#like the fact that it’s so heavily placed on his character is so interesting.

[zodiac-keeper]

If I had the brains to do it, I would write an analysis about “Kou and mortality” but my brain cells cannot comprehend anything past that simple sentence.

[nagichi-boop]

SHADOW IS WRITTEN SO WELL IN THE MURDER OF SONIC THE HEDGEHOG!!

First of all, just him showing up to Amy’s party is a step up from his recent “I will do everything myself, I hate everyone, imma fight you” attitude that we have seen. Secondly, and idk if it was intentional, but him attending shows he cares about Amy. He’s always had a special place for her after the events of SA2, so it’s nice to see him showing up for something that maybe isn’t his style for her sake. (Parties aren’t really his thing, after all.)

SPOILERS UNDER THE CUT

It’s also really sweet of him to go through so many lengths to try and get Amy’s present. I definitely don’t think he forgot to get her a present, he genuinely just didn’t seem to know that it was a social norm to bring presents to a birthday. If he really didn’t care, he either wouldn’t have gotten her anything or he would’ve given her a rushed gift. But no, he went through a lot of effort, basically foregoing the game, just to stall Amy so he could get her a present she would enjoy.

And not just any present - he remembered her mentioning a specific band she liked and that she hadn’t seen them live. This not only suggests he listens to her and remembers what she tells him, but also implies that he has had multiple conversations with her. Clearly he must have also done some research too since he knew that the tickets were going live soon. He thought this through, even if it was a bit last minute, and did his best to get the tickets (even though he admits to not being the best with computers, which is also nice because usually Shadow just insists he’s the best at everything). I also think it was sweet that he didn’t heavily protest Amy’s suggestion to see the band together. He hesitated, but then yielded. This…for a character who recently has been written to be quite selfish.

He seemed upset that he couldn’t keep this a surprise, but he also didn’t become enraged or lash out at Tails and MC/Barry. In fact, he didn’t really lash out at anyone at any point which is refreshing, since in most Sonic media that’s his go-to emotion.

Most of his expressions throughout the game are fairly gentle in fact. Sure, he doesn’t smile, but he also isn’t actively angry. And the one expression where he does seem a bit negative just seems like his resting expression, or at absolute worse just a little annoyed. He’s very mellow throughout the game and it’s refreshing.

Even after he has finished talking to Amy, Tails and MC/Barry, he offers to stay with them and help them with the investigation. Normally in Sonic media, Shadow has no interest in helping others and only really cooperates if there’s a mutual goal/interest. And even then, he tends try to do things on his own. But in this game? He actually cooperates, and what’s more, he goes out of his way to offer his help.

So far I’ve mostly talked about his attitude towards Amy. But what’s his attitude towards Sonic? People debate back and forth on whether Shadow hates Sonic and the recent games and media have made it seem like he does hate Sonic. But in this game? I wouldn’t say so. I mean, he’s literally hanging out with him and his friends and instead of having beef with Sonic, he just focused on making Amy happy. And even when the situation gets more dire and Sonic is found to be knocked out, he doesn’t make any snarky comments or anything. In fact, he actually helps to tend to Sonic’s condition, even if it was just checking his pulse. If he rly didn’t care, he would’ve left it to everyone else.

Man, I could talk for hours about Shadow in this game. I can’t believe this April Fools prank game is actually the best characterisation for Shadow we’ve had recently. He’s not overly aggressive, he isn’t selfish, he isn’t super edgy. He is still sorta cold, but he’s not rude or mean. He’s actually really kind (in his own way), putting his needs and desires on hold to make Amy’s birthday fun and to help everyone out. I seriously hope that Shadow is written more like this in the future and not like he has been. Maybe Sega wasn’t joking about taking on board the complaints of the fandom.

[dorkybunnydotcom]

Tomura never really understood your obsession with all the cute sweet stuff you wore and surrounded yourself with. Your room was like a shrine to every cute character in existence, your clothing made you look like a doll, and all your interests were just as cute; scrapbooking and reading shoujo manga and the occasional obsessive collecting of plushies and figures.

He didn’t get it. When you first met he gave you one glance and made up his mind about you; your where small, and weak, and childish- just like every other stupid person in this world he despised.

To his absolute dismay he was constantly proved wrong by you; you were also resilient and kind in a way that made you awfully stubborn and almost scary at times, you where good to him, you were quick witted, he was constantly at a loss with you, confused at how someone so delicate and weak seeming could make his heart ache.

You looked fragile to him, and where it at first made him angry now it just endears him to you more; he knew deep down you can care for yourself but he wanted to dote over you on the constant. He couldn’t help it- he had never felt this way about anyone else. Tomura Shigaraki is not a gentle person, but for you he wants to learn how to be.

So there you where by his side, clinging to his arm ( he for a while refused to even touch you with his hands- not unless he had his gloves on ) or sitting next to him while he played video games with spinner or laying on his bed watching him game on his PC, and at times falling asleep in his arms, curled into him and soaking up his warmth.

Tomura absolutely melted for you, he tried his best to make it seem like he didn’t, he threw out weak insults and rude comments, but you never took them seriously. He started to insist on doing things for you, claiming it was because you were ‘ too weak ‘ to do it yourself- an awful cover story for the fact he wanted to dote over you like you really were his doll.

He loved you more and more every day, almost to a level of obsession, it made him sick sometimes just how much you had him wrapped around your pretty little finger.

He loved when you sat on his bed when he played video games, all your stickers and paper and sheets on his bed, the way you focused so heavily on something as stupid as scrapbooking, the way your nose scrunched up like a little bunny and the way you huffed when you accidentally placed something the wrong way.

He loved it when you cuddled into his lap too, even when he was in the middle of a game, even when he would complain or call you irritating he still made sure you were comfortable. Nothing made him happier than the feeling of his cute little doll fast asleep on his lap.

He loved the way you looked, the way you did your hair, the way you dressed and did your makeup- so much to the point he learned how to do it all. He loved the days when you were too tired to wake up, he loved helping you get ready, he loved fixing your hair and putting in your socks for you and making sure your accessories looked good- the way your eyes slowly would blink at him as he did everything for you because you were just that tired.

It’s a constant battle in his head, his brain telling him not to let this make him so weak- but his heart just melting every time you so much as glanced at him. He would try over and over to stop it, but his love for you only grew more and more.

Tomura Shigaraki is not a romantic, he doesn’t care about people and he certainly doesn’t want to be bothered with stupid mundane things… he doesn’t like weak cute girls who look like dolls, not at all.

Well, at least that’s what he convinced himself of until he was back at your feet, helping you put on your shoes.

────୨ৎ────────୨ৎ───────

Tomura Shigaraki with a Girly / Doll- Like S/O ( this one goes out to all my fashion lovers tea bee h ٩( 'ω' )و )

[abnomi]

EVERY REASON (that i can think of) AS TO WHY TURBO/KING CANDY IS NEURODIVERGENT 💥💥

i would like to make a disclaimer first and foremost about the obvious, being that Turbo/King Candy is heavily implied to have narcissistic personality disorder (NPD) and antisocial personality disorder (ASPD). Very often, characters with these disorders are portrayed as villains, and Turbo is no exception to this. There's nothing wrong with antagonistic characters having said disorders, per se, but when the only representation available for people with these conditions are found in characters you're not supposed to root for, it can be really disheartening. i won't be erasing these parts of him because i feel it would be in poor taste to gloss over those core elements of who he is, but plz keep in mind that having any kind of personality disorder doesn't make anyone inherently evil!!!🌞 your ACTIONS make you, not your brain

Also if anyone has any suggestions or other ideas for his neurodiversity, i would love to hear them! please do share!! I LOVE PSYCHOANALYZING CHARACTERS AND HEARING OTHER PEOPLE PSYCHOANALYZE THEM !!!! YAY🎉 if u agree or disagree with any of my points I'd love to discuss them further :-]

without further ado... click read more to find out…😈 be ready for a lot of reaches

💥 ADHD 💥

STIMMING

Turbo's constantly moving around in some way; he's a very expressive character! even as King Candy, he can't seem to conceal his frequent giggling. it's a big habit of his; he seems to do it involuntarily to regulate himself, including when he's nervous or uncomfortable.

he seems to display other repetitive behaviors as well, like doing his iconic thumbs-up pose, sticking out his tongue, or hopping around gleefully. he is but a jovial court jester..

i personally like to think that his phrases, "Turbo-tastic!" and "Have some candy!" are vocal stims of his, although i equally really love the interpretation that these (and the aforementioned stims) are tics :-]

another headcanon; i think it would make a lot of sense for him to have an oral fixation of some sort (ignoring the whole sigmund freud part of the term ermm...); just lots of biting, chewing, needing to have something in his mouth. It would align with the whole idea that he smokes, too

HYPERACTIVITY

we can clearly see throughout the film that Turbo has a lot of energy, made abundantly clear by his mannerisms and general behavior. he's constantly moving, using exaggerated expressions and gestures to communicate + express himself. He's one of the most animated and bouncy characters in the movie, next to Vanellope! it's silly how a character not very grounded in reality is such a threat, but i suppose that's what makes him so threatening in the first place...

another factor in this is how he is very adrenaline-seeking, craving activities that give him a rush (sugar rush...😂😂). more on that in a bit!!

HYPERFIXATION

Turbo's fixation with winning is all-consuming for him; it's an obsession. he doesn't appear to care about much else, if anything besides it. this could be interpreted as a hyperfixation for him (or special interest if ur all about that autism lifestyle), as it overtakes all of his focus and impedes every process of his mind.

it's clear that racing is much more than a passion for him, and while that fact is due to how he was programmed, it's a major character trait of his regardless that could be correlated to neurodivergence.

HYPERFOCUS

There seems to be a big theme of "all or nothing" when it comes to Turbo. he will either be fully dedicated to something or brush it aside without a second thought. it can't be denied that he fully wraps himself up in what he wants, whether it's a conflict he can't let go of or a new pursuit he's hungrily chasing after. 

ultimately, his dedication varies depending on if it is relevant to him and his interests or not, but this aspect of him still shares patterns with neurodivergent thought processes.

INSTANT GRATIFICATION

Seeing as he has a tendency to cheat in his use of code to spawn in whatever his heart desires, it can be assumed that this could do with Turbo wanting instant gratification to fill that bitter, empty void inside of him. while this could simply be brushed aside as greed and his belief that he is obligated to have access to whatever he wants, this trait is consistent with his generally dopamine-seeking behavior and wanting to be instantly rewarded by his actions. His obsession with needing to feel good directly relates to his need for another buzz, constantly after the next rush. (a sugar rush if you will☺☺☺)

ADRENALINE-SEEKING

Closely related to the previous speculation, Turbo always seems to be chasing his next high. he loves the thrill of action and being surrounded by crowds of people below him. it's why his big thing is racing! people cheer him on, he can do whatever he wants, he can go really fast and look cool..

it's possible that a big aspect of why he does this is to distract himself from any kind of pain, because pain = vulnerability. bro does NOT know how to independently cope with his own problems.. HE MAD AS HELLLLL!!! 😂😂

STRUGGLE WITH SELF CARE

(i know this is reaching but bear with me... 🐻) going off of his appearance and tendency to make poor decisions, it can be gathered that this man lacks skill in the self care department. his yellowing teeth and sunken eyes not only serve to complement his design, but also give way to the idea that he neglects himself in favor for whatever weird scheme he's up to.

of course, Turbo does prioritize himself above everyone else, but he doesn't strike me as the type to care much about how others think he smells. him being a bother to anyone isn't a concern of his. he cares about whatever gets him the most praise and attention from as many people as possible, which is winning and racing. Who cares about how clean he is when he's up on a podium holding a shiny, golden trophy, anyway?

It's likely that he had to step his game up when he went under disguise as king candy, which is why he looks well-groomed in comparison to his more corpse-like appearance. Ugly hoe. it can also be assumed that he's had more time to focus on himself because everyone loves him without question... Well, except for Vanellope, but who cares about her, right?

also, i know he makes a condescending comment to Ralph about how bad his breath smells, but it's made abundantly clear that Turbo is a massive hypocrite. his comment doesn't erase the possibility that he has suffered from such "halitosis" as well.

💥 ANXIETY 💥

GENERAL ANXIOUS BEHAVIOR

i know, i know, this could technically be chalked up to be "Turbo is nervously giggling and shit because he's scared of getting caught," but guys. g

even in the flashback scene, we can see how easily stressed he can become in an alarmingly short period of time. he is extremely insecure, therefore i am led to believe he is not only emotionally dysregulated, but also by extension, anxiety ridden.

yes, this is purely speculative, but who's to say that he wasn't like this before? being high-strung and intense are significant facets of his personality consistently portrayed throughout the film. as long as he is getting exactly what he wants, he is happy; the moment he loses even a blip of control, however, he immediately grows extremely tense.

if Turbo wasn't anxious about his disguise as King Candy before, he was anxious about how much attention he was receiving on a given day. if not that, then he'd be anxious over how he presents himself. He hates how he can't control how other people perceive him, which is why he is constantly trying to act like he's better than he is.

its why he justifies his behavior to himself, proudly making others refer to him as the "rightful ruler" of sugar rush and relishing in the attention of his countless underlings. Any secure and stable person would NOT ACT LIKE THIS!!!!😭😭😭

FIGHT OR FLIGHT

As we can see a handful of times on screen, Turbo's instinct to protect himself is very easily activated.

 his fear manifests in anger and aggression. we can see at multiple points how easy it is to upset him or fluster him; his anger is one side of the same coin, the opposite end being his fear and paranoia.

Going off of this point, have you noticed that Turbo is either satisfied or furious without much of an in-between? how the second something isn't under his manipulation, he lashes out and fights back? I'm led to believe that this is how he responds to fear (AAUAAYAUUUUGGHHH 🐡🐡🐡🐡🐡🐡🐡). This guy is so against the idea of being vulnerable, that even when afraid, he will utilize violence to regain his dominance over the situation at hand.

CONTROL + PARANOIA

Turbo's always trying to writhe or fight his way out of uncomfortable situations, unable to exist outside of his comfort zone for seconds at a time.

his defensive, paranoid, and controlling behavior are all reflections of how deeply insecure this man is. He feels such an intense need for everything to go exactly how he expects it to go that the moment he senses any kind of threat, he instantly jumps to defend himself and what he feels that he has "earned," regardless of whether there truly is a threat or not.

this could potentially be a coping mechanism for his anxiety and sense of stability; can't forget to mention how territorial he is!! he jumps to conclusions about what others' intentions are before they even get a chance to reply, as seen with his first encounter with Ralph in the movie. 

the racer is so internally discombobulated that he seeks any sense of stability on his environment, including on those around him. his sense of self is so warped that he copes with constant distraction; being under the spotlight, being actively racing, having to be showered with attention, having others make him feel good because he doesn't know how to do it for himself. he needs to feel like everything is under control, lest everything falls apart.

"...if there's ONE thing I can't abide, it's ANYTHING out of order!"

💥 NPD 💥

INFLATED SENSE OF SELF IMPORTANCE

Turbo's most in-your-face trait above all else. It's made more than crystal clear in every scene he's in that his arrogance is a determining factor in how he interacts with others. This is exactly what drives him to desperately crave admiration, to chase after others he's envious of because he thinks he is obligated to take what they have.

he seems to genuinely think he is entitled to get whatever he wants, just because he is inherently "special" or "better" than everyone else. Why else would he have made himself a king, a step above princess?

EXCESSIVE NEED FOR ADMIRATION

Turbo's self worth is COMPLETELY dependent on the opinions of children and teenagers. I think i don't need to say any more than that, but i will. (Evil).

As cartoonishly massive as his ego is, i think that it's fair to assume that Turbo has a very unstable sense of self, distorting his perception of his own worth down with it. his near-constant flaunting and need to be the best is a dead giveaway to his deeply-ridden self-doubt. The foundation of his stability is built around how "good" he is (at racing and winning), how powerful he is, whether or not he is being prioritized above everyone else, whether or not he is the absolute best, etc. etc.

The racer outright manipulates others to shower him with admiration and undeserved appreciation. He is incapable of forming a true sense of internal value, instead heavily and codependently relying on others to form it for him. if he isn't the best, he may as well just be nothing.

INTENSE JEALOUSY

He reacts so severely to what he perceives as others taking away what is rightfully his that it only goes to solidify my previous points even further. the second someone else is getting more attention than him, Turbo will bend over backwards to rip back the praise he believes he so rightly deserves.

being extremely competitive, he will one-up against anyone he thinks of as a threat, dedicating himself to taking them down to the best of his ability, and making sure they STAY down to top it all off.

INABILITY TO HANDLE CRITICISM

if we really dissect the entire one-off joke with Turbo insisting that his stolen pink castle is actually "salmon," along with all of his other domineering behaviors, we can garner that he is very persistent in how he wants others to view him. i wholeheartedly believe that this would translate into him not only being defensive over his supposed "ownership" of Sugar Rush, but also over himself and his own insecurities.

He needs to feel good about himself or else he will die and quite literally try to kill everyone.

LACK OF EMPATHY

He appears to have a fondness for making jokes in very poor taste. Turbo has a big sense of humor, but it's always at the expense of others. Be it a pun about a "fungeon," or jumping to protect himself with a joke about "hitting a guy with glasses," he has a tendency to take serious situations very lightly. It's not that he's unaware of the weight of it; he simply doesn't take it Seriously.

its admittedly impressive how he was able to feign empathy so well for Ralph; it goes to show how he is very capable of understanding that what he's doing is wrong, but ultimately does nothing to change his behavior because it doesn't impact him personally. 

i would like to honor this part of him, because even in the possible alternate path of a redemption arc, his struggle with empathy can be explored in a variety of interesting ways :-] he can understand complicated emotions and situations on an analytical level, but he doesn't feel for them unless it has to do with him specifically. (this obviously doesn't make him inherently evil, his ACTIONS make him evil)

💥 ASPD 💥

LACK OF REMORSE/GUILT

One of Turbo's core characteristics is just how far he is willing to go for his own self-interest with lack of regard for how it impacts everyone else. he has absolutely no concern for how anyone else feels besides himself, willing to go so far as to attempt to mutilate a 9-year-old to achieve his petty goals.

Turbo is shameless when it comes to how he goes about getting his way. While I'd like to believe he isn't fully incapable of feeling regret, he doesn't showcase feeling it in the movie itself. The most regret he'll feel is when he slips up and exposes himself. anything else is the fault of everyone else; he is untouchable in his eyes.

DECEITFUL TENDENCIES + LYING

Where do i even start with this one.

well, first of all, let's acknowledge the... erm, horse? in the room? 🐎😅(Please someone help me there is a horse in my room help helphel) being that Turbo went under disguise as King Candy for at least a decade. Even before this, there's a good chance that he's already had plenty of experience with lies and manipulation. i'd be willing to bet on this!!

one of his specialties is being proficient in manipulation, be it the code of games or the minds of people. theyre basically the same thing to him, anyway... I'm sure you all know the scene where he uses 16 manipulation tactics against Ralph and wins. this was Obviously not the first time he'd done this.

