#like what the fuck is going on everybody

[rocketbirdie]

just move on already.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[rawliverandgoronspice]

Ok so here's my thoughts.

Arguments for why he would be sheikah:

He's the gravekeeper, has a strong connection to the dead, lives and thrives among the graves, does keep to himself. Becomes a ghost himself. Lives in Kakariko, and then haunts Kakariko.

This is more questionable, but I feel like "Dampé" and "Impa" have similar phonetic sounds and underpinning logic, the inflexion is in the exact same place, and I think he's also the only OoT Zelda character with an accent in its name in the English translation? Impa doesn't, but the "é" does seem to fall sliightly outside of hylian naming conventions, unless I'm forgetting someone and if that's the case I look stupid now.

There's literally a sheikah symbol in his house I think? In his diary?

Arguments for why he wouldn't be sheikah (so hylian):

Impa being among the last sheikahs and sheikahs being gone (and potentially dead) is a huge part of her characterization, and it would be weird for people not to mention Dampé is there also.

He doesn't seem to have red eyes. To me that's kind of the biggest tell.

He seems to be pretty much kept apart, and if Impa is technically the head of the village, I feel like there should be bigger connexions between them? (unless. Look I have bigger headcanons about Kakariko's history but these are my mad ramblings and nothing canon so let's ignore that)

He doesn't seem to have any involvement with the more spiritual tasks that Impa seem to be responsible for, aka sealing angry spectres or touching anything related to the Shadow Temple, and seems to be mostly focusing on more mundane tasks (and digging holes into the graveyard for money, which seem... pretty disrepectful if we're being quite honest here? So unless he's the kind of guy who turns his people's own resting/sacred grounds into tourist traps, which, not discounting tbh, it seems to me he lacks some of the depth of the relationship Impa has with the dead)

Which leads me to my personal headcanon that he has sheikah ancestry, and might have been raised here, but might be half-hylian, and so his relationship to gravekeeping is not as strict and ceremonial as Impa's. But it would still explain his name, his job, and maybe his distance with the rest of the village (beyond casual ableism too).

Literally WHO wanted to hear me ramble about my headcanons re: Dampé OoT, I'm not quite sure!! Either way, here they are!!

Ok, weird question.

[sandraharissa]

I can't believe they character assassinated silco posthumously

[grandwretch]

i do think peak comedy is a steve who is absolutely aware of the effect he has on people, but has never felt that way towards anyone else-- the closest he got was with nancy and robin, because he loved them both in different ways, and sometimes he felt like he was going to go insane if he didn't talk to them or touch them right now, but it was never like he had seen other people act about him. robin and nancy made him a better person. they didn't drive him to ridiculous levels of violence and obsession. maybe people in hawkins were just fucking weird.

and then he meets eddie, falls in love with eddie, and he's like... yeah, okay. alright. no, i get it. if anything happened to this guy i would steal the nuclear launch codes.

[backpackingspace]

Okay but do you think the people who were really close to odysseus during the Trojan war had a running bet for when odysseus claimed to have a vision from Athena if it was true or not? Because half the time he was just lying about that.

[ratislatis]

I'll find you. Wait for me.

hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!

[some-messed-up-writing-for-you]

No greater horror than going to reread one of your favourite fics only to realize it was fucking deleted.

BUT THEN YOU REMEMBER THAT YOU SAVED IT ALL A WHILE BACK AND FIND THE SAVED COPY

So now Im just staring at the fucking PDF file of the fic, absolutely flabbergasted and shocked. This is it. This is the only way I'll ever be able to read it now. Holy shit 😭

The author deleted their entire accout too, so I guess they just wanted to get rid of everything. Which, I mean, is fine, it is their work after all. They can do whatever they want with it.

BUT MAN, Im gonna be saving stuff all the time from now on.

[instantpansies]

STRANGE NOISES FROM THE HOLE IN THE WALL HEADCANONS/INTERPRETATIONS UHHH OBVIOUS SPOILERS. CLARISSA CENTRIC CAUSE. HOLY SHIT

clarissa is to locomotion as clara is to the nutcracker. she's the kid who dreamed him into existence hundreds of years ago. i know he says he's older than the devil - i think that's still plausible, he's existed since thought but wasn't attached to the Silver Line or brought into physical existence until clarissa, lonely or in danger or just bored, imagined a world where she could escape from her everyday life and live as a grown-up(? maybe? since benjamin/timothy/billy seemed to age up as soon as he went through the portal?), with freedom and whimsy and eventually a relationship with the friendly driver.

why do i say this? because otherwise im really fucking confused lmao, that first scene where clarissa and loco are introduced is strange in the context of the end of the play. they seem to have known each other for a good while before they get on the train. they act like a young couple who's stumbled upon the silver line as an escape from danger and now they're excited for their new life in a new, safe world. except that loco also says he's been driving the train for years.

