#like my boss even said she knows it's not actually necessary for a writer

[jakeperalta]

it is actually so unfair how being quiet is treated as a character flaw that needs fixing in every area of life

[darkangel1791]

Random Thoughts on The Falcon and The Winter Soldier:

Dr. Raynor is a terrible therapist, part two.

Again, let me say that I am aware that everything said is for comedic and/or dramatic purposes. And I do understand that the constraints of an hour episode of a series makes it necessary to suspend disbelief at times. The opinion I'm expressing is based on the reality of the show as presented.

In the second session that we see, the first thing she does is insist that Sam come to the session with Bucky. Leaving aside the fact that she has no authority over Sam, and that was way out of line, a therapist should never invite a third person into a one on one therapy session without first discussing it with the client. In a therapy session, a client is very vulnerable and sensitive questions will be asked. It should be a place of safety. Demanding that a third person be there without any warning, and without the client's consent is completely shattering that safe place, as well as an incredible breach of doctor-patient confidentiality.

Her excuse for this is that it is her job to make sure "you're okay". She seems to be addressing Sam which is a complete lie on her part, but even if she is addressing both of them, it is still not her place to suddenly make this relationship a priority in Bucky's therapy. If this is the last therapy session she will have with Bucky, then even moreso it should be solely focused on him.

She takes two people that she has never counseled together before, one of whom she met for the first time minutes ago, and immediately starts trying to work on the relationship. She doesn't even know what their relationship is.

Not quite using the Miracle question correctly. You identify the problem first and then say if you woke up tomorrow and that problem was solved, how would your world be different?

Straight to the soul-gazing exercise? Not even funny, Doc. The soul-gazing exercise is a process done in a quiet, relaxed, atmosphere. I'll just say, in no way would a police conference room in Baltimore ever be a place to do the soul-gazing exercise, and not even elaborate.

Then, Bucky has a significant, emotional, moment. He actually verbally expresses a deeply held fear of his. He even becomes emotional, you can hear it in his voice. Dr. Raynor does NOT acknowledge this in any way. And she allows Sam to brush it off as unimportant as well. Terrible, TERRIBLE, therapeutic response! Her patient actually verbalizes a real fear, experiences a real emotion, allows his inner self out for once, and the response is, NOTHING. No one cares, not even his therapist.

Both of my posts are very long, and thank you so much if you read through them both. But I have to tell you, I could have gone through line by line and pointed out how this therapy was just a train wreck!

Again, no shade to the writers, the point of these episodes was not to portray healthy therapy. But I have seen some reactions on YouTube where people were saying that they loved this therapist. "She didn't take Bucky's bullshit" "She ordered Sam in there like a boss!" etc. And, maybe because therapy is something near and dear to my heart, I want to express my opinion about it, because I don't want anyone to be having this kind of therapy experience and thinking it is a good thing.

Dr. Raynor is a terrible therapist pt.1

[quarterlifecrisis-activated]

So I’ve been thinking about my earlier post (idk how to link posts 🤷🏻‍♀️ so it’s the one about Zheng) and I’ve been trying to figure out her character arc. Because she’s not in the show a lot and I know there’s more there that got cut for time. I’ll be honest and say I never fully understood why she went to Ricky for her plan or what her full motivation was. I have some theories but I’m trying to piece together an arc using the gaps in said arc so it might be rough. So if you disagree please let me know because I’d love to discuss this more.

I love Zheng and I think she deserved more screen time in season 2. I tend to believe that Zheng does operate with good intentions overall, but when the point was raised about some of her totalitarian tendencies I had to restructure my view of the character. Because we don’t see much of her I use the little we do see and what other characters say about her to form my opinions. But there are different ways to interpret things and I go back and forth on what is actually going on. For example, her “join me or die” line is interesting. I took that line as a woah harsh, but that’s just piracy. We as an audience have to adjust our standards of acceptable behavior towards what is common for pirates. On the other hand that line indicates that Zheng doesn’t let people walk away from the table. And her recruitment of the Republic of Pirates is in a similar vein. Again, as a viewer I took what she was doing as kind of a pirate union, because of her demand for a livable wage as well as Olu, Jim, and Archie’s positive reaction towards it. Of course it’s also extortion by a powerful crime boss, which is far less wholesome. (Even though extortion of the British Crown is rad as hell.) I believe that these two opposing views are in a way both true and intentional of the writers.

Which brings me to Ricky and Zheng. I was caught off guard originally when I saw them meet together and initially brushed it off as “plot stuff that needed to happen”. But I think there’s something there. In many ways there are parallels between Zheng and Ricky, they’re both in charge (kinda for Ricky) of massive fleets and they both are striving for even more power. In Impossible Birds they have similar lines Ricky calls people rubes who don’t know the puzzle chest is valuable. And Zheng in the same episode says “you people know so little” in reference to the same chest. While I believe Zheng’s statement comes from her years of experience, Ricky’s is very obviously classist. She’s a character that is on the path to becoming like the people she hates. If she got that power she could very well turn into that authoritarian leader who only cares about power. But it’s her interaction with the crew and her relationship with Olu that is going to pull her back. We see her appreciation for Stede and the crew grow throughout the season, whereas she rejected and mocked it at the start. The destruction of her fleet was necessary and I don’t think it’s going to come back.

