#like that panel where they look as if they are about to die kills me

[ultramarine-spirit]

I love them, my sillies...

[k0juki]

It's waiting outside

Tyler Harrison x fem!reader

Summary: instead of Kay, it's you who the Xenomorph takes.

Warnings: One f word, but that's it i guess? If I missed anything let me know :)) also Kay is not mentioned here at all...sorry.

English is not my first language, so feel free to point out any mistakes or errors! Also the picture is not mine! Credit goes to owner!

Wc. 869

---

The corridor was a dim, oppressive tunnel of steel and shadows, lit only by the weak, flickering lights overhead. The walls were damp, slick with condensation, and the air was thick with the scent of fear. A reinforced glass door stood between Tyler and you. You were trapped on the other side, face pale and streaked with tears. You pressed your hands against the door, eyes wide with terror as you stared at Tyler, Rain, and Andy on the other side.

“Please! Andy, open the door!” Your voice full of panic, the sound barely audible through the thick glass door. Your eyes darted to the shadows behind you, where something huge and dark moved just out of sight, lurking in the edges of the dimly lit chamber. "Open that door! It killed Bjorn and Navarro."

Tyler’s heart hammered in his chest, a sickening rhythm that made him feel like he was about to explode. He pressed his hands against the door, his brown eyes locked with yours. “Andy, we have to open it! She’s right there!” he pleaded, his voice shaking with desperation.

Rain was beside him, her hands also pressed to the glass, her expression stricken with fear. “Andy, please,” she begged, turning to the man standing at the control panel. “We can’t leave her in there! We can get her out before it’s too late!”

Andy stood back, his hand not moving to the control panel, a grim look on his face. He didn’t move, didn’t breathe, his eyes fixed on the dark shapes moving behind you. “We don’t know what’s in there with her,” he said, his voice strained, filled with emptiness. “If we open that door… we might be opening it for that thing too.”

“I don’t care!” Tyler shouted, slamming his fist against the door, making you jump. “We can’t just leave her to die! That thing is going to take her, Andy! We have to do something, anything!”

You shook your head, tears streaming down your face as you looked at Tyler, eyes pleading. “Tyler, please, please, help me! Don’t leave me here!” Your voice cracked, the fear in your words breaking his heart.

Rain’s voice trembled as she reached out, grabbing Andy’s arm. “She’s right there, Andy. We can’t let it get her. We have to open the door. We can’t let her die too!”

But Andy’s eyes were locked on the shadows, on the faint, sickening movement of something massive, alien like shifting behind you. The Xenomorph loomed in the darkness, it's eyeless gaze fixed on them through the glass door. It was waiting, waiting for them to open that door, to be let inside.

“We can’t,” Andy whispered, his voice filled with dread. “If we open that door, it’ll come through. We’ll all die.”

Tyler’s fists clenched, his entire body trembling with rage and helplessness. “Y/N!” he shouted, his voice hoarse. “We’ll find another way! I promise, we’ll get you out!”

But you were sobbing now, fear overwhelming you whole. “No, no, no please, Tyler don’t leave me here, don’t-”

Before you could finish, the Xenomorph surged forward with terrifying speed, its long, skeletal fingers wrapping around your shoulders, pulling you back into the shadows. Your scream filling the room all around you. It was piercing Tyler’s soul as he watched you get dragged away from the door, disappearing into the darkness.

“NO!” Tyler screamed, his voice breaking as he pounded on the door, his heart shattering in his chest. Rain gasped, covering her mouth as tears filled her eyes.

“Y/N!” Tyler cried out, his voice filled with pain.

“I'm sorry Tyler, but there wasn't anything I could do to help her." Said Andy.

"No, you could save her, but you didn't! You didn't!" Tyler shouted and took a step closer to Andy, ready to punch him. But Rain stepped right in front of him, holding him back. "It's your fucking fault!"

“We couldn’t do anything,” Andy said quietly. “If we had opened that door… we would all be dead.”

Tyler slumped against the glass, his forehead rested against the cold surface, his breath coming in ragged gasps. He felt like the world had just ended, like everything had been ripped away from him in one horrible moment. Your cries echoed in his mind, a sound that would haunt him forever.

"She’s not dead. She's all right." Tyler mumbled all over and over again. Trying to remain clam.

He couldn’t hear anything over the sound of Y/N’s scream, the scream that had been cut short too soon, the scream that would stay with him, echoing in the dark corridors of his mind.

Rain put a hand on his shoulder, her own tears falling silently as she whispered, “We’ll get her back, Tyler. We’ll find her.”

But as they stared into the dark, empty room beyond the glass, where you had been moments before, the hope in their hearts felt as fragile as the glass that had separated them. The corridor was silent now, save for the distant, ominous hum of the ship’s machinery, as they were left to grapple with the terror of what had just happened.

And the knowledge that the nightmare was far from over.

---

A/n: Archie was so fine in the new Alien...I had to write something for him. Lemme know what do you think!

Also! Request are open for him too! So send one! <3

Don't copy or translate any of my work!

[elysianightsss]

I have a request: how would the Techno react if Reader dies but appears a few months later alive but very injured?

Now this inspired me.

Warnings: 18+, angst, suicide mentioned, hints at nsfw, blood, alternate timeline where she was never pregnant; adding Athena and Apollo into this would have made me cry so no. 

————————————————————————

Techno was distraught, it was against his nature to love and be loved and yet you taught him how. You were his everything and more. From the moment you shot him in those woods all that time ago, when the voices went quiet when your face came into his eyesight, everything changed for him.

He loved you more than life itself, so when Phil broke the news to him that you were dead, he lost it. Standing in the living room of the home you had shared together, rage burned through him, his shaking hands ripping, shoving, destroying. By the time he was done, Phil had witnessed something he thought he’d never see.

Techno was weeping, sobbing, screaming for you. A broken man wanting the only thing he couldn’t have. For months Techno barely ate, barely slept, contemplated suicide daily. How could he live without you? Why would he even want to? Without you there was no meaning to his life. It was like a huge hole had been punched through his chest.

The absence of you was everywhere he looked, the little touches you had slowly added to the house over the years. Your perfume, oils and lotions on the white vanity in the corner of the room. Techno remembers vividly, when you had talked about wanting one and he worked for weeks to build and paint one you’d love. He sat for hours carving intricate designs onto the legs and around the mirror just for you.

The wardrobe filled with your clothes, the beautiful materials you covered your body with, he was always envious of them, they got to touch you all the time. Dresses hanging there that hugged your figure perfectly, that made his heart beat faster.

The bathroom filled with your sweet bath oils and bath salts, countless times he had come home from fighting and you drawn him a bath and washed him clean. Countless times had he taken you apart in the sweet smelling waters and steamy room.

The bed was the hardest to deal with, it reeked of you. The mouthwatering smell he wanted nothing more than to roll around in, it was always present when he slept. It was a slight comfort to him, but always left him distraught. He thought about sleeping downstairs but had to remind himself that he had destroyed the couch.

More time passed, around six months now since Phil had told him about your death. He was a hollow shell of himself, he had lost a lot of weight and always had dark bags under his eyes. He was surprised he was still breathing.

“Techno!” Phil had screamed, a dreaded, fear filled, confusion dripping scream. Techno sighed, it took so much energy out of him to simply stand. Feet practically dragging along the floor, he shuffled to the front door sparing a longing look to his axe of peace. Whatever was on the other side of his door was dangerous if Phil’s scream was anything to go by, and he was happy to let whatever it was kill him.

