#like the institute and tape recorders

[beanofthequeens]

Maybe a hot take, but I kind of really hope tmagp is not actually super connected to the tma universe. Like I like the cameos and such, but I'd really love it if somehow they managed to create an even more tragic +terrifying universe for us to enjoy. I'd love if the institute and its mysteries are actually different from the one in tma. I really like the characters and the themes, and sometimes I get a little annoyed at people who just try to connect every small thing to tma.

[vagueriddles]

me, delusional: what if alice and sam go to the institute next ep and find a fucking tape recorder

[captaincrazycreative]

Litteraly everyone in this podcast knows WAY more than they're letting on and it's driving me insane

[acearchivist359]

so . tmagp 21 …….. what the fuck just happened

[fizzseed]

rrrrrRRRARAAAAAAHHHHHGHGHRHGRHGHGHHH he's awake!!!!! how am i supposed to be in any way coherent about this actually

[ishipgenfics]

Outsider POV on Somewhere Else Jonathan Sims must be just. so much.

Like imagine. You're part of a support group, and a new guy decides to join. You ask him his name and he says, "Jonathan," and then after a long pause, "Blackwood. Jonathan Blackwood. But call me Jon."

He doesn't like tape recorders. You only know this because the person who hosts the support group is into retro things, and tries to keep a couple around. She turned one on once when someone asked about it, and you noticed Jon clutching his nails into his hands so tight he's nearly breaking the skin. You lean over and whisper, "Do you want me to ask her to stop?" He says, "It's fine," and you nod, but you still try and change the subject whenever people bring up tape recorders from that point on.

He full-body flinches one day when someone says Hello, Jon. Nearly slams into a wall and everything. He tries to play it off, but after that people say Hi Jon, or Nice to see you, or things like that. Anything but Hello.

He says he used to work at a 'non-profit for studying the supernatural'. Someone asks where it was and he says London. You tell your wife about it, and two days later she emails you an article. Magnus Institute Burns Down In 1999. It was in Manchester. You tell her not to bring it up again.

The guy is snarky and blunt and downright rude at times, but when a woman comes in and tells them about being trapped in a empty warehouse for a week, he comforts her in a way none of the rest of them know how. "I believe you," he says, repeats it like a mantra, like a prayer. "I believe you." He says 'I'm sorry' less like he's sorry this happened to her, and more like he's taking the blame onto himself.

He talks about Martin, sometimes. His reason, he calls him. Normally you'd point out that while it's of course good to love your partner, you should have other reasons to live, but you stay quiet. This guy needs all the happiness he can get.

You leave a little late that day, and when you do you hear him on the phone talking to someone. "She'd been touched by the Lonely, Martin!" he says. "Which is bad, of course, but--" he seems to choke up, "Martin, I didn't feel any compulsion for a Statement. A-at all. I think it's really gone."

You just walk by.

You don't know what's going on with Jon, but it really isn't any of your business. You're an anxious queer lesbian and he's a traumatized ace guy, and you aren't going to make his life any harder than you have to.

Just. Jonathan Sims in a support group.

[thestrangepoet]

The Ninth Life | The Magnus Archives One Shot

Based on @ultramarinaa's Cat!Martin AU, and not upon @coworkerjonathan's soul-destroying tragic version of it. If you want that version, it's here.

CONTENT WARNINGS: Buttocks-clenchingly sweet fluff. 

DISCLAIMER: I, once again, wrote this in an hour and haven't proofread it. Forgive the typos and any “first draft” vibes. 

──── •✧• ────

[CLICK] 

Oop, yup, it’s on! Right, erm…This is Martin Blackwood, Archival Assistant at the Magnus Institute. I thought it would be a good idea to—

[A VERY LOUD, VERY RASPY HISSING CUTS MARTIN OFF]

[A LONG, WEIGHTY PAUSE FOLLOWS; SOMEONE IS BEING GLARED AT]

What? I-I mean, given the absolute palaver we just went through, shouldn’t we record what happened and how we fixed it? 

[SILENCE FOLLOWS. BUT MARTIN EVIDENTLY GETS HIS ANSWER]

Exactly! Right, so…ah-hem. This is Martin Bla—

[ONCE AGAIN, A LOUD HISS]

What? What is wrong with—No, Jon, you’re going to hit the—!

[CLICK]

[CLICK]

[MARTIN RUFFLES SOME PAPERS, THEN EXHALES LOUDLY THROUGH HIS NOSE. WHEN HE SPEAKS THIS TIME, IT’S SOMEWHAT TAUT]

Statement of Martin Blackwood, Archival Assistant at the Magnus Institute, London, regarding an encounter with a feline-based Leitner book called The Ninth Life. Recorded by subject, October 17th, 2017.

Happy now? 

[LOUD PURRING NEAR THE TAPE RECORDER SIGNIFIES THAT MARTIN HAS INDEED DONE A PASSABLE JOB]

Good, good. Right, oop! Yeah, okay, you can…sit on my lap while I record this. That’s not…that’s not weird at all. Knowing you’re…you’re Jon. 

…You could at least sit like a cat, Jon. No, no, no, don’t get the claws out, it’s fine! Sit how you want! Heh…K-keeping an eye on me, hmm? While I record? Oh, r-right, yeah, ‘Get on with it, Martin’, noted!

