#like obviously not to the same degree but

[jadagul]

So a thing I said for a long time is that GPT-produced text often doesn't have intention behind it, in a very noticeable way; up through GPT3 or so, GPT text was immediately, painfully obvious to me because it was a lot of words but it wasn't communicating anything specific.

(I think the more recent ones are much better about this, but it might just be that they've all been trained into stilted corporate-speak that isn't supposed to say anything when humans write it either.)

I think some of the same thing is going on here. Modern AI systems can make pictures, and they have a high degree of technical skill, but they're not trying to convey anything, there's no message there. And I don't mean that in a "you don't have an ineffable soul", but in a sense that there's no organizing principle of what you're supposed to take away. They don't look like they have intent.

Now, I mostly don't notice this, because I'm bad at visual art and don't look attentively. But just like I noticed that really obviously with written prose, trained artists notice that in the visual art. (And for that matter, when Scott posted the side-by-side of the two impressionist pieces, my immediate reaction was the one on the right was darker, more complex, and less pretty, and thus probably the human.)

And then I notice it again with the poetry. The poetry it writes, as the paper-writers pointed out, is doggerel. (I read a good substack post about this a few days ago that I can't find, I think by Max somebody.) It's pleasant, it all sounds fine, but there's no message there, there's no thematic throughline, there's nothing to chew on and sit with you.

And the point this substack post made is—people mostly like easy stuff! When you go to a dentist office lobby, or a nice hotel room, they'll hang art. And it will be technically quite competent, and nice to look at, and have nothing interesting or complex going on, because that's what people enjoy and find soothing. And at least for now, that's what AI produces.

There are two big "AI Art Discourse" events of note recently, which I thought were interesting: ACX's "AI Art Turing Test" and the new paper on "AI Poetry Beating Human Poetry". Both of these I think reveal the shape of "what is AI art for", and also say a lot about how these results were utilized in discourse.

To take the latter first, some academics quizzed people on some poetry and had these results:

We found that AI-generated poems were rated more favorably in qualities such as rhythm and beauty, and that this contributed to their mistaken identification as human-authored. Our findings suggest that participants employed shared yet flawed heuristics to differentiate AI from human poetry: the simplicity of AI-generated poems may be easier for non-experts to understand, leading them to prefer AI-generated poetry and misinterpret the complexity of human poems as incoherence generated by AI.

More human than human poems! This certainly seems impressive - and it is. You couldn't have gotten these results ~5 years ago. But that maybe doesn't mean as much as you might think? Because here is the opening half of the winning "Walt Whitman AI" Poem:

I hear the call of nature, the rustling of the trees, The whisper of the river, the buzzing of the bees, The chirping of the songbirds, and the howling of the wind, All woven into a symphony, that never seems to end. I feel the pulse of life, the beating of my heart, The rhythm of my breathing, the soul's eternal art, The passion of my being, that burns with fervent fire, The urge to live, to love, to strive, to reach up higher. I see the beauty all around, the glory of the earth, The majesty of mountains, the miracles of birth, The wonder of the cosmos, the mysteries of the stars, The poetry of existence, that echoes near and far

This fucking sucks. Straight up 2/10 poem. Did this bitch seriously establish the world's most predictable rhyme scheme only to try to rhyme wind with end? You had one job that you chose for yourself, and you screwed it up! This poem has been written a million times before, and says nothing - the Miley Cyrus lyrics of verse.

The reason this won is, yes, because AI tools have advanced heavily in the past few years. But it is also because it is being tested on a dead art. No one cares about poetry - certainly not the survey respondents:

We asked participants several questions to gauge their experience with poetry, including how much they like poetry, how frequently they read poetry, and their level of familiarity with their assigned poet. Overall, our participants reported a low level of experience with poetry: 90.4% of participants reported that they read poetry a few times per year or less, 55.8% described themselves as “not very familiar with poetry”, and 66.8% describe themselves as “not familiar at all” with their assigned poet. 

"Or less" is doing a LOT of work there; "yeah I read a few nonfiction books a year" oh sure, totally. 90% of these respondents haven't read a poem that wasn't displayed in the end credits of Minecraft since high school. No one does, poetry as a medium is essentially a relic. That isn't an insult to poets, by the way! There is no shame in being a niche. Not everyone can have the reach of hentai doujin artists; the community is small but they get a ton out of it. But you can't take the art of the community and expect that art to hit outside of it.

