#like to be clear I don't think that using the actors' names is the only efficient way to do it

[polygondotcomvideoproducer]

see there’s kinda an issue with the doctors being named after the actor because hurt’s and martin’s doctors already have alternate names without a number plus then you have to use numbers anyway for tennant’s 3 doctors

I mean, I think the war and fugitive doctors having those unique names isn't necessarily an argument against just using the actor names, necessarily. I think it is v polite of them to fit into the catalogue of doctors without fucking up the numbering of the doctors.

Whereas if you consider stolen earth tennant doctor and journey's end doctor to be 2 separate doctors, well then you're just causing problems on purpose, aren't you,

[chleem]

Flashing lights prologue

Series; actor Drew x actress reader

Summary: Drew gets involved in the worst scandal of his career. One way to solve it? Proving to the whole world that he’s the sweetest lover to exist. Who better to help than the one person he can’t stand? You, an A class actress with an alcohol addiction. So, will Drew clear up his reputation, or leave with a bigger mess to clean up?

Genre: fake dating, enemies to lovers(?, slow burn, angst, smut,

Warning: mentions of alcohol, swearing, mentions of k!lling oneself, mentions of rape & sa, mentions of drug usage, smoking & vaping,

⋆.˚ please dont copy my work, if inspired please tag me

⋆.˚ this is entirely fictional, if uncomfortable then don't read

♡⸝⸝ chapter 1 | index

─── ⋆⋅☆⋅⋆ ──

Talk about a scandal. 

‘Drew Starkey, rising star from OBX, impregnates girl and refuses to take responsibility.’ ‘Drew Starkey impregnates girl and forces her for an abortion.’ ‘All to know about OBX star that SA a girl.’

Even an interview starring a random girl that claims to be pregnant with Drew’s child. 

If Drew knew going to the club a week ago would cause such big damage to his career, he would have never stop foot in there. But being stubborn and a sucker for fun, he just needed the relaxation that clubbing would offer. 

His PR manager Henry, who Drew’s only sees once a year, is surprisingly quiet. He sits across Drew, staring at his laptop. His typing makes up for the quiet and tense (at least for Drew) atmosphere in his manager’s office. 

“I’m sorry,” Drew starts, genuinely, his eyes shifting between his manager Jeff and Henry. “Look, I don’t know who that woman is. She’s lying, alright? I didn’t even talk to any strangers last night. Just my friends. And I was careful with how much I drank-”

“Calm down, we didn’t accuse you of it,” Jeff chuckles, also surprisingly calm and not scolding Drew. Normally, Jeff would scold Drew so hard that it took Drew back to the days of being coached by his dad. “I’ve worked with you for almost ten years, I know you wouldn’t do that.”

Hold up. Was this a dream? He fucked up real bad, why were his managers so forgiving? So… calm? This felt way too strange. They should be furious right now, thinking of a solution and threatening to kill Drew. So why were they so gentle with this situation?

Drew adjusts his hat, pocking his tongue against his cheek. Without thinking, he simply says, “What?”

Jeff glances at Henry, who nods, looking up from his laptop. Drew furrows his eyebrows at Jeff, who simply looks away as Henry starts. “Fine, Drew. We’re all fucking pissed at your mistake. Do you know how many sponsors have asked to break up your contract? Even after we’ve came up with a clean statement? For fuck’s sake, Drew. You’re fucking thirty now, and you still act like a fucking child!”

Drew licks his lips looking away. Okay, this was the Henry he saw yelling at other artists, and what he expected when he walked into the office this morning. But now that he was yelling at him, it felt horrible still. After all, who likes to be yelled at? 

“I’ve had to pull multiple strings to help you, to clear your name up. So you better hope this is your last mistake,” Henry continues. 

Drew couldn’t help but ask, “what did you do?”

“We’ve come up with a plan,” Henry says, walking over to the printer. He grabs the paper, taking a quick look before placing it on the table in front of Drew.

Drew’s eyebrows furrow, sensing something really strange. 

And he was right. On the top of the paper, it read, “Fake dating Proposal.”

What the fuck. He reads through the first sentence in his head, with widen eyes, “In order to save Drew Starkey’s career, he must conduct a year-long fake relationship with Y/n Y/l/n.”

He falls back in his seat. “You’re not fucking serious. This is the strings you had to pull? This is fucking ridiculous! How is this-“

“Drew!” Jeff yells, making him shut up. His face was slightly red, sweat dripping down his forehead. “Drew, trust us. We wouldn’t cause more harm. This, this will save your career, save you.”

“but out of anyone-“ Drew adjusts his hat once again. “Out of anyone, and you chose her?”

“She’s the best choice of right now, and the only one who even agreed. Drew. You’re not in the place of choosing. You sign, and you accept it. Or it’s the end.”

He couldn’t believe himself right now. Literally. Out of every solution, every person, it had to be you. You, the one person he can’t stand. You, the one person that gets him worked up and annoyed. It was like the end of the world for him. 

Worse, his manager seems to agree with this solution. As if he doesn’t know how much Drew despises you. Jeff places the pen next to Drew. “I hate to say this, but Drew, you’re screwed unless you do this. We see the vision, and in a few years, you’ll see it too. Just, just treat this as another acting class, okay?”

Do I have a choice anyways, he thinks. Drew rubs his face in annoyance. Fuck. Damn you and damn himself. Getting into this stupid situation in the first place. 

He looks at the contract again. Sees your name again. And his head hurts a thousand times worse than a hangover. 

He reads through the contract terms, cringing at it. 

‘Must show up at five or more public evens together.’

‘Must show PDA at public events, such as touching, holding hands, kissing etc.’

‘Y/n Y/l/n must talk sweetly about Drew Starkey, and steer away any negative comments.’

‘During the course of this fake-relationship, being seen with any other costar of the opposite sex is forbidden.’

Much more was listed, at least twenty terms were on this contract alone. So this is the real thing. 

And at the bottom, Drew sees what was offered. Wow. You get offered millions of dollars, while all Drew receives is a clear to his scandal. 

He should at least get half the amount you’re earning, considering that he has to put up with you. “How can she get so much cash?” Drew asks, curiosity killing him. 

“Because she’s got nothing to gain from being with you,” Jeff states matter-of-factly, that hurt Drew’s ego more than it should have. He also noticed how much money this was, almost all the money he earned from acting in OBX. Wow. So not only were you a moody bitch, but a greedy one as well. 

Drew rubs his eyes aggressively, a frustrated yawn coming out. He so is going to regret this. The worst decision he ever has to make. 

You better be the savior to his career, or he was going to kill himself. 

Drew signs, pushing the paper away as if it had some kind of disease. 

Henry forces a smile, grabbing the paper. Drew gets ready to leave, but Henry stops him. “Where are you going?”

“Home. I- that was enough for me.”

“No, no. You’re going to Y/n’s filming set.”

“What?”

“Yes, you heard me. Her manager gave the green light, so you’re going.”

“Fuck, it’s only like, a minute since I signed.”

“Hey, I’m saving you right now,” Henry says. “Now, you want your sponsors back or not?”

Drew curses under his breath, never wanting to punch a wall as much as right now. “Fine. I'll go. But I can’t promise that I’m hugging or touching her or anything. She’s a complete stranger to me.”

“We just need a couple of photos to leak out,” Jeff says, grabbing his jacket. “I’ll drive you there.”

“Fucking hate you Jeff,” Drew says, walking out the office. “Henry you asshole.”

Either his managers heard and said whatever, or they didn’t care. But cursing at people who's helping him ‘save’ his career was the least of his worries. His head is just consumed with meeting you again, the brattiest bitch he's ever known.

-------------------------------

word count: 1.2k

ִ ࣪𖤐 a/n: i'm sooo happy for the support and how much people liked the teaser! i was giggling seeing the reblogs and likes.

anyways, thought i should release a prologue first, to give drew's pov of this situation. apologies in advance for y/n's character and anyone who can't handle her! but i'm so excited for you guys to read ch1, which will be released later this week! like or comment to show support, really appreciate it <3

[rainbowsky]

Award nominations - my thoughts

There has been a lot of uproar about the Magnolia Awards nominations. Here are my thoughts.

Disclaimer: I'm going to preface this by talking about a life lesson I refuse to learn (to the dismay of those closest to me). The lesson is, "Don't make yourself a target." That can often mean, "Don't speak your mind if your perspective differs from popular opinion" or in this case, "When people are upset, don't put yourself in the position to become the outlet for all their anger."

But I respect diversity of opinion, and that means I want to hear from a variety of perspectives on an issue and I suspect some of my readers do as well. So I hope everyone can remain open to hearing things they might not agree with, and respect each other's views. I also want to add that everything I say here is about me and my views - not a commentary on anyone else or their views.

I also think it's important that I make clear that I have not yet seen War of Faith. I'm relying on reviews and on reports from other fans, from my friends, and from my sister for my understanding of the drama and the performances actors gave.

A bit of background

For those who aren't aware of this issue, I'll try to outline the broad strokes of it all.

The Magnolias are prestigious drama awards in China, somewhat on par with the Emmies. For months now there has been a lot of buzz building about the possibility of a nomination for GG and The Youth Memories, and/or for DD and War of Faith.

The nominations came through today, and there was just the nomination for War of Faith for Best Drama. DD was not nominated, but Wang Yang was nominated for Best Leading Actor.

A lot of fans and even a few passers-by have been very vocally upset about this, saying it's a snub to DD and his excellent performance. Some have even characterized it as a huge betrayal of DD to nominate Wang Yang, who was really only a supporting actor, over DD, who was the real leading actor.

There have been claims that DD wasn't even put forth for the award by the producers, which has made fans even more angry. Many are attacking the producers, speaking out against DD appearing in a proposed season 2 of the series, and threatening backlash if the producers celebrate the nominations the drama received.

Checking the facts

As far as I can tell, here's what we know for sure:

The drama was co-billed with three leading actors: Wang Yibo, Li Qin and Wang Yang.

While DD's character was the protagonist of the drama, he wasn't billed as the sole male lead for the series.

All three leading actors gave solid performances.

We do not know for sure whether Li Qin's or Yibo's names were put forth for the awards. I personally can't think of any reason the producers would hold back on submitting everyone they can for the awards. The more nominations and wins the drama gets, the better for everyone involved.

Edit: according to a document purported by fans to be the official record of the names put forward for awards, Yibo, Li Qin and Wang Yang were all put forth as leads, which is in line with the billing each had in casting.

Fans are treating this as damning evidence that the producers unjustly put the supporting actor forward as a lead actor, but we have to keep in mind that there are likely contractual and legal considerations here. If somebody is cast in a leading role, then they have rights to be billed and promoted as such. We know that Li Qin and Wang Yang were both billed as co-leads.

Edit 2: The studio and producer have released statements where it was confirmed that all the lead actors were put forth for the awards.

My thoughts

I understand the disappointment fans feel when one of our boys is passed over for accolades and recognition. We're all invested in their well-being and success. However, I don't think it does any of us - and especially not DD - any kind of service to get upset and up in arms over something like this.

There are some really good reasons to believe that DD would not be thanking people for reacting the way they have:

It is an insult to Wang Yang and the performance he gave, which from what I understand, was outstanding. DD would not want his colleague's successes to be in any way diminished by the behavior and attitudes of his fans. It's not the kind of person he is.

It's disrespectful to the project as a whole. As I've said before, "A rising tide lifts all boats." The fact that the drama was nominated at all is to DD's great benefit. Turning something positive into a negative doesn't serve any productive purpose.

This makes DD look really bad, frankly. We shouldn't fail to recognize the irony of burning down the internet with cries of, "DD's being treated like a traffic star rather than the great actor he is!!" "He was snubbed!" "What a betrayal!" Nothing makes DD look more like a traffic star than fans behaving this way. This is classic fan culture behavior. We want DD to be recognized as a serious actor, but we simultaneously rely on traffic idol data and numbers to try to 'push his case', and claim he's 'being used for traffic' rather than ourselves respect his serious role in this drama.

This type of awards entitlement is not DD's style. Quite the contrary. He is an extremely humble, hardworking guy who likely cringes at the idea of people being outraged on his behalf in a situation like this.

Everything good that happens for this project, whether it's directly connected to DD or not, benefits DD. Everything bad that happens - every bit of bad publicity - harms DD.

This is a propaganda drama that's of significance to the ruling party. This type of fan behavior in relation to it has the chance of really harming DD and his career. Just like the whole debacle with GG's fans and their reaction over Ace Troops, this is not the kind of thing people should be doing.

From what I've learned about the Magnolias, these awards are given to established career actors. Young actors and newer actors do not tend to get nominated for these awards.

