#like the cooking thing

[epickiya722]

Jumping off my other post, I will admit that the whole "Izuku forgot about the river" is something that seemingly came out of nowhere for me.

I never understood it.

I get that we haven't seen him talking about it, but how is it acknowledged that Izuku is an "unreliable narrator" and he doesn't talk about all of his feelings... but then when he doesn't mention the time at the river, he has forgotten about it?

He doesn't mention some things, but that doesn't translate to he forgotten anything.

It's like not mentioning your favorite color all the time and people assume you don't have one or you don't like that color anymore.

In fact, episode 7/chapter 9 alone proves Izuku doesn't forget anything, especially from their past. That episode has him narrate their childhood except for when we get to the river scene, but that was because to show Katsuki's POV on that day and why he started to resent Izuku.

It's not that Izuku forgot that day. It's just he saw it differently from how Katsuki did.

While Izuku saw he was helping out a friend, Katsuki saw it as someone thinking he was weak.

I don't know, I just never got the thing about forgetting the river when Izuku clearly is the last person to forget anything. Especially, when it comes to Katsuki.

It's just emphasized a lot with Katsuki because it was the day he begun really resenting Izuku and soon later regrets it.

It's definitely just a fanon thing. And just me, but some of the things the fandom does agree on when it comes to Izuku, I don't get.

[ardri-na-bpiteog]

Also increasingly aware that a LOT of people "manage" getting through the 40+ hour work week by sleeping less than is healthy and relying on stimulants like coffee and energy drinks to keep them going.

For people who are unwilling or unable to do this...work really does just dominate your life. Like we really should not have to rely on unhealthy practices just to have a social life or keep on top of housework or whatever.

I know I post about this a lot but I'm so TIRED all the time and it's just so depressing that this is how we're expected to spend the one life we have.

[lazylittledragon]

as promised some koralina lore (the lore is 5 and likes dancing)

[hinamie]

I don't want to regret the way I lived

[chloesimaginationthings]

Pit Bonnie is doing his best as a FNAF dad..

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[lsbnfinn]

warmth :)

[theshitpostcalligrapher]

the danger of putting thank goodness you're here playthroughs while you work is that I am now DEEPLY craving a nice meat pie

sigh

guess I'm hauling my ass across town for pie

[adobe-outdesign]

obsessed with this one Ultra Sun 'dex entry

like can you imagine whipping out an Alolan Rattata in the middle of a grocery store so it can pick out food for you Ratatouille style

[cinnamonvicious]

.⭒๋࣭ ⭑ೀ.ᐟ⭒๋࣭ ⭑

[ririrules60]

A dreadful night

[wow-thisismylifeiguess]

I wholly and solidly believe that Bruce can cook. You don’t travel the world the way he did without being able to cook yourself some basic meals when you either can’t go out and get something or don’t currently have the money for it.

So yes, Bruce can cook. Does he cook the most amazing meals in the world? No. But can he cook something edible or something that doesn’t taste like straight up sludge and muck? Absolutely.

I imagine his kids constantly rib on him that he lacks basic survival skills because even if he’s Batman, he’s still a rich kid. And then Bruce sighs and tells Alfred that he’ll handle dinner tonight. The kids all prepare themselves to either not eat for the night or grab some take out, but they still arrive at the dinner table, *just* out of curiosity.

It’s not extravagant. It’s a pot of pasta, a tiny bit over cooked, and meatballs. He even added a tossed salad as a side. They stare at it like it’s going to eat *them*.

Bruce, sits down and makes a plate for himself. Takes a bite. They watch him, waiting for any kind of reaction that it’s bad. Bruce just takes another bite.

Tim, “Fuck it. It can’t kill me.”

He takes a seat and makes his own plate. Takes a bite. His eyes go wide and Dick has 911 ready to dial.

Dick, “Are you okay?”

Tim takes another bite. They all sit and stare and wait.

Tim, “Damn.”

Bruce, “Hm?”

Tim, “You tricked me. Alfred made this, didn’t he? You’re passing his food off as yours.”

Bruce smiles.

Bruce, “While I appreciate the compliment, I can assure you that Alfred had no hand in this. Besides, he’s a much better cook than I am. I just know the basics.”

The others all join in, spaghetti and meatballs on their plates. They all begrudgingly take a bite. And yeah. Tim’s right. It’s good. Not winning any awards, but it’s good home cooked food.

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[3cosmicfrogs]

POV: you're Sokka and you're desperately trying to get to know the cute emo linecook from the restaurant next door but whenever he's on smokebreak his greasy stoner boyfriend is also there.

[jinikaris]

FELIX // SKZ CODE EP. 65: TRAVEL LOG #3 AUSTRALIA ♡

[poorly-drawn-mdzs]

Normal boy spotted.

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