This survey didn't ask people to evaluate art; it asked people to evaluate their stereotypical impression of an art they don't care about. It was ~600 people hired off a website, they banged it out ASAP and moved on. This is not to invalidate the results; I am not actually claiming that "real" poets would have scored much better? Maybe, I don't know - that just isn't very relevant.

Let's swing to the AI Art Turing Test results to get more into why. Again, AI art is absolutely "art" in the sense that it is able to pass the test handily. You have to be head-in-the-sand at this point to think that AI can't make an impressionist painting a la the "most liked" art in this contest:

I have seen the "well real paintings have physicality this is a jpeg" discourse points and the cope couldn't be more real - 99% of art consumption in the modern world is digital or at least prints, let's get you back to bed grandma. But I did find it pretty funny that Scott noted this AI piece as one he particularly liked:

Because it is nonsensical, right? All that "faded paint", how was it originally painted - just bucket splashes of red and blue? What are those random doors, the random stairs going nowhere on the sides, the vague-nothings engravings? Scott just didn't care about that - he liked the vibe, right? Ancient ruins, epic scale. It isn't a coincidence that the Impressionist art did the best - current AI tools are always impressionist, they have an idea of the vibe and invent the details in between. In Impressionism that is the whole point.

Now the trap is to go "REAL artists can tell because of this or that" because idk, the tools might get better, they might fill in more and more details. The real revelation here is that you don't need the tools to get better - visual art isn't so different from poetry. Most people don't pay attention to it all that much. You see thousands, thousands of pieces of art a week; you probably don't even realize how many. Do you really care if the fading paint makes coherent sense on a billboard ad or a doctor's office wall painting? So much art that is made is "industrial" in this sense - it has no need to be good. Only good enough to fulfill its utilitarian role. In these fields AI absolutely is going to Take Your Jobs in some form, and already is (though imo not a ton of them). And it won't really bother most people. This can go pretty deep - I promise you people are "utilizing" AI porn right now. They are ~appreciating the details~ way more than is typical, the product is working.

All this works until it doesn't, though. When it is an art book by a favourite artist whose vision you want to pour over, learning that all the individual details were just made by AI completely defeats the purpose, right? Imagine reading a book of these poems. Outside of the novelty, "AI is the point" factor you would rather watch infomercials on repeat, I can't imagine a more pointless use of my time. "Reading arbitrary poems" is never fun, regardless of the quality of the poems. Most people don't care about poetry! The reason you care is that you care about the poet, and what they want to say. You read poetry with context, it being inserted with intent into the pages of a manga, at the end of a video game, because you like the artist and follow them on twitter. The quality of the prose isn't more important than that.

Which is a harsh limit for all of these kinds of tests. They essentially aren't testing art, right? You do not ever get paid twenty bucks to sit down and read a dozen poems and score them. That has no bearing on how you would actually ever learn to care about a poem. Which doesn't make AI art useless or anything, more that these tests will very quickly run into their limits of what they can meaningfully tell you. The actual bar is "creating something someone cares about". From that lens, I fully believe hybrid methods that privilege artistic intent are currently working and will improve. But I think for "solo" AI art getting that to work is going to be complicated.

[askthefamous8]

Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!

So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.

• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent

The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.

.

Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.

Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago

I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.

On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.

I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.

So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.

If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years

[aria-greenhoodie]

You asked and ye shall receive. Aria,why do you use birds to symbolize Abigale's inner turmoil?. Besides the obvious surname thing. Also you apparently have more thoughts on the Muse art? 👀,explain?.

So obviously yeah, “Blackwing” is such a bird surname. BUT THATS ONLY THE SURFACE!

Birds are so often used as symbols of freedom, creatures untethered by laws of the land due to their ability to fly. In the same way, I imagine Abigale as being similar; free, not having to abide by the laws of her land as much as others did. In order to explain I think I have to dive into my version of Abigale’s backstory a bit…

(Warning: I’m going off what I know about 1800-1900s American Society. I’m no historian, but I’ve tried to keep things as believable as possible. I will say I’m pretty confident in that believability thanks to my feminist history class I been taking this semester.)