Like it or not, DD is a newcomer with a career that's still in transition. He has a lot of talent and some great successes under his belt, but he is still pretty green as an actor. Wang Yang has a career that goes back 20 years. DD has only been a serious actor for maybe a quarter of that time. It was unrealistic for fans to expect the tiger to change its stripes just for him.

This is not some nasty conspiracy against DD, this is just the reality of the industry he is in. Major awards tend to go to established career actors - both in China and globally. We should know this by now.

As far as I can tell, DD isn't being 'singled out' in any way. He's being treated like any other newcomer; being expected to 'pay his dues' just like everyone else.

DD is young, he has his whole career ahead of him. He is so talented and hardworking - he WILL win major awards. The fact that almost every project he's involved with gets nominations and awards is a very good sign, and ensures he will continue to get solid opportunities to show his skills. He's clearly picking good projects and performing well in them. Directors and producers will take notice of that and want to work with him.

He is on a normal - even exceptionally strong - career trajectory. Given his successes we should be very happy for the trajectory he is on. He will continue to work hard, get good roles, perform well and grow his audiences and his credibility among those audiences.

On a personal level

I love DD so much. He has something truly special about him. I want to see him do well, and for others to see and recognize what's so great about him.

He deals with an outrageous level of hatred and slander from antis, some of it truly makes me sick to my stomach. Nothing would make me happier than to see him be in a position to slap those assholes in the face with prestigious awards and recognition for his talent.

Of course I was dismayed when he wasn't nominated, just as I was dismayed that GG wasn't nominated.

However, I recognize that for what it is - a personal emotional reaction. Ultimately nothing that has happened here appears to be unjust or underhanded. Disappointing, perhaps, but not a conspiracy, not a betrayal.

Quite the contrary. DD's drama was nominated for 5 awards including Best Drama! We should be celebrating. There are probably hundreds of dramas that hope for this type of recognition every year, and DD's was one of those chosen among the very few nominated.

It makes me sad to see something positive being turned into a negative in this way. For all the reasons I outlined, I think it's misguided and could come back to bite DD hard in the ass.

Just my opinion. Hopefully once everyone has simmered down a bit we can all take a second look at this and find another perspective. One that is more worthy of DD as the humble human being he is.

[theonceoverthinker]

Am I the only one who feels very…off about the end of the writer’s strike?

Here’s what I mean.

1. The tentative deal met only last for a short amount of time, three years. So my thinking is that when the strike is over and the WGA and studios meet again, the studios are gonna try pulling their shit once more and another strike is going to go on, leading to another settlement. I can just see Hollywood pulling a PR stunt where they in the long-term try to play off that the WGA are a bunch of "whiny babies who are never satisfied" or some shit like that. Call me a pessimist, but I feel some long-game BS stuff is being set up here.

2. The actors have no contract. To me, this is coming off as the studios making a con that's deliberately weakening the solidarity between the writers and actors because one group is still striking and the other no longer can.

a. It makes the actors' strike suddenly so much weaker because their biggest co-strikers are no longer striking, and I'm worries that with those weakened forces, studios are going to use that as a means of more efficiently stopping the actors' attempts at getting a fair deal. They can starve them out faster and eventually force them to takes those AI deals.

b. I feel like the studios are trying to instill an "f-you, got mine" mentality that's going to further divide them as the writers get back to work while the actors keep striking. I mean, I don't doubt that the writers are going keep pulling for the actors to get a fair deal, but it's going to be a priority that needs to be juggled in the face of getting back to work, and I worry that there is going to be an inevitable resentment built up that was completely calculated by the studios to happen.

c. In the public eye, there are more actors that are prolific and wealthy than writers. Now, obviously, both are paid terribly and treated worse, but by that I just mean that it's a lot easier for the general public to name ten actors than it is to name ten writers. With the WGA, there was this clear underdog dynamic between the writers and the studios, making it very easy for people to take the writers' side in the strike. However, so much of the court of public opinion thinks that actors are rich and famous, and I worry that having them alone is going to risk a lot of the general public turning on the actors because of that incorrect presumption.

Obviously, the guilds leaders are smart, and I really want to believe that these things and others have been thought through before a writers' deal was reached, but there's a lot about this deal that doesn't feel right to me.

I can't be the only one whose thinking of these things and worrying, right?!

Hey, @niel-gayman and @wilwheaton, given that you two are industry professionals, can I get your takes on this, please? I don't want to risk spreading misinformation, but I just can't let go of my apprehension for this agreement and don't want to stay silent about these worries.

[tainbocuailnge]

we're told and shown very little of what shalem and phantom's bond was and is like, so there's a lot of ways to interpret it. but personally I think it's a bit of a waste to show them straightforwardly getting along when they're both extremely insane in conflicting ways. the only on-screen interaction they have is shalem reprimanding phantom, and then testing him, and phantom's response is that he'll do something really detrimental to himself if shalem asks. so to go with their first impressions as looming ominous guy and modest nervous guy and portray shalem as losing composure & getting all blushy at phantom's advances doesn't feel right to me.

shalem actually presents himself to doctor as the one you go to when /you/ lose composure. his profile is clearly written by the troupe instead of rhodes HR like everyone else, and it tells you "you don't remember meeting, but you trust him and rely on him," like a command for the situation to develop as such, rather than a report of how the situation developed. his colleagues think shalem is weirdly pessimistic sometimes, but he's capable and reliable. his role as "modest and gentle shalem" requires him to be composed. in those new CN lines where doctor hands him an outfit to put on he doesn't sound embarrassed about it either. I don't think flirtatious attention would get him to blush that easily.

all the glimpses of what he's like outside that role show him as pretty decisive. every instance of breaking character is him being more forceful than his image allows. if something needs doing and nobody is doing it shalem will go "this is stupid why are we letting this happen" and step in. when he loses composure in his oprec he tries to :/ through the pain before getting screaming mad. when he's scared he gets mad too. shalem tries very hard to be a meek person and his life would be easier if he actually was, but he's not. he's mentally stronger than a lot of people including himself give him credit for. he just doesn't like when it's quiet.

and phantom clearly trusts shalem enough to completely submit to his judgement. the one interaction they're shown having is phantom saying he'll sing if shalem wants him to. phantom will explicitly do what shalem tells him to even if he thinks its a bad idea.

his codename may be phantom and his cat's name christine, but lucian is the christine in this situation. he's the young actor kidnapped and forced to sing by his shadowy teachers. they're making him play the phantom of the opera but that doesn't mean he actually is the phantom. shalem is far more like the phantom of the opera than lucian. shalem can't exist without the mask that lets him pretend to be a real person or leave the theater that mask was made for. it's just that his mask is also salome, which makes him extra insane (love) because salome was a no-name normal girl used as a tool in political machinations until she got written into a play that reinterpreted her as insane and a willing participant. so shalem's nightmares try to convince him he actually did want that guy's head on a plate.

phantom's second module says he doesn't see any art in killing despite how much the troupe hyped it up to him, but he works as assassin and went back to kill the troupe. shalem does still see the art in it, but he works in logistics and ran away because he didn't want to kill. we know phantom left after he realized his teachers were villains and that he completely trusts shalem's judgement, so while there's no clear proof it's likely that shalem's betrayal is what inspired phantom to leave as well. everyone in the troupe was raised to look up to lucian, and told that they had no worth if they couldn't make it to his level. shalem didn't have what it took to become like lucian, but that's exactly what made phantom want to be more like shalem.

and again, we know very little of what their relationship was like, or is like now. we know phantom completely trusts shalem, but the only opinion shalem expresses about phantom is "we're certainly similar, but I'd like to stay away from all that" and their only interaction is shalem reprimanding and testing phantom. so it's possible that shalem doesn't like phantom at all, and is only saving him because the situation is stupid and someone has to do something. phantom is the only person who could begin to understand shalem, but shalem doesn't like being seen closely because he's scared he has no "self" behind the act, so phantom understanding him might not be a good thing to shalem.

I think that kind of resentment between fellow survivors is really interesting. they both left, but lucian is still the troupe's favourite while shalem is called a cowardly traitor. even if shalem does get along with phantom, that would still be simmering below the surface right? their experiences were similar, but lucian was the standard that the others were held to, and the punishment for not being able to live up to that standard was death. isn't it a sick joke to have to go back to save the man whose mere existence made yours harder?

phantom knows that he was the bait the troupe used to draw in fresh blood, and he feels deeply guilty over it. so I think his willingness to submit to shalem's judgement is also because he knows he's at least partially to blame for what's wrong with shalem. meanwhile shalem's nightmares taunt him by saying the troupe was wrong and he's a great actor, so I think part of him still wants to prove himself as an actor. he wants to escape the audience in his head, but can't fully let go of the promise of getting to be on the stage either. and while phantom is the more outwardly insane one, he's making new friends and picking up new hobbies in his oprec while shalem has to be in the eternal nightmare vortex. even in rhodes island phantom is the one who actually gets what shalem wants.

so you have shalem, who wants a normal life he can't have because he was raised to be an actor-assassin with no self, and phantom, who is willing to do whatever shalem says to make up for being the symbol used to ruin shalem's ability to live normally.

phantom in general tends to punish himself. he refuses both medical treatment and gratitude until folinic corners him and chews him out. he feels guilty over being a dangerous person to associate with, but also over rejecting the help he is offered in spite of this. he's willing to submit to shalem's judgement and accept any punishment from him, but shalem wants to be normal and just helps him because it's the right thing to do and this whole situation is stupid, but that only makes phantom feel even more guilty. that too is unresolved resentment.

there's a tension between them where phantom repeatedly shows a desire to leave his decisions to others, while shalem desperately tries to take his decisions from the hands of others. there's clear incentive for phantom to just hand all his agency over to shalem, especially if we assume that shalem leaving is indeed what inspired phantom to follow, and depending on how you read the scene it's phantom's willingness to do what shalem says rather than his reluctance to sing that confirms to shalem that phantom is back to usual. phantom through this respect for and trust in shalem gives shalem a lot of power over him that shalem doesn't actually want to have, because the only decisions shalem wants to be controlling are his own.

they certainly are similar, but they cannot recognise themselves in that mirror, because the part of them that wants to be like the other is at odds with their actual desires. phantom left the troupe like shalem did, perhaps even to follow shalem's example, but shows no indication of wanting a normal life. shalem is a valued coworker, and phantom is an elusive mystery that schwarz warns you as someone familiar with the underworld to stay away from. he speaks of guilt and punishment and truth, but not of what comes after, and he's largely dependent on miss christine to be his moral compass. he's making friends and getting hobbies only because miss christine pushed him to. phantom values justice, but struggles to make his own judgements, and seems to reason that since he's already a murderer he might as well keep killing.

shalem meanwhile values normalcy, but doesn't seem to care nearly as much about justice. his reasoning for defying the troupe and letting his target go wasn't that it was wrong to kill, but that the situation was ridiculous and there had to be a different way. what shalem's nightmares taunt him with isn't the morality of his actions, the way phantom stumbles over his words to justify himself in his own nightmares, but whether they were really his actions. violence excites shalem in a way it doesn't for phantom, and he has no hesitance about threatening murder to secure his agency.

so phantom values justice, and he values shalem's judgement, but he appears unaware that shalem doesn't actually share those values. a normal life just generally doesn't require or involve murder. so while phantom is frequently punishing himself out of guilt and is implicitly looking to shalem to deliver some of that punishment, shalem doesn't really give a shit, because he doesn't really want to think about let alone reckon with their pasts at all. what shalem reprimands him for is causing trouble for the doctor.

their relationship is, by virtue of both operating through externally imposed personalities, inherently somewhat out of sync. you might even call it somewhat parasocial. I think there's probably a lot of pity involved too, pity for the one made to chase your shadow, and pity for the one who cannot escape that shadow. as fellow survivors they're the only ones who could possibly understand each other, but their values and priorities don't line up, and so neither do their expectations and images of each other.

but crucially, i think if any moves are to be made between them, it has to be shalem who makes those moves. because phantom wants to leave his choices to others while shalem is far more decisive than he appears and in fact much of shalem's character tension is based in being forced to finally step up and do something. phantom has very decisively put the ball in shalem's court by establishing that he'll literally do whatever shalem says. all of which is a very long way to say. i respectfully disagree with some of the fanart ive seen on twitter dot com lately.