Opening the door and stepping out onto the wood panels just before the stairs that led down to the snow, red cloak and gold crown nowhere in sight, The Blood God isn’t who stepped out to fight, but a broken man ready to die.

That all changed the second he saw you. You who had been dead for six months, you who he had mourned for six months, you who was bruised and covered in cuts with blood dripping from them. You who looked just as starved and exhausted as Techno did, in fact you looked worse.

“Sweetheart?” Techno’s voice cracked as he uttered the term of endearment he hadn’t spoken in so long.

“Tec.” Your voice was small and fragile, your hand reaching for him. The clothes you wore were torn and certainly not enough to keep you warm in the freezing cold snow you had trekked in to get home.

He ran to you, feet moving quicker than they ever had before all so he could take you in his arms and hold you close. “I’ve got you darlin’, I’ve got you, hold on to me.” He used all his strength to help you into the house, Phil running to your aid too.

You took in the state of your home and honestly it was alot better than what you had expected. Glancing at your husband, he avoided eye contact sheepishly, normally it would have made you smile. You don’t even think you know how to do that anymore.

“Let’s uh, get you upstairs.” Phil said awkwardly, helping Techno carry you up into your bedroom, and onto the bed. You sighed in pure relief that you body didn’t have to hold itself up anymore, that you weren’t on a nasty cold stone floor too but the soft, Techno smelling, mattress you had been dreaming of for six months.

You were so happy you cried. You cried ugly, hard, loud. Letting all your emotions out. Techno was there stroking your filthy, greasy hair and holding your dirty, sore hand. “Sweetheart?”

“I’m just so happy, I thought this day would never come. I had convinced myself that it wouldn’t. And yet here I am. Home.” You sobbed out the words, looking at your husband through your tears blurred eyes, just about making out the crooked smile on his gorgeous face.

He wanted to ask what had happened, wanted to know who had done this to you. But just seeing your relief to being in a bed, to being home, he knew you’d need time.

Phil went home after Techno had asked him to, they agreed not to tell anyone you were back until they figured out what had happened to you and by who.

Techno ran you a bath and took extra time and care into washing you off, he had to pull you out of the disgustingly mucky water and run you a new bath. This one you could soak in, allow yourself to relax, even when the clear water did dirty again, only a little this time though.

You saw the look in Techno’s eyes as he washed you and you knew, remembering the vow he made to you all those years ago; “I love you, it took me a while to say it I know. But I need to know you understand—“

“Understand?” You asked.

“How much I love you. I’d destroy empires for you. Pillage country’s for you. Kill for you.” He pressed his forehead to yours. “If anyone ever even thought about hurting you, they’d be dead before they could finish that thought.” He growled, deep from within his chest. The ruby of his eyes shining brighter the more he talked about it.

“I understand.” Of course you did. You knew from the moment you said ‘I do’ exactly what that meant.

“You’re going to kill him aren’t you?” It was a question you knew the answer to but you still felt compelled to ask nonetheless.

“Yes.”

[fandomnerd9602]

The One I Want

Laura Kinney x Spiderpool!Reader

For @deafeningsharkslimeempath

Do you know that one moment where you just feel like you screwed everything up spectacularly? well that happened to me rather recently. Oh sorry where are my manners? my name is (Y/N) (L/N) and on my world I’m known as the spectacularly annoying Spider-Pool. The spectacularly annoying part is debatable.

You see it all started when the TVA zapped me into the void, something about being an anomaly, a profane and unholy combination of both Spider-Man and Deadpool. Honestly, it’s just the best of both worlds in my book or it would be a book if I wasn’t more than just one panel in comic book of the spider verse. True story look it up.

Or it could’ve been the fact that I killed Jared Leto, oh not Morbius. I’m saying I literally killed Jared Leto. It was an accident. I thought I was going after Morbius but oh well.

To make a long story short, I was forced to team up with X-23 or Laura as she likes to be called. One of my all time favorite X-Men characters by the way!

Anyway we found ourselves at an agreement, if I got her back to her timeline and out of the Void she would help me do the same. A good deal all things considered. The only downside is the TVA is so flip floppy. I mean one show it’s the villain the next show it’s good? Fiege, please make up your mind about what the TVA is?!

“You’re sure this plan of ours will work?” Laura told me as we drove thru the woods towards the reported base of the resistance found in the Void.

“If it works, I’ll be happily back in my world by this time tomorrow, Fun Size” Laura’s eyes went wide and she slammed on the brakes, nearly sending me flying into the windshield.

“If?! What do you mean if?!” She was screaming at me. My mind could only formulate the truth. I thought truth telling was Captain America's problem?!

"The TVA are hunting me and I need to get back home to save my world." Oh yeah it all came out like a big old truth salad. A truth salad that you order from Pizza Hut and immediately regret.

Laura began screaming and banging her fists against the steering wheel, "Are you fucking kidding me?! Out of all the spider totems to get stuck in the Void with and I end up with you!"

Oh I knew exactly where this was heading. A teenage superhero such as myself could only baton down the hatches and listen as this beautiful teenage fighting machine chewed me out. How is this both the most embarrassing and fulfilling moment of my life?

"I end up with the biggest fuck up in the multiverse! A spider-deadpool equivalent that couldn't save his Aunt May or Uncle Ben. Twice!"

It's true. I even somehow got my universe's Sean Bean killed. Yes. That Sean Bean. He wasn't even playing my Uncle Ben or anything!

Laura continued her little tirade, "No wonder the Spider Society turned you down! And the Avengers too! You can't save anyone or anything. Your world hates you! The girls you were supposed to love hate you! Mary Jane couldn't stand you. Gwen probably enjoyed death more than you!"

I could feel the anger rising up in the pit of my heart.

"The greatest joke is that no matter how much you wish for death to be with Gwen, you can't die! And it's one of God's greatest jokes on us instead of you!!!"

I was left in stone cold utter silence. I could feel my vision beginning to turn as red as my outfit.

"What?! No witty comeback?!"

"I'm going to fight you now" was all that left my mouth. And you know what? I meant it. Every. Last. Fucking. Word.

"Oh are you-?" THWIP! I shot one of my web guns, a web flew right over her mouth. The anger immediately flared in her eyes. Next thing I knew she lunged at me, claws out.

She grabbed my head and slammed it several times against the car radio. I grabbed her and gently pushed her against the driver seat. Hey I may be in a fight for my life but I’d still never hurt a woman.

Laura took one of her claws and ran it over the web, cutting it. I really should have taken Fictional Chemistry to understand that admantium is stronger than webs.

“This is ridiculous! I can’t hurt a girl!”

“A girl can hurt you!” She retorted before driving her claws in my lungs.

I kicked her straight thru the windshield of the Odyssey and into the forest in front of us. She simply smirked and dove right back thru. I had to admire her tenacity and endurance.

That admiration was interrupted with the familiar feeling of Adamantium being driven straight thru me, over and over.

She began muttering something in Spanish. Sadly I didn’t have the subtitles on so I couldn’t exactly know what she was saying. My Spanish only goes as far as my name: la piscina de aranas.

I pinned her to the second row seats, which were flattened like my heart was after the dog’s death in John Wick.

Laura simply laughed and kicked me straight thru the roof of the Honda. I landed on the roof with a sickening thud and rolled off, hitting the forest floor.