Born in the early 1880s, the Blackwing family was wealthy, yet fairly unknown. Calling it a “family” before Abigale’s birth would be a stretch in many’s opinion, being made up of just Mr. Atticus Blackwing and Mrs. Chastity Blackwing. Chastity tragically passed in childbirth, leaving Atticus to raise Abigale all on his own. He became fiercely protective and supportive of the young Abigale, a tiny spitting image of his late wife.

Abigale was always an insatiably curious child. At first, Atticus tried to teach her how to be a lady, to be domestic, to cook and clean and dote on her future husband, but quickly realized he was woefully unequipped for teaching a subject he knew nothing about. What’s more: Abigale HATED her womanly lessons. Instead, Atticus decided to let her learn something she actually was interested in; inventing.

Abigale loved to tinker, to create. The mechanical was a fascination of hers from the moment she saw it. Atticus as an architect had some mechanical knowledge, but not to the level Abigale’s insatiable desire to learn needed. But what engineering school would allow a woman in? At this point in the late 1800s, women were nearly always snubbed in inventing spaces, most universities not even offering engineering degrees for female students.

And so, Abigale’s “twin brother” Abraham Blackwing was created. A pseudonym for Abigale, under which she would don Atticus’s old clothes from his boyhood and attend a prestigious engineering school. Her father even falsified documents like Abraham’s birth certificate to make him appear like a legitimate person. It was risky, as crossdressing was a punishable offense by law back then, but Abigale was willing to take that risk if it meant she could learn.

Between her rich father supporting her every decision and passion, and her alter-ego, Abraham, to fall back on, Abigale had a lot of freedom growing up. When her father died of an illness just before she graduated, he left “Abraham” everything, which of course meant that Abigale could “live with her brother” and hold a bank account under his name. She was truly given every opportunity for freedom, more than any woman of her time.

And then, Bill Cipher enters her life.

She’s plagued by the triangular demon ip every night in her dreams, but she refuses to succumb to the shape’s demands. As tempting as building a machine like an inter-dimensional portal was, she knew better than to trust a man who wouldn’t explain his motives. When Abigale asked why Bill wanted this portal built, he couldn’t give her a straight answer, and that was enough proof to know he was no good.

After weeks of restless nights and aggravation, Abigale finds a peculiar ad in the paper, written by a certain Thurburt Mudget Waxstaff III…

On some level, she has to thank Bill for entering her life as much as she has to curse him for it. If he had never decided to torment her specifically, she never would have met the rest of the Anti-Cipher Society. Abigale THRIVED in the society, delighted in inventing new ways to ward off Cipher, collaborating with her dear Jessamine to create specialized weaponry, learning self defense from Horace, gossiping with O’Pimm, spending night after night explaining the mechanics of how her inventions worked to Thurburt so he could whip up a stellar sales pitch… she had never felt more alive! She was flying high, much like a bird on the wind.

And then the conference happened.

Thurburt was institutionalized, right then and there. Abigale watched the asylum workers from backstage with mounting horror. Worst case scenario for Thurburt, he’d be locked in a cell or sent out west at some work camp, but for Abigale? If the asylum workers got ahold of her, she knew they’d think her hysterical. Treatments for “insane” men were often much kinder than treatments for women in those times. Deeming Thurburt insane would send him to a locked cell, but he would at least be allowed to remain himself. Abigale had heard of women like her, eccentric unmarried women, “frivolous women” as they were often called, being scooped up by doctors and spat back onto the street with their entire personalities wiped. A hammer and a well placed nail up the inside of one’s nose could do heinous things. Abigale would sooner die then let them take what made her HER away.

So she ran. She tried to take Jessamine with her, but she refused to leave Thurburt. For six days Abigale hid in the society’s underground bunker, terrified of venturing outside, not knowing what happened to her companions besides Thurburt. She only ventured out on the seventh day because she had run out of food.

She couldn’t go back to her house, when she tried to scope it out, she saw the asylum workers already knocking at her door. She couldn’t stay in the bunker, it was only a matter of time before it was found. She was desperate for a way out, to keep herself free.

And here comes Mr. Northwest.

See, the thing about birds is that while they make excellent symbols of freedom, they also make excellent symbols of being trapped. Birds can be put into cages, forced to sing or speak for meager treats, and lets not forget that at that time most birdcages were anything but spacious and comfortable. Most captive birds of the time were expected to die quickly, only purchased in order to sing prettily for a short while before their tiny little hearts stopped beating. Birds are as much a symbol of freedom as they are of captivity, of being trapped, of the LOSS of freedom.