REPETITION OF HARMFUL BEHAVIORS

Time and time again, Turbo can't seem to help himself when it comes to poor decision-making. he never internalizes that his bad choices aren't JUST bad for others, but also for himself, continuing to escalate further and further into very dangerous behaviors until he literally dies.

Here's a list of bad decisions he has made! (at least, that we know of)

Pinning himself above his peers

Harassment + stalking

Carelessly charging through GCS with his car, endangering countless civilians

Attempting to take over a game that isn't his x2

Vehicular manslaughter

Implied mass murder + attempted murder, attempted mutilation

Mass endangerment

Breaking and entering, theft, usurpation, plagiarism

and more!!!!!!!

AND HE LEARNS FROM ABSOLUTELY NONE OF THIS!!! with some of the items listed here, he's attempted to do multiple times! Absolute buffoon.

RECKLESS DISREGARD FOR SAFETY OF SELF AND OTHERS

Considering how he was willing to charge into a game that wasn't his own with the awareness that it could permanently kill him, going as far as to recklessly crash into another car (albeit it's possible this was unintentional), it's easy to gather that he doesn't seem to consider anyone's safety at all in the spur of the moment.

IMPULSITIVITY

his impulsivity and disregard for safety both go hand-in-hand. When it gets to a certain point, Turbo's emotions will boil over and blow up in a cold rage, thus causing him to spiral and act on impulse, becoming a detrimental force to himself as well as everyone around him.

What's interesting is how much restraint he is capable of; he typically is very strategic in how he orchestrates his plans! but once he reaches his breaking point, he snaps and leaves all of his hard work behind in favor of something that calls for his immediate attention.

💥 ETC. 💥

extra tidbits i didnt have enough energy to fully delve into :-]

BPD

Fear of abandonment

Blurry sense of identity

Feelings of emptiness

Self destructive tendencies

Emotional instability

Explosive anger

ODD (oppositional defiant disorder)

He seems so infatuated with his own autonomy that he gets to the point of being resistant and defiant

Resisting against the rules of the world that he directly caused as a result of his own actions, being that one shouldn't "go Turbo."

Enjoys upsetting/getting a rise out of others. this is more speculative as i am going off of the assumption that he thinks pissing people off is funny, based on his other behavioral patterns. (cruel sense of humor, wanting to feel above others via control & manipulation, enjoyment of inflicting pain onto others)

Forcefully defends himself and refuses any kind of criticism

Lashes out when he feels slighted

Excessive persistence despite all odds, whether it's beneficial to him or not

ok bye!! thank you if you managed to read this far ^^ peace and love take care of yourself! all in all turbo is so neurodivergent ok please Okay <3 get this thing his meds

[edlucavalden]

Mithrun and non-visible disability

Yk, I've never seen people talk about this, but Mithrun is a very accurate depiction of having a non visible illness

I'd like to interpret mithrun's bastard origin to be an allegory for an invisible disability (I'd argue its neurodivergance, but it could be anything); An aspect of yourself that you are born with (in this case; born from) that is seen as inferior but it is not obvious.

He's even lucky—since that part of him is that of benefit. His infidelity gave him silver eyes and sharp ears after all (if you can catch the metaphor). from the outside, He's just a normal person, a person worth respecting because he's fits the standard.

However, he knows he does not fit the standard. it's just a lie. He hates himself—so, so much bc of that. It causes him to over-compensate through complete perfectionism and a high sense of self pride. He has to keep a big image in order to protect himself. it's the only thing that can get him loved.

However, that superficial ego gives him terrible imposter syndrome. He knows he doesn't deserve it, but he wants to. like everyone, he craves love and safety. So, he looks down at everyone, hyperfocused at their flaws (he can't be inferior if everyone is worse, right?) whatever it takes to prove himself that he deserves love.

He knows he's weak, but he has to show to everyone that he's strong because any slight sight of weakness would be detrimental since he knows that his humanity is conditional.

He knows that if he shows the truth and how he doesn't actually fit the status quo, he will be ostracized and rejected.

He knows—because his brother is proof of that.

Obrin's disability is obviously visible; Shown through his physical characteristics (his frailness and the lack of family traits). However, his discrimination may be due to this visible disability. he isn't nessesarily ostracized for those traits. His features aren't the (main) reason why he's perceived as inferior in the social hierarchy. it's instead because he's rumored to be a bastard child. This is why he hates his brother so much.

Obrins physical characteristics are just "symptoms" that perpetuate their prejudice towards infidelity (if were going by the disability allegory, think; this person is too sensitive, it must be bc of the autism...). By doing so, his brother indirectly taught him to hide that part of himself.

He hates Obrin because he is the physical manifestation of what will happen to him if his infidelity (disability) is revealed. He is the same plane as his brother after all, The only difference is that he's fortunate enough to be able to hide it.

It's very interesting how his hatred to Obrin isn't because he's genuinely bigoted and ignorant towards him, but because of his own personal internalized ablelism just projected. (It's ironic how contrary it is; he hates his brother because he sees him as equal) very much paralleling visible and nonvisible disability in intimate familial relationships.

The fact mithrun is the bastard child, not him. Imagine the burdening guilt and shame that comes with the knowledge that he could (or should) be one in his place.

He's constantly paranoid of thoughts that he's not good enough. That's why he was so upset when he was sent to the canaries or when he saw Obrin and Sultha together.

Because those are signs that Obrin is better than him and he could not forgive that (how can someone like him, completely ostracized from society, and be so content...?). And that sign proves his paranoia of not being good enough are correct.

mithrun's insecurities, fears, and behavior very much parallel that of being a high masking disabled person.

Hes is a flawed disabled character, but one you can also sympathize with.

He isn't a perfect victim. He delves on how a disabiled person who's so intrenched in a heavily ableist and bigoted society can be a victim to its bigotry and be taken advantage of (The demon. I didn't touch on that topic, as much as i would love an essay about how the demon preyed on mithruns vulnerability regarding his own disability but unfortunately, that might be too triggering for me lawl!) while also actively participating in it and perpetuate said beliefs

And that means so much to me

[thegoldencontracts]

Is Azul Actually Kind?

I know how it sounds but pleaseee hear me out.

Azul isn't kind. That seems to be pretty obvious, right? His benevolence is clearly a facade, meant to hide the selfish, cunning nature lurking within.

I thought that too. But then I saw something that made me question it.

Namely, Azul's Platinum Suit Vignette, where he looks at the Sea Witch's actions regarding Ariel, and calls it 'tough love'.

He isn't talking about himself, he has no reason to fib. He even brings up his Grandma, making it pretty evident he's being sincere. He views the Sea Witch's actions - punishing deal breakers and setting people on them - tough love.

And the Sea Witch's actions are remarkably similar to his own. He makes deals, and he punishes people who can't fulfill them. But there are some very interesting things that, to be, combine with this to bring about the theory that deep down (or maybe not so deep down) he views it as an act of tough love.

1. Azul almost never harms his clients in a truly crippling manner. The one exception to this is the Prefect, but I feel that's easily explained by the fact that this was shortly before his overblot, and like other characters, Azul too was behaving in a manner worse than usual.

Other than that, though, his punishments are typically servitude, or giving up a talent. Keyword: a talent. Not the thing itself. Someone with a good voice who gives it up doesn't become voiceless, they just start sounding hoarse. This is proven during his backstory.

2. Azul comes from a place where 'survival of the fittest' reigns dominant. This is proven during book 6, where he mentions being hypervigilant and a risk of predators under the sea. This was also heavily implied by the twins.

To him, people who don't understand not to trust others likely seem misguided - especially considering his childhood.

3. Azul and Riddle have a lot of Parallels

This one is interesting. If you look closely, Azul and Riddle share many similarities: Sophomore Housewardens, Honors Students, completely broke down during their overblot rather than still concealing their emotions, tyrannical behavior over underlings, heavily implied eating disorders, incredibly hard-working despite their smug appearance, being short-tempered, the list goes on.

Riddle also truly believed that he was doing a service to the students of Heartslabyul by enforcing the rules the hard way. He likely viewed it as a form of tough love.

And so, Azul being kind in his own, odd way starts to make sense. It would give him another parallel to Riddle. And his 'survival of the fittest', bootstrap-pulling upbringing may be he doesn't actually find his actions that cruel, if anything, he genuinely may believe he's doing them a favor by teaching them early on not to trust others, to only make deals they know they can keep. And he's not exactly crippling them, so it's better him than someone who will.

So yeah, maybe Azul really does think he's being kind - at least, deep down.

Discourse, critique, and requests for proper citation are always welcome!

[xmalfoyweasleyx]

Fun night - Lucien x reader

Summary: You get drunk with Helion, so Lucien decides to take care of his drunk best friend. What he didn't know, is that it will lead up to some interesting confessions.

Warnings: Alcohol, drunk and flirty reader,

A/N: I'll maybe write something like this for every character but with a different situation? I love this kind of confessions <3 Also I LOVE DAY COURT LUCIEN!! Enjoy x

It was already past midnight when your best friend, Lucien, finally found you in the throne room of the day court. A glass of wine in your hand and your head on Helion’s shoulder, both laughing.

“There you are” Lucien said with a sigh. “Lu!!” you squealed. “What did you do to her” he sighed out to his father when he saw your messed up state. You were giggly, leaning onto the high lord of day, both grinning thanks to the faerie wine you’ve been drinking all night. “I did nothing, y/n and me just had a fun night together, we found my best bottles in the cellar” Helion grinned.

Lucien was your best friend, but you met him because of your connection with the high lord. You worked for him, and when Lucien came here to live in the day court with his father, you quickly became good friends. 

“I was worried, we were going to the park together, remember? You weren’t there so I've been looking for you all evening” Lucien said. “Now now son, you don’t have to be so anxious, y/n/n was just here with me, having some fun.” he mumbles drunkenly. “Sooo fun” you reassured in a slow voice. “God Helion, your son is so sexy, isn’t that right?” you smirked , biting your lip, looking at him like you finally realized what he looked like. Your eyes hungrily tracing the lines of his muscles that peak out of the white robe he's wearing. “How much did you drink exactly y/n?” Lucien remarked. “Apparently, I hold my liquor better than her” Helion sighs when he notices you’re far more drunk than he is.

Your eyes started to close a little, Lucien noticed it immediately. "You okay y/n?" he asked. “Lu, I’m tired, wanna sleep” you whine. “Don’t worry sweetie, I’ll help you, come here” he cooed. Lucien’s strong arms wrapped around you, pulling your slump body against his. You comfortably lean into his shoulder, wrapping your arm around him. “Let’s get you to your room” he says.

You both walk through the beautiful corridors of the palace, your body leaning heavily against his. “I’m sorry Lu, didn’t mean to get drunk and forget our date” you mumbled. “Don’t worry baby, it’s okay” he answered, trying to not get flustered because of you using the word ‘date’ for your walk in the park.

"You smell amazing, you know that" you breathed in his smell and then you stumble over you legs, almost falling, but Lucien catches you. "Woopsie" you giggled. "God y/n, you scared me" he sighed relieved when you were back steadily against him. "My knight in shining armor" you smiled, placing your hand on his firm chest. Oh god, Lucien didn't know how he could survive all this sudden drunk flirtatiousness. It made him all shy and flustered, but he tried to calm himself down. This probably meant nothing, you were just drunk and didn't know what you were saying, right? But his focus kept going to your soft small hand, rubbing his chest so lovingly. Was this what you always wanted to do, finally coming out?

When you get into your room, he gently lays you on your bed. He brushes the hair that fell on your forehead behind your ears, your eyes fluttering shut because of the feeling of his soft hands on your face. “You want me to help you wash your face?” he smiled. You nodded in answer. Lucien grabbed a washing cloth and cleaned your face gently. Then he grabbed your night clothes, laying them on the bed next to you. “You gonna undress me now?” you smirk lazily. Lucien couldn’t help but laugh a little. “You’re so drunk y/n” he chuckled. “What?! It’s not like I only want you to undress me when I’m drunk Lu. In fact, I would like to undress you! Just.. j-just wanna know how that muscles of you feel under your shirt” you rambled with the occasional hiccups in between. He only sighed in answer, flustered but not wanting to take advantage of the situation. You would likely forget this anyway.

He helped you in your night clothes, sometimes turning around to give you privacy. “Here you go, all ready for sleep” he said. You were staring at him so intensely, looking at the russet color of his eyes like you’d never seen it before. “You’re very pretty Lucien” you sigh out, tracing his scar with the tip of your finger. Lucien blushed immediately, you never gave him compliments like this. “And you’re even more pretty when you blush” you smile drunkenly.

“Thanks y/n, I think you’re really pretty too” he breathed, pulling the blanket over you. But your lips started to wobble. “Hey hey, what���s wrong?” he said worried, placing a hand on your cheek. “You really think I’m pretty?” you whined with tears in your eyes. “Of course I do” he reassured. “But you only say that because I’m your friend, don’t you?” you sniffled. “I-I…” Lucien stuttered, not knowing what to answer. “It’s okay Lu, I’ll get over you, I promise. I know I can” you confessed disappointed, your eyes down. Lucien was shocked to say the least. What did you mean by that? You never gave him the feeling you might see him as more than a friends. Sometimes he even wonders if you have feelings for his father, he knows Helion certainly wouldn't mind that. He even caught himself being jealous only moments ago, when he found you with his father.

“What do you mean, get over me?” he whispered, intertwining your hair with his fingers. “Because I want you under me” you whined loudly. “W-what?” he chuckled. But when he waited for your explanation, you started to fall asleep already, your eyes fluttering close in the comfort of his fingers slowly stroking your hair and the soft feeling of your blanket. “I love you” you mumble almost unintelligible, but Lucien heard it. “I love you too y/n” he whispered.

And when your eyes fell fully closed, he watched you for a while, savoring the opportunity. He listened to your soft sighs and the way your lashes looked, resting on your flushed cheeks. It took every ounce of self-control he had in him, not to go lay next to you.

So he tried again, pulling on the invisible thread in his chest. Hoping for an answer. But it never came. He'd tried over and over the past year. Maybe one day you’ll feel it too. Maybe one day you’ll remember what you confessed to him tonight. Maybe one day, you'll know.

His mate.

part 2

[cripplecharacters]

Hi there, i have a character in my original story who is blind, specifically because he lost both eyes (one from injury, one from infection at birth). However, he doesn't have access to prosthetic/glass eyes as he lives in a secluded group of warriors. I've been drawing him with a blindfold to protect from infection, but upon reading your posts about eye coverings on blind characters, i'm unsure if this is offensive or not, but i also can't think of a good alternative other than going bare. He is a warrior, so i don't think glasses would stay on for very long, but i'm wondering if maybe goggles would work? Hes not the only blind character i have (one of the others is a born-blind cane user who does not wear glasses) but i still don't want to misrepresent or spread misinformation. Any help would be appreciated, thanks

Hello!

@blindbeta has an excellent post on the subject, which I'll link here [Link].

In your character's case, the cover would serve more for protecting their eyes and less for photophobia or other sensitivities. One of the points that's mentioned heavily in the post is to ask why your character is using a cover for their eyes.

In this case, you've already answered that question. Your character needs to protect their eyes from infection and further damage but doesn't have the option of prosthetics and glasses are inconvenient and could fall off or get in the way.

That being said... wouldn't a blindfold also get in the way?

A blindfold would be more of a problem in combat than a pair of glasses with a strap securing them. A blindfold gives his opponent another way to grab onto him (Think of ponytails) or something else to get caught on.

Also, if the goal is preventing infection, a blindfold would do the opposite here. Fabric is notorious for encouraging the growth of bacteria, fungi, and other microorganisms. When it's pressed up against your character's eye sockets while they're fighting and sweating, it's also creating a very humid and moist environment.

Back when I was still rock-climbing and would go blindfolded, the blindfold would become gross and sweaty after just a few rounds. I don't even want to think about how it would have been after a day of fighting and adding in the blood and other fluids that would be on it. This can be especially problematic if your character is living in a secluded place where he may not be able to properly wash the blindfold as often as needed.

In general, the goggles (Or a pair of secured glasses) may be a better way to go. They'd be less of a liability in combat and be much more effective at preventing infection than a blindfold would be. There's also the fact that they would be much easier to clean if it ends up being necessary.

Now, you didn't specifically ask about this but I would just like to point out that prosthetic eyes aren't just used for preventing infection. Prosthetic eyes allow you to maintain the function of your eyelid and ensures that your eye socket keeps its shape. Depending on your character's circumstances, this may or may not be a concern for them.

Regardless, I'd definitely suggest looking into this and giving it some thought if you haven't.

Here's a few links to get you started:

A brief article discussing the benefits of prosthetic eyes.

An article that talks about prosthetic eyes in general. It also includes some brief information on prosthetic eyes in the past, which may be of interest to you.

Some FAQs about prosthetic eyes. Most of this is more specific to the current prosthetics offered but has some general info as well.

If you haven't done so already, I'd also advise checking out the linked post from @blindbeta since it has some excellent information about the specific trope.

Cheers,

~ Mod Icaus

[anto-pops]

Heart of Vipers - Ominis Gaunt x Female!Reader

Summary: After an ill-fated confrontation with Ominis' family, you come to learn that they want you for themselves. More specifically, they want your abilities for themselves. Ominis is less than pleased with the revelation and returns home with the intention of proving that the only person you belong to is him.

Alternatively summarized as Dominis turning into a possessive alpha male in the wake of his family's sudden interest in you.

Word Count: 9.3k

Warnings: 18+, aged up characters, minor depictions of violence, explicit sexual content, rough/possessive sex à la Dominis

Descriptions of Marvolo and Aleister Gaunt heavily credited to legacyshenanigans

Full fic can be found here on Ao3 (as always with more eclectic tags)

This was a bad idea. Truly one of the worst ones you had come up with in recent times– which was saying something when you stopped to consider all the stupid shit you’d gotten yourself into since starting at Hogwarts. But this was a decision born of desperation, and one that you adamantly refused to go back on. 

Not that you could, realistically. You were already here. 

The Gaunt Estate was massive. It was an imposing structure, shrouded in a perpetual darkness that seemed to kill off even the tiniest slivers of light, and you’d noted the distinctly foul scent of dark magic that encased the mansion from roughly a mile away. There were no Floo Flames to utilize for travel, so you’d been forced to apparate to Great Hangleton and walk the remaining six miles to reach your destination. This was your first time setting foot anywhere near Ominis’ childhood home, and the threat of splinching yourself by apparating to an unfamiliar location was a very legitimate concern. 

You almost wished you’d taken the gamble, if only to spare yourself the harrowing journey on foot. 

