#like positivity and art and stuff of that particular thing

[technicallydangerousphantom]

can i just say that i really hate it when people post hate for a specific ship/character thats like 'oh i just really dont like this thing, it dont get the hype you guys, i hate it and its stupid' and then tag it as that thing??? like bro, nobody wants to see that there. people aren't scrolling that tag for random negativity about the thing they like

[funkle420]

*takes my last adderall so i can finish all my work in one day*

*finishes one (1) assignment*

*gets distracted and spends the rest of the day hyperfocusing on delicious in dungeon again*

[ailesswhumptober]

Prompts for AI-less Whumptober 2024

As promised, we're bringing you the official prompt list of AI-less Whumptober 2024 today!

We have 31 days of excellent whump prompts, with three prompts per day to pick from, fun themes, and 10 alt prompts to play around with. We hope you enjoy! Additional info + plain text versions of the prompts can be found under the cut.

FAQ and Rules

What sort of content can I create for this event?

You can create whatever you want (fic, art, edits, etc). Any fandom is allowed, as well as OC stuff. NSFW is allowed, but please tag your content accordingly! The only thing not allowed is AI-generated content.

Do I need to make 31 things to participate?

Oh heavens no! You can make as much or as little content as you like, skip days when desired, or combine prompts (so for example, write something that covers a prompt from day 1, 2, AND 3). You don't have to do the days in order either, go wild! To be considered a 'completionist', you only have to make sure that at the end of the month, you've covered 31 prompts from 31 different days, but whether you do that in 31 works or just 1 is up to you.

What are these alts about?

If none of the three prompts of a particular day are your cup of tea, you can swap them out for an alt prompt of your choice.

What are these themes about?

Just a little bit of extra fun for the mods. Like last year, we'll be handing out various badges for people participating in the event. A full list can be found here, perhaps there is a special badge or two for people who can't be completionists but who do manage to finish every single day of a specific theme ;)

How do I tag and is there an AO3 collection?

It suffices to tag your work with #ailesswhumptober for us to see and reblog it! Please also tag nsfw, since we'll be using that tag too. Tagging the day is optional but does help the mods along.

There is an AO3 collection to add your fics to here.

That should be all. If you have any additional questions, check our pinned or hit us up in the ask box. Or join our discord maybe, whumping can be a great group activity!

---

Plain text versions of the prompts:

October 1 - Torture Tuesday

public torture/public use, stress position, “If you cry, we’ll go easy on you.”

October 2 - Whumperless Wednesday

Unfortunate fall, car accident, “Don’t move. You’ll be okay.”

October 3 - Trauma Thursday

Shared trauma, survivor’s guilt, “It’s not your fault.”

October 4 - Fright/Freaky Friday

Painful transformation, non-consensual body modifications, “You’re a monster.”

October 5 - Sensory Saturday

Overstimulation, migraines, “I can’t take this anymore.”

October 6 - Surprise Sunday

Multiple whumpees, self sacrifice, “I’m the only one who can do this.”

October 7 - Medical Monday

Field medicine, running out of supplies, “Hold on, we’re going to have to improvise.”

October 8 - Torture Tuesday

Rope burns, gagged, “You’re so much prettier this way.”

October 9 - Whumperless Wednesday

Hypothermia, heatstroke, “You look pretty pale.”

October 10 - Trauma Thursday

Self worth issues, pushing away a loved one, “You don't need to earn this.”

October 11 - Fright/Freaky Friday

Hallucinations, truth serum, “Why would you even say that?”

October 12 - Sensory Saturday

Isolation, sensory deprivation, “Can you feel me? I’m right here, whumpee.”

October 13 - Surprise Sunday

Whumpee using themself as bait, defiance, “Take me instead.”

October 14 - Medical Monday

Seizures, concussion, “See if you can follow my finger with your eyes.”

October 15 - Torture Tuesday

Waterboarding, removing body parts, “Don’t break down on me yet.”

October 16 - Whumperless Wednesday

Drowning, hostile environment, “I don’t know how anybody could survive that.”

October 17 - Trauma Thursday

Abandonment, misunderstanding, “Why did I even think you cared?”

October 18 - Fright/Freaky Friday

Mind control, possession, “Everybody will end up despising you.”

October 19 - Sensory Saturday

Disassociation, losing a sense, “I wish I could get you back.”

October 20 - Surprise Sunday

Enemy/Stranger to caretaker, accidental de-aging, “I’m absolutely not qualified for this shit.”

October 21 - Medical Monday

Drugged, ambulance ride, “This will make you feel better, okay?”

October 22 - Torture Tuesday

Forced (to kneel/watch/hurt somebody else), whipped, “Do not look away.” October 23 - Whumperless Wednesday

Fever, passing out, “Hey?! Stay with me, okay?!”

October 24 - Trauma Thursday

Deconditioning, relapse, “It’s normal that you need more time.”

October 25 - Fright/Freaky Friday

Humiliation, betrayal, “How could you?!”

October 26 - Sensory Saturday

Electrocution, burning, “This is going to sting.”

October 27 - Surprise Sunday

Before vs after, Alternate universe, “Well, there’s a first for everything.”

October 28 - Medical Monday

Internal bleeding, needles and stitches, “I didn’t think the wound was that bad…”

October 29 - Torture Tuesday

Ownership, branding, “Everybody will know that you’re mine.”

October 30 - Whumperless Wednesday

Poison, delirium, “You’re not making sense.”

October 31 - Trauma Thursday

Panic attack, facing a phobia, “You need to get out of here!”

Alt prompts:

1) Pistol whipped

2) Co-dependency

3) Animal bite

4) Zombies

5) White room torture

6) Shock collar

7) Pulling teeth

8) Kidnapping

9) “You always make everything worse!”

10) “If you weren’t around, I’d be long dead by now...”

[annabelle--cane]

obviously I get and understand the whole "the rich are vampires" angle and I am the number one proponent of "metaphorical monsters don't have to fully logically cohere because they represent subjective emotional realities," but also one thing that gets me sometimes is that, like, exploitative rich people can stop. count capitalistula can quit his job and forfeit his title and stop sucking the life out of people to further his needs, but in most portrayals of vampires, blood sucking is obligatory. not all the time, of course, big being human uk fan here, but positioning that kind of vampire as a political enemy implicitly says that there are some people who just by the very nature of their being cannot be allowed to live because they are inherently a drain on society. which, again, you can do interesting stuff with, but it doesn't really work if you're trying to use monsters in that particular way to make explicitly activist art.