Abigale never wanted to be a wife, but what choice did she have? Mr. Northwest offered her a way out if she married him. Her choice was thus: escape the state with Mr. Northwest as her husband, or stay in town and eventually be found and promptly lobotomized, erased of any trace of her real personality.

She chose the former.

Better to live in a gilded cage, twittering for scraps, then to be gutted and stuffed on som taxidermist’s wall…

Right?

As for the muse stuff most of my trout process I already told you in the notes of the original piece lol

[sparky-is-spiders]

Ok I do actually need to work on assignments, but here's a short little thing I wrote about aro Jon. Hopefully later I can come back to it and add a few more scenes and give it a good polish (it's a tad rough lol) but for now enjoy. Fic under the cut.

Warnings for: descriptions of burning (about on par with what happens in episode 67 in terms of severity (w/ Jack and Agnes))

“Oh are you working on- er, is that the statement with Agnes?”

Jon leveled a cold, flat stare at Martin. The kind which, in a better world, would be capable of wiping people from existence. Martin failed to dematerialize. Jon rubbed their forehead.

“Case #0071803, yes. What about it.” It should’ve been more of a question, really, but they just couldn’t be bothered with the inflection. They were too exhausted, and quite frankly Martin wasn’t worth the effort.

“Nothing! Nothing! Just…” Martin trailed off for a moment. Jon briefly entertained fantasies of him turning around and leaving. As per usual, Martin failed to meet expectations. “It seems sort of romantic, doesn’t it?”

What? “What?”

“Well… you know… I mean it was horrible, obviously. But… at the same time it was sort of- was sort of sweet? I mean, he must’ve really loved her.”

Jon took a brief moment to compose themselves, “Martin, that’s-” then another one, for good measure. “She-” The memory of scalding heat, of liquid flesh flowing between their teeth, a searing agony they had never experienced and yet knew intimately-

A deep breath. “Forgive me if I don’t see what’s so ‘romantic’ about receiving third degree burns just for a kiss.”

Martin looks hurt, maybe. Or somehow upset. And like maybe his hurt or upset or whatever else is somehow Jon’s fault.

“But… haven’t you ever-”

And wherever Martin was going with that particular line of inquiry, Jon didn’t need to hear it.

“No, I have not. Now if you are quite finished, I need to get back to work.”

They stared him down with as much ice as they could muster, and at least this time, it had the desired effect of encouraging Martin to remove himself from their office.

***

Somewhere in Jon’s flat, tucked away in some crevasse or fallen behind the sofa, there is a flag. On it, there is purple, fading to white, fading to green. A reckless purchase made upon the news of their promotion, when they thought it might just be them and Sasha and Tim, and perhaps it would be alright, if a few other people knew.

It had arrived in a small package on the first day of their new position, when Jon had learned that it would be Sasha and Tim and Martin. They had considered putting it there anyway, in the little clay pencil-holder shaped like a cat (apparently it had been Gertrude’s, and it was quite possibly the only useful thing she had left behind).

They thought about unknown eyes measuring it. Measuring them. They thought about questions, and unwanted comments, and all the opinions people liked to have about love and sex and abstention from either.

The flag never made it out of their flat.

[iconicname]

The same goes for anya x curly too it may seem cute, but curly was essentially a boy mom with Jimmy as the "boy." Honestly, I think at most anya and curly could be tentatively reconciled friends post fix-it ending or whatever which would take a lot of work on curly's part and giving a lot of forgiveness (If shes willing ofc) on anya's part.

obviously, do what you want i could literally not care less what yall do i just wish fandoms were less shipping-oriented sometimes :/

weird accidental character analysis/rant below

Look, I too, am not immune to the 'oh, curly's kinda cute' thing people have going on. I get it, but I don't want to be blinded by it.