Which leads me to season 3 predictions. Cause the shows coming back and no one tell me otherwise. Zheng’s goal is to get Ricky and rebuild her fleet. I think Jim is going to play into her arc a lot during this season. They understand wanting Revenge and will probably push Zheng to appreciate the people around her, like Olu. Her ultimate arc (fitting with the theme of the show) will be about realizing the error of her ways and understanding community and softness. My theory on kind of how this happens is they’ll meet Captain Henry Morgan. I’ve been listening to Howard Pyle’s Book of Pirates at work and it gave me ideas. Captain Morgan has a fleet to rival Ricky’s and I can see them enlisting his help to get revenge. He also is a piece of shit. He stole money from his own men and fucked off and is still regarded as a great pirate. I can see him being like a Mr. Beast type, where he’s a cult of personality that cares little for other peoples safety but he still has a rabid following. It’ll be a great parallel as to what Zheng does not want to become. We’ll also get to see how pirates typically operate (Stede and Zheng are the exceptions) which will provide more context to Ed’s Kraken era. It’ll be a great way for the show to say how different Ed was truly operating in regards to pirate culture. I think it’ll be similar to his Kraken era but the confirmation will be nice to get.

Anyway, let me know what y’all think cause I’m spit balling her and I’d love to discuss.

[siriannatan]

Combat Maids

Well, after days of complete writer's block and mess at home here we are. Chapter 2. I'll drop the Pinterest reference board for this fic just so it's easier to find :}

Over the next week fWhip carefully observed the maids. Mostly the head maid but he certainly wasn't about to ignore all the staff changes and the sudden influx of new maids. He did tell Scott but all he said was that all security matters were fully up to fWhip's digression. More security needs to be hired? Go ahead and hire some, they don't have to dress up but then Scott does not want to see them unless necessary. Someone needs to be fired or beat up? Go ahead. As long as fWhip continued to look cute he was the head of security.

At least he didn't have to follow Scott everywhere he went. So a week after the uniform debut, with Scott spending the day with his brother. Very corrupt and overprotective politician brother. Xornoth. fWhip decided to sneak around the mansion and investigate what the maids could be up to. Lucky for him, with the whole staff fluctuation and Scott not liking seeing normal maids many of them did not recognise fWhip as a bodyguard and just assumed he was a normal maid.

He didn't find much other than whatever head maid was up to had to wait for something to happen. No talk he eavesdropped on told him anymore and all the 'maids' seemed to know at least some of what was going on. He'd rather not risk asking too many questions. He did overhear the head maid mumble about 'that pesky guard' once when going out with Scott so he assumed it had to do with him being actually able to do his job. Maybe someone was plotting - again - to kill Scott and infiltrated the mansion and fWhip and his skill and competence and maid dress were in the way?

Very possibly they hired an assassin to get him out of the way. And knowing to expect that was a good start. He could use it to lure the assassin out.

He made sure the head maid knew when he was officially out and even told her when Xornoth - or his staff - would have boss back. And that he'd be checking the security cameras around the mansion. She was uncharacteristically okay with him just going about around the mansion. A good sign that he was right that there was a highly skilled assassin, brought into an absurdly complex plot just to kill him.

So fWhip went about checking the cameras and other security equipment. Pretending he was at all not aware or worried about assassins.

He managed to go through about half of the mansion before any trouble started. And trouble came in a form of a lanky and undoubtedly very skilled, and if fWhip wasn't expecting him deadly avian assassin. Blonde and handsome assassin but that wasn't important at the moment. "I should probably thank the 'head maid' for being too suspicious," fWhip huffed once he had the assassin pushed to the ground and his wrists in a firm grip. "I'll assume she had something to do with you."

"And why should I tell you anything?" the assassin asked, still attempting to free himself.

"I'm not expecting you to know much, they probably just brought you here to kill me, so I doubt you know much," fWhip chuckled and a sudden tense-up had him guessing he was right. "I would have a much harder time fighting you if I had to keep Scott safe so they kind off messed up with their planning. I'll guess they didn't want someone from outside handling the 'important' task so... how much?"

"What?"

"How much will I need to pay you to ditch them and work for my boss? The maid dress is not a requirement, he just doesn't like uncute things near him," fWhip explained with a quick clarification of his outfit. "So? Would fifty thousand a month be enough?" he said his old pay from before the dress. Scott has raised it after, a uniform fee he called the extra fifteen thousand...

The assassin likely did a quick calculation. "Does the dress come with a bonus?" he asked, going completely slack.

"Fifteen thousand," fWhip said a bit dumbfounded by the question. Would hiring someone so greedy possibly cause an issue? Maybe but Scott had different issues. "I can even introduce you to my tailor," he added with a smirk. What an amusing bird.

"Deal," the assassin said almost instantly. "The uniform's worth it. Jimmy by the way," he added along an introduction as fWhip let him go. He was still a bit wary of the blonde, canary avian. "I'm honestly shocked I didn't feel that you were ready for a fight, I usually sense the danger."

"What can I say, I'm rather good at my job," fWhip grinned as his phone made a loud noise. It was time he left to get Scott. "I'll go and grab boss, I can drop you by the tailor on the way," he said.

Jimmy accepted and sneaked off so no maid would catch on that their 'deal with that annoying bodyguard' trick failed. 

As expected, Jimmy knew very little about the actual plot or who was even behind it. The 'head maid' was the one to hire him and she was not the boss of the whole plan. He also raised a concern that fWhip was scared to raise himself. Could they trust this whole thing would not happen again? Hiring good house staff came with risks of further infiltration attempts. They decided to talk about it later when the current issue was dealt with but Jimmy did say he would not mind helping around the mansion. For a bonus pay of a standard maid that is. Greedy bastard but a right one. That would keep Scott the safest...

Introducing him to Katherine was as fast as she was excited to make a new 'special uniform' and fWhip was off to pick Scott up with a plan on how to deal with the 'maid rebellion' in his mind.

Scott was excited when fWhip said there'd be a new bodyguard. And they were willing to wear the uniform. He'd of course prefer to see them first but fWhip assured them they were cute. Very cute he even said so Scott decided to trust him on this one. And he'd be meeting them after his afternoon tea and cake he'd be having at a patio overlooking the gardens. What a good time for that. 

