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THE MAN IN THE WOODS


summary: a quiet walk home turns dark when the man whoâs been watching finally steps out â blood on his hands, your name on his lips, and no plan to ever let you go.
warnings: non-con (subtle/psychological themes), dub-con, obsessive behaviour, stalking, violence/gore, murder/s, possessive character, blood, threats/intimadation, breeding kink
pairing: dark!remmick x readerÂ
w/c: 11k+
DNI IF YOU ARE SENSITIVE TO TAGS, AND ARE UNDER 18
The Mississippi heat was sticking to you in a way that felt like it was just part of you now, like you couldnât really shake it off. Thick, heavy, like the whole air was holding its breath. You were used to it by now, but that didnât mean it didnât get to you some days â like today, when the sweat was rolling down your back, and your dress felt like it was clinging to you like a second skin. It had a way of making everything slow down. You could feel it in the way the hours dragged by. Nothing moved fast when it was this hot, not even the wind.
You had stayed later in town than you meant to, but it wasnât unusual. You never minded, really. Mrs. Avery had needed your help with the post office, and then you ended up talking with Miss Harriet for a while, listening to her ramble about things that didnât matter, but you liked listening anyway. It wasnât until the sun was a sliver on the horizon that you realized how much time had passed. And, sure, you couldâve taken the main road back, but you preferred this one. The back road that led through the edge of the woods, where the trees felt like an old friend, and the sound of the insects buzzing was the only thing that kept you company. It was quieter that way.
The stories had been getting worse lately â things going missing, bodies turning up in strange places. Youâd heard the talk. The whispers at the market, the older folks talking in hushed voices, the sudden stares you got when people thought you werenât paying attention. But you didnât feel scared, not exactly. You had walked this path for years, had heard the same stories told over and over again. People got lost, sometimes, and some of them never came back, but that was just life around here. Life, death, and everything in between.
You tried not to think about it too much, but as the last bit of daylight started to fade, you couldnât shake the feeling that something was off. Not that it was anything new, really â not in the Delta. The woods were always full of strange sounds at night. Always full of shadows that seemed to stretch longer than they should. And the feeling? It had come before. Maybe just nerves. Maybe nothing at all. It didnât matter. You kept walking. Your boots pressed into the soft earth, the sound muffled by the dampness in the air.
But tonight, the quiet was heavier. The trees seemed to close in a little more, their thick branches blocking out the last of the light, casting shadows that seemed to move when you werenât looking. It was the kind of quiet that made you wonder if you were the only one walking this path. You couldnât hear the birds, the usual buzz of crickets. Just silence. The deep kind that settled over everything and made you feel like you werenât meant to be here.
You shook it off. Told yourself it was just the night playing tricks. You kept moving, turning the corner past the old fence where the wood had started to rot years ago. The same stretch of road youâd passed a hundred times. But as you stepped deeper into the woods, there was a shift in the air. The kind that made your stomach tighten just a little. The kind that made the hair on the back of your neck stand up, like you were being watched, even though you couldnât see anyone. You didnât stop walking, but you did slow down, your senses sharp in a way they hadnât been before.
And then, you saw him.
At first, it was just a figure. Tall. Broad-shouldered. He was standing in the shadows, like he belonged there, his back to you. And for a second, you thought maybe youâd imagined it, maybe youâd caught the wrong glimpse of something in the dimming light. But the longer you stared, the more you felt like there was no way he couldâve been anything but real. His presence didnât make a sound. Didnât stir the air around him like it shouldâve. It was like he was... waiting. Standing perfectly still.
You almost turned around, almost told yourself you shouldâve taken the main road after all. But you didnât. You stood there for a beat too long, unsure of what to do. He wasnât moving. Didnât look like he was about to. But there was something in the way he stood, something about the way the trees almost seemed to part around him, that made you feel like he wasnât just passing by. Like he was waiting for you to notice.
When he finally turned, you felt the air change, like a sudden shift in pressure. His eyes met yours.
It was like nothing else mattered. Like time stopped for just a second, just long enough for you to notice the way the fading sunlight seemed to catch in his hair, the way the shadows made his face almost too perfect, too sharp to be real. And that smile â not one youâd ever seen before. It wasnât kind, exactly, but it wasnât threatening either. Just... knowing. Like he had something figured out, something you werenât meant to understand yet.
But you felt it, anyway. The tension, the slow, almost magnetic pull.
And then, just like that, the world shifted again.
You didnât know it, but that moment would be the last time things would ever feel the same.
You shouldâve walked away. Every instinct in you screamed to turn around, to leave, to put some distance between you and the man standing just a few steps away, the man whose presence seemed to fill the entire space around you. But still, you stood there, rooted in place, like somethingâsome forceâhad decided it wasnât going to let you go.
For a long moment, neither of you spoke, and the quiet stretched between you like a taut wire. You didnât know what you were waiting for, but it felt like the world had paused, holding its breath. His gaze never wavered, steady, almost calculating, like he was trying to read you in a way that made your heart pick up the pace.
Finally, he spoke, his voice smooth with a slow southern drawl. "Tell you what, darlinâ... itâs mighty late for someone like you to be wanderinâ out here all alone." He stepped forward, his boots barely making a sound against the dirt, but the small movement felt like it took up more space than it shouldâve. Like he was somehow pulling the air closer to him, drawing you into his orbit.
You hesitated, trying not to let the flutter in your chest show. "Iâm fine," you said, the words coming out a little too fast. "Iâve done this walk a thousand times before."
He raised an eyebrow, clearly not buying it. His eyes flickered down to your hands, clenched at your sides, then back up to your face. "A thousand times, huh?" His lips quirked into a half-smile. "Well, darlinâ, you sure do make it sound easy."
You shifted on your feet, trying to shake the strange feeling creeping up your spine. "I donât need anyone walking me home."
He didnât miss a beat, his grin widening just a touch. "Oh, I reckon thatâs your call." He took a slow step closer, his voice lowering just a little. "But Iâve been out here a long time, seen a lot of things. Some of âem donât belong in these woods." His gaze sharpened, just for a second, and there was something else in his tone now. "Not to mention all the strange happenings lately. Folks keep goinâ missinâ around here. Real shame, that."
You froze, your breath catching. "What do you mean, strange happenings?" you asked, though you already knew. The disappearances. The bodies found scattered across these very woods. The whispers. Everyone had heard the rumors, but no one dared to speak too openly about it.
He leaned in just a fraction, like he was about to tell you a secret. "Oh, just... you know. Folks not cominâ home at night. Bodies turninâ up in places they shouldnât be. Nothinâ good about that." He paused, eyes narrowing. "Not safe out here these days, darlinâ. You sure youâre alright walkinâ alone?"
You swallowed, the chill creeping up your spine. You knew what he was hinting at, what everyone was whispering behind closed doors. "Iâm fine," you said, but it came out much less convincing than you intended.
He tilted his head slightly, eyes never leaving yours. "Sure you are, darlinâ. But even the toughest of folks could use a little company when things go sideways. You sure you donât want someone with you? Wouldnât want you to join the list of folks who got... lost." He flashed a grin, but it didnât quite reach his eyes, and there was something dangerous lurking behind the casualness.
You bristled. "Iâm good," you shot back, though it sounded more like a plea than a declaration. "I donât need anyone."
He chuckled, low and dark, but with an ease that didnât match the words. "Well, darlinâ, thatâs up to you." He stepped a little closer, eyes glinting with something unreadable. "But Iâve got a feelinâ you might change your mind soon enough. After all, we both know how the story goes around here. Stranger things than gettin' lost happen in these woods." His smile was lazy, but there was an edge to it, something that made your pulse quicken.
A subtle threat hung in the air between you, yet there was still something oddly... comforting about him. Something about the way he was standing, the way he moved with such certainty, made you hesitate, even as every instinct screamed at you to get away.
He took another step closer, his voice dropping lower, almost a whisper now. "Iâll walk you home," he said, as if it were already settled. "Wouldnât want a lady like you to be out here alone with everything thatâs been happeninâ around here lately."
You bit your lip, torn. A part of you wanted to refuse, to walk away from the situation entirely. But another partâsomething you couldnât quite put your finger onâmade you stay still. He was right, after all. The woods werenât safe anymore.
Finally, you nodded, barely enough for him to notice. "Alright... fine," you muttered, hating how weak your voice sounded.
His smile widened, but it wasnât kind. "Good choice, darlinâ," he said, his voice soft yet steady, the kind of tone that carried an unspoken assurance. "Letâs get you home safe, then."
And with that, he fell into step beside you, his presence almost... comforting. The woods didnât feel as suffocating anymore, the shadows not as dark. With him by your side, you felt less like you were walking into the unknown, and more like someone was guiding you through it. The path ahead didnât seem so threatening, and for the first time tonight, you found yourself easing up just a little.
His steady stride kept time with yours, and even though you werenât ready to fully trust him, there was something about the way he movedâsomething sure and quietâthat made it harder to keep your guard up. You had no idea where this would go, but for now, you werenât alone, and that meant something.
After a few more minutes of walking in silence, you finally saw the familiar outline of your home ahead. The warmth of the night still clung to you, but the oppressive quiet of the woods started to fade as you neared your doorstep. The walk had felt longer than usual, and the air seemed to grow heavier with each step, but you didnât mind.
Remmick kept pace beside you, his presence a strange mix of comforting and unsettling, until finally, the gate to your yard came into view. He didnât say anything as you reached it, but just before you stepped through, he spoke, his voice low and steady.
âYou be careful out here, darlinâ,â he said, his gaze lingering on you for a second too long, like he wanted to make sure you understood.
You nodded, feeling a shiver run down your spine, though you couldnât tell if it was from the heat or something else. âI will,â you replied quietly, your voice barely above a whisper.
He gave a half-smile, the same knowing grin from before. âGood,â he said simply, then took a step back into the shadows. âSee you âround⊠names Remmick by the way.â
You didnât say your nameâ too worried, and it seemed like he noticed that to. You watched him disappear into the night before turning toward your door. With a hand that felt almost numb, you turned the handle and stepped inside, the familiar creak of the door shutting behind you making it feel like the night was over. But the weight of everything that had happened lingered, like it wasnât really finished at all.
And just like that, you were home.
It started the night he left you at your gate.
You didnât notice it right away. At first, it was subtle â an odd sensation, like the remnants of a conversation you couldnât shake off, the kind that clung to you even after the words had ended. It wasnât something that jumped out at you, not at first. Just the faintest trace of unease. You told yourself it was nothing â just the lingering tension of meeting someone like him in the woods, a man who had the unsettling ability to smile too easily, stand too still, and know just a little too much about you. You thought it was your mind playing tricks, a fleeting discomfort that would disappear with time.
You tried to sleep that night, but the feeling didnât go away. It settled on your chest, heavy and suffocating, like something was watching you from the shadows. Like something was waiting. Every time you closed your eyes, it was there, lurking at the edges of your consciousness. The memory of his smile. His eyes, so steady, so calculating. It lingered in your mind like a flicker of a memory that hadnât quite been made yet.
But it wasnât just the first night that left its mark.
By the second night, it was worse.
The tightness in your chest had grown, a feeling of unease that gnawed at the edges of your mind. You couldnât sleep, not even in fits. The air in your bedroom had turned thick and suffocating, as though the very walls were closing in around you. It was too hot, too heavy, like trying to breathe through cloth. You tossed and turned, futilely opening windows to let in a breeze that never came, then closing them again when the humidity grew worse. You left the light on, hoping the soft glow would bring comfort, but it only reminded you of how much you wanted to turn it off, to surrender to the dark. You shut your eyes, only to open them again, staring at the shadows in the corners of your room, hoping they would stay still. Hoping the night would pass.
But the quiet was too loud. The stillness felt too alive.
You began checking the locks more frequently. Not just the back door, but the windows too, making sure they were secure. You even double-checked the small, unimportant things, like the kitchen cabinet, the pantry door. Anything that could have been moved. Anything that didnât feel right. Still, no matter how many times you checked, the discomfort wouldnât leave. You never saw anything. But that didnât mean it wasnât there.
The heat, the oppressive Mississippi heat, didnât help either. It pressed down on everything; the old wood of your porch, the dampness of your sheets, the sticky sweat that clung to your skin. The air felt like it had taken on a life of its own, moving sluggishly around you, crawling along your neck, down your spine. The weight of it made you feel like your skin was too tight, like there was something inside you, waiting to break free. Something that shouldnât be there. Something that had crawled under your skin and wouldnât leave.
You needed to get out.
So you went to town, hoping for the relief of movement, the comfort of people. Just the sound of everyday life. The hustle of the bakery, the familiar gossip at the market. Anything that felt real. Anything that wasnât this unshakable feeling of being watched.
It was late afternoon when you wandered past the bakery, the warm, golden sun sitting low on the horizon, casting long shadows over the street. The heat was just as bad as it had been the past few days, but you didnât mind. Not much you could do about it anyway. The town had its usual lazy rhythm, with people moving in slow, deliberate motions, their faces slack with the weight of the air. But there was something in the air today. Something different. The usual hum of life felt muffled, drowned out by a strange stillness.
You didnât mention your sleepless nights. You didnât mention how you hadnât been able to shake that feeling for the past three nights, that prickling sensation that had settled just beneath your skin, like someone was standing just behind you, breathing down your neck. You didnât tell anyone about the dreams â not quite dreams, more like flickering images of a man standing at the end of your bed, silent, still, always watching, always smiling. But you werenât ready to say anything. You didnât want to sound crazy.
Maybe it was the heat. Thatâs what you told yourself as you stepped into the general store, grateful for the stale, cool air that rushed to meet you. But it didnât quite reach your skin. Your thoughts kept wandering back to that night. To his smile. To the way his eyes had looked at you. Something about it had stuck. And it gnawed at you, quietly, as you ran your fingers over the shelves, distracted and restless.
You were so lost in thought that you didnât notice Jesse until you heard his voice.
âHey. You alright?â
You looked up, startled, and saw him standing there, hands stuffed in his pockets, his brow furrowed with concern.
You hadnât realized how tense your shoulders were until he spoke. His presence, so casual and familiar, made you realize just how much youâd been on edge all day.
âIâm fine,â you said, exhaling a breath you hadnât known you were holding. âJust needed a few things.â
He didnât seem convinced. His eyes narrowed slightly, studying you, as though he could see right through your words. âYou sure? You look a little⊠worn out.â
The comment made you laugh, but it was more out of discomfort than anything else. âThanks,â you replied, trying to make light of it. âI didnât realize it was so obvious.â
âI mean it,â he pressed, stepping closer with a frown pulling at the corners of his lips. âYou look like you havenât slept in days.â
You didnât respond. He wasnât wrong. It had been days, maybe longer, since youâd gotten a full night of sleep. Since the night you met him.
âIâve just been a little⊠off lately,â you said, the words slipping out before you could stop them. You could hear the hesitation in your voice, the way you were avoiding the truth.
Jesse took a step closer, his expression softening. âYou know, you can talk to me if somethingâs bothering you. I donât mind.â
You forced a smile, but it felt more like a grimace. âItâs nothing, really. Just one of those weeks.â
Jesse glanced out the window, squinting at the low-setting sun, its warm rays creeping between the buildings, casting long, golden streaks across the floor. He turned back to you, his gaze lingering on your face, searching for something you werenât sure you wanted him to find.