(looking back, that very much feels like a scenario from a child's imagination - or perhaps a dream - where of course he's been doing this for years, that's his job, but of course they're glad they've found the train together, this is a new experience for her so it's just an extension of her perspective)

but clara is, she says, a child when she gets on the train. idk how old "little girl" is, but if we run with this headcanon and also assume that the timeline is both linear and literal, she's imagining herself in some form of a sexual relationship with loco at a pretty young age.

i posit that this can be reconciled in several ways (some more disturbing or inappropriate than others), but one thing that could be considered is that the first scene where loco and clarissa are introduced is symbolic of their relationship over the course of the train's history. depending on how old clarissa was when she first dreamt the world into existence, she might not have even been very aware of loco, and spent her time just enjoying the escapism or whatever. after a few years or however long, she starts to get older and decides to learn how she's actually done this, maybe spends a long time trying to understand exactly what's going on. maybe her research leads her to a relationship with loco, i don't know. they do get on the train together, maybe, when they're both young (or, well, relatively speaking) and new to the world, and loco eventually has been driving the train for years and years and clarissa makes it a bit more tolerable with some companionship after a long lonely time. but those things don't happen simultaneously, because i think those things don't really work simultaneously. that scene is a sort of speedrun/amalgamation of how the two of them have interacted over the years. and yeah i guess that means they fucked at one point in there

(im going to be transparent, some of that is a bit of cope/rationalization. i think loco and the conductor are very exes/begrudging coworkers vibes, but i do like clarissa and loco together as well - unsettlingly powerful girl x eldritch being with a soft spot is a very good trope. and im trying to make it work out okay? give me a break lol. you don't have to agree with me on this, but once i see a luke and tom couple with a fun and compelling dynamic i will not let them go even if the ethics get a bit hard to explain later on. sorry, anyways moving on)

additionally, and i probably should have said this earlier, a reason i think this whole nutcracker theory holds up is because clarissa holds a sort of unique power in the world. she's been on the silver line for hundreds of real-years, who knows how many train-years, and still remembers her name and something of her old life. loco isn't hostile to her, even confirming her memory of her name and reminding her of her birthdate. with everyone else (ex. benjamin), he actively discourages them from remembering their lives. despite seemingly being one of the oldest passengers, she doesn't transform for hundreds of years. she obviously has some significance.

you know how that ties in? if this is clarissa's world, if her mind is what created the whole thing, then i think it makes sense to assume it's tied to her. as she begins to question her surroundings, then panic as she realizes she can't leave, her emotional and/or mental state becomes less stable, less utopic, less perfect. the dream begins to turn into a nightmare. and it becomes. well. an ouroboros. the snake eats its own tail and the train goes in circles and the escapist fantasy clarissa once loved becomes a prison of her own design. trapped in the very thing that was supposed to save her.

maybe that's why anthony and benjamin can get out when they do - as clarissa's world decays, as she finally begins to become part of the nightmare, as she melds with the train, the world has to shift a bit. it's reaching the point of no return - once clarissa has been fully sucked in, the train will never stop again. falling into an infinite nothing. but in that moment, there's one final chance for the conductor to stall locomotion, one final leap that could at last pull benjamin and anthony and everyone who's been sucked in by clarissa's black hole of a nightmare out of the portal and back into the real world.

and now, clarissa has lost three hundred years of a life that should never have lasted so long. gained perhaps thousands of years of memories of joy and connection and despair and panic and forever forever forever. and she is once again trapped in a vessel of her own making - her body is that of the child she has not been for lifetimes. her world is dead and gone - not just the world she created, but the world she escaped from as well. what of locomotion, that brief flash of connection? does he even exist anymore? who is she, now? who was she? where can she possibly go from here?

shoutout delirium_undead on discord for going along with the nutcracker theory and helping me flesh this out. your ideas are so galaxy brained and i am forever in your debt

[musical-chick-13]

This is the only thing I'm going to say about the election until it's over:

Anyone who did not vote for Harris or who attempted to dissuade people from voting for Harris, you are indirectly responsible for whatever shit Donald Trump does if he gets elected. That blood is primarily on his hands, yes. But it is also on yours. I hope you can live with that because I sure as hell wouldn't be able to.

[rhinocio]

what's up you cool baby

[suusoh]

would be funny, if Nina had a gf, and due to Johan's tendency to see him and nina as the same, he'd drop by casually, disguised or not, while nina is away. What's wrong? Nina is him and he's Nina! There's no complications with kissing him! You're basically kissing his sister! (Eaten ask)

your brain anon...........like EXACTLY. exactly. God this is sooo hot and weird which is johan's brand. He is karl marxing the fuck out of his sister's girlfriend. What do you mean "meet my girlfriend"? You mean meet OUR girlfriend. right? (tw: nonconsensual kissing, yandere)

Could you imagine bidding your girlfriend, Nina, goodbye after she spent the whole evening at your place? You whine and beg her to stay longer, clinging onto her, but she rolls her eyes playfully and insists she has to go.