He was a bit shocked fWhip was nowhere to be seen but the maids assured him he had an important thing to do before introducing the new bodyguard. Reasonable enough a reason. He was just a bit bummed fWhip didn't tell him himself. Oh well. He was going shopping the next day and would possibly have two pretty guards with him. If only the rest of the staff were half as cute.

As he was about to lose himself in the thoughts of pretty maid bodyguards the head maid. One that worked for him for at least four years pulled out a sword. That was new. Usually, it was fWhip that was armed. Oh, she was pointing it at him and saying something. Oh and now she was charging but he couldn't really do anything. Was his tea spiked with something? Wouldn't poison be more effective?

He was about to die, wasn't he? Maybe fWhip and the new hire would avenge him? That would be nice. Avenged by two cute guys in cute outfits. Though. Would they keep the outfits without him around? Probably not. Would death hurt?

While morbid thoughts swirled in Scott's brain whole world almost seemed to slow down as the currently former head maid was pushed away by fWhip. He was as cute as when Scott saw him not even an hour ago. His cute, half-dragon maid-bodyguard saviour. 

"You... How are you still alive? He said he's killed you?!" whatever was in his tea seemed to start wearing off as fWhip calmly stood between Scott and about fifty armed boring at all not cute maids.

"The pay with you guys is garbage," Scott heard a totally new voice. A cute voice. Hopefully with a cute face.

Scott kind of stopped listening to the former head maid talk as fWhip quickly moved to administer the antidote for whatever was in the tea. He could see the source of the cute voice. A very cute avian with golden feathers and hair. Tall, thin, very, very pretty. Swinging a sword as the maids advanced at him. Most importantly he wore a maid dress. The new bodyguard. And the water from the ponds around the gardens raised and formed into more blades.

"Assassinations are more of my speciality," the pretty man said and Scott smiled like an idiot. He'd blame it on whatever was in the tea. Oh, and the cute wings coming off his hips flapped. And his skirt was short. And his under-the-knee boots had cute ribbons. And there was a small chest window. And the short sleeves were see-through and utterly adorable. And as short as the skirt was it still had a bit of a slit and Scott maybe really had a thing for men in tights. 

Oh... and now there was blood. And as hot as blondie looked there was no way Scott could look at that so he closed his eyes with a whine. "I approve the new hire, on the downside, I think we'll be out of maids when he's done," he sighed, even listening to the combat was making his stomach churn. "fWhip? Where did you even find someone who can rival you in cuteness and who's also willing to dress up for me?"

"Whoever's behind the maid rebellion hired him to kill or at least keep me out the way. I offered him better pay so he's working for you now," fWhip explained and Scott could feel the chair he was in be moved. With a deep breath, he dared to crack one eye open. No visual of the maids being killed. And fWhip did a cute whistle clearly looking in that direction. "I'm lucky the head maid made me suspect something was up. I'd have a lot of trouble if he surprised me," he said with a nervous chuckle. "As for the housework... Until we find someone better me and Jimmy can try to do it?"

"Oh, I'll add standard maid pay if you do, I really want to be careful when choosing who works here now," Scott instantly nodded. "I don't mind if it means we have to stay at home a bit more often as long as I can be around you two doing chores, for safety of course," he added with a grin. "And Jimmy?"

"The new hire, he's actually an assassin but the pay convinced him to work for you," fWhip smiled with a tiny curtsy.

"All done but I say one of us goes around the mansion to check for any traps or stragglers," suddenly Jimmy was in Scott's view, not a drop of blood on him and the dress. "And maybe move boss inside, I made a bit of a mess," oh, and his smile was cute too."

"I'll go, you rest," fWhip nodded and was off and Scott was left with just one cute guard to stare at.

And he was even cuter up close. With really blue eyes and a little frilly headband a bit crooked on his head. fluttering his wings as he looked over the garden for any more danger. "Any idea what they added to my tea?" Scott asked. He wasn't really all that curious. Just wanted to hear Jimmy talk more.

"Just a mild numbing poison. Nothing dangerous, they were honestly pretty bad at assassinations," Jimmy explained with a sigh. Oh. There were two smaller wings on the sides of his head and they too fluttered all cute-like. "You got pretty lucky they got me to try and kill fWhip if I were to come after you... you'd probably be dead."

Scott knew he probably should have been freaked out by that. But Jimmy was too cute. And he had cute lace wrist cuffs and... Scott just wanted to touch him. "You're really cute, I was honestly expecting you'd have the same uniform as fWhip," Scott grinned and gently flipped Jimmy's skirt as a test. He was maybe pushing it but it was better to let Jimmy know how much he appreciated the uniform early on. 

"I'm sorry about the terrible mess I made off the garden," Jimmy said as calm as he was the whole time. Was he not bothered? Scott would not push much more but he kept on carefully to not flip anything too far up played with Jimmy's skirt while bothering him with boring questions about his favourite cakes, cookies and sweets until fWhip was back saying the mansion was safe and a new batch of tea was in process of being made.

Scott gladly followed him to a different part of the mansion with Jimmy staying close behind. Overall it was a good day. He might be down the whole house staff but had a new cute bodyguard and fWhip and Jimmy agreed to - with extra pay as Scott promised - take care of the mansion as well until better, more loyal staff could be found. There was still the matter of his outing the next day but one guard - maid - would be enough. He could give fWhip some time to get used to being the new (temporary) head maid.

[evilwickedme]

but Jason’s happy ending, in my opinion, would be putting the red hood away and moving on - while I like Jason staying as RH unless he is retiring due to old age I do think a good writer could do something good with this idea and the fact that in Kingdom Come Lian was a hero called Red Hood. Though originally it was a Little Red Riding Hood allusion. But still don't tell me Jason wouldn't make a good Huntsman. (And Roy can be the Grandma just cause I think he would rock the outfit)

Ngl I don't exactly follow your train of thought after "little red riding hood allusion". Maybe it's just cause I haven't read Kingdom Come? But to address the rest of your ask -

While I understand the appeal of Lian going by Red Hood, I think it goes against the point of the Red Hood name. It's not a mantle the way other hero names are, where people step in and out of different roles depending on what works for them at the moment.

