#like my brain is telling me I will

[koobiie]

shoutout to everyone who wants to infodump but cant string together coherent thoughts to form sentences and instead just look at you like this

[hellspawnmotel]

intimacy between an evil spiteful building-sized supercomputer and the lone scientist left behind after everyone else ditched and forgot about her (in which computer wants to kill scientist really bad but her programming wont let her so she just attempts to make her as miserable as possible instead, which also doesn't work because scientist is a freak)

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[thebrainrotsreal]

Drew this real quick because I fucking love these two so much ???? Especially Bee. I wish they interacted more so badly. PLEASE.

Also learning how to draw these guys.. slowly.

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[remxedmoon]

y’know what? fuck you. *UNGRAYSCALES YOUR ISATS*

no wait come back there’s greyscale versions under the cut :(

[thecmaly]

the eyes of a man in love

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more windbreaker comics

[thebibliosphere]

I’m assuming my period skipped this month because two medical emergencies that put your body into crisis will do that to you but damned if the Christian trauma of the virgin birth doesn’t linger in the back of my head going “but what if…”

[starryaike]

Song - Feel Better by Penelope Scott

[siriusly-the-best-bi]

guys the kiss was so important especially from a narrative and storytelling perspective because it was literally Crowley taking everything that's happened between them, every unsaid intention and every unspoken promise, and making it physical.

He's taking their arrangement and every other bullshit excuse they've ever used to hide how they feel about each other and throwing them out the window to put their feelings into an undeniable physical action that holds a lot of meaning to humans in order to be absolutely sure that Aziraphale knows exactly what he means when he says "we could have been Us." He wants to be absolutely sure that there are no misunderstandings between them and know that Azirphale will be committing to this decision with absolute reassurance that he's been understood and rejected anyway.

he's taking a human action with so much meaning and so much importance, and he's using it as a way to desperately make Aziraphale completely and undeniably aware of what he's stating. No more charades and no more lies or cover-ups. There's no denying this thing between them now, and Crowley did it the human way. Because he and Aziraphale love humanity and it's everything to them in their own ways.

There's a reason we saw a kiss between Crowley and Aziraphale, and not Gabriel and Beelzebub, despite them both being undeniable foils.

and really if you just think about that isn't it so god damned beautiful?

[egophiliac]

heeey guess what, I'm obsessed with this idiot flamingo now

[zoemar-son]

god they're such losers(affectionate)

[cerubean]

johnny zest but he goes by john landgraab and hasn't dropped out of college and been disowned yet and is also arranged to be married to dina caliente

[transkingcobra]

[orbch]

hey guys! i was just looking for some old old art of mine of something specific! i didnt find it!! and it doesnt matter! because i found some 2021 SANDERS SIDES FANART. which before 15 minutes ago, i was 100% sure didn’t exist. and it includes some bangers such as; 15 year old me’s moceit, prinxiety, c!thomas, and vague intruality!!! and also! it doesnt suck total ass!!!!! enjoy.

[cowboygenes]

The Life Cycle of A Star