âYou heading home soon?â he asked, his voice quieter now, more deliberate.
You nodded, shifting on your feet. âYeah. Just need to grab a few things.â
He glanced down at his watch, then looked up again. âYou taking the long way home?â
The question hit you harder than you expected. The long way. The path youâd been avoiding in the past few days. The one you used to walk without a second thought, but now it felt different. Heavy. Haunted. You hesitated, trying to buy time.
âYeah, I think so,â you said, your voice unsure.
Jesse didnât push it, but his eyes lingered on you for a moment too long. âLet me walk you,â he said after a beat, his tone firm but not forceful. âItâs getting late. And I donât think you should be out there alone.â
His offer, simple as it was, sent a strange feeling through you. A part of you wanted to decline, to keep your distance, but another part â the part that had been feeling so exposed lately â welcomed the offer.
You wanted to refuse. You wanted to tell him that you didnât need anyone walking you home. That you could handle it. But when you opened your mouth, the words didnât come out. Instead, you nodded slowly, your lips parting in a soft sigh. âAlright,â you said, the heaviness of the words settling on you. âIâd appreciate it.â
As soon as the words left your mouth, you felt a strange sense of relief mixed with something else, something that lingered at the back of your throat. You hadnât meant to invite him along, but now that he was here, it felt⊠necessary. His presence, quiet but steady, seemed to ease the tightness in your chest, even if only just a little.
The sun was already slipping behind the trees by the time you finished your shopping. The storefronts bled amber light onto the sidewalks, but the sky above was fading fast â from hazy gold to bruised purple. Jesse stayed close, trailing quietly beside you as you stepped outside, the air thick with heat and something else â something colder that you couldnât name.
The walk began in silence.
People had retreated indoors. Porch lights flicked on. Insects buzzed around street lamps. The town folded itself inward for the night, leaving you and Jesse alone with the steady sound of your footsteps.
It didnât take long for the streets to give way to the quieter, tree-lined path you always took home. Familiar, but not in a comforting way â not anymore. You kept your eyes ahead, not daring to glance too long at the shifting shapes in the woods just off the road.
Jesse walked beside you, hands tucked in his pockets, his gaze occasionally drifting toward you.
âHow have you really been?â he asked after a stretch of silence. His tone was softer now, less casual than before â like he wasnât just making conversation, like he actually wanted to know.
You hesitated. âIâve had better weeks,â you admitted. It wasnât a confession, not really, but it was more honest than what youâd been saying to everyone else.
He nodded slightly, like he understood something in your voice. âThought so.â
You didnât say anything else. Part of you wanted to, but you werenât sure how to explain it â the nights spent staring at the ceiling, the feeling of something in the room with you even when it was empty, the way you caught yourself checking over your shoulder like a nervous habit.
âI keep waking up,â you finally said. âMiddle of the night. No reason. Just⊠wide awake and certain someoneâs there.â
Jesseâs eyes shifted to you again, but he didnât interrupt.
âI thought maybe it was just in my head at first. You know, stress or heat or something stupid. But it hasnât stopped.â
âIt started a few nights ago. After I walked home alone.â There it was â out loud. And now that it was, it felt heavier.
Jesse was quiet for a long moment before he spoke again. âWhy didnât you say something?â
You shrugged. âI didnât want to sound crazy.â
His voice came low. âYou donât.â
You gave a small, humorless laugh. âFeels like I do.â
The trees thickened ahead, the stretch of road narrowing as the shadows crept in faster than the fading light. You could feel it again â that pressure at the base of your neck, the one that told you to run even when nothing was behind you.Â
It was only another couple of minutes in silence, you walked a little faster without meaning to.
Jesse noticed. âHey,â he said gently, âweâre almost there.â
You nodded, eyes still forward, heart picking up a beat. The path wasnât long, but in the dark, it stretched out like something else entirely â like a hallway with no end. The wind stirred the branches above you, and for a second, it sounded too much like whispering.
âI donât like this road,â you said, more to yourself than to him.
Jesse didnât answer right away. âI donât either,â he admitted. âNever have.â
That caught you off guard. You glanced at him. âYou used to live near here, didnât you?â
âYeah,â he said, then hesitated. âUsed to hear things out here at night. Long time ago.â
A shiver crept up your spine. âLike what?â
He paused. âVoices. Footsteps. Once I swore I saw someone just standing in the woods. But when I looked again, there was nothing.â
You didnât respond. You couldnât.
The last bend came into view â the one that would lead to your driveway. You felt the pull of home, of safety, just out of reach.
You were almost home when Jesseâs voice finally faltered. The familiar turn onto the last stretch of road had come into view, and the trees around it began to lean in closer, their branches curling overhead like fingers. Fireflies blinked in the tall grass by the ditches, but even their glow felt dim against the dark swallowing the horizon.
âI can walk you the rest of the way,â Jesse had offered earlier, his voice low but steady. âItâs not a trouble.â
Youâd turned to him, the hem of your sundress brushing your knees as a breeze picked up. Youâd really looked at him â his brows furrowed, jaw tense in the fading light. It wasnât just a polite offer. He meant it.
Still, you had hesitated. He had already stayed longer than he needed to, and he had farther to go. You didnât want to keep him longer than necessary. Plus, you didnât want to worry him â not when you werenât even sure what you were afraid of.
âNo,â youâd said softly, offering a faint smile. âThatâs alright. You should head back before it gets too dark then it already is. Iâm almost there.â
Heâd held your gaze a beat longer, like he might argue, but eventually gave a slow nod. âAlright. If youâre sure.â
âIâm sure.â
Heâd stepped back, hands shoved deep in his pockets, his figure swallowed slowly by the darkening trees. The silence crept in behind him, not sudden, but steady â like water filling a room.
Youâd taken a breath, glanced down the road toward home, and started walking again. The gravel shifted under your shoes, the sound oddly loud in the stillness. Your dress clung a little to your skin in the humid air. Cicadas buzzed in the distance. Somewhere nearby, an owl called once, then fell quiet.
Then, a scream.
It came from behind you, from the woods Jesse had just disappeared into. It wasnât just a shout, not something startled or careless. It was deep, guttural â raw and sharp with an edge that made your blood run cold.
You froze. Turned. The trees stood still, unmoving, their shadows stretching like long fingers reaching into the dark.
Another scream ripped through the air, even more tortured than the last. It didnât sound like Jesse, not in any way youâd ever heard him before. It was something else â something full of agony.
âJesse?â you called, but your voice trembled and was lost in the thick night air. Too soft. Too quiet.
You waited, every second stretching out like hours. But there was nothing. No response.
And then it came again. A scream, this one louder than the others, piercing the silence in a way that felt like it was coming from everywhere. All around you. And then â silence.
The kind of silence that felt wrong. Thick. Heavy.
You stood there, frozen. Your heart hammered in your chest, and your breath came shallow. You didnât know what to do. You wanted to run, but your feet wouldnât move. The trees loomed like dark sentinels, the forest closing in on you with the weight of something terrible.
But it was just the night, right?
The sound of the woods shifted, a crack in the dark.
It wasnât Jesse.
It couldnât be.
You didnât know how long you stood there, but eventually, you forced yourself to turn back toward your house. It was only a few more steps, and maybe if you just kept walking, you could ignore whatever was happening behind you.
But that wasnât possible, was it?
You couldnât stay out here in the dark. You needed to be inside. You needed safety. The front porch of your house was just a few steps away. Just a few more steps, and youâd be able to shut the door behind you, lock it, and pretend none of this had ever happened.
But as your foot hit the first step of the porch, the sound you had been trying to ignore hit you again. This time it was your name being yelled.
It was Jesseâs voice, unmistakable.
The scream rang out with a desperation that cut through the night air like a blade. And it wasnât just the tone of it, but the way it broke, jagged and guttural, that sent a wave of panic crashing through your body. The kind of panic that made your blood run cold. The way he said your name made your chest tighten with fear, like he was calling you for help â like he was begging.
You froze on the porch, your heart leaping into your throat. Your hands trembled, the grocery bags now slipping from your fingers and crashing to the floor in a mess of sound. It didnât matter. Nothing mattered anymore. All that mattered was that sound. Jesseâs scream. His call.
Your feet moved before your mind could catch up, your legs shaking as you turned and sprinted back toward the woods. The weight of your steps seemed heavier now, the path to the trees long and endless, but you didnât care. You couldnât stop. Not now. Not when he was still out there â in the dark, in the woods, screaming for you.
The road seemed to stretch on forever, but finally, the trees swallowed you again. The sharp smell of the earth hit you, the wet grass, the cool air between the trunks a relief from the suffocating heat, but none of it felt real. Not anymore. All you could hear was the sound of your own ragged breath and the call of Jesseâs voice echoing through the woods, tearing at your chest.
âJesse!â you screamed, your voice raw, but it was lost in the thick air, swallowed whole by the trees.
Your heart pounded in your ears, the panic rising like a wave, but you didnât stop. You couldnât. Something deep inside you â something that you couldnât explain, not even to yourself â refused to let you go back to the safety of your house. It was as if the woods were pulling you in, and Jesseâs voice was the only thing that mattered.
You pushed forward, running faster now, the distance between you and the last place youâd heard him scream growing shorter with every step. Every branch that scraped your skin, every twist of the undergrowth beneath your feet, felt like nothing. Nothing compared to the sound of his voice calling for you.
The woods stretched endlessly before you, dark and suffocating, but you didnât stop running. Branches scratched at your arms, the hem of your sundress catching on underbrush, but the sting didnât register. Your lungs burned with every breath. All you could hear was the fading echo of your name on Jesseâs voice, still ringing in your ears, raw and pleading.
âJesse!â you screamed again, but it sounded smaller now, swallowed by the trees, useless.
You pushed deeper.
The dirt beneath your feet was damp, soft with recent rain, and your shoes slipped as you clambered down a slope you hadnât noticed before. You caught yourself on a tree trunk, breath catching in your throat. The air had shifted â no longer just humid, but colder now. Wrong. You could feel it pressing in around you, thick and still.
And then â something.
A shape, low to the ground. Just ahead in the clearing.
You stumbled forward, one slow step at a time, heart beating like a war drum in your chest. And then the shape resolved. You saw the boots first. Familiar. Mud-caked. Still.
Your stomach dropped.
âJesse?â
You crept closer, voice trembling.
He was there, lying on his side in the wet grass, the folds of his shirt soaked dark and heavy. His body was twisted, one arm outstretched, fingers curled into the earth as if heâd tried to hold on. But it was the angle of his neck â the way his head had fallen too far back â that told you something was horribly wrong.
You fell to your knees beside him.
âJesseââ your voice cracked, catching in your throat as your eyes finally took in the full horror of it.
His throat â or what was left of it â had been torn open. Not cleanly. Not like a knife would do. This was rough, brutal. Something had ripped into him with teeth, shredded muscle and sinew, left bone exposed. Blood soaked the grass around him, still wet, still warm.
Your hands hovered uselessly above him, too afraid to touch, as if reaching out would make it real. His face was pale, lips parted slightly, eyes glassy â but open. Staring. Not at you. Not at anything.
A soft sob escaped your lips. The sound didnât belong to you. None of this did. None of it could be real.
You backed away, slowly standing up. You couldnât take your eyes off him. Jesse, who had smiled at you only minutes ago. Jesse, who had offered to walk you home. Jesse, who had screamed your name like it was the last thing heâd ever say.
And it was.
You wiped at your face, not realizing you were crying until your hand came away wet. The stillness around you felt heavy now. A silence not of peace, but of something waiting.
Then â the hairs on the back of your neck stood on end.
Something was here.
You didnât hear it move. You didnât see it. But you felt it. A presence. Something wrong. Something watching.
You turned slowly.
The woods behind you were too dark, the tree trunks pressed too closely together. You couldnât see anything â but that didnât matter. You knew. The way your gut twisted, the way your skin prickled. You were not alone.
You didnât move.
The woods held still around you, suffocating in their silence, and the cold that had crept in earlier now settled deep beneath your skin. Your breath hitched in your throat as your gaze swept the trees, searching for whatever had stirred the air behind you. For a long second, there was nothing.
Then, from between the trunks â slow, deliberate â a figure stepped into view.
It was a man.
At first, the shape of him was just shadow and movement. But then the light shifted, and you saw his face.
Remmick.
Your breath left you in a soundless gasp.
It was him â the man who had walked you home just days ago, calm and courteous, his voice low and drawn with that rasp that curled at the edges of his words like smoke. The man who had said your name like it tasted sweet on his tongue. The man who, even then, had looked like he knew more than he let on.
He wasnât breathing hard. Wasnât flustered. His movements were slow, easy, almost casual.
Like heâd been here a while.
Watching.
His eyes found yours, and that same, familiar half-smile touched his mouth â the one that had seemed harmless once. Kind, even. Now it felt like a hook just beneath your skin.
âWell now,â he said, voice soft, coated in something you couldnât name. âAinât you a sight.â
You couldnât speak. Couldnât even will your mouth to move. You felt frozen where you stood, just yards from Jesseâs lifeless body, the scent of blood still thick in your nose.
Remmickâs gaze drifted past you, to the place in the grass where Jesse lay twisted and ruined, and for a heartbeat, his expression didnât change at all. No surprise. No horror. Nothing.
He already knew.
He took another step, the leaves rustling beneath his boots, you still couldnât see him clearly.
âDidnât mean to give you a fright, darlinâ,â he said, slow and easy, like you were still back on that quiet walk home, like there wasnât blood drying under his nails.
You swallowed hard, but the dryness in your mouth made it useless. âRemmickâŠâ
It came out thinner than you wanted. A whisper. A question.
He looked at you again â really looked â and the softness behind his eyes shifted. Not cruel. Not angry. But something darker. Like he was peeling something back. Like whatever mask he wore had been slipping this whole time and heâd finally let it fall.
âI was hopinâ weâd see each other again,â he murmured, tilting his head slightly. âJust didnât think itâd be quite like this.â
Your knees locked. You couldnât step back. Couldnât flee. The woods behind you werenât safety â they were a cage. You were stuck between Jesseâs body and Remmickâs bloody figure, the air too thick to breathe, your heart thudding so loud you swore he could hear it.
He smiled again â slower this time. Warmer. Like he thought you might smile back.
âCâmon now,â he said, his voice dipping low, nearly fond. âAinât nothinâ to be scared of.â But your body knew better. It was screaming. And somewhere deep inside, so did you.
You stumbled backward, your breath hitching in your throat as he fully emerged from the shadows, parting the trees like they were nothing. The moonlight barely touched him, but that little bit was enough. You saw the blood firstâthick, dark, and smeared across his shirt, soaking into the collar, dripping down his neck. It clung to him like a second skin, and his chin was streaked with it, as though he hadnât cared enough to wipe it off.
The blood glistened, fresh and wet, a stark contrast against the black of the night, but it was the way it soaked into him that made you freeze. He looked like something else entirely. Something not quite human.
His eyes met yours, cold and unwavering, as if you were nothing more than a passing thought in his mind, and for the first time, you realized how wrong you were about him.