I think people forget that pre-crash curly was a miserable and incompetent guy who stuck around and kept jimmy around for a reason, (while yeah the birthday scene made it clear that he's a nice enough person that pre-crash crew generally had a good opinion of him and he may seem better when side by side with someone like jimmy but that man is nowhere near the picture of a "well-rounded man)

The reason doesn't have to be deliberate or anything like that, it could be that Curly silently never grew out of the dismissal of SA/the female experience mentality which allowed someone like Jimmy to be his close friend for so long. or, in his own words he preferred looking at the bigger picture but because he was so focused on Jimmy's wellbeing (y'know immediately rushing to fucking Jimmy to assure him that everything was going to be okay after ANYA confessed to being pregnant and said that she fears jimmy enough to hide a gun from him that if it were not for the fact that curly would not allow it she would have used to the gun to protect herself. in that scene, it clearly shows that Curly prioritized Jimmy's well-being but also his feelings over Anya's even if if he didn't realize it. to Curly Jimmy was the bigger picture.

Jimmy is clearly not above abusing people he considers his "friends" especially someone who was catering to him to that degree, i.e the birthday cake scene ("both" of them) and the multiple medicine-taking scenes, etc so over the years of knowing jimmy, Curly could have subconsciously internalized Jimmy's sexist way of thinking, as to not create conflict (which is not an excuse) plus someone who may not be happy might cling to the people and disregard red flags in fear of isolation/losing something they consider positive (still not an excuse).

I don't think Curly didn't care for Anya or the rest of the crew, for that matter, but because he focused on catering to Jimmy, he hurt the people Jimmy hurt.

I like to think that Anya and Curly were very similar early days post-crash not just in the "victim to the same piece of shit" kind of way but that they both had the "thinking the best of bad people out of a sense of self-preservation". One of Anya's iconic phrases "Our worst moments don't make us monsters", I like to think that's in character for Curly to adopt that phrase as well for jimmy out of some hopeful delusion and or lasting affection for Jimmy (plus he was definitely delirious and in pain 24/7 mans not going to thinking clearly), especially since Anya and Curly were often together post-crash. but when Anya reaches her breaking point and ends her life it's Curly's breaking point too because it finally fully clicked how horrible Jimmy really was, as a co-worker, friend, and person. and that's why when Jimmy unlocked the gun case, we got the chilling, sardonic, and scorful laugh.

Ya'll have got to stop shipping Curly with Jimmy. That man is a rapist. He doesn't deserve the Yaoi fantasies.

[shapecrow]

not me, wanting to add the netflix wednesday addams to my multi

[dirtylittleanimals]

Need y'all to be respectful of familial bonds that aren't blood-related. There is no secret "real dad" of Vi and Jinx; regardless of who contributed to their births, Vander and Silco helped raised those children before and after their previous parents died. And hopefully if something does get revealed about biological heritage it will be done in a respectful way and not in the ways a lot of y'all are: making fun of or pushing the false narrative that blood is what matters above all when it comes to family.

[aikoiya]

Thank you! I'm glad!

Though, it's not that I disliked the dragons. The dragons themselves were cool. It's just their designs I had issue with. And they do look cool flying around in the sky… It's up close where I have my issues. I guess that I just really didn't like the shapes of their snouts & would've preferred a more lupin or vulpin shape like Zelda had rather than the… really odd face-shape that we got…

But even more than that, my biggest issue with the Zonai Dragons’ designs is the placement of their eyes! Ugh! How do you give gargantuan DRAGONS prey eyes??? That sort of placement is for spotting predators! Who’s going to hunt a massive eff-off dragon to such a degree that they develop prey eyes!? They should be facing forward on the skull, not to the sides like goldfish! Like, really! It doesn’t even make sense with them being transformed Zonai because the Zonai were very obviously predators, too! Both had sharp, flesh-tearing teeth & the dragons, specifically, had claws that were almost cat-like in their sharpness & curvature! And the heck did the third eye go!? Sorry, this likely seems super weird to fixate on. I will say that I liked the names they were given. Much more unique when compared to repeatedly giving vastly different spirits the same names over & over.