Laura, ever the tease, looked at me thru the window and gave me a come at me signal. “I am a teenage superhero,” I found myself wondering, “how am I terrified and yet so turned on?”

I pulled out my punch daggers and dived right thru the side window.

We traded blows and slashes. She let out a few huffs and groans. She straddled me and begins driving her claws repeatedly, coating the interior with a lovely shade of my blood.

She paused and looked at me in concern, “is that a Glock in your pocket?!”

“I never keep a Glock in there” I laughed before pulling out another gun, “I keep a Desert Eagle!”

Blam! Blam! I fired off several shots at her, one of which hit her rib and the other hit one of her claws.

“That all you got?” She asked me thru gritted teeth.

I grabbed my web gun and shot off several shots, encasing one of her arms in a giant web. She cut right thru it and lunges at me again. She forced us into the remaining back third row. Yeah the Odyssey has three rows. Three rows of get your freak on.

Next thing I knew Laura was looking at me with those brown eyes of hers. It had a mixture of anger and... Wait what was that? Is that lust?!

Well I guess it was. Because the next thing I knew she was driving her claws into the sides of the seats to my left and my right and then she kissed me full on lip lock with teeth hitting mine lip lock. Holy Stan Lee!

Each little growl that escaped her mouth was like a bit of heaven, a symphony to my ears, and quite possibly a fear of hell.

“I…uhh…” my brain tried to comprehend the exact situation that I was going through. It was something so great and yet so terrifying and couldn’t help it intrigue me even more.

“You talk too much” was her only response before she continued her onslaught of kisses. And boy was she right.

She shoved me down onto the remaining back seat, her lips never leaving mine. I began rubbing little circles into her back as the Honda continued rocking back and forth.

It was night by the time we had worked thru all of our differences…and no we did not go any farther than a PG-13 would allow.

Laura nuzzled me, laying against my chest. We shared a bottle of Coke that we found earlier. I gotta admit, besides the whole trying to kill me thing, I could really see a long partnership with her. Both crime fighting and in private.

“I’m sorry” she whispered. “It’s not your fault. The TVA is just the worst.”

“Yeah” I agreed, “sorry I shot you with a Desert Eagle”

Laura simply smirked and held up the bullet before dropping it on the Honda’s floor. “I’ll help you get back home”

“I’ll make sure you have a home to get back to.” I smiled at her and gave her forehead a little kiss.

“Aww” a new voice broke the silence. Laura and I turned to see Deadpool and Wolverine staring at us from outside the Honda.

“Young love” Deadpool chimed in.

OK, so not exactly how I was expecting this whole date to go, but I gotta say turn out better than I thought it would. And what can I say the Honda Odyssey really fucks.

[oxydiane]

sns is so fucking unhinged and nobody will ever be them i’m sorry. you start the series and it’s like oh haha look at these goofy angsty rivals! they hate each other! then sasuke dies for naruto thirty chapters in giving up his dream of revenge and naruto goes batshit insane. now you’re like ah they’re friends i guess that’s cute! and sasuke is trying to kill naruto because he’s the most important person in his life which is . ok and it becomes the driving force of everything or something. sasuke leaves and naruto dedicates the rest of his life to bringing him back and you’re still a casual fan so ur like he’s doing it for the promise right? then orochimaru says sasuke is his and naruto goes batshit insane feral homicidal (again) and after that sasuke reappears and they have ??? like five different panels dedicated to them staring at each other??? and he jumps off a mountain and hugs naruto for some reasons just to whisper some gay shit in his ear kishimoto frankly needs to be jailed drawing this and keep that best friend nonsense going. anyways. you have sasuke become a convicted terrorist to which the normal people response is “ok we need to hunt him down” and when naruto learns they’re gonna hunt him down he starts screaming crying throwing up he has a panic attack he can’t breathe he’s falling in the snow he gets on his knees and begs them to spare his BFF. after having a meltdown over the thought of sasuke dying what may possibly be the natural coping mechanism any stable person would adapt? of course realising that if sasuke dies he can die too. so he sees sasuke again and after he attempts murdering sakura twice and expresses the intent to murder kakashi he’s like. i will bear the burden of your hatred and die with you hehe and if we both die you won’t be an uchiha and i won’t be the jinchuuriki to the nine tails and we’ll be able to understand each other better in a different lifetime! WE’LL MEET AGAIN IN THE AFTERLIFE BECAUSE NOT EVEN DEATH CAN DO US PART! and sasuke (just as insane as him) doesn’t even flinch he’s like what the fuck is wrong with you but then ok let’s fuckingggf die together on my god i will kill your first anyways . then they find out they are soulmates and get cute matching tattoos on their hands and decide to fight to the death once more because sasuke is back on his i will shoulder all the hatred of the world alone and i need to kill you because i love you more than anyone else in the world actually you’re the only person i love so you need to DIE and naruto is like I WILL NOT LET YOU SHOULDER THAT HATRED ALONE I WILL FREE YOU FROM THE PAIN and they fight and despite all the whatever weapons used in the war it’s a fuckinggg fistfight in which just as sasuke is about to inflict what he thinks is the last blow says “farewell… my one and only…………………. (very long pause to accentuate how heteronormative this next word is gonna be) FRIEND” and fucking stops using his sharingan because not even then he can record the image of naruto dying especially by his hand but naruto STOPS HIM LIKE A f cHAMP and they end up blowing each other’s arms off (rip the matchies) and as they’re bleeding to the fucking death sasuke is like you’re the only person that has never tried to severe their ties with me why do you go so far for me and naruto from the depths of comphet hell is like because you’re my FRIEND and sasuke being absolutely done with this bullshit is like ok what the fuck does that mean to you then and this is where it gets even gayer and relatable because naruto is like i don’t KNOW i just know that when you hurt i hurt and i just can’t take it and isn’t that the most gay experience thing ever? naruto knows what it feels like to have friends but what he feels for sasuke is so bone deep and unconventional that he cannot make sense of it and can only describe the pain it brings. after that sasuke CRIES LIKE THEYVE GOT ME SOOO FUCKED UP but you know what got me even more fucked up?

naruto waking up bloodied and battered and half alive with one arm missing but still wondering if that was heaven because sasuke was next to him. sasuke looking so happy and peaceful when saying “i lost” as a stark contrast to him looking and feeling like half of his body was being torn apart when he “won” against naruto in vote1 and left him. the bitterness of victory vs the sweetness of losing if you will. AND HIM COMPARING WHAT HE FEELS FOR NARUTO TO PRAYING MY GODD. did i forget to mention that then we learn that Ohhh it was never a stupid shallow rivalry as we all thought! they have actually been watching each other from afar since they were little freshly traumatised children and have longed to hold each other’s hands since then! what was it sasukeeee you felt warm and fuzzy when you saw naruto to thought of it as a weakness? these two are so astronomically hopelessly desperately obsessed in love with each other it’s ridiculous i’ve had ENOUGH free me from this mental prison

[thewebcomicsreview]

I'm hardly the first person to notice this, but good god webcomics are the least time-efficient possible way of telling a story, aren't they?

I've been trying to figure out a better method of telling a story so that I could finish it before I die of old age (or, perhaps more relevantly, before everyone loses interest). It seems like no one really wants to read prose on the internet, but also people don't really like a comic that takes a year to go anywhere.