Ominis had to already be inside the manor, having left long before you decided you would follow him to essentially eavesdrop on his meeting with his family. You had never seen him so agitated in the hours leading up to his departure, and it was entirely due to the letter he’d received from his father. What it had said, you didn’t know, but you knew Ominis well enough to figure out that it wasn’t anything good. His entire demeanor had changed upon reading the apparent summons, but he wouldn’t tell you a lick of what it was about. He’d promised to return home as soon as he was able and left without so much as a goodbye kiss. 

The memory only reinforced the fact that this was a really bad idea. What the hell were you thinking? 

Now that you were actually here, you had no clue how to go about your poorly thought out plan. Going inside had always been the goal, but now that you were face to face with the blood-chilling building, you found yourself hesitating. Something told you that getting out would be a lot harder than getting in. You didn’t even know where Ominis could be, especially if the interior was as gargantuan as the exterior. Getting lost– or Merlin forbid, caught and tortured– seemed like the most plausible outcome. 

It was as the saying went; curiosity killed the cat. You seriously hoped you wouldn’t end up dead as a result of your inquisitiveness. 

Forcing one foot in front of the other, you started down the gravel path towards the arched double doors with your wand in hand. Your anxiety was like a physical entity hiding within your chest, but you smothered it beneath the overwhelming desire to ensure that Ominis was okay. While you knew he could handle himself, his family’s reputation preceded them, and you’d feared the worst earlier when you had borne witness to his expression shifting into something far more sinister than you were accustomed to. 

You cast a disillusionment charm for extra measure before giving the handle a testing twist, relieved to find that the door was unlocked. It wouldn’t surprise you if there were other safeguards in place that you were unaware of, but pressing on despite that unknown possibility was a risk you were willing to take. You opened the door a crack– just enough for you to squeeze through before quickly shutting it behind you– and you were instantly encased in suffocating darkness. 

The windows that lined the walls were evidently just for show. 

It smelled distinctly old inside, as though there had never been a time when the mansion wasn’t inhabited. The wooden columns that lined the entryway were cracked and worn, stretching all the way towards the vaulted ceilings before disappearing into the inky shadows high above. There was a striking amount of antique looking decor that lined the walls; from suits of armor, to ornate vases perched atop mahogany tables. Straight across from the front door was a giant portrait of what could only be the Gaunt family.

Ominis was nowhere to be found in it. 

The sound of distant, unintelligible voices echoed throughout the vast foyer from somewhere deeper in the house, drawing your attention and making the hair on the back of your neck stand on end. Your eyes scanned the room once more before you were furtively moving further into the room in the direction of the noise. 

Following the sound of the voices brought you to a giant oak doorway– a mere fraction of the size of the main entrance, but still obscenely large. From within you could hear a man you didn’t recognize, his throaty timbre one that seemed to command attention, and you couldn’t suppress the shiver that danced down your spine. Nothing about his tone sounded pleasant. 

“It’s been put off long enough,” you heard the man say as you sidled up directly against the door, careful not to lean on it too much and risk shoving it open. “We entertained your rebelliousness while you were at school, but Apollonia has anticipated this union for years now. It will happen. Whether you’re a willing participant, however, is up to you.”

“You already know my stance on the matter.” Ominis. “I’d sooner dig my own grave before I let you marry me off to that deplorable woman. She’s psychotic–” 

“A non-issue,” interjected the older voice. 

“Perhaps it’s irrelevant to you, but not to me,” Ominis snapped. You hardly recognized the threatening lilt in his voice; he sounded thoroughly fed up with the discussion, and you briefly wondered how long he’d been going at it with the unknown man. “She’s utterly wicked. Moreover she’s family. Have you forgotten my opposition to these incestuous relations you continue to shove down my throat?” 

At this point, you were almost positive the deeper voice belonged to Ominis’ father. You knew next to nothing about the man, other than the fact that Ominis loathed him with his entire being. Before you could delve further into your thoughts, a distinctly feminine voice filtered through the thin slit in the doorway, sounding colder than ice. 

“Aleister, give it a rest. If he wants to be dragged to the altar instead of walking down it, then so be it.” 

Ominis’ laugh was crass and devoid of any genuine humor, and you could practically hear the sneer in his rebuttal. “Bold of you to assume I’ll let myself be dragged anywhere. Try it and see what happens.” 

“I just don’t understand why you’re so opposed to this,” the woman continued as though he hadn’t even spoken. “You never used to fight us to this extent– you’ve always known what was expected of you as a Gaunt. Does that girl from Hogwarts have anything to do with this?” 

Your entire body went rigid at the mention of yourself, and a tense silence descended over the room. It was suddenly so quiet that you were certain you could hear a pin drop– but in this case the lack of sound allowed you to pick up on something shifting across the floorboards closer to you. You had barely glanced over your shoulder before you were jumping away from the door with your heart hammering in your chest. 

The biggest snake you’d ever seen in your life was slithering across the floor, its iridescent scales somehow reflecting the nonexistent light within the hallway. Your eyes went wider than saucers as you stepped away as much as you could, silently backing yourself into the tiny alcove beside the doorway in a bid to remain undetected– because if there was one thing the wizarding world had taught you, it was that beasts of any kind were far more intelligent than they were given credit for. The snake’s long, forked tongue flicked out incessantly as it made its way towards the doors, but it stopped short of the entryway to pivot its massive head in your direction. 

It was looking right at you. 

Fuck.

Your body tensed in anticipation of the worst; maybe it was venomous and you’d die quickly, or maybe it was more inclined to strangle the life out of you before depositing your corpse in front of Ominis and his parents. The thought made your stomach churn, and your eyes flicked down to confirm that yes– the disillusionment charm was still working– but that didn’t seem to matter where the reptile was concerned, and you mentally chided yourself for ever having let your curiosity get the better of you. 

The conversation on the other side of the door continued as your staring contest with the snake pressed on. “That girl is none of your concern. If you know what’s good for you, you’ll refrain from speaking to me about her.” 

“Ominis,” Aleister admonished with a rough voice. “Don’t you dare speak to your mother that way. Such hostility for some witch we know nothing about– perhaps it’s time to rid you of her influence once and for all. She’s proving to be a greater distraction than I had anticipated.”

Your eyes stayed glued to the snake’s, but your blood ran cold. 

“Over my dead body. If you so much as look at her–”

“That can be arranged. No son of mine will be consorting with some harlot of unknown blood purity. You’d be better off in the grave–” 

“Aleister!” Ominis’ mother yelled, silencing the back and forth bickering instantaneously, and you found the willpower to shift your feet sideways so you could better make a break for the front door.

There was another flick of the creature’s tongue as it blatantly scented your presence, but it made no move to inch closer to you. While you were grateful to still be breathing, you were also deeply, irrevocably afraid, and you came to the resolute decision that it was time to get the hell out of there. 

You moved out of the alcove slowly while maintaining what you deemed to be a safe enough distance from the snake, and all the while its thin, slitted pupils followed your movements. The blasted thing had an awareness to it that sent shivers down your spine, overwhelming you with the urge to run and get away, but vigilance was key. It wasn’t poised to strike, but that just made you even more nervous. 

Why wasn’t it attacking you? 

You adamantly refused to turn your back on the reptile, so you kept your front to it as you skirted the edge of the wall in the direction of the entrance. The discussion between Ominis and his parents was muffled now– their voices distinctly lower after his mother had cut off their argument with her biting tone– but you no longer cared to listen in. You craved safety, and nothing about the Gaunt household offered that. 

As you came upon the final stretch of the hallway, the snake flicked out its tongue once more before it was turning around to begin slithering towards you, and the remnants of your bravery evaporated. Fear overtook you, and the disillusionment charm that had shrouded you in transparency fell away as you pivoted and bolted around the corner. A chill-inducing hiss echoed from down the corridor– the first real sound you’d heard the animal make– and it only served to propel you towards the exit even faster.

The gargantuan double-doors swam into view, and just as you were reaching out to curl your fingers around the handle, a strong arm was coiling around your waist and hauling you backwards with enough force to give you whiplash. A startled, pained yelp was expelled from your lungs as you were slammed into the wall beside the doors, and your hip connected painfully with a tiny side table that careened against the floor. The vase that had been perched atop it shattered loudly, the ceramic pieces scattering across the tile, but you barely got the chance to gauge the extent of the damage before an unfamiliar face was blocking your sight. 

“Well well well, just look at what the cat dragged in. Get lost on your way home, doll?”  

It took a second for the statement to register, but once it had, you were craning your head back to glare boldly at the arrogant sounding man. His tawny eyes were narrowed down at you in amusement, his thick forearm pinned horizontally across your chest to restrain you firmly in place between himself and the wall, and the predatory look in his gaze had your stomach sinking into your feet. Everything about him screamed dangerous; from the unruly hair that curled around his temples to the animalistic way he bared his teeth at you– there wasn’t a doubt in your mind that the man would kill you if he deemed it acceptable. You cursed yourself silently for having put yourself in such a predicament in the first place. 

The imposing man cocked his head to the side coyly as he teased, “I hardly think I deserve such a cruel expression when you’re the one sleuthing around my house uninvited.”

Your mouth opened and shut a few times before you managed to stammer out, “I-I wasn’t–” 

“Don’t deny it,” he cut you off quickly. “What other reason would Ominis’ little plaything have for being here? I sincerely doubt the house-elves held the door open for you.” 

The term ‘plaything’ made you scowl, distracting you from the fact that the man even knew who you were, and you brazenly planted your hands against his firm chest to shove him away. It was like pushing against an immovable boulder. “I’m not his plaything, you prat–”

His free hand shot up in a flash to grip the sides of your jaw painfully, the look on his face darkening tenfold as he growled, “Careful now, I’d hate to lose my temper and take away my brother’s pet.” The fingers splayed under your face tightened a fraction as the crazed man angled your head to the side, shamelessly pressing his nose against the sensitive skin of your throat before he inhaled deeply. You shuddered uncomfortably at the contact. “Although I’m beginning to understand his infatuation a bit. You smell… different. What is that, exactly?” 

You had no fucking clue what he was referring to, nor did you care to find out. Each passing second brought the towering man closer into your personal space, and when one of his legs started to weasel its way in-between yours, you found yourself attempting to writhe out of his ironclad grip. “Let go of me,” you demanded in a low voice, doing your best to keep your words steady and hide the rampant unease in your tone. 

“Answer my question,” he countered easily. “Or I’ll snap your scrawny neck and be done with it. Makes no difference to me whether you live or die–” 

“If you have any desire to keep those slimy hands of yours, you’ll remove them this instant, Marvolo.” 

Your eyes widened at the sound of Ominis’ booming voice echoing throughout the foyer, which had the elder Gaunt smiling wickedly at you. He didn’t bother turning around, opting to stay right where he was and drop his fingers lower so he could squeeze around your windpipe, and you knew your choked gasp reached Ominis’ ears when he swore viciously and began walking closer. 

“Did I stutter? I said to unhand her, you cretin.”

Marvolo tutted disapprovingly, angling his head to the side so he could better keep track of Ominis coming up behind him, but he kept his eyes glued to yours all the while. “Come now, Ominis. You know how I feel about rats, and she was certainly scurrying around like one.”

You finally caught sight of the blond over Marvolo’s shoulder, and the look on his face was downright murderous. His dark, expressive brows were slammed down atop his milky-blue irises, and his pursed lips contorted into a scowl as he leveled his wand with the back of the taller man’s head. Ominis continued to side-step closer, moving with the prowess of a wolf stalking its prey, and to your immense satisfaction Marvolo broke eye contact with you to fix his gaze on his brother. 

Maybe you were imagining it, but you could have sworn he looked wary. 

“Last chance,” Ominis grit out through his clenched teeth. “Let her go. Or you’ll be nothing more than a stain on the floor.” 

The sharp laugh Marvolo let slip past his lips was positively wicked, and Ominis’ threat only served to motivate his brother into tightening his hand around your throat. Stars danced in the corners of your eyes then, and your own hand shot up to grip at the man’s thick wrist in an attempt to pry his fingers away from your windpipe. Panic flooded your brain, your racing heart drowning out the sound of Ominis’ angry voice as your pulse thundered in your ears. Fight or flight was probably an appropriate way to describe what you were feeling, but Marvolo was making both options impossible to act on. 

He wasn’t listening to Ominis. He probably never would. You would have to get yourself out of this mess on your own. 

Marvolo was barking out insults and threats over his shoulder, taunting Ominis into hurting him as he called his younger brother’s bluff. You were able to school your nerves long enough to focus and dig deep inside of yourself in search of the magic you so rarely touched. Isidora’s abilities were as much of an unknown now as they had been when you’d first absorbed them, but it was comparable to a living entity within you, and the phantom presence of her magic roared to life as you called upon it. 

You felt the strange, darker magic crackle over your skin, and Marvolo’s head whipped back around to stare at you with his pupils blown wide. Whatever he saw reflected in your eyes was enough to spark alarm in his heart, and a sick, twisted part of you relished in the apprehension that washed over his features. 

“What the fuck is that?” His hand around your throat loosened a fraction, but you weren’t about to let him walk away from this unscathed. The arm that had been hanging limp at your side stretched out until your palm was directly against his chest, and you couldn’t help but grimace when the red bolts of magic skirted across your forearm and blasted straight into his sternum. 

Marvolo went flying with a barely there grunt– his arms and legs flailing as he tried to find purchase– to no avail. He hit the stone floor and slid an additional ten feet or so until he came to rest just beside the corridor you’d run out of earlier, and your blood ran cold when an older, imposing man with salt-and-pepper hair stepped out from within the hallway. The look on his face was enough to spur you into action then, and you spared a quick, panicked glance at Ominis before you peeled off of the wall and threw the front door open. 

The cool night air was like a slap to your face, sobering you up instantaneously and driving you to pump your legs harder— faster— as you sprinted down the path that led to the dark forest surrounding the property. There was a bang from somewhere behind you and an animalistic sound you could only describe as a snarl, but you didn’t dare look back. Not when it could potentially cost you dearly. 

“Marvolo!” Ominis shouted, his voice angry and distant, but as the footsteps slapping against the gravel behind you got closer and closer, you realized it had to be him giving chase. Your heart hammered in your chest and in your ears– drowning out the sound of the encroaching danger hot on your heels– but you knew there would be no outrunning Marvolo. That crazed look in his eyes you’d seen earlier told you everything you needed to know; he would pursue you to the end of the damn country on foot if need be, and you had no intention of getting caught to find out what he had planned for you. 

Another growl sounded from over your shoulder, causing you to will your brain out of flight-mode and force your magic into action. It surged in your blood, coursing through your veins as you thought of home– of safety. 

One second you were running, and in the next you had apparated. Marvolo’s hand came down on empty air, his heels digging into the ground as he skidded to a stop and realized what had happened. You were already long gone, but his rage-filled roar shook the foundation of the manor, somehow echoing in your ears as you collapsed to your knees in the center of your living room. 

***

Your eyes stung as the steam from the bath wafted up into your face, your gaze never straying from the surface of the water. It had been nearly two hours since your narrow escape from Ominis’ childhood home and you had been in the tub for the majority of it– calming your frayed nerves and racing heart with deep breaths that did little to quell the anxiety that still riddled you. The hot water had been charmed back to scalding temperatures twice now, having gone cold multiple times already as you sat with your knees curled against your chest and replayed every second of your fortuitous run-in with Marvolo Gaunt. 

The ache in your hip throbbed to life every time you thought back to the primal glint that had flashed in Marvolo’s eyes as he’d thrown you into that table. What had started as a tender red spot on your side had transformed into a nasty, colossal bruise, stark and obvious against your bare skin. You hadn’t been able to so much as glance at the finger shaped bruises that wrapped around your neck without feeling nauseous. 

You’d made a mistake in following Ominis– that much was certain. 

The man in question had yet to return home, and as a result, the seemingly bottomless pit of unease in your chest only worsened. Part of you was ashamed for having left him alone to face his family’s scrutiny after literally breaking and entering, but you knew he wouldn’t have had it any other way. There wasn’t a doubt in your mind that he would have found a way to get you out as quickly as possible if you hadn’t done so yourself. 

Still, you worried. 

Another fifteen minutes passed without a sound from within the house, and you dimly registered that the water had gone cold once more. You were half tempted to heat it up again and spend the remainder of the night turning yourself into a human-sized prune, but the ache in your back from staying curled up for so long diminished the idea quickly. Swiftly, you hoisted yourself out of the water, using the rim of the tub to steady yourself as you stood and began drying yourself off. Rivulets of water still cascaded down your body as you draped your robe over your shoulders, but you couldn’t muster up the energy to care. Fatigue overtook you as you combed through your hair with your fingers and padded into your bedroom, and the second you laid down atop the sheets, your eyes were drifting shut. 

You had no idea how long you slept before the distinct feeling of the mattress dipping roused you from your light slumber. The room was cloaked in darkness, save for the pulsing, red glow that emanated from Ominis’ wand as he hovered it over you, and you slowly started to blink the fog from your eyes. 

You had no clue how he realized you were awake, but his voice was unmistakably tight as he asked you, “Where are you hurt?” 

It took your brain a second to fully register the question, and you propped yourself up on your elbow as your eyes adjusted to the dim light and muttered, “What?” 

“You screamed,” he gritted through clenched teeth, and despite the low visibility in the room, you watched as his grip on his wand turned white knuckled. “I heard you earlier. You were in pain– I know it’s the truth– so tell me now, where are you hurt?” 

On cue, the bruise on your hip throbbed to life, and you swiftly placed your hand on top of it while silently cursing yourself for not having brewed any Wiggenweld potions after returning home. Evidently your mind had been too jumbled to do the most logical thing following the altercation. “It’s not that bad–” you started to say, but Ominis cut you off before you could downplay the injury any further. 

“Please,” he implored you, silencing you instantly with his pleading tone. “I’m trying to leave this up to you, but don’t think for a second I won’t figure it out for myself if you don’t tell me.”

Something about the desperate look on his face made you pause, and you took a moment to really take in the sight of him. He was pale– far paler than normal– and the way his brows furrowed told you that he was more anxious than you realized. His posture was still impeccable but less poised– closer to rigid. His shoulders barely moved, giving the illusion that he was hardly breathing, and you honestly weren’t sure he was at this point. 

In short, Ominis looked petrified. 

Your lips formed a hard line as your gaze traversed his stiff form, swallowing thickly before you slid your hand away from your hip to reveal the dark purple blotch that decorated your side. “My hip,” you murmured, afraid that if you spoke the truth too loudly, the tentative composure Ominis was keeping would vanish. 

The muscle in his jaw ticked, and the hand he didn’t have wrapped around the handle of his wand came to skim along your waist before hovering ever so slightly above the bruise. “Where else?” 