âWhatâŠâ Your voice trembled, the word barely leaving your lips as you took a step back. Your hands were shaking, but you couldnât look away from the blood that stained his clothes and most definitely staining him. âWhat are you?â
He stepped forward slowly, one foot in front of the other, parting the branches around him like he was walking through a world that had bent to his will.
And when he spoke, his voice was calm. Too calm. Thick, like honey pouring over you, suffocating you.
âYou ainât askinâ the right question, dove,â he drawled, his Southern accent curling around every word, wrapping them up in something dangerous. âBut I suppose you wouldnât know how to yet.â
Your heart pounded in your chest, your breath coming in shallow, panicked gasps as you struggled to form a coherent thought.
âWhat did you do to Jesse?â You finally forced the words out, though they came out choked, angry. âWhat the hell did you do to him?â
Remmickâs gaze drifted behind you, toward the clearing, where Jesseâs body lay lifeless in the grass. His blood had soaked the ground, leaving a dark stain that was already beginning to sink into the earth. But Remmick didnât seem to care. His eyes didnât flicker toward the body with any kind of guilt.
He only looked back at you, and his voice was disturbingly quiet, though it was no less menacing.
âSomethinâ tried to take whatâs mine,â he said, the words slow and deliberate. âAnd I donât take kindly to that.â
You shook your head, the weight of his words pressing in on you like a heavy stone. âHe didnât try anything,â you spat, trying to back away, but your legs felt like they were made of jelly.
Remmick took another step toward you, his eyes never leaving yours. âDidnât matter. He touched you. Walked you home. Spoke your name like it belonged to him.â
Your heart stopped. You had a sickening feeling in the pit of your stomach, like something cold and dark was wrapping around you, slowly choking the breath from your lungs.
âThat ainât how this works.â
You swallowed hard. âYou killed him,â you said, the words tasting like ash in your mouth, but it was a truth you couldnât ignore. The horror of it swirled inside you, threatening to consume everything you knew.
Remmick didnât deny it. His lips curled upward in a slow, almost affectionate smile.
âYouâre a monster,â you whispered, more to yourself than to him, but it was enough to make his smile falter, if only for a fraction of a second.
He took a step closer, the blood on his shirt now darkened to a sickening rust color. His hands were covered too, but they were still steady, his posture calm as if he hadnât just committed an atrocity.
âI ainât like the things out here,â he said, his voice low and rough, his drawl thicker now, like he was speaking through smoke. âBut I ainât human, neither. Not in the way you think.â
You stepped back again, your chest heaving, the panic rising within you like a tidal wave. You had to get away. You had to run, but your feet wouldnât obey you. Your legs felt like they were cemented to the ground.
âBut I meant it when I called you mine,â he added, his voice almost reverent.
A chill ran through your spine as you tried to process his words. âYouâre crazy,â you whispered, more to yourself than to him, but the words felt heavy. âYou donât even know me.â
He tilted his head slightly, and for a moment, you thought you saw something flicker in his eyes. Maybe regret. Maybe something else. But it was gone as quickly as it appeared.
âI know you better than anyone ever could,â he said softly, stepping closer still. âBetter than the man who thought he could take you home. Better than anyone who thought they could walk beside you. I was watchinâ over you long before he ever came around, long before you even known it.â
You recoiled from his words, his presence, everything about him. This wasnât protection. This wasnât love. This was obsession. The kind that made your blood run cold and your skin crawl.
âI saw you,â he continued, his voice lower now, like he was telling a secret only you were meant to hear. âWhen you were walkinâ home from town, your eyes down, not a soul beside you. I saw you. I was there. I always was.â
He took another step closer, his gaze moving lower, his eyes lingering on the hem of your sundress, the curve of your trembling hands.
âYou donât know how hard it was,â he murmured. âSeeinâ you, walkinâ in those woods, all alone. You smelled like summer, like innocence. And I had to fight every instinct not to touch you. Not to ruin you right then and there. But I thought to myself, âItâs okay Remmick, you can wait abit longer, youâve always been waiting for herâ.â
You felt a sickening twist in your stomach. The weight of his words hit you like a punch, but the most horrifying part wasnât what he said. It was the way he said it â as if this had been a slow, inevitable fate, and you were always meant to be his.
âYouâre notââ You choked on the words, trying to push back against the terror crawling up your throat. âYouâre not in love with me. Youâre obsessed. Thereâs a difference.â
He smirked, the corners of his mouth curving upward in something twisted. It wasnât affection. It wasnât love. It was something far darker, more primal.
âThatâs right,â he said softly, his voice barely above a whisper. âIâm obsessed with you. And I always will be. You donât get to walk away from this. Not now. Not ever.â
You backed away, the sickening feeling of his presence pressing in on you, suffocating you. But the moment you did, he stepped closer again, the distance between you closing like the jaws of a trap.
âOnce something belongs to me,â he murmured, his voice dark with an unholy promise, âit stays mine.â
Something inside you snapped at that moment, causing you to run. The woods swallowed your footsteps the way a mouth swallows breath â quiet and final. Your legs screamed to keep running, but the moment your foot snagged on a root slick with mud, the world tilted sideways. You hit the ground hard, palms slapping the earth, the breath knocked clean from your lungs.
You turned over, gasping, scrambling backward on your hands. Bark bit into your spine as you hit a tree.
And he was already there.
Remmick stepped into view with the slow ease of something that had never needed to run. The moon cast a dull sheen on the blood across his throat, his chest, soaking deep into the collar of his shirt. It clung to him like it belonged there. His eyes caught the light in a way that didnât look real.
You tried to speak, âRemmickââ but he didnât let you.
âI was always there,â he said, voice low and almost reverent. âYou just didnât look.â
He stepped closer. The crunch of his boots against leaves felt louder than your breath.
âEvery night you took that path, I was in the trees. When the sun dipped low and you walked with your head down, humminâ those little nothinâ songs to yourself, I was already watchinâ. Behind the brush. Under the dark.â
You shook your head. âI neverââ
âYou didnât see me,â he cut you off sharply. âCouldnât. Not in the day. I ainât allowed in the morning. Thatâs not when I exist.â
He said it like a fact. Like a rule carved into his bones.
âBut night?â His voice deepened, and his gaze swept over you. âNight belongs to me.â
You pushed back farther against the bark, digging your nails into the dirt, into anything. âYouâre sick.â
He smiled. It wasnât human.
âI watched you sleep,â he whispered. âWindow cracked just enough. Dreamless, like you were waitinâ for somethinâ. For me.â
âNoââ
âYou left the light on some nights. Like you wanted someone to see. All that bare skin under those thin blanketsââ
âStop.â
He crouched then, too close. His knees sank into the wet ground inches from your feet. His voice dropped into something hushed and awful.
âYou finally saw me, that day in the woods. First time our eyes met, I couldâve torn the world open right then. You in that little dress, do you know how hard it was not to touch you? Not to drag you off the trail and make you understand what you were?â
You stared at him, horror swelling thick in your throat.
âYou donât know me,â you said, voice shaking.
His smile widened, teeth a little too sharp. âBut I do. You donât get it yet â what we are. But you will.â
âIâll never be yours,â you hissed.
He leaned in until his bloodstained collar nearly brushed your knees. His breath was warm â wrong â as he spoke.
âYou already were,â he murmured. âFrom the first time I I saw you while ago, under moonlight. I ainât let anything touch you since.â
You tried to push yourself up â tried to find space, air, anything â but he rose when you did. Not fast. Just⊠deliberate.
âYou think Jesse died âcause he was bad?â he asked, tilting his head. âHe died âcause he thought he had a right to you. Thought speakinâ your name made it his to say.â
He stepped toward you again.
âBut that name?â His voice was a blade now. âThat name only ever sounded right in my mouth.â
You couldnât breathe. Couldnât scream.
Somehow, your feet found the ground beneath you. Somehow, you scrambled up from the roots and mud, your palms bleeding, your knees buckling. But you ran â faster than before, your breath ragged, every heartbeat screaming get away, get away, get away.
The trees blurred around you, branches whipping at your face and arms, but nothing could slow you down now. Not the cold sweat that soaked your dress. Not the taste of blood in your mouth from where youâd bitten your tongue.
Not even his voice behind you.
âRun, dove,â he called, smooth and syrup-thick. âGo on. I like when you run.â
You didnât dare look back. Every fiber of your being pulsed with one command: move.
But he was faster.
You didnât hear him coming. You didnât even feel the ground change â one second you were upright, the next you were jerked backward so hard your scream died in your throat.
Pain bloomed hot across your scalp.
His hand was tangled in your hair, yanking you off balance. You hit the earth again, your knees skidding against gravel and moss as he pulled you back into him, the back of your head nearly colliding with his chest.
He crouched behind you now, crouched low like a wolf over a carcass, his breath brushing your cheek.
âI said run, didnât I?â he murmured, voice mock-gentle as his grip tightened. âBut we both know you were never gonna make it back to that little porch light. That door was never gonna open for you again.â
You struggled, clawed at his arm, but he only laughed â low and breathy and too calm.
âDonât,â he warned, his lips grazing your ear now. âYouâre gonna make me hurt you, and I donât want to do that.â
His other hand slid to your throat â not squeezing, not yet â just resting there. Like he was measuring something. Like he owned it.
âIâve been good,â he went on, voice fraying at the edges now. âSo good. Watching. Waiting. Keeping things away from you. But you keep runninâ from me like Iâm the danger.â
He yanked your head back again, forcing you to look up at the trees, at the stars barely visible between them.
âIâm the reason youâre still breathinâ. Ainât no one else ever gonna love you like I do, dove. They donât even see you. Not really.â
âIâm not yours,â you choked out, voice raw.
He growled â a low, inhuman sound that vibrated against your back.
âYou are,â he snapped, fingers tightening in your hair. âYou been mine. From the minute you stepped into my woods. From the second you smiled at the trees like they were friends.â
You twisted beneath him, trying to throw him off, but his body was all heat and weight and blood.
âYouâre sick,â you spat, and this time, it shook him. He went quiet. Still.
Then, quietly, coldly; âSo be it.â
The air crackled with a sudden shift. The playful menace in his voice vanished, replaced by something sharp and dangerous. His hand tightened in your hair, not just holding you, but possessively, painfully. The fingers at your throat flexed, a subtle warning that sent a fresh wave of panic through you.
He shifted, his weight pressing more fully against your back, pinning you to the rough ground. The scent of damp earth and pine needles mingled with his own darker, muskier smell, overwhelming you. You could feel the tremor that ran through his body, a tightly leashed fury that threatened to break free.
"Sick?" he repeated, the word a low growl against your ear. "Is that what you think?"
He released your hair, and for a desperate moment, you thought you might be free. But then his hands were on your shoulders, his grip like iron as he rolled you over onto your back. The sudden movement stole your breath, and you stared up at him, his face a shadow against the faint starlight. His eyes, though, burned with an intensity that pierced the darkness.
He loomed over you, his knees bracketing your hips, effectively trapping you. You could feel the heat radiating off him, the raw power that emanated from his still form. Your chest heaved, and the taste of blood in your mouth seemed to intensify with your fear.
One of his hands left your shoulder, tracing a slow, deliberate path down your arm. His touch, despite the underlying threat, sent a shiver down your spine. It was possessive, claiming, like he was mapping the contours of his territory.
"You think this is sickness?" he murmured, his voice low and rough, like stone scraping against stone. His fingers reached your wrist, his thumb pressing against your racing pulse. "ThisâŠneed? This hunger I feel when I look at you?"
His gaze dropped to your mouth, lingering there for a long, breathless moment. You tried to pull away, to twist beneath him, but his weight held you firmly in place. The gravel dug into your back, a stark reminder of your vulnerability.
"Tell me," he breathed, his face dipping closer, his breath ghosting over your lips. "Tell me you don't feel it too. Even a little flicker?"
His eyes searched yours, demanding a truth you were terrified to acknowledge. The fear was still there, a cold knot in your stomach, but beneath it, something else stirred â a primal awareness of his nearness, the undeniable intensity in his gaze. The woods, the cold, the fear, all seemed to fade, leaving only the two of you in the suffocating darkness.
His words hung in the air, a challenge and a confession. You didn't answer, couldn't answer, trapped between fear and a strange, unwelcome curiosity. His eyes, dark and intense, held yours captive. He lowered his head, his breath warm against your lips. You could feel the subtle shift in his body, a tightening of muscles, a coiled energy that promised a release you both dreaded and, perhaps, secretly craved.
His hand, still on your wrist, tightened again, his thumb tracing the delicate bones. It was a possessive gesture, a claim. The air thrummed with unspoken desires, a silent battle waged between predator and prey, between fear and a burgeoning, forbidden attraction.
He paused, a hair's breadth from your mouth, giving you one last chance to speak, to deny the connection that seemed to crackle between you. But the words wouldn't come. Your heart hammered against your ribs, a frantic drumbeat in the oppressive silence.
"No?" he whispered, his voice rough with a barely contained passion. "Then I'll show you."
His lips brushed against yours, a feather-light touch that sent a jolt of electricity through you. It was a tentative beginning, a question asked with skin instead of words. He waited, as if gauging your reaction, giving you a chance to pull away, to end it. But you didn't.
His hand, having found the hem of your dress, continued its slow ascent. The fabric whispered against your skin, each inch a deliberate exploration. His breath grew warm against your neck as his touch finally reached the top of your thigh.
He paused there, his fingers lightly tracing the curve of your inner thigh, sending a shiver down your spine. You clenched your legs slightly, a reflexive attempt to guard yourself, but his touch remained, a possessive claim.
His mouth left your neck, and you felt his breath moving lower, tracing a hot path down your throat. He lingered at the hollow of your collarbone, pressing a soft kiss there before continuing his descent.
You could feel the heat radiating from his body as he shifted, his weight pressing more firmly against yours. The hard ridge of his arousal against your thigh was an undeniable reminder of his intent.
His lips continued their downward journey, past your stomach, lower still, until you felt his breath hot against the sensitive skin of your inner thigh, just inches from where your underwear began. A gasp escaped your lips, a mixture of fear and a strange, unsettling anticipation.
His hands, which had been on your thighs, now moved to the hem of your dress once again, bunching the fabric higher to allow him more access. You felt the cool night air on your exposed skin as he pressed a slow, deliberate kiss to the inside of your thigh, his lips lingering there, sending a wave of heat through you.
He moved again, his kisses tracing a path closer to the edge of your underwear, each touch a deliberate tease. You could feel the tension building within you, a confusing mix of apprehension and a burgeoning, forbidden awareness. His breath was hot and ragged against your skin as he nuzzled closer, the anticipation becoming almost unbearable.
His fingers slipped beneath the elastic of your underwear. The thin fabric offered little resistance as he slowly, deliberately, eased them down.
The sensation was jarring, exposing a part of you that felt intensely vulnerable under his predatory gaze. You squeezed your eyes shut, your hands clenching into fists against the damp earth. The sounds of the forest seemed to fade, replaced by the frantic pounding of your own heart.
He paused in his task, as if sensing your heightened distress. You could feel his gaze on you, a heavy, possessive weight. The silence stretched, thick with unspoken tension and the raw anticipation of what was to come.