So…about ten weeks ago, I came across a book while tidying through some of the old statement boxes. I’m not sure why it wasn’t in the library or in Artefact Storage, but I suppose that’s a mystery for another time. A-anyway, I had a flick through to try to figure out what it was. Could have just been a normal book, you know? E-especially since it wasn’t put away properly, I mean, really, that’s a health and safety risk that wasn’t my fault, and—Ow! Claws! 

R-right, ‘Stay on the subject, Martin’, loud and clear…

Where was I? O-oh, right. So I took it through to the break room, sat down with it, flicked through, read a few…err, well, ten pages to be precise, and basically, it was written like an old fairy tale. Something about a man who turned into a cat to get away from everyone and…W-well, what I’m trying to say is that it didn’t seem like a Leitner! 

I’d probably have finished reading the whole thing, but the microwave dinging made me jump and look up. No one usually uses the microwave outside of lunch hours, but Jon actually makes cups of tea by microwaving mugs of water and then—Ah-ah-ow! N-no, I’m not getting claw-bullied into not telling people the heinous way you make tea, Jon! 

Right, right, fine! Yes, so, microwave dings, I look up from the book, and…I drop the book. And I drop to the floor, a-and the book’s suddenly huge, and there’s Jon, and he’s looking at me, and…

…and I was a cat. I-I-I guess Jon hadn’t noticed me in the break room before putting his mug in the microwave, because he didn’t realise I was me. Next thing I know, I’m being picked up, held over his shoulder, petted and cooed at and—Owwww, claws, claws! Right, okay, no, no one can know Jonathan Sims has a heart, right you are! 

E-erm, so…Yeah. Panicked a bit. I-I tried to make it obvious to the others that it was me, but they just didn’t cotton on. And I couldn’t read the book to figure out if the ending would tell me how to turn back. O-or if I even would turn back. Honestly, in any other situation, I-I might have been really terrified, but it’s hard to keep worrying when people are suddenly stroking you and giving you all this affection. Heh, Jon even named me Champion. 

But, right, I-I really needed to turn back into a human. You know, as lovely as it was to be liked by everyone, I figured, well, it’s deeply unprofessional to turn into a cat at work, isn’t it? And I really didn’t want to be written up for unauthorised absences when I was technically in the room? 

It took a while – I don’t know who moved it, but the book had gone when I managed to slink back into the break room, had to wait for someone to open the door for me, you see – but I eventually found The Ninth Life again. 

It took ages to drag it over to Jon’s desk. And even longer for him to stop laughing and telling me what dedicated little chap I was. He picked up the book though, and I got so excited that someone would finally realise a Leitner was in play that I jumped up onto his desk and…

…and I…erm…I knocked his cup of tea over the book. 

I could feel my heart sinking. What if I’d ruined it? What if the answer was all smudged up? Jon could tell I was upset, and he started trying to pet me and calm me down, mopping up the tea and everything. Took a while before he got back to the book, and, well…the bookplate had been smeared by the spilt tea, I guess, because he didn’t see any mention of Leitner at the front. He started reading the book, and I tried to nudge him to read the back pages first, to get to the answer before the book could turn him into a cat, but he, erm…well, he read it. Five pages, we think. 

And there he was. 

One minute, Jon’s at his desk, the next, there’s a little black cat with too many scars sitting in his chair. 

Well, after he’d stopped hissing, running around the room – Tim thought he had zoomies, ha ha! – and bapping me on the head every time I got close, he realised who I was. 

And then, he bapped me on the head again. 

So. We were both cats! And it’s so funny, because in the office, Tim and Sasha and me, we all say how Jon gives off major black-cat energy? He’s like this poor wet cat in human form, and now that he was a cat, and it turned out, he is…w-well, he’s not very good at being a cat? 

[A LOUD HISS – EVIDENTLY, MARTIN HAS FORGOTTEN JON IS SITTING THERE]

Don’t hiss at me! You know it’s true. I mean, look, you’re literally sitting in my lap now like a human. Cats don’t do that, Jon! It looks weird! 

R-right, okay, let’s, erm, get on with the story – ah, statement, statement! – before I get scratched again. 

S-so, right, Jon wasn’t really getting the hang of being a cat. He kept clambering up onto desks to type on keyboards, trying to tell Tim what was happening. He wouldn’t even jump up onto the desks, he would literally shimmy up the leg like he was climbing a tree. And, yeah, he doesn’t sit in your lap like a cat, all curled up, no no, he sits…like a person sits. So I figured actually, this was pretty good, someone had to realise something was up with this cat that just wasn’t catting. 

But no. No, no, Tim just laughed and named Jon Skrunkly and got on with his day. 

[A LONG, LOW MIAOW OF CONTEMPT IN THE BACKGROUND]

Nooo! You’re not skrunkly at all, Jon! You’re a very handsome little kitty!

[A HISS]

Right, right! Back to work! Erm, yeah, so, there I am, trying to teach Skr–err, Jon how to act more like a cat. Not because it would help get us back to normal, but because I was worried? He kept falling off stuff, not landing on his feet…jumping and missing things…He was having a really hard time, and I figured if we were stuck like this indefinitely, it might help to, you know…teach him a bit? 

And then, one day, he just…vanished. I wandered in one morning from the canteen, ‘cause Sasha had snuck me a plate of milk, and I couldn’t find Jon anywhere. Tim realised pretty quickly that something was up, that I wouldn’t settle down, and then he noticed Skrun–err, Jon, was missing. 

