son and wife would be...he broke fearing he'd outlive them#calypso obvs doesn't also want the love of her life getting old/dying on her too#also credit to @rin-solo for this head canon too!#headcanon 2 - it actually happened while i was eating a burger. i thought man i'd struggle to eat any meat after all what ody went through#and so thats how that came to be! i believe he will eat goat/rabbit/chicken etc. but fish is easier with y'know ithaca being a island#so telemachus' gift has been revealed! i thought a hippocampus would be better that just a sea creature or horse. why not both?#also there will be a part 9...ody's revenge/punishment for athena and penelope's seating plan#but i need a small break after this monstrosity#odysseus epic#poseidon epic#telemachus epic#penelope epic the musical#epic the musical#epic: the musical#friends in higher places au?#nonsense thoughts
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somegrumpynerd · 8 months ago
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I think one of the few times Dust actually laughs - like genuinely really laughs - is when Killer hurts himself. Not like when he's out of control and gets hurt or anything, but just when he like falls over without meaning to or something.
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Like 90% of the time he's focused in on his guilt and self hatred and can force himself not to even crack a smile, but every now and then he sees Killer eat shit and it just breaks him
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sysig · 2 months ago
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egophiliac · 7 months ago
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queen of diamonds, upright + reversed 💎
I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 8 spoilers#twisted wonderland book 7 part 8 spoilers#coming in well after the fact but that's what happens when the art doesn't cooperate#and i just HAD to draw something for vil's ob (re-ob?) because i loved it so much#legit put my hand over my mouth and went “oh!” when i realized what was happening#i thought it was just going to be an idia thing because. y'know. closing out his character arc from episode 6 and all#so this was like. oh! oh we're going to get ALL the inky boys!!!!!#i wonder if this is why we got a malleus flashback so early...#not to mention everyone's dreams?!#i am braced for 90% of the dreams to be kind of jokey/inconsequential because we have SO many characters to get through#and most of the time will probably be spent on our lads (literally) dropkicking their emotional problems#but i am excited to see everyone regardless!#and also kind of terrified! what on EARTH will floyd be dreaming about. do i want to know.#i do but do i want to.#man. they're probably not going to get back to it but i do wonder what silver's dream was#what was he doing when he was like 'wait a minute' and noped right out of there#lilia: here silver i made dinner :)#silver: oh boy this looks great! ...YOU'RE NOT MY REAL DAD#ouuuagh i'm still deep in the blotsauce guys and i'm loving it#come make snowangels in the ink with me it's great
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hood-ex · 7 months ago
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"Love" and "proud" and "family" come up so frequently in bat comics now. Bleh. Bring back something I can relate to like emotional constipation and repression.
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moran-with-a-g · 8 months ago
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Do the antisemites that invaded the pro-palestinian movement know the origin of the word Palestine is from the Hebrew root פ.ל.ש, the root for the word invaders? Do they know it's based on Philistia, the name given to the region that's based after the Philistines? Do they know we don't actually know the actual name the Philistines called themselves, and that we called them that as an insult, because it's from the same root as invaders?
Like do you realise all this time the name of this land was "invaded" while we weren't here? When you try to claim Jews have no connection to the Levant do you realise what you're claiming? This is driving me insane.
(this is NOT saying palestinians aren't natives and don't deserve a country of their own, and I will block anyone who reblogs this trying to claim that)
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braisedhoney · 1 year ago
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so this is basically the whole space trip thing right.
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