Then, with a final, gentle tug, the last barrier was gone. You felt the cool air envelop you completely, a stark and undeniable exposure. His breath hitched again, a low, guttural sound that vibrated against your thigh.
He lowered his head further, and you braced yourself, every nerve ending screaming in a mixture of fear and a terrifying, undeniable curiosity. You felt the brush of his lips against your bare skin, a soft, tentative exploration that sent a shiver through your entire body.
His kisses became more insistent, tracing a slow deliberate path, once again to your inner thigh, closer and closer to the most vulnerable part of you. Each touch was a brand, a claim, stripping away not just the physical barrier but also your sense of control.Â
The anticipation alone was a brutal kind of pleasure, a tightening coil in your belly that had nothing to do with wanting. Then, the invasion. Slow, deliberate, and impossibly intimate as he slid his tongue inside.
A sound escaped you, a delicate moan ripped from your throat against your will. It wasn't a sound of pleasure, not the soft sigh you might offer in a moment of genuine intimacy. This was something else entirely â a strangled gasp of shock, a raw expression of vulnerability laid bare. It echoed in the stillness of the woods, a testament to his violation. Your body betrayed you with its involuntary response, a stark reminder of your helplessness under his relentless advance.Â
His tongue continued its relentless exploration, and he finally lifted his head, his eyes dark and possessive as he stared down at you. A slow, knowing smirk stretched across his lips, a cruel anticipation that made your stomach clench.
"Your sweet little cunt tastes like pure heaven, darlin'." He lowered his head again, his breath hot and wet against your most sensitive flesh. "Sweeter than any blood I ever craved, honey."
He pressed closer, his tongue delving deeper, and a strangled sound was torn from your throat, a mortifying mix of revulsion and a shameful flicker of sensation you couldn't control. "You got no idea what you do to me, dove," he murmured against you, his voice thick with desire. "Makes a man⊠wanna forget his own damn name."
His fingers digged into your hips, holding you captive as his mouth continued its brutal assault. "Every little taste of you is drivin' me wild," he groaned, the words punctuated by wet, insistent sounds that echoed in the stillness of the woods. "You're gonna be screamin' my name before this night's through, you hear me?"
He shifted his angle, his tongue finding a particularly sensitive spot, and a sharp gasp escaped you, a sound that disgusted you even as it seemed to please him. "That's it, sugar," he breathed, his voice low and guttural. "Beg for it. Say my name when youâre cominâ. "Â
"Remmickâ" The sound that tore from your throat was a raw, involuntary plea, a shameful testament to the sensations he was dragging from you. Your hands, clenched moments ago in protest, now fisted in dark hair, your grip tightening as a wave of heat washed through you.Â
Your hips lifted slightly off the cold earth, a movement you couldn't control, a sickening surrender to the intimacy he was forcing upon you. The wood sounds faded, replaced by the wet, insistent rhythm of his mouth and your own ragged breaths. A strange, dizzying lightness bloomed in your head, a horrifying disconnect between the violation and the undeniable physical response blooming within you.
"That's it, dove," he rasped against you, his voice thick with satisfaction. "Feel it, don't you? Feel what you do to me." His fingers dug deeper into your hips, anchoring you as his ministrations grew more demanding, more relentless. The delicate dance of his tongue was now a possessive claiming, stripping away the last vestiges of your resistance.Â
A moan, deeper and more resonant this time, escaped your lips, a sound that horrified you even as it seemed to fuel him. It wasn't a moan of desire, but one of pure, unadulterated sensation, a body reacting against your will. The high, as you called it, was a dizzying loss of control, a shameful betrayal of your own boundaries.
He finally lifted his head, the wet sounds ceasing, and a thick, carnal quiet filled the woods. His dark eyes, pupils blown with desire, he looked at your flushed face, a look of pure lust. A slow, wicked smirk stretched across his lips as he watched the lingering shudders that still wracked your body.
âSweet little cunt got you all worked up, ainât it dove?â he rasped, his voice a low, heavy with lust.Â
He suddenly shifted, his hands beneath your thighs, lifting you higher, âGonna feel me stretch you open and fill you up proper. You gonna be milkinâ my shaft so nice, darlinâ.â
The head of his erection pressed insistently against your slick folds, a thick, undeniable presence. His eyes were burning into you as he fully shifted you, slowly and deliberately stretching you open, so you were sitting atop himâ his back against a tree, supporting him.
âThatâs it.â His eyes were feral, demanding, and the raw, possessive hunger in his gaze was a palpable thing.
The stretching sensation was intense, an unfamiliar pressure that made you gasp. "Remmickâit's⊠it's too much," you choked out, your hands gripping his shoulders, your knuckles white. The unfamiliar fullness was overwhelming, bordering on painful.
He stilled for a moment, his dark eyes locking onto yours, a flicker of something unreadable in their depths. "Tight little thing, ain't you?" he murmured, his voice a low, almost impressed rumble. His hands tightened on your hips, his thumbs pressing into your flesh. "You're okay, darlin'. Just gotta relax for me."
Despite your choked plea, he didn't withdraw. Instead, he began to guide you, his hands firm on your hips, initiating a slow, rocking motion. "Easy now," he instructed, his voice softening slightly, though the possessive edge remained. "Just follow my lead."
The movement was awkward at first, the unfamiliar friction and fullness making you tense. You could feel him deep inside you with each downward slide, a stark and undeniable invasion. "It hurts," you whispered, your breath catching in your throat.
"Shhh," he soothed, his gaze unwavering. "Just gotta get you used to me, sweet thing. You'll open up. Trust me, dove. This is gonna feel real good soon." He continued to guide your hips, the rhythm becoming slightly faster, more insistent. You could feel the heat building between your bodies, a strange and unwelcome warmth spreading through you despite your discomfort. His low groans filled the night air, a stark contrast to your own shallow, unsteady breaths.
The awkward, uncomfortable rhythm continued, each downward slide a raw reminder of the unwelcome intrusion. You clenched your jaw, trying to breathe through the ache, your hands still tight on his shoulders. "Remmick," you gasped, the word catching in your throat, "it stillâ"
He cut you off with a low growl, his hands tight on your hips, pushing you down a little further. "Gotta ride it out," he murmured, his breath hot against your neck. "Just gotta loosen up for me. Feel how good this could be if you just let go."
The rubbing began to burn, a rough feeling mixed with the deep ache inside. You tried to slow him down, to find a way that hurt less, but his hands on your hips called the shots, a steady push and pull that left you gasping for air.
But then, little by little, something started to change. As that initial tightness started to give way, a different feeling poked through. The deep ache started to shift, the rubbing making a strange, almost hypnotic beat. A small sound slipped from your lips, not quite a cry anymore.
He seemed to feel it, his movements getting a little smoother, like he knew what he was doing. His low groans got louder, and you could feel his body shaking a little underneath you. A weird heat started low in your belly, still mixed with that ache, but with a tiny spark of something else.
Towards the end of his guiding, when the rhythm felt more steady, a different kind of breath caught in your throat. The hurt hadn't gone away completely, but it was tangled up with a strange, almost overwhelming feeling in your body. A soft moan slipped out, surprising even you. The tightness in your shoulders started to ease, your hands in his hair weren't so tight anymore. The night air still felt cold on your skin, but the heat between you was real now, a slow, unwelcome fire starting to burn.
His breath hitched in his throat, a rough sound against your ear. "That's it, dove," he growled, his hands still firm on your hips, guiding your movements. "Feel that heat building? Feel me gettin' nice and deep inside you."
He shifted beneath you, his hips bucking harder now, meeting your rhythm. "That's right," he rasped, his voice thick with a raw hunger. "That sweet little pussy is grippin' me good."
His hands slid up your sides, "You feel me pumpin' inside you, baby?" he murmured, his eyes locked on yours, dark and intense. "Gonna fill you up real good. Gonna breed you nice and deep, make you all round with my baby."
He leaned up slightly, his lips grazing your ear. "You gonna be screamin' my name, breathin' heavy, wantin' nothin' but this," he whispered, his breath hot against your skin. "Gonna plant my seed deep inside you, make you carry my mark."
His hands squeezed your sides, urging you to move faster. "Beg for it," he urged, his voice rough with lust.Â
A moan escaped your lips, a sound you barely recognized as your own. The heat between your bodies intensified, a suffocating pressure that demanded release. Your head fell forward, your hair falling over your face as a wave of intense sensation washed over you.
"PleaseâŠ" The word was barely a whisper, a broken plea torn from your throat.
"Please what, darlin'?" he urged, his voice low and demanding.Â
Tears welled in your eyes, a confusing mix of shame and a desperate need for the relentless pressure to cease, yet also⊠to continue. "Please⊠more," you choked out, the words tasting like ash in your mouth.
A triumphant smirk stretched across his lips. "More of this, sweet thing?" he growled, his hips bucking harder, deeper. "You want me to fill you up good? You want my seed inside you?"
Another groan escaped you, followed by a soft, broken sob. The line between fear and a terrifying, undeniable desire blurred, leaving you adrift in a sea of overwhelming sensation. "Yes," you finally whispered, the word a shameful admission of the power he held over your body.Â
As the intense waves of sensation began to crest within you, your grip on his shoulders tightened, your body instinctively clenching around him. A series of involuntary gasps escaped your lips, each one a testament to the overwhelming pleasure that was now intertwined with the lingering fear.
"Yeah, that's it, darlin'," he grunted, his voice thick with exertion. His hands gripped your hips even tighter, his own movements becoming more frantic, more urgent. "Milk me good, sweet thing. Squeeze me tight."
He bucked his hips upwards with a deep groan, his head falling back, his jaw clenched. "Feel that, dove?" he rasped, his breath coming in ragged gasps. "Feel how close I am? You're gonna pull it all outta me."
The pressure inside you intensified, building to an almost unbearable peak. Soon after he followed you, after a few more harsh and deep thrusts, you felt the hot, thick pulse of his release deep inside you, a claim.
As you both finally came down after a few minutes, you still stayed sat atop him, chest rising, the warmth of your skin clashing with the cold bite of the earth beneath you.
Remmick didnât speak at first. He just looked at you.
Then, slowly, he leaned in close â so close his breath brushed your cheek â and whispered, low and calm:
âI shouldâve taken you the first time I saw you.â
He brushed your hair back away from your face, lips barely grazing your temple.
âBut I waited. Now youâll never leave me again.â
His words werenât loud. They didnât need to be. You felt them settle in your bones â heavy, inescapable.
Because truly, he was inescapable.Â
#remmick sinners#remmick x reader#dark!remmick x reader#remmick x you#jack o'connell#remmick#sinners movie#sinners 2025#sinners fic#sinners#dark fic#remmick smut
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hihi how r uuu, uhm iâd like to request aaaaaa like idk a series of odd compliements reader gives the bllk boys they didnât know they needed like uhm idk âI love the way you flossâ or smth like that. iâd also really like nesssss. Please and thank you
âđźđŠâŠ đ°đĄđđ?â

a/n:Â could not think of a better title idea HELP
ft. isagi yoichi, itoshi rin, itoshi sae, nagi seishiro, mikage reo, bachira meguru, kaiser michael, shidou ryusei, and karasu tabito
isagi yoichi
you: âyou look like the type of guy who separates his m&ms by color and then eats the most powerful-looking ones last.âÂ
isagi: â... thank you?âÂ
this man does not know what to do with that information. heâs touched?? confused??? you once told him, âyour jawline is the only line i trust.â and he almost cried.Â
he gets so flustered and honored every time. he literally started journaling them.Â
one day you told him, âyou look like if a golden retriever was in a tax evasion scandal.âÂ
and he was like, â... wait what?âÂ
itoshi rin
you: âyou give off the energy of someone whoâd survive a horror movie just by being too emotionally unavailable to die.âÂ
rin: âwhat the hell is wrong with you.âÂ
but deep down, this man thrives off your madness. he will sit in silence for 10 minutes and then mumble: âi would survive a horror movie though.âÂ
you once told him, âyou remind me of the moon. distant, cold, and capable of controlling tides and my mood swings.âÂ
he was silently smiling for the rest of the day. never admitted it.Â
itoshi sae
you: âyou look like youâd ghost me for 3 days then show up with a smoothie like nothing happened.âÂ
sae: âiâve literally done that before.âÂ
you: âyeah i know. thatâs why itâs a compliment.âÂ
he thinks youâre deranged. but he also thinks youâre funny.Â
you told him he looks like a sexy ikea instruction manual and he actually laughed.Â
but then you said he gives off âdivorced stepdad with a dark pastâ energy and he was like âokay thatâs enough.âÂ
nagi seishiro
you: âyou remind me of a cat that accidentally became god.âÂ
nagi: âmm. sounds troublesome.âÂ
he doesnât care what you say as long as youâre saying it to him while heâs lying on your lap.Â
you called him âa walking paradox of soft boy and threat to societal productivity,â and he sleepily went, âcool.âÂ
he repeats your compliments to himself when heâs bored.Â
âcat god⊠huh.âÂ
mikage reo
you: âyou have âsugar daddy but emotionally availableâ energy.âÂ
reo: âwell damn. iâ thank you?âÂ
youâre feeding this manâs ego like itâs on life support.Â
he literally changed his phone bio to âemotionally available sugar daddy.âÂ
you called him âthe human version of a platinum credit card with a conscience.âÂ
he was ready to marry you on the spot.Â
bachira meguru
you: âyou give off âferal art student who eats glitterâ energy.âÂ
bachira: âomg you get me.âÂ
he ADORES your compliments. the weirder the better.Â
you once told him, âyouâre like if van gogh and a raccoon made a baby.âÂ
he deadass teared up.Â
he started complimenting you back in the same fashion.Â
âyou look like the reincarnation of a chaotic rainbow.âÂ
you two are an unstoppable force of bizarre love languages.Â
kaiser michael
you: âyou look like a man who knows heâs the villain but would still win in a romcom.âÂ
kaiser: âi am the romcom.âÂ
he is EATING your compliments up.Â
you once told him, âyou have the aura of someone who would sue god for character defamation.âÂ
he printed that. framed it.Â
you told him, âyou give main character energy, but like, the delusional kind.âÂ
he paused. âwait⊠what do you mean by delusional?âÂ
shidou ryusei
you: âyou look like youâd propose during a bar fight with blood on your face.âÂ
shidou: âi totally would actually. baby you get me so well.âÂ
heâs OBSESSED with your compliments.Â
he once made you sit down and repeat the one where you said he âradiates sexy chainsaw energy.âÂ
he made it his discord status.Â
you told him he gives off âif chaos was hotâ energy.Â
he licked your cheek. you regret everything.Â
karasu tabito
you: âyou look like a guy who uses sarcasm to hide how much he actually cares. like if a middle finger could love.âÂ
karasu: â... shut up.â (translation: iâm blushing.)Â
you once told him, âyou have rizz thatâs so potent itâs FDA regulated.âÂ
he snorted so hard he actually dropped his phone.Â
you called him âthe reason sarcasm was invented,â and he leaned in like: âsay that again, but slower.âÂ
© đ€đ±đŹđđ đą
#blue lock#blue lock x reader#bllk#bllk x reader#blue lock headcanons#isagi yoichi x reader#yoichi isagi x reader#rin itoshi x reader#itoshi rin x reader#itoshi sae x reader#sae itoshi x reader#mikage reo x reader#reo mikage x reader#nagi seishiro x reader#seishiro nagi x reader#bachira meguru x reader#meguru bachira x reader#kaiser michael x reader#michael kaiser x reader#shidou ryusei x reader#ryusei shidou x reader#karasu tabito x reader#tabito karasu x reader#um... what?