A lot of people have been Robin; Roy has been a lot of people, and so has had a lot of different mantles. Robin was Dick's nickname, sure, but as a cape name it was defined by being Batman's sidekick/partner. Red Arrow is a name Roy took to symbolize he was an equal to Oliver during a period he was a member of the JLA (afaik; feel free to fact check me here, or on anything else actually again I've been reading DC comics for less than a year). Superman was given to Clark by Lois. All of these names have their uses and their roles and have been used and discarded as necessary for character development. But Red Hood is about a victim taking power from his victimizer. Jason chose the name because it was an old moniker of the Joker's.

One of the reasons I said that Jason's happy ending would be putting Red Hood away is, alongside my assertion that what he really wants is to feel like he has a family, that he has been defining himself only by his worst experiences. It is representative of him still living inside his trauma and being defined by it. I think that a sign of growth for Jason, even if he doesn't entirely settle down, would be for him to find a new identity, one that could potentially be a mantle. But since Red Hood is Jason's trauma given form, there is no way to meaningfully pass that title to down.

What would Lian going by Red Hood symbolize? Because she's had her fair share of trauma, for sure. Afaik we still don't know exactly how she wound up in Gotham as a Catwoman supporting character with memory loss. But Red Hood was a vehicle for controlling crime from above and of reclaiming Jason's identity in opposition to the Joker and Batman alike. Neither of these are useful for Lian. She doesn't and shouldn't define her identity according to Batman characters; ideally she'll define her identity according to Roy and Jade. Yeah, my ideal fantasy fanfiction reality is one where Roy and Jason are co-parenting Lian. But she doesn't share the trauma that Jason went through to come with his name, and there is no way to meaningfully give it to her. Is Lian going to become a crime boss in Gotham's worst neighborhood, is that where we're going with her character? I sure hope not, pick up the new Green Arrow series in April to find out.

Basically what I'm saying is Red Hood is a name that is utterly meaningless if passed down from Jason to anyone else. While it's cool that by coincidence she went by the same name in an elseworlds story, I'm more than happy to keep that as a coincidence only. I want Lian's story to be defined by her own experiences, not Jason's.

And listen, all of this is a fever dream - they're never going to let Jason retire or honestly even heal enough to move on from the Red Hood name. Hell, I'm not even sure that Jason and Lian are ever going to meet - Roy's been alive again for a while and afaik hasn't gone looking for his daughter yet let alone his best friend (again, we'll see what happens in the upcoming GA series, I wasn't joking about that {well, I was joking when I said Lian would become a crime boss in that, but not in that I'm planning on reading it}). What's going to happen is that Jason is going to keep appearing as Red Hood and clash with Bruce and never resolve anything, not his issues with his own murder nor his differences with the rest of the batfam even as they continue to more or less get along sometimes, and Lian and Roy are going to meet up in GA (2023) and have their own adventure looking for Ollie, and I'm going to cry in the corner thinking about what could have been if comics cared about anything except the status quo.

[hospitalterrorizer]

diary347

9/1-2/24

sunday - monday

ate pizza, today.

the unpleasant thing is off my mind now but waking up it was still there. it felt good to talk to my girlfriend about it and she said it's okay to feel so messed up over it, and that him grabbing at my legs/ass made it way too far, and that even just grinding is a lot generally, and stuff like that. she got me pizza because i guess i seem so sad and stuff and pathetic and stuff and i guess i am and i don't want to be but pizza does make me feel better. i also am still on the fasting so i think that helps with kind of eating food like that... yeah... not much else today. there's a server for writers and today the guy who runs it asked a question about ai writing, he got annoyed by his boss being all in on ai and saying it'll be writing novels, and he asked us if this even seems possible, not if it's missing anything human, he recognizes that as a trap it seems like, just about i guess... well it's just questionable i guess, with writing especially, if it is representative of anything avant garde, and then there's all the stuff in it about exploitation and so on, someone raised a good point about how focusing on the aesthetic portion of ai writing, its failures when it is attempting to create a novel, or any piece of writing, ignores the deeper assumptions lodged within the technology. people in the server are all open minded enough to not be the kind of reactionary and fearful type, with ai, which is necessary when actually developing a critique of it. it made me want to talk about what i think of it, so i did, it felt good to do that, to have the thoughts out there i guess, and not have people be like... oh you're so wrong, or you're so annoying, as they might be, or as i know some would be. to reckon with the failings of the technology... and its perspective and so on... it feels important i dunno. some people are so touchy about it. they feel so humiliated i guess by being hopeful or interested in this rather daft custodial system that critiquing it and treating it seriously, or not treating it seriously enough.... it's just evident, i know some people who are fussy and want to be perfectly right and so ideally placed mentally, them knowing everything and being superior to everyone in their heads,, everyone who differs needs to be forgiven for it basically. that's how it seems like she is at least. i just can't stand that kinda thing... guh. but it's not like i interacted with her today the discussion just brings her to mind, and we really don't talk a lot it's just annoying i guess knowing her thoughts are out there and i am porous but that is a stupid thing to be around people like that.

i am just so blahblahblah or something. i wrote a little, i worked on music a little too but again nothing important or important to me but to me means not important to 100% of earth. that's okay though because i like meaning nothing to the world, because i've never not been in hiding.

everything makes me feel a little sick right now. don't understand why or what's going on. i can't tell.

crazy how cool this song was to me when i was a #tween:

i do still really like it...

i gotta sleep, i hafta...

so,

byebye!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[nakamuso]

It looks like Taizoko Sensei's new work "Dandone" is about to start!