[lemonhemlock]

I think a thing that bothers me the most is how fragmented TG (the fandom) is now. After season one, many of us had issues with character writing, but it still felt like we were largely on the same page. Now, some people can accept Aegon got bad writing but not Aemond, Alicent, or Helaena. They are all “good” or “bad”characters depending on how much they hurt Aegon this season. I’m so glad he got the time to be well rounded, and that TGC delivered on all his scenes, but I think people forget Aegon has received some poor writing as well even this season. His whole outburst about Jaehaerys’s death is not about his son, but the impact on his legacy- I thought this very odd at the time, but realize it’s because they can’t have him mourn Jaehaerys for a long time either. Nobody on TG is allowed to focus on this dead child, least of all his mother! Aegon goes out drinking with his friends next episode 😭 seemingly unconcerned. But somehow only Alicent and Aemond are called out for this, when it is a clear problem that Daemon is more affected by this loss than the greens. It feels like such an uphill battle to even discuss the faction and family anymore.

This is such a good point!

I know I am so contrarian about this rn, but I have had some issues in connecting with Aegon's grief scenes over Jaehaerys this season. And it's such an opinion I DON'T want to have, bc I'm fully on the Aegon/TGC bandwagon and I do think TGC is a competent actor.

But it's something about the general clownery of the framing, how everything is gloomy and dark but at the same time no one gives that much of a shit over Jaehaerys? It's very weird to describe. I know Olivia also shows Alicent crying and swallowing sobs and trying to conceal her grief, but, if you think about it, Alicent is just Kind Of Like That in a lot of her scenes anyway. Big doe wet eyes, filled with regret and unspoken emotions etc so that her acting similarly after B&C kind of doesn't hit as much?

And, in that context, having Aegon rage over this event is rendered kind of.....hammy and, honestly, comical. I'm reminded of the scene of the small council where everyone is somber and quiet and he kind of looks like he's pretending to cry. In other moments it's fine but there are frames where I can't take it seriously and it registers in my brain like a parody.

I realise how I sound right now, like I'm not satisfied with the subdued performances, but I'm not satisfied with the expansive ones either. IDK. I have a huge problem with the framing and direction this season, I think it's a huge impediment in making me enjoy the supposedly emotional scenes.

All of this to say that I agree, Aegon has also received some bad writing this season, especially him ALSO being kind of over Jaehaerys the next episode. But people tend to overlook it, because when you draw the line, the writing for him is still so much better than what he got in S1.

And, yes, this is why I can't really join the choir in blaming Alicent and Aemond for how they act with him, because it's not a naturalistic and organic progression, it's shoehorned in with little buildup or motivation and not even drawn to its natural conclusion. For example, Aemond should have been toast the minute Aegon woke up, because Prince Regent or not, Aegon is still the King and has the power to remove Aemond if he fears him. He doesn't have to justify himself in front of anyone, just give the order to arrest his brother and name someone else as regent, then just go back to sleep.

[deacons-wig]

I'd prefer if we never got to see the origin of Vault Boy and Vault Tec's branding in the same way I'd rather not get a canon answer of who started the War or how. That's the point of War Never Changes.

Vault Boy is a sinister figure in his cheerful embrace of Armageddon. Giving the Vault Tec brand a face and a name and a backstory feels so unimportant to what is actually interesting about Fallout. What's important to me is the big picture pre war, and the details of what comes after.

What is interesting to me is exploring how propaganda is designed to convince people how close they are to annihilation--or homelessness, unemployment, obscurity, or being The Other and therefore destined to suffer--in hell, in oppressions, being ostracized. Honestly insert any sort of marginalization or suffering here. Crony capitalism uses propaganda to market products designed to manipulate people into buying distance between themselves and that annihilation. Putting themselves "behind the thumb" of Vault Boy, so to speak. Buying a lifestyle. Vault Boy does it with a wink and a smile, inviting those who can afford it to buy their way to safety while using capital and fear to perpetuate the cycle. I don't need the specifics to understand this.

Some ghoulnaysis below the cut:

I'll admit, my initial reaction to pre-war Ghoulgins being the inspiration for Vault Boy was funny! Mr. Cooper Howard, washed up actor experiencing an existential crisis being shoehorned into corporate propaganda that then haunts him for the next 200+ years? Selling manifest destiny, racism, the Rugged Individual, the revisionist history that cowboys were a) white and b) more than a brief footnote in the history of the colonization of North America's west. The commodification of entertainers/creatives/public figures. Selling identities to be packaged into a product that will outlive them? Only to have that person live alongside that role they regret (?) playing... kinda tasty, if we have to give Vault Boy a backstory, though I didn't get a clear sense of his actual feelings about being used as a propaganda guy which I think is a failure of the show to commit to the narrative they set up, which happens with a lot of the show's (lack of) engagement with Fallout's larger themes anyway.

But The Ghoul (stupid name!!! weird and boring choice!!!) is just such an uncompelling and repellent character to me. I love a good bad guy or even anti-hero, but honestly he lacks any interiority. He's an evil karma character (eats people, waterboards and mutilates people, sells people to organ harvesters...like? that literally makes you evil in the games...) but the narrative pushes him as an antihero or someone with gray morality because he what..."likes" dogs? And isn't as decayed or unsettling looking as other ghouls (implying handsome=good or interesting). People aren't afraid of him because he is a ghoul, they're afraid of him because he's evil and will hurt them! Sometimes for no reason! I see the callback to the director telling him to shoot his co-star and Cooper saying he's "the good guy," but is that why he becomes so fucking evil post war? Really?

I don't know why he does what he does other than...the world sucked before and sucks now so he might as well represent the basest of human behavior? That seems to be the thesis of the show--unless kindness and community is engendered (by the vaults, by Management, by a civic government, by corporations) people will descend into chaos.

So why have this poorly executed anti-hero be the origin of Vault Boy? What are the narrative choices being made here? Is it just Rule of Cool?

Personally I would like a pathetic, rotting wet cat of a ghoul, some sort of carved out husk of a washed up movie star either trying to relive his glory days, or avoid them--having given up hope of finding his family after 200 years--being dragged into Lucy's orbit and being constantly reminded of his Vault Boy fame, that she is a walking Vault Girl with her Okey Dokey's and Golden Rule. He'd be a joke, a footnote of the old world. He'd be mean and snarky, even unpredictable and uncooperative--have a public persona of friendly curiosity and a private, cynical one.

Pathetic Ghoulgins would remind audiences of the cost of capitalism and imperialism without resorting to the thesis that war never changes means that people are inherently cruel and will resort to violence, rather than existent corporate and political power structures intentionally create the conditions in which people accept perpetual cycles of exploitation and harm for the sake of their own safety and comfort, despite knowing the cost of maintaining the status quo, and not seeing or believing that distance between the status quo and total annihilation is measured by the smiling thumbs up of a cartoon mascot.

I'm sure there are other ways The Ghoul could have been a successful character as well but.... That's satire. That's interesting. That's Fallout.

[thefrogdalorian]

The Best of Both Worlds

Din Djarin x Female Reader Modern!AU

Summary: When a new Star Wars TV show called The Mandalorian premiered, you found yourself completely enamoured with the titular character. Enjoyment of watching the lone bounty hunter travel through the galaxy quickly turned to obsession. There was just something about the show that captured your imagination. Now, you spend much of your free time — when you're not working a fast-paced, minimum wage and incredibly stressful job at a prestigious London Museum— speaking to your online friends about your love for the show. There's just one thing... Despite how much you love The Mandalorian, no one knows the identity of the man behind the helmet... either in the show, or in real life. You only know him as Mando. No one has ever seen his face, no one knows his name.  Even after the countless hours of speculation from fans online, which even you have occasionally participated in, no one is any the wiser to the identity of the mysterious man who wears the shiny armour.  Surely, given the depth of your love for the show, you'd recognise if the man who you spend so much time obsessing over online was to ever cross paths with you. Right?

Content Warnings: Reader is AFAB, uses she/her pronouns and in her mid 20s. Age gap between her and Din is noted but not really central to the story. Grogu is human, hints of past trauma/child abuse before Din adopted him are mentioned but not described in detail. Some mature scenes later on in the fic but not explicit smut... because I just cannot write x reader smut! Author's Note: SO very excited to finally share this fic! Thank you to the lovely @suresnips for being my beta. I really appreciate you ♡ This baby was originally my NaNoWriMo 2023 project and was inspired by this post from @toxic-seduction that I saw one evening and couldn't stop thinking about! POVs will alternate chapter to chapter from Din to reader. It was fun to write that way! Set in London for a few reasons: partly because I love the movie Notting Hill and it has some of those vibes (if you squint), also, the village where Din lives is based on Elstree Studios just outside London, where the OT was filmed and ultimately because NO WAY was I writing a modern!AU set in the states, it would've been painfully obvious a Brit wrote it. While there are lots of references to places in London, I don't live there so it might not be truly accurate (Londoners don't come for me). Also, to be political for a sec, reader works at the British Museum and I hate that institution. This was actually the line of work I was interested in when I was at Uni but for many different reasons I did not pursue it. However, it works for the plot of this story and as you'll see, she doesn't exactly love it either and goes on a few rants. Just wanted to make that clear that her job there is not an endorsement of it or anything. I can't stand them or their historical apologist bs and I wish we would give back all the things we stole (including the Parthenon Marbles)! Finally, it was incredibly important to me that the actor behind Mando in this fic clearly be the fictional character of Din Djarin rather than the real person Pedro Pascal, because rpf is not my jam! I hope I did that pretty well but just wanted to warn that if you're expecting me to use Din as some kind of way to write a Pedro fic, this won't be for you! Okay, I'll shut up now! This fic is fully written, just needs editing so hopefully I'll get a couple of chapters up each week, but life happens. I'm very proud of this one and I really hope you enjoy reading it as much as I enjoyed writing it! Also if you would like to be added to my taglist for this fic, please let me know! Happy reading ♡

❁ My Masterlist ❁ Read on AO3 ❁

Why Does It Always Rain On Me? [Reader POV]: After a dreadful day which saw you drenched by a rainstorm after leaving a hectic day at work, you reflect on your love for Mando and upcoming excitement for the sci-fi convention you will soon be attending with your internet best friend.

He Is My Only Priority [Din's Pov]: The character of The Mandalorian is known and loved by millions. But there is another, much softer side to the man who portrays him that Din Djarin is determined to keep hidden from the world, despite the challenges that presents for him and his beloved son, Grogu.

This Is Why (I Don't Leave The House) [Reader's POV]: Your internet bestie arrives in preparation for the Star Wars convention you will attend together. Everything is set for the greatest weekend of your life! Until you arrive at the con and find yourself overwhelmed by all the crowds and noise. At least you have numerous incredibly realistic Mando cosplays to distract you from how stressed you feel, and there's one in particular which is uncannily accurate...

Curiosity Killed The Cat [Din's POV]: Despite his reservations and against his better instincts, Din heads to a Star Wars convention that he was invited to. Although he fears that his cover will be blown, curiosity gets the best of Din and he can't resist attending a panel. But Din doesn't exactly find the answers he was looking for. Instead, he finds something far more precious. Something that he would never have expected...

He's So Tall (And Handsome As Hell) [Reader's POV]: Being back in the real world and returning to work after an incredible weekend at the convention where you had so many fun experiences is taking its toll on you. The thought of collapsing on your couch in front of The Mandalorian is the only thing keeping you going. However, the universe has other plans for you. News of an out-of-hours tour for a private client that you are asked to lead almost sends you over the edge, but when you finally meet the man, he is the opposite of what you were expecting. Weirdly, he seems familiar...

With A Little Help From My Friends [Din's POV]: Din returns to the set of The Mandalorian to begin filming a new season. Despite his experience and capability, he finds that he struggles to focus as his thoughts remain firmly fixed on a certain someone...

You're The Sunflower [Reader's POV]: Despite feeling certain that you'll never see the ridiculously handsome man you gave a tour of the museum to, a special delivery is about to change everything...

Your Face Hung Up High In The Gallery [Din's POV]: After a difficult few days of filming The Mandalorian, Din is excited to spend time with you as he finally takes you on your first proper date...

Have I Known You Twenty Seconds or Twenty Years? - (Reader's POV):  Despite a messy evening which led to you waking up in an opulent hotel which you have no memory of falling asleep in, memories of kind brown eyes and breathless kisses soon come flooding back to soothe your soul. Your relationship deepens as the two of you spending time together whenever your busy schedules allow. But one night, a turn of events causes you - despite Din's reassurances - to wonder if everything you have been working so hard to build together has just come crashing down around you...

There's A War Inside Of Me - [Din's POV]: The realities of the secret he is keeping from you begin to weigh heavily on Din's mind and he seeks advice from a certain curly haired co-star on what his next move should be. Things don't go exactly according to plan, not least because of the typically awful English weather...

It Could Be Love, We Could Be The Way Forward - [Reader's POV]: With your respective busy jobs keeping you and Din apart, a mystery date after a hectic day at work is exactly what you needed.

The Calm - [Din's POV]: When filming overruns and conspires to keep Din from the fun weekend he planned for you, he agonises over his decision. Fortunately, he manages to salvage the weekend, even after a calamity involving a rowboat...