[pretzel-box]

Sebastian trolling on intercoms, he has this one line where he says he’s stuffing urbanshade’s operatives in the drawers. My req is walking in on Seb stuffing them in the drawers and going, “dude wtff” and then proceeds to help out just because. Then it’s his turn to go “dude. wtf”

u can ignore this if u like, take care, toodles :3

Tags: Mention of dead bodies, gn!reader, can be read as established relationship, bonding over weird activities

Words: 1k

Being constantly on your own meant learning the art of multitasking, managing both the mundane and the ridiculous without complaint or backup. That's one of the first things Sebastian had perfected. No matter how brutal the mission or how complicated the intel, it always came down to doing the dirty work solo. He had a particular distaste for asking for help, especially from the expendables sent by Urbanshade. Not that they could be much help anyway—Sebastian had long suspected that most of them lacked the basic smarts to handle even the simplest tasks.

He once likened them to dogs: you throw them a bone, and instead of catching it, they'd get hit in the face. That mental image gave him an odd sort of satisfaction as he worked.

But today was testing even his limits.

He was crouched over a body, struggling to cram a fully massacred Urbanshade operative into a drawer not designed to hold anything larger than some spare parts and tools. The operative was limp and heavy, their arms and legs flopping uselessly as Sebastian tried, for the third time, to fold them in enough to close the drawer.

He let out an exasperated sigh, rolling his eyes as he shoved a leg into place. “Another day, another operative stuffed in the drawers,” he muttered sarcastically to himself. “I swear, Urbanshade should just invest in bigger cabinets if they want to keep sending these guys.”

He gave the drawer another forceful push, but it stubbornly resisted.

Suddenly, a voice echoed down the corridor. “Sebastian, what the actual—” You appeared in the doorway, your expression a mix of shock and disbelief as you took in the bizarre scene. “What the hell are you doing?”

Sebastian didn’t even look up, his voice steady and dry. “They ran out of closets. And I ran out of patience.” He gave the drawer a final shove, managing to stuff half the operative’s body inside, though one arm still dangled precariously from the side. “You’d think Urbanshade would plan for this, but here we are.”

For a moment, you just stood there, trying to process the absurdity of what you were witnessing. The operative, the drawer, Sebastian’s complete lack of concern—it was all too ridiculous.

“Well…” you sighed after a moment, pinching the bridge of your nose. “I guess I’ll help.”

Sebastian finally looked up, one eyebrow raised in mild surprise. “You’re seriously going to help me?”

“Clearly, you need it,” you replied, stepping forward and rolling up your sleeves. “There’s no way this guy’s fitting without some… creativity.”

Without another word, the two of you got to work. The silence between you was punctuated only by the occasional grunt as you both maneuvered the operative’s limbs into the most unnatural positions possible, trying to make him fit into the narrow space. You had to bend the legs awkwardly, twist the arms into near-impossible angles—it felt like playing a weird game of human Tetris, but the stakes were somehow more absurd.

At one point, the operative’s foot got stuck between the drawer and the frame, and you had to push down hard on his leg while Sebastian yanked at the drawer to create enough space.

“This is not what I signed up for,” you muttered under your breath, gritting your teeth as you pushed with all your strength.

Sebastian grunted in agreement, though there was a faint smirk on his lips. “Welcome to my world.”

Finally, after what felt like an eternity of bending, twisting, and shoving, the drawer slide shut with a satisfying click. Both of you stood back, breathing heavily from the effort, staring at the now-closed drawer that held the awkwardly folded operative.

You wiped the sweat from your forehead and turned to Sebastian, crossing your arms with a smirk. “Dude, what the actual hell.”

Sebastian chuckled, leaning against the drawer with his arms crossed, the faintest glint of amusement in his eyes. “I could say the same to you. You just helped me shove a guy into a drawer.”

“Hey, I wasn’t going to leave you struggling,” you shot back with a shrug. “Besides, if we’re going to survive in this hellhole, we’ve gotta get a little creative, right?”

Sebastian raised an eyebrow, his smirk widening slightly. “Fair enough. But I didn’t expect you to jump in so willingly.”

You couldn’t help but grin as you leaned against the wall, crossing your arms. “Well, if I’m being honest, I wasn’t going to pass up on something this ridiculous. I mean, it’s not every day you get to help someone stuff an Urbanshade goon into a drawer.”

He let out a low chuckle, shaking his head as he glanced at the now-closed drawer. “I knew I liked you for a reason.”

The two of you stood in companionable silence for a moment, the absurdity of the situation sinking in. It wasn’t the first bizarre thing you’d encountered down here, and it certainly wouldn’t be the last, but at least you had someone to share the insanity with.

“Well,” you said eventually, pushing off the wall, “since we’ve finished this little project, what’s next? Filing cabinets? Maybe the supply closet?”

Sebastian snorted, straightening up as he stretched his arms. “I think we’ll save that for tomorrow’s entertainment. But hey, if you’re free, I might call you in for backup.”

You rolled your eyes, but the grin on your face remained. “Sure, because I definitely have nothing better to do than help you play hide-the-body with Urbanshade’s finest.”

He shrugged, smirking as he headed toward the door. “It’s either that or sit around waiting for the next crystal hunt. Your choice.”

You followed him out, the tension easing with every step. In a place like this, where the line between sanity and chaos blurred more with each passing day, it was a relief to know that, at the very least, you weren’t facing the madness alone.

“Who knew stuffing people in drawers would be a bonding experience,” you quipped, shooting him a playful look as you walked down the corridor.

Sebastian chuckled, shaking his head. “You’d be surprised what counts as bonding in this place.”

And with that, the two of you disappeared into the shadows of the facility, ready to fill some more furniture with unnatural stuff.