The main bottleneck is dialogue. You can only get 2-3 lines in a standard comic panel, so even a short conversation of character texture can take several pages. It makes me wonder if the Single Panel With Text Beneath It style (like ForEach) isn't just the Objectively Correct™ way to tell a comic on the internet. It's very efficient on the art, you can include narration if that's your jam, and it's very easy to make it work on mobile. (Also the art being separate is a boon if you want to make marketing materials). But everyone will correctly call you a Homestuck rip off.

Though the other thing Homestuck did was make these sprites of the characters that could be used to crank out a bunch of panels for scenes where nothing visually interesting was happening. You don't really see that copied as much

Not openly, anyway. There's a stigma. I've thought about rebooting Legend of the Hare as a visual novel, where that kind of thing is arbitrarily more accepted, but it does start raising the question of why you're bothering with the visuals at all. I don't think the kind of person who makes webcomics is usually looking for an excuse to get out of drawing, even if it lets them increase their page output dramatically. Making sprites that don't look like absolute ass is also really hard. Homestuck sprites have a really specific janky charm to them that I've never really seen any other comic pull off.

And, yeah, you could always just use a simpler art style, like Order of the Stick does, but it's super hard to get anyone to read a webcomic with great art, let alone simple art designed to maintain a high page output. And, again, why are you making a comic if you don't want to draw, unless you just naturally happen to draw that way and be really fucking good at it like Rich Burlew is?

It seems like the only really good way to tell a story in a reasonable amount of time as a webcomic artist is to make enough money off it that you can work full time, and, um, that's not really feasible either.

I don't have an answer I like. I guess just kill yourself in the content mines working webcomics as a second job that doesn't pay you anything.

I don't have a conclusion, capitalism is a nightmare.

[crazymuffin1]

this post is for people who wonder what the hell is going on with the venom movies/fandom because they havent watched it

if youre seeing it on your dash and dont want to scroll very long press J. if youre on mobile. cope.

venom the last dance is the third movie in the venom series and people who haven't watched the movies are probably wondering whats going on. whoever you're following has probably posted or reblogged some sort of eddie brock x venom thing. yes of course. mlm ships are popular and theyre the main characters. of course theyre gonna get shipped. just like stucky or other hot main male characters. nothing really special about these guys. right?

wrong! because as opposed to the other ones being non-canon ships where we just look at everything and say "thats gay" or look at it through shipping tinted glasses, symbrock is a bit special.

to start off with! the source material! the comics! im not gonna make this part long, just a bunch of images with short descriptions and you can interpret it however you want (click for full image)

panels ofter referred to as "the ones where they have sex"

no comment

even spider-man knows

aaaaaand the comic writers/artists also know

theres more (like how they have a kid and eddie experienced morning sickness...) but this is about the movie! not the comics!

first movie moments. im skipping smaller moments and i'll try to not write out the whole plot.

eddie and venom go through a whole car chase scene on a motorbike, and the moment eddie calls him cool, they get his by a car. often interpreted as venom losing focus from the praise

-omg why would that lead to venom losing focus?? because venom, on its planet, is a loser. bottom of the barrel. an outcast. and someone called it cool. venom sees that eddie is also a bit of a loser on his planet. theyre two losers together. Eddie asks why he doesnt just kill him and hop to another host, but venom says that hes a good match (other bodies reject the symbiote, and die from organ failure/eaten from the inside) and venom is "starting to like him" venom also gets a bit stuck on the moment that eddie says we instead of i. its both of them. together.

later eddie finds out his organs were failing (venom was starving and was working on fixing it) and when they get seperated the way he acts is kind of framed like a bad breakup. its not "im free from this parasite! yippie!" its "i trusted you and you hurt me. we're done" sort of breakup. venom tries to say he was trying to fix it but eddie ignores it (not the exact words but if you look at it you'll get it)

eddie gets taken away by the bad guys and venom hops on eddies ex and they reunite. and its not just reunite.

its this

thumbnail shows human face but it does not start off with that.

fun fact! theres a sort of deleted scene where eddie asks "who was i kissing just then?" and she says "mostly me" and then we hear venoms voice saying "well actually it was mostly me!" ALSO at the end of the movie, she says it was venoms idea. this was venom and eddie making out. not eddie and his ex. they do not get back together. she has a new boyfriend and they've moved in together so its serious.

venoms original purpose as to why the symbiotes are on earth was as a scouting party for an invasion force. venom changes his mind on being on the invasion part. eddie asks what REALLY made him change his mind "you did eddie."

also after the movie was in theaters they made an additional romcom trailer to promo the dvd/blueray release. the movie. framed as a romcom. im not kidding. on sonys official youtube. for both movies.

speaking of both movies, the second one has them breaking up! full on divorce after fighting and arguing!! very sad. and then venom goes to a rave (october, there are costumes, hes fully transformed) and says "i am out! of the eddie closet!" HES COMING OUT OF THE CLOSET. one person at the rave has a mask on that says "kiss me" and venom says "sorry no, not my type" THEN WHAT IS YOUR TYPE HUH??? MEN?? SWEATY LOSER GUYS??? his hosts keep failing because theyre not as compatible as eddie. and after having fun venom is sad and wishes eddie could've seen him. they of course, get back together* after some apologizes and because they need to fight a serial killer who also has a symbiote (carnage) because previously, they went to interview him, he insulted eddie, venom got mad on eddies behalf and grabbed him, resulting in getting bit, and that spawned a new symbiote from the blood. also the serial killer, (cletus kassidy) went to bust out his girlfriend who upon seeing his tentacles breaking her glass cage, called it hot.

*when they get reunited (anne helps out again) theres no kiss this time, and annes fiancee, after seeing them fight, says "those two need some serious couples counseling"

after a big climactic fight and mutual reassuring that theyre a perfect match for one another, they flee to some random place in mexico where they sort of have a love confession. theres an extended deleted version of it but i think many of us think they cut it down to save it for the third movie. also they get transported to the mcu in the post-credit and then re-appear in the post-credit of spider-man where theyre just sitting at a bar asking the bartender about the blip and thanos. venom decides to go skinny dip but they get transported back to their universe. net zero gain.

THE THIRD MOVIE

hasnt come out yet. but the promotional things. the trailer. my god the tiktoks and twitter clips?? WHY IS THE TIKTOK VIDEO CAPTION VENOM X EDDIE 4EVER??? HUH???? WHAT DO YOU WANT WITH ME!?!?! IF I GET QUEERBAITED IM GONNA EXPLODE WHY IS ONE OF THEM FRAMED LIKE A COUPLES COUNSELING HELP GUIDE.

i cant post this one on tumblr but this tiktok is a slideshow, one image of venom and eddie from each movie, and the background song is "I've loved you three summer Lover - Taylor swift" with the caption "it's a love love relationship"

WE JUST WANT THEM TO KISS AGAIN AND HAVE A MUTUAL, EXPLICIT, LOVE CONFESSION. AND HAVE 4 HOURS TENTACLESEX SCENE. (not necessarily in that order)

and the first trailer that came out for venom3 has the line"eddie, my home [long pause] has found us" like girrrrrllll for a full 3 seconds i thought he was saying that eddie is his home.

[mywifeismothman]

THIS IS KILLING ME.

I picked up tbhk in 2021 thinking it was a silly monster of the week style supernatural comedy. Oh my god, how AidaIro has tricked me. I should have turned back before I got too invested, but tbhk is a part of me now, I think I’d die without it.