It took days for me to sniff him out. Which is…a really weird thing to say out loud. On record. Erm. I sniffed my boss out. But it’s insane, as a cat, the difference in senses, a-and to be honest, my eyesight was dreadful because I obviously couldn’t wear my glasses. A-anyway, sniffed him out, and realised he had somehow fallen into the tunnels through the trapdoor? Which is weird as well, ‘cause the trapdoor is always closed. No one would have opened it? 

[ANOTHER LOW MIAOW, BUT THIS ONE SOUNDS STRANGELY LIKE SKRUNKLY IS TRYING TO SPEAK – IT ALMOST SOUNDS LIKE HE’S SAYING ‘SASHA!’]

I know, Jon, you’ll tell us when you, erm, get back. 

So, now I knew where he was, I went into full hyperkitty mode. I was zooming around, miaowing, pawing, jumping on Tim, jumping at Tim, launching myself off bookshelves, you name it! Somehow, I managed to get the message across, and Tim went to open the trapdoor. 

I…I hate going into the tunnels. I really, really hate it. But Jon was down there, and as far as we knew, he’d been down there with no food and water for days! So, down I jumped, with Tim clambering after me telling me to slow down. I kept sniffing, and it was actually pretty easy to find him after that! 

There he was, curled up and shaking near a wall, and I ran towards him, miaowing my head off so he knew we were coming to the rescue, and…

And I…changed back. Right there. Just pop! There I was. 

Tim, erm…Tim screamed. Jon hissed and nearly ran away. It was chaos, and…I’m actually surprised all three of us made it out. Especially with Jon going wild on Tim and clawing him every time he tried to pick him up. What was that about, anyway, we were helping you!

[ANOTHER GRUMBLING MIAOW – DID SKRUNKLY SEE SOMETHING IN THE TUNNELS? OR SOMEONE? WAS HE TRYING TO TELL THEM?]

We got back up to the office, Jon in tow, and now that I could speak, Tim, Sasha and I managed to hash out a theory. 

Basically, we figure that there are a lot of Leitner books that kind of do different things depending on how much you read of them. S-so we have one on record, A Disappearance, if you read one line, you disappear for a bit. But, if you read the whole book, you disappear from the world for good. 

I read ten pages of The Ninth Life, and I was a cat for ten weeks. Checks out! So we reckon Jon read about five pages, and it’s been three weeks, so…two weeks of Skrunkly to go!

Right, think that’s it. Yeah! So, erm, if you’re looking for a cure for The Ninth Life, just enjoy your time as a kitty and wait it out! U-unless you read the whole book, in which case, erm…I-I really hope you enjoy your life as a cat. 

End recor–Ow! What did I miss off this time? 

[SEVERAL LIGHT THUDS SOUND]

Why are you pawing the book, Jon? I…oh. Right. 

Erm…I think Jon wants it on record that, erm…the book is eleven pages long. And…and I read ten pages. 

[THUD-THUD-THUD!]

Yes, yes, all right, you microwaving your tea saved me from an eternity as a cat! That does not mean I am going to let you continue to ruin perfectly good cups of tea like that!

[A LOUD MIAOW OF PROTEST. MARTIN SIGHS]

Recording ends. 

[CLICK]

[its-your-mind]

RATING: NOT CUTE.

If a pet tape recorder is biting, it’s a sign that it has found itself in an environment not suited to its needs. Younger recorders that have been severed from their Mother of Puppets require a steady diet of Statements. If you’re not able to get close enough to live supernatural events to feed your tape recorder, store-bought is fine. The most nutritious tend to be any statements recorded by Jonathan Sims, Head Archivist of the Magnus Institute, London. If you ever wake one morning to find your beloved pet missing, it has likely gone to his side as he records, looking for a fear snack.

[ceaselesswatchersspecialboy]

I am now fully aware ‘An’ Archivist is likely referring to one of the many Archivists in TMA, and likely the ones guarding the Panopticon. I didn’t really register it at first because of the excitement and shock, but I think what has me more concerned, is that the older Archivists never looked like that?

Which goes against Gwen’s description that implies ERROR has more eyes than a normal human would. Perhaps it simply varies for different Archivists, or perhaps the other eyes are hidden beneath its robe, but it’s still worth noting.

Not to mention the fact tape recorders are not a general Archivist thing. They’re a Jon thing (edit: was reminded Gertrude used tapes as well). A Web thing. So we have an Archivist, who presumably isn’t Jon, acting similarly to how he would in terms of recording statements, using tapes we know are interconnected with the Web and Hilltop road.

Something is off here.

And you know, it might not even be an Archivist from the TMA universe’s Panopticon, because why would it be trapped in the remains of the Magnus Institute. It could possibly be linked with their experiments regarding the gifted kids program, as that is an idea I’ve thrown around before, but right now there isn’t much evidence I can compile for that. It also wouldn’t explain the tape recorder, as of what we know now.

[aphrogeneias]

𝐢𝐧 𝐦𝐲 𝐦𝐢𝐧𝐝 𝐭𝐡𝐞𝐫𝐞'𝐬 𝐧𝐨 𝐬𝐨𝐫𝐫𝐨𝐰 — 𝒂 𝒔𝒍𝒐𝒘 𝒅𝒂𝒏𝒄𝒆

pairing: eddie munson x fem!reader

summary: during a quiet afternoon, you and eddie discuss (hypothetical) wedding songs.

author's note: it feels right to repost this the day before valentine's. i hope you all have, or someday find, a love that makes you feel the same way i do when i listen to the song referenced in this story <3

"Have you ever thought about what song you're gonna want to play at your wedding?"