It was set at the end of the Edo period! It looks like "Hakozume" author Yasumiko's new work has finally begun! The title is "Dandone"! It was announced this morning that it will start from the June 15 issue of Morning #29.

In the shadow of the heroes at the end of the Edo period, Abandoning their personal feelings for the sake of the greater good and risked their lives for the sake of the cause, A samurai who was not like a samurai! The historical comedy about the "father of the Japanese police" is about to begin!

From past interviews, I had thought that the new work would be set in the Kamakura period, but it would be different from "Kamakura-dono no 13inin" because it would be set in the same time period! I had gotten through my social studies test by reading "Rurouni Kenshin," so this is the era I am best at!　

I know I am persistent every time, but I wrote this article in the past, if you would like to read it.

What does the title really mean? The story moves in volume 10 of "Hakozume: Policewoman Strikes Back! Review 5 mysteries and foreshadowing!

A lot of people have become addicted to this manga! The police manga "Hakozume" has been adapted into a drama starring Erika Toda and Meiku Nagano! We take the liberty of predicting the highlights!

I read "Hakozume" on my boss's Kindle and got hooked on it so much that I read it over and over every day, even though there were already three volumes published at the time. I was told that only Mr. Nakamura read "Hakodume" so many times, and it was because of that that I started asking myself from a very early stage, "Why does Chief Fuji have long hair for a police officer? I thought it was strange that he and Yamada got along so well despite the fact that he was sent away for power harassment. Isn't that creepy?　

I won't go into details because it would be a spoiler, but I'm a perceptive reader. Later, when all was revealed, I quickly told writer Akiko Fudo (pen name), "Actually, I noticed it from the very beginning.

You have the same haircut as Director Minamoto. That's how I felt, so when I learned that the first part of "Hakodume" was coming to an end, that made me sad. But I was shaken by the creative spirit of Taizuko-sensei, who said, "It's now or never if you want to do a new serialization.

I think it takes a lot of determination for a popular author to end a hit work (although not strictly speaking), and I applaud her courage in doing so.

In the issue of the magazine, there will be an interview with Ms. Taizoko, in which she will explain how the publication of the new series was delayed. I personally wonder if it is necessary to talk about the circumstances of the postponement.　Personally, I think so, but there may be a reason why she wants to talk about it.

I got the impression that "Dandone" was a bit like a movie from reading the blurb. Like "The Samurai's Menu" or "The Samurai's Account Book. I guess the title is also foreshadowing something. The main character has a two-block hair style. It's the same as the one in "The Samurai's Menu" and "The Samurai's Household Account Book.

I don't have any other clues at this point, but since it is said to be a "historical comedy," I am expecting another fast-paced gag like Ms. Taizako's. I am looking forward to next week's Morning!

I am looking forward to next week's Morning. Thursday release memo_φ(__…

[imagine-lcorp]

Girls Just Wanna Have Fun (One Shot)

Request

Hey! Can you write a fic where fem reader and Lena go on a vacation to a nice beach and have a nice and Lena actually gets some peace and quiet for once lol. Can be NSFW if you would like

A/N: Hey beautiful beans! Just so you know I’ve not abbandoned this ship, sorry it took lo long to come back. There’s still lots of requests in my queue and I plan on fulfilling each one of them. I promised I was going to after all. Pls forgive, I’m a slow writer but I always enjoy writing for you guys. Tho I’m still deciding if I should do a second part nsfw... Anyway, hope you like this little piece, and let me know what you think!

Lena Luthor x Fem!R//Word Count: 1,060 -------------------------------------------------------

When you planned this little trip, you were thinking it was going to be all about fun and relaxation. You would sleep late, wake up until late morning, have some nice breakfast in bed, take long baths, and enjoy the Caribbean paradise as much as you could.

And so it was for the first couple of days, until you noticed your always busy girlfriend wasn't enjoying herself as much.

"Lena, I swear, if you don't put your phone down I'll take it and throw it away so hard you will need Supergirl to retrieve it back from outer space."

Lena froze mid-text and turned to look at you with a sheepish smile. You pulled your sunglasses down and narrowed your eyes at her.

It was the second time you visited the beach, and it was again the second time Lena seemed to be busy with something else. You couldn't entirely blame her for it considering she was the CEO of a multi-billion dollar company, a consultant for the DEO, and best friends with National City's superheroine, Supergirl. Someone, something, somewhere, was always going to need her attention but you knew even someone as amazing and powerful as her had her limits.

"Sorry, darling. You want me to get us more cocktails?"

"Nuh-uh, don't darling me." You sat straight on your deck chair. "What I need is for you to stop working for a minute, alright?"

Part of the reason you had organized the trip was because you had started to notice some changes in her demeanor. She was leaving work late, barely sleeping at night, and you weren't sure if she was keeping up with her meals. You had spoken with her assistant, Jess, about it and she had confirmed your suspicions about it all. Work seemed to pile in her office, the DEO and Supergirl called her every now and then to help them deal with considerable threats, and Lena still had to manage her business and her own scientific projects.

The cherry on top of it all had to be you, as she always did her best to find time to spend with you.

Lena Luthor was the most wonderful human being but it was costing her so much just to exist. That's why, when Jess suggested her boss was in dire need of a break, you didn't think twice about planning a little get away for you two alone.

The plan was simple, take Lena to another country with a beautiful beach, preferably on the other side of the planet, spend at least a week in a great five-star hotel overlooking the ocean, take her to the spa, and do whatever necessary to keep her mind off responsibilities. So far, it wasn't working.

"You know I can't." Lena said doing her best impression of puppy eyes.

"What's so important this time?" You pulled yourself closer to her as she too sat straight on her chair to show you her screen phone.

"The gala for this years charity?" You frowned in confusion. "Don't you have like a whole team organizing it already?"

