#like the story is BETTER and more interesting with her as a character

[loosescrewslefty]

This interaction explains a LOT about Aira's character, and why her feelings for Okarun feel so unserious when compared to the likes of Jiji. Aira didn't enjoy playing piano, but she cannot STAND losing to someone else, leading to her obsessively working to win. But after winning, she lost interest in piano altogether because she 'won,' and no longer had the drive to play.

For a long time now, Aira's place in the story feels way more like she is invested in Momo. Momo is the one who inspires character growth in Aira on at least two different occasions I remember (confessing to spreading rumors after the fight with Nessie, and becoming more serious about fighting when she accidentally caused the Evil Eye to attack Momo), but while Jiji is slowly moving into a position where his feelings for Momo can no longer be ignored by the other characters, Aira's interest in Okarun is basically a hamster wheel. It spins and spins, but it doesn't go anywhere. But Aira clings to it out of stubbornness because she doesn't want to admit defeat, while at the same time never making serious effort to get Okarun to see her as a viable romantic partner.

From the start, the majority of Aira's focus has been on Momo. First by convincing herself Momo was a demon that needed to be defeated. Then trying to insist that she needed to save Okarun from Momo. And now she has fallen into a comfortable pattern of throwing herself at Okarun any time Momo is around to incite Momo into arguing with her. But she ONLY does that when Momo is around, and then loses interest in Okarun the moment she and Momo start throwing hands. I suspect that's the real reason she isn't doing anything to either try and seriously progress her relationship with Okarun or bowing out the way Rin and Vamola did once they realized that they were better as friends rather than trying to get between Momo and Okarun. Because she is afraid that if she doesn't push the idea of liking Okarun or makes a serious effort and either 'wins' or gets turned down and can't justify pushing herself on him any longer, she'll lose the frienemy relationship she developed with Momo.

And in the end, what keeps Aira going is the competition, not the trophy she earns when she wins.

[pendwelling]

TWSB Genderswap AU thoughts...

(Felt like exploring their designs while in the middle of writing my "What if TWSB Was Genderswapped? : Gender Expectations, Trope Subversion, and How Jung Eunseo's Gender Identity Affects QPB" essay/analysis (which somehow took an somewhat academic turn) 😭 Please look out for that, whenever I finish it... TvT)

I actually spent quite a bit thinking about this lmao (my thought process would make much more sense if you read my essay but it's still a WIP so 🥹👍) Have some fun silly abridged thoughts instead! :

Cédric M. Riester —> Ségolène Benz Riester

I firmly believe that female!Cédric would look a lot like her mom 🥹 Like Mother, Like Daughter! Long hair is a hassle when you're a swordsman, so she keeps it short... (until she gets jealous over Yeseo and Chris bonding over braiding hair TSK)(actually canon tho LOL)

I also gave female!Cédric the name "Ségolène" (Sieglinde) since it's the French female form of "Siegfried" (to which the author originally confirmed was supposed to be his name until it was changed to better fit the Riesterian setting)! "Céline" was also an option, but there's already a Riester ancestor with that name (Ced's grandmother and Frédérique's mom) and I didn't want them to just switch their names or make her "Céline II", and I'm already SO biased towards "Ségolène" hahaha

(As for the middle name. Well. LMAOOOOO It's self-explanatory, but if you're curious, see the screenshots of my IG story justifications later below! I also just thought it was. really funny OTL)

Christelle Olivier Rambouillet —> Christian Aude Rambouillet

A pretty-looking young man by the name of Christian... I chose "Aude" as the middle name, since that was the sister of "Olivier" in the "Chanson de Roland" where the name comes from! It works well, I find, because Aude is also the betrothed of Roland, which ties in to "Christelle/Christian's" character setting of "love interest", and how Ga-in would eventually gain agency outside of it.

I kept male!Chris' hair long because of the significance it carries for Ham Ga-in who couldn't cut it out of respect/guilt for Ollie 🥲 It's quite a small but significant aspect of Ga-in characterization that would translate well into any version of their character: the notion of "this isn't my body, so I must take care of it well in the original owner's place". (And later, the implied future cutting of hair being the resolution of these dilemmas and internal struggle! I love Ham Ga-in a lot...)

(AND YEAH LOL CHRIS IS STILL SHORTER THAN CED, tho if you want to, you can choose to believe that Chris' 19y.o. body still has room for growth xD)

Jung Yeseo:

As for Jung Yeseo... hahaha her name can remain the same! I wanted to draw her as a pretty girl-next-door unnie, who looks studious, gentle, and cute (but surprisingly fierce when angry LMAO)

Major inspiration was taken from brown-haired shoujo-romance MCs! The original body of the MC from "I Raised a Black Dragon" was especially notable for me. Her design was really cute and always reminded me in some way of Yeseo... TTvT

Anyhow, she's naturally a girl who obliviously captures the hearts of both women and men 🥹👍

(And here's my initial messy IG story thoughts!) :

(Additional thoughts from my twitter/x thread 😭) :

In the first place, CeChri in a Genderswap AU would be so funny to me bc woah... Pretty Transmigrated Duke's Son MC x Handsome Crown Princess (who is taller than him)? Revolutionary. It'd probably be a very genre-convention-defying RoFan haha (I WANT IT)

ADDITIONALLY LAUGHING bc FredAu about the engagement would be like: "Sadie, do not worry, you'll like him. Young Lord Christian is a gentle young man known for his reserved personality, who is also very beautiful (reminds a bit of Alex when we were younger...)(insert nostalgic feelings)..."

🔥, after they've finally become acquaintanced: "Not beautiful at all."

🌊 "WTF????"

🔥 "Not gentle either (TSK)."

Ségolène would probably even get pissed off seeing Chris' long hair. As a knight, she always thinks about convenience. Besides, her father could pull it off because he was very beautiful.

🌊 "WOW! Are you really calling your own fiancé ugly then???"

🔥 "And short."

🌊 "............."

Also thinking about Yeseo first transmigrating, trying futilely to remember what Ségolène looks like. According to Eunseo, the main female lead is very beautiful, so Yeseo images a gorgeous woman with long ebony hair who would look amazing in ornate ball gowns worthy of her position as Crown Princess. A cold-hearted beauty.....

Reality —> Gorgeous, tall woman, broad-shouldered and muscular, with short hair and wearing a knight's uniform.

🌷 "!!!?" (JAW DROPS)

'Wow!? Are the standards for female love interests different these days??'

Yeseo is so flustered she can't raise her eyes (Ségolène is too tall 🤭)

"In the first place, isn't the gap between the FL and the 2nd FL too large...?"

Ségolène: Tall, stunning woman in a uniform with fierce eyes. Hair as dark as the night, a figure that looks undoubtedly very reliable and strong. Great with the sword, and would definitely cut you down without hesitation if need be.

Losna: Significantly shorter, gentle-looking beauty with sly eyes. Long golden hair that curls coyly at the ends, divine-looking yet somewhat enticing like a siren. Soft hands that have never touched a blade, but whose tongue could cut deeply while delivering words in the kindest tone.

🌷, heart pounding, flustered (DENSE): (chuckles) "If I were a man, my heart would definitely be in a frenzy! Even the MC is very pretty, too... They truly are the protagonists!!"

🔥 (piercing stare)(wants yeseo so bad)(is it possible for someone to be so lovable?)(cuteness aggression is so real)

🌊 (thinking about how to make yeseo their priest partner)(very determined and having fun)(already making plans to have everyone in an arranged official sleepover that lasts a lifetime<—somewhat warped view of marriage)

Whenever people see CYC together, it's as if the Empress, Cardinal, and Prince Consort have come back from their youth.

A cold-looking and stubborn Crown Princess with a sword, a young powerful Cleric with a gentle face, a Duke's strong and pretty son with long hair.........

FredAu: (fluffy atmosphere, warm sentimentality, fond memories.....)

🌊 "...? Why are they looking at us like that?"

🔥 (knows from FredAu's gazes that she has gotten parental approval)(like mother like daughter LMAO)

🌷 (doesn't know that her fate has been sealed TSKKK)

(If you can't tell, I'm having a lot of fun with this AU LMAO. Please look forward in 19474893 years when I finally finish my What-if Genderswap AU very-serious essay about this topic TTvT👍

[godzillabreath]

unfortunately I do have more to say about wwdits.

I think one of the most egregious things about the development of the show over the seasons is the tonal shift. I was watching it from the beginning to convince myself I wasn’t crazy for feeling the first three seasons were better, and I felt vindicated.