[cdlum]

I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

[librarycards]

pls ignore this is its too weird or too much labor, but i was wondering if you maybe had any tips or resources for ppl who have creative desires like writing but brain fog and fatigue tends to get in the way?

i do! it may not work for you bc people have very random/unexpected ways of dealing with this, but it's *very* common and there is hope :) [i think a lot of this is applicable across form, but i'm using "writing" here because it's what i'm familiar with]

one way is to be strategic about timing: this includes thinking about when you're least foggy/have the most energy, and/or the most "downtime" where there isn't anything in particular you need to do. many people wake up early so that they have alone time before their responsibilities. some people stay up late to write. i tend to do my daily writing (which I elucidate on below) in the evenings, around 7-10pm. whatever works, works!

relatedly: scheduling/routine is, for me, critical. i think it is for a lot of creative ppl. I write every day, in multiple ways: i keep a journal - i've done this since i was like 12, so it's as ingrained as brushing my teeth and i don't really think about it - and also work on some aspect of my current longest project [so, for the last 4 years, it's been the aforementioned second novel; for the 4ish years before that, it was Failure to Comply. i write other stuff during the daytime, of course, because writing is also my job(s). but if you're looking to establish a consistent creative practice, you don't need to be aiming for a certain hour or word count.

Instead: Aim for consistency and progress. Not perfection, not a "muse," not magic. There is no shame in making something that doesn't seem good, or that you end up deleting. in this particular instance, "perfect is the enemy of good" is 10000% true, and i think especially applicable to people who already experience external + internalized ableist ideologies on a daily basis. your art, regardless of what it is, should be a space where you get to make mistakes, change your mind, and learn new things. it should be something you can come to when you're tired, unsure, confused, scared, etc, even if it means just keysmashing and then closing your notes app for the day.

for me, having a daily practice, regardless of anything, means embracing the days where i write only one word and then despair, as well as the days i write pages. when i feel most depressed, in a very clinicized sense, i try to move from "everything i make now is going to be shitty :(" to "everything i make now is going to be shitty :)", not because i'm happy about it, but because....that's simply part of creating. everything is a bodily function. if you're not feeling good, maybe your poop will look weird. so too with writing. but you still do it. it can be mechanical. but it'll happen, and by doing it consistently, you give yourself the *opportunity* to locate insight hitherto buried, to have an idea creep up on your tiredself.

i guess in sum I'd say that the healthiest thing i ever did for my writing is something tantamount to body neutrality, which has also been an immensely positive addition to my set of frameworks for physical embodimindment. creative neutrality, i guess. this doesn't mean i don't tie my ego and personhood to work/productivity/quality. i mean, i totally do, and it sucks, but there we are. but it also means that i place that in a corner that does not touch my desire to chip away at something big, regularly. i make time every day to summon the urgency of whatever i'm working on, not because i'm proud of it at that moment, but because i want to give it another opportunity to give me something cool.

tl:dr: give yourself the gift of consistency and time, and don't be scared of making stuff that isn't good, or gets deleted, or doesn't make sense. write from wherever you want, physically, mentally, spiritually. give it the opportunity & even the expectation to happen and then work from there.

[shima-draws]

So every year my company has a huge conference where we all come together and go to different presentations and stuff. That’s the boring part. The FUN part is getting to talk to everyone and drink and party and listen to the higher ups talk about their experiences which always ends up being super inspirational.

Long story short they had a discussion about like. Taking chances and getting involved in things you want to be involved in even if it means changing positions in the company. And y’all know how much I fucking HATE my current job lol and while I have been searching for work outside of this company I haven’t had much luck (very competitive field + not a lot of open jobs that suit my experience + half the jobs in my field getting taken over by AI, etc etc). But!! While it’s not EXACTLY what I want to do with my life there is a position in this company that definitely has a more creative and artistic side. And that’s marketing. And there’s one (1) guy handling marketing for our entire company and he offhandedly mentioned to me a few weeks back about how he’s looking for help—and he went straight to me in particular bc he knows I have a background in art and design and stuff like that.

So being ✨ inspired ✨ by the conference I stepped wayyyy outside my comfort zone and worked up the nerve to tell him hey I’m interested in what you do and I know you mentioned you might need help and I’d frankly love to help. And he was SUPER excited lol I mean we’ve been friends for a while and he’s literally the friendliest and most extroverted person I’ve ever met. Things are already moving so quickly lmao he’s talked to my boss and his boss about getting me into marketing so I’ll be able to do things like. Photography! And video editing! And web design! And swag design! And lots of creative things!! And I’m very excited!! Bc I’ve felt so fucking stifled at my current job bc it’s just. Very opposite of a creative type job and while I do appreciate my teammates I just. Don’t want to be there anymore.

So I saw the opportunity and I was like. Clearly looking for other jobs is not working rn so you know, maybe marketing isn’t something I want to do forever, but it’ll at least give me more experience in my field if I do end up finding a job elsewhere. You know? And if I do this I won’t be absolutely miserable every single day doing something I don’t care about and don’t love doing. So.

Anyway long story short I might be getting a new position soon and I’m VERY excited and jazzed and grateful to finally get to have a job that I’ll actually enjoy doing. And I wanted to share. :))))

[potatoofdefiance]

My two cents and a rant on the allegations and Good Omens

(I will probably regret this later)

This has been eating at me for a while now, ever since the news broke that Neil Gaiman was a sex pest (see infamous TERF-adjacent podcast by Tortoise media) and I have been consciously and unconsciously ruminating over it for weeks now, so here goes.

I think the news of Neil Gaiman hit me harder than I was expecting, and certainly harder than I would have liked.

I didn’t (and certainly do not now) consider myself a “true fan”. I was never a hard-core fan, one that goes to signings or book fairs or cons to meet my favourite author. Partly because I never latched that much on any of the authors of the books or movies I loved, and partly (maybe for the best now that I think about it) because I never had the money, or wasn’t located in a geographically favored area. Meaning I never lived anywhere near wherever events with Neil Gaiman were happening.

So, with all this in mind, how is it that the news managed to hit me so hard?

I thought (read: ruminated) about it, and I think it is because of Good Omens. And the latest times. In my life, and I think a good chunk of other people’s lives too, these last few years have been a roller-coaster. You choose which particular scenario the roller-coaster is set into; mine is on fire, running through a sea of shit and we are being slapped by gooey flaming eels hard in the face.

Maybe someone might enjoy this. That someone isn’t me.

But the point is: I have been struggling. With my life, with a mental health condition, with the world and my place in it.

Enter Good Omens. In an effort to actively expose myself to “nice” stuff, stuff that would, if not make me feel better, at least make me laugh, I started tapping more into the fandom.

I’m not a fandom person. Again, never latched onto anything that had a fandom big enough (where are the Ann Halam fans? No one is making cosplays of Sloe from Siberia, are they?).

But with Good Omens, it seemed perfect for me. I wasn’t invested so much, it didn’t make me feel like I was “lacking” something in order to be part of it. I just felt like I didn’t care enough to really be vulnerable to it, I felt like it could have been a nice innocuous hobby.