The Storm - [Reader's POV]: The happiness you feel in response to a question Din posed to you is somewhat clouded by lingering doubts. Yet your affection for each other helps you to push those emotions down, until a weekend spent at his cottage changes everything...

P.S. - I tried to be inclusive for all body types and skin tones in this fic, but if I missed something, I do apologise. If you do spot something that takes you out of the fic, I am more than happy for constructive criticism as I wouldn't want anyone to be excluded on those grounds. I am always trying to do better and would love to know where I went wrong so I can improve and be more aware of these things going forward, so I would appreciate it if you could let me know if you do spot anything. Thank you so much! ♡

[p-redux]

So, you always screeched about being right, well you were proven wrong today. Shippers have finally the proof of SC kissing at the Paramore part of the Taylor Swift concert. Right there in public. Like a couple.

First of all, I don't screech, I growl, like the lioness that I am. I'm a Leo, after all. 🦁 Secondly, um, you mean, this? 👇 😂🙄

Those are screencaps from a video of the Outlander cast at the Taylor Swift concert last week in Edinburgh at Murrayfield. Apparently, the few remaining Extreme Shippers, who are holding on to their barnacle-ridden, long-sunken SamCait ship, have been given a life boat and think the ship is sailing again due to this. First, let me get this out of the way. HAHAHAHAHA 🤣😂. OMG, desperation, thy name is SamCait shippers. Sadly, there is a fairly new account on Tumblr that is led by an OG shipper returned from the bottom of the ocean to galvanize new shippers into thinking Sam and Cait are actually a secret couple. Try to keep up with the times, people, that's SO ten years ago. And, the Taylor Swift concert video is now being used as "proof" that Sam and Cait decided to finally "out" their "secret love" very publicly at a Taylor Swift concert of all places. Again, HAHAHAHAHA 🤣😂. Lord. You can't make this shit up.

Here are the screencaps lightened up and defined. 👇

Close ups. 👇

Um, this looks like a cheek kiss to me, or even Cait leaning in close to Sam to tell him something, since the concert is obviously very loud.

Regardless, Cait was also kissing Sophie Skelton and John Hunter Bell. Is she in a secret relationship with them as well?

Here's the actual video. 👇 Of the Outlander cast, Sam is the tallest male there, Cait is the tallest female there. It's obvious they would stand behind everyone for most of the concert so that their costars could SEE. If not, they would have been blocking them. Duh.

Sam and Cait have known each other for 10 years. They are good friends and costars. They have a bond via their shared experiences on Outlander. In addition, they've fake f*cked onscreen for 10 years, they are a wee familiar with each other. And as I've said MANY times before, most actors are not like you and me. They are a different breed, they are touch-feely, and flirty. That's just the way it is in showbiz. That DOES NOT mean they are a couple in real life. Why must I have to keep explaining the OBVIOUS over and over again?

When I watch the video, ALL I SEE, is two friends and costars having fun together. But because Extreme Shippers have been waiting for Sam and Cait to "finally reveal their relationship," like it's the Second Coming of Christ or some shit, THIS video will now be used as "proof" that Sam and Cait "came out as a couple at the Taylor Swift concert." And it will become shipper canon forever more. Along with all the other LIES Extreme Shippers leaders have sold to their unsuspecting minions. Soooo, for those who are new to Outlander and stumble into shipper blogs, and get persuaded by the blurry videos, manipulated gifs, and general bullshit, here is my REALITY CHECK for you.

Here is a very clear gif of Caitriona Mary Balfe kissing her ACTUAL, REAL HUSBAND, Anthony Gerard McGill aka Tony McGill on the lips in front of an audience and on live television at the Irish Film and Television Awards. 👇 click to watch

Here are the screencaps from the video gif. Look at that smile and those heart eyes 😍 Cait gives Tony before bending down to kiss him. 👇

Always remember and never forget, THIS is REALITY 👇Tony + Cait #tait

I hate to post a pic from Cait's father's funeral, but it's to prove the point that Cait would obviously attend her father's funeral with her HUSBAND, Tony. And she even took their son. Even Extreme Shippers should have a hard time explaining away Cait's mother and sister standing right next to her in this pic. But, of course in ES' pea-brains the mum and sister are in on the charade. Boy, TPTB's budget must be HUGE to be paying off not only Tony, but also ALL of Cait's family to hide Sam and Cait's "secret marriage." 🙄 That's sarcasm, btw. 👇

For the past TEN YEARS, I've posted SOLID PROOF showing the real relationship is Cait and Tony, not Cait and Sam, but here's an old post of mine with a summary. 👇 I get that the MAJORITY in the fandom know that Cait and Tony are married and know their marriage is real. But, clearly, given the amount of Anons I got pointing to "the video, the video!," some of you STILL need a reminder of REALITY and FACTS. 👇

So, quit sending me Asks about the video, or "how can a married woman cozy up to her costar that way?!" Easy, she's an actress and he's an actor, and they're friends for ten years, and are comfortable together. Simple as that. Nothing to see here, folks.

Go back to the shipper corner of Tumblr to live in delusionland. On this side, we like to bask in the glow of REAL LOVE. And that's TAIT, not SamCait. Now, shoo...

[dodger-chan]

So, I spent the last week rewatching* Deadloch to determine if it really is a fair play mystery, and my answer is: yes, kinda. Yes, in that you do get all the information the detectives do before the reveal (though sometimes the information will be withheld for a scene or two for dramatic effect). Kinda because the clues given in the first seven episodes** are not enough to point the finger at the murderer without looking at the show as a piece of art, and considering what its themes are and which of the viable suspects would best reflect those themes. Specific spoilers under the cut. Do not read until after you have watched Deadloch, which you should do as it is amazing.

*reading the subtitle files and watching a few key scenes

** I'm not including the 8th episode, where the killer is revealed, because by that point you're not getting clues, you're getting answers.

Every clue I noticed that implicates Ray, with commentary

(episode one) Cath mentions going to treat Ray's pet: Not super useful, as we see Ray with Lou later, and learn that Lou is old and likely to need medical treatment. It doesn't mention the pentobarbital, though presumably Lou is Ray's excuse for getting it from Cath. It also gets his name in the show right away.

(episode two) When Ray takes Eddie to the shack, he mentions Skye O'Dwyer is his best friend. We also know he works for her mom at the bakery, and seems to care for the whole family. So when we start considering who would kill Sam O'Dwyer, he's definitely close enough to the family to be a suspect.

(same scene) We learn Ray isn't from Deadloch, but has been living there for some time. But the line is vague on when specifically he moved. It would have been helpful to know he moved before Sam was killed.

(same scene) Eddie lets Ray know she's leaving as soon as they find Sam and his boat, where she thinks (correctly) the murders happened. It's not a secret, but he's the only non-police character we're shown specifically being told this information.

(episode two) Ray doesn't have any lines after he leaves Eddie at the shack, so I watched the end of the episode and he doesn't rejoin the other main characters at the Bush Wolf. Not suspicious in and of itself, but if you go back and look for alibis, it's clear he doesn't have one for planting Sam's body/setting the boat on fire

(episode three) Sam's body is planted immediately after Eddie keys in on him as a suspect. Amusingly, this seems to be less about Ray wanting to show he's smarter than to cops and more about making sure Eddie stays in town.

(episode three) Eddie again tells Ray she's leaving as soon as they have the DNA match, then leaves him after taking a swab. The next guy in line goes to Ray to get swabbed for the test. This implies it's possible he didn't submit his sample and that's why the blood on the boat didn't match him. It's also possible that the blood was from a previously undiscovered victim. I don't think we ever find out which was the case. My assumption is the latter, because why would he hand over a DNA sample if it might implicate him?

(episode four) Kind of an anti-clue: Ray at the beginner swimmer class. An experienced sailor isn't necessarily a good swimmer, and he used a boat for the first five (discovered) victims. Of course, this turns out to be a lie and Ray's actually an accomplished swimmer, but it doesn't make sense that he'd be pretending to need lessons.

(episode five) Ray is one of the first people to find Jimmy's body and reports it, fits with killer wanting to see other people reacting to his art.

(episode five) Another anti-clue: Ray vomits when he sees the body, and again while telling Eddie about it. The character might have been able to fake it that first time (he was preparing food, he could have snuck a slurry into his mouth like the actor actually did) but I think the character had to be genuinely vomiting the second time.

(episode five) Even with my glasses on I couldn't read the list of names the priest faxed over while it was on the tv. Taking a screenshot and zooming in gave me a better look, but while one of the names looked like it might have been Ray McLintock, it wasn't clear. Given that Eddie didn't know his name (he told her when she took his DNA, but it didn't stick) I think it would have been fine for us to see his name on the list, but not have it ping with her. (Spouse and I were calling him "Ray Pies" when we talked over the episodes, so I doubt the name would have pinged for me, but it would have been nice to have confirmation he knew about the religious stuff).

(episode six) “I’ve made some mistakes with women, and I’ve had some pretty weird interests” okay, it's not much of a clue by itself, but in retrospect, yeah, I think he has.

(episode seven) The six extra bodies surface and it turns out they were frozen and had defrosted over the last forty-eight hours. This means the killer started to defrost them around the time of the DNA testing. Also when Eddie told Ray she'd be leaving soon.

(episode seven) Eddie admits to actually liking Ray. She's a mess with shitty taste, there had to be something wrong about him.

That's pretty much it for clues within the show. It's not a lot, and I'd argue it's not enough to consider the mystery solvable. It's fine when clues don't seem to be relevant before you know who done it, but I think they need to be a little more conclusive when you look back over them. In the first seven episodes we don't know that Ray has access to pentobarbitol, or that his pet is still alive, or about Sam not being his first kill. At no point do we find out where he was storing those frozen corpses for years (sure, Skye has a cool room for her restaurant, but she would be using it) or how he got his hands on William Carruther's old car. And we don't know he moved to Deadloch before the murders began until we find out he was committing them.

Still, if you start with the theme of reinvention, and you eliminate suspects based on definitive alibis and not psychological profiles, Ray is one of the better suspects left, especially if, like me, you'd been assuming Margaret killed her brother from the moment we heard he'd left the country. Ray being the killer wasn't a shock, but I didn't know ahead of the scene in episode eight where Eddie finds Lou, even if I joked about Ray being the killer because Eddie liked him. So in conclusion: fair play, kinda.

[bleedingcoffee42]

Do you think any of the people professionally involved with Band Of Brothers ever wondered about the exact nature of the relationship between Nixon and Winters? I'm reading the Dick Winters interview transcript where he talks about Nixon for several pages, and it caught my eye how the interviewer calls it a "different kind of relationship", "it's very curious", etc. Or the things Ron Livingston has said (asking Winters to prom, etc.)

GOD YES. I firmly believe that these acting choices that built this fandom came directly from how Dick Winters talk about his best friend. Not only that, but Dick did NOT object to what he saw on screen except for that boy in Paris.

BUT Dick Winters was on a untouchable level where everyone was not only obeying orders but trying to not to tarnish anything or piss him off. It's not until years later anyone admits they liked Speirs more. I think everyone also wanted to respect it, keep the focus on the war story and used it to enhance that bond they were trying to demonstrate.

And most of those interviews were definitely leaving those questions open ended for him to come out and say more. An honestly what he does say, especially in how critical he can be of everyone else, kinda says what he really couldn't or wouldn't. And then there are the photos. LORD. But yeah, I really think there was a "'So, we agree, these two guys were in love right?" conversation between Damian and Ron when they started talking about how they play this thing.

IRL guys...well I've been thinking about how odd it is that Nix has a huge island farm out in California he gets Hester to run, but Dick "My goal in life is to have a farm" Winters is out in Central Pa cutting rocks by hand to build a house, living in a house without water, working like crazy to make it all happen by his own hand when his best friend already got him a job when he came home and has no problem making jobs exclusively for him.

I don't know that Dick ever realized what Nix was to him (That West Virginia hitchhiking story makes it clear Dick knew men swung that way but he's got a fixation on image that I don't know he could ever shake. I think if he did we would have never heard some of these stories because he would be too protective of them.) but I think Nix did. I can't see an 'engraved knife with our initials in it like two lovers carving our names on a tree' being something he wasn't aware of. I think he's more than aware of how people talk and still was by Dick's side when he had no reason to be. I also think Nix had something to do with Ron Speirs being right there when Dick needed an option when Dike locked up, especially after he assisted in getting Peacock shuffled back to the States. I think he took care of him better than he did his own wife, even if it was to shuffle pieces around the chess board to make things fall into place.

One thing is for sure, the men of Easy Co. know how to circle the wagons and protect their own. I don't know if we'll ever know the truth about what Dick said, because in being part of BoB, the actors were also brought into that circle of trust.