And, you might get a bit angry at me, but I actually liked the SS designs & I loved the little robes they had. Sure, I also think that they could very much be improved, likely by giving them more snout-like faces & horns, but still. At the same time, I actually don't like that they have the same names as the Light Spirits, because it just feels cheap to me. It’s because of this that I tend to rename them using a mix of their French & Japanese names, though tweaked a bit. Faron becomes Firona, Lanayru becomes Lanello, & Eldin becomes Eridin. As for the switch in element, it's possible that Nintendo went in those directions so that the dragons fit more with their environments. Lanayru with the yellows of the desert & Faron with the more cool tones of the woods. Plus, it may also be partly because of the abundance of water in the Faron Region as well as the Ancient Cistern being a very water-based dungeon. (Which, btw, I loved the Ancient Cistern! The sheer amount of Buddhist parallels is incredible & I love it for that!) It's even possible that the designers came up with the areas first & they made the dragons to fit. And, keep in mind that the Lanayru Desert was once a sea, so at that time, it would've been more Nayru aligned, but (& this is more so hc) I tend to believe that Nayru is actually the Goddess of Time from OoT & MM. If so, then she might've known that the sea would dry up & counselled Hylia to choose the protector of Nayru's Flame accordingly. We don't actually know much of how Faron's power over water works, but it's entirely possible that she's more waterbender than squirtle, meaning that she might only be able to manipulate water rather than actively produce it herself. So, while I agree that the switch is odd, I still think it's within the realm of plausibility.

Personally, if I were to be given the choice, I would actually make it so that Link & his friends find a way to sort of… Bring the Zonai Dragons’ minds back to them. In my mind, this would likely alter their physicality to a degree. Possibly allowing for more of a torso & forward-facing eyes like how the Great Dragons of SS had, which would sort of reduce the feeling of mindless animal I get from them & allow for a more sentient vibe, I think.

I suppose that it somewhat goes unspoken in my mind because I think he named it such unknowing that the ancient Hyrule of legend was real at one point. So, basically it's like how there's a city in Missouri named Avalon. Those who named it likely didn't believe that the actual legendary island of Avalon in Arthurian legend legitimately existed, but still named it that. Similarly, Arcadia California & Argos Greece are both named after places in Greek myth. Neither were believed to actually exist, but are named after such things anyway. By this I mean that I think that Rauru couldn't say something like that because, in his mind, there wasn't a ruined kingdom with the same name. From his perspective, he named it after what amounted to Camelot, an old if remarkable folktale.

Though, I do agree that it is sad that it almost feels like, in my suggestion, that the old Hyrule has been erased.

Actually! The desert, jungle, volcano, & even the Gerudo Highlands are fairly plausible because I tend to theorize that part of the reason that the desert changed from a meadow & sea in SS to a desert in all the others is because of whatever tectonic shift cause the Gerudo Highlands to slowly ascend, thereby creating a rain shadow! This means that because they’re so tall & on the leeward side of the desert, all the rain falls upon the Highlands rather than where the desert is! And even the jungle is possible if Hyrule itself is near their earth's equator! It's the Hebra mountains & Mount Lanayru that I'm finding odd in placement. Regardless, it's certainly possible that there's a degree of size dilation here, but I wouldn't go as large as a continent. Maaaybe a bit bigger than Japan because Japan actually has all of these climates! There's the Tottori sand dunes, the Okinawa Prefecture has rainforests, it has numerous volcanoes scattered all over the place, they even have their own alps. Which may be part of why Hyrule's map is so varied, because so is Japan’s.

Hmm… I think part of it might be that there's a lot less interference from the divinities in the Wild Era besides the Goddess Statues. Most everything is done on a mortal level, meanwhile earlier games had much more mention of destiny & whatnot. In some way, you could possibly correlate it to Hyrule having entered a more secular & “modern” period. As societies advance, they tend to become less religious. Though there was a definite influence of it in BotW, most of it was based around Zelda & her powers. And even then, she always struck me as struggling because of her more secular & scientific mindset. So, now that such is no longer necessary, I get the vibe that she’s somewhat abandoned those things partially due to her trauma.

Again, I actually agree with alot of what you bring up regarding the Sages. Though, I think that could've been alleviated by simply using a different word. But, again, I actually very much agree with the seeming lack of spiritual substance. In fact, there also seems to be a distinct lack of magic in the Wild Era as a whole. It all being replaced by technology fueled by magical energy without the mysticism of magic itself. To me, it's like trying to compare string cheese to gruyere. Simply put, there is no comparison in that gruyere is real cheese, while string cheese is only cheese in the most remote sense of the term in that, yeah, there's a tiny bit of dairy in there, but it's so heavily processed & full of chemicals that it's lost its soul.