You were both sitting at the old brown couch of the Munson's front porch, the afternoon breeze blowing through the unusually quiet Trailer Park. There were no dogs barking, no kids running, no yelling coming from a neighbor's trailer. Only the sun, the late autumn chill, and the gentle breeze.

Eddie was lying down, his head on top of your crossed legs as you played with his hair. Your question caught him off-guard, looking up at you with raised eyebrows.

"You mean at our wedding?"

He could tell you were flustered by the way you hesitated to answer, brows furrowing, trying to disguise it. The urge to lift himself up and give you a smacking kiss on the forehead was temporarily buried inside, waiting to hear what you had to say. "I don't know. Like, a hypothetical wedding. With a hypothetical bride."

His answer was earnest, though.

"The only bride that's ever come to mind is you, babe."

"Just answer the damn question!" You exclaimed, rising both of your hands in the air.

"I just told you I don't know! I've never thought about getting hitched, never mind what song I'd want to play at the ceremony."

This bit was earnest as well. Eddie had never, in his twenty years, thought about getting married. His parents' disaster of a relationship made sure that he'd never seen marriage as something healthy, let alone an option. There were also his beliefs that marriage was a failed institution made to subjugate people, and that the church and the state shouldn't have a say in people's relationships.

Eddie thought he'd be like Wayne and live his life without a partner, just go through with it by himself. It was much less complicated, even if lonely.

He was seldom lonely now, with you in his life — and though you were way too early in your relationship, or too young and inexperienced, to think about marriage, if he was to think about it, it would be with you. Every one of his other thoughts ran to you, this one would be no different.

"Not the ceremony. A first dance kind of song, you know?"

He considered a few options for a moment, in silence, but he was still curious to know what you were thinking. "If you're asking me that question, that means that you already know yours, don't you?"

"You don't know that. I'm just asking." You shrugged, lowering your voice, suddenly vulnerable. "Forget what I said."

"Sweetheart…" Eddie laid fully on his back, looking up at you. "Tell me what's the song."

Narrowing your eyes at him from above, you grabbed his chin, squishing his lips for a second. "You're gonna laugh at me."

"When have I ever…" Remembering all the times, in the early days of your blossoming friendship, where he followed you around the record store with the sole purpose of laughing at your music choices, he stopped, scoffing at himself. "Don't answer that."

Gently, you pushed him off of you and stood up, silently going into the house.

"Just tell me! Now I want to know." Eddie protested as he followed you inside.

He watched as you went into his room, bent down at the waist — and what a view that was, he thought to himself, not trusting to make a lewd comment to distract you from the moment — and quickly looked through his records, finally pulling one from the crate.

Trying to think of what it could be, because he had no idea what song in his large collection of tapes and long plays could possibly be enough of your taste to be played at your (hypothetical) wedding. When he saw it, though, it clicked.

It was a copy of The Beatles' "Revolver". His only copy of an album by your favorite band. You had gifted it to him after he told you he found the experimentation, and all the drug references, in it "badass". He really did, and he was happy to own it as long as it made you happy.

Still silent, you put it in the record player above his dresser, and selected a track without looking at the listing in the back cover, most likely commiting each one of them to memory. His heart swelled as he watched you turn around, shifting your weight from one foot to the other, struggling to meet his eyes as the song started.

"To lead a better life

I need my love to be here…"

Paul McCartney's voice and the two-voice harmony that accompanied him was the only thing that could be heard in his bedroom for a moment, until you started explaining yourself.

"When I was younger, sometimes… Actually, I still do that…" you started, "I listen to this song when I'm alone, and I feel like swaying to it. Like I'm slow dancing with someone, you know? Two steps to the left, two steps to the right." You did a little dancing motion, lightening up the mood. "It's the perfect song to dance to, but I'd never had a partner to dance with me. So I'd dream about it, about the day I'd have someone who'd love me enough to dance with me."

Your sad smile broke his heart, but what put it together was knowing he could be the one to dance with you.

"It's such a simple song, really. Just a guitar and the vocal harmonies, but it's… it's beautiful. Makes me feel like I'm floating, or something." You continued.

Eddie approached you, then, pulling you forward by both of your hands and making you stand flush to his chest, where he held you by the waist with one arm, the other raising to hold the hand that wasn't resting on his shoulder.

"I'm not much of a dancer, but I'll dance to any song you want to."

It was a murmur, a promise whispered by his lips touching your hairline. You chuckled, your head resting on his collarbone, and began swaying the two of you just as you said before. Two steps to the left, two to the right.

Eddie added his own flair, spinning you around, and it was worth it just to see the you giggled. The song wasn't long, a little over two minutes long, but it was long enough to trap you in your little world, your hypothetical wedding dance, in his very real, very messy bedroom.

"So… is that our wedding song?" He teased, still holding you, after it was over.

You slapped his arm lightly, but he could feel you smiling against the soft fabric of his t-shirt. "It could be."

"I like it, baby."

Then, you look up, wrapping your arms around his lean waist. "Really?"

"I like whatever makes you feel like you're floating."