But that’s the point. Thinking it was innocuous made me let down my guard enough to actually fall in love with the fandom. Fall in love with those two weirdos of characters (which by the way, I’ll say this now: I think Aziraphale and Crowley as portrayed in the series are more a product of fans and Tennant and Sheen than they are a product of Gaiman and Pratchett. And this is not a bad thing per se, I think, but let’s give credit where credit is due).

And let me be clear: I gained so so much from joining the fandom. It has positively affected so many seemingly unrelated parts of my life, and I’m so grateful to so many kind strangers on the internet who have shared such wholesome art with me, and have gifted me so much, that even putting it into words is simply not enough to explain all of it.

And one of the results of this “wave of wholesomeness” is I also started following Gaiman more closely.

Like so many, I loved Coraline. Gaiman seemed a genuinely nice person. An old guy who had wisdom to share, and who seemed to be fascinatingly non-stereotypical? If that makes sense. What I mean is that he was everything my father warned me against. A goth, weird, a writer therefore an artist (and in my family we know artists are fools who end up on the street jobless and homeless). And yet, to me now he seemed such a normal guy. Yes maybe someone who enjoyed that fashion style, but otherwise very far away from the usual excess of a rockstar. Of course I was too young when he was at the peak of his rockstar years. English is not my first language, and when he was 40 I was in elementary school and just learning about him, and you know, they do not write about his fans passing out at signings or his groupies on the back cover of children’s books.

What I mean is that I didn’t have access to all the media and information about him.

So I start seemingly connecting to this writer, whose works I have enjoyed for the most part, and who seems such a nice guy in how he interacts with his fans and people in general. Such an inoffensive, kind person. And kind seemingly to everyone.

I started liking him. To the point where I remember telling my partner: you know, Neil Gaiman is someone I’d take a coffee with (which in Italian culture is one of the greatest honors one can give you. Having a coffee while sitting at a café and chat for hours is what good friends do).

So, in my mind he had a special place now. He was someone I started to admire and look up to.

And this is, I think, where it hurts. It hurts because even if I wasn’t personally victimized, I never met him, he never acted creepy with me, he doesn’t even know me, it still felt like I, as part of the fandom, had been used for his clout. And also, it hurts to feel like someone you trusted because of how they presented themselves has lied to you.

And on top of that: it is so fucking disrespectful. The fact he thought he could get away with it. With hurting so many people (one is one too many by the way), and causing so much pain, while also enjoying crowds of adoring fans, both online and in person.

I find it personally difficult to reconcile my love of the GO fandom with all of this right now. And I think it’s for a number of reasons.

Firstly because the silence of institutions and people around these facts has opened some old wounds and made me angry again towards a system that I perceive as hostile towards me and people like me who might be vulnerable.

What I mean is: I know that Gaiman is a powerful person, and a lot of people need to bring money home and are tied to contracts and what not (yeah I’m looking at our favorite two male presenting british actors here) and I understand it. I do. And this is exactly why this stuff makes me angry again. Angry at the whole shitty system we live in, where if you happen to be in some kind of power imbalance you might end up having to eat shit and shut up while witnessing violence against you or others and not being able to utter a word about it. This sucks. It makes me angry. It makes me angry that Michael Sheen, someone I like to believe would be among the first to shout “I BELIEVE THE VICTIMS” if he was talking to friends at a bar, likely has to shut up and play nicely because Darth Amazon has some fucking clause written in Braille somewhere that says he has to sacrifice his firstborn if he ever dares to suggest he doesn’t like anyone related to the franchise.

It makes me soooo angry that we stay in the dark, and we only know from those people who are brave, and powerful enough to speak up about something that (allegedly) has been known for fucking years in the writing community. That this person was a creep. That he was treating people, mainly women and non-binary folks, if not bad, at least poorly.

And you know, this makes me even more angry because I have been in such shitty situations too! I was a victim of a system where exploitation and borderline abuse were normalized in a work setting.

And it wakes something deep in me to read that “it was an open secret bla bla bla” and again: I understand why people set up whisper networks instead of taking these giants down. I understand it. It still makes me angry because I simply do not want to live in such systems. Systems where I’m either the sacrificial lamb or I’m the one tying it on the table, or handing the axe over to the butcher, or a witness who has no power to stop the suffering.

I don’t want to live in such a system. But I have to. In my real life. I have to put up with so much shit sometimes, shit that makes me feel like I cannot stand up for my values because hey, I need to pay the bills too. And Good Omens was one of those few things where I could escape a bit into an alternative reality, where everything could be a bit better.

And I’m sure the fandom is still like this for most of the fans. I have witnessed first-hand how supportive and cheerful this fandom can be.

For me though, it still makes me think of all this...tsunami of shit.

I want to be able to enjoy the silly fanart, the memes, the wait for season 3 again. But I can’t. I can’t because my brain does not work like that. Good Omens still means Neil Gaiman too much to me. And I cannot go around talking cheerfully about Good Omens while feeling like I’m feeding into the clout of someone who used their power to coerce vulnerable people. Because (and I might be wrong) it feels like the message I’m sending is: my comfort show/book is more important than your pain or your life. And I can’t. This is not the truth.

I feel for the victims. Probably I feel even more than it would be healthy for me, or normal. But I don’t know, I feel like I connect to them. Maybe because I’ve been a victim of abuse perpetrated in clear power-imbalanced relationships, or because I felt like nobody cared about me and my wellbeing for so long, that eventually I stopped caring too.

And it is bad. It’s dehumanizing to a point where you really start believing you don’t matter. Your wellbeing doesn’t matter. There are more important things.

Ok so, I don’t want the victims, the survivors, to feel like this. They matter. They matter to me because if there’s one thing that is going to re-ignate the sacred fire of defiance in me is being able to stop this self-feeding cycle of self-loathing and misery. You matter. We matter. Vulnerable people who have been hurt matter to me. If there is one thing we can do to resist these systems of oppression and these people who abuse their power, that thing is believing that the people they hurt matter. If not more, at least as much as them.

And the way I show myself and others that the victims and their lives matter to me is by distancing myself from Neil Gaiman and his works, at least for now.

I feel bad for people who might have found themselves unwillingly tied to all of this. I feel bad for Sheen and Tennant, for all the wonderful artists and craft-people who have put so much of their work and love in Good Omens and I don’t want to let them down.