[bleed-more]

My Updated Headcanons for Seth Wilson

Since a lot of my attention is on Seth right now, I'm writing some updated headcanons for him with things I've learned over the past 4 years! I'm starting with my HCs with evidence and will write my HCs without evidence later >:3c

HEADCANONS WITH EVIDENCE:

- Seth's dog name is Link (Joseph mentioned in a livestream that's Seth the actor's dog's name so in typical MH fashion I imagine dog actor Link also plays dog character Link)

- Seth is about as tall as Brian (this isn't even really a hc but I used to draw him short so I wanted to clear that up)

- Seth did all the TTA entries that include fried images and red motifs (based off of Night Mind's theory that Tim-themed entries are black and white, Brian-themed entries are stereoscopic, and Seth-themed entries are deep-fried/red. They used these colors to both communicate who's speaking AND to let the recipient know who the message is for.)

- Seth used to be Christian but fell out of it by Season 2 (I think Seth is responsible for all the Christian iconography in the first season i.e. stigmata, ark, deluge, etc. considering neither Brian nor Tim were part of TTA yet, and he slowly abandons that faith because.......)

- ...Seth thinks he is a messiah of some kind (from TTA's "Forecast" where he says "AMIAPROPHET." [TW DEAD ANIMALS & ANIMAL CRUELTY FR PLS READ WITH CAUTION] Forecast uses footage from the USSR's "Experiments in the Revival of Organisms: 1940" in which you see a disembodied dog's lung being inflated and deflated by a machine in an effort to keep a dismembered dog's head alive. I don't think it's a coincidence TTA used a dismembered dog to refer to Seth ((or what Seth has become)) and that Seth is both alive(-ish) and has saved others from death, but only in the same fucked up corrupted way you see in the USSR's footage. Which leads me to...)

[END TW]

- ...Seth is trapped somewhere between the line of life and death and is sticking around for the unfinished business of revenge killing Alex (in the TTA entries, while many things are convoluted and unclear, one thing that is very consistent is TTA's hatred of Alex. Seth is vengeful for the death of himself, the attempted and successful murders of his friends. From TTA's "Decay" where Seth is clearly addressing Alex, he says "HE[Jay] WILL LEAD ME[Seth] TO YOU[Alex], LEAD ME TO DEATH[because his job will be done then], LEAD ME TO THE ARK[salvation and an end to his and Alex's suffering])

- Seth is the one responsible for Brian, Tim, and Jay surviving during Alex's first murder attempt (Alex couldn't bring himself to *actually* kill his friends back in 2006, so he lured them to the park and used blunt force trauma to knock them unconscious hoping leaving them for dead out in the park would be enough. Seth, however, had already caught on that something was wrong after Sarah's disappearance (I am going to write a whole thing about this eventually hehehe) and so he knew to be at the park, and after Alex left them, Seth made sure they were safe (there is also info I have here about a lake but that's worth a whole other post, send an ask if you're curious <3)

- And finally, Seth had been well ahead of everyone else in figuring out what was going on (Seth was the camera and tech guy, so it would make sense he would be the first to see what's happening on these cameras, and investigating what might be causing all of this. Seth was the one who coined the term OPERATOR. He understood Alex's actions were being influenced by this creature Seth was seeing while editing Marble Hornets. And I also think Alex knew Seth was catching onto his murder attempts, and that's why Alex took no chances and shot Seth (the first instance of Alex using a gun in the series) instead of hitting him over the head with a pipe and leaving him for the Operator like the others.)

I WOULD LOVE TO KNOW WHAT YOU THINK AND IF YOU GUYS HAVE ANY OF YOUR OWN THEORIES THIS WAS REALLY FUN TO WRITE AND I CANT WAIT TO MAKE PART 2 <3

[spaceorphan18]

Okay, some Glee discourse, because it's been a while ::

@lilacdaisyrose mentioned in a comment :: I’m so shocked that Ryan Murphy actually revealed that!! Also, I’ve always wondered (sorry kinda related), at the time was Adam quite a big thing in the Klaine fandom? To me I find Adam so confusing because there’s so little character development and I always wish there was even a bit more, but also wonder why they introduced him if they weren’t going to really add to his character? 🙂

Okay. So. There are a lot of components to this. In order to understand the whole Adam thing, you kind of need to have the context of what was going on within fandom at the time.

The short version (because this deserves it's own psychological thesis piece) is that Kurt Hummel had a huge fan base that had been fractured into many different sub fandom groups, all of them centered around shipping him with different characters. But mostly the big divide was between people who liked Kurt with Blaine and people who didn't.

[This whole sub culture fandom thing is so fascinating, and I really should write up a giant master post about it some day.]

So, we got wind that Adam was coming some time around Christmas (And, I mean, originally his name was Paul, and it was Paul's Peaches. I wonder why that didn't clear Fox Standards and Practices, huh.) And so the Anti-Blaine Kurt Stans got a hold of this info and just raaaan with it. Like, it did not matter who he was or what kind of character he was -- he was not Blaine and that's ALL that mattered.

So, Adam became a thing before he was even a thing.

A couple of things happened, though. First of all, like usual and typical, the Klaine fans (and I mean, I'm not even getting into the sub culture of Klaine fan divides either, because that is another post) began harassing everyone - including the actor, which, you know, made him a little cold (understandably). He did one interview attempting to insinuate that his role was important, but it definitely bristled and I don't think it was his best PR move, but that was lower compared to all the rest of the nonsense going on.

The big thing that happened was that Adam's first song -- the remix of Baby, Got Back, was tied up in some legal issues. Basically, Ryan Murphy used the mix without crediting or even asking the person who mixed it if they could use it. Now, they got permission from Sir Mix A Lot (or whomever did that song originally) but then it got into some weird legal gray area stuff, and blew up in the media and left a bad taste in everyone's mouth. So the general audience soured on him pretty quickly.

On top of that -- there was a shit ton of stuff going on BTS -- Cory's addiction was becoming a problem, the network wanted to kill the show, the tinhatters were driving Chris to murder, like there are a bunch of layers of stuff going on that made all this complicated, and it all kind of results in Season 4 just being wonky on a lot of levels.

(Btw - do Kevin and Jenna talk about Adam at all? I haven't listened to the podcast in a long, long while, so I don't know, but my curiosity is piqued.)

But during that time, this was when the Glee cast was finally beginning to set some boundaries concerning social media, but Ryan Murphy was beginning to try to use it -- and he kept getting himself involved in fandom, and flying a little too closely to the sun. I do think Klaine was always where he wanted to go (because the actors (mostly Chris) did complain -- which, again deserves it's own post). But they were loud, and they were obnoxious about it.

No, Klaine fans did not like Adam. At all. They wanted him gone, and we wanted reconciliation. But the Anti-Blaine Kurt stans made Adam the measure of who Kurt's bf should be. They did not really care that Adam only had three episodes and very zero development and was clearly dropped like a hot potato because it's obvious Kurt still has feelings for Blaine because, you know, Kurt's sleeping with Blaine while this whole dating Adam is going on but...

It was just a mess.

The other thing you have to remember is that -- while this was live, we didn't get the chance to just watch quickly in succession and go onto the same thing. Those of us who were spoiled knew of this character for months before he appeared. And it was a whole fucking long time before Love Love Love finally closed the door on it officially. So while he was only around for those three episodes, the open endedness of it last a LOOOOONG time. And no one knew what was going on.

So the shipping wars, as usual, continued on and on and on.

I'm trying to think if I at all answered your question, lol.

Why did they create him? the tl;dr version is that since Season 3, they had Klaine (the now b-couple) mirror Finchel (the a-couple) -- prior to that Finchel was the b-couple and Wemma the a-couple, and Glee loved to do parallels with them. But Wemma really wasn't a thing much by season 4, and Klaine was much more popular, and my god they just loved having Kurt be Rachel lite sometimes that they're basically telling the same story with both couples.

So, Rachel gets a season long boyfriend only to wind her up with Finn again (only the cory stuff threw a wrench into that). So, clearly, Kurt needed to have one, too. But also -- they needed to have Kurt do something. They weren't going to put Klaine back together until sweeps week, or the finale because that's how network tv paced things back in the day. So Adam was just subpar character development.

I don't know what their original intentions for the character were. I don't know if they knew. I think they had their story up until 4x15 (overall) and then it got rocky because things with Cory were getting weird and it all just fell apart.

I do think, like Darren, the actor playing Adam got a three episode contract, and they wanted to test the audience's reaction. Clearly, it did not go well, and the added legal issues of the song just kind of made them sweep it under the rug all the faster.

Hopefully, some of my rambling made sense.

Maybe at some point in the future, I'll do an expansive history of the Kurt fandom series.

Or y'all can keep asking questions. What ever you'd like to do <3 lol

[scary-grace]

Enough to Go By (Chapter 11) - a Shigaraki x f!Reader fic

Your best friend vanished on the same night his family was murdered, and even though the world forgot about him, you never did. When a chance encounter brings you back into contact with Shimura Tenko, you'll do anything to make sure you don't lose him again. Keep his secrets? Sure. Aid the League of Villains? Of course. Sacrifice everything? You would - but as the battle between the League of Villains and hero society unfolds, it becomes clear that everything is far more than you or anyone else imagined it would be. (cross-posted to Ao3)

Chapters: 1 2 3 4 5 6 7 8 9 10 11 12

Chapter 11

“Hey, there you are!” Spinner spots you and Tomura first as you step through the portal. “Twice is on his way. We thought you two were never going to show up!”

Tomura lets go of your hand and peels off his gloves, heading for the pile of gear that contains the rest of the hands and his coat. He put the hand he calls Father on his face before you left the apartment. “Kurogiri was busy.”

“Sure he was.” On the far corner of the wall, Dabi is rolling his eyes. “We all know what you two were busy doing.”

Your face heats up, but you’re behind your veil, and Tomura’s busy securing a set of hands over his neck, covering both the bandage and the mark you left on the other side. Nobody else seems too interested in joining Dabi in picking on you, although Magne’s ribbing him for supposed jealousy over his own lack of a cute girlfriend. Toga is studying you. “You changed your costume,” she says, and you hold your breath while she renders her verdict. “It’s cute.”

Compress drifts closer to investigate, too. “It’s an improvement. What’s the occasion?”

“We’re meeting somebody in an official capacity. I just thought I shouldn’t wear street clothes.”

Your costume upgrade isn’t much, and it took a while to put together. You’ve still got the grey veil and crown of thorns, but underneath it you’ve added a grey long-sleeved tunic you thrifted, leggings you bought, and boots you already had. Then you decided that the tunic was a little shapeless and cinched it at the waist with a red scarf. Worst comes to worst, you can use it as a tourniquet. You were worried about what Tenko would think of the entire effect, but when you showed him before Kurogiri came to get the two of you, you could tell he was pleased. Pleased enough to kiss you over it, although it took a while to make it work around the veil.

The aesthetics of your costume aren’t the important part. There’s a thin backpack over your shoulders, completely hidden by the back of the veil, which contains your best approximation of an EMT kit, and there’s a spare suture kit taped to your thigh, out of sight under the tunic. That was Tenko’s idea. He doesn’t want Overhaul to guess what role you play in the League.

And apparently he’s not the only one who’s been thinking along those lines. “It’s a good thing you changed your costume,” Spinner says. You look questioningly at him before remembering that he can’t see your face under the veil. “We were thinking. Shigaraki wants you to stay undercover, which means we can’t use your name in front of outsiders. And that means you need –”

“A code name!” Toga chimes in. “We all talked about it –”

“Nobody liked my ideas,” Dabi mutters.

You don’t even want to know. “And we all agreed,” Compress continues. “Unless Shigaraki has already given you one –”

You look to Tomura. This looks like it’s news to him, just like it’s news to you, and he only ever calls you by name. He shakes his head. “Excellent,” Compress says. “Spinner’s idea was chosen. Spinner should reveal it.”

Spinner looks a little nervous. “We already use a nickname for you,” he starts, “but ‘Saint’ sounds really dumb for a code name. So we decided instead – Saintess.”

It’s quiet for a second. “That’s not a word,” Tomura says.

“It is! We looked it up,” Toga sings out. “It’s like actor and actress, or villain and villainess. Saint, Saintess. It’s perfect, don’t you think?”

You’re not sure if you like it. It feels like kind of a dig against you. More than ‘kind of’, if you’re being honest. “It suits your look,” Magne points out. “And your attitude, since the boss wouldn’t dream of letting you get your hands dirty.”

“My hands will get dirty the first time one of you gets hurt,” you say. “You have the important work. My job is to make sure you can keep doing it.”