"Do you wanna know what else makes me feel like that?"

"Weed?"

"You."

At that moment, Eddie still knew he didn't want the church or the state to be involved in your relationship, but he wouldn't mind throwing a party just to make the most beautiful girl in the world float around the room for one night.

[radicalreliablerandomness]

Podcast Rec Masterpost

I've been asked a couple times for podcast recommendations so I thought I'd post a compilation of some shows and a bit of info about them. Most shows I talk about are tagged below (I ran out of tags) so you can look through fan content as well if you're not one to care about spoilers. My asks are still open for personalized recs if you send me some others that you've listened to just because I love you, yes that's right! You. The person reading this right now!

Here goes!

Dungeons And Daddies *not a BDSM podcast

This show is a dnd actual play podcast. The first season is about four dads from our world lost in the Forgotten Realms in search of their lost sons. It’s a comedy but as with all comedies, you will cry by the end of it. It's super easy to get into with great chemistry between all the cast players and the dm, no prior knowledge of dnd is necessary. They do invoke slight horror sometimes so do keep an eye out for content warnings. Season 1 has 68.5 episodes along with bonus content and a mini campaign in between seasons 1 and 2. Season 2 is currently ongoing. Transcripts available.

The Bright Sessions

This is a science fiction podcast. The premise is a collection of clinical recordings of superpowered people's therapy sessions. The plot gets more interesting and convoluted as you get further in. Incredible voice acting filled with emotion. Does have some heavier discussions so be on the lookout for content warnings. It has 7 seasons (the last two are technically not part of the first five seasons' plot) and is completed. Transcripts available.

Hello From the Hallowoods

A post-apocalyptic fiction podcast. A beautifully written and preformed podcast that explores identity, religion, and other themes in vignettes throughout this haunted world narrated by an omniscient being. Some heavier topics are included so check the content warning before each episode. Seasons 1 and 2 are completed and season 3 will be done soon. Transcripts available.

The Magnus Archives

A horror fiction podcast. A well written chronological story told through anthology which seem to be tape recordings from a paranormal investigation institute. Incredible writing and actors that really bring it to life. This is horror so make sure to check the content warnings. The show is completed at 5 seasons. Transcripts available.

Neighbourly

Another horror fiction podcast! An interesting look into all the houses on Little Street and their peculiarities. Some more peculiar than others. The podcast is absolutely delightful with a horribly fun narrator. I would suggest checking the content warnings as some episodes are more intense than others. The show has 2 completed seasons. Transcripts available.

The Fall of the House of Sunshine

A musical mystery fiction podcast. The first season is about an investigation on the murder of a beloved host of a children's tooth-themed show. That's all I can say without spoilers. There are 3 incredible seasons along with short stories in between each season. Transcripts available until halfway through season 2.

Welcome to Nightvale

Possibly the most well known science fiction podcast, it really speaks for itself but I'll do my spiel anyways. Recorded as snippets of a daily radio broadcast, the show details the weird goings on in this strange desert town of Nightvale. Narrated almost completely by the radio host's smooth voice. It's ongoing and is currently sitting at 233 episodes. Transcripts available.

The Two Princes

A fictional queer romance podcast. It takes place in that special part of fiction that always starts with "once upon a time," it feels like a story book almost. The show is based around two boys meeting in the woods. Spoiler alert: they fall in love. It's just a cute feel good show. The podcast is complete at 3 seasons. Spotify auto-generated transcripts available.

What's the Frequency?

A self described psychedelic noir podcast. It's an absolute blast even if it is a bit hard to follow. Takes place in the 1940s in LA when all radio broadcasts were turned to static. You kind of just have to go with it until you get to the end. Completed at 12 episodes. Transcripts available.

Story Break

A writer's room podcast. The basic concept behind Story Break is 3 Hollywood writers in a room together take a prompt and try to make a story for it in an hour. There are many laughs in this podcast and just all around good humor and vibes. The show is complete at 169 episodes plus two full movie scripts. No transcript.

Who Killed Avril Lavigne

A science fiction podcast. It's about a time traveling pop punk loser and that's all you need to know. It's a podmusical so you'll be getting great nostalgic pop punk type songs along with crying from laughing so hard. Completed at 8 episodes. No transcript.

The Behemoth

A fiction podcast. Based around an unexplainable creature emerging from the ocean and how the world, and one girl in particular, deal with this phenomenon. It is pretty short with the longest episode being about 12 minutes. Completed at 20 episodes. No transcript.

Rude Tales of Magic

A dnd actual play podcast. It is mainly focused on the actual roleplay and story telling as opposed to the actual play. A handful of college students from Polaris University fuck the world up by completing a hazing ritual which in this case is a supposedly demon summoning. Obviously now they need to fix the world. Currently 64 episodes and ongoing. No transcript.

Midnight Burger

A very well written fiction podcast. It’s about a time/space traveling diner where the employees try to help solve a problem every place they land. Think Doctor Who adjacent vibes but with more drama. There is an overarching plot that comes together so look out for that. It has incredible characters that are really nicely fleshed out. You’ll somehow like and hate all of them as much as possible in the best way. Currently has 29 episodes of the main feed and a 9 episode mini-series. Transcript available.