My two cents are that season 3 will not be canceled if they see there’s enough traction, and definitely won’t be canceled unless fans start a crusade against it, which won’t happen most likely.

The fandom loves Tennant and Sheen too much, and these are too much nice people to really hold a grudge against them, so I don’t think it will be canceled.

I’m afraid we (I say “we” meaning everyone who loves Good Omens) will be “held hostage” by Gaiman in the sense that he knows season 3 is not going to happen without him, so it’s either “we” or the majority of “we” behave, or it’s not going to happen. Which again, I don’t think he would lose the opportunity to make some money, and he also has contract duties to fulfill, but it still is worth it for him to try to leverage his power.

I wanted to end this rant on a positive note, somehow. But I don't know exactly what to say. Recently one of the things that has brought me laughs and joy has been the Channel 4 series “We are Lady Parts”.

In one of the episodes they quote a very beautiful poem, which came back to mind when I was listening to Claire (the latest woman who has come forward with allegations) on the “Am I Broken” podcast.

The poem is Speak by Faiz Ahmed Faiz, I will paste the version from the show, because I think it’s very powerful and beautiful.

Speak, for your two lips are free Speak, for your tongue is still your own This straight body still is yours. Speak, your life is still your own.

See how in the blacksmith’s forge flames leap high and steel glows red, padlocks opening wide their jaws. Every chain’s embrace outspread.

Time enough is this brief hour Until body and tongue lie dead. Speak, for truth is living yet. Speak, whatever must be said.

[sasaranurude]

Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."

I'll talk about how this looks like a blatant twst clone at the end.

Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.

He's looking for a girlfriend btw. Spreading the word.

The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.

There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!

In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar

At least there's a cat in the rhythm bit.

And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)

Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.

Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.

So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.

[kelocitta]

Hey I was just wanting to ask if you some tips on drawing Slugcat legs. I really want to be able to draw these little cuties and I have everything else done but the legs (specifically poses and action) is really tough for me

It'll depend heavily on how you actually wanna do their legs, but since your asking me I'll assume you like how i do them- I draw them digitigrade when in motion, which basically means that the weight of the animal is carried on the on the toes (the other is plantigrade, which means the back of the foot makes contact with the ground when moving.) This is important since it changes how the leg tends to be formed and rest, but slugcats have a lot of flexibility here.

The other thing to keep in mind is that slugcats are *sleek* and tend to be smooth no matter what pose they're in, so you can hide the specifics of the legs under this and squash and stretch them as you see fit. Think about how fur or feathers tend to hide exactly how the body looks (and thats why so many animals look weird when wet and all that stuff lays flat) As for how I do it, I try to keep slugcats to a tube or triangle shape with most of the weight/fat being in the hips and tail. In most cases, you can get away with just imaging the leg as a flexible ball, and treat the foot as a point (like your pulling on a water balloon). The further the foot from the body, the more that ball stretches. The specifics of whats going *on* in the ball can be hidden unless its its really stretched out

Mentally I don't put much thought into it, but if you need more structure think of the bones of the leg as three sections- the foot, fibula/tibia (Lower leg bones) and femur (Upper leg bone/thigh). Digitigrade and plantigrade tend to favor certain positioning, but ultimately the only major focus is on how the foot functions. Digitigrade in particular tends to favor this sort of 'z' formation even when fully stretched (Humans, in contrast, are plantigrade, and our legs can be fully straighten out even if they still fold the same way). So if your going for that you'll always want to keep a bit of a 'z' shape even if your stretching it waaay out. When at rest, I keep the foot of the slugcat flat. But anytime it's in motion or would be active they shift weight to their toes. You could keep them fully plantigrade, but personally I think digitigrade allows for easier shows of motion and more natural looking action shots with the upright posture if you dont want to stretch the leg out fully. Also i just like the look of it more. (If you want to get into biology more, this would normally be hard on the legs weight-wise, but I like to imagine slugcats are mixed tripedal rather than strict bipeds, and make use of their tails as a third grounding point.)

And heres a very quick run over some of the official cutscenes to show similar:

I personally just wing it when it comes to the sizes of those sections, but a general rule of thumb is that everything gets shorter as you go down- the upper leg has the longest bones, then the middle leg, then the foot. A lot of that is hidden in the body of the slugcat, but keeping that in mind might help keep the leg length feeling natural. (But the biggest secret is that your drawing a fake, stretchy blobby animal so you can bs a lot and be imperfect and honestly just do whatever in a lot of cases and not end up with something that noticeably wrong. This DOES get a little harder if you draw them more lithe or cat like, just because that exposes the leg more) And lastly, if cutscene art isnt helping and you might benefit from a real life reference- rather than using an actual cat I would actually recommend mustelid like a ferret, otter or stoat. They're plantigrade rather than digitigrade, but their form and posturing is a little bit closer to the slugcat and it might help with visualizing the way the legs can sink into the body. I will give a heads up that these are little predators so general search results do tend to show them hunting small animals like mice, if your sensitive to that stick to domestic ferrets for safer results.

Just remember to fatten them up- they're way longer and thinner than slugcats are

[peachdeluxe]

This was going to be formatted as art, but I just have a lot to say. Please forgive a long vent-y (but positive!) textpost instead! a little update on me and my work vvv

It's probably evident if you've followed me a while, but I've had a really really bad past two years. Things are finally starting to look up again.

Stress from my home life & financial issues and grief caused a very difficult onset and worsening of psychotic depression, and I reached my breaking point recently. I made the decision to give myself and more hands-on treatment one more try, and for the first time in my life I feel like something is working. I am getting better! It's only been a short time but I really feel like I've finally been given my life back.

All of this to say: first of all, thank you to anyone who has helped me raise funds to keep myself afloat financially, or sent me a kind message, or shared my work. Aside from just having a heads up where clients can see it in case I've missed messaging anyone with updates, I am posting something very personal here because the kindness of my followers here in particular has very tangibly saved my life.

Second, getting better means I can, I hope, get back to doing art full-time again. I realized I've felt a massive disconnect with what I draw for a very long time because of how bad things have been going. I feel real clarity now about what I want to make, and I don't think I've been secure and well enough to listen to that feeling before. Maybe my art won't actually look different in any way externally after saying all of this! I still like to draw fun and bright cartoons, and I don't see that changing. I just feel capable of and feel a desire to make different, more 'me' artwork. I hope it's okay I'll be drawing different stuff going forward, a lot more original work than fanart. thank you very much for reading

[cyren-myadd]

This concept art has been living in my head rent free

This concept art of Spider with a kuru literally keeps me up some nights wondering what it means. I got so excited over the new D23 concept art that I went looking through some old Avatar stuff I had saved and came across this again, which reignited all the burning questions I have about it.