“Spoken like a true Saintess,” Compress proclaims. “Shigaraki. Your thoughts?”

“Yeah. She’s your girlfriend,” Dabi says. “You really want to let Spinner name her?”

Tomura considers it for a moment. “If it’s a good name, it doesn’t matter who it comes from. And it’s better to be named by your friends than your enemies.” He nods to Spinner. “It’s a good name. Call her Saintess from now on.”

Toga wandered over to one of the windows while Tomura was talking, but now she hurries back. “I see Twice! He’s got the other guy with him.”

“Places,” Tomura orders, and the League scatters to the sides. He reaches out and links little fingers with you. “You’re with me. This way.”

The League arranges themselves on and around a pile of shipping containers, set up in a rough pyramid. Tomura settles on one just below the highest level, and you sit down on one just below his, slightly off to the side so you won’t block his view. Tomura looks dissatisfied. “You should be up here,” he says. “But it’ll draw his attention to you. I’m not risking that.”

“I’m fine where I am,” you say. You glance up at him. “How’s your neck?”

“It’ll be fine,” he says, which means it hurts. You’ll look at it later, once this is over. “What about you?”

“I’m fine. You did a great job with the aftercare.”

Tomura’s face flushes, and you remind yourself to be careful what you say. The hand over his face doesn’t hide him nearly as well as your veil hides you. “Tell me what your friend said about them again,” he says. “The Hassaikai.”

“The new head – the one we’re meeting – he isn’t liked the way the old one was,” you say. “Someone who worked for both of them called him a monster. After he left the gang.”

“Yakuza don’t defect. For someone to do something like that, it must be serious.” Tenko’s expression is grim behind the hand. He raises his voice. “Be careful. Twice is trustworthy, but the one he’s bringing isn’t.”

“Understood.”

“You got it, boss,” Magne says, winking.

“For sure, Tomura-kun!” Toga chirps. She’s the only person other than you who uses Tomura’s given name. “I can’t wait to meet our new friend!”

You wish you had Toga’s optimism. Instead, all you feel as the head of the Shie Hassaikai walks into the warehouse is apprehension. You know you shouldn’t. Everyone here is battle-tested, except you. Everybody here has a quirk, except you. They can handle themselves, and they have the yakuza boss outnumbered seven to one – and if things wind up, it’s your job to settle them down.

Overhaul wears a mask over the lower half of his face, and thin white gloves on both hands. Is his quirk in his hands, like Tomura’s is? He’s peering up at Tomura and the rest of you, only the barest spark of interest in his eyes. “So this is where you’ve been hiding. I expected a little more.”

“It takes some time for an organization to adjust following a change in leadership,” Tomura says. “I’m sure you understand.”

Overhaul inclines his head. “Of course. Still, I expected more from All For One’s student.”

His voice is dry, almost inflectionless. Tomura chuckles. “And yet you’re coming to me, not the other way around. Explain that.”

Overhaul’s eyes started on Tomura. Now they’re shifting, from Magne and Spinner and Dabi on one side to Compress and Toga and Twice on the other. Then back to Tomura. Then down to you. His eyes are still on you as he addresses Tomura again. “To my generation, your master was nothing more than a dark legend, but the elders believed we still had reason to fear him. It seems they were right.”

To fear him, not to fear Tomura. Overhaul’s not scared of Tomura, and he doesn’t seem worried about just how badly outnumbered he is. Your stomach clenches. “With All Might gone, the underworld is in chaos,” Overhaul continues. “And it’ll stay that way, so long as the question of who the next leader will be remains in doubt.”

“I’m the next leader.” Tomura’s confidence sounds unshakeable. “All Might fell because of the League’s actions. The heroes are rattled because of what we’ve done.”

He gestures at all of you. “We’ve got victories to our name. What have you got?”

“All Might didn’t fall. He was forced to retire. And it was by your master’s hand, not yours.” Overhaul’s gaze drifts across the League, lingering on each person for a few moments, you included. “Every time you’ve won, you’ve taken losses equal to or greater than the victory you’ve claimed. You still have outside help – you don’t look nearly as filthy as I’d expect for staying three weeks in a warehouse without running water – but it’s much less than you had before.”

“Congratulations. You have eyes.” Tomura’s voice is sharp. “But again – you came to us. Not the other way around. I’m the next leader. You can join me or you can stay out of my way.”

“Let’s assume you’re correct, and you are the next leader. What’s your goal?”

Tomura scoffs. “To expose the so-called heroic system for what it is, and bring it down.”

“How?”

The question rings out, and it’s met with silence. Too long of a silence. Tomura regroups, but not fast enough. “All Might –”

“One hero, who would have retired anyway. Others will come to take his place,” Overhaul says. “You have ideals, but ideals are useless without a plan. And I have a plan.”

Tomura’s jaw is clenched, and you see Spinner’s shoulders stiffen, see a blue spark flicker around Dabi’s fingers. Useless is never anything but inflammatory, and you know enough about the League at this point to know that almost all of them feel like they’ve been thrown away. You speak before anyone else can. “It’s nice that you have a plan,” you say to Overhaul. Nice isn’t the best word, but you’re thinking on your feet. “That’s less important than your goal. If your goal doesn’t align with ours, we should go our separate ways in peace.”

Overhaul studies you. “We do share a goal,” he says after a moment. “The destruction of the current system, and a return to the old ways. We can assist each other in that regard.”

“How?”

“My plan is sound, but my organization is small, with few flashy victories. In order to secure more support –”

“You want our name,” Tomura says. “Why should we loan it to you?”

Overhaul doesn’t answer him. “Put yourselves under me,” he says, and the League reacts exactly how you’d expect them to. Overhaul ignores them. “I’ll ensure you’re better taken care of than this. In exchange, you’ll reap the rewards of my plan to return to the old order.”

“And take orders from you?” Tomura’s voice is full of scorn. “I don’t think so.”

“It isn’t a request.” Overhaul shakes his head. “You lack the vision necessary to make your childish dreams a reality. Since your master didn’t teach you properly, it falls to someone else to rein you in.”

It’s not a request. If it’s not a request, it’s because he thinks he has the upper hand. Why does he think that? “Someone ought to rein you in,” Magne says. She’s on her feet, and a bolt of terror shoots through you. “I’ll put you in your place.”

She activates her quirk, and Overhaul’s yanked towards her from across the warehouse. It surprises him, but not enough. You see him yank off one of his sheer gloves, extend his hand, making contact with Magne’s forearm before her support item can strike the side of his head. He touches her, and then –

Spinner, Toga, and Twice all cry out, but it’s too late. You can barely make sense of what you’re seeing. Dabi looks up at you, shouts at you to do something, but Magne’s beyond your help, beyond anyone’s. Even if you had a healing quirk, you’d need something to heal, and the top half of Magne’s body is gone. All that’s left are her support items and her legs, which teeter horribly in place, twitching, before falling limply to the floor.

Everyone’s frozen – you, Dabi, even Tomura. The only person who moves is the person who’s close enough to contain the situation. Compress lunges forward. A gunshot rings out from somewhere, and you see his arm jerk as his hand makes contact with Overhaul. His quirk should contain Overhaul instantly, but nothing happens. Overhaul seizes him by the wrist with the same hand that killed Magne and blows his arm apart.

He screams, and the sound breaks your paralysis and Tomura’s at the same time. You both leap into motion, Tomura headed for Overhaul, you aiming for Compress, and for a few seconds, you’re running side by side. A second gunshot rings out, from the same direction as before. You know who they’re aiming at, whoever they are. You throw yourself forward, getting ahead of Tomura by a single step, and the bullet tears through your veil, sinks into your shoulder. It doesn’t hurt like you expected it to. It feels more like a sting.

There’s a third shot, but Tomura’s aware now. He dodges, closing the gap between himself and Overhaul, and you readjust your trajectory and race to Compress’s side.

The floor’s covered in his blood and Magne’s, but you drop to your knees at his side anyway. There’s an explosion somewhere in the offing, and for a moment, you’re dragged back to Kamino – but you aren’t there, and you’ve got a job to do. You pull your backpack from beneath the veil, unzip it, and start pressing sterile pads down over the open wound. Compress howls, tries to squirm away, but someone pins him in place. Spinner, who’s come to help. You don’t have even a second to thank him. Your entire world narrows down to finding a way to control the bleeding, to secure the bandages, to make sure the job Overhaul started isn’t finished on your watch.

You don’t see what happens with Overhaul. You hear pieces of it, enough to know that the Hassaikai is withdrawing for now, that Tomura killed one of them, that the not-a-request is still on the table and Overhaul fully expects Tomura to agree once he’s had time to think. And then he’s leaving. Overhaul is leaving, and Magne is dead – but Overhaul’s quirk isn’t what he did to Compress and Magne, is it? That can’t be it. If that was it, they’d call it something else. If that’s not all it is, is there something more he can do?

“Wait!” The words leave your mouth at a volume you didn’t expect, and Overhaul’s progress towards the hole he punched in the wall stops. He turns back to face you, and you seize the chance to speak before anyone else can stop you. “You can fix people, can’t you?”

Overhaul inclines his head. That’s as close to a yes as you’re going to get. You swallow hard. “Please,” you say, “bring Magne back.”

“Why should I do that?” Overhaul’s voice is flat. “He attacked first.”

“She did,” you admit.

“And Shigaraki killed one of my subordinates. Wouldn’t you say we’re even?”

“No,” you say. Overhaul tilts his head to one side, studying you. “You called the person Tomura killed a subordinate. Magne is our friend. We made a mistake, but you can save her. Please, bring her back.”

Don’t disagree with him, but make your point. Don’t look helpless, but hand him as much power as you can. Be respectful, deferential, but not submissive. Every de-escalation skill you’ve ever practiced flashes through your head, and it’ll all be useless if any of the other members of the League open their mouths, Tomura included. But they’re quiet, for once, and Overhaul’s still looking at you. What happens to Magne now is up to him – and up to you, if you’re able to convince him.

“If I bring him back, I leave a valuable piece in Shigaraki’s hands, and I’m not interested in rewarding bad behavior,” he says. You nod. He’s not saying no yet. As long as he hasn’t said no, there’s a chance. “So I’ll make you a deal. If you value his life so much, then I’ll bring him back – and you’ll leave him here for the police to find.”

Your stomach lurches. “Decide quickly,” Overhaul says, and finally, he looks away from you. “As the leader, Shigaraki, the choice is yours.”

Tomura doesn’t hesitate. “Bring her back.”

Overhaul walks past you without looking at you again, to the same spot where Magne’s legs and support item lay in a pool of blood. He peels his glove off his hand and touches the puddle of blood and tissue. You don’t know how to explain what he’s doing, except that he’s reassembling her body, piece by piece. Someone throws up – Spinner, who at least has the presence of mind to turn away from Compress before he does it. Compress, and his missing arm. Why didn’t you negotiate for that as well? You’re an idiot. You’re out of your mind, and Compress is still losing blood. Your job still isn’t done.

You don’t look up again until you’ve packed enough sterile pads onto the stump of Compress’s arm that they don’t bleed through instantly, and when you look up, you find the rest of the League gathered around, and Overhaul’s minions standing back, guarding the exits. Twice is melting down. Toga’s trying to console him, but she looks furious herself, and Dabi’s expression is masklike, frozen. Tomura crouches next to you. “How is he?”

“I’ve secured it for now, but he needs those arteries clamped off. Does law enforcement know his face?” You see Tomura shake his head out of the corner of your eye. “If we take the mask off and lose some of the costume, I can take him to the clinic. They won’t ask questions.”

Tomura nods once. “I’ve called Kurogiri. He’ll take you there. Can you stay with him?”

“We can’t stay here,” Dabi interrupts sharply, before you can finish saying yes. “Half the prefecture heard that explosion. Where are we supposed to go?”

“Back to the waystation.” Tomura answers before you can offer. You would have. He looks to you. “Meet us back there as soon as you can get away.”

Warp gates begin to appear, engulfing the other members of the League, and you start removing the identifying features of Compress’s costume. Hat, waistcoat, tie, mask, the one remaining glove. Now he just looks like a normal guy. A guy who’s had a really awful accident. You pack up your medical kit, put your backpack on, and start pulling Compress to his feet. He doesn’t resist, exactly. It’s more that he just doesn’t try. “Leave me here. I lost my arm. My quirk. There’s no point to anything anymore.”

You’ve lived your whole life without a quirk. It’s not the end of the world. Sometimes people with quirks say the dumbest things. You chalk it up to blood loss and decide to ignore it. “I’m not leaving you behind. We’re going to get you patched up and get back to the others.