Also, I very very much agree with the sentiment that when it comes to gaming absolute freedom doesn’t necessarily equate to more fun. Don’t get me wrong, it was very interesting to see all the different ways that people could get creative with the Zonai Devices & the Sheikah Slate, but by giving people so much power, it also allowed them to blunt force a lot of things. And, I honestly think that a lot of the disappointment I get from being able to literally explore everything from the moment you leave the Plateau/Sky Island could’ve been put off by spacing out the Runes you get throughout the game in a similar way to the old formula.

And, again, I also didn't like how you could just flippin’ go to Ganondorf & take him down immediately in the game. On the one hand, the fact that you can legitimately kill the demon king in your undies with nothing more than a stick & a prayer is absolutely hilarious! But on the other, it sort of cheapens things it feels like, ya know? I mean, there are games in the series where you didn’t need the Master Sword to kill him. One of which being the Silver Arrows, but it doesn’t stop the fact that Nintendo has sort of created this precedence & expectation for themselves.

Mmm… I think that the difference is that the Secret Stones’ abilities have been defined in a way that the Triforce of Power hasn't. By this I mean that the Secret Stones very specifically either enhance something that the wielder already possessed or it allows them to create an avatar (which, I think is an either/or sort of situation, you can do one or the other, but you can't do both). Meanwhile, the ToP's abilities have never really been explained in a satisfying way, but it does seem to just give people a power independent of the ones they already had.

Really?? I did not know that! Cool! I got rancor right! :D

Mmm… I'm not so sure about that. In my mind, MC is the literal next game after SS, which gives it a degree of leeway in what it's allowed to do in a similar way to the Wild Era being part of an alternate timeline that split off from SS would've.

---

Fair, I'll stick with Confluances. Also, I've always liked the word Promenade. It just sounds really nice & pleasing to the ears. :)

Hardcore agree with you there! I would love to see a Gerudo King that wasn't Ganondorf! It'd be really cool because we'd get some other frame of reference for how Gerudo Kings lead other than Ganondorf, who we never see lead at all!

Also, you're right, this IS getting long! 😆 But it's also been very enjoyable!

Hi, sorry if this is a bit rude. 😅 I guess that I was just wondering. How would Jabul Waters, Zora Cove, & Crossflows Plaza be named in French?

I'm trying to give Jabul Waters an interesting name that works to go with my hc & I came up with "Jabuleaux." And Google Translate tells me that Crossflows Plaza would be Place des Flux Croisés. And, I'm seeing that Anse is the term to refer to a cove &, if that's true, then would Zora Cove be Zoranse? At the same time, somewhere else, it said that Anse actually means beach.

And, I believe that a town by a swamp would have cher, quier, bren, brin, or Hor- in it?

I'm sorry if this is weird... 😅

Hi! Don't worry it's not rude or weird at all! I offered to help and I'm happy to do so :D

Did you check the official French translations? I had a surprisingly hard time finding the French version of the map online so here's a screenshot I took myself:

Jabul Waters = Eaux de Jabule (this one only appears when I zoom out)

Zora Cove = Baie Zora

Crossflows Plaza = Place de l'Estuaire

In case you didn't know the Zelda Wiki often lists names for places or characters in various languages in the "Nomenclature" section of its pages. It's very helpful especially if you're searching for the original Japanese names. If we look at at the different names for Crossflows Plaza we can see that a literal translation from Japanese would be something like "Exchanging Place". I checked the Jisho dictionary and it seems to be an accurate translation, though "Place for Cultural Exchanges" would be more meaningful.

It's not exactly a good name in English so it makes sense that the localization team would come up with something like Crossflows Plaza instead, which in my opinion does a very good job of stating that this is both the place where the river meets the sea and where the two Zora tribes traditionally meet each other.

Other European languages all settled for variations of "Estuary Plaza" ("Place de l'Estuaire" in French), which is fine but looses the "cultural exchanges" aspect of both the original name and the English translation.

I've been trying to come up with a French translation of "Crossflows Plaza" but it's not that easy. To me "Place des Flots Croisés" or "Place Flots-Croisés" would sound better than "Place des Flux Croisés", but I still find it a bit weird ("flot" meaning flow, tide or stream). "La Croisée des Flots" is another option if you agree to get rid of Plaza/Place (it means "the intersection/junction of streams"), but I don't think it works very well as a name.