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The Clean Girlâs Guide to Eating Out Without Giving Up Your Goals
by Soleau Club


Just because youâre prioritizing your glow, your gut, and your goals doesnât mean youâre suddenly gonna start skipping dinner dates and living off steamed kale and sad vibes. Youâre a clean girl, not a prisoner.
This guide? It's your permission slip to be social, sexy, and still on track. Because we believe in glow-ups and guac.
1. Pre-Game Like a Wellness Pro
No, not with tequila (yet). Pre-game your dinner with:
A tall glass of water with minerals or lemon
A protein-rich snack (think: boiled egg, collagen shake, a few bites of chicken)
A little mindfulness moment to ask: What do I actually want to feel after this meal?
When your body isnât starving and your nervous system isnât shot, you make chic choicesânot chaotic ones.
2. Scope the Menu Like Itâs the SAT
Before you even slide into the booth, check the menu. Think of it like studying the vibe:
Look for keywords: grilled, steamed, baked, roasted
Watch out for the red flags: creamy, crispy, smothered, battered (aka delicious, but sabotage-coded)
Find your balance: protein, fiber, healthy fat Clean girls donât obsessâthey optimize.
3. Make the Clean Swap Without Making It Weird
Want fries? Order the salad and ask for a side of fries to split. Want a cocktail? Get a tequila soda with lime. Want dessert? Get one for the table, have a few blissful bites, and move on like the hot girl you are.
You donât need to explain or defend your choices. Youâre just out here eating cute and feeling cute.
4. Use the âPlate Method,â Hot Girl Edition
You donât need to track macros to eat smart. Just scan your plate like this:
Half veggies
A quarter protein
A quarter carbs or starch
Add healthy fat (olive oil, avocado, etc.) if itâs not already there
If your plate looks like something your future self would post on Stories with a glowy skin filter⊠youâre doing it right.
5. Be Social, Not Stressed
Remember: one meal wonât ruin your progress. One night of sodium wonât erase your abs. What actually isnât hot? Obsessing, guilt-tripping, or spiraling over sushi rice. Ew.
Clean girl energy = grace + discipline, not all-or-nothing.
6. Move On with Main Character Energy
The next morning? Hydrate. Move. Re-center. You donât need to punish yourself for living your life. Youâre not âoff trackââyouâre in flow. Real wellness includes date nights, margaritas, and food that makes your soul sigh.
You can eat out and still eat like the version of you whoâs balanced, glowing, energized, and snatched. The clean girl doesnât restrictâshe curates.
Follow @soleauclub for more wellness that works in real life (and real outfits).
#becoming that girl#clean girl#dream girl#glow up#green juice girl#holistic wellness#it girl#it girl energy#pilates aesthetic#pink pilates girl#glow up journey#glow up tips#glow up diaries#glow up era#glow up guide#that girl#wellness#health and wellness#wellness girl#wellness routine#wellness journey#wellness tips#vanilla girl#that girl aesthetic#that girl energy#that girl moodboard#that girl community#that girl lifestyle#level up#level up journey
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Not Everyone Has to Be a Revolutionary (and Why Thatâs Okay Especially for Nick)
I need to scream this from the rooftops because people are seriously losing the plot. Iâm so fucking tired to read this. That heâs a nazi and we all missed the signs ugh
Why does everyone expect Nick to be the main, active revolutionary? Why does he have to sacrifice himself for the greater good to prove heâs âa good manâ?
HE DOESNâT. And thatâs not a flaw, itâs literally what makes him beautifully human.
Look at the characters who are fighting Gilead:
âą June is burning with rage. She lost her daughter. She was raped and tortured. Everything was stolen from her. In Gilead, she still has friends like Janine and wants to free them. Also, she comes from a mother who was an activist, she grew up around protests and was part of them from a young age. Her core values are rights and freedom. Of course sheâs fighting.
âą Luke lost his wife and child. Hannah is still there. He was left powerless. His whole identity collapsed, he wants revenge. (Also he wants to prove June that he is worth something because he feels she doesnât love him the way she used tođ)
âą Moira was enslaved, dehumanized. She has every reason to fight with everything she has.
And others.They are fueled by personal trauma. Their war is personal.
And Nick?Heâs not driven by revenge, because Gilead didnât destroy him the way it destroyed others. That doesnât mean he supports it, heâs just not a soldier in someone elseâs war.
He doesnât trust politicians. He doesnât want to be someoneâs pawn (he is so sick of it because once he trusted them âonce you get in bed with the government itâs not so easy to get out). He fights for love, not ideology.
And his greatest strength?
LOVE.LOYALTY.SACRIFICE FOR ONE PERSON.
He saved June over and over.He broke rules.He risked his life.He was ready to run away to live a quiet life with her. (Even though itâs really risky for him because heâs a commander after all, a war criminal)
That is also powerful.
And guess what? June believes in love too. She btw values it the most. Sheâs the one who said:
âPeople die from lack of love.â
Telling Fred that love is worth living
âYou grab love wherever you will find itâ etc
She is grateful to Nick for exactly that. For keeping her alive when she was drowning. Only love saved her. âHe helped me to surviveâ â„ïž
And now people wanna cancel him because heâs not on the frontlines with a machine gun? (Or on the wall đ) just for some women or ideology?? Because he values a single life, Juneâs, more than the idea of a revolution?
Are you kidding me???
Thatâs not weakness.Thatâs just a different kind of strength.
Reality check:
Only about 5% of people in real revolutions actually fight on the frontlines. (Thanks, historians like Charles Tilly & Eric Hobsbawm.) The other 95%? They resist in small ways.
I get it. The Handmaidâs Tale is a story mainly about revolution. Itâs about resistance, fighting the system, burning it down.
But not everyone in this world wants to grab a gun and start a war. Some people like Rita or Nick are just trying to survive. And help their family. (Why everyone is ok with Rita but for Nick itâs different?)
And thatâs not weakness. Thatâs realistic and human.
Nick is the guy who risks everything not for politics and power, but for love.
Honestly, I think what Nick really lacks is focus because he loves June too much. Heâs so scared of losing her, of something happening to her, of her dyingâŠ(âsheâs not coming back to you. - I know, i just want her to stay alive đ„č)
And her obsession with revolution? It only makes that fear worse. Heâs not thinking straight, heâs spiraling, because everything in his world revolves around her.
He shouldnât be punished for loving her more than he hates the system.
#dropping the mic#The stupidity is off the charts.#Why is this all over my feed on yt?!#nick june#osblaine#the handmaidâs tale#protect Nick at all costs
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Yu-Gi-Oh! Duel Analysis: Ryo vs Yubel
Time for more Duel analysis, a series where I overanalyze two characters standing around playing a children's card game. This is the first of a three part series where I cover what I refer to as the "Yubel Gauntlet", the four successive duels against Yubel at the end of season three. We're going to start with Ryo vs Yubel, while this duel may not be as revealing to Yubel's character as the later duels there are a lot of interesting parallels at play between these two characters if you dig a little deeper - MORE UNDER THE CUT.
In Yu-Gi-Oh duels are meant to be a clash of the two participants ideals. In the best duels we learn more about the characters participating from lots of factors, deck composition, play strategies and the dialogue in between turns. Duels in general are a pretty major focus of Yu-Gi-Oh! taking up a lot of screentime so of course writers have to use them as a vehicles for character and theme. There's a lot more thought put into duel-writing then meets the eye.
Ryo vs. Yubel is meant to be the ending to Hell Kaiser's tragic character arc, so there is a lot more focus on Ryo then Yubel. The most revealing duel about Yubel's character comes in the duel right after against Amon which I'm going to cover in the next post. That being said, there is a lot of interesting foiling going on in the duel itself. Foiling is drawing a comparison between characters to highlight aspects of a certain character, a subtle method of characterization to inform us of a character without directly telling the audience.
We're going to cover the foiling first before we get into the duel itself. Starting with a major foiling point between Ryo and Yubel, neither of them are really focused on their opponent. They're both instead focused on Judai, Yubel wants to execute Ryo to send a message to Judai and Ryo wants to duel the person in Johan's body because Johan reminds him of Judai the person he had his last significant duel before his mental breakdown.
RYO VS. JUDAI: THE KAISER AND SUPREME KING
There are a lot of immediate connections to be drawn between Judai and Ryo. Ryo gives Judai his first defeat, Sho puts both of them on a pedestal, and Ryo is probably Judai's second most important rival (the fandom has been arguing for 20 years whether Manjoume or Ryo counts as Judai's main rival so I'm not going to touch this). The most significant common factor between these two characters in season three however, is that Ryo's season two mental breakdown is an explicit parallel and foreshadowing for Judai's breakdown in season 3.
Judai and Ryo both go through what the fandom commonly refers to as "gifted kid arcs" (which is appropriate because GX is set at a boarding school and one of the biggest themes is the challenges faced when growing up). During season one Ryo is what is considered to be the top dog at Duel Academy. He's well respected by the student body, was told from a young age at the cyber dojo that he was going places, and widely considers himself and his dueling style to be "perfect".
Besides a tense relationship with his brother, he doesn't really have any flaws. The first hint that there's something deeper going on under the surface comes in the graduation duel against Judai. First in Ryo's irritation that Judai is imitating him and trying to duel a perfect duel instead of dueling by instinct like he usually does, and then in his speech to Judai at the end of the duel.
Judai: You really are great, Kaiser! You're perfect. Ryo: But at the same time this happens to be my limit. In a way, perfection keeps you from chasing your limits. Ryo: Yuki Judai, within you lies infinite potential.
This introduces Kaiser's main character flaw, his own obsession with perfectionism. While Kaiser laments the fact that chasing perfectionism is limiting in the end because once you achieve perfection there's nowhere else to go - he still genuinely considers himself to be perfect.
It is true that part of the cause of his breakdown is the intense pressure from around him including the adults puts Ryo under by putting him on this pedestal and expecting perfection from him had a really negative effect on Ryo's mental health. However, it is also true that Ryo let everyone's praise go to his head and developed quite the ego. This shows in his relationship with Sho which we're going to go into more in depth later. A conversation on my Yu-Gi-Oh discord was particularly revealing of one aspect of their relationship. Ryo has a hard time understanding Sho, because he has ridiculously high standards for Sho. Instead of accepting Sho for the person that he is, he tries to mold Sho into being more like him.
This is shown in one of the early flashbacks in regards to their relationship, Ryo gives Sho power bond his signature card, and then insists that Sho is not worthy of using it. Which is an incident that sabotaged Sho's confidence for a long time and made him feel unworthy of using the card (even Judai who is very happy-go-lucky and forgiving in season one got angry for Sho's sake over this). It seems like a lot of Ryo's actions in season one are done with the motivation of toughening him up, in essence making Sho more like him. He doesn't really recognize Sho's strength, that even though Sho has low self-esteem and loses a lot he also picks himself right back up and keeps trying.
This key difference is the cause of Ryo's tragic downfall in season two. Ryo is a prodigy for whom dueling has always come easy, he's never had to struggle the way Sho has, so he doesn't know how to handle losing. In a very relatable arc Ryo goes from being a big fish in a small pond and genuinely believing because he was succesful in high school he's going to be succesful in the real world, to shattering in his first real loss in the pro-leagues and realizing that in the adult world he's no one special.
The fatal flaw that leads to his downfall being that unlike Sho, Ryo's not used to losing, so he doesn't have the ability to pick himself back up again. To use a metaphor from real life, it's like when people who are gifted students in high school never learn how to study because the material comes easy to them who then crash and burn in their first year of college. They're not used to struggling with the material, and they don't know what to do when something doesn't automatically come natural to them. One of the greatest piece of advice I've ever received is that when learning a new skill like writing or drawing, you've got to start out by making bad art. Ryo can't make bad art, he doesn't know how to struggle.
He crashes and burns after losing once, and his losing streak and complete loss of confidence drives him to be desperate enough to duel in an underground arena.
Manager: The truth comes out - these dire situations fuel your losses. Manager: Tell me, you've get to consider that you might win I take it? Manager: Without seizing victory you cannot win, isn't that what dueling is about at it's core? Manager: If so, you have to win at any cost. Ryo: I have to duel my way. Manager: Then, you're welcome to lose.
Ryo then decides to double down on his own obsession with winning when his back is against the wall.
Ryo: I'm fed up. Ryo: I...I don't want to lose. Ryo: I don't care how... but I want to win and defeat you. Ryo: I've lied since that duel with Edo. Ryo: I duel by respecting my opponent, I thought winning or losing wouldn't matter if I did that. Ryo: But I was wrong. Ryo: I do crave it - I thirst for victory and I have to to steal victory from your hands - I will.
This is a direct parallel to the source of Judai's downfall which leads him to the Supreme king in Season 3. Judai becomes obsessed with winning no matter what the circumstances, only to win in his duel against Brron and still fail to rescue a single one of his friends. In the face of his loss Judai doesn't learn from his mistake. Even after receiving a lecture from both Sho and Austin he still refuses to admit what he did wrong.
Judai: I did what I should've done. Judai: And yet, just about everyone was taken away from me! Judai: Damn it! Damn it! What is it that I did wrong! Judai: The super fusion card. Haou: Yuki Judai. In order to defeat evil, one must become evil. In the world with the law of the jungle at work one must rule with power.
Judai and Ryo both develop an obsession with power so they'll never lose again. Judai develops the supreme king persona, while Kaiser develops the Hell Kaiser persona. Both have two duels against friends who just want to return them to their normal selves. Both are also fully in control when they fall into darkness, Judai is the supreme king and the supreme king is Judai, Ryo tells Fubuki that he wasn't possessed by a dark power he chose to pursue victory above all else.
They both become self-destructive in the aftermath of their mental breakdowns, in season three Ryo is looking for a final duel to die, and Judai becomes suicidal until the possibility of saving Johan is dangled in front of his face. Most importantly of all the cause of their downfall is the same in both cases, their own fragile ego. Neither of them can admit when they are wrong. Judai receives constant criticism before the duel with Brron and refuses to change his ways.
Judai: All this time, I've run on instinct, never second guessing myself. Judai: If I just tsand still now, I'm sure I won't be able to start running again. And I won't be able to get to Johan.
What worked for Judai in his first two years of school stops working in his third year, when his friends grow up a little bit but he's stayed the same person and he's introduced to more complicated situations.
The same can be said for Ryo, glorifying his high school days instead of growing up which is why he finds himself unable to survive in the adult world. Even going into the duel against Yubel, Ryo is just trying to recreate his final duel against Judai believing that he peaked in that moment instead of realizing that there's still room for him to grow and change.