The warp gate appears and you drag Compress through it, the two of you emerging in the alleyway behind the clinic. You barely remember to take off the veil and crown and tuck them away before you and Compress make it to the waiting room. All you can think about is how you failed to negotiate for Compress’s arm. All you can think about is how you had to leave Magne behind.

You figured it might be a while before you got back to your apartment, but you weren’t counting on all the complications – the clinic’s short-staffed, and in order to circumvent the policy about sending major trauma to the ER unless there’s no choice, you hop in to help and free up a nurse-practitioner with a quirk that helps blood clot to tend to Compress. Unsurprisingly, there are questions about how Compress got the injury. You don’t feel any shame in saying that a villain did it.

About four hours in, you get a phone call on the clinic’s phone. The person who initially answers it tells you it’s your sister, which sounds not-right – Isuzu doesn’t know where you work, and if she wanted to talk to you, she’d call your phone, not the clinic’s. You pick up the call and hear Toga’s voice on the other end. “Tomura-kun wants to talk to you,” she says. She sounds miserable. “Hang on.”

Tomura doesn’t sound much better than her. “How is he?”

“As good as he can be. Once he’s hemodynamically stable they’ll let him go.” You hear the questioning sound Tomura makes and define your terms. “Once his blood volume’s a little more compatible with life. How are things back there?”

“Fucked.” There’s a light thud. You imagine Tomura flopping back against the wall. “Twice hasn’t quit freaking out. Dabi and Spinner are climbing the fucking walls. Toga is – I don’t know what. You need to come back soon. I don’t know what to do.”

“As soon as I can. But you do know what to do.” You try to think. “Tell them that he won’t get away with this. That we’ll make sure he answers for it. Make them believe you.”

You think of what you’ve seen from the League so far, how they’ve gone from at each other’s throats that first night in the bar to ready to fight for each other now. It’s because of Tomura, because of who he is. “You’ve always known how to do that.”

Someone shouts for you down the hall – something about a patient who needs a pelvic exam. You wince. “I have to go. I’ll call when we’re ready for – wait, how are you calling me? Whose phone is this?”

“Yours. You left it on the kitchen table.”

You did. You’re not under suspicion, but you didn’t want to risk anybody tracking your phone’s location. “I’ll call when we’re ready for a pickup. Soon.”

“Soon.” Tomura hangs up, and you head down the hall to talk a patient into a pelvic exam they really don’t want.

The nurse-practitioner who was looking after Compress really doesn’t want to let him go, but you manage to talk her into it, and you and Compress make it back to the alley and through the warp gate to your apartment. The mood within the apartment is palpable. Sadness. Frustration. Fury. With the number of unstable personalities in the League, it’s a miracle that no one’s trashed the place yet.

Dabi is sprawled on the couch, but even he’s not so much of an asshole that he’d make Compress stand. He gets up, and once Compress is lying down, he climbs up to sit on the back of the couch instead. He peers down at Compress. “You look like hell.”

“So would you.” Compress looks pretty sickeningly pale. “I lost my arm and my quirk.”

“Your quirk?” 

“He touched Overhaul. It should have worked,” Spinner says. “But it was after he got shot with one of those.”

He points at the coffee table. There’s a bright-red capsule sitting there. You’d say it was a bullet, except for the fact that it’s tipped with a needle. “What is that?”

“We don’t know,” Tomura says. He’s sitting on your kitchen table, legs crossed, elbows on his knees. “We need to find out.”

“I heard three shots.” Toga’s voice drifts out of the kitchen. When you take a peek, you find she and Twice lying on their backs on the tiles. “One hit Mr. Compress and one missed Tomura-kun. What about the third one?”

You become aware, suddenly, of a sore spot on your shoulder. “I think that was me.”

“Right,” Spinner says. “You and Shigaraki both ran. I saw you get in front of him. What happened to your quirk?”

You look blankly at him. Is it really possible that the League doesn’t know you’re quirkless? Tomura wouldn’t have told him. It doesn’t matter to him. You glance to Tomura. Tomura nods once, and you take a deep breath. No matter how many times you say it, it never gets easier. “I don’t have one.”

It’s quiet for a second. “Twice,” Dabi says, “pay up.”

“No fair,” Twice protests. “You bet she had a lame quirk, not that she didn’t have one at all.”

“Having no quirk is probably better than having a lame quirk,” Spinner says. You’d argue, except you have a vague idea of the hell that heteromorphs go through, and if Spinner would rather have your problem than his, you’re not going to judge him for it. “Healing quirks are really rare anyway. And I’ve heard they burn through tons of mana.”

“Even if you had one, it’s not like you could make somebody’s arm grow back,” Toga says practically. “Or somebody’s –”

She trails off. You know what she’s thinking of, because you’re thinking of it, too – what happened to Magne, something so sudden and catastrophic that it would take a miracle or turning back time to fix. You got a miracle, but you lost Magne anyway. Her arrest was reported on the news while you were still at the clinic. In the silence that falls, Tomura climbs down from the kitchen table and steps into the center of the room. “Three days from now I’ll tell Overhaul that we’re accepting his offer,” he says. No one says a word. “When we respond to what he did, we need to respond decisively. That means we need more information. And we need to know more about this.”

He points at the bullet on the coffee table. “Starting tomorrow, Compress will test his quirk on the hour, every hour, to see how fast it returns.”

“It won’t return.”

“We don’t know that yet,” Tomura says. He looks around at the rest of you. “Compress’s injury and what happened to Magne won’t go unanswered. But our answer will be the final word. Does anyone disagree?”

There’s silence. Tomura turns away and climbs back onto the kitchen table, assuming the same position as before. You check one last time on your patient, note that he’s shivering, and find a blanket to drape over him. Dabi is peering through your closed blinds, down at the street; Spinner’s sprawled in one of your chairs, lost in thought. Kurogiri is wherever Kurogiri goes when Tomura doesn’t summon him. Now that you think about it, it’s strange that Tomura didn’t summon him for the meeting with Overhaul.

You have questions about that. But as much as your feelings are pulling you in Tomura’s direction, you know rationally that it’s Twice and Toga you need to check on first.

You have a feeling they won’t react well to you checking on them. You’re not their mom or their sister. You head into the kitchen with the excuse of making tea and step carefully around and over them, trying to think of a solid opening line. “If you guys want somewhere to sit, I’ll arm-wrestle Spinner over that armchair.”

“Hey!”

You don’t know why Spinner’s getting wound up. In an arm-wrestling contest between the two of you, you’d almost definitely lose. “Twice likes the floor better. It’s cool and welcoming,” Toga says. She doesn’t open her eyes. “Sorry I said I was your sister.”

“You should have said cousin.” Twice’s eyes are closed, too. “You two don’t look anything alike.”

“I was on the phone. They couldn’t see me.”

“Sister was the right call,” you say. “I only have one female cousin, and she’s a villain.”

“Really?” Toga sits up, interested, and Tomura looks up from the kitchen table. “Why isn’t she in the League?”

“I don’t know that she’s, um, in your league,” you say. “Have you guys ever heard of Gentle Criminal?”

“That guy? I’ve met him! He’s a tool,” Twice says cheerily. “We were locked up in the same holding cell one time. The first time he went to jail it was for trying to be a hero. Your cousin’s with him?”

“Yeah, she’s his sidekick. Or videographer. Or something.” You’re understating it slightly. “I’m pretty sure they’re a thing.”

“Like you and Tomura-kun?”

“Not like that,” Twice disagrees before you can say anything. “The boss is way cooler. Saintess has better taste.”

“Or higher standards,” Toga says. “Or both.”

“What are their quirks?” Tomura asks. He slides down from the kitchen table and comes closer. “Could we use them?”

“I’m not sure about his. Hers – I don’t think so.” Your family thought Manami was quirkless for a while. When her quirk popped up late in primary school, they were thrilled. “None of my family are power types. All their quirks do is change things about other people – like status effects in a video game. My dad can change how people perceive time, so time-out really sucked when I was a kid. My youngest sisters can make people feel the same emotions they feel, which is terrible.”

Tomura makes a disgusted sound. “That’s worse than the twins.”

It’s not great, but on the whole, you’d rather deal with the triplets. “Those are all broad-spectrum. Manami – my cousin – her quirk is a power-up, but it only lets her affect one person. The person she loves the most. So unless her boss’s quirk is something really special, I don’t think they’d be much use.”

That’s true, but only halfway. You don’t want your cousin mixed up with the League. You don’t want anyone you know involved with them. You and Manami were pretty close, since you were the only quirkless ones in the family at for a while, and it was her running away to join Gentle Criminal that inspired you to shake off your parents and follow your own dream. You haven’t talked to her since, but ever since you found yourself a member of the League, you’ve thought about her more than usual. Wondering if she’s happy. Hoping she found what she was looking for, whatever it was. Praying she doesn’t get hurt.

The tea finishes steeping. Green tea. You remember Tomura likes that. You pass a cup to him, then down to Toga, and watch with no small sense of relief as Twice sits up for one of his own. When you look up, you find that Spinner’s come over, too. Once you’ve given him a cup, you call out to Dabi and Compress. “Do either of you want tea?”

Compress says no. Dabi, to your shock, says yes. “I’ll bring it to him,” Toga says. She hops up from the floor, takes the cup you pour, and brings it over to him at the window. When she comes back, she sits on the counter instead of the floor, and she focuses on you. “How many siblings do you have?”

“Seven.”

Toga looks surprised. “That’s even more than me,” she says. “Are you the oldest? You seem like the oldest.”

Not by much, but enough to count. Enough to make sure your childhood ended before it began. “How did you know?”

“Nobody starts out good enough to be a Saintess,” Toga says with a shrug. “You have to learn it somewhere. I’m the oldest, too. But I was never very good at that part.”

You have to learn it somewhere. You’ve never heard someone say that before, but now that you think about it, it’s true. You wouldn’t have gotten so good at keeping things calm, at smoothing things over, if you hadn’t had to. If tamping down your feelings, controlling the negative ones by any means possible, hadn’t been a necessity in your family, you wouldn’t have done it. It’s a personality trait, but not one you were born with. For a split second, you wonder who you would have been if you hadn’t grown up the way you did – and then you realize that you know. The lessons you learned set in before the triplets were born, but long before. The person you would have been is who you were with your best friend.

You push the thought aside. “How many siblings do you have?” you ask Toga. “Did you get along?”

She says yes, which makes sense. She’s outgoing compared to the rest of the League, and just like you learned from your family, she learned from hers. Spinner surprises everybody when he chimes in about his family, too – he’s a middle child, with one older brother and one younger sister. Tomura doesn’t add anything, but that doesn’t surprise you. He stays at the edge of the conversation, listening, and you keep one eye on him and one on Twice. If you wait long enough, you have a feeling Twice will talk about what’s bothering him.

You’re right about that. He speaks up in the next lull in the conversation. “I wish Magne was here,” he says. “She’s the only big sister I ever had.”

It’s quiet for a little while. Twice’s voice is small when he speaks again. “It’s my fault. I brought him there.”

“Nobody blames you,” Spinner says. “He lied. It’s what villains do.”

Nobody steps in to point out to Spinner that he’s also a villain, and something clicks in your head: The League thinks Overhaul is more of a villain than they are. Having seen what Overhaul did, you’re not going to argue. “He lied,” Tomura agrees. “Unless you have a mind-reading quirk we didn’t know about, there’s no way you could have known what he was planning.”

“Big Sis wouldn’t blame you.” Toga pokes Twice in the shoulder with her foot. “So you shouldn’t blame you, either.”

“And she’s still alive,” Tomura adds. “We’ll deal with Overhaul, and then we’ll break her out of wherever the heroes are keeping her. It’s not anything close to over.”

The situation seems like it’s resolving, sort of, and you have other stuff to do. You finish your tea, then make your way out of the kitchen. If you’re going to be responsible for caring for Compress’s injuries, you need to make sure you have the necessary supplies. And there’s blood all over your costume. You should probably change. When you shut the door to your room and peel off the tunic, it sticks to you, which is when you realize that your skin is covered with dried blood, too. It’s all over you, and the sight reminds you of something you wish the memory wipe had cleared away – what happened in the wreckage of Tenko’s house, when you tripped and fell and sprawled out in what was left of a member of his family.

You need to clean up. You need to clean up right now. You strip out of your clothes on the way to the shower, turn the water on hot, and throw yourself in before it’s even started warming up.

The cold water isn’t enough to freeze out the memory, and the hot water can’t burn it away. It’s your turn to throw up in the bathroom, and you do, on your hands and knees in the shower, trusting the water to cover up the sound. Your head is spinning again, between Magne’s death and Compress’s injury and getting shot and getting Magne back and outing yourself as quirkless and getting a new name – a new name, like a villain, like your cousin Manami except you’re all but useless to the villain you serve – and hosting the League for the next three days, and getting shot. You keep forgetting that you got shot. You keep forgetting how it happened.