IVE BEEN SOBBING FOR THE PAST TEN MINUTES AT MIDNIGHT OVER CHAPTER 120!

Spoiler warning for chapter 120 (read it if you haven’t already and suffer with me):

After chapter 119, this world’s Kou and Mitsuba were basically killed in the red house, once again proving that those two can literally never be happy. When Kou said he’d die for Mitsuba in that one chapter, I don’t think this is what he meant.

But when he says he can’t help them go back, I can’t figure out if he’s talking about Mitsuba or the fact that he’s stuck in the red house. Probably both, as he says something later which implies he’s talking about Mitsuba.

Mostly the red house though, as shown in these panels. Which hit me really hard for some reason.

I started sobbing when I saw these panels though,

Just look at his face, there’s something about the shading and detail in his face which captivates you. Watching the one character who is so fixated on trying to have everyone live die was so heart wrenching.

The parallel between this panel and chapter 118 is killing me. In that chapter, Mitsuba and Kou talk about their bad dreams, ones of the old world where Mitsuba is dead. They don’t want to accept that any of those dreams could be real, promising to each other to live their lives to the fullest, only accepting the dreams as real if they failed to forget.

In this chapter, Mitsuba and Kou were never able to live a life where they could ignore those dreams, almost immediately getting killed. So to Kou, he now had to accept those dreams, with their new reality becoming the bad dream he tells Nene to forget.

This panel also killed me.

He’s clearly talking about Mitsuba, who else could he be talking about. Again showing just how much he means to him. Again, it reminds me of the chapter where Kou talks about dying for Mitsuba, showing that he’ll always be there for him, even in death.

I also want to just talk about poor Nene, look at this panel:

This is the second time that one of her only living friends has had some connection with death, but this is the first time one has straight up disappeared before her eyes. This whole ark has Nene being tormented by death and loss and I hate it.

I wanna touch on Teru quickly. I’ve never loved characters with his type of personality before, but I think this ark has completely changed my mind about him. First, there was that face he made talking about his mother being alive, and then him being forced to exorcise his own brother. Which must have been devastating to Teru, considering that his whole motive is to protect his family, the two he has left. I think this is some of the most emotional we’ve seen in Teru. And I’m crying again

I spent like 30 minutes at midnight typing this out because once again AidaIro has delivered a heartbreaking chapter, and I need to talk about it.

Oh my god, I was so busy crying yesterday I didn’t realize his and Mitsuba’s corpses were in the well.

[artbyblastweave]

Okay, Time for that belated Shrinking Rae post-

In the comics, Shrinking Ray's "arc" (bearing in mind an extremely liberal definition of that term, they had exactly one scene showcasing this) was that he was implied to be developing an inferiority complex; he's not necessarily incompetent, but he's out of his niche, his clever shrinking-based plans kept getting upstaged by brute-force solutions from the more conventionally powerful heroes like Invincible. He's the scrawny, nerdy little guy with the joke powers, he never gets a win, and in most fights he literally isn't visible. In the fight with the Lizard League his death is framed as pathetic and ineffectual- there's one or two panels between "I'll make you pay!" and getting eaten alive by Komodo. All of this is doing a couple of things- it's emphasizing that again, this is in fact a story and setting where superheroes sometimes just die really badly with limited fanfare- a thing that IIRC hadn't happened since the original Guardians team wipe in issue 7. Second, it's an indicator that the new Guardians are structurally kind of on the ropes. They're heavily staffed by second stringers, they exact second they have to split their forces they suffer a 66 percent casualty rate, and that's with backing from two capes who aren't actually part of the team. Grim! Anyway, when they do the adaptation Shrinking Ray becomes Shrinking Rae, because they want to tweak the gender balance of the cast and the pun is too good to pass up. But I think that there was a reasonable reluctance to transfer the "arc" from the comics one-to-one, because to be blunt, "Ineffectual Nebbish Glasses-wearer who whines a lot and dies pathetically," paired with absolutely nothing else, is gonna read as misogynistic if the character is a woman now. So in the adaptation Rae is markedly more competent. We're introduced to her taking down a much larger opponent by fucking around inside his ear canal, which becomes a favored trick of hers. There are traces of the self-esteem thing- the visual gag where she physically shrinks about a foot when getting chewed out in the briefing- but the overall throughline isn't "look at this loser who somehow ended up on the guardians." In the Lizard League fight, she doesn't get eaten- she's deliberately trying to execute a Thanus maneuver and just fucks it up, seconds after successfully killing a different villain the same way. And there's a second where it looks like it might work, too, before hope is cruelly yanked away. Which makes for a markedly cooler death scene- but who died? What was actually going on with her? Anything? In some sense she's cooler, but it's kind of an undifferentiated cool. She had what, Six lines? Seven? On balance I think Rae is still doing her fundamental job in the story, which is to pad the Guardians roster for a while and have someone who actually dies and stays dead as a result of the Lizard League fight- but I think they definitely missed an opportunity to give her some more texture than her comic counterpart had. Part of me thinks that the show would have been a good place to go even harder on Shrinking Rae being in over her head, but in a considered way, to emphasize that the Guardians aren't well managed- maybe tie it into the tensions between Robot and Immortal regarding sustainable team management practices. Part of me thinks you should go the other way, that if you're gonna do away with the idea she's underwhelming you should blow up her role, have her actually say and do some things that affect the story or the team dynamic in any noticeable way, because as it stands she's kind of visibly siloed as the designated mauve shirt. I'm definitely of one mind that this showcases something I suspected was gonna bite the show in the ass, which is that they're (laudably) diversifying a secondary and tertiary cast whose main role in the source material is often to die badly or fade out of focus.

[artemistorm]

My thoughts on the new update

Nice double vanishing point perspective! (This is what I'm learning about in art class right now.)

So Sky WAS running all around and that's why he was out of breath going down stairs in the last comic.

Holy smoking Sonic the Hedgehog that guy is fast. Also, can confirm: running with knife-hands does in fact make you run faster.

Close up of that face ehehehe >,'C

XD this is so funny. But who do you think said it?

It looks to me like it was Legend who said it based on where Sky and Warriors are looking. Here, let me make it clearer with laser eyes:

Also Warriors is Mr. Grumpypants. He's probably in army-intel-and-strategy mode. Or he he's just irritable after getting no sleep, wrangling a bunch of hot-blooded teens, and watching his friend almost die and miraculously recover.

Eyyy! Wild's got his new sword! He was probably just showing it to Twilight. From this angle, it looks like he and Twilight are holding hands. Also, Time has humongous hands.

Loving these dark spooky forest vibes. I'll definitely be doing a panel-background repaint of one of these.

Yeah! You glow girl!

(Teeheehee I just wanted to make that joke. That's the only reason why I put this panel here tweeheehee)

My face when I saw this sword on the ground: 😳😃 because oh my Hylia I want that sword so bad. I love scimitars. In other news, you know what I don't see on the ground? The Shadow's cursed axe of Horrible Evilness. I wonder if Sky noticed.

Yup. Portal. There we go! No one's surprised except for Sky. But check out what's in the foreground. That helmet. Wasn't that the Shadow's helmet when it/he was in [giant metal knight] form? (I can't remember what the name of the monster type was. Something nut I think.)

This face. Enough said.