She gives you a loving parting kiss on your lips, then plants even more– on your nose, cheeks, and finally your forehead– before she reluctantly pulls away. Any more, she jests, and she won’t be able to leave.

"You know I hate leaving you like this," she laughs softly. "But don't worry, I'll make up for today once my exams are over. Okay?"

She gives you one last final kiss before finally leaving, waving at you as she walks down the street.

You sigh and close the door, already missing her.

You really love Nina, but sometimes it feels like she doesn’t have much time for you. You understand she has her exams, a part-time job, and aikido training, which doesn’t really leave much left for you. Still, you can’t help but feel a bit greedy, wishing she’d at least dedicate a part of her to you. You're her girlfriend, after all.

You sigh one last time. No use.

She’s already spread too thin, and you know if you tell her your concern, she’ll worry and try to double her efforts to make time for you. No way in hell are you going to give her any more stress in her life. Although today was just half a day together, you're grateful. Even if it left you unbelievably craving, aching for more…

You hear a soft knock on your door. Is it Nina? Did she forget something? Oh, your prayers have been answered. You just wanted one more second with her. You open the door immediately, an excited smile on your face.

"What did you forget this ti-"

"Missing me already?"

You freeze, standing dumbfounded. In front of you is not, in fact, your girlfriend, but a tall, blonde man smiling softly at you.

"I'm… I'm sorry. I don't— Do I know you?" you ask, trying to stay cool. He must have the wrong house to ask something like that so proudly. You’ve never met him before.

His smile doesn’t falter at your question. He continues looking at you, his eye contact unwavering.

"You do." he answers, calmly leaving no explanation, still smiling softly.

You’re getting nervous. He keeps staring and smiling at you. You try to get a good look at him. Is he a mutual friend? An old classmate? A person you pissed off once? You’re at a blank. Though… the more you look at him, the more you notice how similar he looks to… to your… what the hell.

Why does he... look... a bit like Nina?

No. You chalk it off. He just has blonde hair and blue eyes, and the fact you’re missing your girlfriend terribly doesn’t help. But even then, their facial features strike a matching resemblance. It’s a bit uncanny.

You let out a nervous laugh and smile sheepishly at him. "Look, I’m really racking my brain here. Have we met before? I’m really sorry if I can’t recall…"

You give him his cue to introduce himself, to remind you who he is, to be offended at you forgetting—anything! He’s just standing there, staring down with that same smile. Your eyes dart around, seeing if this is a prank. A small uneasy pit forms in your stomach.

A beat passes by. You still wait for his reply.

You can't help but start feeling creeped out. Stupid. Always ask who’s there before opening the door. Just ask him what he wants with you and get it out of the way.

"Hey uh, I-"

He kisses you, his lips softly crashing against yours, hands gently cradling the back of your neck. He’s not forceful, but his hold is steady. You squirm and try to break free, but he quickly shushes you and holds you closer, entrapping your lips in another long kiss.

You think of quickly think of biting him, but he gently pulls away right before you can go through with the thought. His hands come up to tenderly cup your face, his thumb softly brushing against your cheek as he looks at you.

Your vision begins to blur from your tears, your legs wobbling from the fear of the situation.

"I don't know you!" you practically scream out. Your desperation kicks in as you continue to panic. "P-Please. please. please. I'm sorry. I don't know you. I don't… I don't… please… I-."

You cry softly, pleading with him. He just continues cradling your face in his hands, looking at you with that godawful eerie smile. He leans back in, slowly murmuring,

"Shh…"

He continues peppering kisses all over your wet cheeks. "You do know me," he whispers, kissing your nose. "And you know I need to make it up to you," he says, kissing your forehead. He hums softly and leaves another final chaste kiss on your lips.

"And you know I hate leaving you like this."

[cassieroo]

As someone who heavily relates to Quinni and is a little bit in love with Harper and her fucked-up bad-bitch mystique, I think they should have an incredibly intense and fucked up gay relationship that leaves them both irreversibly wrecked as people. They could make each other worse and better in equal measure and I want it sooo bad

[front-facing-pokemon]

[sciderman]

Which do you prefer, Spideypool or Poolverine?

glances at my decade-long running spider-man and deadpool blog

...hm. good question. i'll have to think about th

[shower-phantom-ideas]

Danny saving Villians because he doesn’t want them as ghosts in his realm.

“I aint letting you bring that into my house nuh uh”