It was always a dark comedy, but it wasn’t always a zany dark comedy. It had been grounded in real, everyday life. The vampires prey on a LARP group, the vampires ride a late night bus to go to a city council meeting, Nandor tries for citizenship, etc. I think once they started introducing a slew of supernatural creatures like a monster-of-the-week a la carte, the show became increasingly less focused and outlandish. There are episode I don’t like even in seasons 2 and 3 that are emblematic of this shift. The siren, the gargoyles, the troll—they just feel out of place in a story that is supposed to focus on out-of-time vampires and how they engage with the modern world. They aren’t really adding anything to the characters or the plot when they appear either. They just make a flashy CGI appearance and give some quippy line, which ultimately eats up time where our main cast that we actually care about could otherwise be on screen, doing things. And then there was a point in time where this show just did not allow itself any more sentimental moments between characters. These moments, for me, made for refreshing moments between comedic situations. It balanced the humanity in all of the main cast. But the show opted out of those moments, and it just became a back-to-back comedic situation with less and less interesting character moments to look forward to. Anyway, I just find it kind of sad that the writers completely detonated all of the characters’ inner emotional lives by the series finale. I liked to see Nadja bored in her marriage and pursuing this lustful encounter with Gregor through reincarnated generations. I liked to see Colin challenged by another energy vampire undermining his territory. I liked to see Guillermo struggling with his fractured relationship with his family, his discomfort in his own sexual identity, and his need to cling on to this group of vampires that disrespect him if only to find family and personal liberation in their company. I liked Nandor being so disconnected from modernity that he became listless and depressed and lonely and clung on to the idea that he might make himself human again. I liked the romance that the writers were building literally textually and in all of their marketing material from season 3: that Guillermo (at least) had these unrequited and very frustrating feelings for Nandor and how that affected their relationship with each other. I liked the idea of Laszlo forming these personal connections with both Sean and Colin, even if I found their conclusive arcs to be lackluster, strange, or unpalatable (baby Colin to weird co-parent Colin was a bizarre arc.) I liked the idea of Nadja wanting power and community because of the impoverished, desolate conditions she grew up under (especially the class dynamic of marrying Laszlo and how that could be at times a schism in their relationship), even if the writers did not care to expand upon this. The potential just drives me crazy. I can’t believe they opted out of tying up any of these emotional hooks. I think it might drive me crazy forever.

[whatdidtheydotomygirljinx]

Jinx just never really liked Vander that much.

One of the things that, to me, seemed like a main theme in Jinx's arc in season 1 was the contrast between her two families, and how her switch from Vander's daughter to Silco's drastically changes the way her personality takes shape.

And I hate that the fandom, and now the show, too, has reduced Silco to an unhealthy influence in Jinx's life, pushing her towards her "bad" side (being Jinx) when, for all his flaws... he gives her a better childhood than she ever had with Vander. The first three episodes of the first season, to me, when I watched them, illustrate quite clearly that Powder feels unhappy in her family life. She is the most mal-adjusted of Vander's kids. Her older brother constantly berates her, and it's quite clearly having a big effect on her self-image. She later takes up the Jinx name and persona once she feels like she has become irredeemable as a person. Her other brother never defends her. Vi is the only one who is there for her, and they care for each other, but at the same time you can see there's still a little insecurity in their relationship. Vi is worried that maybe Powder is indeed too weak, and Powder worries that maybe Vi does indeed see her as a Jinx like her brother does.

And when it comes to Vander... he's just not really all that present in her life. And I don't blame him, the man has four kids to take care of, on top of keeping things running in the Undercity. It's clearly not his intention. But it doesn't change the fact that he's not there for Powder, not as much as she needs. To me, when I watched the first season, it seemed like Vander was a figure that felt far away to Powder, someone that she admired but also feared being completely herself around, and someone that she ultimately wished to be closer to than she actually was. It's worth mentioning that Jinx never says his name post time skip, and he is not a hallucination for her, not until Vi brings him up in the finale. Hell, Claggor is somehow a hallucination for her and he never even speaks. Vander was just not an influential figure in Jinx's life.

I always found the scene at the end of ep3 of s1 fascinating, because Powder never once mourns Vander. She never once cries for him and never once says his name. When she sees his dead body, she becomes shocked and starts crying, but it's not actually what breaks her. What breaks her is Vi's rejection. Had it just been that she accidentally caused the deaths of her brothers and adoptive father, she would not have crumbled mentally. It's Vi's rejection that destroys her. Now, of course, a little girl that cares more about her sister's affection towards her than the lives of her family members is kinda messed up, but that's what makes her character interesting. And we can see that that little girl doesn't go anywhere, as Jinx displays the exact same one-mindness about her sister. Because Jinx and Powder were never really that different, after all.

She is quite clearly placed with her back to Vander's body, that she never turns to, barely looks at, only enough to recognize him and see he's dead, and never says the name of. She's turned towards Vi, calling for Vi, crying because of Vi, and no one else. Heck, Vi had just been crying over his body a few moment ago. Vi is clearly distraught over his death. Vi is devastated, she literally punches her sister and curses her in the exact worst possible way she can, in the way she know it will hurt her sister the most. But Powder... she just honestly dgaf.

So to then hear Jinx say this line in season 2...

...is just straight up jarring. I was pulled out of the story when I heard this. This is Jinx saying this to Vi. This kinda makes it seem like it was Jinx who was most attached to Vander, or at least that she was just as attached to him as Vi was. Which is just not how things seemed in the story at literally any point until this one. And then season 2 continues this way, and somehow makes Jinx seem like the closest daughter to Vander. Flipping Warwick literally acts more attached to Jinx than Vander ever did to Powder. Like literally. Season 1 clearly sets up that Vi is the favorite daughter, and then they just... flip it?? Warwick cares more for Jinx and responds better to her than to Vi. It's actually insane. It's true they sanitized Jinx's character to hell and back this season, but this is a straight-up rewrite. I can't wrap my mind around why they did this. Plus, the entirety of act 2 they set up this weird and pointless arc of Jinx rekindling her relationship with Vander or something... and like literally her story was genuinely never about that.

(This COULD have been Vi's story. And that might have actually been cool, and made sense. Maybe Vi is the one who finds him, and she is the one who helps him calm down. And then she brings Jinx, and maybe Jinx is terrified because she was never that close to Vander, and then she literally killed him, so seeing him again is the last thing she wants. Maybe VI is the one who tells Jinx that "he was your dad, too", which would make A LOT more sense, and maybe that's the first time that Jinx thinks that oh, yeah, he was... And then maybe they have a cute moment where Vander forgives her. Or maybe she sees the state he's in right now and loses it completely. Or maybe they look at each other and they both see the monster each of them has become. And then maybe Vi looks down at the enforcer uniform she's wearing, and, privately, sees it too. Idk. The things we could have had.)

Silco was actually a good dad to Jinx, in all the ways that Vander wasn't. He gives her all the attention that she never had before. He not only listens to her, but actively asks for her side of the story. He never insults her, and he defends her against Sevika. He trusts her and gives her opportunities to prove she's capable. She goes from being one of four siblings, and getting lost in the shuffle and often ending up feeling forgotten and alone, to being the most important child, always taken into consideration and almost put on a pedestal by her dad (this, like, has to have cured some inner wounds, i think).

Silco understands Jinx better than any other character in the show, and I'm genuinely sad that we didn't get to see any flashback of Jinx growing up with him. Because their relationship was so unique, and so integral to Jinx's character and to the rest of the story, that the fact that we never get to see any other glimpse into their bond is just...

As a final note, I'd also like to add that I dislike when people say that Silco "groomed" Jinx. I think a much more realistic analysis is that he enabled her. And as for all the times he tells Jinx that Vi "betrayed her", that's just a reflection of his own trauma, and also because he fears that if Jinx knew Vi was alive, she would go back to her and leave him (which, considering what goes down in the s1 finale, not an unfounded fear). It's wrong that he does that, but it's not out of malicious intent (also tbh Jinx never really seems to believe him anyway).

And for all the people who say that Silco "turned Jinx into a terrorist" (dumbest people in this fandom fr, im sorry), that's just straight up not true. Powder was already like that. That is quite literally why Silco adopts her. Because he sees that she's like him. Silco would not have taken Powder in if he thought she was just a cute, innocent kid who was orphaned (to, what, raise her for years so that, MAYBE when she's older, she MIGHT be useful to him? when they meet he doesn't know she's the one that caused the explosion, he just knows that she's been abandoned by Vi). This is the kid who thought playing around with explosives was a fun hobby. This is the kid who giggled at the thought of hurting others. This is the kid who already suffered from explosive emotions. This is the kid who saw her father and her brothers dead, because of her, and all she cared about was whether her sister was mad at her because of it. This is the kid who throws herself at the first person she sees, someone who her sister hates, who is the cause of all this destruction, and with an anger that shocks most viewers, declares that Vi is not her sister anymore. She is livid in that one moment.