“This is the worst of the damage–”

“Where else?” His voice was deeper and rougher than you were accustomed to hearing, and the notable difference had your stomach flipping over on itself. It left you feeling queasy, and you honestly couldn’t tell if he was mad at you or at the situation as a whole. 

“…My neck,” you relented quietly, all too aware of the blatant anger that overtook Ominis’ face. “At least I returned the favor,” you added quickly with a half-smile, trying to lessen the severity of the claim. It was a failed attempt, however, seeing as the man averted his unseeing gaze to the floor and shook his head minutely. Dimly, you watched as he waved his wand over his free hand, and a small vial of Wiggenweld appeared in the center of his palm before he wordlessly handed it to you. Given his tense demeanor, you opted not to say anything as you took it and removed the cork, then drank down the earthy contents graciously. The relief was instantaneous, and through the darkness of the room you managed to catch sight of the bruise on your hip fading away entirely. 

Your tiny sigh of relief reached Ominis’ ears, and the tension in his shoulders seemed to dissipate– albeit barely. “You should never have gone there. Why would you set foot anywhere near that damnable house? Do you have any idea the kind of danger you put yourself in– the kind of danger that you’re still in?”

At that, you finally pushed yourself up so you were sitting with your back against the pillows, setting aside the empty vial so you could clasp Ominis’ free hand in yours. His skin was cool to the touch, and you noted the miniscule tremors that emanated from him as you squeezed the appendage to will his attention back to you. “I’m sorry, Ominis. I was worried about you– you were so upset before you left earlier and I was scared that your family would do something to you.” 

“Of course they want to do something to me. They’ve tried puppeting me into a version of myself they can tolerate for my entire life, but it’s for that very reason that I can handle them. I’ve told you what they’re like– how relentless they are– and still you went there.” His head finally snapped back in your direction, and the expression on his face was one you were certain you would never forget; it was a mask of desperation, fear, and most notably, rage. “You have no idea what you’ve done– what it means now that they’ve seen you and what you can do.”

You’d hadn’t really done much of anything, aside from blasting Marvolo across the foyer before running for your life. Still, his words kindled a spark of fear in your chest, and your hold on his hand turned loose and clammy. “What are you talking about?” 

“Before tonight, you were just an unknown witch I’d been… ‘cavorting’ with, in my father’s eyes. Easy to get rid of should the need arise. Until earlier, they didn’t believe you to be exceptionally powerful or particularly useful.”

The sudden dryness in your throat became painfully obvious. “Useful how?” 

“The Gaunt’s value power and authority over everything. Both things guarantee them the influence they need to further their own ends, and as unknown as your abilities are to them, they are undeniable. They’d be fools to ignore such a potent form of magic, and as much as I detest my family and their convoluted values, I’ll be the first to admit that they aren’t stupid. They will find a way to make that power their own– blood purity be damned– and stealing you away and marrying you off to my brother would be their most likely course of action.”

Ominis practically spat the word, his teeth bared and eyes narrowed as murderous thoughts of his brother flew through his mind. Your own head was reeling at the revelation, nausea crashing over you as you thought back to Marvolo and the sadistic way he’d smiled as he tried choking the life out of you. Someone like that wouldn’t– no, couldn’t have a caring bone in their body. But you also knew that someone of his caliber was bound to be determined to get what he wanted, and if Ominis believed that his family now sought to obtain you for their own ends, Marvolo would do everything in his power to make it happen. 

You had really, really fucked up. 

Somewhere in-between thinking of Ominis’ brother and the sickening idea of being kidnapped, your breathing had kicked up dramatically. You didn’t notice, but the blond man beside you certainly did. Ominis turned fully so his torso was angled towards you, feeling around the bed for your other hand before clasping your trembling limbs in his cooler ones, and your wide eyes flicked back up to meet his. “I won’t let them have you. Do you hear me? If they so much as glance at you, I’ll leave them wishing they had never set their sights on you.”

“You can’t know that,” you whispered, and your voice was unrecognizable to you. It was small and shaky, timid and so very, very afraid. “Marvolo is– he’s a beast. He’ll kill you in a heartbeat, Ominis. You’ll die and it will be all my fault. I-I’m sorry, I’m so sorry, this is all my fault–” 

In a flash, Ominis silenced you with a kiss. It took you by surprise, but it was far from an unwelcome one– especially when his wand bearing hand slid to the back of your neck to pull you impossibly closer towards him. You were pleased to discover that the skin there no longer throbbed with discomfort, the Wiggenweld potion he’d given you having done its job for all the bruises, not just the one on your hip. The revelation calmed you further, and before you knew it you were melting against the taller man, grabbing fistfulls of his shirt to cling to him desperately.

Ominis broke away momentarily to murmur against your parted lips, “No one will ever take you from me, you’re mine.” 

Despite the circumstances that led the two of you to this moment, you found yourself enraptured by the possessive declaration, and you couldn’t help but lean closer into the blond’s personal space until your hands were sandwiched between his chest and your breasts. Your mouth found his again, and you fervently bit at his bottom lip as you breathily whispered, “I’m yours, Ominis. Only yours.” 

Instantly, Ominis was pushing you back towards the headboard until your head knocked against the wooden frame, not once breaking the kiss as he positioned himself on top of you. His long legs came to cage your own against the mattress as he threw his wand to the edge of the bed, freeing both of his hands so he could plant them on either side of your face. Pulling away seemed physically difficult for him but he didn’t stray far, opting to rest his forehead against yours and fix his hazy eyes directly on yours. How he knew where to aim his heady stare, you didn’t know, but your toes curled at the ardent need for you that reflected in his blue irises. 

“Say it again,” he implored you with a voice like pure sin. 

“I’m yours,” you obliged him without missing a beat, and a sigh slipped past your lips as Ominis lowered his face to pepper featherlight kisses along your jaw and down the now unmarred column of your neck. Goosebumps broke out virtually all over your body when you felt one of his cool hands fall to the neckline of your robe, and as Ominis slowly tugged the material apart to expose your bare chest, he sank his teeth into the tender spot above your clavicle. The pain laced pleasure left you moaning his name in earnest, your voice steadily growing louder as his thumb came to graze over one of your nipples. 

You felt the pressure from his teeth lessen as you arched into his touch, followed by his kiss-swollen lips latching over the bite to suck lightly. “Again,” he breathed, continuing to work his searing brand into your flesh. 

There were too many ways to describe his actions; primal, dominant, and greedy, to name a few. Yet there was a softness to his words that left your heart aching within your chest– a tenderness that spoke volumes of the fear he’d felt upon realizing you had entered into that nest of vipers. He had nearly lost you tonight, and when the hand against your breast shifted down to curl around your waist, you realized he would never allow for it to happen again. 

“I’m here, Ominis, I’m right here,” you moaned, your reedy voice bouncing off the walls of the bedroom and causing the man above you to shudder. “I’m here and I’m yours.” 

Before long, Ominis was moving back into your line of sight to capture your lips in another searing kiss. The hand on your waist traversed the bare expanse of your lower stomach before reaching your aching center, and you mindlessly wound your arms around his neck to tug him closer, bucking your hips into his hand as he slid a slender finger through your folds. 

“Mine,” he growled against your parted lips, and your next breath caught in your throat as he tentatively pushed the digit inside your wet heat. Your contented sigh filtered through Ominis’ hypersensitive ears as he pressed his finger in all the way to the knuckle, and the arm he supported himself with trembled minutely as he fought to control his baser urges. 

After everything that had transpired tonight, he wanted nothing more than to bury himself deep in your cunt, desperate to feel you clamp down around his cock and suck him in further and further as he claimed you. He longed to mark you, brand you, consume you, in every possible way– his family’s wishes be damned. He would make you his and his alone. Should any of his kin so much as attempt to interject, he vowed he would defend you until his last breath– and then not even death would stop him. Ominis knew without a shadow of a doubt that he would defy the laws of nature if it meant keeping you safe from harm. 

As you continued to rock your hips in time with Ominis’ hand, your legs spread apart of their own accord, silently beckoning him closer as you shivered under his dutiful ministrations. Ominis felt the movement and groaned in blatant appreciation, taking advantage of the newfound space to siddle down the bed and kneel comfortably between your legs, and all the while his finger continued to pump in and out of your wet heat languidly. He bestowed another toe-curling kiss upon your lips before breaking away to slide fully down the mattress, your heart stuttering in your chest as he moved low enough to settle between your quivering thighs. It was impossible to overlook the animalistic expression on Ominis’ face as he gazed in your direction– following the sound of your barely there whimpers– and your blood ignited in your veins at the sight. 

All too eager, Ominis wasted little time in securing his grip around your waist with his free arm to better pull you harder onto his finger. The keening sound that slipped from your throat was replaced almost instantly by a guttural moan, drawn forth by the feeling of your lover’s lips latching around your clit to suck enthusiastically, and your head thunked against the headboard as wave after wave of sheer pleasure cascaded through you. 

Your thighs absentmindedly clenched on either side of Ominis’ head as he shamelessly pulled your bundle of nerves into his mouth, the action accompanied by wet, perverted sounds that had damn near all the blood in your body rushing to your cheeks. “Merlin, Ominis– fuck–” 

Beyond a throaty growl, he said nothing. He simply tightened his hold on your waist, his other hand angling itself so he could better curl the finger inside of you, the combined sensations making your head positively spin. Entirely at his mercy, your hands flew to his soft, blond hair as you effectively surrendered to the pure bliss he granted you. 

If you had been hot and wet already, Ominis’ mouth felt a thousand times more so as he torturously dragged his tongue up your cunt. He removed his finger from your clenching walls and replaced it with the wet muscle, wriggling it as much as he could as though he were desperate to lap up everything that escaped out of you. Your breathing hitched and your hips involuntarily bucked when his ministrations traveled higher towards your clit, and when he finally reached it, the tip of his tongue was slow and methodical as he pressed firm, torturous circles around the throbbing bundle.

Ordinarily, having Ominis appreciatively go down on you would have been the highlight of the night, but given his domineering persona at present, you knew you were just plain fucked now. 

“Ominis, please,” you managed to croak out. “I’m not going to last, I– ah!” You practically yelped when the tips of the man’s teeth raked along your inner thigh, nipping at the soft skin there hard enough for you to jolt. 

“Just relax and let me work,” he muttered coolly, pressing a featherlight kiss to the spot he’d bitten as he dragged his hands down your abdomen to squeeze your tensing thighs. 

Despite your best efforts, you were quickly losing your grip on anything other than the sensations Ominis was lavishing you with. You felt lightheaded as you attempted to release your tense muscles, struggling to do so as your lover devoured you with reckless abandon. His nose brushed against your clit as he slipped his tongue inside of you once more, the sound of his wet, suckling noises intermingling with your breathy whines as you felt your climax building higher and higher in your gut. You couldn’t tell if your arousal was stemming from how Ominis enthusiastically used his tongue, lips, and teeth on you or if it came from the demanding way he directed you, but you decided that you didn’t care; every feeling had burrowed deep inside of you and taken root in your mind. 

You wanted more– no, needed more. 

Head whacking back against the wooden bed frame, you needily tugged at the strands of his hair wrapped around your fingers as you pleaded, “Please, Ominis, I need you…” 

Those five words did more to stroke his ego than you would ever know. Right now, Ominis needed you to need him. He wanted you to succumb to his ministrations and bend to his will, all to parry the baseless demands of his deranged family. There wasn’t a chance in hell he would ever willingly hand you over to them– much less to Marvolo– and through your rapture-filled begging, he knew he had succeeded. 

You were wholly and unequivocally his. 

He pulled away for a moment to run his hands up your thighs, over your hips, then along the pebbled peaks of your breasts. The way you trembled at his touch told him everything he needed to know; you were hanging on by a thread, and he didn’t need to see you in order to know you looked absolutely wrecked. 

Unable to endure a second more of the teasing, Ominis raised himself up on his knees to remove his clothing. Swiftly and efficiently, he dexterously undid the catch of his trousers before shoving the constricting attire down his narrow hips. There was no stopping the sigh of relief that spilled through his clenched teeth as his cock finally sprung free– long, heavy, and leaking from the red, swollen tip. With his shirt disheveled, hair mussed, and pants haphazardly hanging below his hip bones, he was truly the picture of temptation. You stared up at him through hooded eyes as he stroked himself a few times, taking in the sight of your lover towering over you as you lay prone atop the sheets beneath him. 

Once again, Ominis’ uncanny ability to feel your eyes on him surprised you, and a cheshire-like smirk blossomed across his face as he asked, “Enjoying the view?” 

“More than you are, I’d wager,” you retorted, and Ominis scoffed as his smug expression turned into one of amused disbelief. That mouth of yours was bound to land you in trouble one of these days. 

“Smartass,” he murmured affectionately, keeping one hand on his shaft as the other reached down in search of your waist, squeezing the flesh there with a bruising strength that only served to intensify the ache between your legs. You aided him by wriggling down the sheets in order to press your ass against his bent knees, and Ominis lowered himself once more so the heavy weight of his cock rested against your spit-slick folds. It was hard for you to believe that the wild haired, smokey-eyed man kneeling between your legs was the same boy who had shyly walked with you to your classes all those years ago. Both of his hands pressed against your hips this time as he sat back on his heels, white teeth flashing as he aligned the head of his manhood against your entrance. 

“Are you ready for me, darling?” Ominis asked, as though you hadn’t been begging for this very outcome minutes before. 

“Yes,” you breathed out shakily, your hands twisting in the fabric of your long-abandoned bathrobe beneath you. “I’m–”

Despite his privileged upbringing, Ominis was a fan of the simple things in life. Good food, long walks during the warmer seasons, and the sound of your voice catching when he took you by surprise and slid inside you abruptly. In one fluid motion, he breached your walls, listening intently to your sharp intake of breath as he inched himself forward until his knees were under your rear and he’d bottomed out completely. The small whimper that slipped from your mouth had a deep, throaty chuckle escaping his, and his thumbs took to tracing encouraging circles against your hips as you clenched around him. 

“I’m sure you are,” he purred in an infuriatingly sexy tone while you struggled to regain control over your breathing. Instantly, the dim embers of lust within you were rekindled, every inch of your body warm and borderline electric. Your hips writhed in Ominis’ hold in an attempt to wriggle closer, the unyielding grip he had on you coupled with the hungry expression on his face almost enough to make you come undone then and there. 

“Fuck, Ominis–” your words were cut short by a stifled moan as the blond slowly withdrew himself, arching back until only the tip of his cock was inside you before slamming his hips forward in one quick, sharp thrust. Your hands flew to his clothed knees as you dug your nails into the rumpled material of his trousers, desperate to touch every inch of him that you could but struggling to catch your breath in the midst of his slow, methodical thrusts. 

Well, methodical at first. 

You could feel Ominis’ acute desire for you with every pump of his hips, and a groan snaked its way out of his chest as he freed one of his hands to reach down and thumb over your clit. You hissed triumphantly through your teeth as you saw his expression slowly shift into something needier, his thrusts becoming less precise and more visceral. With how tight he was gripping you, you were positive the healed bruise from earlier would be replaced by long, finger shaped stripes, but you didn’t care. If it was Ominis, it was fine. If it was him claiming you, branding you, consuming you, it was more than fine. 

The blue-eyed incubus above you seemed to think similarly, if the low rumble in his chest was anything to go by. He was absolutely lost in the euphoria that came with being encased in your pulsing, tight heat, causing him to abandon his pretenses of control and give into his want for you with gusto. The hand he had on your sensitive bundle of nerves returned to grasp your waist, and even elevated as he was, he still had to thrust down into you– shaking the headboard with every plunge as he effectively fucked you into the mattress. 

The distinction was clear and evident in your mind as your legs came to wind around Ominis’ waist; the two of you had obviously been intimate before, and you had definitely made love before, but you had never been so carnally fucked like this a day in your life. It was hard to recall if Ominis had ever ravished you with such need in every stroke, enough so that you found yourself unable to control your shaking breaths or the volume of your voice. It was enrapturing– getting caught up in the way he staked his claim on you– so intent on fucking himself harder and deeper into you that his own husky murmurs of your name fell from his lips like a mantra. 

Your inability to fight your moans and curses and feverish pleas for more was what Ominis lived for. The blond craved the sound of your voice like a drug, and he drew unparalleled strength from your vocal satisfaction. Maybe it had more to do with the events of the night than anything else, but hearing you cry his name and feeling you claw at the tops of his thighs made his chest swell with possessive affection, thrilled to hear you unwittingly proclaim that you were in fact his. No one else would ever have you– no one else would ever find themselves lucky enough to have you reduced to such a state beneath them other than him. 

“M-More,” you practically sobbed the request as Ominis gripped your hips tighter, dimly registering the thundering crack of the headboard banging against the wall. “More– please– I’m s-so close–”

You asked for it with each breath expelled from your lungs, and Ominis would graciously give it to you. He couldn’t have refused you any longer if he wanted to. “You want to come, darling?” He panted, receiving only whimpering nods in return. “Ask.” 

“P-Please, please let me come, I can’t–” you gasped, squeezing your eyes shut as your teeth clenched together hard enough to make your jaw pop. You teetered on the brink of oblivion, waiting only on Ominis’ say-so to fall over the edge which seemed to loom so, so close. 

“Beg,” Ominis rasped thickly, his fingers tightening and digging into the skin of your hips as he bucked harder against your ass. “Beg for it– beg for me to let you come.” 

You couldn’t even find the brainpower to realize he was demanding to hear you say it to fuel his unrepentant hold on you. The taunting, the pleasure laced brutality– it was all to assuage the bitter anger that had coursed through his veins upon hearing his family refer to you as tradeable cattle. Later on, he would be collected enough to reassure you that you were your own person, free to make your own decisions and go wherever your heart desired. 

Right now though, his baser urges had won out, and he needed to hear you say it. 

Your head slammed into the pillows as your back arched off the mattress, doing your best to shut out the mounting pleasure that threatened to break through your crumbling resolve. “Please, Ominis! Please let me–” you hiccuped around another gasp, the ache in your gut bordering on unbearable. “L-Let me… let me…”

One of his hands released your waist to feel up your torso and curl around the back of your neck, lifting your head off of the pillow so your eyes were on him as he uttered five words that struck something deep inside of you. 

“Then come for me, love.” 

Your breaking point smacked into you hard and fast, leaving you equally breathless and brainless as your mouth fell open around a long, drawn out cry of Ominis’ name. Your climax ripped through you ferociously, your vision flashing white and your muscles tensing for a moment of near perfect silence as your lover continued to thrust in and out of you with unwavering focus. Even after you’d collapsed back against the sheets and gone limp in his arms, Ominis continued to chase his own finish, balancing precariously over you on his elbows and burying his face in the crook of your neck to muffle the shaky groans he failed to bite back. 

Maybe you were imagining it, but you could have sworn he continued to murmur quiet declarations against your skin that sounded a lot like, “Mine.” 