Oh boy. Wild's face when he realizes that he didn't 'kill' it--or it resurrected. Also Sky, you drink up that stamina potion. You deserve it.

Time looking rather fine. Or like he's in an anime title sequence. And he's speaking like he swallowed an 1850's fireside poetry book again. (I think it's endearing.)

And there we go! My first thoughts on this comic. Oh! JK! One more thought!! VV

It doesn't say 'Dawn Pt 8' so does that mean the next arc starts in the next comic? 👀

[chuthulhu-reads]

[ID: A panel from Trigun Maximum. It's a close-up of Vash's face, looking exhausted and sweating heavily. Enough of his shoulder scars are visible to show that he's shirtless. His odd posture is because, as revealed in a previous page, he's being forced into a one-armed handstand by Legato. Vash is saying, "Believe me, Knives, I have seen the dead plants. All of them had the black hair. They weren't the bodies of plants who had lived their natural lifespan. They were the bodies of plants who had been abused and pushed past their limits." End ID.]

Knives saw one plant die and went on a mass-murder tantrum; the feeling is understandable, if not the actions. To him, I wonder if this sounds like Vash not giving a shit about their sisters, because he's found multiple dead plants before, knows what the black hair means, and hasn't done any murders about it.

[ID: Two panels from Trigun Maximum. In the first, Vash is looking down, his expression is entirely shadowed aside from his gritted teeth as he says, "...There is no other way for humans to live on this barren desert planet. They are forced... to rely on plants... on us." The second panel shows Knives, though mostly obscured by Vash's dialogue, so we can't see his reaction to Vash's words. End ID.]

However, we can tell from Vash's expressions and from knowing who Vash is as a person that it hurt, finding dead plants. He's grieved for every single one; given that we've seen him take the time to respectfully bury people who were trying to kill him, he's definitely given funeral rites to the dead plants. The difference between him and Knives is that he has the emotional maturity to experience anger/hurt and also coherent thought at the same time, and he's aware that humans don't kill plants out of malice. Many of them love and revere plants; even the coldest know that it's outright stupid to kill plants, who are essential to human life on Gunsmoke. The necessity of a Last Run is questionable, but it's undeniable that they feel they have no other choice, and Vash is aware of that. He's aware that, given better circumstances, humans wouldn't be killing plants. (I think Vash would love The Good Place, seeing as it's all about unpacking the many forces that drive people to do bad things and explores the potential people have for goodness, if only given the opportunity.)

[ID: Two panels from Trigun Maximum. The first shows Knives frowning slightly as Vash says, "You're quick to forget, Knives... that you caused all of this." The second panel shows Vash, still in his forced handstand but managing to hold his head up enough to glare at Knives with absolute fury as he says, "The reason for all of this... the one thing that started this... was the Big Fall!" End ID.]

And, knowing that humans have been forced into a position with very limited choices, Vash is feeling just as much rage as Knives... but it's all pointed at the person whose choices put them all here in the first place.

Just because Vash isn't throwing murder tantrums doesn't mean he isn't angry, and god I love it when kind characters are allowed to be furious. The emotions are not contradictory. Rage isn't the opposite of compassion; often, it's a direct result. Vash simply has the emotional maturity to hold onto the anger, simmer it into wrath, and direct it where it's deserved.

[lucysarah-c]

Sometimes I get kinda sad going rereading the manga and remembering how much of Levi’s substance they cut from from the anime in favor of his “knight in shining armor” image. I feel like that’s where a lot of the discourse always comes from. People interpret his character from so many different perspectives and if you haven’t read the manga it’s actually so hard to get get a clear look at his character because the anime is just not complete.

Like, especially the scene where Levi tells Historia to become Queen. I will forever be mad they cut it. That was such an important point to his character because if Historia had outright refused, everything Levi had done in the name of humanity, all the people he’s killed, tortured and everyone he’s lost, it would have all been for nothing. I just don’t think he would have been able to live with that.

I love the gritty parts of him. It’s what makes him so well written and probably why he’s been one of my favorite characters for 10 years.

Hi, love!

Oh, you might be referring to my post about how it's hard for me to write Levi perfectly and how I might portray him too harshly, right?

Honestly, I agree with you. I always say I write "manga Levi" and not "anime Levi." Anime Levi is like a simplified version of him, I believe. In Spanish, we would say they took all his "spice," to be honest.

Manga Levi is far from perfect as a hero, but he's hilarious. He's a sassy little man, and I adore him. In the English official translation, they didn't capture this, but in the Spanish one (or at least the one I read back in the day), when he meets Eren in jail, he says (I'm translating), "you have amnesia and your daddy goes missing, so convenient."

The idea of Levi standing next to Erwin, meeting Eren, who is his long-time fan, and saying "daddy," is hilarious to me. It was so funny that I had that panel as my phone wallpaper almost my entire high school years. Manga Levi is funnier, has way more facial expressions than just stoic ones, and he has a more pronounced personality. There are a bunch of panels of him either having great sassy moments or literally having a facial expression that shows he's thinking, "this bitch…"

Regarding the scene with Historia, I understand why some people don't like it, but I actually did. Levi is not perfect—I love him, don't get me wrong. He saw almost every single person he loves die, Erwin is about to be executed, their lives are hanging by a thread, he's fighting the only person he considered family, he tortured a man, etc. They are informing this girl, who is very young, that she will be queen, and she's like, "hell no." After everything he did, after everything he sacrificed, the only thing Historia has to do in Levi's eyes is sit her ass on a throne and live a peaceful life full of privileges… I would have gotten mad too.

This is why I say that the canon time is not our society. I try to write Levi as I believe he would truly be in the society inside the walls. He has issues that he probably won't be able to fix because it's not modern society. It's completely alright if someone likes and prefers another interpretation of Levi's character. I simply enjoy writing him the most when he's flawed and lovely at the same time.

Ugh, sorry for the ramble, I just have a very hard time summarizing ideas.

Love ya <3

[scribefindegil]

Okay okay okay the thing IS. The anime has Dimple saying, “Well if you die and can’t pass on, at least we’ll have each other” TO MOB. Which I understand; the Mob and Dimple friendship is hugely important to Mogami arc and to the show as a whole, and it works as this sort of dark-humored aside that, while snarky, reads as a genuine attempt at comfort. This arc is a turning point, but we’ve already seen a lot of development in Dimple and Mob’s relationship.

BUT. In the manga he doesn’t say it to Mob. He says it to Reigen. And while it’s harder to read tone in written text, especially when you’re dealing with translation, the panel is extremely somber. There’s no silly Dimple expression like in the anime; it’s a close crop of the back of Reigen and Dimple’s heads as they look away. “If you die and can’t get into heaven, let’s be friends again down here” is a SERIOUS OFFER. Dimple’s been complaining about Reigen non-stop and snarking at him and their relationship up until this point has been pretty combative. But here he believes that Reigen’s going to die--to be killed by the same person that took out the last group of people Dimple was at all close with--and he offers companionship.

And! Sorry i talk about this All The Time but it’s so important to manga!Mogami arc: this happens right as Reigen is trying to convince Mob to leave. Ostensibly he asks him to “get help,” but it’s obvious in context that he thinks everyone in that basement is going to get slaughtered and is lying to Mob in hopes that the kid will at least save himself. Reigen gets into a lot of dangerous situations and isn’t always great at self-preservation, but there are vanishingly few occasions where he actually thinks he’s not going to make it out. But this is one of them.