"I do, but I need it to be perfect." She retrieved her phone and looked at it. You could see the worry slipping in her expression.

"Here, give me." You reached over with your hand, prompting Lena to give you her phone. She did after a moment of hesitation and you smiled at her as you could read her thoughts. "Not gonna throw it, I promise."

Instead, you locked her phone and left it on the table near you, between your cocktails, and raised your hands again for Lena to hold them. She watched you with some suspicion in her eyes but followed suit as she reached for your hands. She caressed them with her thumbs and you felt your heart melting at the gesture. You couldn't stay mad at her when she did that.

"Hear me out for a second, okay?" Lena nodded. "You have been planning this gala for a year, making everything in your hands to get more and new organizations and people to join. You already did the hardest part, so let your team do the rest. They know what they are doing."

"I know, but what if someone backs down from the event? Or if they need me to take care of something personally and I have to go back and-"

"Hey, hey." You searched her eyes. "They got this. They are the best at what they do, you know why? Because you, Lena Luthor, only hire the best of the best. Ask Jess if you don't believe me."

That made her smile. "I do believe you."

It mean the world to her that you were always there to remind her what was important at times like these, helping her realize nothing was as bad as it seemed and that she shouldn't waste the rare and precious moments she got to live with you without a catastrophe at hand.

"Good. Now, believe me when I say you deserve some peace and quiet. We are already here, let's enjoy ourselves."

"Peace and quiet, sounds good." She leaned to give you a kiss abut you raised a finger at her as she got closer, stopping her midway.

"Before that, you gotta promise me, no phones or other electronic devices, and no business calls. At least for the rest of the day. Alright?"

"Do I get my kiss if I say yes?"

"You can get more than a kiss of you do." You smirked.

"Oh, what else are we talking about?" Lena raised a brow with a new found interest and for a moment she seemed to really forget about her worries.

"We could have a little more fun." You said teasingly and looking at her lips. "The kind that is more enjoyable at night, after a nice dinner and that sweet wine you like."

"Sounds good to me."

"Do we have a deal then, Miss Luthor?"

"Deal." She said, and you couldn't help but smile as she closed the distance between you two.

For the rest of the day, as promised, Lena kept her hands off her phone and tried her best not to think about whatever happening back in National City. She was too busy thinking about what the end of the day would bring instead and how happy you made her.

[ltleflrt]

Hey Carrie! You talked a little the other day about writers' tendency to start a fic too early in the story, and how you see a lot of first scenes that could have been scrapped to improve the story. My question is if you have some tips to recognize while writing that first scene that you are starting too early in the story?

Hello friend!

That's a really good question, and I'll see if I can give an answer that makes sense. I am not a professional, and I'm not educated or trained in this stuff, it's just something that I recognize from years and years and years of voracious reading. And as with all writing advice, I encourage you to take what I'm going to say with a grain of salt and remember that no writing rule is a hard rule, only a guideline.

Also, my advice is going to be pertaining fanfiction, and specifically to AUs. Obviously a published book has an editor with a razor blade going through a manuscript for you, and the problems that bother me in fanfiction crop up in AUs more than Canonverse.

Oh, and every instance of "you" is general, not specific 😜

So I think the main problem that I see is that people are starting with an Info Dump. An Info Dump is not always a bad thing, sometimes it's completely necessary, but it is NOT where you want to start your story. If it absolutely has to be done, it's better to be somewhere in the middle or near the end. When it's something that your characters need to know.

That's an important bit: Do your characters need to know this?

And related to that: Does your audience need to know this for the story to make sense?

And very important follow up: If the answers to the above questions are yes, does the character/audience need to know this RIGHT NOW?

There's a lot of information about your story that YOU need to know. Heck, my notes files are full of sooooooo much stuff that I know about the characters and plot that never reaches the final product.

So when you're reading your first chapter (I say reading, not writing, because sometimes info dumping for your own benefit is good, and then you fix it before you share the story lol), ask yourself those two questions.

So for example:

In an AU where Dean is a tattoo artist, and it's his POV. The story starts with Dean driving to work, and when he gets there he's going to find out that the empty shop next door has been purchased and is going to be a yoga studio. He meets Castiel out front, up on a ladder trying to hang a hand painted sign, and some teens go running buy and knock into the ladder and Dean has to catch Castiel from falling. (Anyone who wants to adopt this idea is welcome to it btw, I would love to read this lol)

The mistake I often see in a first chapter like this is that as Dean is walking to work, there's a whole Info Dump about why he's a tattoo artist instead of a hunter. He'll be ambling along, thinking about his nice little business, and there's info about how his mom died in a fire, and his dad was a jerk, and Dean didn't go to college because he saved his money for Sammy's college fund, and Dean's only passion was art, and Bobby Singer introduced him to a tattoo shop owner who took Dean under his wing, etc.

Question 1, does your character need to know this?: Why is Dean reflecting on his past? Does Castiel need to know this information in order to build a romance with Dean?

Question 2, does your audience need to know this?: Why does this information matter? If Dean's only reflecting on this because you want to make sure your audience knows where the timeline changed and this became an AU, then you're starting too early in your story. Dean doesn't need to know this, and honestly in a lot of cases the reader doesn't need to know this. This is information that should have been left in your notes file.

Question 3, does the character/audience need to know this NOW?: If this information is pertinent to the plot, like maybe there's some trauma there that Castiel might need to know about to develop their relationship, then you don't want to put it HERE, you want to put it in a conversation with Castiel LATER.

If I was writing this AU, I would just start with Dean sipping his coffee, he's kinda tired because reasons, he looks up to see an unusual commotion, and has to drop his coffee and sprint forward to catch Cas. If he's reflecting on anything in this scene, it's going to be whatever made him tired, or how good/bad the coffee is this morning. Since Cas is a new business owner, they can talk about the origins of Dean's business on their first date, because it'll be a relevant response to Castiel talking about the origins of his yoga studio.