Concept art typically leads to two outcomes: either it gets scrapped and removed from the plot or it gets refined and is eventually realized within the story. The same is true for this particular piece of concept art. Its existence means it's either:

A) an old idea that they ended up scrapping, or

B) it's an idea they're going with and will eventually be realized in the movies.

The reason I keep myself up at night wondering whether its A or B is because of the context of this concept art. The art was originally shown on a gigantic screen at some big avatar showcase thing in Los Angeles. There's no way showing this was some oversight or mistake. Unlike the script that was shown on accident, this was shown to avatar fans INTENTIONALLY. Which leaves me with the question of why they would show such a shocking concept on purpose?

If option A is right and this is just an old idea they scrapped, why show people? This isn't a minor change (ie switching the Metkayina eye color from yellow to blue/green) that won't really make an impact on the plot. Spider growing a kuru would be a massive change that would radically effect the story. I think I read somewhere that James Cameron at some point wanted the character Trudy to return as a recombinant like Quaritch, but scrapped the idea because the actress, Michelle Rodriguez, didn't want to reprise her role. Could you imagine if before Avatar 2 released, they showed concept art of Trudy as recom, and everyone got all excited to see how that would play out, only for it to be revealed that it was an old scrapped idea and we were never going to see it on screen? That would be such a confusing and disappointing thing to do. This is how I feel about this concept art. If it's never going to happen, why show it at all? Since intentionally showing concept art for an idea they scrapped doesn't make any sense, that makes me wonder if option B is right, but option B doesn't make a lot of sense either.

If option B is right, once again, why show people? That's a MASSIVE spoiler. Showing this image would be like if they showed concept art of Neteyam's funeral before Avatar 2 released, spoiling the major death of the story. It wouldn't make any more sense to spoil a big death than it would to spoil such a radical change like Spider getting a kuru. I'll admit that when I first saw this image, I accepted it at face value and I made this long post theorizing that Spider will get a kuru and that this will somehow be connected to the leaked script where he gets the ability to breathe the Pandoran air, but since then I've rethought my position. It just doesn't make sense to me that they would show it on purpose if they actually do intend to give Spider a kuru in Avatar 3. But at the same time, it also doesn't make sense that they would show a scrapped idea that's so wildly out of the range of what we know is possible in the avatar universe.

Unless there's some secret third option I'm missing, I'm going to keep wondering and wondering whether this image is just a scrapped idea or a real spoiler of what's to come. I guess I'll get my answer when Avatar 3 finally comes out and this idea happens or not, but I'll still wonder why they showed it.

Do you guys think this concept art is depicting a scrapped idea or a spoiler, and why? And does anyone have any idea why they would show this regardless if its a scrap or a spoiler?

[simplydnp]

hey there!

I kind of consider you the resident dnp expert (at least in dnp culture) so I wanted your opinion on a question that's been building for a while now.

What are the boundaries for dnp now?

There are so many things that I feel have changed even in the last four years: writing smutty rpf was Gross and Weird, along with art along that line, speculating about their relationship was ABSOLUTELY a no-go, all things that I see happening on Tumblr now. And I'm not saying that's a bad thing!! I'm just acknowledging things have changed over time. They're different people now and so are we, and the "we know you know" era is lots of fun.

I was browsing reddit today (bad idea, do not recommend) and came across a post from a new Phannie asking if DnP were in a relationship. And while I agree that we cannot say for absolute certain that they are, the responses had a VERY different vibe than on here, emphasizing how bad the speculation was (true) and essentially saying "don't even think about that, just enjoy their content." (or something to that extent.)

Which... is very different from this here website in which we joke about them being horney for each other constantly lmao.

Being a very rules-driven person, I like expectations to be made abundantly clear for pretty much everything. So that's why I want to ask: Is there a line here? Are we crossing that line? How defined is that line? (All of this, of course, I recognize is your opinion and yours alone, and if this is posted I encourage anyone else to share their two-cents in a respectful way.)

Obviously, trying to find out where they live/things like that is very clearly crossing a boundary. But is there some sort of limit or boundary I (and tbh the rest of the phandom), in your opinion, should be keeping in mind?

thanks xx

hi!

'resident expert' is a hefty title, i'm just here trying my best!

'what are the boundaries for dnp now?' is really a great question. cause the thing is, we used to know. there used to be a fairly well-defined and mostly agreed upon line, and ever since the dapg revival in particular, the line keeps moving.

i'll be honest, i never really saw phanfic as rpf, even though it is. my stance on phanfic is the same as dnps: it's a beautiful expression of art and creativity and is so, so important. they've always been pro-fic (even though we subjected them to some absolutely horrific crack fics), so i don't think 'smutty' fic has ever been gross or too far. they've given their blessing, and, as the conversation has been in fandom communities the last few years, rpf isn't 'for' the people in them, it's for the fans. so i digress.

art is much the same way. they love art! they even included art of them kissing in a tumblr tag video back in the day, so to say that's not allowed especially after they're out is kind of crazy to me.

i think the line with stuff like that was showing it directly to dnp--tagging them in explicit stuff, that kind of thing. but creating it? go for it! it's always been a green light. (i think fans have previously overpoliced this and we lost a lot of great fic, art, and community members over it)

browsing reddit is always a Choice. i've never participated on dnp reddit before but i am aware that it is an entirely different space than here. something that's important, i think (and i think you think this too as you're asking about them), is to respect the fandom rules of the place you partcipate in. tumblr is generally one of the most phan-positive places on the internet, especially publicly facing. we make a lot of relationship jokes, particularly because we run on the assumption it's already true, based on what they've both said publicly (mostly dan).

i won't comment on reddit specifically just because i'm not a part of the community there, but the speculation about dnp online was a Lot for a long time. but the worst part of it was the stalking, the digging into personal lives, the contacting family members--that is what was bad. dnp have always had a connection--and, honestly, they kind of love flexing it and kind of always have. they absolutely play into things now, but they certainly did even way before coming out too. i think a certain level of speculation was to be expected, especially in that era of online fandom. but it wasn't just the 'teenage girls' who cared, the media did too, and so did many others.

i think one of the biggest differences now is 1 the awareness of 'our' past and trying to make up for it, and 2 the broader societal conversations about parasocial relationships.

you see this reflected on the snippets ive seen from dnp reddit and dnp twitter. they tend to be Very 'cautious' about the words they say, often undercutting perfectly reasonable statements with 'but whatever their relationship is'. on one hand, they don't want to cross a line, and i can respect that. on the other hand... it's 2024 babes. they just put out merch of them holding hands. dan's directly, intentionally, and explicitly called phil a bottom on dapg. they reacted to all of the pinofs, made jokes about 'theyre touching', and even joked about the tackle being 'wrestling 👀'. dan posted half-naked catboy pics and showed us phil was taking them. the 'watch your step babygirl' tweet & their reactions to it. phil is credited in WAD. they're making threesome jokes about themselves as a unit. i could go on and on.

to me, there's a few things that have 'moved the line' for us, so to speak.