Monstrous Agonies

A fiction podcast. It’s an radio advice segment on a station for “liminal Britain” aka the monstrous world to put it plainly. It’s really chill and comforting. There’s very good advice there and the intermittent ad reads will have you giggling to yourself. Episodes are on the shorter side, averaging about 15 minutes each. It does have some heavier discussions so make sure to check the content warnings. The show is completed at 111 episodes through 3 seasons. Transcripts available.

Desert Skies

A fiction podcast. The voice acting in this one is incredible, it’s the same person the whole time. The show as a whole is also just super well done. The premise is that when you die you show up on a highway and get to this astral pit stop. I’m not going to spoil it anymore you just have to experience it. There is an additional show, Desert Skies FM that's a buddy to this one. I recommend listening to both. Season 1 was completed at 12 episodes. Transcripts available.

Wooden Overcoats

A sitcom dramedy podcast. The show is about two siblings that run a funeral home on an island. It used to be the only one, it isn’t anymore. It has a wacky cast of characters and even wackier plot points. The dialogue can be a little hard to get used to at the beginning but once you get into it it flows easily. The show is completed at 4 seasons. Transcripts available.

Greater Boston

An audio drama podcast. It's set in Boston if you couldn't tell from the title and starts with the death of a man on a rollercoaster. It blends real life with some subtle (and at times not-so-subtle) fantasy elements. It's currently at 4 completed seasons. Transcript available.

Gay Future

A science fiction podcast. In a world where everyone is gay in the future we focus on this one straight kid. Following his journey to destroy the government who are making everyone gay. This is a satire by the way. 1 season completed at 6 episodes. No transcripts.

Death by Dying

A dark comedy podcast. The show follows an obituary writer while he does things that are totally under the jurisdiction of his job. A well written and preformed show. There are a lot of laughs and obviously some heartbreaks as well. Currently 1 completed season with season 2 sitting at 2 episodes for a bit now. Transcript available.

Not Another D&D Podcast

An actual play dnd podcast. This one's more mainstream than my other podcasts so I don't talk about it as much but that doesn't mean it's not incredible. The first campaign is about 3 adventurers off to save the world. Obviously. It can be a bit slow in the beginning but anything past the second half of the first season is incredible. There's humor, drama, love, and much more. The DM is also just incredible. 1 completed season, a couple mini campaigns, and the second season is currently at 43 episodes. No transcripts.

Forgive Me!

A fiction podcast. It starts based around vignettes of confessionals in this small town taken by a new father in the local church. An overarching plot is present but it's generally a feel good, sweet and simple show. They have 2 complete seasons with season 3 currently at 9 episodes. Transcripts available.

Real Housewives of D&D

An actual play dnd podcast. This show is based around the concept of a "Real Housewives..." type show but you don't need to know anything about those to listen to this. It's about 4 reality TV stars thrown into a magical fantasy world with no knowledge of how to get home. There's drama, excitement, danger, and lots more. The first season was just completed at 16 episodes. Transcripts available.

The Silt Verses

A horror fiction podcast. Two people who worship a banned god travel together up a river in a pilgrimage. There is incredible worldbuilding in this show along with acting and sound design. This is horror and a very good one at that so make sure you check content warnings. Season 1 and 2 are completed and season 3 is at 2 episodes so far. Transcripts available.

The Land Whale Murders

A comedy fiction podcast. It takes place in the year 1899 and is about a pair of friends? maybe not, that metaphorically explore the world they're living in. It is a commentary on the world we live in and the problems in it through a hilarious and wacky cast. There are currently 17 episodes between both seasons 1 and 2. Transcripts available.

Elaine's Cooking for the Soul

A post-apocalyptic cooking podcast. The show is about a dentist who makes her way through the fallout of an apocalypse while also making a cooking podcast. It does have depictions of violence, war, and dentistry so check out the content warnings. There are 2 completed seasons. No transcripts.

Fawx and Stallion

A mystery podcast. If you hate Sherlock Holmes you'll love this podcast. Also if you love Sherlock Holmes you'll love this podcast. It's based around the detectives who live across the street from Holmes at 224B Baker street. It's pretty goofy. Season 1 is completed. Transcripts available.

The Amelia Project

A fiction podcast. Follow the shenanigans of this death-faking organization as they take in new clients and hear their stories. It does develop an actual overarching plot later on but every second is fun. Seasons 1-4 have been completed and season 5 is in progress. Transcripts available.

A Voice From Darkness

A horror podcast. It's centered around a radio show hosted by Dr. Malcolm Ryder, Parapsychologist. He helps people who call into his show with supernatural problems, gives PSAs and warnings about strange happenings, and more. Season 1 is completed and season 2 is at 9 episodes. Transcripts available.

Station Arcadia

A dystopian fiction podcast. Formatted through a radio show, it tells the story of a world that's slowly dying. There are vignettes of different characters through different areas of the world. Season 1 is completed at 25 episodes. Transcripts available.

Margaret's Garden

A science fiction podcast. It has two plots running at the same time which keeps you on your toes but makes for an intriguing story line. In one plot line, two agents are sent to investigate the strange happenings of a weird little long abandoned town. Simultaneously, we hear from the past of that town as it catches up to the agents. Completed at 10 episodes. Transcripts available.

Camp Here & There

A horror comedy podcast. It's recorded as a set of daily announcements over a loudspeaker at a totally normal summer camp. The announcements are made by the camp nurse and he's also totally normal. I promise. Make sure to check in with the content warnings as some topics are a little mature or graphic. There are currently 34 episodes. Transcripts available.