Before long, Ominis was following you over the edge with a throaty purr that slithered out of his throat. His arms trembled on either side of your head, his hands gathering fistfuls of the pillows as he buried himself completely inside of you with one final plunge of his hips. You heard the blond moan hoarsely in your ear as he spilled into you, grinding against your ass to milk every last drop of his seed from his twitching member, and when he mouthed wetly against the sweat-slick column of throat before biting down, all you could focus on was the warmth that filled you as you quivered under him. 

After a few moments of the two of you panting softly, you lifted your hands to Ominis’ clothed back in a bid to usher him to the side. He tensed, however, and you paused as he wedged one of his arms under your back to hold you flush to him as he continued to re-center himself. “Not yet,” you heard him grumble into the hollow of your throat. “Not yet… give me a second.” 

“…Alright,” you relented quickly, only mildly concerned as you wrapped your arms around his slender shoulders. With your fingers tracing lazy shapes against his clothed back, you allowed yourself to enjoy the feeling of Ominis’ weight pressing down on you, his gentle exhales fanning against your clammy skin, and the steady rhythm of his heart beating against your sternum. 

Given the severity of what had happened at his family’s house, you weren’t sure the two of you would ever get another moment like this again. So, you held on tightly to him in the hopes that the night would last just a little bit longer. 

The two of you stayed like that for what seemed like hours but realistically could only have been a few minutes, and shortly after Ominis began peppering kisses up your throat and along your jaw, your eyes drifted shut as you dozed off once more. When you woke the following morning and found yourself tucked in beneath the sheets, you propped yourself up on your elbow to glance around the otherwise empty room, noting immediately that Ominis was nowhere to be found. 

In a panicked flurry of movement, you threw off the blankets and were still tying your robe around your waist as you hurriedly shuffled down the hallway. Your dread was smothered in the next instant by overwhelming ease as you rounded the corner to find Ominis in the kitchen, gripping the countertop and working a muscle in his jaw while he hovered his wand over a letter that looked eerily similar to the one he’d received just a day ago. 

Even though he could hear you approaching, he said nothing as you padded across the room to stand behind him, coiling your arms around his waist to press your front against his back. A shaky sigh escaped him, and you stared at the wall as you contemplated your words before deciding on, “What are you reading?” 

A pause, “A formal summons for you, inviting you to meet my family officially.” 

Your heart fell into your stomach, arms tightening around the taller man a fraction as you pursed your lips in blatant distaste. “We won’t go,” you announced, and Ominis shifted in your embrace so he could wrap his arms around you to hug you back with a firmness that spoke volumes of his agreement. 

“We won’t,” he said. “But we can’t stay here, either. Not anymore.” 

“I know.” 

He buried his chin in the mess of hair atop your head, shamelessly inhaling your scent before he told you, “We have to leave– go somewhere far away– and we can’t tell anyone.” 

“I know.” 

The way his nimble fingers gripped the back of your robe told you of just how conflicted he was to ask this of you– to uproot your shared lives here to flee the meddling of his family. His voice was laced with remorse as he asked, “And you’re okay with that? Truly?”

“I am,” and you really were. There wasn’t a lick of hesitation in your voice– not a shred of apprehension hidden in your tone at the prospect of packing up and running as far from here as humanly possible. “So long as we’re together, I am.” 

Ominis skimmed his hands up your back to cup your cheeks, angling your head up at him so he could kiss you fully, and you returned the gesture with equal fervor. As long as he was with you, you knew you could do anything. With Ominis by your side, you would fight tooth and nail against every hellish creature or person in existence to ensure your future together. 

Wherever the two of you ended up, you already knew that your home wouldn’t just be some place. It would always be him.

[vidavalor]

I was wondering if you've talked about why Gabriel was on a jog in season 1 episode 4. It always felt off to me since it's such a human activity

Hi @anxious-al! 💕 Hope you're having a nice week so far. *gets the mugs* as there's always hot chocolate available for Gabriel-themed questions. 😊

What a time to be going for a "human" jog, eh? This takes place on the morning of The Last Day of The World:

Gabriel is supposed to destroy this planet later that day and he's down on it, alone, jogging in the park... why?... and what of the human woman dressed as an angel at the edge of the park?

The scene wherein Aziraphale interrupts Gabriel on a morning run in the park begins with one of the strangest moments in the series-- Aziraphale being distracted by a human woman dressed in head-to-toe gold with harp-like angel wings. She is a performance artist and her art is that she is dressed as an angel. She stands there, silent, sending her artistic message for both the characters in the story who notice her and for us as the audience to interpret. This makes her a bit meta for the story of Good Omens as a whole.

What message is The Angel Woman saying to her fellow humans with this? is a question that leads us to another one as a result:

What is Good Omens saying by using angels and demons in their story written for us humans?

Perhaps that there is divinity in humanity? Perhaps that we spend all this time glorifying holy beings that we can't prove even exist when, really, we humans embody the angelic and the demonic and everything in between? That we're really the magical ones?

The Angel Woman is a character in a story written by humans who are using angels and demons to make points about human living... and who are the other characters in this scene? Gabriel and Aziraphale... a pair of angels on Earth and who are both engaged in aspects of what they might see as "human" living.

This scene is one in the story pointing out that "human living" is really just living, period.

Aziraphale stops and contemplates the angel-dressed performance artist and that is the start of the scene. The "human cosplaying" Gabriel then jogs by them-- paralleling both the angel who lives like a human and the human who is dressed as an angel. Here's The Supreme Archangel of Heaven on the last morning on Earth and what is he doing?

He's jogging in the park. Like a human.

The episode is called "Saturday Morning Funtime" and has more Gabriel in its front half than any episode prior to it, as we begin to see that he's actually who it's named for. Everyone is miserable ahead of Armageddon but the one who has a Saturday Morning Funtime routine is Gabriel. This guy who is the commander of the armed forces of Heaven and entrapped by a supernatural fascist regime hellbent on destroying this place?

Yeah, he secretly kinda loves Earth.

Gabriel is keeping himself from going mad by carving out some escape time on Earth where he does some moderate exercise in the fresh air and clears his head. No one knows who he is down there. He's just another hot dude running in the park. It gets him away from the other angels always circling him like vultures and gives him some precious alone time.

There are other scenes that indicate that, as Earth has gone on, Gabriel has been using the power of his position to escape to it from time to time. Gabriel's only possessions until S2 are his custom-tailored clothes and they were made on Earth. He shows a curiosity about how Aziraphale chooses to live in the sushi scene in 1.01. Yes, he's judgy about it but he's judgy to hide the fact that he's asking out of interest-- rather than using the power he has to order Aziraphale not to make his own choices over it.

Gabriel is shown to be a lot more "live and let live" than he might initially seem to be. He is one of the only angels who doesn't view the demons as beneath them and he covers for Michael's relationships with them. Several scenes suggest pretty heavily that he's known about Crowley and Aziraphale for ages and has been keeping that knowledge from The Metatron. He doesn't care that Aziraphale does human things on Earth like eating or that he wants to live a more human-like existence. He doesn't totally understand all aspects of it but that doesn't stop him from being more fundamentally curious about it than anything else.

Gabriel actually doesn't care that Aziraphale's in love with Crowley. Gabriel can get the appeal, actually. Gabriel knows how it goes anyway... he's got a bit of a thing for the "informant" he references to Aziraphale in 1.01-- Lord Beezlebub, the only being he feels like he really be anything close to his true self around, who also happens to be a demon. The demons are supposed to be the angels' mortal enemies but Gabriel thinks that's kind of bullshit. They're just people and he remembers what a lot of them were like before Hell became a thing. They were smart, creative people, most of whom did little wrong but for asking the same questions that Gabriel privately asks himself daily.

So, he's been coming down to Earth to check it out for awhile, when he can come up with an excuse to escape his prison. Sometime pre-S1, he started to do more than observe and basically got himself a hobby in jogging, like a human might do. Something for him and him alone. This is a big deal because Gabriel has virtually nothing else that is own.

Gabriel doesn't own a single, non-clothing material object in S1 and never has at this point. The first present he'll ever be given is the fly in the matchbox from Beez. His clothes are his only possessions, which is partially why he's so vain about them. They are the only way he's allowed to express a sense of individuality in Heaven-- and he made that happen.

This is related to the jogging and is a much, much bigger deal than it might initially seem...

In S2, when we go back to the Job minisode era, we see that all of the angels used to dress in, more-or-less, the same thing. They all look like what they are-- members of a cult. Even The Supreme Archangel is wearing basically a white sheet roped off in gold. The homogeneity of the look is the point.

There's a psychological reason why cults of all sorts-- and armies of all sorts-- have an uniform. It's to reinforce a sense of negative groupthink over a sense of individuality. When you are allowed to dress as you wish, you have freedom of expression, and this obviously causes you to consider how you wish to express yourself to others. It gives you the free reign we all should have to be who we are-- and to be able to consider who that is and evolve our sense of self over time. This is absolutely against the mindset of dictatorships and cults and anything in that vein.

The last thing they want is for people to see themselves as individual people because that stuff gets dangerous. They might get ideas. They might form their own opinions and start to act on them. It makes people harder to control. This is why Gabriel and his clothes are so important.

The only way the whole 'everyone is basically wearing a table cloth' situation changed for the angels sometime post-Job is if The Supreme Archangel okayed it. He's the only one with just enough power to have made this happen, if not enough power to overthrow The Metatron on his own. Gabriel saw Aziraphale begin to wear different things on Earth with the built-in excuse of Aziraphale having to blend in with the humans and white robes were no longer a style that would work.

Aziraphale, as a result, became the first angel to have an excuse to express himself as an individual because he got to choose what he'd like to wear while he was on Earth. Gabriel noted this and basically said to himself that looks fun. Our dude was very tired of this white robe situation and seeing Aziraphale get to play made Gabriel want to as well so he went to Aziraphale at some point and basically said teach me about what the humans are doing about clothes.

Gabriel had an excuse to change his look, too-- he'd have to go to Earth sometimes to do Supreme Archangel Checking Up On Stuff Things. He'd have to look like a human, too. He loved it. Playing human dress up was super fun and brought all new kinds of thoughts. What fabrics he liked, what looks he liked, what he thought about how the different clothes looked on him, what made him feel different ways about himself. Clothes are self-expression, after all-- they reflect how we feel about ourselves and support the image we are trying to project. Gabriel got into this, big-time, and then turned around and asked the dangerous question to himself:

What if we did this in Heaven, too?

What if he used what power he had to change the rules about what the angels wore? What if he told everyone they could wear whatever they wanted? The army would still have an uniform for when they were running drills or whatever and maybe there'd be a color-scheme because Gabriel knew The Metatron was going to lose it about this so he came up with some parameters but he basically overthrew the tablecloth tyranny and told every other angel that they were free to express themselves the way they wanted and, if you ask me? That's why he and The Metatron are snarking about Gabriel's suit during his trial.

The Metatron never got over the fact that Gabriel pushed the clothes thing and knew how to get just enough of what he could without making it more trouble than it was worth to kill him over it. The Metatron takes some evil delight in telling Gabriel that "appropriate raiment" will be provided for him-- he'll have to wear what The Metatron dictates, in other words-- now that he'll be a bottom-of-the-barrel junior recording analyst. Gabriel, though?

He got the last laugh. He used taking off his suit as a reason to leave, along with clearing out his non-existent desk, and fled Heaven buck ass naked rather than put up with The Metatron's bullshit for another minute.

The moment Crowley fell in love with Gabriel was when he saw just how much Gabriel loathes The Metatron in these just take me out back and shoot me ffs faces he was making during his trial:

Anyway, the point is that all the angels are following Gabriel's lead and that's probably half the reason why almost everyone in Heaven dresses in a variation of Aziraphale or Gabriel's styles. (Ever notice how Michael and Uriel look like they're in some kind of suit battle and both of them are trying to emulate Gabriel a bit?) While many of the angels aren't really reinventing the rules of fashion up there, the idea worked: they all look different from one another. They all can express themselves as they desire when it comes to how they look. They've all had to think about themselves for at least long enough as it takes to come up with outfits and view themselves as an individual person to do so.

It's perhaps worth noting in here then, too, how funny it is that The Metatron is a floating head... that's how he presents himself. He's the one character who doesn't have a body. It's symbolic of how he feels he's above even the idea of having anything like the pesky needs of human corporation. The ideal of Heaven is him, in his eyes, and he is above the vessel through which all living beings actually live...

...and the one challenging him every step of the way as much as he can is The Supreme Archangel...

...who, amusingly, happens to have a rather pleasing physical corporation appreciated by many, many different sorts of beings.

Looked at that way? Gabriel's peacocking about his clothes is not pure vanity but just the best example of what little rebellious fires he's been able to start Up there. A focus on clothes is also a focus on your body-- for better or worse-- and so it's not really surprising that Gabriel's Earthly hobby is looking goooood in some grey sweatpants while he escapes a little from the pressures of his world.

There's something kind of delicious about Gabriel deciding that he has some Saturday Morning Funtime now-- he has an exercise routine. He's like peace out, MetaT-- I'm going to take my fantastic corporation *jogging*. Rot in Hell, you fascist Mr. Potato Head...

Aziraphale is interruping Gabriel's alone time in 1.04 and if you look closely, you'll notice that Gabriel actually looks upset as he's running before Aziraphale sees him. He doesn't actually want to destroy Earth. He feels he has no choice and he's terrified of The Metatron but he likes Earth. He doesn't fully understand of it-- to be fair to him, no one really does lol-- but he likes it enough to have been escaping to it for awhile now.

By S2, in a parallel scene to the jogging one, Aziraphale will be beginning to get the idea of him and Gabriel both having versions of the Heaven-induced perfectionism and anxiety a bit more, though... and about how that's not any different from humans who go through the same thing.

The angel human doing performance art (complete with foreshadowing the discus halo) in S1:

The art of the Gabriel statue in Edinburgh in S2:

In S2, the art is a human-made sculpture deitifying Gabriel. It causes Aziraphale to further consider what life might have been like for a being who is, really, just some dude, but who has been held up as a holy symbol in this way by angels and humans alike.

Adding to this is that the statue of Gabriel is in the middle of a human graveyard. While this has a really eerie layer in S2 considering that we see it after Gabriel has fallen, which is a kind of death, and now lives among the humans, there's a way of looking at it that is also in keeping with what S1's human performance artist angel was talking about-- there's not this big line between these kind of beings.

Emphasizing this? The Angel Woman isn't just dressed as an angel-- she is also wearing a dress and a human sun hat. She reflects how having a halo hanging over your head symbolizing your need to be perfect in a way that causes you to see yourself as someone who should be above humans is not just an angelic thing-- it's a very human thing, too. That's the point of these angels and demons in Good Omens. They're just like us in every way that really matters and their stories are no different at the core from what we experience.

Crowley and Aziraphale actually have it a lot better than most of the angels and demons. They have been able to live on Earth since the beginning. They aren't completely free of the regime that threatens them but they've found a way of escaping it as much as they can. They've been free to learn and explore and experiment and enjoy much more than the others have. They've been free to have a relationship with one another-- to have a friend they can trust and talk to-- which not all of the angels and demons do. (Not all humans do, either.) Of all of the less fortunate characters? Gabriel, despite having some power in Heaven, might have actually been one of the worst off.

Why is Gabriel jogging in the park on the morning of the last day of Earth? Because Gabriel likes to go for solo jogs in the park...

... just like many humans who have stressful jobs and like to wake up on Saturday morning and throw on a sweatsuit and sneakers and get outside to get some fresh air, move, and try to quiet their thoughts.

That Gabriel is already in this place in S1 is a surprising twist thrown into 1.04 that actually makes us kind of want to scream at Aziraphale 'ask him why he's fucking jogging, Az!' Aziraphale is trying to make the point that they don't need to destroy Earth but the one thing he fails to point out is that Earth is the planet that they're currently both standing on and which Gabriel seems to really be enjoying.

Gabriel couldn't agree with Aziraphale in the jogging scene, though, even if he wanted to, for the most ironic reason possible. This one:

Crowley and Aziraphale don't realize it because they're afraid of Gabriel until S2 but he's as trapped as they are. He's as watched as they are. Ducks have ears-- there's always someone listening in the fascist regime of this Heaven/Hell system. Gabriel couldn't say in a public park anything that sounds outside of what he's supposed to say, even if he wanted to, or he'd be in danger for it.

Gabriel is wearing human clothes that are appropriate to the time period he's in while he's jogging. He has a preferred park and route. He's gone through a whole thing to get to this point-- seeing this activity, learning about its benefits, deeming it appealing and something he'd like to try, getting what he needs to do it, finding a time to do so, trying it out and getting good at it... he's done all this already by this scene, showing that he's already subtly rebelling.

There is also that a lot of humans jog, at least in part, to manage mental health issues. It's prescriptive for depression and when we see Gabriel in the post-S1/pre-S2-set flashbacks, he's exhibiting signs that would have gotten him instantly diagnosed with depression had he been a human. It was not new-- more like his default state-- before talking more intimately with Beez started to help him manage it.

This might indicate that Gabriel was already in a place pre-S1 where he viewed humans as having knowledge that could benefit him and other angels-- a point of view that Crowley and Aziraphale also share. To get there, he'd have to have stopped seeing himself as superior to humans-- if he ever did in the first place, which isn't really known. Gabriel does show a surprising aptitude for subversive thinking so it's possible he never really bought the idea that they were superior beings but, even if he did, he doesn't by sometime prior to S1 because the human activity he's gotten for a hobby is one known for helping humans manage the anxiety and stress he knows he also feels.

It's also an activity that Gabriel can get away with doing because it's physical and he's The Commander of The Heavenly Host, Heaven's armed forces. No one can question why he wants to go to Earth to work out because it seems like he's just a devoted soldier when, really, he's doing it to get away from everything for a bit. Jogging gives him time and space to think and to be alone, away from Heaven. It's peaceful when he knows precious little peace. He's also quite literally running from Heaven lol and this was already happening for awhile before S1 happened, let alone S2.

You might say: ok, but Gabriel doesn't *need* to jog... he's magical!

Yes, he's magical... which seems to be like having an extra-long, somewhat-eternal backup battery. It doesn't actually mean that Gabriel doesn't need to exercise. Living beings can go a surprisingly long time repressed from what it is that they need to survive and being magical is suggested to have caused some of these angels and demons to remain alive so long without what it is that they truly need to thrive as people that they've convinced themselves that they don't actually need these things.

Sure, the angels and demons have superhuman powers but they are also very human at the same time...

In S2, Gabriel will describe having what we might call human physical sensations on his way to the bookshop. His arms got sore from holding a box at a weird angle for awhile on his walk-- just like ours would. He was cold from being naked until Aziraphale gave him a blanket. Aziraphale was winded trying to jog with him in this scene in S1. Crowley has basically developed a human sleep schedule over the years to a point that while he can survive missing a night of sleep, he feels the effects of it, as he was mentioning in S2.

