#like whats really important to you?

[gunsatthaphan]

"I just haven't found the right person for me."

[forgettable-au]

But that's dessert!

I FINALLY FINISHED THIS THING LET'S GOOO

I hope u all like it

[asthedeathoflight]

Still thinking about none houses left grief, and while I understand where people are coming from, "it took me out of the world" is just... Really not a relevant criticism here. Like, that line is SUPPOSED to be jarring. It is supposed to be kind of darkly funny, but the point isnt for you to laugh. Its not trying to be a punchline. The point of that line IS to "take you out of the world" because the point is that *this world isn't what you thought it was.*

[egophiliac]

So.... what are your thoughts on Ace's UM, if you haven't been asked this already?

sneaky magic for the sneakiest boy

no but really, I think it fits him really well! I had thought his UM would probably involve something kinda sleight-of-handy or pickpockety! and I looooved that it made such a nice loop-around back to episode 1. ❤️ I was. kind of half-expecting him to just run out and punch Riddle in the nose again. but instead this time 'twas he who offed the queen's head! it was great! and he did it while stone-cold terrified out of his mind! because Ace is the only remotely normal or well-adjusted person at NRC and therefore the only one who is like "we're going to literally die, this is super effed up". but he did it anyway!!!! I AM SO PROUD

[flowersandfashion]

hot twink is tied up and penetrated

A Collection of Homoerotic Paintings of Saint Sebastian

Carlo Saraceni, c. 1610 /// Nicolas Régnier, c. 1620 /// Guido Reni, c. 1625 /// Nicolas Régnier, c. 1625 /// Louis Finson, c. 1613 /// François-Guillaume Ménageot, c. 1760 /// Guido Reni, c. 1615 /// Nicolas Régnier, c. 1620

[asgardian--angels]

there's meta to be had about just how much of viktor's arc is about loneliness and the blatant visuals they use in his evolution about metamorphosis, butterflies, cocoons, in utero, etc, as he molts from a soft, vulnerable larva who keeps getting hurt in his bids for love and acceptance, into a hardened final form complete with an exoskeleton acting as both physical and emotional armor. a shield keeping his emotions in and the pain of loneliness and rejection out, until it's cracked and his humanity is forcefully exposed. like. sorry if it's just the entomologist in me but this was blatantly obvious the very first time i watched the show and I've been continually surprised that no one's really pointed this out. as a certified lonely person it struck such a deep cord with me, when he accepted his fate, his path ahead, to be one he'd have to walk alone, finally putting up that last seemingly impenetrable wall around his soft parts (but keeping the blanket, this signal that he never asked for this, and that he's not unreachable). So much of his s2 arc centered around not just his desire to right his wrongs and help the world, but to connect with others and not feel alone, both of which got twisted by the hexcore. His attempt to create a hivemind where no one would ever suffer loneliness or rejection or loss, and he would feel their souls with him as well (even though that was an illusion in the end, he truly believed it). The whole 'I now speak with all their voices' but he's just floating in an empty space. And for the consequence of the glorious evolution to be eternal solitude, it just drives home how that's the worst possible fate imaginable for Viktor.

[borealing]

the first time gihun nearly cracks a smile in the games is when inho calls him by his name and then goes oh i just wanted to try calling you by your name.. do you mind? which raises the two incredible questions of 1. was that a slip of the tongue and if yes, does inho call him gihun when he thinks about him? not player 456, even though that's how the frontman addresses him? and 2. was gihun actually suspicious for a second there or was he completely appeased by the idea that a random guy in the games is trying to speedrun being his bestie given what happened last time (everyone he was friends with died)

i really wonder how badly the games traumatised gihun, like hes meeting these new people and expecting them to die within days. he meets them and has mourned them before he knows their names. he nearly cracks a smile when someone becomes his friend despite the pre-emptive grief he must be feeling. it just speaks to the kind of man he is, trusting to a fault and desperate for any kind of connection

[eddiesprius]

i feel like i've zeroed in on what is so baffling about people being so pressed about buck's feelings being **ignored** or **dismissed** (other than people doing the exact same thing to eddie's feelings) and it's that people are looking at it like this:

buck hears that he doesn't matter to eddie -> buck's feelings are hurt and acts out irrationally in response to this due in large part to his abandonment issues -> therefore the resolution is that eddie needs to reassure buck and tell him he matters to him

when in fact what the show is saying is:

buck hears that he doesn't matter to eddie -> buck's feelings are hurt and he acts out irrationally -> the resolution is that buck is able to get past his abandonment issues and realize he is being irrational on his own because deep down he knows how much he matters to Eddie and furthermore that Eddie (and Chris's) happiness matters MORE to him than his own issues

When have we truly seen him work through his issues like this completely on his own? without maddie or bobby or eddie (or josh?) telling him how he should be feeling and what he should be doing? Like this is the character growth that people keep claiming over and over Buck doesn't get!!! But this is proof that he HAS grown!! Like this is what we've been waiting for when it comes to the Buck cycle of abandonment!!!!!!