1 - DAPG returning. for the last few years they specifically were not a duo (for projects) anymore. (and no, not because they hated each other). they just weren't. they wanted to focus on their goals and projects. they didn't have to resurrect dapg, but they chose to. marketing and money aside, they knew that if this went over well, it would well and truly revive the 'dan and phil' brand again. it would be specifically returning to being a duo in the public eye. (however they've also fully embraced this in all aspects, including merch, videos, and general attitude)

2 - pinof reacts. even though they'd been out since 2019, we hadn't had regular joint content from them since before that, therefore, while they had become more comfortable with themselves and their 'outness', we hadn't (in terms of them making explicit gay jokes together). so i really think dnp had to de-fang a lot of the 'theyre touching' of it all, because we didn't really know where we stood on it anymore. i think they succeeded, too. we couldn't be here, with the content of the last 3 months, without them tackling it head on (well, as head on as they're want to do).

3 - dapc. genuinely another big shift. they did this for the real fans. purely a passion project, and a specific choice in doing the handhold. they know what we're like. and this wasn't a brief, unplanned, unscripted moment. it's a specifically blocked out scene. they know it's opening a door, and they chose to. this is doubled by the fucking iconic merch selling, and furthered by phil's twitter likes of arguably romantic phanart, and then dan's full straddle like.

even throughout the current 6 months of revival, the line has moved. i don't know where it will settle. dnp keep moving it, in my opinion, and, genuinely, i don't think it's going to leave much to the imagination. as you say, obviously not the stalking or the contacting, but beyond that? especially here on tumblr? i wouldn't get too worried. obviously people will have their opinions, but as long as you're generally respectful and recognize that humans will see your posts and humans interact with them, i think you're good.

my rule of thumb is anything they intentionally put on the table, we can joke about or at the same level. but in terms of art/fic? go off, live your dreams. dan and phil would want you to.

[hestella]

Hannibal Lector: A New Face

A/N: I'm currently not done watching Hannibal so there are A LOT of mistakes and it probably won't make any sense lol please tell me out of the kindness of your heart if you want me to fix anything or want to let me know. Also some scenes are improvised by me, I don’t own any characters except for my OC(which is, well, you), all credits to Hannibal NBC and Red Dragon series. LOVE YOU ALL

Warnings: mentions of violence, sexual violence, blood, murder, use of Y/N(cause I can't think of a cool name), Fem!reader, kind of POC reader?, psychopath reader, trauma, mental illness, BLIND READER

Will Graham was gifted a special talent, the talent to see and read a person's mind, no matter how wicked or broken it was, he was able to know exactly what and why and how. His talents were greatly appreciated from the FBI, especially solving murder cases.

He had some of friends, but there was one particular and close friend he had, her name being Y/N.

She seemed to be also have a special natural-born talent. After an unfortunate event, she was permanently blinded and needed to have a walking sick with her, but she still was able to memorize and observe the smallest details of practically anything she felt and heard. Her talent was also what the FBI needed, but she never actually applied, or even participate on those kinds of stuff, unlike Will.

In fact, she was just a plain old professor, teaching philosophy, she gave lectures in colleges and universities for a living.

At first Hannibal thought she was boring, until he actually got to meet her.

When Jack got to know Will, it wasn't that long after he also got to know Y/N. Will constantly mentioned her, about her abilities and how she would have thought about some things. Will knew better than to actually mention FBI cases to her, but the other way, there wasn't anything stopping him. If Will was doing lectures, not with the FBI, Jack automatically sought her for help. She reluctantly accepted, not because of the work itself but for Will, thinking that he would heal when she solved some cases for him, giving him a break. She had control of her lectures, so she was at least more flexible than Will. And with all seriousness, she was good. It was different from Will’s way of investigation, but she was able to collect evidence according to the case and end up with a conclusion, which actually helped Jack a lot, since Will’s investigation relied on his assumptions, that he himself couldn't really make sense.

"Whoever that killed these girls probably has some kind of women that look like those victims. It can be a daughter, a long gone crush, a mother...someone that they have deep connection, whether it's positive or negative. That makes them most likely a male." She explained, after listening to all the information she needed.

"We already assumed that this was a male, unintentionally. Any other observations?" Jack said.

"It's most likely a daughter, though. Young, all from different campuses. He chose these campuses specifically, I'd say, probably one his daughter goes to, or is planning to go to." She continued. "However..." She stood up, walking towards the board with the pictures, wandering her walking stick from side to side.

"He...he has a thing for killing. he's not doing this for pleasure, it's...it's more like art. Precise, like....." she turned around. "...like those people who hunt wildlife." she said.

"...what?" Jack asked.

She bit her lips, not knowing how to say it. "...like those people, I can't, I can't explain it." She looked towards Will, or just turned around where she sensed he was, for help.

Will nodded. "..yeah, I get it. I can see that, wildlife hunters."

"He probably also owns some personal space, like a cabin, out in the woods where he can dissect and dress the animals he hunts. That's probably where he killed these girls too. He would have been used to it, if he used to, or still currently is a hunter." She muttered.

"Yes, where he can butcher, cool, and storage animals, and apparently people. Even if someone accidentally saw blood or, smelled something from there, it makes sense because it's for that purpose, except it's for animals." Will continued.

She nodded and looked back at Jack, her eyes not really focusing exactly to him. "...did that help?" she asked.

"...quite." Jack looked at her only white eyes.

“im glad,” she gave him a faint smile. “But I’ve been trying to ask…is there someone else here? Apart from Will, me, and you?”