Powder already had it in her from the beginning. And it's also ok to like a character (and to write one) even if they are not 100% morally pure in every single way under the sun, cause that is quite literally what stories are for.

[cre8inghavoc]

Can't help it...

Part 9

inumaki x f!reader

pairing: inumaki x f!reader

summary: Transferring to a new school is tough, but having your three best friends there makes it easier. Things get even more interesting when you start falling for the mysterious boy who rides his motorcycle to school every day. What will happen next?

genre/warnings: [18+] Characters are aged up. Story contains cursing, new friends, alcohol, college!au, no curse!au, dark humour, SMAU and written parts, fluff, smut.

Inumaki's POV:

I’ve been staring at the ceiling for what feels like hours now, and I don’t understand why I can’t sleep. I mean, I’ve always had issues with sleeping—insomnia’s been my constant companion for as long as I can remember—but I thought it was getting better. This past week, for the first time in years, I actually slept well. It was odd, sure, but I wasn’t complaining.

But tonight? Tonight, it’s back to the old ways.

Back to no sleep.

I sighed, running a hand through my hair as I glanced over at the clock.

4 a.m.

Great.

Should I even bother going to school later? Maybe I should just skip. But then… I wouldn’t see y/n.

Fuck.

The thought of not seeing her tomorrow... or today, technically... made my chest tighten in a way I didn’t want to think too much about. I let out another frustrated sigh and turned my head to look at my phone on the nightstand. For a moment, I just stared at it, my mind running through all the reasons why texting her at this hour would be a terrible idea.

She’s probably asleep. You’ll wake her up. She’ll think you’re being annoying. Just leave her alone.

But then again… what if she’s awake too? What if she’s thinking about me the way I’m thinking about her right now?

Before I could overthink it anymore, I grabbed my phone, my thumb hesitating over the keyboard. I typed out a message and stared at it for a second, debating whether or not to hit send.

This is stupid. She’s not awake. You’ll look like an idiot.

But my thumb pressed send before I could talk myself out of it.

Hey… you up?

I tossed my phone on the bed beside me and ran a hand over my face, already regretting it. But now all I could do was wait.

Honestly, I was kind of hoping she would respond. It’s not like I can sleep, so maybe talking to her would help. But at the same time… I kind of hope she doesn’t even see my message. Because… what if I’m being too much?

What if she sees it, rolls her eyes, and thinks I’m just some guy who can’t get a grip? Someone who’s bothering her at 4 a.m. for no reason?

I sighed, staring at the faint glow of my phone screen as it sat on the bed next to me. What was I expecting? That she’d magically be awake, texting back right away? And if she did… what would I even say?

Hey, I can’t stop thinking about you?

Yeah, right. That would go over well.

I shook my head, feeling the frustration bubble up in my chest. Why was she in my head so much? Why couldn’t I just… let it go? Ignore it? Pretend I wasn’t thinking about the way she looked at me earlier, or the way her voice shook just a little when she was mad?

I groaned softly, rolling over onto my side and staring at the phone again. One minute passed. Then another. The screen stayed dark, and the silence stretched on. Maybe this was for the best. Maybe it was better if she didn’t answer.

Because if she did… I wasn’t sure what I’d say next. Or worse, what I’d admit.

But then, to my surprise, my phone buzzed.

I blinked, staring at it for a moment as if I’d imagined the notification. The screen lit up, her name glowing back at me. My heart skipped a beat, and I hesitated before picking it up, as if seeing her response would somehow make this real.

WARNING: SMUT (18+ ONLY) & HEAVY FLIRTING/TEASING

A/N

things are getting veryyy spicy now 👀

hope you enjoyed this little tease

im so sorry this took so look... it was very unexpected ive just been extremely busy and honestly haven't had the energy to write much

yes this is very short butttt i kinda just want some of yalls opinion on this... like would you actually wanna read the smut (next part)

ik its late ASF BUT ENJOY IT PLEASE OR ELSE ILL CRY FR

TAG LIST <3

@madaqueue @mikko-mikko @arabella0001 @swarachxle @s3ns4ti0n4l @jdgfsgdgdvf @tomikixd @arabella0001 @emotionalasf @unofficialsapphire @miowxh @hansl0ver @miowxh

[olenvasynyt]

I feel like readers would be more sympathetic of Papa Archeron if SJM had written him better. He is so flat and practically useless in the first book, and was used as plot device in ACOMAF and definitely in ACOWAR. And (at least imo), the dramatic entrance with the ships felt forced, like SJM was trying to get her audience to cry without giving a very good reason why. It was performative, especially with how little effect he had in ACOTAR and ACOWAR.

I think what would have been interesting is if we got something like Mrs. Everdeen in The Hunger Games. A widowed mother struggling with mental health, and a daughter who takes her place as head of the house to hunt and take care of her sister. There are plenty of similarities between Katniss and Feyre, and we could have gotten more similarities between them if SJM wrote the same nuance for Papa Archeron as Suzanne Collins did with Mrs. Everdeen.

Mrs. Everdeen was so heartbreaking and very realistic for the situation she was in. And like Feyre and Nesta with their father, Katniss resented her mother for “tuning out”, for mourning and not picking herself up and helping her daughters. When Katniss is picked for the Games, she demands that her mother can’t tune out like she did when Dad died. She has to be there for Prim. She also got better when Katniss came back and gained confidence with their wealth, which encouraged her to go back to being a healer for the town and during the war in Mockingjay.

The struggle and resentment between them was excellent and I was frustrated with Mrs. Everdeen but I also understood her situation. But Papa Archeron, it was so hard, and SJM could have written him better. Yes, Papa Archeron suffered from an injury to the point where he struggled to take care of his family, and maybe he had guilt for putting them in the situation with the merchants, etc. But if we got a glimpse of his mental health or how hard it was for him, it would probably make a lot of readers appreciate him more. But instead silently carving wood by the fireplace and nothing else, and then he’s magically cured with Tamlin’s help and instantly jumps into his business again as if nothing happened. We see no struggle. And that is why he reads so flat.

I have sympathy for Papa Archeron because of what he could have been lmao. I gladly ignore SJMs writing and come up with some logical arguments for Papa Archeron’s character that can make me enjoy his story with his daughters a bit more.

[multifandomloverthrowaway]

What Sky’s Character Should Have Been

(And why her and Viktor needed to be canon.)

This is LONG, and just my opinion. Please be nice!

In storytelling, each character, each scene, and each literary device is crucial for the advancement of the plot. If any is over or under utilized, the story remains cluttered or incomplete. That being said, it truly is a tragedy how horribly the characters, especially the Zaunite characters, came to be treated in season two. The characters and arcs set up in season one are butchered, and Viktor’s story is particularly disappointingly miswritten by the authors and misrepresented by the fandom, and we see this in the narrative and to a certain extent even fan treatment of Sky.

Sky is a ghost. Her presence, while tangible in the story, is not fully realized to the audience. We do not get to know much of her besides her interest in Viktor and a small flashback indicating that they knew of each other in their youth. Thus her existence and her death are ultimately unsatisfying; we do not know enough about her to be able to connect with her, and so she is ultimately only perceived to be an object to propel Viktor’s descent, even though we do not know much of his feelings towards her either. This is an unfortunate misuse of her as a supporting character, especially when it has a good potential reason to exist other than to solely be Viktor’s love interest.

Before understanding what Sky can represent, let us first define her in the context of the setting, particularly in relation to the characters that she supports. I have touched upon this in more detail in my Viktor character analysis posted, but for the TLDR:

It is clear that Jayce and Viktor are foils to one another. The difference in their opinions on Hextech sets them up to be a parallel to an important aspect of the class struggle set up in season one: Even when the oppressed are “good enough” to compete with their privileged peers, the resultant treatment by the oppressor between both is starkly different. Where the privileged will be lauded and commemorated, the oppressed will only be served minimal acceptance and approval. Thus, their characters and how they interact with one another, as well as the characters of their immediate mutual contacts and their own corresponding interactions, should serve explore this struggle further, especially when it comes to Sky, Mel, and Heimerdinger.

