#like way too gay

[dollopole]

Let’s take into consideration:

Arthur would rather waste precious time before an important council meeting to run around the entire castle and search for Merlin, who, in his very honest opinion is the worst servant of the entire kingdom or that he had ever known, than to call literally anyone else to help him dress (as if there wouldn’t be anyone ready to assist Arthur, their king, with clothes);

Arthur, and therefore Agravaine (which makes it all the more hilarious) knows every single place where Merlin could be, at that precise moment, or during that day in general; (EDIT: As someone pointed out in the comments, everyone and Agravaine included knows who is the “dollophead”)

The guards nod to Agravaine without asking anything, which only means that it is canon that everyone in Camelot knows Merlin by name; EDIT: It also means that the guards deal with this on a daily basis. They must be tired.

The aforementioned point implies that everyone knows how Merlin looks like, that also means Merlin is known to never leave Arthur’s side, even during council meetings;

Arthur is running around the castle in what today we would call a pyjama, just because Merlin didn’t wake him up with, “Rise and Shine”. And he’s barefoot. That’s right. The king of Camelot, everyone, has just walked barefoot in Merlin’s chambers, in the armoury, where other knights probably are, and in the bloody stables (yes, the ones where the horses and their dungs both are), without boots on, just to look for Merlin;

Arthur is more distressed in this scene than in the one where Morgana declares war in season five. He’s fretting like a mother hen. Not only he is without breath, which means he was just coming back from his checking around, but he is red in the face and almost yelling in desperation. “Does he expect me to dress myself?!” Because apparently, Arthur literally cannot do anything without Merlin by his side. The way he says, “No sign of him” to Agravaine is so endearing, and he shouldn’t be this adorable. Unfair, Arthur. Really unfair.

Arthur just yells, (and distressingly looks around) in hope that Merlin will come back to him, because he always does. *sounds of my heart breaking into millions of pieces*

And last but not least, Arthur shouts, “Last night!”, which means the actual reason he’s going around searching for Merlin, it’s because he’s worried his world will end without his quirky and clumsy servant by his side (and the love of his life). Merlin is currently out on a quest with Gwaine to look for Gaius, since he has been kidnapped, but the problem is that Arthur doesn’t know this. What he knows is that he has fought with Merlin the day before about Gaius in the council chambers, and believes Merlin is gone for good, this time, and solely for the fight they had. Arthur feels more than guilty that he can’t make it up to his best friend, the love of his life (Agravaine helped Morgana kidnap Gaius, and it explains the ending of the scene, where he understands where Merlin is.) Now Arthur is worried that his last words to Merlin were harsh. He had last seen him when he was done with his duties the night before, and then Merlin disappeared.

No wonder they deleted this scene.

[squidflavoredsoup]

redraw

they’re so cute i love them😿😿

[potato-lord-but-not]

OSCAR GETS PRETTY PRIVILEGE BECAUSE I SAY SO ☝️☝️💥💥💥🗣️🗣️

+ some bonus boyfriends

[naturecalls111]

don't interrupt the kage meeting

[nightthinker-08]

I couldn't sleep so I drew some Pomnies shes surprisingly fun to draw lol Oh and some doomed yuri too I guess xD buttonblossom is cute n all but calling them doomed yuri or digital yuri is a lot funnier to me

[nxptoons]

Down bad for the beach fit 😳😳

[lochlot]

damn werewolves and their liberal agenda

[duncanor]

How can Jayvik not be romantic when they were directly put in parallel to Ekko/Jinx in the good timeline.

[jmr-observingfromafar]

ngl Matangi in Moana 2 was kinda gay. like just a little gay. i mean my girl is a "crazy cat bat lady", calls Moana "babe" twice in her song (the way i audibly gasped in the theater when i heard it lol), and is like sooooo queer coded i love it sm. she just gives off the vibes of sapphic-coded older woman who's played as suave and confident and makes the mc just go "haguphuk" and we all know if this was old disney they would've leaned so hard into that. but i could not have been the only one to keep catching Matangi poking her buttons, the hand on her chin in one scene, just being a total fucking vibe like please i know what you are. that whole scene felt real gay and don't think im leaving Moana out of this one. she is gay, i don't make the rules. i'm stickin with this hc no one can stop me from making Matangi the cool lesbian aunt and NO ONE will stop me from turning Moana gay (Auli'i Cravalho knows what she's doing)

ok im gonna be so real for a second i was simping HARD over Moana's character design in this movie.... like even more than baby me was dying during the first one... like this girl is just- oh my gosh. baby-gay me from 8 years ago would have actually DIED if she'd seen this Moana. it's almost embarrassing how down bad i was during that movie like she's so fucking pretty i wasn't ready for her design. like girls are just too much sometimes, i cant cope .

also side tangent but the lazy ass rewrite of Moana 2 from its planned version as a Disney+ series into a freaking MOVIE was just- so painfully obvious. like they didn't even try reworking it. the structure of the whole movie is painfully episodic and it was just so blatantly shoved into movie format without any care for the integrity of basic movie versus tv structure, so the char dev and pacing was just so rough. like what were the writers even thinkingggg. pretty disappointing but that's ok i have the fandom to make me feel better (moana fan art save me....)