When it comes to Eddie, Buck is finally able to see past his own issues COMPLETELY ON HIS OWN and take the steps to resolve the conflict between them before it truly gets out of hand. THAT is what was so great about that final argument scene -- we are finally seeing Buck work through and overcome his abandonment issues without requiring someone to reassure him or tell him how he should be feeling. Because Buck is finally secure enough in a relationship to do that. And of course it's significant that it's EDDIE he's able to do this for 🩷

[idiotsonlyevent]

it is completely understandable to be uncomfortable with the sexual assault in dandadan. it's important to discuss how it's framed, whether it's handled poorly, or if it could be been portrayed better. but the number of people - even fans - stating that it is only fanservice, irrelevant, or could be removed is frankly bizarre to for SO many reasons, starting with the fact that this parallel exists.

the anime made it even more obvious by interpolating cuts from the first scene into the second one.

i thought this scene showed that momo gaining her powers by believing in her relationship with her grandmother gives her the strength to fight back against what is basically a horrific, much more aggressive and abstract (maybe even absurd?) representation of her shitty gross ex - who was demanding she 'put out' and pay for the love hotel in very first scene.

while the escalation from one scene to the next is surprising, it's not something that comes out of nowhere. this first scene is meant to be a set-up to what will happen later. it sets the tone, though significantly more lighthearted at this point. it tells you that sex, sexuality, etc. is something dandadan will touch on - though you don't know what the scope and depth will be until later in the chapter.

i cannot recommend this video enough, as it discusses some interesting interpretations of what the serpoians and turbo granny represent in their respective assault scenes, as well as how right now the treatment of both scenes is unfortunately uneven.

more notes about plot and thematic relevance below the cut. spoilers for anime-onlies (up to chapter 8, will probably be covered in episodes 4/5).

momo was assaulted, and almost cut up by the serpoians, much like the other victims turbo granny appeared around. this is an intentional parallel. turbo granny goes to momo because that is what she does. again, SUPER unclear how that factors into turbo granny's assault of ken, but if we keep the video's interpretation of cynicism in mind, it could be related to that; maybe turbo granny has a cynicism toward men - similar to momo in chapter/episode 1 - and this is why she chose to attack ken. unfortunately, it's still too early to really understand and explain a lot of her motivations.

again, completely understandable to not like how the sexual assault was handled or portrayed, and it's important to keep discussing it. but this is what dandadan does for many different types of trauma and difficult life experiences. this is a huge part of dandadan's identity. if you don't like it, that is fine, but calling the sexual assault 'just fan service' is blatantly untrue.

[toneelspeelster]

the theory of you.

[nothorses]

I think the other thing about it is that sometimes what you get out of art says a lot more about you than it does the artist. and what you see in people says more about you than it does them.

the people who looked at Gaiman's work and saw beauty and love for humanity and a life worth living may have been looking at the mask of a monster, and they may have been seeing a bit of something real in an otherwise abusive person, but what they were definitely seeing was a reflection of something already inside themselves.

your relationship with art isn't just about the art, and it isn't just about the artist. it's about you. you are a lens the art shines through, and you are a part of the conversation the art is having, and you are reflecting and being reflected through and by the art, and you are echoing and interpreting pieces of yourself alongside pieces of the art.

it's not foolish to see good things in art made by shitty people. it's not foolish to see good in people who are lying. it's not foolish to trust, believe, hope, or love. I think you might just have hope, love, and joy in your heart, and you might just be finding it in all of those places because you carried it there with you in the first place.

[bulbabutt]

87 donnie might have some issues since the last time he showed his van to inter-dimensional brothers they didnt exactly appreciate it

someone once pointed out that most donnies issues are that they need to be told they did a good job, who better to hear it from than yourself?

previous part | all comics in this series (chrono)

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[whenthelightisrunninglow]

how's the other guy holding up

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[fascinationstreetmp3]

I have what you're looking for. High quality. Befitting a man of my tastes. I have a room over on Divisadero, not too far a walk.