And just in general, if Dean's origin story includes a lot of canon elements, like mom dying in a fire, dad being a deadbeat, Sammy being the adorable overachieving Stanford student.... try to hide that info for as long as you can so that the audience is actually curious about it by the time the info might pop up. It's the wild divergences that are more interesting earlier on.

Okay, and then I want to talk about my giant pet peeve for a starting chapter. It's a specific kind of info dump, that often includes the stuff from above, but then goes a step further.

My nemesis, The Daily Grind.

I haven't asked the authors, so I could be wrong about this, but I feel like most of the time when this type of chapter is included in a story it is because the author wants to show the reader that the character's life is boring and meaningless before the plot's inciting incident. I can absolutely see why that might be considered an important detail about the character, but keep in mind if it's boring and meaningless to the character, it's boring and meaningless to your audience.

You know how I said earlier that writing tips should never be hard and fast rules? Well this is in regards to that Show Don't Tell rule, and it's an example of TOO MUCH showing lol

It is possible to do a daily grind in an interesting way, but only if you include a Shake Up right away. And you have to look at the 3 questions a little bit differently.

So for example:

Castiel POV, and he works in an office. His daily routine is to always get up at the same time every day, he goes for his run, he grooms himself, he has his breakfast, he goes to work and talks to Kelly about how Jack's doing in kindergarten for a few minutes before going into his office. Adler comes in to be a prick, Castiel hates him for it, and then he does his reports, has lunch hiding in a corner of the lunch room so that his co-workers will leave him alone, he does more reporting, leaves an hour after his shift technically ends, goes home to a lonely apartment that maybe includes a pet who is the only being that shows him affection, has an unsatisfying dinner of leftover takeout while watching a mindless reality tv show, then he goes to bed.

Ugh.

BORING.

Which, yeah I get it, the point is that his life is boring. But now the story is too, and I've clicked the back button before I can see how exciting it's capable of getting.

Question 1, does your character need to know this?: No. He knows. Poor thing definitely already knows.

Question 2, does your audience need to know this?: Yes, but...

Question 3, does the character/audience need to know this NOW?: Yes, but new question for ya:

Optional Question 4, why does this need to be separate from your plot's inciting incident? The answer to this 4th question is usually that it doesn't.

Chapter 2 of this type of beginning usually shows the shake up of Castiel's day. My advice is to start with the shakeup, and sprinkle in the details of what you would have put into chapter 1 to show the contrast. It's far more interesting to learn how boring Castiel's day is by starting with the shake up.

So, same scenario:

Castiel's alarm doesn't go off for some reason, OH NO HIS ROUTINE IS SHAKEN UP! You're explaining his routine while also stressing him the fuck out because he has to rush, or skip something that he normally needs to do. Action! Interesting! He gets to work late, and has to miss his conversation with Kelly about Jack because she's telling him that Adler's already in his office being a prick because Castiel isn't there waiting for him like he always is. Oh shit, he's pissing off his asshole boss! Conflict! He's so flustered by the shakeups that he misses something on his report, and he gets a call from that new marketing guy Dean Winchester who asks if they can have a meeting about it when Castiel normally takes his lunch. BAM! MEET CUTE OPPORTUNITY! While Castiel is getting all flustered by how pretty Dean is while they talk about TPS reports, he can reflect on how this is both better and worse than hiding from his co-workers in the corner of the lunch room. The rest of the day after that meeting he's thinking about how weird this day is, he still goes home an hour late, he talks to his pet about his weird day when he gets home, and maybe he still eats leftover takeout, but he's not paying attention to the reality tv show because holy shit he wants to count Dean's freckles.

In this example, you're Telling the audience about Castiel's normal routine instead of Showing them. But since it's during a plot heavy chapter, it works!

Lemme see if I can TL:DR this...

As you're reading, ask yourself who needs to know this information, why do they need to know this information, and why is it important for this information to be included early instead of later?

If the answer to any of those questions boils down to "this is backstory" instead of "this kicks off the plot", then you've started too early.

I hope this helps? I'm always nervous about giving writing advice because so much of the time I have no idea what I'm doing, and I'm just feeling around in the dark. And I definitely do not ever want to hurt an author's feelings, because this hobby is so fucking hard, and we're all fragile. Even authors who welcome con-crit with open arms will have a weak point that they're unaware of that might get poked wrong and cause a crack, ya know?

I hope anyone who gets this far who might see their own works reflected in my examples understands that I have a lot of respect for their ability to put their work out into the world, and I want them to keep doing it. We're here to have fun, okay? Okay. I love y'all 💜

[abellalu]

Just a Job: Part 1

Summary: The Avengers have been trying to recruit a former SHIELD Agent who has been working freelance. The Agent finally agrees to work with them, but immediately dislikes the idea of having to work with Bucky Barnes (for now).

Warnings: cursing, annoyed Bucky

Word Count: 1.6k

Pairing: Bucky Barnes x Reader

A/N: This is just something fun I start planning/writing. I’m not sure how long this series will be, but I have quite a few chapters planned (the next chapters will also be longer) I’m not usually a writer, but hopefully you still enjoy this. Any feedback is totally welcome!

[ Masterlist | AO3 ]

“Steve, you should just tell me the mission and so I can just complete it on my own.” You said as you paced back and forth across Steve’s office. 

This wasn’t the first time you’ve had this conversation with Steve, and you don’t expect it to be the last time. Every few weeks, Steve and the Avengers are planning a mission, Steve asks for your help, and you say no. Though, most of these conversations happen over email. 

“While I do admire your confidence, you know these types of missions are dangerous to do on your own and my job is to keep everyone here safe.” Steve looked directly at you showing that he was not willing to negotiate. 

“Your job is to keep the Avengers safe, not me. I still haven’t agreed to work for all of you and I don’t plan on it.” 