To say that these characters being magical means that they're "flawless" would be to get a little "master race" gross, right? And the show does not. The angels and demons have human corporations in all shapes and sizes. Human corporations are just one option for them, even if also the most common, and those options are not built to be without any challenges-- they're built to be human.

Crowley, for instance, is basically a god in terms of power and he's also canonically far-sighted. He built the known universe but he also can't read the paper you just put in front of his eyes without his reading glasses. He can make it rain with his fingertips... and he also has an anxiety disorder. All of this is a story that is using angels and demons as metaphors for human living. We humans have more power than we think, as shown through how the magical angels and demons in the story are more "human" than many of them have been led to believe.

All of the angels and demons might not be at risk from most major human disease, for example... but that's if you're talking about things like Covid and bubonic plague... not if you're talking about the most common ailments plaguing humanity. The major supernatural characters in this story have things like anxiety disorders, depression, and PTSD. Many of them have complicated relationships with food and insecurities about their corporations. They deal with issues of loneliness and the effects of different kinds of trauma and abuse. Every one of them has trust issues for days. Aside from the main four, most of the angels and demons have no idea how hungry, tired, lonely and unfulfilled they are because they think they aren't actually supposed to want things like food, rest, creative outlets, and friendship. If they do feel a desire for these things, they think there's something wrong with them because they've been told they not to want or need in this way.

The few of the angels and demons that can get beyond the b.s. they've been taught and consider that they might not be superior to humans and might have some things in common with them? They break through and start to learn from humans.

Even though they both see each themselves as not fully human and as basically living amongst-- rather than with-- the humans, both Crowley and Aziraphale have experienced enough of the world to know that they're not terribly different from humans. They don't see a lot of their own challenges and experiences as different from that of humans and they actively seek out human knowledge and thoughts on how to manage their way through life. They recognize that their full range of emotions is not any different from that of the humans-- whether the emotions in question are the love they feel for one another or something they have to deal with, like anxiety.

As we see in S2, the choice of corporation for a supernatural being can have consequences that can affect them as a whole. Yes, these beings are more protected than humans, as they can morph into whatever they want and they have miracles that they can use to protect themselves in most situations... but they can actually die if they get into a situation dangerous to them enough, like what The Bullet Catch could have been.

Furfur said that if Crowley had missed and Aziraphale had been shot in the head, that "they might not have been able to put him together again"-- meaning, that Aziraphale could have actually died from a bullet to the head... just like how humans can. While in human form, the angels and demons' minds really are contained within their brains, like is the case with humans. Supernatural beings have a mind-body connection to their corporations of choice-- just as we do with our bodies-- and they're basically all out here choosing human bodies as a default option, right? So, how different are they from us, really? Not that much.

This would mean that their corporations do need the same things that human bodies do. The difference is that, being magical, they can go for eons without addressing these needs, whereas most of us who are only human over here get hangry after four hours without a snack and need to sleep for several hours every day in order to function.

They do need to breathe to be healthy, if not to completely stay alive, because their corporations prefer oxygen and breathing causes the human body to function properly. They can go for millennia without eating... but that doesn't at all mean that they should. When they finally do, they can eat an entire ox without a second thought and why? Because they're starving. They can magically last an absurd amount of time in their repression but they're unnecessarily suffering in doing so.

Crowley and Aziraphale know this. They've learned it themselves. That's why they're giving out warm beverages and sarcastic masturbation tutorials to whatever interested supernatural beings shows up at the door for much of S2.

This is Gabriel's office, shown to us moments after his jog in the park:

That is where he's spent thousands of years. This is his office and what counts as his home. This dude doesn't even have a chair. Look at how huge that space is and how small he seems in it. He can't go out on that balcony. This isn't an office or a house so much as it's a prison cell. This scene shows us why he jogs in the park-- it's his time in the yard during his prison sentence, basically.

Look at how we and Michael come into the scene and see that Gabriel is just staring out the window at the world, tapping his finger against his mouth, lost in thought. This is not a being who is super jazzed to destroy this place later in the day. He's up there like a damn fairy tale princess, trapped in a glass tower in the sky, looking down at the human world and wondering why it is that it's only humans can have it when they really don't seem that different from the angels and demons.

All of us humans with terrible jobs and other stressful situations can usually find a way out of it, except for maybe those of us trapped in an active war zone. What do we humans do? We sleep, we shower, we do some yoga or meditate, we enjoy stories, we make art, we have some good food, we find things that make us laugh and share them with friends and loved ones. Some of us also seek other kinds of connection as well-- a sexual and/or romantic partner. S2 shows us that Gabriel is not aromantic, as he's fallen in love with Beez-- which just emphasizes that, for thousands of years, this sort of thing was never an option for him and another need that was not being met.

Michael is correct in S2 that Gabriel doesn't have a desk to clean out. He has a single, white pedestal without any drawers onto which the occasional file folder can be placed if someone has a meeting with him. (One wonders if Heaven only even has physical file folders as an excuse to have the occasional barely-there table just to break up the expanse of empty space to keep them all from going mad.) Aside from his clothes, he does not possess a single material object, as he's not allowed to.

Imagine not owning a single book. Not having a favorite blanket. Not having a favorite mug. Not having lost these things but having never had them before at all. No presents because you have no friends. The first person to ever give Gabriel something is Beez and that hasn't happened by this point in the story.

We know Aziraphale understands this. Aziraphale wanted a home with a door he could lock and privacy enough to try to live a life of sorts with his partner and a place to store the material objects that he owns. His own, cluttered desk with a million little nooks and shelves. A chair, books, a bed he can be in with Crowley without Head Office finding out and killing them for it. That's the genius bookshop embassy that Gabriel will run to when he finally cracks but Gabriel himself?

He's had almost none of that kind of freedom for himself.

Aziraphale knows what it is to have nothing of your own and that's why he gives Gabriel his angel mug. He's literally writing Jim's name on everything that Jim owns because he knows that while it's not about material objects, Gabriel doesn't have anything of his own. It's about choice-- down here on Earth, Gabriel can choose to call himself something different. He can have a more peaceful and satisfying job and books to read and a favorite drink and a mug of his own and friends to talk to. He can try the hot chocolate and the tiny dinners if he wants without anyone judging him or trying to kill him for it. He can be free to be his own person on Earth.

Consider the contrasting shots of Gabriel in 1.04, shown staring out the window of his prison walls at the Earth he was supposed to destroy... and Jim waking up on Earth, in cozy pajamas, to look out the window of the bookshop while making himself a warm, morning drink in his own mug.

Kind of makes you want to hug him, doesn't it?

Back in 1.04, though? The scene in Gabriel's office showed us what he's up against Up there and just how isolated he is at that time. Michael is the one angel you'd think he'd be able to trust, as they've been through it together for thousands of years, but we see very clearly why Gabriel does not trust them.

Michael is a hypocrite. They talk to the demons unofficially and Gabriel has been protecting them for it from The Metatron. Yet, at the first opportunity, Michael throws Aziraphale under the bus by reporting him for doing the very same thing they are. After S2, we see that this is also a swipe at Gabriel himself-- Michael knows that Gabriel knows about Crowley and Aziraphale and has never done anything about it, even though he "should" by the rules of Heaven. This isn't just Michael selling out Aziraphale-- it's Michael taking a shot at Gabriel himself. It's a reminder that there's always someone who seeks favor with The Metatron watching and Gabriel is completely trapped-- more so, even, than Crowley & Aziraphale.

He doesn't have any choice but to tell Michael that they can pursue it but he's gloriously bitchy about all of it. He doesn't so much as blink in telling Michael that he's sure there's "a perfectly innocent explanation"-- meaning: sure, go ahead, take a shot, but I am in charge and I will continue to be doing fuck all about Aziraphale boffing Bildad the Shuite, Michael.

He also is sly as all hell when he reminds them that "there are no back channels"-- by 'back channels', you mean you're calling your demon boyfriend, have I got that right, Michael? The one I happily pretend you don't have? God, you're awful...

Michael wants Gabriel's job and the brownie points with The Metatron so they're pursuing Aziraphale to show that they're willing to go after subversive angels and they're threatening Gabriel with exposing that he's known for ages about Aziraphale and did nothing-- which makes him an accessory to it. Gabriel has no other choice but to tell Michael to keep pursuing it but it's an example of how the wolves are always circling for Gabriel and how trapped he really is. His only defense is his you're going to regret fucking with me attitude.

As Michael leaves, the scene ends on Gabriel picking up one of the pictures of Crowley and Aziraphale. He's drawn to the one of them sitting together where?

Where Gabriel himself just was.

In the park.

What would it be like to live like they do? he seems to be wondering, for probably the millionth time. How much longer am I going to be able to keep them alive? Am I going to go down with them?

Nah. It's their turn now, Gabriel...

[rozcdust]

I don’t speak to whores

Pairing: Bonten x AroAce!GN!Reader

Genre: Crack, SMAU

Word count: 500ish

Warnings: Canon divergent, profanity, ooc, whore behaviour, NO ROMANCE, just reader bullying Bonten

masterlist

The breakfast passed with Kazutora stubbornly trying to get to know Kakucho better - no matter the man’s valiant attempts of evading Kazutora’s curiosity - the latter was a relentless chatterbox in hours even Sanzu would find ungodly early to try and speak.

By ungodly early, Kakucho means before 1 p.m.

He picked up on the fact that Kazutora was apparently an early bird, the habit of waking up at 6 a.m. sharp still heavily instilled in him, even if it has been nearly a decade since he got out of prison - today was an exception, considering the events of last night exhausted everyone present, but still.

Kazutora clearly perfected the art of being both a talker and an excellent listener, with a soothing smile and perfectly placed nods whenever the conversation demanded it, bright, amber eyes shining with more life than Kakucho has personally seen in years.

It probably said something depressing about his joyless excuse of a life.

Kazutora’s optimism and genuine desire to get to know him made Kakucho feel exceedingly small. Kazutora, even while knowing his background, seemed kind, gentle, lithe shoulders perfectly relaxed even in the company of a wanted criminal, silky smooth hair cascading down his back, back slightly slouched so his collar bones were revealed, showing off the end of his tattoo.

You seemed to ignore the conversation between the two men entirely, only offering brief, sarcastic commentary upon request, busy braiding and unbraiding a small section of Kazutora’s hair as if it were the most interesting thing in the world.

The coffee was better than anything Kakucho has tasted before.

“So yeah, y/n loves to trash Fight Club, but they rewatch that damn fucking movie at least once every other month.” Kazutora smiled at your scowling face, only a roll of your eyes indicating your true annoyance as you proclaimed Kazutora a traitorous bastard, letting go of his hair only to take hold of it again.

“It is a homoerotic, satirical movie mocking toxic masculinity, and then dudebros salivate over Tyler Durden and call him an alpha male. That man is a peacock*. I’m not admitting I like that shit publicly.”

“I think Ran likes that movie, actually.” Kakucho remarks, tilting his head - he’s pretty sure Ran told him about it before.

You snort, shaking your head.

“Of course he does.” You clicked your tongue, “He doesn’t get it. Next you're gonna tell me he loves Clockwork Orange too."

“Y/n is a bit of a movie snob.” Kazutora took your hand into his - he glances up at you, silently asking your permission - upon a slight nod of your head, he smiled, planting a soft kiss on your wrist.

Such an innocent little gesture.

It has Kakucho's chest aching.

"I don't think he does." Kakucho tilts his head, scratching his cheek, "He mentioned how he hated the main character."

Your quirk an eyebrow, sipping your coffee.

"Well. Maybe he isn't a hopeless dumb bitch."

"He truly isn't that bad."

You choked on your drink, glaring at the scarred man - he shrunk under your gaze.

"Get out of my house."

a/n: i'm alive. shockingly.

Taglist (i need to start a new one so please do say if you wish to be tagged):

@rinsie @r-xochitl @7rkx @sunahyejin @yamaguccitadashi @minoozi @trashmemebitch @sup-zfam @xashiui @hana-patata @erza-uzumaki @sh4nn @sisnot @kneeapartman @anahryal @reiners-milkbiddies @satsuri3su @aretheea @bluerskiees @winterv-black @astropheia @requiem-of-a-fool @kunikya

(rest of taglist in the comments, so sorry if i tagged anyone twice!)

[internetegoist]

Of Shidou Ryusei ; And how his character connects towards sexual trauma

(Content warning: Major mentions of SA/CSA and abuse, minor mentions for NSFW behaviour. Most of them aren't in graphic detail, but please please be wary of it 🙏 There's also spoilers for CSM and A Clockwork Orange)

Shidou's character is one of those that sticks with you throughout the entire series. It feels like we know everything about him, yet there's something so mysterious about his behaviour that makes you wonder, what's with this guy? We know how he acts, his violence and vulgarity injected in his brain and blood, but yet we don't know why he acts the way he is. It is very heavily implied that he went through a sort of restriction, born in a bird cage which he freed himself from through going to Blue Lock, but what is that restriction? What was the bird cage which trapped him? What was it that was holding him back from searching for freedom and exploring the world?

Since then, there's been a large speculation of theories on what his backstory could be. But one of them I want to talk about is about how his backstory is connected to SA, and how he could have experienced it at a young age. At first, I was extremelyyy hesitant to follow it due to how it made me a bit uncomfortable to discuss about, and how I saw a majority of people supporting the theory use it for shock value rather than a chance to devolve into darker topics. Of course, not the case for everyone who supports the theory, just from my own personal experience in the fandom.

But now, I can see the extremely, deeply discomforting vision on how this could be true in a way. From both his favourite manga and movie involving SA as an integral part in the story, to the concerning side of him being slightly revealed in the Egoist Bible. (Eg. crying at the end of the day, when he's feeling nothing or when he's empty, as well as his dislike of gifts)

Due to my heavy interests, I wanted to explore this theory into a more deeper matter. I decided to analyze more of his behaviour, as well as doing some of my own research. I must say, Shidou's behavioral manner can be one that is similar to those of SA survivors, especially male survivors.

Okay okay, enough yapping around. Let me get straight to the point.

Shidou and his instinct's responses

Generally after experiencing sexual abuse, one's entire personality will change. Every behaviour change is different for every sexual abuse survivor. Sometimes they'll isolate themselves more often, sometimes they turn into a much aggressive and violent person. Because the world has failed them, the world is putting them in a place where they are no longer safe and are more vulnerable. Because when your entire sense of self and personal power is taken away by your abuser, you are left with nothing but fear and new survival instincts. Why I bring this up is because Shidou's entire personality is built on instincts. His instant response to even the slightest hint of dislike or threat is to immediately beat them up, no matter who they are. A noteworthy thing to mention is that one of the main responses from males following sexual trauma is anger, because it is more socially acceptable for men to react that way. Attacking someone is the best way of defense, and Shidou follows this way of defense entirely. This also follows up with the stigma with the male ethic of self-reliance, in which help-seeking behaviours can be seen as cowardly or unmasculine.

It's most likely the reason why he also dislikes Kunigami's philosophy of heroes; Considering the fact his entire character is based on wanting to be free from restriction, he must have lived in an environment and/or went through a sort of restriction which influenced his ideals of "I can fend myself, I won't need anyone". The world he has grown up in was nothing but survival against the abuse he went through, so for what purpose should he believe in the principle of a savior, if he himself could have never been saved? It doesn't help either when in real time, there have been many cases where survivors of sexual abuse are either never believed when they speak out about it, or never speak out at all in fear of not being believed.

And besides the fact he uses violence as a defense method, one thing I noticed about Shidou is that during the time he was locked up by Ego for inducing violence onto Rin. We see him, perhaps for the first time, being calm and offering a promise that he'll make sure to stop fighting and hitting others, as long as he is let out of that prison he's trapped in. You see, a common reaction victims will use during the process of the SA is to freeze. To stay silent and still. It's like how animals freeze to avoid fights or further harm to themselves, or play dead in order to prevent getting eaten by predators. Although the outer self may seem to be in a calm state, the inside are on high alert, because they are afraid on what will be their abuser's next moves. The option to fight or run away may seem easy to those who haven't experienced SA, but to the victim it may seem harder than you think. Because freezing is a body's instinct response to abuse, and it'll stay frozen until the abuse is over, it's almost like a human's way of playing dead, so that the assault induced will end sooner. Among the instincts of 'fight, flight, freeze', Shidou seems to use fight the most out of the three. However, when necessary times come necessary measures, Shidou, perhaps for the first time, switches to 'freeze' instead of 'fight'. Not only because he basically, cannot physically fight anyone at that moment, but also because he is afraid. Afraid of being restricted yet again, afraid of not having the chance to live his life, which is to play football. The worst position to be in when you're being hurt or abused is limitation. You can't move, you can't fight, you can't run away from your abuse from happening. Nothing but hope that the abuse happening to you will end soon, that your abuser will stop hurting you. That's exactly what is so terrifying about the freeze responses.

Shidou and his sexual behaviour

If any fan knows anything about Shidou, it's that he's not afraid to speak out what's on his mind, especially lewd and inappropriate words. More or less, this can be connecting to something called hypersexuality. Accordingly, hypersexuality is defined as an intense focus on sexual fantasies, urges and behaviours that can't be controlled. Hypersexuality can not only cause distress, but also problems in school and workplace.

Survivors of sexual abuse cope in one of the two ways: Either by avoiding sexual or intimidate interactions entirely, or seeking said interactions on a large and unhealthy scale. According to this article, a majority of men who suffer from hypersexuality or sex addiction have been either physically or sexually abused in their childhood.

We see Shidou quite literally compare scoring a goal in football, to sexual intercourse. (And also the part where he says he's gonna blow his load, with Sae also dismissing it, but it's just partners supporting each other!)

By now, we know that two things that Shidou is unable to separate from each other is life and football. Both the act of life and the act of playing football is interconnected. Because football is something that allows him to leave a mark, allows him to be known by the world. Because football is a biological phenomenon to him, rather than just a sport.

And yes sure, this is supposed to be a connection to his philosophy of leaving a mark on others, so that you can be remembered. But also remember what he says in his monologue: "Those who create something, those who want to become something, and of course, those who make children." The way humans create life is through intimacy, through intercourse. The two people engaging leave a mark on each other through creating that life, that child.

And while speaking about his monologue of leaving a mark, Shidou also mentions that wounding others are a way of leaving behind a proof of existence. Inducing abuse whether it'd be physical, emotional or sexual, can also be one of the ways to make someone remember you.

The abuser leaves the mark on the victim, the mentioned mark left on them can be seen as PTSD or trauma symptoms.

Abuse is not something you can just simply turn away, forget or overlook. Whether the effects of trauma are short-term or long-term, they are there, they are a proof of existence that it happened. Shidou's inability to separate the physical act of football and the biological act of life's desires, especially sexual desires, can be seen as hypersexuality. Hypersexuality can also be seen as a mark left onto the victim. And it's extremely lengthy to recover and remove those marks left on you.