RYO vs. YUBEL
While the parallels between Ryo and Yubel aren't as strong as his parallels to Judai, they're still there if you take a deeper look. As I said in the beginning, instead of facing each other both Ryo and Yubel are looking at Judai this duel. Both of them have an obsession with Judai, Ryo considers his duel against Judai to be his last great duel and is desperate to feel the same way he did in the graduation duel while Yubel's obsession with Judai has spanned two lifetimes and their ultimate goal is to reunite with Judai and to return their relationship to what it was before they were shot into space.
They're both also using this duel to teach a lesson to Judai, Ryo wants Judai to regain his confidence and not be afraid to duel anymore, and Yubel wants to make another one of Judai's friends suffer right in front of him to inflict pain on him.
Ryo: The blinding excitement I had back then... Ryo: I've only gotten that from Judai and Johan. The duel we had is far from over Johan. It doesn't matter who you are right now. If you have Johan's face and Johan's strength you're going to battle me. Yubel: All right... allow me to give you my love as well. I'll show you to Judai as you squirm and agony. Yubel: Sadness... anguish.. pain. Those are the expressions of love I've been taught by Judai.
Yubel and Ryo are both living in the past. Yubel wants to return to their past relationship with Judai, and Ryo is obsessed with his glory days when he was top dog at the academy thinking he peaked in high school (which is ridiculous because he's like nineteen at this point.)
Ryo: Even without a future, I have to live this moment for everything that it's worth. Isn't that right, professor? Cronos: I-it is, but...without a future?
The reason that both of them are stuck in the past is the painful trauma they've both endured. Ryo is put in an underground cage match where he is forced to wear electrodes and receives painful shocks every time he loses lifepoints, and told that he won't be let out of the cage unless he wins. Yubel is shot into space and endures years of torture from the light of destruction.
They were also both alone and without a support network when they were traumatized, Ryo was abandoned by all of his sponsors and far away from his friends at duel academy, in a dark cage where no one could help him. Yubel was in space and Judai eventually stopped hearing their cries for help because of the psychiatric treatments his parents put him through.
After their trauma Ryo and Yubel also develop highly masochistic tendecies. Ryo keeps dueling in the underground arenas and wearing the electrodes even after his first cage match. Yubel repeatedly insists they enjoy the pain that Judai inflicts on them, derives borderline sexual enjoyment from it, and their entire duel strategy involves negating damage done to their monsters and inflicting it on their opponents.
Yubel: I cannot be destroyed by battle. Yubel: After all, to me, attacks only show love. Yubel: Go on, attack me, Yubel: My suffering is your suffering, Judai! Yubel: Share it with me... Nightmare pain. Right now, we feel the same pain wrapped in a blanket of love.
These mascohistic tendencies and self-harming behavior were developed as unhealthy coping mechanisms. Self-harm can be a way of reclaiming your agency. If you're hurting yourself then you're in control of it, especially if you were victimized in a situation where you had no control or agency. Yubel insists the pain causes them pleasure, Ryo insists they enjoy the shocks the electrodes give them.
Ryo: This shock, piercing the skin and flesh... Ryo: It taught me that a duel is a duel in every sense of the word with one winner and loser. Ryo: Will you still be able to prattle on about your respectful duel until the end.
Unsurprisingly inflicting pain on themselves over and over again does little to improve their mental health and only makes them spiral worse. Yet they cling to their delusions that they're the ones in control, that they want this actually.
Ryo: Fubuki I am not lost in darkness. I am not it's prisoner. Fubuki: You mean... you haven't lost yourself in darkness. Ryo: The darkness that the light cannot reach. The things it's power can bring you. I merely wanted to learn what they are. Fubuki: Why would you want that. Ryo: To attain victory. EPISODE 89 Judai: If you hated my treatment of you so much, you could have focused your revenge on me. Yubel: Hatred? Revenge? What are you talking about. Yubel: I told you this is something I have worked very hard for, in the hopes it would make you happy. Judai: Make me happy? But all my friends were hurt, suffered and disappeared. Yubel: But is that not the nature of love? I wanted to hurt you demonstrate the depths of my love. Judai: Yubel is there nothing I can say to make you understand? EPISODE 153
Ryo and Yubel are both what you would consider bad victims who go on to repeat the cycle of abuse, and inflict the same pain they endured on others.
Enduring torture leads them to snap and pull a total 180 on their personality. Big surprise, torture is not good for your mental health. Notably they both flip from being a protector to their loved one, to harming the person they once protected.
While Sho and Ryo's relationship is complicated, Ryo in season one was willing to sacrifice his life to Camula in order to protect Sho. While in season two, he forces Sho to wear his electrodes and endure painful shock after painful shock until he passes out. Yubel once sacrificed their entire body to be Judai's protector, but in season three Yubel does everything they can to inflict pain on Judai, and engineers Judai's downfall to bring Judai down to their level.
Ryo mocks and belittles Sho who is only trying to save him the entire duel, and again shocks him half to death, then when Sho is passed out from the pain walks off and doesn't even bother to check if he's alright.
Ryo: I am the winner here. Let the loser depart! Sho: I respect you... Brother, back then... And even now.
Yubel is well... Yubel.
Yet, even though they're both bad victims who refuse to admit they're in a self-destructive spiral and all they're accomplishing is hurting themselves and others, the narrative is sympathetic and shows there is hope for both of them.
CYBER ART VERSUS CRYSTAL BEASTS
Oh right, we're supposed to be talking about the duel. Let's start with deck analysis, because the cards a duelist chooses and their battle strategy is always telling of their character.
To begin with, Ryo and Yubel employ the same basic strategy in their primary decks: get their boss monster on the field and then do anything they can to keep it on the field.
Aside from that the two of them could not be any more different. Ryo has one strategy, get Cyberdragon on the field with power bond, go for the one turn kill, and if that doesn't work play a card to negate damage or negate the damage of power bond. If Cyberdark gets taken off the field they have multiple strategies to get the components out of the graveyard and fuse it again - and if that still doesn't work fusion summon chimeratech fortress dragon in attack mode by fusing all of the cyber dragons in their graveyard.
Yubel's dueling strategy is the complete opposite. Ryo always goes for the one turn kill, Yubel summons zero attack monsters, negates any damage done to them, and then drags out the duel while chipping away at their opponents lifepoints. Ryo's strategy is offense is the defense, Yubel on the other hand believes defense is the best defense.
Once again when it comes to deck composition Ryo's deck has one strategy, get beat stick on the field, and swing for the one turn kill. Yubel on the other hand runs four decks in total, Exodia, Advanced Crystal Beasts, Sacred Beasts and Yubel. Ryo switches to Cyberdarks in season two but fails to master them resulting in the deck shocking him until his heart fails, and then just switches back to Cyber Dragon. Ryo's dueling style is symbolic of his greatest weakness: his belief in his own perfection leading to his own inflexibility and belief he can't grow. While Yubel's dueling style plays into their greatest strength, their endurance and determination.
Yubel burns up on re-entry to the atmosphere? Manipulate Cobra and Martin to harvest duel energy until they can reconstitute their body. Have their body destroyed a second time by Johan's sacrifice? Take over Johan's body, lure Judai into the dark world to rescue Johan. The duel with Ryo makes them suffer severe damage? Yubel already planned for that and manipulated Amon to appear at the ideal time so they could feast on the darkness of his heart. Take advanced darkness and dark rainbow dragon off the field? Yubel was planning for that and plays last trick and a card that ends the duel in a draw and accomplish their goal of yoinking super polymerization. Destroy Yubel's boss monster - Yubel has an effect that if it's destroyed by anything other than their own effect it just summons an even more powerful Yubel.
Yubel is also highly adaptable. In the duel with Amon they eliminate his path to exodia twice, and find a way to recover when their boss monster armityle is knocked off the field.
It is this adaptability that gives Yubel the edge over Ryo the entire duel. Ryo has one strategy and that is beef up their beatstick and go for the one turn kill, and Yubel's damage negation is the perfect counter to that.
Ryo immediately falls for Yubel's trap, underestimating Yubel due to their low attack point monsters and then swinging right into the damage negation.
Ryo: You mock me by putting out such a small monster. Yubel: As the duel proceeds you'll understand. Ryo: What? Crystal beasts are special monsters that are hard to remove from the field, but they have one weakness. The low attack points of the individual monsters. THe advanced dark combo to compensate. But.... a man with no future knows no feature.
Ryo employs the same strategy over and over again, summoning a strong monster, attacking into Yubel in spite of the damage negation. All he accomplishes is making it easier for Yubel to get rainbow darkness dragon on the field.
After which Ryo switches strategies to try to remove Yubel's methods of damage negation one by one and getting good old Chimeratech onto the field, and then blindly swinging for game while Yubel still has backrow.
At which point Ryo is only left with one strategy, doubling Cyber End Dragon's attack with power bond to beat over Rainbow darkness dragon. While this moment is considered an iconic moment, it's also symbolic of Ryo's complete lack of growth - he ends the duel the exact same way as his duel with Judai, quardupling his Cyber dragon's attack - except this time all he accomplishes is blowing himself up.
His duel with Yubel is perfect example of his hubris. Ryo focused on same strategies as he did in season 1, which caused Cyberdarks to lash out on him and give him heart attacks, each one more violent than the last. That epic moment where Cyber End Dragon is standing with 16000 ATK should be seen in a negative light. Two years apart and Ryo still ends up with the very same monster in the field with the nearly identical attack points, (SOURCE).
Ryo was never going to win that duel with Yubel however, because before Ryo even entered the duel they were resigned to lose - either by sacrificing themselves to purge Yubel from Johan or losing after dueling their best duel to inspire Judai. Either way he had zero expectation of getting out of their alive.
Which is the ultimate difference between Yubel and Ryo, Yubel wants to be saved, and Ryo turns away everyone's efforts to help him. Even though the two of them are in opposite circumstances, Ryo is surrounded by a support network who reach out to help him again and again and he chooses not to take their hands. While the person responsible for Yubel's trauma makes half-hearted pleas for them to stop, and ultimately in their final duel decides to put them down like a mad dog until the last possible minute.
Which leads to Judai's funniest quote ever.
Judai: Yubel, while you were enveloped in the breath of light becoming stained by evil, and alone burning with your need for revenge I was forging many allies. Judai: And they all taught me that real love is something so big and deep it contains the whole universe. The love in which you believe is just a self-satisfied assumption. Yubel: Assumption? Yubel: What's wrong with the assumption I made? Had I not convinced myself I was loved, then there would have been no way to bear all that hardship. And yet, they all stole your love away from me. Yubel: Hahaha, I see sob stories do not work on Supreme king Judai.
Damn Judai, why didn't you make friends while you were trapped in a satellite in space for ten years straight? Sounds like a skill issue to me.
Ryo has three consecutive duels where Samejima, Fubuki and Sho all plead with him to go back to his usual self. Sho again, agrees to wear the electrodes just to try to understand the pain his brother went through and bring him back from the edge.
Sho: I don't understand you anymore, brother. The way you are now, there's no way I can respect you. Ryo: I feel the same way. In a match there's no room for feelings like respect. All I want is victory. Yes, all I respect anything it's victory. Ryo: if I can win, I'll become ugly, even tainted. I don't care what anyone says about me! Sho: All I wanted was to bring you back to the way you were...
Even in season three, Cronos tells Ryo there's still hope for him to keep on living, and Sho begs his brother in tears not to kill himself in the duel against Yubel. Tellingly, the only one who cheers him on during that duel is Judai, who is similarly suicidal.
Which is why Yubel wins the duel, Ryo refuses any help and while Yubel clings to their idea that love is pain, ultimately what they want from Judai is empathy and understanding.
Yubel: When you forgot me I suffered. It's hot, it hurts, I'm in pain. Why? You know how much I love you. Why did you do this to me? Yubel: In that moment I realzied. That was how you showed love. Because you loved me, you hurt me and made me suffer. Because you see, the entire time I suffered I never once forgot about you. Yubel: I was so happy when you solved the mystery I laid out for you. That's why I decided I would fill all twelve dimensions with my love for you. Then, surely you would understand my love. Yubel: That was why I tried to fill all those around you, and the world with anguish and sorrow. And it appears I did the right thing. After all, you are here with me right now.
Ultimately, there is nothing Sho could have done for Ryo, short of knocking him unconscious and dragging him away from the duel with Yubel.
Judai gives advice to Sho who's struggling with the changes in his brother, that even if you don't approve of what someone you love is doing, you can still stay by their side and watch over them.
Sho: Bro what would you do? f the person you cared about the most was tainted by evil. And you couldn't bring him back. Judai: You just have to watch him. No matter how much he's changed, you still care about him right. So you'll have to watch him forever and ever. Sho: But then. Judai: Yeah, you might not help them at all... But, you can't just do nothing. That's why, if it were me, I'd watch him until the very end even if he didn't like it. That's the proof that I care about him.
This is the advice the convinces Sho to never give up on Judai even after he becomes the Supreme King, and Judai following his own advice is what leads him to ultimately save Yubel by fusing their souls together to watch over them for the rest of their lives. Even Sho sticks with his brother and forgives him over and over again, which leads to Ryo's salvation as well and eventually repairs their relationship.
Anyway, that's the end of this duel look forward to my next post where Yubel delivers one of the most iconic roasts of all time to Amon.
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Do you ever think about how, even before this generation of fairytales, it was a well known fact that if you dont follow your destiny you will case to exist and die?
Do you ever think that knowing this Red and Wolf still went against their destiny ? Knowing that loving each other means that they are putting themselfs in a deadly danger?
Do you ever think about how two teenagers loved each other more then they feared death?
Do you think that after highschool they lived thinking any moment could be their last? Did they thought that if they are going to die becouse of their love at least they can die married?
Maybe after they got married and nothing happend to them , only then did they started living like they had time and dared to imagine them growing old together.
#oh well#that was enough from me for tonight#dont you think?#JUST SO I MAKE IT CLEAR#ASHLYNN AND HUNTER STARTED DATHING AFTER RAVEN QUESTIOND DESTINY#BECOUSE OF RAVEN THEY HAD COUREG FOR GOING AGAINST DESTINY#RED AND WOLF DIDNT HAVE ANYONE TO QUESTION DESTINY#class of classic has a maraders effect on me#you know#like when at start you are obsessed with the main characters#and then with thier parents#i just might start a side blog just for class of classic memes and incorecct quotes#mmm#still thinking about it thou#ever after high#class of classics#red riding hood#big bad wolf#eah badwolf#eah parents#eah
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sharing some thoughts about deactivating here because itâs been difficult pondering idk.