So Sky, like Viktor, should show how Piltover can misuse Zaunites against their hometown. However, to keep her character separate from him, unlike Viktor, who loses himself getting out of this trap and back to Zaun, Sky must be lost to trap itself. She must show just how inhumanely far Piltover will go in exploiting Zaun to maintain its subjugation over the latter. Like we see with other innocent Zaunite background characters that are killed by Piltover on the battleground, Sky must represent those that are killed in softer, more covert methods: through the extraction of Zaun’s finest intellect and the resulting false diplomacy. We must eventually see how Piltover indirectly kills her for being Zaunite, even though we know she is killed by Viktor and the Hexcore.

Sky then needs to have a fleshed out background that indicates of her optimism, grit, and innocence. It does not have to be as in depth as that of the main characters, but the audience must be shown the following:

Her academic prowess that indicates how she can capture sponsors and spin her botany research to help Zaun into something that Piltover thinks it can also benefit from. From which councilors or patrons does she benefit? How and why?

Her motivations for Zaun. What does she view an ideal Zaun to be? What would its relationship with Piltover be? We know she wants to make it better by creating natural greenery, but why does she choose to do so in Piltover? What pushed her to apply to the academy?

Her relation to Viktor, the only other known Zaunite at the academy. Did they interact more than that one time in the river? Were they friends or mutuals? How did Viktor help her get a position as his assistant and why? We know she is fond of him, but what about the other way around? What are their experiences at the academy like? How do they interact with casual prejudice? Do they stick up for each other? Do they find support in each other?

We must see her struggles to successfully obtain funding and traction for her own research due to Piltovan pushback and prejudice. (In this case, she must be in the same research group as Jayce and Viktor, but no longer their assistant as a decade is far too long to remain as such. She will be tied to Jayce’s name but not under him or Viktor.) This needs to be shown to contrast Jayce’s ease in becoming a councilor and gaining enough authority to push out Heimerdinger to further his and Viktor’s research. We need to see her project take the back seat because it is not the project that Jayce is directly tied to. We must see her have to to be careful and planned in who she talks to, how, and what she is able to get from them. This would provide a perfect parallel to Mel and about how being outsiders provides challenges when it comes to change; one being born into power with an imperialist upbringing and getting past Piltovans gracefully to a councilor position to invite it, and the other having no power and so relying on the street smarts and a resource seeking mindset from a more impoverished background to scavenge for it… yet both using the same methods (smooth talking, strategic connections, etc.) to do so.

We need to also know her relationship with Zaun and her perception of Piltover. She must be shown to nurture her feelings about the unfair treatment of her home into a more determined and optimistic view of potential equality and diplomacy, and their growth over time with her and Viktor’s research and their duty to represent Zaun. We should see her friendship with Jayce. We should see her interact with Mel and Heimerdinger. This not only lets the audience sympathize with her by empathizing with the struggles she faces above and her defiance in face of them, but also contrasts Viktor’s internal anger about Zaun and Piltover that he lets fester with his growing ailments and erasure of academic and technical contributions. This contrast sets her up nicely to symbolize the “good that could have been” in the relationship between Zaun and Piltover, and thus by extension, between Viktor and Jayce - hence her initial role as their assistant, and something that is cast aside as each character grows more towards their goals rather than the partnership.

This also sets her up to personify Viktor’s humanity. We’ve seen them meet. Let us see them study together, build things together, perhaps even fend for essentials together. Let us see how and why Sky fell in love with the Viktor from her youth. Let us know of Viktor’s endearment of her as we see him choose her to be his assistant. Let us see how they interact after facing prejudice from Piltovans and band together. Let us see her meet him when he’s on the hospital bed. Let us see her and Viktor be protective of and vulnerable with each other as they face the enemy. Let us see them bond just like we have seen him do so with Jayce. With Sky, we can see Viktor’s insecurities and his empathy like no other character can; in her we can see what makes him human.

This is integral to Viktor’s character and his arc. Whereas Jayce can actively work towards a future for his life with Mel and his career outside of Hextech, Viktor does not have the same luxury due to his illness. He cannot pursue anything but Hextech because his life and the lives of his people are on the line due to Piltover’s control. And that is precisely why when Sky loses her life due to the technology, it isn’t just Viktor that kills her. It’s Piltover’s waste, Piltover’s luxuries, Piltover’s unfulfilled promises that do. And Viktor realizes that after. Sky, in all her optimism, is fundamentally what Viktor could have strived for had he not let his anger and urgency spiral. As a mirror to Mel and Jayce, Sky is not just Viktor’s past but also his hopes for the future. And he realizes that he and Zaun has lost what could have been.

By giving Sky agency, we see just how much she could have done for the plot. But seeing how much the story fumbled Viktor, it’s not surprising to see her get “fridged” twice. I hope I did her justice!

If you’ve read this all, you deserve all the desserts. Thanks for reading!

[in-mhany-universe-ever]

In my opinion from reading the manga and watching the anime:

Izuku Midoriya does not have romantic feelings for anyone during the first 430 chapters of MHA.

He doesn't have time.

This hurts me as a BKDK shipper, but I think it's obvious throughout the manga that Izuku does not have the time nor the mindset to be able to think about a relationship or a crush.

Does he have some initial romantic feelings for Ochako? Yeah, but I don't necessarily think those are for her specifically. Ochako is the first girl who's ever paid attention to him, and he notices, and as any 15 year old would, he freaks out.

(I could also go into how the very next panel is Bakugo, and how Ochako and Bakugo are constantly contrasted with each other, but that's an essay for another day).

However, it doesn't only happen with her. We get similar reactions when Hatsume falls onto him and when he sees Nejire at the beauty pageant.

Even when Toga admits she wants him to be her boyfriend, he's completely clueless and flustered.

Izuku being clueless is just a part of his character, but more than anything, it's important to emphasize the point that he is not interested in something like this right now. He doesn't partake in conversations about girls nor is he obsessed with them like Mineta and Denki (i.e. when Toga-as-Cami appears naked in front of him).

He doesn't fawn or pine over any of them like Ochako does with him. We're all well aware that Ochako has a crush on him, but where is the return? There isn't any, because he doesn't have time for that. And if it was important for the story that the two of them have a mutual romance, she would have been given a lot more room to interact with him in stereotypically-romantic scenarios. Think about it:

Ochako is not the one who is kidnapped, which causes Izuku to wallow in guilt and immediately participate in a rescue.

Ochako receives the same letter as everyone else when Izuku leaves UA.

When Ochako is mortally wounded and about to die, Izuku is nowhere nearby.

It comes down to the fact that Izuku is concentrating solely on improving OFA so that he could defeat AFO, and he prioritizes the people who will help him achieve that. He spends his time with All Might, Shoto, and Bakugo - his mentor and the people who are the best in his class and can push him. Ochako is not the person who can train him and push him to be better - Bakugo can. Shoto (both on his own and by way of his father) can. He only turns to Ochako for help when he receives his float quirk, and even then we see them interact for one chapter before he's back to normal.

To summarize: Izuku is a teenage boy being exposed to girls for the first time, but immediately prioritizes his dream to be a hero.

[kiraridertime03]

We need to free the Weasel

A brief discussion about the way that Creature Commandos uses politics in its narratives.

Spoilers for it and everything else James Gun DC up to this point though, below the cut.

Also, it is a busy post, content warnings for discussions of white supremacists and cops, as it is necessary.

With the release of the trailer of James Gunn's Superman film, hype for his grand DC Universe has kicked into high gear, and for good reason. That trailer, no matter the quality of the final film, is a goddamn work of art. A piece of film that understands Superman better over the course of 2 minutes and 20 seconds than Zack Snyder did over the course of 3 overlong movies. That mixed with his solid back catalogue of Superhero films. However, slightly more obscurely, this universe has already started with the animated series Creature Commandos, and especially with the fourth episode, which released hours before Superman's trailer, shows the kind of skill and thought Gunn and co. are putting into this new universe.

At its front, Creature Commandos feels very... blunt, in a lot of ways. It's like The Suicide Squad but with Creatures! It's big and raunchy, being an animated series with blood and swearing and sex and whatnot. And, when it comes with its politics, some of the early villain's mooks are a bunch of weird incels, and one of the main characters constantly advocates for killing Nazis. It is a work that immediately shows its hand, making the type who would decry the wokeness of modern movies and games or whatever. However, with these early examples, it can feel like a bit too much, maybe. I love it, don't get me wrong, I'm the type to really enjoy blunt earnestness. Though, given the more comedic approach that many of these elements take in the early episodes, it can feel a bit like it's only there for the bit.