[housemdork]

6x11: when a reductive gay joke plotline is still queer-coded (or more metatextual queerness in house md)

in its later seasons, house md keeps doing this really funny thing where they play into house and wilson with increasingly low-hanging fruit gay jokes (dw i still laugh lol). but they manage this without sacrificing the 6 seasons' worth of cultivated subtext that permits genuine queer coding above queerbait/2000s gay jokes/etc. 6x11 is one of the best examples of this so far.

so i'm not a musical junkie, and i'm sure this has already been written about to hell and back, but 6x11 prompted me to look more into the song that wilson was singing at the end of the episode.

"one" from the musical a chorus line (also the poster house bought):

"One singular sensation Every little step she takes One thrilling combination Every move that she makes One smile and suddenly nobody else will do You know you'll never be lonely with you-know-who!"

according to genius lyrics, "Despite the lyrics which praise a singular star, the star at whom it’s directed is never shown. The “One” is absent...The star is not even named – only referred to as ‘she’ or ‘You Know Who.’"

there is a "one" in 6x11 - nora, whom both house and wilson stake their claims for dating (which is exceptionally gross & misogynistic of them). but the song/musical choice implies that she was never important enough to be The One in question.

this frame seems self-aware of the potential absence of "The One." the shot gives the impression of symmetry, but it's very uneven. house is reclined back, warping the straight line of the couch, and the boxes on wilson's side are neat and tidied, whereas those on house's side are sparse and thrown about. more importantly, there's that arm rest between house and wilson's seats. if The One (nora) was to sit anywhere, this frame seems to imply that it would be there.

thus, this frame isn't straight.

house seems to be aware of this pseudo-absence, as well. he looks at wilson with a thoughtful, revelatory look on his face:

superficially, he's probably just astounded that wilson is singing the song from a musical he hates so much, but he lets the song continue, nonetheless. here, the episode remembers the genre of the song that wilson is singing - a showtune! and what happens in showtunes/musicals? the singers are spot-lit! the audience watches them perform!

here i'm gonna posit that wilson is a (non-self aware) paul, a chorus line's man character whose revelation that he's gay is both tragic but also drives the plot. house can see this. meta-textually, we see this THROUGH house seeing this.

taken together, this scene's asymmetry, implied spotlight, and awkward arm rest divide offer wilson as the performer in this musical-adjacent exchange, with house as the in-text audience, and us, the real audience, as the outer-textual audience. what a long winded way of saying that wilson is performing comphet here!

and there's another note i want to make on the subject of performance/performativity...

this is from the golden globes official article, "'A Chorus Line' Brought Visibility to Queer Stories in the 70s and 80s'":

"The audience gets to see [Paul, the main character's] valor, which may be an inspiration to those in the audience who face similar challenges."

wilson's proposal to house is complete performance. the entire precedent for the scene is just gay joke after gay joke and wilson's anxiety that this false impression of him will negatively impact his dating life.

when he makes this performance of homosexuality, he's lauded for it. the restaurant urges house to say yes, and everybody claps even before house has given an answer.

also from the article: " The character of Paul delivers a touching monologue about how performing revealed his identity as a gay man."

6x11 inverts this dynamic. the performance in question is that of homosexuality, and wilson is not rewarded for it in the end. he loses The One, as does house, and they go home and watch a hockey game together in yet another intricate ritual (as stated above).

i also think there's something to be said about house enlisting nora's help in bringing the poster for a chorus line up to his apartment.

i'm genuinely hesitant to applaud this show - or any show, really - for subtextual intentionality like this. i have a hard time believing that there was, long ago, a time where tv didn't just capitalize off fandom's tendency to pair up its characters in our internet fanbase/fanfiction age but deliberately queer-coded things. but even silly episodes like this one remind me of that one robert sean leonard quote about house and wilson, that they are the only relationship in the show based completely on choice - the choice to always come back to each other.

all that is to say that i sincerely think these 2 are written in a subversion of gender norms and binary platonic/romantic relationships. for 2000s tv, that's just like lightning in a bottle.

oh and apparently there's a gay character named greg in the musical, too. someone who's more qualified to talk about a chorus line should hijack this post. what the hell are we doing, david shore.

[kimaisalloren]

Someone revoke tablet rights from me

[dizzybizz]

lapdog yoko lapdog yoko lapdog yoko

[chheese-mmmhh]

having charles say they don’t want the same thing after erik called them brothers is certainly a choice😭 also the way erik was saying the gayest shit and had to add that brothers line just to make sure he wasn’t caught out

[feralforbeanix]

Prosecutors' honest reactions.

[a-peachie]

some leshycat food ^^

i cant wait to draw all their fighting n' stuff hehe

[fairylando]

"people asking me to kiss lando.. people are very strange."

mind you nobody did😭 the voices were getting LOUDER I GUESS