#god i really really donât want to do this. but i have to but i donât want to but i have to but i donât want to. and so on. you get the gist#though i guess i am more not wanting to let go of an idea or fantasy rather than reality#like i always wanted to be an active participant in fun oc art fandom writing etc etc communities#but all i really did was make way too many people uncomfortable with my worthless stuff.#like it and me are just not built for interacting with people lmao. especially when it comes to stuff like my characters or uh.#i donât know you canât call it art or writing just uh. creations i guess.#and like i knew that before i made this blog but then people started interacting with me and i thought hey maybe thisâll work out maybe i#can be better and then i so wasnât. and for that i am very sorry.#(and i mean this is not the main reason why i feel like i have to do this but i canât just go back like nothing happened on here lmao.#i deleted 90% of my shana posts i had/am having a crashout i gotta at least follow through after being so embarrassing#after being even more insufferable than usual haha. and if i stayed there would be even more people who feel obligated to stay around#i feel. and i so donât want that. so just one more reason why i gotta be brave and just fucking do it.)#also i do realise that thereâs the possibility of not deactivating and just logging off and leaving but every time i took a break like that#i always like felt a bit âbetterâ/delusional & thought itâd be ok to return. sure thatâll happen again.which is why i have to be so drastic#like even if i made a new blog i know myself well enough to know that iâll be too embarrassed to reach out to anyone again.#so it would really be a working solution to this problem. i really should just do it.#romeoâs wretched rambles#also a message to everyone telling me that they like shana and that heâs not a shit character to obsess over & more importantly share#with folks: appreciate the sentiment but thereâs a lot of his evil you donât know about.#i was implying some stuff here and there and some people iâve told more privately but even they are missing like 25% of the shana.#those being the absolute worst parts of him. i am still absolutely obsessed with him but thatâs my error to fix and i canât subject#people to that anymore in good conscience. seeing people say they like him actively feels like iâm pulling a shana myself and deceiving#people with lies of omission sometimes. remember that lol. obviously ik that there r big differences but sometimes it just feels awful stil#so maybe heâs better contained in a separate private blog that i can torch once i get over this rot and just be done with this fucking char#again i donât mean to say that i donât appreciate the support but iâm sure many of your guysâ opinions would change If You Knew. you know.#(god. with the lies of omission thing. every day i learn more abt how i subconsciously write things that make me deeply uncomfortable lol)#(and that i fear. like. that wasnât even intentional when i gave him that trait. i just realised that while typing this pointless mess lmao#anyways. thanks for readin if you made it this far. send me anon hate or something. hit me with an anvil and spit on my corpse if you will#i hope that at least by the end of this week i will have put my brave pants on and decided on what to do. sorry for being so annoying.
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My cousin is an annoying lil fuck but he is such a character. Itâs like heâs that one guy in a sitcom thatâs always got some weird shit going on. Yk how like in Boy Meets World theyâve got the main plot of the episode and then thereâs the subplot where Eric is just dicking around and fucking shit up because he either wants to make money or get a girlfriend. Yeah thatâs my cousin.
@whatinthekentucyfriedchicken
#i wanna be the subplot to someoneâs main plot#this is why eric matthews has been my idol since i was in seventh grade#and my friends have heard every story under the sun about stan#theyâre all talking about their siblings and iâm like#yeah my cousinâs this stupid little asshole that keeps suckers in our grandpas couch and starts riots in roblox games#and heâs not an absolute fucking idiot but you hear these stories and probably think he is#like one time he summersalted down the slide on our treehouse and cracked his head open#when he was watching andi mack for the first time he was obsessing over a character heâd only ever seen in the recaps#my scary cousin series#one day i will reveal to the world the doc i have titled âthings stan saysâ#one day
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Something about Altered Loyalties CYLAS just really makes me want to include him in the first place but also makes me really really REALLY think that with the more supernatural elements of AL based off of the original TFP pilot (or just first episode/s?) that CYLAS as a âdead man walkingâ would actually let him stay around longer AND also be a very significant contributing factor to Megatronâs downfall in Decepticon favour!
Of course itâs not as if I have the pieces of the TFP rewrite au firmly put into place, CYLAS in canon shows up just over halfway into season 2, and many of my most established changes occur in the first like⊠including all the parts of âDarkness Risingâ 8 episodes of season one; I have no idea if the environment CYLAS presents himself in is the same one canon CYLAS does.
But with the dubiousity between s1 e8 all the way to s2 e19, Iâll establish the basic context⊠I think in story mode maybeâŠ
Looking at the general timeline for the Aligned Continuity, it says that the first contact of cybertronians on Earth is dated to about 500 years before the show, give or take a decade. Iâve been listing Skyquakeâs little EHP pitstop to have existed at least 50 years before the war reached our planet, but what if I pushed it all the way back to 500; if a vorn is 83 years, thatâd be about 6 years on an entirely different planet not knowing truly if your twin is going to make it, a planet which by the way presently has no established radio systems that itâs horrifically quiet for a terrestrial environment.
That means that Skyquakeâs EHP Comms Array has been transmitting a signal long before humans had developed radio, which also means that what mightâve been blatantly an anomaly in the system if discovered 50 odd years previous to 2012 (which wouldâve been in the 60s give or take which would not have been good in the literal middle of the cold war era) has been going for centuries because it had always been there, there is no anomaly because it is a signal that has existed ever since humans were able to manipulate radiowaves into sending messages and translate them into detectable noise. It helps that cybertronian language and code (both code lang and like literal programming code) is a system unknown to humans developing their own language.
And you may be asking, why did I divert this post from talking about CYLAS and how heâd outlast his canon alternate to radio shit? Well, if you were a paramilitary organisation who is pretty good at erasing signals and you discovered a signal that has been actively running for the entirety of human radio has suddenly been silenced, what would you begin to suspect at that?
Aliens may potentially be a stretch but MECH didnât just name themselves after the cybertronians fighting war on their planet, and once the cybertronian conflict touched down on Earth, the Decepticons hadnât a need for an intergalactic communications array and in fact was specifically instructed to switch it off in an effort to prevent the Autobots from using it. That wouldâve been about maybe 6 years ago for the show (wow just enough equivalent time to match what Skyquake felt he spent grounded to one radio tower look at that) and though MECH would not encounter their first cybertronian until âConvoyâ (haha wait thatâs s1 e9 the next ep to cover - if necessary - for Altered Loyalties lmao), they wouldâve had 6 years to find that missing signal and stumble across some very definitely alien technology.
That is one of the reasons why the rewrite of âMasters and Studentsâ which is less masters and students focused - rather the point is Skyquake, a team of Nemesis stationed vehcions and Starscream investigate the comms array and set it up manually - why the radio tower wasnât switching on from a remote position.
The other reason was because the Guardian unit stationed at the comms array - the very ones that had accompanied Skyquake all those stellar cycles ago - had gone missing. Why?
Because of Megatronâs flagrant use of Dark Energon.
Points 1 and 2 listed above leads to the explosion of the comms array, the death of Skyquake, and MECH either being alerted to the point of alien contact or just in general going to the site for more study only to find a dead specimen. After the discovery of the Autobots with the body of Skyquake, MECH begins their initial study and dissection of cybertronian physiology, though without a live subject they couldnât exactly see what parts function in what way, especially the t-cog.
The discovery of Skyquake led to the discovery of terrorcons which lead to the discovery of how to take down a cybertron and how to take it apart without it screaming. MECH would learn the programming of a cybertronian through vehicon terrorcons since, even with DE corruption, their processors are still somewhat being maintained. While probably not able to access memories (they are fickle things, memory centres, easy to damage storage or to corrupt files) there are still systems responsible for pain and other more processor based responsibilities that arenât centred in a physical organ that reads in fine print itâs function.
Breakdown being MECHâs first fully functional living mecha for their study is so exciting for them (even if Breakdown is very much less enthused) because they can put what knowledge theyâve pieced together to be far more efficient with their time and focus on the elements they could not decipher from either corpse or zombie and potentially try and prod at Breakdownâs brain for some cohesive coding. Good think Bulkhead still shows up when he does even with Breakdown walking away with the dreadful thought of âhow the hell do these fleshies already know so muchâ boring into his head⊠mainly through the optic that was still drilled out-
Whether or not MECH needs to get another living cybertronian to get caught up in their understanding of the biomechanics of them (aka would 'Operation: Bumblebee' take place as it does) or they skip right onto making a remote control Prime having gotten a headstart on their knowledge and scaring the scrap out of any bot unlucky enough to be unconscious around them, eventually Silas gets smooshed and MECH scientists are reliant on their alien dissections to get the human puree back to the land of the living.
I'd assume that this was the case in the original since if Silas' biomatter was able to be collected from a pile of robot drone induced rubble the RC truck would've been able to be recovered as well, but MECH discovers that using Nemesis Prime as a lifesupport system does not work given all it's functionality is focused on visually replicating another cybertronian, rather than using it to create life. There's a lot of parts and systems to a cybertronian's biological ecology that wasn't put into consideration for a mimic toy that prove detrimental to creating a suitable ah... skin suit essentially for Silas' blood pudding, but MECH has an abundance of corpses ready and raring to be used just so long as they piece them back together again.
Amid MECH's collection would no doubt be a mass of vehicon bodies - some untouched by energon others taken down explicitly by MECH because they were terrorcons - some terrorcons made up from the bodies of the previous conflict pre-show (and not just a hypothetical ancient war, but explicitly the conflict that culled a lot of Autobot and Decepticon officers amid the show expected vehicon death), and the very first cybertronian sample they started studying, Skyquake himself! Being at the origin of the blast at the EHP Comms Array he wasn't kept in perfect condition for one, the arm he loses as a terrorcon in the Shadowzone is still lost - it's been buried under rubble after being severed with radio tower pieces - and the monochromatic glass over his optics has long since been shattered so you can see the 'pupil' aka sensor, but seeing as how CYLAS makes Breakdown's corpse somehow look worse than what Airachnid left it as MECH probably has to suture that fucker back up because there's not way his organs have been left untouched!
And once CYLAS has been successfully integrated into his new cybertronian shell (some sort of arm, either being a loaner from another corpse or straight up just one MECH invented, it could even be a copy of the missing arm but where's the fun in that) instead of getting all high and mighty about 'being of a superior species' Silas actually bloody thinks on MECH's plans going forward. With a literal army of paramilitary personnel, from the scientists that melded human flesh with cybertronian wires to the average grunt soldier fighting between the battles of iron giants, CYLAS has something that Megatron (at least the Altered Loyalties Megatron I have written previously) has wanted from the start of the series...
An undying force.
For as large as cybertronians physically are their numbers can never match the scale of humanity, I can't remember if the books mentioned only thousands of the dead or up to a million over the course of like... a long fucking time but, that's not even the number of the human population if you're caught up with the number (nearly 8 billion alive today). And with the dead of previous battles already roaming the Earth, in a world where Megatron still being only like one dude can't command a planet wide population of zombies, the only reason he doesn't turn his blade to the weakest denominators of his forces in his plagued state is because their conscious decision to serve him is worth more than mindless servitude.
CYLAS introducing himself and MECH as a solution to this issue, and providing a show of bountiful body horror, makes not even the Decepticon high command quite as safe as they had been; not that it's been proven to be safe standing by Megatron's side given his track record of wanting his SiCs beaten or killed but...
The fact that CYLAS just so happened to have given and then promptly brutalised Dreadwing's hope that Skyquake may have been actually alive, just severely damaged (and, bond weakened from distance and prior injury, clinging to the last shreds of 'my spark didn't kill me with him' reasoning) and broke him out of the spell of blind loyalty to his once great leader.
CYLAS in this version has a little bit more longevity to his existence within the Decepticon forces, not actually a Decepticon soldier as the canon CYLAS pledged himself as but 'The Human Factor' the episode so calls itself akin to the way the American government and the human children are to the Autobots, but being able to physically go toe-to-toe with cybertronians. Megatron might be a little tired of dealing with independents after Airachnid's escapade (I do intend to make her more into a poacher/torturer type character than another Starscream so she might act out a little differently), but Silas isn't one for licking boots anytime soon and as CYLAS, Megatron is no different; you'd think he wouldn't have even done that in the first place given he's already an ex-military 'take-no-nonsense' bitch, but the Breakdown in him probably made him a lapdog...
Anyway that's a whole big post about Altered Loyalties CYLAS... or at least the in depth reasoning behind why he could still integrate himself into the story and why he'd probably have more opportunity to lasting- i prommy it's not bc i like torturing skyquake likers *wink*
I guess this is now a canon event or at least I'll try to make it canon ;)
#silas#silas tfp#leland bishop#CYLAS#tfp CYLAS#MECH#tfp MECH#should i tag other characters? if they're mentioned they're mostly just gonna be corpses#eh whatever this is a MECH post mostly so whatever#transformers#tfp#tfp au#altered loyalties#maccadam#realising that the altered loyalties tag does not include my first post despite me tagging it fuck off#eh whatever the search for it ironically works fine for some fucking reason#the funny thing about rewriting tfp unlike any other rewrite au is that#this starts off pretty fucking immediately since skyquake has been on earth conscious for 500 years he is already in the show#which is different from other rewrite aus like the starscream rewrites (in shadowzone when he stabs himself with dark energon/wakes up)#or knock out rewrites (either operation breakdown the episode after or even all the way to crossfire in season 2)#rewrite fanfic readers who recognise those beginnings- i wink at you#it does mean that there are fundamental changes literally immediately that i have to consider in relation to the whole series#and how it would effect later events that i might like to include but potentially can't#thirst is a really fun episode- have no idea if it'd be able to show up in the first place#but because i couldn't care for the human factor as an episode and more so about the concept of CYLAS himself well- it was easy to separate#he conceptually fits in with the zombies i thought were going to be a main focus for the series back when i was first watching tfp#it got me hyped up in a way that um... it's not like i don't like tfp but my experience from the pilot to the experience i have with the#show is um very different- not in a bad way but i thought it was very cool to do the zombie thing#but the show didn't go that route until the movie when the supernatural elements were kinda... restrained by that point#anyway back to CYLAS- introducing him to a story where this megatron is a little more obsessed with undead armies
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hey remember when i left those tags on that post?
i still donât want to talk about what the work of fiction is but i legit just got reminded today that while itâs been like over 15 years that i did want to check this thing, the character that âcaught my interest like 7 years agoâ actually caught my interest 12 years ago. As in, there was a specific moment in time when i wanted to get into it because i learnt about the character in question.
iâve been in hysterics for the past ten minutes because iâm realizing itâs been over a decade that once in a while i had humored starting this thing, and that while it definitely started out of another place, itâs been 12 years that steadily it was because this character was standing out to me enough that i wanted to get into it, but then forgot all about it, and now iâm out there actually getting into it after a *dream that came out of nowhere about this chara popping up while i havenât thought of them in years* and iâm just.Â
bestfriendo is making fun of me because âthis is the most slowburn in all of history of fav charactersâ and iâm screaming into my hands, imagine considering getting into something for OVER A DECADE while constantly one character keeps standing out for you and eventually you just get a dream out of nowhere of this chara like a sudden âhey. Iâve been sending you messages about it for the past decade why the fuck are you leaving me on readâ and now youâre not only forced to pay attention but also forced to realize YOU COULD HAVE STARTED ALL OF THAT OVER TEN YEARS AGO iâm feeling so unwell.