Where the series really starts to excel, though, is when it starts integrating its flashback segments. As a whole, even outside the point of this post, the flashbacks feel like a wonderful decision. A way of fleshing out our characters while giving each episode a distinct feel, justifying the series as, well, a series rather than just one long movie. However, here, I want to discuss some of its political ideas, and how they integrate. Because, for these, they integrate more thematically, being an undertone to each character's own story.

For the bride, her story is centered around this idea of the objectification of women. I mean, it makes sense. She was literally made to simply be the bride of Frankenstein, an object of his affection. However, as she gained her own independence, the masculine figure who feels he is owed her hand in marriage breaks out into a rage, harming her and the person she actually loves. This story is what gives her the cynical edge she gains in the series proper, giving her an interesting, sympathetic story while using the elements of said story to say something about how many men perceive woman. A strong enough parable that acts as an undercurrent for her character.

Then, we get to G.I. Robot's episode, a real tear-jerker of a thing about a silly robot character, the exact thing to set my brain off in all sorts of ways. Much of this story is designed to set up his tragic past, so that we can feel catharsis once he gets his big moment, then feel the tragedy when he gets brutally murdered. However, it again is saying a lot of complex things. Many have discussed the PTSD angle for GI, which I do see, however, in GI's story specifically, I see the way that the American state treats veterans. Like, think about it. This being who was forged and created for the purpose of making war, goes to war, then once the war is over, they are, best, used for spectacle on live TV (Where they are unable to properly adjust to the tone of peacetime, accusing the audience of being Nazis themselves), studied not to help them, but to make the next generation of soldiers even more efficient at their goal of warcraft, then thrown to the side when they are no longer useful. The man selling GI to the collector literally says he slipped through the cracks. It, again, is a wonderful metaphor that takes advantage of what GI is, and uses it to emphasize these issues in a more literal way. It is a lot easier to show a robot who was programmed in a specific way weird the room out than the rocky adjustments a veteran may have to go through. It then, also, shows the kinds of people who really benefit from this warcraft, those it appeals to. The collector who buys GI turns out to be a part of a White Supremacist group in America, a group of people who gladly use Nazi iconography, identify with it, and gladly push it. Those also happen to be the types who want to buy old war memorabilia. Obviously, not all war collectors are Nazis. But these are people who see this kind of might makes right ideology that America so often employs with its military, and latch onto it. GI, rightfully, finds this appaling, and kills them on sight. It is this wonderful moment from this delightfully twisted series.

However, even that could be seen as a tad blunt. Again, GI is very clear with his words, he doesn't hide much. So, where I see this series going from good to great is with Weasel's flashback segments. This begins when a lawyer, a member of a nonprofit, demands she see Weasel, as she is putting on a case for him. In essence, she states that, at least to her and her organization, he was unjustly prosecuted. To both Rick Flag and us, this seems absurd, as we have a lot of predisposed biases towards Weasel. You see, he is one of the few pre-existing characters in this cast. Weasel was previously seen in James Gunn's The Suicide Squad, though only briefly. There, as a member of the Decoy Team, he makes weird, gross noises, they make a joke about him having killed 27 kids, then have him promptly drown before the mission even starts (Though, in the post credit, it turns out he survived, because that's even funnier). Even if you hadn't seen that film (Which you should if you haven't), they reestablish all that in this series in the first few episodes, portraying him as a stupid, vulgar, violent creature who isn't worthy of rights. However, expertly, this is all a front.

In the flashbacks, we learn that Weasel only interacted with about 8 kids, a bunch of students left at an after school program. Contrary to what we had been told, he really just played around with the kids, chasing around a ball. They eventually get inside the school and, while messing with stuff they shouldn't have, start a small fire. However, some antics are afoot. While he is playing around, an old senile man sees this and, rather than asking about what's going on, decides to run back to his home, call the cops about what is a clear, if odd, misunderstanding, then grab his gun to try to take things into his own hands. And, as he does, shakily trying to shoot Weasel, he makes the problem of the small fire worse, shooting a gas canister behind them, turning the small fire into a school-destroying explosion and fire. Then, the cops show up. Many of the kids are already dead, seemingly, but one survived. So, as he pulls her out of the wreckage, what do the cops do? They start shooting. Throughout this whole sequence, the cops do nothing but shoot and get in the way of things. It all culminates in the final shots, where Weasel has dropped the kid after being shot. And, instead of either of them going to get the kid, they both pin Weasel down, try to pull him out. This leaves the young girl to be crushed.

This is a massive tragedy, a game of tragic misudnerstandings that gets kids killed. However, again, it does this by hiding its politics into a genuinely moving character based story to make them more effective. It is a story, in part, about our predisposed biases. I mean, the narrative literally sets this up. Characters around Weasel say things about him without him being able to have a say. Because he's a Weasel. Then, our characters make judgments based on what they believe and what they've heard from secondhand sources over what they actually see. Even when Weasel is his most violent (taking down Circe in episode 3), he does it to protect his teammates, and he doesn't actually kill her. In his backstory, characters make rash decisions based on their misinformed judgments in hopes of "protecting the kids," when all they are actually doing is harming them. They get 8 kids killed all because Weasel is a little freaky.

Then there's the cops themselves. It so masterfully uses showing rather than telling. The most it tells us is of the trail at the start, and again, this is moreso used as setup, playing into our dispositions. However, when it is time to actually depict the injustices, it shuts the fuck up. It doesn't just say that cops are bad with a couple of clear shitheads and moves on. It shows how cops are bad. Their only answer to this situation is violence. They don't actually serve their community, in this instance the children stuck in the fire, their only answer is to start shooting things. Because they have no other answer than state sanctioned violence. And they did this all with an episode about FUCKING WEASEL!

Now, imagine what they can do with Superman. It doesn't even have to be political, like these previous examples. However, to me, this shows that he can do what, to me, some of the best storytellers do. They weave every element of their story together with deliberate choices that strengthen each other. If anything, more than any well edited trailer, it is that that excites me about everything James is working on. Of course, he is doing this with a team, but James is the type to surround himself with smart people who understand these things inside and out. That one David Corenswet quote about the shorts proves that to me in shades. That's what gives me hope about these works. That they will be movies and shows that mean things. Which seems like a low bar, but hey, so many fail at it that it's kind of impressive.

[homestuckreplay]

If WV And PM Have No Fans I Must Be Dead

(page 1032-1039)

The mirroring of Jade (Prospit; dreaming) and Jade (Earth; robot) has been expanded to also mirror PM (Earth; years in the future) and PM??? (Prospit; now) with more identically-composed panels. It is actually a really smooth transition, and I do think that having time to sit between updates makes it easy to keep track of different versions of the same character, where and when they are, and how they can interact. I’ve seen in forum threads that some people have blasted through the first 1000 pages in a day as they discover the story which must feel like a very steep and confusing learning curve (even if it’s technically more accurate for representing the kids’ story, which for them is still a single day).

The imps in John’s house all look similar enough that this could be a fakeout, and this Prospit white chess piece is not PM, but they have the same build and eyes (see above from pages 723, 844 and 1033). Whether or not this is PM, I love their design. The blue/green stripes hippie two piece with matching hat feels like something I would see on a middle aged woman at a music festival who turns out to be the loveliest person I’ve ever met. But back in Homestuck the angle on page 1033 makes it look like PM(?) has boobs which, cmon, they are a bug/chess piece and I’ve never seen a busty chess piece and this is the laziest possible way to indicate a character is female.

I really do love these futuretime folks like WV and PM, I think their story is so interesting. They’re aliens, they’re bugs, they’re chess pieces, they’re video game NPCs, they’re time travelers, they’re irresolute wanderers through the wasteland, they’re the fabric of freedom and democracy and they’re carrying out the orders of a mysterious thirteen year old girl from a different species who lived centuries ago. That’s fascinating, and all their quirks and strangenesses put them in contrast to the kids who – while pretty weird themselves – are fundamentally just humans on the internet, and so are more grounded much easier to relate to then WV and PM.

I don’t know if they are fulfilling time loops or trying to actively change the past, but they seem naturally drawn towards these bunkers, like they instinctively still interface with the video game world after leaving it.

The narrator also talks directly to WV again on page 1036, something they did a lot while WV was commanding John in Act 2 (p.258, for example), though this hasn’t really happened with PM (yet). In fact it better parallels Jade, the character who most often speaks to the player. Today she actually tries to command WV, using several ==> commands in her note – I wonder if he is programmed to respond to these in any context, not just via computer terminal.