Wayward Guide for the Untrained Eye

A companion horror podcast. This is actually a bit meta because it is the result of a youtube series. This show is the one the podcast hosts in the series release, it's definitely worth both the watch and the listen though. It's got werewolves and drama. Completed at 10 episodes of video and 10 of the podcast. No transcripts.

I am in Eskew

A horror podcast. It's about a man who's trapped in a city where the buildings always change and the rain never stops. There's a weird monotonous creeping horror in this show that just draws you in. Check for content warnings definitely. Completed at 30 episodes. Transcripts available.

Traveling Light

A comfy cozy fiction podcast. It follows The Traveller on their exploration through space, visiting alien planets and collecting stories to send back to their community. For supporters of the show, it almost functions as a choose-your-own-adventure with choices to vote on and listener submissions. It's made by the same people as Monstrous Agonies so if you enjoyed that, you'd enjoy this and vice versa. There are currently 16 episodes. Transcripts available.

Not yet described but still recommended:

Eeler’s Choice

The Secret of St Kilda

The Endless Ocean

The Department of Variance of Somewhere, Ohio

The Sword & The Stoner

World Gone Wrong: a fictional chat show about friendship at the end of the world

Travelling Light

Waterlogged

Brimstone Valley Mall

[automatonwithautonomy]

I like to believe that, once, Jon was recording a statment, and he accidentally said: "Jonathan Sims, Head Institute of the Magnus Archives, London." He threw the tape away, but one day Elias is giving a tour and he just says, in the most deadpan voice: "And this is Jonathan Sims, our head institute - oops, I mean archivist." All while staring at him straight in the eyes.

[jouxlskaard]

Strap in, fuckers. This is a long one.

I've seen a lot of discourse and discussion recently about why TMAGP isn't resonating with listeners as much as TMA did, with a lot of people pointing towards the infrequent structure of each episode and the lack of subtlety that TMA had once excelled in. And while both of these are true, I think the main culprit that has caused these problems for listeners is one thing: the pacing.

TMAGP is only going to be 60 (Edit: 90) episodes long, compared with TMA's absolute behemoth of 200. When I'd found out about this, I'd assumed that it meant TMAGP would have a much smaller story - not having to establish as much information as TMA did, and allowing the story to have lower stakes as a result. This certainly wasn't a bad thing, as many sequels that have tried to one-up their predecessors have gone disastrously wrong, but I knew that the structure would be different to TMA as a result.

However, from the 12 episodes that we've seen so far, it appears that TMAGP is going to have similar levels of stakes to TMA - not the same stakes, of course, but they'll likely be on close to equal footing. This means that TMAGP has to establish the same amount of information to listeners with significantly less time to do it in, and the pacing has to speed up to adhere to that. In the first 12 episodes of TMA, we had established one possible recurring statement character (Gerry), a disturbing worm woman (Prentiss), and the fact that Jon doesn't like his assistant and refuses to believe any of the statements. In the first 12 episodes of TMAGP, we've established every important protagonist and what they sound like, two recurring statement characters (Bonzo and Ink5oul) with one that has already physically appeared, much of Sam's backstory and his ties to the Magnus Institute and the fact that something is deeply wrong with their workplace. That is a big difference.

This difference in pacing is what I believe is turning listeners away from what they'd originally enjoyed about TMA, because there's no longer that warm, comforting atmosphere when you listen to it. Its sound isn't designed to come from a tape recorder and a tape recorder only anymore; it's no longer a sit-down and listen to the Archivist tell you spooky stories for 20 minutes anymore; and, like I mentioned earlier, the structure is no longer the same throughout each episode. The horror anthology aspect, whilst still being there, has now taken a back-burner to the metanarrative because so much has to be established in so little time. To many, that's a bad thing. They listened to the original because they liked the statements, and the little things connecting them hinted to a much larger story at play. When this story was revealed, we got to see Jonny Sims and his brilliant prose at its best, because there was no longer anything to hide and the statements were in their purest forms - no longer having to establish information to the audience, and simply basking in the fear.

I'm sure we'll get to see the same thing in TMAGP once the narrative reaches that point, but the current pacing has uprooted a lot of listeners' expectations for the show. I'm going to listen to the entire thing, personally; yeah, it's different, and it doesn't deliver the same vibes and comfort as TMA did, and I probably won't be able to fall asleep whilst relistening to the more obscure episodes like I could before, but in a frankly disturbing way, I'm still fascinated with what Jonny, Alex and the other writers have created. This type of horror is the only kind that I genuinely enjoy, and I'm excited to see what direction Protocol goes in.

Edit: I feel like I should clarify that I don't see this comparison as something that takes away from TMAGP. Alex has said that it's going to be different from the get-go, and I do think that comparing it to TMA is an exercise in futility to an extent. I just wanted to talk about the shows together because I feel like they complement one another, and the narrative beats that I've talked about are less to do with TMA on its own and more to do with general narrative structure. We have buildup, payoff and pacing no matter what show it is, because that's what makes a story. I think TMAGP could be taken a little bit like Deltarune in terms of its relation to the original source material: separate entities with some overlap in character and themes. At the end of the day, it's still early days for the show and this entire spiel could just end up gathering dust - I just think it's a cool thing to think about, and it gives me an excuse to infodump about how pacing can affect a narrative and the audience's response to it.