It’s been clear for a while that you put Tenko above yourself, in a lot of ways. His memory above your sanity. His mission above your integrity. His needs over your pain. But today was the first time you actually put Tenko’s life over your own. Sure, the gun had quirk-canceling bullets instead of real ones, but you didn’t know that when you heard the first shot. You heard the first shot, knew who the second one would be aimed at, and threw yourself in front of him. And you did it without hesitating.

You don’t like thinking about that. You don’t like looking at it, either, once you’re out of the shower, wrapped in a towel and trying to patch it back up. It’s not a bullet hole – more like a puncture wound, angry and inflamed, with jagged red lines emanating from the impact point. You don’t like looking at it so much that you leave dealing with it for last, patching up yesterday’s injuries and getting most of the way dressed before finally facing up to it. You’re just deciding whether to use spray disinfectant or antibiotic cream when someone knocks on the door. “Just a second,” you say, and the door opens anyway. It pisses you off. “Out. If you can’t give me a second –”

The door shuts again, and a moment later, Tenko appears in the mirror behind you. His eyes are fixed on the wound in your shoulder, and without asking, he lifts the supplies out of your hands and gets to work. He does with the Neosporin over the antiseptic spray. In general, you’re pretty stoic about pain, but the spot where the quirk-canceling bullet struck feels like the worst bruise you’ve ever gotten, combined with an ache in your shoulder and arm that almost feel like you’ve got the flu. You flinch from Tenko’s touch. “Careful.”

“Sorry.” Tenko’s hands are barely touching you. It just hurts. Now that you’ve let yourself admit it, you have to admit that it hurts a lot. “This was stupid. Don’t do it again.”

Your stomach clenches. It’s not like you were expecting him to thank you, but – “It was necessary. We’d have been in big trouble without your quirk. And I’m your sidekick. My job is to –”

“Have my back. Help me. Be with me.” Tenko looks up from his work, makes eye contact with you in the mirror. “We’re supposed to win together. You’re not supposed to die for me. I never let that happen.”

Even when you were little, you were a little too realistic for the games you and Tenko played. Sometimes you’d imagine yourselves into a corner you couldn’t see a way out of, and in those cases, you’d try to say your goodbyes – and Tenko never let you. If I can’t save my own sidekick, how will I save anyone else? “Those were just games.”

“And now they’re real. Nothing else has changed.” Tenko’s much more careful than usual as he bandages your shoulder. “Did you get the other ones?”

You nod. And while the two of you are here, he’s got wounds you need to check. You unwrap the bandage without asking, just like he did, and inspect the scratches. For injuries incurred last night, they don’t look so bad, and you pick up into the same routine as before. There’s something almost comforting about the pattern you’ve fallen into with Tenko, of tending to each other no matter where the wounds came from. It settles your nerves, slows down the frantic spinning of your mind. This is why you’re here. To be with Tenko. And you are, so what does the rest of it matter?

You’ve just put the panic in its place when Tenko speaks up. “Don’t do it again,” he says. “Say you won’t.”

“I won’t,” you say. The words roll off your tongue easily enough, but they feel wrong, and it’s not until Tenko kisses you that you understand why. All this time, he hasn’t lied to you. Whether he’s Tenko or Tomura, he tells you the truth. You’ve just lied to him for the first time ever, selling it so smoothly that he can’t help but believe you, and it feels awful.

It’s not the worst part, though. The worst part is that you’re not sorry.

[leresq]

Fnaf movie notes, spoilers ahead:

First off, fuck Scott Cawthon, let's just say I didn't watch the movie in theaters or on a streaming service.

What I liked:

Matthew Lillard actually looks like William Afton

The "Talking in Your Sleep" cameo was the best one of the movie, next to "I have a theory"

Cory was funny, as expected

I liked how they made the animatronics just kids, they want a friend.

The way the animatronics moved was great, I just wish we could have gotten a foxy running scene.

The cinematography and set design inside the pizzeria was great, and everywhere outside felt very real.

The animatronics were cute when I was supposed to like them and foreboding when I was supposed to be scared of them. I don't know if they physically changed the suits but it works.

Mike's actor was actually pretty good at looking distressed or upset.

I just want to hug the animatronics they are so cute 🥺🥺

The animatronics weren't sadistic, when they killed someone it was because they were trying to get them out or away. Just like if an actual little kid had that power, they wouldn't be cruel or even want to kill anyone, they just don't understand their own power

There actually were five nights!

Springtrap wiping the knife is a reference to Scream, where Matthew Lillard played Ghostface, who is known for wiping their knife after using it.

BALLOON BOY

What I didn't like:

You're telling me they named their main character Mike and they didn't have Afton go "MIKE! MICHAEL!!! MICHAEL DON'T LEAVE ME HERE!!!!! *MICHAEL!*

Vanessa was a nothing burger, even when her motivation was revealed it wasn't that good. I think it would have been better if they set up that she was working with Afton

Golden Freddy was everywhere but they didn't namedrop the kid once, and it was so inconsistent. He's here, he's not here. I'm assuming it's a combination of Cassidy and the Crying Child.

Afton's connection to the story is flimsy. Why was he pretending to be Raglan? I'm assuming it's so he could get night guards to toy with, that's why the animatronics killed the intruders but not Mike.

It's kind of weird thinking about the logic of how Afton killed Mike's brother, and gave his daughter the plane. Just seems a little bit of a stretch.

Even though I hate excessive gore, I thought there wasn't half as much violence as there should have been. I guess the PG-13 rating constricted a lot.

It takes a broom to activate what I'm assuming is a Circus Baby reference springlock, but Afton can jump around in Spring Bonnie.

The only Purple Guy reference we got was a purple tie. They should have made the security vest purple.

Questions

How is the cupcake sentient?

How does Afton control the kids?

Who cleaned up the blood of the four intruders? I'm guessing Afton but I wish they'd made it more clear

Why didn't Afton send out the animatronics on the first night? Even if he wanted to kill Mike, he seems like the type to psychologically torture people beforehand.

Why was there an "it's me" note? I get the reference, but why? Is Mike's brother here?

What's the Freddy mask with the saws inside? I know Afton uses it to kill people but why does it exist?

Why does Balloon Boy exist? Do the toy animatronics exist in this universe??

Why doesn't foxy have a tail?????

Favourite character: Foxy

If we get a sequel I hope we only get one or two. I don't want a whole cinematic universe. Finding ways to watch 12 movies 'other ways' will get complicated.

Also when the casting was revealed, I didn't know who Matthew Lillard was and someone told me he played live action Shaggy, so I didn't know he played fuckin STU FROM SCREAM until I watched the movie, so another cameo technically, just only for me

[youkaiyume]

Alright, I have finally gotten through the rest of Bridgerton Season 3 Part 2 (twice) now, and I do have some thoughts. I am going to be splitting what I liked and what I didn't into different posts.

This one will be all the things I did not love.

Spoilers below.

--

Overally I'm not quite sure how to feel? While I'm happy with where they ended, I thought how they got there was extremely rough. And it's not as if I don't like a bit of drama, but the amount of stress and heartbreak in between was too much. Perhaps I should have kept away from the Bridgerton interviews because they really set my expectations high, for certain things.

From the delirious high of Episode 5 that really gave us everything, to the lows of the Whistledown reveal hanging over us in the rest of the season, I truly was befuddled on my couch at 2 AM. I expected Colin to be angry with Pen about Whistledown, but I truly did not expect for them to go into their wedding and then well into their marriage not having hashed out these wounds or accepting one another fully.

When Colin accused her of entrapment it was truly crushing, especially when he had so passionately denied to her mother before of this very accusation. Only now to throw it in her face and confirm all of her deepest fears and regrets. Even if he could not have reconciled her alter ego with Penelope I had hoped that he would assure her that he still loved her so that she could go into the chapel the next morning without feeling that he was only there out of obligation. When he said these things I was surprised that Penelope did not offer to withdraw from the engagement. Not only if he was so clearly unhappy but also I couldn't believe that she would marry him knowing this is what he thought of her. This would have been great for the official reveal when she is up on stage making her speech to the ton, where he was standing by her side to speak. Not literally, I understand the importance of wanting her to step into her power by herself in the spotlight, but it would have been nice to see her doing it knowing she had the full support and love of her husband.

Instead, she went up there believing that he would want to annul the marriage, and that she had done this in a way to secure her and her family's future without him--because she--and WE have been told this entire season that a woman has to look out for herself. How wonderful it would have been to be proven wrong--that she is not alone.

Don't get me wrong, I did feel in the way he looked at her during the wedding and when they danced that there is a clear longing and love for her despite their rift. And when he said their vows I genuinely felt that he meant them and wanted nothing more to be hers. It's clear despite everything, deep down he still wants that happy ending with her, but the show sure spent the entire time having them not talk about their feelings.

Again, I had fully thought that by the time they were married he accepted her, and the the entire plot revolving Cressida's blackmail would be him fully trying to protect and support his wife because he loved all of her and feared for her safety. Instead, it came off like he was protecting Penelope because she was a Bridgerton now and he didn't want this to sully their good name. Not even the line about him being mad about someone blackmailing his wife was enough for me. I will temper this once again with it was clear that of course he still loved and was beginning to understand her, especially when he made his plea to Cressida to spare Penelope.

Don't get me wrong, I love angst but I did not think it would drag on until the last moments of the series. And it's the kind of marriage that I also did not like for Season 1, where Daphne and Simon spent most of their time married apart. My stomach really dropped when I realized 'oh, we're doing this again...' And yes we did get a brief "honeymoon" period tho this is misleading when the actors promoted it because it took place during their engagement before the reveal. But even then we could not fully enjoy the moments when they were blissfully happy because Penelope's secret hung so heavily over them.

It is certainly complex all of the feels he's having--loving her, angry and betrayed by her, feeling deep sympathy for her while also envying her success. Penelope feeling like he can't love all these parts of her even if they're not perfect, her constant regret, not wanting to give up her voice--it's all too much for them and it was clear they did not have time to unpack all of this in the time they had. I feel like we needed at least one extra episode or two.

And to add insult to injury, we took up so much time panning back to Benedict's sexcapades. And look, don't get me wrong I was giggling like a schoolgirl when we got confirmed bi-benedict. But also I felt like the times we flashed back to him in the bedroom was too much. In fact I was slightly confused because the way it was shot/the same location made me think they were just returning to the same sex scene over and over again. As if the entire plot was happening over days and Ben hasn't been able to take off his shirt yet! Trapped forever in an endless night instead of it reading like 'this is several trysts that he's had.' I don't need these many scenes to understand that he's enjoying his newfound sexuality. Especially by comparison we got so little of Polin in their own season--both as a couple and promised spicy moments--they spent so much of it apart!

And then!! There is Eloise!! There's a lot I can say about Eloise, but the main one for right now is just how much her self absorption continues to shine through. The way she just treats her supposed friends like convenient audiences to talk to, and immediately ignores them when they have problems of their own. They way she cannot be bothered to truly learn or care about a single thing about them unless it affects her in some way.

Truly my flabber was gasted when she told Pen it was a good thing Cressida should take the fall, only to turn around and deny Cressida any help in her fake Whistledown paper when it would have solved all of their problems. Like, you know Cress is lying! Just help her out, you know she's desperate to save herself and it would also save Pen! Even if Cress took the mantle briefly and then retired by saying she quit because she is now unmasked that would have been ideal.

Instead she walked away and is now shocked when Cressida decides to talk shit about everyone including the Bridgerton family. Prompting Pen to come out of hiding (at your behest!!!) to save your ass AGAIN with Whistledown--which by the way Eloise was so very pleased and grateful for the next morning. And then truly said thanks for that sis, sorry that blew up your engagement tho lol sorry I won't try to help out with that or support you at all. Like. WTF. I could write essays on how Eloise continues to disappoint me despite my best hopes for her but you can tell I get a little ranty about her.

A little minor thing I am not sure how to feel now also is how Polin's son is now the Featherington heir. Like I know that's overall a good thing and I am pleased she won the baby race--it means Pen and Colin can now move into Featherington house and just live across the square and she's saved her mother and family. but also Pen knows that is a fortune she is claiming to be from her Whistledown earnings is actually stolen money--A crime that her now husband tried in Season 2 to return to the rightful members of the ton. I can't imagine he'd feel completely okay with that... unless this is another secret she is keeping from him? I dunno, it's very messy. But also! I would have liked for Colin and Pen to have spent some time actually traveling child free together on an actual honeymoon. (Did they even get to honeymoon????) But Colin immediately knocked her up their first time together he's too powerful I guess.

Anyway, I have good things to say too, I'll probably post about them later.