Of Freedom and Shidou Ryusei

I think Shidou Ryusei and his obsession with freedom is something so interesting about his character, yet so many people tend to ignore it as a significant part of him. Because imagine if one day out of the blue, your entire bodily autonomy gets taken away from you, you're trapped in a cycle of repetitive abuse onto you. When it's finally over and you have control over everything again, the world suddenly feels so utterly different. So what do you do? Of course, cling onto that freedom that is now yours.

Bite any other hand that may seem like it's trying to take it away, because if there is one thing you do not ever want to repeat, it is someone isolating you once more against the world. So hold on tightly to the freedom you now have, and make sure it stays with you for eternity.

All of Shidou's favourite things, his favourite film, manga and song, are also connected to this in a way.

It would take too long for me to get into detail about both Chainsaw Man and A Clockwork Orange, but I want to say that both media and their protagonists have approaches to freedom of life and choice.

In Chainsaw Man, Denji is a child that has been depraved of even the basic of human needs; Just like Shidou, he wants to claim everything in his current life and not return to when he had nothing when he was a child. In A Clockwork Orange, Alexander who in the beginning of the movie has been committing heinous crimes with no one to stop him, is captured and put through inhumane experiments in order to rehabilitate him. His entire freedom is taken away from him and for the next hour, we see him go through immense suffering and torture by those who he had wronged to the point he attempts to commit suicide through jumping off a window. In the end, it doesn't seem like his mindset has changed at all. It makes us question whether or not letting someone be free to do anything they want is the better option even if it hurts others, rather than attempt to isolate them in order to transform them into a better human being.

I would like to talk a little about his favourite artist. For a bit of context, hide is popular for being an icon of rebellion against Japan's conformist society, and one of his songs PINK SPIDER, is listed as Shidou's favourite song according to the official Blue Lock Egoist Bible. I've seen a lot of interpretations of what the song truly means, but the main story is that it's about a spider trapped within and kills anything near it. Because it wishes to free itself away, it steals a butterfly's wings. It attempts to fly, and fails, and tries again. Whether or not the spider did actually succeeded in flying away is unknown to us. But, that's not all!

Around the chapter where Shidou scores a goal, the commenter calls it a 'rocket diving header'. This can lead to one of hide's other songs in the same album as PINK SPIDER, rocket dive; a song with the similar approach of freedom but with different tones. Compared to PINK SPIDER, rocket dive has a more cheerful approach. In the end of the song, the star mentioned in rocket dive successfully flies away and appears as a new shooting star in the sky.

Which brings me to point out something: Shidou Ryusei's birthday is on Tanabata, a type of Japanese celebration called the Star Festival which is celebrated on the seventh day of the seventh month.

His name, Ryusei, is also a homophone for shooting star in Japanese.

Shidou, born as a star on the day where two lover stars meet, yet when he was born, he was not allowed to fly and join the others in the sky.

But he overcame everything, achieved that dream of having the freedom to do whatever he wants. And even though he went through all that pain, all that abuse, and most likely had to learn how to escape by himself through football before Blue Lock, he made it come true, like a spell.

And eventually, he learnt how to fly, and let the world knew who he was.

[kikokus]

Lucci and Kaku: An Analysis

I haven’t done long analysis/meta/essay-style posts in a while, but after seeing a comment that amounted to “every time Lucci’s shown an interest in something that doesn’t have to do with killing, Kaku’s involved” it made me think about whether or not that's true and, more specifically, whether or not there’s been sufficient build-up to justify what happens in Chapter 1111.

So let’s explore, shall we?

First of all, basic disclaimer that I’ve been heavily into One Piece since 2008 and Water 7 has been my favorite arc since the first time I read it that summer. Kaku, in turn, has always been one of my top characters in the entire series for various reasons…but this isn’t about him (at least, not entirely), so all of that is just to say that I’ve thought about these characters a lot over the years.

And I think what always struck me about them is that not only are they so fundamentally different, but that realistically Lucci should not tolerate Kaku at all. He’s pretty much everything Lucci’s not, and they’re more-or-less a perfect example of the ‘someone will die…of fun!’ meme in a lot of ways (and honestly it’s what I think of every time I see this card, but I digress):

At the same time, what happened in the latest chapter didn’t surprise me, because there’s been hints all along, and I’ve personally been waiting years for it to pay off…even though part of me thought it never would, or at least not in the way it did!

Still, how did we get here?

But First, A Bit About 相棒

So. Why is the fact that Lucci calls Kaku his “相棒” (aibou) so significant? Mostly because of the…individualistic meaning of the word. It literally translates to ‘partner’, but not in a romantic/life-partner way (not to say that it has never been used like that, but it’s not the inherent meaning of the word).

Unlike words such as 友人 (yuujin), 友達 (tomodachi), and of course, with Luffy, 仲間 (nakama), aibou generally only refers to one person. You can have many friends, teammates, crew members…but only one aibou. So by calling Kaku that, Lucci’s already placing him on a different level to anyone else in CP9 or CP0 and acknowledging openly that Kaku’s important enough to him to have earned that distinction.

Which is why a lot of us were very excited about it, since this is not a common occurrence where Lucci’s concerned.

That aside, let’s get to the actual canon content.

Water 7

Obviously at the beginning we find out they both work at the shipyard, but that in and of itself isn’t entirely significant…until you consider that, since Kalifa is pretty much with Iceburg all the time and Blueno’s running the bar, the two of them are working in much closer proximity to each other than to the other CP9 members in the city. 

The first real indication we get regarding their comfort level with each other comes in chapter 327 when Kaku gets back from examining the Merry and goes to sit down to explain what he’s discovered. Paulie’s the closest to him, but he actually ends up stepping past both him and Lucci in order to sit directly beside Lucci on the same level.

It’s quite a while before we see the two of them alone again, and it doesn’t happen until chapter 339 when they’re speaking with Robin. Of course at the time we’re not supposed to know it’s them, but there’s really nobody else it can be since this is happening at the exact same time that Blueno’s talking with Franky and Kokoro at the bar. So, as will become fairly common, the two of them are again acting as a unit of their own within the larger group.

And then, of course, we get the infiltration of the mansion prior to The Big Reveal (which I’ve spoken about before because for me it’s still the single greatest reveal in the entire manga because of how carefully crafted it is, right down to Kaku’s limited dialogue in this section being completely devoid of his usual speech quirks in the original Japanese text). Once again, Blueno and Kalifa are doing their own things while these two are working together.

This panel has always been interesting to me because immediately prior to this Lucci says he can’t let Paulie live, and then he decides to just restrain him instead. In Luffy’s case it makes sense because they gave their word to Robin not to harm the Strawhats, but he has absolutely no reason to spare Paulie, and the little lines of shock/surprise beside Kaku imply that he hadn’t expected Lucci to do that, either. The ‘why’ is still unclear, but it’s interesting nonetheless, and it’s also…noteworthy that it’s the only thing Lucci asks Kaku to do. All of the actual damage Paulie takes comes from Lucci and he never asks for or expects Kaku to harm him.

I never connected these two panels before but it’s obviously very deliberate to have Lucci telling Iceburg that feeling emotions is a sign of humanity followed immediately by Kaku…demonstrating exactly that and thanking Iceburg. It’s important to establish that part of Kaku’s character, but keep in mind Lucci’s lack of a reaction here because it’ll come back later.

Again, very tiny moment, but there’s a lot of examples of Lucci deferring to Kaku or letting him take the lead without any hesitation, and I like this because Kaku’s noticed something that Lucci hasn’t and Lucci just goes with it immediately.

I’d forgotten about this but Kaku’s also the one that decides to take Usopp with them, first by recognizing him as one of the Strawhats and then going through with it even after finding out he doesn’t consider himself a part of them anymore. And Lucci just…stands back and lets him give out orders to the others while doing so.

Okay so this is what I was referencing earlier. Kaku shows actual emotions with Iceburg and Lucci’s silent, but the moment Kalifa gets even slightly happy about completing the mission he’s berating her instantly. Kaku’s expression here is interesting too because he looks absolutely haunted and it’s very telling.

And also another visual representation of Lucci and Kaku being equal to/on the same level as each other.

I didn’t include the panel but Kaku was ‘sleeping’ when Corgi was giving them all of the information about Nero while Lucci was (seemingly) wide awake, and yet Lucci has no idea who he is and relies on Kaku to have all the information. Which he does.

Kaku being the one to take charge again and direct the others even though Lucci’s standing right there. They do this more than I’d realized at first, especially since Lucci always seems to be looked at as the unofficial ‘leader’ of CP9.

Enies Lobby

We’ve made it to Enies Lobby, which is the first glimpse we get of these two interacting with the full CP9 group outside of any sort of ‘mission’ environment.

Mostly it entails Lucci being more combative (especially with Jabra) and Kaku being more annoyed, but again I can’t really imagine anyone else taking this tone with Lucci and getting away with it while Kaku does it fairly often and Lucci never retorts or gets angry with him.

And while Kaku’s not immune to taking Jabra’s bait in the right circumstances, his typical tendency is to de-escalate situations if he can and here he’s refusing to engage despite being deliberately called out…and Lucci, without being asked, immediately takes his side and defends his choice.

This is practically the next panel and while both Lucci and Jabra are kind of equally at fault for this little display, Kaku only berates Jabra for it while Kalifa’s directing her comments at both of them.

Now that I’m actually looking for these sorts of things it’s becoming more obvious, but again we have Lucci and Kaku in an equal position to each other at the front of CP9.

This isn’t just to Kaku since Kalifa’s there as well, but Lucci’s still encouraging them to eat the fruits and I have to believe it’s coming from a place of good faith because he’d know whether or not being able to swim is that big an issue in their profession. I also want to note that Kaku echoes Lucci’s ‘it’ll be fun’ line when he actually does eat his fruit, so obviously that resonated with him.

I’ve put these two together because they both highlight the same thing, that being in both of these sequences we get almost all of CP9 giving out their individual thoughts/comments on what’s happening but Kaku’s statement both times is a direct reply to what Lucci says, so again the two of them are paired off in a way that doesn’t include anyone else there. 

The only other thing of note in this section is that while Robin’s talking about what happened during the Buster Call on Ohara, Kaku and Lucci are the only CP9 members to kind of…break formation and actually look at her while she’s speaking, which is interesting.

And for the rest of Enies Lobby they aren’t together so there’s not too much more to say here other than Kaku of course being the one to have the actual key to Robin’s cuffs, but it’s never made explicit who came up with that plan or handed out the keys so…if I ever actually do the thing and write a full analysis of Kaku’s character we can talk about it then Lark you’ve been saying you’ll do this for years IF I EVER--

Interlude - CP9’s Independent Report

Besides the fact that this is still one of my favorite cover stories, there’s a couple of noteworthy things here, the first of which is that Kaku again is taking the lead. Even though he’s the only other CP9 member other than Lucci to be injured badly enough that he can’t walk on his own, he’s still the one directing them where to go.

Other than that, I love seeing all of them just…interacting like friends and being very relaxed and casual, and pretty much every panel where Kaku and Lucci are together they’re directly beside each other so I’ve included a bunch of those here.

Dressrosa & Egghead

The next time we see Lucci and Kaku is at the end of Dressrosa, where they’ve been promoted to CP0 Oda can we please get some explanation of how this happened and let me tell you, I remember this vividly because the spoilers at the time just said that Lucci was talking to ‘someone’ and when the raws came out you can bet I went right to the dialogue to see if it was Kaku because his way of speaking is so telling.

But even in this little scene, we can see they’re having an equal conversation and there’s a major difference between how Lucci’s speaking with Kaku and how he addresses Spandam mere seconds later.

After this we have the Reverie/Levely/what-even-is-this-thing-called arc where they get all of a single panel together and while it’s the first time we actually ‘see’ Kaku after the time-skip, nothing really interesting regarding their relationship happens, so let’s move on to…

The end of the colored manga! And Egghead.

We start with a very familiar situation: Lucci asking Kaku what’s going on, and while Kaku this entire arc seems more outwardly annoyed with Lucci than he ever was in the past (which is never really explained but then again, Lucci spends a lot of the arc doing things he’s specifically been told not to do, so maybe it’s understandable…), he still has all the information and relays it.

Though Kaku’s also much more comfortable letting his real personality show despite them being on a mission while before he was always completely serious after the Water 7 reveal, especially around Lucci. It came through with Zoro and Jabra but during the cover story he’s smiling and laughing a lot with Lucci right there so it makes sense he’d be more willing to let his guard down even ‘on the job’ by now.

So here’s the first real instance of Lucci showing concern for Kaku, something which escalates pretty quickly throughout the arc. It’s subtle, and though he’s framing it as a suggestion to Stussy, if he didn’t care at all he wouldn’t have said anything. 

At this point it’s fairly obvious that Lucci and Kaku don’t really have any authority difference between them and Kaku spends a lot of time in this chapter especially telling Lucci to Not Do The Thing. Anyone that’s ever lived with a cat knows how well this works.

I’ve always found this bit of dialogue particularly interesting because Kaku’s very openly…praising Sentomaru for choosing his loyalty to Vegapunk over assisting the government, and there’s no way Lucci doesn’t hear him say this but he doesn’t say anything in return. There’s no real evidence that Lucci knows about Kaku willingly giving up the key to Zoro or how conflicted he was about Paulie and everyone else, but this seems to imply that at the very least, even if he doesn’t share those sentiments, he wouldn’t think less of Kaku because of it.

Putting these two together since they’re in the same scene but at this point it’s not even subtle concern anymore, Lucci’s genuinely worried for Kaku and you can tell this caught him off-guard.

Kaku’s the first one to suggest working together but Lucci immediately backs him up and goes with the idea. It’s logical in the sense that it’ll give them the biggest chance to survive, but willingly working with pirates isn’t exactly the sort of thing that Lucci, especially in the past, would have so easily done regardless of the situation.

So at this point it’s becoming clear that this whole 4-v-2 section is supposed to be the most…light-hearted thing going on right now and a lot of it is played to be comedic, including Lucci’s inability to lie, but yet again there’s almost nobody else that could get away with scolding him the way Kaku’s doing here.

…And then we skip ahead a day and things happen that I really hope get explained at some point because they seem important, but while Lucci’s never going to have impeccable bedside manner, he’s very concerned with getting Kaku to rest and while Kaku’s trying to justify what happened Lucci really doesn’t seem to care about that. It’s a big departure from him being willing to write off anyone he deems ‘too weak’ and it’s a nice character moment.

I’d mentioned on my liveblog that some of the things Lucci was doing after this point were confusing, but if you look at them through the lens of him wanting to protect Kaku, it makes a lot more sense. Yes, he’s deliberately keeping him out of the loop, but Lucci I think has decided that he’s going to throw caution to the wind and act alone since if Kaku can’t prove he knew about the plan, he’s probably safer being left with the Strawhats, and if the Marines show up he should be safe anyway or so Lucci thinks…

When this chapter came out, I’d said something about Lucci being a hypocrite considering what the rest of CP9 did for him when they could have easily just left him at Enies Lobby, but given what happens almost directly after and likely what he’s trying to do with this entire fight, these words feel even less genuine…

And that brings us to this. The moment that I’ve been thinking about for almost an entire week now. The moment that, looking back at…oh, wow…almost 3000 words of analysis maybe shouldn’t be as surprising as it was for most of us, but it does feel like the payoff for a long, long buildup that’s taken nearly twenty years to reach. Because really, there’s no other way to describe them other than ‘partners’, and probably hasn’t been for a long time…and I’m so glad that Lucci acknowledged it.

To summarize, I think what surprised me most about re-visiting all of this is how much the manga has framed them as equals since the beginning even though it was never explicitly stated between the characters themselves. Lucci’s always been far more lenient with Kaku than with anyone else, and Kaku in turn has never had any fear of Lucci even if he wasn’t really expressing his true self with him for a long time.

The cover story being the turning point makes perfect sense, and the progression throughout Egghead of Lucci being more outwardly willing to show his concern and Kaku not hiding his emotions at all seems like a natural progression of their relationship and their level of comfort around each other.

And the fact that Oda is never really…hitting us over the head with any of it until that final moment when Lucci says everything so plainly because Kaku’s life is the most important thing to him even when faced with a literal monster… It’s so effective. 

I don’t know where we go from here. To be honest, I’m kind of scared of where we go from here. But regardless of the outcome, I hope this little essay has been at the very least interesting and perhaps allowed you to look at these two in a different light.

Thanks for reading.

[cynthiav06]

Do you know something that I find really curious?

Is that in Ancient Greek, Greek Mythology, and Hellenic Polytheism, even tho we don't actually have the idea of "sin" there are a few things they and therefore, hellenic polytheistics shouldn't do, but interestingly enough the only thing that is likely, highly not encouraged to do, and mostly unforgiving in Hellenism, is Húbris.

I find it really interesting and curious, because I bet Rick knew about it when he wrote PJO and still decided to give Annabeth, one of his main characters, a fatal flaw that was the closest thing of what could be considered a "sin" in Ancient Greece (the society he was basing his story on).

I'm not saying "whoa, he wanted to make something." My personal opinion is that he just doesn't care, just like he doesn't care to make a better adaptation of the Gods, but I still find it interesting enough to rant about it.

+ it is really concerning see people treating her fatal flaw as something positive and to be cheered on, even in the literal book narrative, when in fact, It is not.

Excessive pride can be a sign of a narcissist behavior, what can lead to dangerous situations or to toxic relationships. And I see Rick playing too much with this edge in Perccabeth dynamics.

(I'm not saying she is narcissist, tho. I believe I have to make this as clear as possible here. There is a difference of having a trace of narcissism, and be diagnosticaded with it.)

Just to finish my thoughts, when I realized Perccabeth lost all the sparkle for me was when I've read one meta about someone who didn't like Annabeth's behavior towards Percy a long time ago. At that time I was an avid Perccabeth shipper, but I basically sat and tought about it, and made a mental exercise: If Percy was a woman, and Annabeth was a man, would their interactions still be considered cute and perfect in a relationship?

That was when I realized, no, it wouldn't be. And that was it for me.

No, I completely get it. I myself was a Percabeth shipper, I think everyone was at one point as most of us read these books at a young age. I am glad that all of us are seeing massive problems with the many canon relationships and other aspects of Riordan's terrible writing.

You give Rick Riordan too much credit. If you have checked out any recent pjo books, you can see how terrible the continuity is and how one dimensional the characters are becoming. So he certainly did not take into account the gravity of Annabeth's fatal flaw, it's repercussions or even it’s connotations in Greek myths.

Annabeth is, as I have said before, a character that always devolves through the lack of change in her attitude and the behavioral inconsistencies. She admits to her fatal flaw and how it endangers her in some instances but then never brings it up again. Doesn't do anything to actively improve on it either.