But for real, it must be so hard for WV not to eat those tasty greentext envelopes Jade has made him. And Jade absolutely called this right down to the position of the clouds and the fact that PM would be wearing the postal hat. (I guess Jade doesn’t need to feel guilty about causing the bunker to explode if she knows PM will survive, and that has interesting implications for her perspective, if she thinks it’s okay to cause harm in the moment because she definitively knows it won’t have a major, long term impact). But her predictions are eerily specific, not only in their detail, but also in her knowing exactly what guidance WV (Mister Mayor!!) will need to carry out this plan. Her ‘the freedom of your people depends on it’ is a really good way to manipulate WV, as I’m sure she knows he would never neglect his critical mayoral business no matter how tasty the letter is.

So, there’s going to be an important gift exchange, and it might be relevant that this page drops six days before Christmas. These two were on different sides of the Prospit vs Ominous Planet war, but the hearts and spirit of giving in the note suggest a peaceful exchange, two sides transcending a former antagonism. PM reaching for their sword on page 1039 isn’t a good sign, but I’m sure that as soon as they see the mail, the critical mail business will take precedence.

A more dangerous antagonism comes from the mysterious Aimless Renegade, whose gun remains pointed at the other two. I don’t think either WV or PM has noticed them yet. More importantly, has Jade seen them? They’re not mentioned – or warned about – in Jade’s note, and so could be somehow invisible to her powers. This isn’t unheard of; Jade has ‘never had any sort of feeling about [the trolls] or what they want’ (p.1000) and says that ‘if [Bec] wants to be found, he will find [her]’ (p.942), so the trolls and Bec both have some defenses against her. AR could be associated with either the trolls or Bec, or immune for a secret third reason.

Either way, I’m nervous. I like this beautiful WV-PM friendship predicted by Jade’s note, and I don’t want either of them to get blasted with an assault rifle. So whether or not this element has been accounted for by Jade, I’m hoping for some sort of holiday miracle.

> PM: Draw sword; look upwards.

[redjadethewriter]

Which Arcane Lady Is Girlfriend or Wife Material?

The women in Arcane League of Legends are some of the best developed animated characters I’ve seen in a long time, specifically designed for adults to watch. Unlike animated characters aimed at children, they cater to an older audience. As someone who enjoys animation and appreciates the quality of storytelling it offers, I want to explore something fun in this blog: using the female characters as an example. My focus will be on whether they would make compatible companions for me. To illustrate this, I’ll draw from my own preferences and experiences, particularly when discussing the qualities of each character. Ultimately, I’ll be determining who fits my standards of being girlfriend material and who doesn’t.

Before I dive in, I want to point out, in the series, Caitlyn and Violet stood out as the more explicit couple. However, Jayce’s relationship with Mel was not as clear-cut. While they hooked up, they were not explicitly a couple. On the other hand, Jayce and Viktor had a stronger, more established connection.

In my opinion, Viktor and Jayce are actually a compatible couple. It’s clear that they were into each other. Although the writers didn’t explicitly state it, Jayce seemed to be attracted to Viktor and displayed a bisexual inclination.

Viktor, on the other hand, is an enigma. He was never interested in Sky. Actually, for a second, I thought Viktor was asexual. However, I soon realized he had a soft spot for Jayce. Viktor probably is Asexual, but it’s important to note that Asexuals can love and be in a healthy relationship as well. But who really knows what Viktor’s sexuality truly is?

But come on, who spends their lifetime trying to get Jayce to save his version of Viktor by convincing him of his beauty, imperfections, and all? It’s worth mentioning that Jayce, in season one, wanted to un-alive himself, and guess who stopped him? Viktor. Throughout seasons one and two, Jayce constantly thinks about Viktor, even during the sex scene with Mel. That’s not just bro love, that’s love-love. It’s a love shared between companions.

However, when it comes to Cait and Vi, in reality, their relationship would never work. Their communication with each other is not the best. And let’s not forget that Cait looks down on the people from Zaun. As for Vi, she herself holds no allegiance to any nation or people. Her love is conditional, not unconditional. That’s why the two women in her life went through a growth phase and changed into people she didn’t like. Vi was judgmental and lacked acceptance. How can two judgmental people be together romantically? They can’t. That’s why Arcane is fiction. Furthermore, Cait completely ignores the fact that Vi is a lower-class citizen from Zaun.

Can you imagine your romantic partner ignoring your heritage, culture, and where you come from, only seeing you as an exception because of their desire for you? This imbalance of chemistry ruling the mind too much and reason too little is problematic. Both individuals are allowing chemistry to guide their decisions, despite underlying issues that would not work in reality. It’s similar to what Vi mentioned to Cait in season one - they are like oil and water. From my perspective, I can confidently state that the composition of oil cannot be changed. While oil and water can temporarily bind with certain tools, they will eventually separate. Cait and Vi, in reality, form a toxic mix. In the show, they serve as red flags to be mindful of. Although they are both attractive characters and share chemistry, these factors alone do not sustain a long-term relationship. Thus, I believe Jayce and Viktor serve as a better example of a compatible couple in the story compared to Vi and Cait.

Now that I have finished explaining my thoughts on the better couple, let’s shift our focus to the characters who I believe are capable of building a lasting romantic relationship. Additionally, I will discuss the reasons for considering these characters and also highlight the ones that should be avoided without any exceptions.

Ambessa

Regardless of how anyone chooses to frame it, Ambessa is a woman to be avoided. Once I discovered the inspiration behind her character, I realized she’s someone we can learn a great deal from. It’s important to be cautious of anyone who finds themselves attracted to her persona. In essence, Ambessa is the female equivalent of Niccolò Machiavelli. The writers were quite clever in their portrayal. They had Ambessa teach Mel about embodying both the Fox and the Wolf, while Machiavelli spoke of being both the Fox and the Lion. Though the terminology differs, the underlying mentality remains the same. The aim is to disable enemies enough so they won’t feel compelled to get revenge. That’s why Ambessa is merciless toward civilians of an empire she takes over. Manipulation is the focal point. Ambessa and Machiavelli share traits such as violence, deceit, treachery, and using others to their advantage. Ambessa passed on these characteristics to her daughter as well.

Now this moves on to Mel.

Mel is another red flag for the very reason I mention her mother as someone to stay away from. While she may have a caring side to some degree, in reality, she’s manipulative. Nonetheless, there are positive traits that can help redeem her negative qualities, allowing her to use them for good. However, I wouldn’t risk myself on that notion unless there was a clear sign it would end up okay.

On the one hand, she can change and not be like her mother. But on the other hand, in the series, it’s something I wouldn’t count on too much. I do give her praise for helping fight Ambessa, but I would still tread cautiously in a romantic relationship with this character. She can swing in either direction, depending on the influences.

Therefore, Mel is a gamble at this point. Getting involved with her could potentially lead her partners into terrible circumstances, both mentally, emotionally, and physically.

Next on this following, the no-compatible trend is Violet/Vi.

The only good thing about Vi as a character, based on my preferences and opinions, is her strength and protective nature. While some may find her attractive, her personality is lackluster. She uses humor as a coping mechanism, but it’s clear that she’s struggling with her own problems. As I mentioned earlier, she’s conditional, meaning she can’t accept her partner changing or evolving. This reminds me of people who resist change and hold onto toxic fantasies and memories, leading to disastrous situations. For instance, Powder, also known as Jinx, wouldn’t have had to save Vi if she had accepted that Vander was gone. Furthermore, Vi lacks loyalty. Her transformation into an enforcer for Piltover exemplifies her chameleon-like nature, lacking a solid individuality. You know those people who change their looks to fit their partner’s tastes? Vi acts like them. Many celebrities engage in this behavior, altering their appearances and personalities according to their partners, but it’s not healthy. Additionally, Vi is not a good listener. Although she is comfortable talking about herself and being vulnerable with certain people, she is oblivious to her partner’s issues. Unfortunately, Vi is too mundane to keep me interested. Her interests revolve around fighting and being tough, lacking the complexities that make a character intriguing. It’s no surprise that Cait told her she was becoming predictable. I can’t help but think, “Cait, she’s been predictable since season one. She is the most transparent character in Arcane.” I have to be honest about this. Vi is just not a mystery, and some people, like myself, enjoy unraveling the complexities of a romantic interest. So, what happens if there’s none of that? Well, there’s only sex. While some people may solely be interested in the physical aspect, that’s not me.

Next on this list is Sevika.