I wrote this while my cat was laying on me. Have a picture as a reward for reading this whole thing.

[witchinatree]

unpopular opinion maybe but sam has been pissing me off lately

i think it started with him laughing in gwen's face about the bonzo thing and (as far as we know) not apologizing???

it's like he only thinks supernatural things can happen to HIM. sam wtf why are you gatekeeping the horrors??

he also only ever listens to celia, alice indulged his magnus thing as long as she could but realized shit was getting dangerous and wanted to protect him

alice is also flawed (jealousy is a bad color on you babe but i forgive you) but like everyone is?? and sam is just dismissing her every word because of it??

he doesn't have to follow her advice but could he at least let her speak??? i hate how dismissive he is, even celia listens to alice more than him

and in episode 24, his "well what can i do about that" mentality was sooooo irritating

he said it twice, when alice said gwen wasn't okay, and when alice said the tape recorder thing was hunting them

1. gwen not being okay could be something you at least pretend to give a shit about, like seriously. everyone tolerates your childhood rejection trauma and you don't bother batting an eye as gwen crumbles? jesus man

and 2. why is it only something 'crazy' when it's not you saying it sam? he expects everyone to believe the evil about the magnus institute (with honestly no evidence? i think we gloss over how little ties the institute actually has rn because we listened to tma) and dismisses alice's concerns that they're all going to die

i don't hate sam by any means (disregard previous discord statements ❤️ i was a lil upset) but he has been seriously upsetting me

also if there's anything i forgot um my bad i'm just oh so sleepy

[squidkidghoul]

So the body from this epsiode was found in mid march, and the previous body had a tape recorder next to it. During mid march, something using a tape recorder was freed from the Magnus Institutes Archives. The corpses are talking about supernatural things that have happened to them and are found dead in ways relating to those things, much like how Jon in TMA was able to make people relive their supernatural expierences and tell them to him. Anyone else thinking that maybe this 'serial killer' might be a failed attempt at creating an archivist.

[shizucheese]

Okay okay okay, I need everyone to listen to me about this.

I know I kinda talked about this before in a reblog to someone else's post, but the idea has been rotating in my brain ever since and I feel like it needs to be further explored. A lot of people have been talking about the differences between TMA and TMP, and memeing about how people can actually quit the OIAR (which btw, I'll believe when I actually see it, by which I mean if we're able to get through the entire series without Teddy either coming back or turning up dead or otherwise facing "You can quit but you can never leave" levels of repercussions) but like nobody, from what I've seen, has been talking about what imo is the pretty glaringly obvious element at play here. So let's talk about the spider in the room, shall we? What do we know about the Magnus Institute in TMA?

People came there to give statements regarding their spooky experiences, including people who had doubts about doing so (because they weren't sure if the Institute was reputable, because they weren't sure if they believed what they had experienced, because they served a different entity so what reason would they have to do something for The Eye, etc).

The head archivist would ultimately become the Archivist, an Avatar of the Eye.

The Archivist's abilities included enabling statement givers to give their statements without going off track or leaving out details (we even see what happens when it's not the Archivist taking the statement), and being able to compel people to tell them things against their will, from statements to their darkest secrets.

You couldn't quit, at least not without gouging your eyes out.

The Magnus Institute was a part of the Eye.

Or was it? Because the other thing we know about the Magnus Institute is that the Web was using it as part of its plan to break free from the TMA world and gain access to the other worlds out there. How much of the compulsion aspects of the Institute-- people being drawn to the Institute to give statements, the Archivist's ability to draw statements and secrets out of people, people's inability to quit the Institute--was actually because of the Web? Where does the Eye's "compulsion to seek out knowledge even if it could be bad/ harmful" end and the Web's "not being in control of your own actions" begin? Was the Archivist--at least in the form Gertrude and John took--really purely an Avatar of the Eye? Or were they an Avatar of a mix between The Eye and the Web, much like how Martin, if he were to ever become a full fledged Avatar, likely would have been a mix of the Eye and the Lonely, just like his domain in S5 was? After all, Jonah was an Eye Avatar, was he not? And as far as we saw, he never needed to compel information out of people. He just Knew it (and used it to torment people).

One of the themes I've been playing around with in my TMA fanfictions since I first finished the podcast for the first time last winter is how the course of history would be different in the alternate worlds, where the Web wasn't interfering--at least not on the same scale, or for the same reasons--since it had already gotten what it wanted at the end of TMA. And I think that's exactly what we're seeing a version of in Protocol. I think the OIAR is what it looks like when it's entirely the Eye at play, with 0 interference from the Web. The Eye is all about having your secrets exposed, being watched, being followed. The tape recorders--something that would need to be turned off and on (controlled) in order to record something--were a tool of the Web. Now we're "witnessing" the events of the podcast through the audio from security cameras and other things that are constantly running; constantly seeing and listening without needing to be turned on and off. The statements aren't being given by people who somehow found their way to the institute and were on some level or another compelled to tell their tales. They're journal entries detailing a person's private thoughts. They're letters meant only for the eyes of the recipient, sharing secrets not meant for anyone else. They're recorded therapy sessions.

And the statements that are related to the Eye? The ones read in John's voice? They're forum and blog posts, which not only makes them the only ones whose sources didn't have the same expectation of privacy as the others, also ties them to the Web, since computers and websites were previously established as being associated with it.