Her overall attitude remains condescending, judgemental, and heavily hypocritical. And that is putting it mildly.

The fact that she made Percy apologize for getting kidnapped against his will and then having his memory wiped out.

She repeatedly made negative or demeaning comments on his intelligence.

This should be enough of a giveaway in the first place.

Not to mention her horrifying treatment of Rachel and lack of remorse for it. Not a single apology made for it either. Or to Percy for acting as if she owned him.

Furthermore, her consistently violent actions. Now, even if they don't hurt Percy, it's still an extremely unhealthy manner of expressing her emotions.

Her repeated defense of Luke despite him putting Percy in mortal danger and attempting to kill Percy each time. Before anyone quotes they had a bond, they were family, I know, I do but by that time she had seen him do so multiple times and Thalia was family too, she understood right away that Luke was too far gone.

I also dislike the tendency of Rick and, therefore, the fandom to put Annabeth on a pedestal of she can do wrong. I have made multiple posts highlighting how Percy is canonically a better strategist than Annabeth and how Annabeth is certainly not the smartest demigod. Most knowledgeable, perhaps, but not the smartest.

To all the shippers, everyone agrees that the closest we get to absolutely perfect characterization of Percy is in Son of Neptune and Son of Sobek and the short story The Stolen Chariot. And the most obvious common thing between all these is the lack of Annabeth.

I am not saying Annabeth would ruin the book, but she does ruin Percy's character. Rick is so busy hyping her up for no absolute reason that it ends up demeaning Percy irrationally and illogically. And it happens every time.

Even if you blame later book characterizations of Annabeth on Rick Riordan's terrible writing, her early characterization had the same flaws. They are just now overtly apparent in the most recent books.

If the genders were reversed, this would be the paragon of a toxic relationship. I understand that there are excruciatingly few balanced heterosexual relationships that actually do it right and that the extreme nostalgia makes it hard for us to acknowledge any flaws on it but that's no reason to falsely advertise it as the perfect relationship. Not even close.

Not just due to these reasons but also because they have nothing in common nor do their goals align, and it's also a bit of a case of trauma bonding. Again, I have made individual posts on almost all these points

I don't think there's anything more that needs to be said on this matter, really, but feel free to ask.

[noperopesaredope]

I recently watched a video talking about what your favorite Mouthwashing ship says about you (spoilers: most of them are bad), and one thing I explained in the comments that I think is important to explain to certain people (in general with a lot of fandoms, tbh) is that a lot of shippers in the fandom understand that these relationships would not be good and are in fact deeply unhealthy, but perhaps that's the point.

Like, most of the Jambone x Curly shippers I've seen don't like the ship because it's cute or good, but because it's narratively interesting and would be extremely compelling to see. I honestly get it even if I'm not super interested in it. Jildo and Curly already have an extremely interesting and unhealthy relationship dynamic. It is heavily implied that JarJar acts very emotionally abusive towards Curly, belittling and manipulating him frequently and likely damaging his confidence and ability to stand up to people. But he is also obsessed with Curly in a very fascinating way.

Meanwhile, Curly has not only been friends with Jimbo for a long time, but has a fatal flaw of being too loyal and passive for his own good. As many have said, Curly is like a golden retriever in both a good and bad way.

Curly is Jackass' victim and enabler at the same time, which is why he is one of my favorite characters in the game. You both feel bad for him but also understand that he really fucked up and a lot of stuff is his fault. His most endearing traits are also some of his worst traits. Again, the golden retriever comparison is very accurate. He is friendly and loyal and believes the best in everyone (and very cute), but that loyalty and belief in everyone are also his fatal flaws.

He enables Jello because he thinks that there is good in him, and like a dog, he sees no wrong with most people no matter what they do (until it's far too late). I can't remember the fic I saw this in, but one good line I saw once was something along the lines of: "You believe in people and see nothing wrong with them no matter what until they abandon you at the park in the middle of the night." Curly sees no wrong in his friend because that's the type of person he is, and while it can be cute, it's also dangerous.

It can also often be detrimental to himself, as we see Juice be cruel to him as well, yet Curly excuses it as just Jizz being Jizz. He doesn't see anything wrong with the way he is treated, making him become desensitized to Jive's behavior and seeing it as not a big deal.

I think Curly's status as both victim and enabler would be interesting under the context of an abusive romantic relationship. There is an even greater power imbalance present, and Jojo may do a lot worse things as a result and be a lot more controlling and manipulative. He could be more physically and verbally abusive, make more threats, and even be sexually abusive (since he is canonically a rapist already, and hates Curly more than he hates Anya, thus he would probably put more aggressive hate into it). The whole relationship would be horrible and disturbing, but also interesting to see.

I love fics exploring their unhealthy friendship, so seeing it as an unhealthy romantic relationship could be even crazier to see.

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There's also the nuances of Anya x Curly. Most people ship it specifically in the context of AUs where Curly actually stands up for Anya and helps her out. Their dynamic as characters could be really cute, especially if he puts in the work to protect her.

I personally find the potential of post-crash Anya x Curly to be interesting as hell. I generally find their non-romantic dynamic post-crash to be interesting enough on its own, but I also think it could be absolutely crazy if they developed romantic feelings because those feelings would develop from some really unhealthy places for the most part.

I see Anya as someone who still holds some resentment towards Curly, but also sees herself in him and feels he doesn't deserve what happened to him. Maybe at one point seeing him go through something similar to what she went through might feel a little cathartic, but anything after that is too much to her. She is also his primary caretaker and a nurse, so she feels responsible for his wellbeing and wants to take care of him. She also seems to read and talk to him a lot, which probably feels nice because she can have some company while also being safe because Curly is not in a position to be able to hurt her. Anya doesn't exactly develop proper feelings for him per say, but she still uses him as a bit of an emotional crutch of sorts and becomes very attached to him because of it.

Meanwhile, Curly feels deeply guilty for not helping Anya and feels she deserves better. He believes she has no reason to care for him, but chooses to anyway, and thus he is extremely grateful towards her, possibly idolizing her to a certain degree. He slowly develops his own weird feelings, seeing himself as unworthy of her kindness and wanting the best for her, while also being dependent on her, even if it's in a more direct way.

They never get together or even realize that they themselves have feelings for each other since those feelings are #messy, but do form a weird codependent relationship of sorts. I've seen some cool fanart of Anya hugging/holding onto post-crash Curly, and it made me think about the potential this whole dynamic has and how unhealthy it could be, both for Anya and Curly. I believe they would not work out or be healthy (though probably better than Jazzy x Curly), but could be interesting narratively.

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Basically, what I'm trying to explain is that a lot of people don't ship certain Mouthwashing ships because they think it's good or want to romanticize it, but because it is narratively compelling and can explore complex dynamics more.

[skepticalcatfrog]

Kerch, Ghezenism, and the Van Eck Family

The title pretty much sums it up. This is a rather extensive analysis, and to be honest with you all it is 2,500+ words. So get into this absolute beast at your own risk!

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From my experience in this fandom, I've seen it discussed very frequently how important religion is in the Grishaverse. Not only is it very deeply developed, to the point where many of the different countries have unique beliefs - which I'm not sure is seen very often in newer literature - but the various religious systems are also deeply important to many major characters, such as Matthias and Inej. However, one aspect of Grishaverse religions that seems to be overlooked somewhat often is the Kerch religion of Ghezenism. This may just be me, but I have a lot of thoughts on it. A big reason for that is that Wylan is, and always has been, my favorite character, and the culture surrounding Ghezen is actually a very important part of his character for many reasons. When you look into it in the way that I have, you discover that there are a lot of peculiar aspects of Ghezenism that make it stand out, as well as many ties that it has to major aspects of the story.

Right away, one thing that makes Kerch religion different from the others is how deeply connected to the economy it is. So much so that a lot of aspects of the two subjects are one and the same. Given that Ketterdam is a city largely fueled by commerce, it makes sense that Ghezenism would heavily tie into Kerch culture as well. Symbols of Ghezen can be found in many places throughout the city, even beyond the Church of Barter. A very good example of this is Vellgeluk, the island where the Crows meet Van Eck expecting to get their reward from the Ice Court heist: “Smugglers called it Vellgeluk, “good luck,” because of the paintings still visible around the base of what would have been the obelisk tower: golden circles meant to represent coins, symbols of favor from Ghezen, the god of industry and commerce,” (Six of Crows, Chapter 44). This just goes to show how many people in Ketterdam, and the wider country of Kerch as well, put their faith in Ghezen. Vellgeluk is a chosen place for smugglers to do business, specifically because favors of Ghezen are still present there. 

Another interesting part of that passage is the fact that Ghezen is referred to as the god of industry and commerce. Kerch may have other gods, but as far as I can remember - and I may be wrong, but I don't think I am - we never hear about any of them. A similar situation can be found in Fjerda, where Djel is specifically the god of life, implying the existence of other gods. In Fjerda, it is very clear that Djel is mainly what they base their culture and belief system around. This makes perfect sense for a god of life, but isn't Ketterdam’s situation a bit more unusual? The most frequently discussed god, Ghezen, represents industry. We can assume Ghezen is the primary god within the Kerch religious system. Not to mention that their largest church is called the Church of Barter, barter obviously being a term that has much to do with economics. Ketterdam, if not the entire country of Kerch, seems to have no real concept of the separation of church and state. They quite literally hold auctions inside of the church; the auctioning of Kuwei is not a singular event.

The impacts of religion can also be seen in the culture and behavior of the people of Kerch, as seen in a brief section of Crooked Kingdom. “Kerch women—even the wealthy ones—didn’t bother with anything as frivolous as embroidery or needlepoint. Ghezen was better served by tasks that benefited the household,” (Crooked Kingdom, Chapter 14). Obviously, things like this are much more typical of religion. But I would argue that even this holds traces of the same values expressed by the connection between Ghezenism and the economy. It is specifically mentioned here that Kerch women are encouraged to participate in tasks that will “benefit the household”. This displays one of the very prominent aspects of the Ghezenite religion, which is that one of the most important things a person can do is be productive, and create a prosperous life for themselves and their family.

In addition to direct ties between Ghezenism and the Kerch economy, occasionally the legal system is put into the mix as well. While considering what consequences his father might face after the events of the auction, Wylan reveals this piece of information: “Knowingly entering into a false contract for the purpose of subverting the market wasn’t just illegal, it was considered blasphemy, a blight on the works of Ghezen, and the penalties were harsh,” (Crooked Kingdom, Chapter 41). Essentially what he means by this is that not only is tampering with the economy against the law, but it is also heavily frowned upon in a religious sense, and anyone who does so will face punishment from both sides. This is extremely unique, even within the Grishaverse. This single sentence also reveals another very interesting thing about Kerch society. The market, as it exists in Ketterdam, is believed to be a creation of god - it is referred to here as being a part of the “works of Ghezen”. That, more than anything, is concrete proof of just how interconnected the economy of Kerch is with its primary religion. This also means that committing a crime such as Van Eck did isn't simply illegal (which we can assume he has no issues with), it is also an act that goes against his own religion. But stop to consider for a moment: does he really have a problem with that either?

There are numerous examples throughout both books of Van Eck blatantly abusing the values of his own religion. On its own, the teachings of Ghezenism aren't inherently bad. After all, things such as tampering with the market for your own gain are actively discouraged using the threat of blasphemy, which I'd say is generally beneficial. The issue, however, arises when Van Eck in particular attempts to twist some of these values in order to justify his own actions. If there is one single quote from the duology that exemplifies this, it would be this one: “Ghezen shows his favor to those who are deserving, to those who build cities, not the rats who eat away at their foundations. He has blessed me and my dealings. You will perish, and I will prosper. That is Ghezen’s will,” (Six of Crows, Chapter 45). Van Eck openly believes that, since he is a member of the upper class, he is somehow more deserving of a blessing. He is insistent that “Ghezen's will”, or what he interprets as what Ghezen wishes for him to do, is to trample others in order to further his own success. 

It doesn't matter to him who stands in his way, and it never will, because his goal is only to make himself more wealthy; he simply hides this behind a thin veil of piety. This motivation is especially clear when he is speaking to Inej while he is holding her captive. “When I leave this world, the greatest shipping empire ever known will remain, an engine of wealth, a tribute to Ghezen and a sign of his favor. Who will remember a girl like you, Miss Ghafa? What will you and Kaz Brekker leave behind but corpses to be burned on the Reaper’s Barge?” (Crooked Kingdom, Chapter 7). He frames people less fortunate than him - in this case Kaz and Inej - as forgettable and unimportant. The only thing he considers truly important is wealth, which he equates to power. He even references Ghezen here, claiming again that all of his actions, as well as his empire and legacy, are meant to show his dedication to his religion. He also claims that his ability to attain this level of success is a sign that Ghezen favors him. That in particular is a display of his extremely warped view of Ghezenism. The truth is that his success can only be attributed to his unethical actions, but the fact that he claims it is due to Ghezen's favor means that he will never be able to be convinced that he is wrong. He has what he believes to be an airtight justification.

His classism is also extremely evident, while indirectly, in an exchange between Kaz and Wylan earlier on in Crooked Kingdom. ““Your father much for charity?” “No. He tithes to Ghezen, but he says charity robs men of the chance at honest labor,”” (Crooked Kingdom, Chapter 2). This shows that Van Eck is very protective over his wealth. Which, quite frankly, is more likely than not the exact opposite of what Ghezenism is intended to promote. Based on what we are shown from an outside perspective, it seems as though one of the main aspects of Ghezenism is to create a prosperous economy for everyone. However, what Van Eck seems to believe is that he is intended to simply accumulate as much wealth as he possibly can, and keep it all for himself.

It is incredibly clear that Van Eck doesn't care about the well-being of anyone other than himself when it comes down to it. It could be argued that he cares for Alys, and will care for their child when it is born, but this simply cannot be proven. Just look at the exact mirror of this situation: Marya and Wylan. Wylan states about his parents, “I think he really loved her. They fought all the time, sometimes about me, but I remember them laughing a lot together too,” (Crooked Kingdom, Chapter 14). If we are to believe that this is true, and Van Eck truly did love Marya, that doesn't change the fact that he didn't hesitate to send her away as soon as he discovered that Wylan couldn't read or write. There is no evidence to say that he wouldn't do the same to Alys, under similar circumstances. 

And, of course, this all leads back to the matter of Wylan. When Van Eck decided that Wylan wouldn't be useful to him, he stopped caring about him very quickly. Near the end of Six of Crows, we hear more of the specifics on Van Eck's opinion of Wylan. “I have hired the best tutors from every corner of the world. I’ve tried specialists, tonics, beatings, hypnotism. But he refused to be taught. I finally had to accept that Ghezen saw fit to curse me with a moron for a child. Wylan is a boy who will never grow to be a man. He is a disgrace to my house,” (Six of Crows, Chapter 45). Van Eck believes that Wylan is a curse from Ghezen, purely because he thinks that Wylan will be incapable of producing profits for their business. This is perhaps one of the most egregious examples of his blatant abuse of his own religion, because he is entirely willing to abandon and even murder his own son in order to fulfill his goals, which he claims is all Ghezen's will.

There is no feasible way Wylan would be able to grow up being raised by Van Eck, and not be affected by his religious ideas in some way. In fact, there is evidence contained in the text that proves this rather thoroughly. There are even certain things that have already been cited within this analysis that can be circled back to, such as the quote just above. This quote exemplifies the sort of treatment Wylan was subjected to while growing up. This is mostly speculation, but it's safe to assume he was told at a very young age that his own father considered him a punishment from god. That is objectively terrible, and we know that by the age of eight his father was his only parent. The psychological impacts that that would have on a child that young are unimaginable. 

Additionally, we can return to this quote from Crooked Kingdom: “When I leave this world, the greatest shipping empire ever known will remain, an engine of wealth, a tribute to Ghezen and a sign of his favor. Who will remember a girl like you, Miss Ghafa? What will you and Kaz Brekker leave behind but corpses to be burned on the Reaper’s Barge?” (Crooked Kingdom, Chapter 7). While Van Eck is not talking to Wylan here, and Wylan isn't even present at the time, this passage still indirectly displays Van Eck's feelings about Wylan. Here he is expressing the fact that he maintains that if a person is not able to create wealth and prosperity for themselves, they are essentially useless. As we know from the previous example, he believes this of Wylan as well.

It is evident that Wylan was taught Ghezenite values from a young age. While examining the exterior of the Church of Barter, his thoughts include this: “He didn’t need to be able to read the words engraved over the arch. He’d heard his father repeat them countless times. Enjent, Voorhent, Almhent. Industry, Integrity, Prosperity,” (Crooked Kingdom, Chapter 31). This is confirmation that Van Eck frequently encouraged Wylan to think about these values, and it can be inferred that it likely wasn't in a particularly positive manner. Industry, integrity, and prosperity are clearly the three main ideals of this religion, and we can easily be led to the conclusion that Van Eck is certain his son is capable of none of them.

It is also suggested that Wylan may even associate his father's disapproval with religion subconsciously as well. A good example of this is in Crooked Kingdom, after Wylan is taken to the Church of Barter. “Van Eck shook his head. “Every time I think you cannot disappoint me further, you prove me wrong.” They were in a small chapel topped by a dome. The oil paintings on the wall featured battle scenes and piles of armaments,” (Crooked Kingdom, Chapter 31). While this is also simply meant to provide the reader with a description of the environment, the juxtaposition between the two halves of this passage cannot be an accident. What we can observe here is that after Van Eck once again expresses his ever-present disappointment with Wylan, emphasis is immediately put on the fact that they are in the church. This, along with the other passages listed, creates a clear link between Wylan's negative relationship with his father and the effects that their shared religion has had on it.

What I consider to be one of the most important quotes for this subject, despite also being the shortest one used, comes near the end of Six of Crows. After Wylan has played his role in foiling Van Eck's plan to trick the Crows, he says this: “Maybe you can pray to Ghezen for understanding, Father,” (Six of Crows, Chapter 45). This is sort of the first act of retribution that the reader sees from Wylan. He has just made his father look like a fool, and then he practically spits in his face by taking the thing that was used against him for so long - their religion - and using it against his father instead. Not only is this moment incredibly satisfying, it also marks the beginning of Wylan's growth as a character that eventually leads to him being able to stand up to his father in more ways.

Despite being arguably the least explored Grishaverse religion in online spaces, I find Ghezenism to be extremely interesting when it comes to the ways it ties into the themes of the story. It represents wider, more general themes found throughout the book, such as the idea that people often value their own success over the well-being of others, but it contains even more when examined under a closer lens. It opens the door to a completely new aspect of further analyzing the relationship between Wylan and his father, and introduces vital elements of in-depth characterization for both of them. The way Wylan and Van Eck each view the same religion is highly indicative of their individual values, and that is a very interesting thing to expand upon. It simply goes to show just how much thought went into creating both the culture of this world, and the characters who live within it.