If there’s one goon worthy of falling in love with, it would undoubtedly be Sevika. Despite her involvement in illegal activities, particularly under Silco’s command, she embodies the true meaning of loyalty. Sevika’s allegiance has always been unwavering towards her nation and its people. She aligns herself with leaders who prioritize this quality, such as Vander, until she discovered his lack of loyalty to the community. Sevika, on the other hand, takes immense pride in her work. Even though Silco held the reins of power, she efficiently managed the lanes, ensuring that everything ran smoothly for him. She was the driving force behind the functioning of businesses and the well-being of the people. Despite tempting offers from the power-hungry chembarons, Sevika remained loyal to Silco. In season two, when the chembarons sought to hand Jinx over to Piltover, Sevika stood firm in her belief to never betray their own. Additionally, Sevika possesses a softer side. Her concern for Isha was clear when she and Jinx searched the prison block for her. Sevika’s help in helping Jinx infiltrate Stillwater prison to rescue Isha showcases her compassion. It’s worth noting that their primary aim was to find Isha, with freeing the others being an added bonus. Sevika is not only a protector, but also someone who speaks her mind. Her bluntness stems from a genuine desire to do what is right. Despite her interest in gambling and fighting, she remains a complex and captivating character because of her grounded nature and unwavering principles. For me, Sevika is a dependable partner, someone who can smoothly navigate everyday life. The best part is that I wouldn’t expect anything less from her. She is resolute and unswayed by others, and her loyalty is an incredibly attractive quality. With Sevika, there would be no insecurity or fear of infidelity. She would stand by her partner’s side, no matter what.

Now let us move on to Caitlyn, aka Cait.

You would think that I would place Cait after Vi or before Sevika, considering I talked some trash about her. I mean, Cait is a character who tends to look down on others when unfortunate events challenge her perspective. However, I attribute this primarily to her sheltered life and the naiveness that resulted from her mother not teaching her the harsh realities of the world. I have to admit, Cait’s mother never instilled in her the importance of holding a higher position in life to effect change. The elites hold power over the lower class. So, when Cait was disgusted by how the Undercity residents lived, she failed to realize that it was the upper-crust of Piltover who was responsible for their plight. Instead, when she witnessed the consequences of inequality and the oppression faced by these people, her mind automatically labeled them as animals. Consequently, she dehumanized them. In season 2, she even resorted to using biological warfare tactics in her pursuit of Jinx in the Undercity, disregarding the well-being of innocent citizens. I’m fairly certain there were casualties resulting from her use of the grey. So, when you really think about it, she may have caused more deaths than Jinx. Now, why would I mention Cait, after praising Sevika’s admirable qualities? Well, despite Cait’s transformation into a dictator, there are certain positive aspects about her that I cannot overlook. One of them being her empathy and capacity for compassion when she gains a deeper understanding of things. Her world was shattered in season one, having been betrayed by a citizen of the Undercity for shimmer and taken captive by Jinx in her most vulnerable state. That’s a lot of trauma to endure. Furthermore, she witnessed Jinx launching a rocket at the council. However, in season two, Jinx confessed to Cait that she had no idea her mother was there. This goes to show that Cait is not immune to narrow-minded thinking.

Cait is known for being super analytical and her ability to read people. She pays close attention to those around her, unless she’s consumed with thoughts of revenge. Unfortunately, this obsession blinds her to those who manipulate her, which ultimately led to her letting Maddie and Ambessa into her home. On the other hand, when Cait is not seeking revenge, she genuinely cares about the people close to her and is willing to help them, even if it means sacrificing material things.

One person Cait has a good understanding of is Vi. She can predict Vi’s actions, showing just how observant she is. Cait is not only attentive to her partner, but she also acts as a protector in her own unique way. While she may not possess Vi’s brute force, she adapts and learns new techniques to become a more efficient fighter and protector. She even goes as far as sacrificing her own eye to ensure Mel’s victory over Ambessa.

Like Cait, I can relate to making tough decisions and doing whatever it takes to accomplish goals. Cait maintains a stoic demeanor, but she let her guard down with the people she trusts. Additionally, Cait’s intellect might actually make her a captivating conversationalist, despite her privileged upbringing, which I like that. Her marksmanship skills and classy demeanor add to her appeal. It’s worth noting that in season one, Cait went through a rebellious phase as she sought to find her own path outside of her elite status. This quality is truly admirable. Actually, it’s cute.

Cait handles challenges exceptionally well, especially when faced with skepticism and lack of support. She takes initiative and is willing to take risks to achieve her objectives, refusing to let anyone stand in her way. While it’s unclear if Cait is capable of loving someone unconditionally, her love for Vi suggests that she is. However, Cait needs to acknowledge and embrace Vi’s background, understanding that Zaun and the Undercity have both good and bad individuals, just like Piltover. Cait’s ability to love someone less fortunate than herself is a testament to her character.

I must admit, I have a soft spot for characters like Cait.

Now let us move on to Powder, aka Jinx.

I love both Powder/Jinx. Although they are the same person, my love for them is unconditional. It’s not surprising that Ekko had a crush on Powder when they were kids. Powder is incredibly creative and practically a scientist and engineer, as she creates her own weapons. For instance, she designed her own grenades and crafted guns that perfectly suit her fighting style. Whether she goes by Powder or Jinx, she always likes to make a grand entrance. Even in the alternate universe, Powder showcased her true character - caring, thoughtful, loving, compassionate, and empathetic. There’s just so much to adore about her. Despite her possessiveness, it stems from her fear of abandonment. She simply wants to be useful to those around her. Unfortunately, Vi never really nurtured this side of Powder, and allowing others to bully her didn’t help either. It’s disheartening that we had to witness an alternate universe where Vi is no longer alive to see Powder rise and become the leader. In that reality, she became a solid foundation for her brothers, Mylo and Claggor, and they no longer belittle her, as shown. She even prevented Mylo from embarrassing himself in front of a girl. It’s a stark contrast to the world where Vi is still present. Powder is a vibrant individual with excellent taste in music. She embraces her quirkiness, loudness, and expressiveness. Her thoughtfulness and adorableness shine through when she customized an arm for Sevika based on her gambling habits. Powder pays attention to people and their interests. She even drew in Ekko’s journal, similar to how someone in love would leave love notes for their partner, except hers were cute doodles with hearts. Although she is young in this series, Powder, also known as Jinx, possesses many qualities that could lead to a fulfilling long-term relationship.

Despite the trauma and everything else going on with Piltover versus Zaun, the qualities are still there. Jinx, in particular, exhibits selflessness when the situation demands it. She has shown her willingness to protect those in need, which is commendable. In fact, she offers more positive support than Vi ever did, as evidenced by her actions towards Isha. When Isha had a memory flashback, similar to the one Jinx experienced in Season one, Jinx jumped alongside her, holding her hand. It is clear that Jinx can use her past experiences to forge stronger connections with others in the future. She strives to do things that were not done for her in the past, seeking to provide the support she longed for. This growth from past mistakes shows her commitment to personal development.

Furthermore, Jinx possesses a unique way of being a protector. While she may not have the physical strength of Vi, she compensates with her craftiness and agility. Using her skills as an intuitive gunslinger, she leverages speed and precision to her advantage. This is why I believed that Jinx and Caitlyn would have been a better match as a long-term couple. They complement each other perfectly. Caitlyn desires someone who will stand beside her, and Jinx has that persona to be that person. Not to mention the loyalty factor. Jinx yearns to be useful, always ready to lend a hand to those who appreciate her presence.

Moreover, let’s not forget that Powder can be quite the gangster. Her entrance with the balloon blasting her music was absolutely hilarious. The expressions on Ambessa’s and Caitlyn’s faces were priceless. We should be grateful for her stylish, yet badass persona.

Conclusion:

Who is the better romantic partner, based on my preferences? Well, considering that I relate more to Jinx’s persona, Caitlyn or Sevika might actually be a more grounding partner. However, Caitlyn is a lot less blunt, so I might be leaning towards her. I really admire the discipline she has in her life. On the other hand, Powder’s persona is also quite appealing. I’m not sure, to be honest. Oops.