And it’s such a strange sort of comfort, but it is comfort, for the resident ghost to say, “Hey, even if you do die this doesn’t have to be the end.” To say “If you don’t know where to go, you can stick with me.” To offer, in the translation I read, friendship, even though that’s something he won’t admit he wants for himself until much, much later in the story.

Anyway this is why I lose it every time I see That One Panel Everyone Laughs At For Being Kind Of Gay.

[iwritenarrativesandstuff]

Why We Never See Elendira's Story

In a story that emphasizes the human or otherwise sympathetic aspects to its focal characters, it’s very intriguing that Elendira remains an enigma right up until the very end of her story.

We receive some tantalizing hints that there is much, much more to Elendira than what we’re explicitly shown – asides from her apparent sole interest in witnessing the end of the world (to which she'd prefer to see Knives' chosen ending, but is prepared to act herself if he fails), she looks somewhat resigned when saying that nice men “die so easily”, that no matter what Vash does, humans will “ruin it”, and so on and so forth.

[ID: Two screenshots from Trigun Maximum Volume 11. In the first, over a rocky ground, Elendira says "I liked you better when you had nothing to lose. What a shame." She looks down, somewhat resigned, and continues "I don't like nice men. They die so easily." In the second, she stands, frowning and saying "No matter what Vash the Stampede does... there will always be those..." On a close up of her right eye, she says "...who ruin it." End ID.]

Elendira seems to have little to no faith in humanity, and in that sense, she seems a lot like Knives. Knives, who aims to become more and more powerful, and in the process, severing all meaningful ties he has with others on his quest to ensure no one can take advantage of him or use him. We know, of course, that Knives doesn't quite succeed here... but Elendira has. She is the peak of human (or part human? We never get an answer to her unexplained abilities) capability in speed, skill, and strength. The only reason Livio stood any chance in that fight was due to his incredible regeneration.

(As an interesting aside, she also has an interesting commonality with Vash - what comes to mind is her telling the kids to bury Livio because he "died" trying to protect them. Why does she care about that? Why does it matter? None of the other GHGs do this. This is not important to the point I'm making here but it's just interesting to me. There's very few characters who explicitly make a point of burying the dead.)

The point being, Elendira is the height of strength... and at the top, she is alone.

[ID: A panel from Trigun Maximum Volume 13. Elendira is in the action of dropping her white coat, which she has taken off to reveal an underarmour suit that is almost skeletal in appearance. She looks confident. End ID.]

In a story where characters' motives and pasts are told through their connections with others, through their memories with people they cared for, and through the eyes of the people who care for them...

Vash's story is eventually told in pieces to humanity through Meryl, through Luida, and through his sisters. Rem survives in Vash's memories, and we see the part of her story that young Vash saw, just as we also see his own past from this recollection of her.

Milly is a clarifier and communicator who sees so strongly the sides of Meryl and Vash that they suppress, all that grief and fear, for the sake of remaining steadfast. She is the one whose eyes we see through. It had to be seen to be told. Wolfwood does this too.

The rest of GHGs get some elaboration also. Hoppered is defined through his loss of the woman he cared for in July. Midvalley is defined by his fear and contention with Knives. They also have a dynamic between them that few of the other GHGs shared - and it's likely for this reason we received more elaboration on the two of them than many of the others. But even characters like Rai-Dei, for whom we don't get very much at all, has at least his sunk-cost fallacy explained through the memories of the people he's killed to get to that point.

Chronica's story, though largely removed from the people of No Man's Land, is given definition and stakes through the loss of Domina, and we are told about her incredible determination and strategy she has through her reputation with the Earth fleet.

Legato, desperate to play a singularly important role in Knives' story, tells his own through that lens and that lens only. The moment his life changed was the moment Knives entered it, and that is likely the most important memory to him - Knives is the only meaningful bond he has (sadly for him, this was not reciprocated). Well, an argument can be made for the contentious dynamic he builds with Vash too.

Even Knives, for all that he tried to separate himself from others, is known and seen through his connection with Vash - and his acceptance and unwillingness to fully lose this connection is not only what eventually saves him, but also the reason we, as the audience, know his story so well.

We see characters' stories in Trigun mainly through the bonds they share with others - never the whole story, but the sides that others knew of them.

So, who does Elendira have? Every interaction she has is shallow, dismissive, and exceedingly temporary. Through her dislike of Legato, we get that she may be somewhat bitter about his important status to Knives... but there is no elaboration, because it goes no further than that. Knives calls her directly on the phone, and she is very invested in his vision for the end of the world and intrigued by him... but it goes no further than that. He does not really seem to care about her beyond her effectiveness, and she does not offer any information about herself. Even her allegiance is kind of flimsy. She's only there because she wants to be.

During their final fight, Wolfwood lives on through Livio, through his actions and resolve. It is the teamwork between him and Razlo, in the spirit of Wolfwood, that eventually overpowers Elendira. Amusingly (at least to me), Livio is quite literally never alone, because he always has Razlo - and now, Wolfwood too.

"Yer too strong... and that's why yer gonna lose."

[ID: A screenshot from Trigun Maximum Volume 13. Livio narrates over a shot of his eye, Razlo's eye, and finally, his whole face, with Wolfwood's final vial of serum between his teeth. "...to me... to Razlo... and to him." End ID.]

Elendira has succeeded in separating herself from everyone – she is the most powerful of the GHG, and every battle with her is basically one-sided – but she’s alone, and that’s not only why she loses… it’s also why we never get to know her in any meaningful way.

Because no one knows her. She has no personal connection with anyone. Her motivations never get any clarity. We don’t even know who did her modifications or how she gained her power. Even if she did have someone she cared for in the past, she apparently does not hold onto their memory. And maybe that's the reason she told the kids to bury Livio - not out of respect, but because to her, that is where the past belongs - dead and buried, soon to be joined by the rest of the world and humanity as it all comes to an end.

We never see Elendira’s story… because there is no one from whose eyes we can see it in any capacity.

[whateversawesome]

Let’s talk about SxF Chapter 82

I’ve said it before and I’ll say it again; even though Yor is currently not involved in the confrontation between the SSS and WISE, this arc is about Twiyor marriage.

Somehow, it seems like they are in each other’s mind. Just take a look...

To me, this small panel is probably the most important in the chapter: Twilight the master of disguise, best spy ever, WAVERS (!!!)

In addition to quivering, WAVER also means to become unsteady, unreliable, and undecided. A spy should never waver, it could cost him his life. So, why did the best spy of the West hesitate?

The reason is very clear to me. He has something on his mind...someone...😉

Remember what he said when Yor kicked him on the chin?

We saw his dangerous assassin mode. He was ready to defend himself from the SSS agent, but then he saw Yuri instead. It’s funny that he called him by his full name: Yuri Briar, just like he did a couple of chapters before, when he was apologizing to his wife. It was almost as a reminder of certain other Briar (aka Mrs. Forger).

Twilight had the opportunity to shoot and kill Yuri. He’s more experienced than him, he’s been in dangerous situations and killed before. But upon seeing his face, a last minute decision halted his most basic spy instincts:

Yuri is his enemy, but he’s also family. (Btw, Yuri looks like a kid here).

Twilight has surely heard from his wife all the love and effort she put on raising her brother. For a long time Yuri was her only family and she married him to avoid worrying him. He KNOWS how much Yuri means to Yor.