You could also mix words to create a name the same way it was done in English, something like "Place Croiseaux" (croiser/cross + eau/waters). If any of my French speaking followers is feeling inspired, please share your ideas! :)

(I just thought of "Place Cruciflot" and found it too funny not to mention 😆 maybe it sounds too much like crucifix)

In French we also have the word "confluence" that has the exact same meaning as it does in English: either the meeting of two rivers or a gathering of some kind. So to me the most obvious translation would be something like "Place des Confluences" or maybe "Place Confluence", as it would preserve the dual meaning, but it's not very fancy or creative. Maybe we could simply change the spelling to something like Place Konfluans, the same way "Village Côtier" (Seaside Village) is spelled "Village Kothié" (Seesyde Village). But it doesn't look like a French word anymore so I'm not sure that's something you'd like.

As for Jabuleaux, it can work but I prefer the official translation "Eaux de Jabule". Same thing for Zoranse, we would say "Anse Zora" or "Anse des Zora". The official French translation is "Baie Zora" (Zora Bay), which I think is more appropriate given the size of the sea inlet (in my understanding an anse/cove is a small baie/bay and isn't very deep). I think maybe it should have been bay in English as well instead of cove, but I might be wrong! Also I believe "anse" isn't used as often as "baie" and might be confusing for most people, so I would go with "Baie Zora".

I'm not sure where you found this information about swamps and town names? I didn't find anything to confirm it but I might not have looked in the right places.

French towns are often ancient and their names can derive from other languages such as Celtic, Occitan, Flemish, or regional dialects, so that's a very difficult question and I'm not sure I can give you a satisfying answer ^^

I still did a little search and found an Old French word for swamp, "palud" or "palu", that still appears in some town names such as La Palud-sur-Verdon, Saint-Pierre-la-Palud, Lapalud, etc. (today we say "marais" or "marécage"). You might be right about "bren", it could be something like muddy in Gallic.

There's also "vign" or "mign" (from Celtic), as in Mignéville or Lévignac, or l'Île de Migneaux on the Seine river (this one's in my city!).

Near where I grew up is a town named Hazebrouck, it literally means "hare swamp" (brouck/broek = swamp in Flemish). For a bit more French flavor you could maybe use -broucq or -breucq instead of -brouck.

I think the vast majority of French people have no clue about all of that (I didn't except for the last one and it's more Flemish than French), so I'd say don't oversweat it ;)

And that's all! I hope you'll find this helpful ^^

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.

[saysflora]

you know how there’s that “black cat x golden retriever” trope that sprung up a while ago?

‘92!javid are both black cats and livesies!javey are both golden retrievers, and that is the fundamental difference between them

[chappellrroan]

if you love mitski you don't love her more than me sorry

[screaming-oak]

the ellis debate has gone on for so long “hes not dumb hes just silly” “hes not silly hes just stupid” here is my take. hes just dedicated to The Bit above all else. hes a lil dumb but more than that he is just off the shits simply for the fun of it. my man is just here for a good time not a long time and puts all hes got into it🫡

[taciturnraccoon]

Does Dusk have any allergies?

...No.

[lilylived]

Someone mircoagressed me last week by saying that islam doesn't let women get educated "based on what he's seen." unlike judaism and modern chirstianity, where education is led by women.

Maybe if you stop doing silly little things like decimating every single university in a muslim state that had high rates of female literacy and education ❤️

This guy is an athiest traumatized by church, but somehow it all translated to a hatred of islam over anything.

These people really don't see what huge white supremacists they are. The new norm for white people is to let go of all religion. You aren't unique or special for choosing that. It's your current norm.

And they get so mad when you refuse to drop your personal beliefs and bend to their current mainstream ideology as well. What does that sound liKKKe?

[freckleslikestars]

My MFA costs £14,438

My scholarship takes that down to £11,550.40

The UK student loans company offers a maximum of £12,471 to cover both the tuition fees and cost of living.

My university only allow me to have up to 15 hours of employment a week.

I earn minimum wage.

Tell me again how the UK are progressive with allowing working class people to get a higher education, because right now I don’t see it.

[marjorierose]

Sometimes I imagine there being a social media presence for Minnesota along the lines of the "official post of Massachusetts" blog or the actually official New Jersey Twitter account that was popular for a while, and I am overcome with a feeling of "oh my God leave us alone." I don't know how people sustain that level of everybody having opinions about where they live.