[celtrist]

SLIGHT SPOILERS AHEAD BUT NOTHING TOO OBVIOUS (I would've waited a week but this one is pretty vague spoiler wise so...): I feel like most people might think she was being unfairly harsh in part due to her being a teenager and not understanding things. But I also think that's partially not giving her enough credit. I personally think she's very right in her actions, if not a bit melodramatic. I've said it before, and I'll say it again: It is very clear Stolas LOVES Octavia, but his loving and caring about her does not make him a good father. As viewers, we haven't been given any reason that Octavia should forgive Stolas. She seems kind of absent in his life and we've seen him prioritize things like Blitz over her (they make it a point several times in the show with the Asmodeus song and Lulu Land). They've kind of kept alluding to how Stolas does, in action, love Blitz more and doesn't pay enough attention to Octavia. And the show doesn't put a lot of effort into showing him trying to be better in this. He SAYS he is, but actions speak louder than words (and in a show, it's 9/10 times better to show it, not tell it). There hasn't been a moment in the show that shows Stolas putting in effort to mend his relationship with Octavia when we know it's important to him. And granted, yes, they have only so much time and episodes. But by the same token, there are episodes they could've not done (cherubs and Fizzaroli episodes) that could've put focus on Octavia and Stolas' relationship. Stolas' and Octavia's relationship feels more important than the day in the life of Fizz (and I like Fizz and his forgiving Blitz adds to that story, but we didn't need to see his life with Mammon).

If they want to keep hammering in the issues between Octavia and Stolas, then they also need to show the two mending (or bonding) on screen for it to feel fair for Octavia to forgive and trust him. We can't just say "off-screen stuff" as a resolution when this relationship is consistently shown to be rough and needs work. It's like if a show kept showing a couple being terrible for each other, but they keep mentioning stuff they did off-screen that tells us the relationship is good. That's not good writing! And while I have plenty of critiques for Helluva's and Hazbin's writing, I don't feel like they'd try to pull the "they solved it off-screen" thing. I don't think they'd be SLOW about it, but I think they'd at least show us on-screen stuff with it.

While I do think Stolas was in a difficult situation, you can't deny he's not a very good father (he wasn't even aware of her interests until the Lulu Land episode). Like, he can love her all he wants, but if he's not there for her, he's not there. And we haven't been given many reasons for him NOT to be there for her. You can't really name a lot of things Stolas has done in recent times for her that we've been allowed to see. The only part of their relationship we've seen is that they do care for each other but it needs work. I think it's obvious she's gonna forgive Stolas, just in part because he does genuinely want to do better by her and they DID have a good relationship when she was younger. And I think that's a good route to go with it (especially if they make a parallel of Octavia forgiving and trusting Stolas while Barbie chooses to keep hating Blitz).

I feel like people can be a bit lenient on Stolas because he's depressed and was in a loveless forced marriage with a woman while being gay, but I don't think that's fair for a character like Octavia then to have her feelings brushed off. Like there's certainly wiggle room to be sure, but it shouldn't mean we should ignore his actions and forgive him for everything he does. Stolas did do wrong and it makes me happy to see that there are consequences to his actions (good or bad). We've seen him keep flirting with Blitz over spending time with his daughter. These are things we DO see on screen. I do think Octavia was harsh, it's not like I don't (like with her reaction to the pills), but we as viewers haven't been given much reason for Octavia to forgive Stolas so easily. We haven't seen them have a good relationship really. Hell, we haven't even been shown them having a BAD relationship really. But the times we do get, it often shows the rough, bad side of it. Yes, she's 17 so her emotions are a bit wild and everything, and while I don't think she fully understands all the complexities, I also don't think she's a baby. Like... she's not an idiot. Teenagers have the capability to understand some of these things, she's not 5. Octavia wasn't JUST upset about the pills, she's upset because the man who said would always be there for her kept leaving for the imp he had an affair with. She's upset because he keeps being dishonest with her. Stolas has done far more for Blitz than we have seen him do for Octavia. I think the pills and that he's never told her about them was just the final straw of everything.

I don't think it's fair to say "Octavia doesn't know better" when she's 17. The show has hammered in the point that his actions have not = how he feels for Octavia very well. That, or just neglected to show any good bonding moments between them or anything that didn't involve Octavia having to forgive Stolas (as any Octavia episode had Stolas ignoring her and then saying sorry. Which would maybe be fine if they showed more to their relationship outside of that).

Rambled more than I thought I would for the series I have way less interest in, haha. But I don't really care for the "Stolas did nothing wrong" attitude I see some people have when Stolas has done things wrong. He was in an unfortunate situation to be sure, but he can still do wrong things (by all accounts, him cheating on Stella was wrong on a moral level). I LIKE Stolas' character too btw, and I like how messy he is. But I feel like a lot of people are gonna brush off Octavia's view as "she doesn't know any better" or just that she was being unfair about everything when I don't think that's fair to her. She was harsh, yes. I think the pill thing she doesn't understand entirely, but she's 17 not stupid. And there's more than just the pills that Octavia has reason to be mad about concerning her father that I think people don't wanna acknowledge. Maybe I'm talking nonsense though? I don't know, I really haven't been convinced about some of Stolas' actions, even if again his situation was messy/complicated.

[gremlinaristocrat]

A list of several things Polyta doesn’t do while making the choice to abandon Jiro:

Try to get Sunny’s input (you know, that person who demonstrates unique insight into Jiro’s mental state, and who must still be within shouting distance since you heard the Bastard’s monologue) or rescue her (depending on how that girder angled as it fell you might not even have to reach her, just pop the portal horizontally instead of vertically and hope the kinetic energy from Sunny’s fall into it doesn’t lead to her being splattered across a palm tree)

Leave Mercy some healing potions in exchange for the guns (they’re miracles to her, and if you’re about to conclude the mission it’s not like you need them), or try to recruit her (you’re short on manpower, and the Major would probably get a kick out of having something to protect again), or leave any kind of physical evidence your adventure with her wasn’t just a psychotic break (she jumped to “guilt-induced hallucination” when faced with something she couldn’t understand, a keepsake could do a lot for this lady’s sanity).

Question whether an eldritch bloodangel bapy and a crazed serial killer with a visible head wound are really your best sources of life advice.

Agree in principle, resolve to use the Bottled Homecoming whenever you’re next in trouble, but keep trying to save your allies for as long as it doesn’t have unavoidable costs for you. (You’re not in immediate danger, the Bastard left chasing Jiro! There’s no downside to giving yourself five more minutes to figure something out!)

Consider whether the people you’re returning in order to lead will still accept your leadership after surrendering their shared crush to the lizardbirb imperialists and the Nightmare Gargoyle. (Or whether they’ll even trust your version of events, given how surprising Jiro’s actions were, and the fact you’re the only witness to the fate of your main competitor for said leadership.)

Pictured: what Casandra will probably be imagining after hearing your story.

. . . I mean, Poly-sama probably even made the """right""" decision based on what she knew (though there’s a lot of strategically relevant stuff that’s happened on the island which could make her look and/or feel like a clown and/or monster when she gets caught back up). But this kid is so profoundly BAD at being heartless that for her the best consequences are legit more likely to come from “abandon Consequentialism, just stick to Principles and Virtues”. (c.f. a couple pages ago when she tried to make the Hard But Necessary Decision™ to abandon an ally and betray a protector so she and her love interest would be free to . . . launch themselves into the Lake of Searing Flame?)

To sum up, this is a very clever depiction of a character being a very specific and sympathetic kind of stupid. It’s like she’s shut part of her brain off (which is exactly what happened, she’s committed to doing something her entire personality is against, of course she’ll self-sabotage, of course she won’t be able to dispassionately analyze how to get the best return on her sin-vestment), it’s like she’s convinced herself that because she’s making a sacrifice and going against her moral code the universe owes her a win (I’d say that’s symptomatic of living in a decently-polished strategy game where every downside is paired with an upside – if the unit has higher ATK for the same cost that means it has lower SPD and/or DEF, if you violate your morals in the name of your island then that means your island will be better off - but actually I’m pretty sure real people think like this a lot), and more than anything, it’s like she’s a traumatized teenager doing her best (we never heard what happened to the rest of her Love Battalion, did we?) and letting a stressful situation force her to miss out on like a dozen Pareto improvements to her strategy.

UPDATE!

Read Foreach from the beginning HERE.

Keep up to date! Join the Discord here!

[seph-ic]

Georgie baker means so much to me like she literally just decided to have no fear and be completely immune to like the entire tmaverse.

“Fear gods rule us and feed on our greatest fears.”

“Good for them can I just film my fucking podcast and be bisexual in peace?”

A legend among men she is truly a hero to us all.

[arnaerr]

Rellana, Twin Moon Knight & Rennala, Queen of the Full Moon

prints ✦ full process on patreon

[ohrackham]

what was the point of lila thinking home was a feeling she didn't deserve and could never earn until she found diego. what was the point of them finding deep, meaningful love in each other. what was the point of lila opening her heart and confessing that all she really wanted was a family with him.

what was the point of developing diego and lila over two seasons, creating such a beautiful, chaotic bond, just to destroy it for no reason.