“allow me to introduce myself, Ms. Y/L/N, I’m doctor Hannibal Lector. I apologize for my unintentional ambush,” Hannibal stood upon respect, even if she couldn’t see.

“ah, so you were the one. I thought I was having delusions,” she turned her head to face him, her white eyes staring somewhat at Hannibal. She walked towards him and reached out her hand, which Hannibal accepted gently and respectfully. “No need to apologize, Dr. Lector.” She gave him a smile too.

“I should say you’re quite flexible on communicating, even though you’re visually impaired. Different from Will, you try to have eye contact with people. No offense, by all means,” Hannibal muttered his short observation.

“I’m not offended, it’s true. But there’s no need to psychoanalyze me, doctor.” She let go of his hand and reminded him, slithering away from Hannibal’s attempt to make her step out of her circle.

Hannibal wasn’t able to get a hold of her. She rarely talked, but rather tried to hint the FBI about the evidence. He tried inviting her to dinner but she was always somehow reserved. She surely seemed careful about who to let in her circle.

Hannibal tried to step into her personal space by packing up food that he made and giving them to her. He planned to do that to Will too, getting to know him and partially using it to show her what kind of a person he was. His plan was this: pack breakfast for Will, then let Will tell this event to her, and then eventually making her comfortable enough for him to make breakfast for her too. It was getting two rabbits by one stone.

Hence, that was what happened. A second of silence surrounded the two, as they chewed and swallowed the food.

“Agent Crawford told me you have a knack for the monsters,” Hannibal mentioned.

Will put down his fork and looked at him. “..I don’t think the Shrike killed the girl in the field.”

Hannibal also put down his fork and leaned a bit forward. “The devil is in the details. What didn’t your copycat do to the girl in the fields? What gave it away?”

“..everything. It’s like, he had to show me a negative to prove that-“ he sighed. “Y/N would’ve explain it better,” he muttered. “it’s like he had to show me a negative so that-so that I could see the positive.” He rubbed his face.

“….Y/N?” Hannibal muttered.

“Crawford wants her. I don’t want her to be, but I feel like she can see more than I can.” Will looked around. Hannibal noticed this.

“…May I ask you a question, Will?” Hannibal said, his breakfast long forgotten. Will just waved his hand, nodding his head. “Do you live with someone else here?”

“..yeah, we, Y/N and I thought it wouldn’t be that bad of an idea, rather than getting separate rooms…” Will explained. Hannibal nodded. So that was the thing he felt was off about the house. He was honestly surprised, but didn’t let that out.

“where is she, then? Sleeping? I would love to share this meal with her too, if she can,”

“She leaves at 4 in the morning to go to her job.” Will replied, taking another bite of the food. “and she’s strictly vegan, so I don’t think she’ll be able to eat any of these,”

“I see. Her job, which is..”

“Teaching. Modern philosophy at Johns Hopkins.”

“ah, Johns Hopkins. I should’ve known.” Hannibal almost gave him a smile.

With the additional information, it was too easy for Hannibal to roll Jack Crawford up and persuade her to be one of his patients too. He added a little bit of extra reasoning with her injury, telling Jack perhaps the right therapy may make her sense more, and less be obstacled by her blindness. It wasn’t his initial goal to help her sense like a not-visually-impaired person, but he was confident it was possible.

He decided to pay a visit to her lectures.

(Should I make this a series??)

[cozymochi]

Mild vent. Idk. I promise it’s not as bad as last nights utter mental shattering.

I don’t know what it is.

Maybe it’s a U.S centric Gen X mindset, or a remnant Boomer one from that “pull up your bootstraps” individualism thing, and no shade to any of the ones who follow me, my only point of reference are my parents and other older adults in my immediately family, and some friends families who tend to echo the same stuff—

Maybe it’s because a lot of my older family members never got to fulfill any particular ambition of theirs and had no choice but to work in fields they hate, maybe they overestimate how things work these days, and maybe it’s just me being an outlier…

But it’s so hard to discuss jobs especially creative ones of any kind when I’m the kind of person who is just… content working beneath somebody else. Or at least within a group professionally.

I don’t really have the ambition to start any individual practice or “be my own boss” so to speak. I don’t even feel comfortable in positions where I’m in charge of myself.

I don’t disagree that if that were to happen I’d probably be competent. I just feel more at ease and in my element when I’m able to just be given a task or assignment in a group setting and just doing it. Then going home and not think about it.

And if I outwardly say that I’m just… fine in that position I’m looked at weird and getting lectured about it. It’s not like I don’t get it… and I’m sure they just want better out of me or have a positive outlook that I could “be my own boss” in a hypothetical and have my own little business and be successful. As much as I do doubt myself in most cases, I just don’t feel any connection to those proposals at all.

I legitimately do not that any desire to do those things. At least, not now nor ever in the last few years. It just doesn’t really appeal to me.

I’ve never even got my foot in the door in a normal way yet to even know if a leap like that would work or is something I want.

I just know I’m genuinely more content just being given a task, doing it well (regardless if it ever surfaces, most don’t), and moving onto the next thing. I’m usually at my best there.

It’s a weird spot when I’m told that I can allegedly do “anything”, but when I say I just want to remain low key and I’m fine working under someone else, that suddenly isn’t a viable thing to be okay with.

“Oh you don’t wanna do THAT-“ “why dont you do this instead??” “im sure you could do this that and third and have your own —“ meanwhile I know every single one of them wanted that self sufficient whatever for themselves but never got it.

And it’s not like I’m not blind enough to see how hard, insular, exploitative and under-appreciated creative fields can be (and downright abusive, even).

I just… don’t have an urge nor want to do the most “ideal” and individualistic thing ever. I know what they’re saying is out of this idealized positivity, I get it. It’s not like I was the happiest person on earth with my old non-creative 9-5 job, yeah I would rather have been putting my skills to use, but I also don’t have much interest in being some kind of independent art business owner. Whatever that would entail. (the homies were even talking con booths and junk, like, sure hypothetically it sounds neat and shoutout to those who do it, but it’s not for me…)

I’m just… fine not shooting that high, nor being that notable. But I also didn’t hate my old job setup either. I wasn’t always excited to go in (who even is), but I didn’t hate it. I was pretty fine just …working.

Not that it matters. I don’t have a foot in that door anyway.

I don’t know. I don’t remember my point at all.

I’ll be rid of this later.