#like yes the chara is absolutely my type in general and it's like. the least surprising thing ever#when i started to get obsessed i thought 'i'll make a playlist in time but for now i'll listen to a playlist of another chara i love'#only to realize upon listening to it that 90% of the songs of this playlist fit the new fav#so you can imagine already how frustrated i am about all of this#and still currently i'm meddling with a lot of content where the chara in question doesn't appear#like i've seen a few of their content and i didn't even like everything i've seen so far (but what i liked i REALLY liked)#imagine all of that bullshit and i don't even like the character in the end??? imagine that would happen???#that's also one of the reason i don't want to talk about it on main until i know for certain how i feel about it#but honestly the other reason is that it's just a little too wild for me right now#if i actually do like this character this would indeed be a fucking catastrophe for me because of this history#i'm having the worst of moments ever talk about a character refusing to leave you alone without even knowing that much about them???????#if i end up discovering there were other incidents of 'yeah this chara got my interest' preceeding the 12years old incident i quit#im done. this would be the worst thing ever what the hell is happenign to me.#ichatalks#Mystery Blorbo
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Hi okay it's me again. I started watching the bear and it's really good (although it's makin me stressed how stressed they are) The other two i will come to next, intriguing. I could have specified I'm only into fiction shows and not really stuff like Taskmaster but it sounds like you enjoy it which is cool. I remain open to any other suggestions!
Hello! I'm glad you're watching The Bear, yeah I think the show was made to stress people out lol! I would say even if you think it wouldn't be your thing, even just give a short clip from Taskmaster a chance its worth it, but thats the lasts ill push that. Other fiction shows is still a super broad category but let me think.
It's really popular right now, so you've possibly already seen it, or at least heard about it, but I'm lowkey obsessed with it at the moment so I have to mention it and that's Bridgerton. If you're unfamiliar its a romance/drama show in a stylized regency era. I really love it, but I would say skip season 1 and go right to season 2, its the better season. Like I will warn some people act like its regency porn, which its not, but there are some sex scenes that are a little more graphic then a lot of shows show, so just so you know if thats not your thing, but they're easy to fast forward through.
Lowkey inspired by the last suggestion, is Derry Girls, their is an actress in both this and Bridgerton that I'm a big fan of, so I've been rewatching this of recent. Its a comedy about a group of high school girls in Derry, Ireland in the 90s, and their teen mischief while in the background is the troubles going on in the country. And its a really funny show, great characters, and if your like me you will be trying to copy their accents cuz they're amazing.
School Spirits, it's a teen drama/mystery about a girl who becomes a ghost, and she's trying to discover how this happened to her, with the help of other ghosts shes meets and a living friend of hers who can somehow see her. I got really hooked on this show when I first saw it, and I need it's second season asap. I will say there is potentially triggering content so I'd recommend looking into that first if thats a concern.
Extraordinary, omg I don't know why I didn't think of this one sooner or for the first list, but it's another show I was hooked on when I first saw it. It's a comedy, where everyone has a super power except for our protagonist, and we see how she deals with that/her trying to discover her power somehow. It's a lot of fun to watch, some characters have absolutely ridiculous powers, where you think they'd probably be better off without a power.
I hope you maybe like some of these please do come back and tell me any thoughts you have on them if you check any out!
#my post#anon#show recommendations#the first 3 i watched on netflix the last one on hulu if you need help finding them#i hope these arent all things you already know#i mean bridgerton is pretty popular but i still felt like i had to suggest it just incase plus im kind of obsessed so just gives me a reaso#to mention it#like season 1 is fine if you do go in order i did cuz i watched since the show started#but season 2 man its just so good#a perfect main couple and my most favorite side couple that i need to be legit its a whole thing message me if you wanna know more#also like i hope its not annoying for me to mention that the shows could potentially be triggering#i guess in a sense any show could#but like i just dont want to send someone into a show totally blind#especially when ive heard people say/or i found moments triggering#and also i just think maybe its better to say go check#then for me to explain just incase i miss something important or not mention what is a trigger for you if you even have any#also i cannot believe i forgot all about extraordinary#i was obsessed when i first saw it another show i need the next season asap#also there is a surprise gay character this is tumblr so i figure its worth mentioning
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anyway. good afternoon everyone and my block list that is now slightly longer
#OH! sorry my autism makes me angry and mean and stops people from having fun. i thought autism was the fun disorder!#i thought autism was the ha ha funny funny fortnight yippie disorder! and its when you like things! but youre not brash or rude or angry .#thats morally reprehensible#shut the fuck up#txt#goes into a google doc and types in the words âyou are not the main character'' and then starts printing and handing them out like flyers.#self obsessed inconsiderate assholes#you ruined this
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i forgor ic ive sent u an ask abt this already but every goddamn thing i see abt those 2 bitches form jjk is fuckinf crazy . i barely even know wahr the show is abt
jjk is. hmm. i'd say its main draw to me is that it's a dark tragic story with lots of really cool action (the anime in particular has some of the most beautiful animation i've seen in my life). Those Two Guys From Jjk (satoru gojo and suguru geto) are like. well u are correct they are crazy . in the flashback arc focusing on them gojo's deal is that he was born "the strongest" and starts off selfish but learns compassion and a will to protect those weaker than him. while geto starts off with that "protect others" mindset and after The Horrors he starts spiraling and gets on the "if we simply kill all non-sorcerers none of us will have to suffer under this broken system that sends kids to die fighting the monsters spawned from them" grind. they're rly good characters they have crunchy character arcs and they r also gay coded a little bit . love loses
#theyre not the main characters for all of jjk just the flashback arc. gojo is the local shonen mentor that everyone obsesses over#he IS my favorite character in the series absolutely but i am built so differently from 90% of his fans. for starters i am aroace#jjk#also part of jjk's initial draw to me was the varied and wide cast of female characters but um that fell off just a little bit#like rn all but one of them are either dead or irrelevant to the story rn hgshdfjkwflKJHLWJHKFJW#its fine. i'm fine#i'd say if the premise interests you i do definitely recommend watching the anime (order is season 1 - movie - season 2)#or reading the manga (start from jjk 0 then go to the base manga)#the show's storytelling when good is REALLY really good and rn i'm just hoping it will stick the landing and be satisfying
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f!reader
Reader who always wear a mask, and was more secretive than Ghost who had no problem showing his face to the team once in a while.
And just like with Ghost, the others joked about you being ugly, which you similarly replied with confidence that's not the case.
When you were tired of keep getting questions about the mask, you'd respond with a joke.
Putting on your best act, you sighed with a solemn look, telling a story about how you used to be obsessed with Shrek and had him tattooed on your face, which you were ashamed of now.
"..Are you serious?" Kyle asked.
You simply shrugged "I guess you'll never know".
And they could never guess whether you were lying or not, being known as the master of psychological warfare and often sent for espionage because of your skill with people, manipulation.
And acting.
What they didn't know is that, you gained that skill from your previous job, when you were a big deal in the entertainment industry. A professional actress that started in many movies and got into a really big scandal that got you hiding.
And somehow ended up here.
That was the reason as to why you needed to hide your face, your identity. Not even your captain knows about it, only Laswell who knew a bit of your story.
Lounging around in the recroom, you silently observed the others arguing about a certain movie to watch before it somehow ended with them fanboying for a certain actress who played the main character.
You.
"Ah swear, Ah saw this porn where the lass looked just like her. Had folk arguinâ if it was really her or just a doppelganger⊠haud on, where is itâ" You heard Johnny rambled as he fumbled with his phone.
You shifted in your seat and hid a smille.
Oh yeah, that side gig you took a long time ago.. almost forgot about that
Dropping this idea before class so i wont forget abt it UPDATE : yes, im def writing this
#call of duty#cod#call of duty x reader#cod x reader#141 x reader#tf 141 x reader#cod 141#tf 141#task force 141#tf 141 x you#mbe's 141
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ăăăăăăăăăăăăăăbecome the laziest shifter ,
shifting is not a labour camp. you are not laying bricks. you are not a victorian chimney sweep, coughing up soot and hoping the foreman doesnât notice you pausing for breath. shifting is supposed to be effortless.
ăăăăhereâs how to become one.
ăÊ stop trying so hard. seriously. shifting is not an algebra equation that needs solving. the more you obsess, the more you reinforce the idea that shifting is difficult, that it requires strain. it doesnât. itâs like falling asleep. easy, natural, inevitable. you donât need to âdoâ shifting. you just allow it.
start ditching the obsession with techniques. they are tools, not commandments. if a method feels like a second job, drop it. some people shift while blinking. others shift mid-sneeze. some wake up shifted. some never have to think about it at all. youâre allowed to be one of those people. shifting doesnât reward effort, it rewards ease.
people who shift arenât âlucky.â they just decide theyâve already won. embrace the delusion. belief isnât something you prove; itâs something you wear like an expensive coat. you donât need external validation. your reality is dictated by you, not by polls or peer reviews.
stop tensing up in bed like youâre about to undergo surgery. roll over like youâve just been fed grapes by hand and have never known stress. get comfortable. let go. do you think nero worried about his shifting technique? no. he just made a decree and the world bent to him. you are your own emperor. decree your reality.
shifting doesnât need to feel like a cosmic event. no need for vibrating, levitating, the heavens parting. sometimes itâs quiet. lose the expectation of âfireworks.â sometimes itâs like slipping into warm water, seamless and smooth. donât wait for âproofâ. just shift.
stop acting like reality is a prison cell. you are not âtrappedâ. you are not âstuckâ. youâre just sitting in one room when you could walk into another. no chains, no locks, just a door.
ăăăăăăor how to . . ăăăăăăăăăăăăbecome the laziest manifestor ,
manifesting is not an unpaid internship. you are not earning it through blood, sweat, and desperate scripting at 3 a.m. manifesting is a birthright. a casual shrug. a âwouldnât it be funny if. oh, look, it happened.â you are not grinding for your desires.
ăăăso letâs talk about getting everything you want.
ăâ in its core, manifesting is just deciding. it is not a scavenger hunt. it is not an exam. it is not a âwhat ifâ. it is a âthis is.â people who get what they want simply assume itâs already theirs. they donât waver. they donât worry. they donât âhope,â they know.
stop micromanaging the how. do you manually control your heartbeat? do you stress over each individual breath? no? then stop hovering over your manifestations like an anxious project manager. you want it. itâs done. the âhowâ isnât your problem. the universe has already sorted the logistics.
start being delusional. your current reality is just a collection of past assumptions. want a new reality? adopt new assumptions. pretend you already have what you want. no, really. stop analysing. just be the version of you who has it. the world will catch up.
if youâre âwaitingâ for your manifestation, youâre reinforcing that it isnât here yet. and if youâre reinforcing lack, youâre just extending it. let go of âwaiting.' live like itâs already yours. because it is.
the universe is not a vending machine you need to shake. detach. you donât âmakeâ things happen. you request them, step back, and trust theyâre coming. you ever seen a billionaire refresh their bank balance anxiously? no. they just know the money is there. treat your manifestations the same way.
you are already doing it. every single thing in your life right now, you manifested it. consciously or not. so you might as well start doing it on purpose.
ăăăăăăăăăăăăăăăăăăâ
stop making shifting and manifesting your part-time job. you are the main character, yes, but not the tragic, struggling one. be the one who gets what they want simply because they decide to. the one who moves through realities with ease, who manifests without breaking a sweat. become the laziest, most effortless version of yourself. because thatâs the one who wins without having to lift a finger.
#emma motivates#shifting#reality shifting#reality shift#realityshifting#shifting community#desired reality#shifting motivation#shifting realities#loa blog#loa success#loablr#loa tumblr#loassumption#loassblog#master manifestor#shifting reality#shifting success#shiftblr#shifter#manifestation#manifesting#how to manifest#manifest#manifest your dreams#law of manifestation#law of attraction#neville goddard#self concept#instant manifestation
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I Manifested My Dream Apartment FOR FREE In 3 Days!!! (Law of Assumption Success Story)
Â ïź©ÙšÙïź©ïź©ÙšÙâĄïź©ÙšÙïź©ïź©ÙšÙ.     đđ€Â Â Â Â ïź©ÙšÙïź©ïź©ÙšÙâĄïź©ÙšÙïź©ïź©ÙšÙ

âàŒșđ©âïžđȘàŒ»â Backstory âàŒșđ©âïžđȘàŒ»â
Hi babes!!!
A few months ago, I was literally homeless, no sugarcoating it. I was crashing at different people's places just to have somewhere to sleep. No stability. No peace. Constantly anxious. Constantly in survival mode. I was sick of it - of feeling like I had no control over my own life.
So one day, I made the decision. I'm done living like this. I deserve to feel safe, to have a home. And I'm not going to wait on the 3D to catch up. I decided I have my dream apartment already. I didn't know how. I didn't care how. I just knew it was done.
âàŒșđ©âïžđȘàŒ»â Method âàŒșđ©âïžđȘàŒ»â
The first thing I did was make a Pinterest board filled with dreamy apartment aesthetics. Think: floor-to ceiling windows, soft lightning, cozy corners, neutral tones, minimalist but luxurious vibes. I soaked in those images like it was already mine.
Then I tackled my self concept. Because let's be real: the world mirrors YOU.
I started robotically affirming the same core truths over and over:
àŒșâ°àŒ»I am a master at manifesting.
àŒșâ°àŒ»I'm GOD of my reality.
àŒșâ°àŒ»The world revolves around me.
àŒșâ°àŒ»I always get what I want exactly when I want it.
I also started listening to the "program your mind to think like GOD" affirmation tape by High Frequency Guru (literally obsessed with her. She is that girl) I played it every morning and night - when my subconscious was wide open.
I also let it loop in the background while I was cleaning, walking, scrolling, watching TV, passive, non-stop affirming like it was my job
Here's the twist tho:
I still felt delusional. I still felt like a fraud. My 3D said "you barely have a place to sleep"
But I didn't care.
I ignored the 3D. I reminded myself that my assumptions create my reality - not the other way around. I kept affirming. I refused to spiral. I refused to doubt. I made it law in my mind.
âàŒșđ©âïžđȘàŒ»â Results âàŒșđ©âïžđȘàŒ»â
3. Days. Later.
Within 72 hours, I was literally handed my dream apartment.
I'm not exaggerating. The EXACT apartment from my Pinterest board - same vibe, layout, same color scheme, fully furnished, even down to the little aesthetic decor touches I had on my vision board.
But wait! It gets better!!!!
I didn't have to pay anything.
Not for the move-in, not for the furniture, not for rent.
The rent is already paid for the ENTIRE year!!!
And it wasn't mommy or daddy's money. It wasn't even some long-lost rich relative. It came from a source I never even imagined.
Someone I didn't even know. Someone who just wanted to help.
The "how" didn't matter - it unfolded perfectly. And all I did was shift my mind.
âàŒșđ©âïžđȘàŒ»â Final words âàŒșđ©âïžđȘàŒ»â
If you're reading this - know that you can do this too.
You don't need to take physical action.
You don't need to stress over the how.
You don't need to be perfect or feel high vibe all the time.
You just need to do the one thing that actually matters:
àŒșâ°àŒ»Decide it's yours
àŒșâ°àŒ»Assume it's done
àŒșâ°àŒ»Persist in the new story, no matter what your 3D says
Your reality is your mirror: your thoughts are the script. Your mind is the only power. There's no one outside of you calling the shots.
You are God of your reality. The main character. The writer. The director. The producer.
And don't ever let this world make you forget that.
Love, Ivy đđ€
#law of assumption#manifesting#success story#loablr#manifesation#dream apartment#robotic affirming#affirm and persist
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