That last minute decision wasn’t that last minute at all. Even though he won’t admit it, he’d rather die before hurting his wife. AND he did promise he would never make her suffer that way again (even though he had no clue what she was talking about 😂)

Now, about Yor. To be honest, I thought that she would probably forget about the gripe, but thinking it through, those infidelity allegations are not so easily brushed off. It’s not like Loid has shown her he loves her explicitly and he is out all the time. (I think she misses him 💕 Look at those sad eyes!!)

In theory, Yor shouldn’t worry about this, since this is a fake marriage, right? The thing is Yor doesn’t see it as a fake marriage anymore. That’s why she wants to have gripes and welcome home kisses. She wants a normal marriage.

It was beautiful and heartbreaking to see her in the last panel. It meant so much, because right at that moment (probably) her husband was getting hurt. In marriage there’s a constant connection, especially when two people are in love (and these two are deeply in love).

I posted this before, but I’ll write it again, in case you didn’t see it:

This is marriage. 

When you hurt, I hurt. 

When you bleed, I bleed.

That blood wasn’t Yor’s. Since she mentions her husband and she's thinking about him, I think that last panel is Twilight’s blood.

Bonus: Yor doesn’t think about Yuri (who she raised like her kid) or Anya (who is her kid). She thinks about her husband!! I think she's finally stepping out of the role of mom to step into the role of wife/adult woman. In other words, Your honor, she’s in love 💖

Now, questions: Did Twilight get killed? No, I don’t think so. Severely injured? Maybe. But I believe it won’t be too severe, because he still has to confront Wheeler unless...(here comes the crazy theory): Who was Wheeler talking on the phone?

He didn’t show up at the appointment with the SSS. We don’t know where he is. So the crazy theory is that he could be involved with the Garden. Honestly, it’s a long shot. Unlikely, but it would also be a huge twist and you know l LOVE twists 😏

It could also fit, because if Twilight is injured and has to be pulled from the mission, WISE doesn’t stand a chance. AND it would leave Wheeler to appear at a later arc, now involved with the Garden and maybe our dear Thorn Princess (maybe, jealous Loid arc?) Unlikely, but fun it’s fun to dream.

My two cents: 

Twilight is the one who got shot, but is not deadly injured. He may actually have to go home early! 

Probably there will still be an encounter with Wheeler, but let’s hope he doesn’t have to fight him. Things are still very much in the air with Wheeler, so let’s just wait and see.

The arc is still very incomplete and could take a turn in any direction. I know a lot of you want some action/fighting between Twilight and Wheeler, but I would be happy if Mr. Spy just went home early to be with his wife and this turned into a complete Twiyor arc. We’ll see.

One last word about Yuri. Now, I think he’ll be the one who discovers Twilight’s identity. That kid is smart and if he starts putting the pieces together, he may end up discovering everything. This confrontation is one big piece and I’d like to believe that Twilight not killing Yuri will be a deciding factor in the end. I’ve said it before, at some point Yuri is going to have to choose between duty and his family and I believe he will choose his family (at a great personal cost).

But not only that, last time Twilight chose not to kill an enemy, something good has happened: When he spared Franky he began a transformation and stared working for peace. What will happen now that he chose not to kill another enemy? My guess is that he’ll become more human and it’ll have to do with Yor. 

Something tells me this is one of those chapters that will be VERY important in the future. So let’s keep an eye on it.

[pruneunfair]

Rating FL's part 3

Shuri

12/10: I just started reading A step mothers marchen (and it's probably gonna take a while to finish it since Bato doesn't have a full English translation) but from the few chapters I read I agreed with fans of the book that Shuri is without a doubt one of the best FL's. There's actual development between her and the step-children and she succeeds at being relatable without making her too overpowered.

Athanasia

7/10: Okay while I don't really care too much about WMMAP, I still think that for one of the first most popular otome isekais Athy was a pretty good protagonist and most of my complaints about her are mostly just ant hills. I don't have much to say on Athy other then she's a good start for OI protagonists but could be a little better.

Aisha

9/10: Is she generic? Yes, does that make her a bad protagonist? No. I don't understand what people mean when they say Marianne overshadows her unless they're talking about the fandom specifically because as someone who also really loves Marianne, she barely shows up on screen so to say that she overshadows Aisha just because Aisha is a typical sweet saintess heroine is stupid. Sometimes ITLA can be a little on the nose with how nice she is but I still find Aisha pretty well made.

Sienna

9/10: Okay I officially love manhwa where the maid is the protagonist instead of a noblewoman and as short as the manhwa she's from is, I still think she's a sweetheart. My only complaint is that the story keeps randomly inserting sad backstory memories so you feel bad for her, like one minute she'll be doing something ordinary and then next she's basically just like "This reminds me of when my step-mom hit me with jumper cables after I spilled one drop of tea." And then it goes back to the present within one panel.

Hae Soo

6.5/10: I'm sorry but people meat ride her WAY too much. She's not a terrible FL but there is so much better and she's really not all that because you can kinda tell by the way that she's the only female character thats likable and with that bodytype that she's just a self insert character.

Ruby

8/10: For once we have a piece that actually looks into the typical white lotuses point of view, Like Helena except way darker when it comes to backstories. I like that Ruby is shown to be more emotional cause I never liked how a lot of manhwa imply that emotions=crybaby FL, it all depends on how it's handled and I think thr author was very respectful when it came to her abuse and ED. However like Sienna there are times when the author is trying too hard and ends up forgetting certain parts of Ruby's trauma. For example they mentioned early in the chapters that Ruby's beloved older sister had died but it's barely mentioned in the future on how it affected her, so it ends up feeling like it was just a way to feel bad for her even more.

Aria

6/10: so on one hand I'm really glad that Aria is actually evil instead of the comic just saying " Oh no! She's not evil! She's too nice for that" because if villainess is gonna be in the title then she should keep some of her villainous traits, but I really don't know if I should see her as super smart if all her enemies are too stupid to combat her, it makes Aria look really stupid when she got killed in the first timeline if they're so bad at crimes.

Eris

10/10, Love my girl Eris! Kill the villainess was great for a lot of things, a knight for the ML instead of the prince, the ogfl not being a white lotus out to ruin Eris's life, and morally corrupt villains that felt like obstacles, but what they did the best was the FL because Eris actually retains her goal on going back to her world instead of shrugging it off and going to sleep because you know most people would be freaking out if they woke up as a historical woman in a time period where women had no rights and it was easy to die after getting sick once.

Roxana

9.5/10: She's overrated but that doesn't make a character bad by default. When I finally read Roxana after seeing the hype I could understand why they loved Roxana so much. Now as much as I don't like evil protagonists who don't suffer consequences, the story makes up for it by being self aware that the Agriche family are a bunch of lunatics with the exception of Roxanas mom and her late brother. Being chaotic is simply part of the plot so I don't think it's fair for me to fault it. That being said as much as I loved her I do think that her takeover during the end chapters shouldn't have been done and done so easily and quickly.

Verta

7/10: similar to Roxana, Depths of malice is self aware that Verta is a terrible person even though she has a tragic backstory, it's only an explanation for why she's like this not an excuse. If you know me, you know I love the white lotus women so seeing one as a protagonist was something extraordinary since I thought everyone but me and a select few hated two faced women. She only really earns a 7 because as good as she is, there are better ones.