Steve looks directly at you as he starts to speak, “I know what you are capable of. You are incredibly resourceful and intelligent. That’s why I invited you to work with us in the first place, but you can’t always be independent. You can work with a team again, and be surrounded by people who care about you.” 

You laugh to yourself. Steve always loved bringing up the idea of you working with a team again. He valued working with others so much, and yet you could never see the point. You used to work with others, then felt betrayed when you realized it was all a lie. Steve was always someone you could trust though. It's sort of part of his brand, good old Captain America. He always considered you a friend despite the fact that you avoided him most of the time. Maybe you owe him a small favor. 

“How long is the mission?” You ask as you avoid eye contact,

Steve smiles to himself, usually, by now you would have told him you were not interested and to leave you alone unless he has baked goods. 

“The first mission I have for you is only a week long. We will be working mostly remotely for the first few days as we plan, so you can stay here at the compound and work.” 

“Slow down there Cap, I’m only agreeing to help you out with one mission and there is no need for me to stay at the compound. I can easily go back and forth between my apartment and here.” 

"Of course, I promise it will be just this one mission then I won't ask you again." Steve says as his smile grows larger. 

“Alright, I’ll do it.” You immediately reject your decision.

Shortly after you leave the compound, Steve leaves his office to go to the kitchen and finds Bucky and Natasha searching through the cabinets.

Natasha looks up at Steves and smiles, “You seem cheery today, did you find another old man film to watch?” Natasha and Steve both chuckle.

“No, better actually. She finally agreed to join us for a mission.” Steve responds. Natasha seems both surprised and excited, while Bucky continues to search through the cabinets.

“The former SHIELD agent? I still don’t understand why you put so much effort into trying to recruit her in the first place. She clearly isn’t interested.” Bucky gruffs 

“First off Buck, she clearly is at least slightly interested now since she agreed to help us. Second, she is a very skilled agent and tech-savvy. She has found multiple Hydra agents and operations all on her own using technology she developed.” Steve says, looking at his friend while Bucky tries to ignore him. 

Bucky Barnes didn’t know this agent. Back when Steve and Natasha had worked with her, he was still stuck under Hydra’s control and was a puppet for them. He didn’t understand why his friend was so adamant about her skills and getting her to join the Avengers when she clearly likes working alone. Bucky could understand that though. He was still adjusting to being an “Avenger” after decades of being an assassin on his own. 

Natasha laughs to herself,  “She is a good person. We used to joke around a lot together during meetings, always making them less dull. I think you’ll get along with her, Barnes.” 

“I highly doubt it.” Bucky responds unamused.

A few days later, you got up much earlier than you usually did. Before, you were your own boss and created your own schedule. Now you have to get ready for an early morning Avengers meeting. It also didn't help that you would have to walk to the compound since you didn't have a car. While you could have taken Steve’s offer to stay at the compound for a week, you wanted to spend as much time away from the Avengers as possible, and getting up early to walk seemed like a necessary evil.

Eventually, you arrive at the compound early for the mission briefing. All you know about the mission so far is that you will be working mostly with Tony on tech for the mission. You are directed to a conference room that has a large table with only one person sitting there. 

Bucky is sitting at the table with a book in his hands. There is a little crease between his eyebrows and a slump to his shoulders as he stares intently at the book. 

As you enter the room he doesn’t look up his book. Part of you understands that he probably just wants to be left alone with his book, but the other part of you is arguing that now is the best time to introduce yourself. You didn't want your introduction to be too late and Bucky was one of the few Avengers you didn’t personally know.

You walk up to the seat next to him and grab the chair. “Can I sit here?” you ask him, trying to force a smile on your face.

“No.” He responds without looking at you.

“Who sits here usually?��� you ask “If it's just Natasha or Clint, I’ll probably just sit here anyway.”

“I don’t like people sitting next to me, Agent.” He says as the tone of his voice gets slightly more annoyed. You haven’t been referred to as Agent for years, but at least now you realize that he knows who you are. 

You look at chairs on either side of him “Oh, so both of these chairs are available, so do you have a good side or-”

“Just leave me the fuck alone” He interrupts you before you can finish your thought.

You stare at Bucky and he never once looks back. You expected Bucky to be more reserved than the others, but you didn't expect him to be so insolent. 

"Fine" eventually, you walk away to the other side of the table and take a seat.

You grab your phone from your bag, trying to stare down at it instead of focusing on the man on the other side of the table. Bucky didn’t even try to fake a nice introduction as you did, he was just irritating. If you knew that you would be working with someone like him, you wouldn’t have agreed to the mission.

Eventually, after what feels like an eternity, but is really only a couple minutes, the rest of the team starts entering the conference room.

Natasha enters the room with Sam Wilson. She gives you a small smile and they both start walking towards you. 

“It’s good to see you again Agent, we are all excited to work with you.” Natasha says. You chuckle at that. Not everyone is excited to work with you apparently. You quickly glance towards Bucky. His lips are pressed together in a straight line, ignoring everyone who walks by him.

“So, how did he finally break you?” You look away from Bucky to see Sam smiling and laughing. You had only met Sam a few times before. Steve occasionally brought him to try to convince you to join them for a mission. 

Sam continues to say, “I mean, if my charming personality wasn’t enough to convince you to help us, I thought there was no hope.” You laugh at him. At least he will be enjoyable to work with. 

“I’m just helping with this one mission, then you guys are leaving me alone. Don’t worry though, your charming personality definitely helped convince me.” You respond sarcastically.

Natasha and Sam laugh as they sit down in the chairs on either side of you. 

Eventually Steve and Tony Stark enter the room together. Steve walks towards Bucky and for the first time Bucky looks up from his book. Steve holds out his hand and Bucky gives him the book. You notice the title of the book, A Tree Grows in Brooklyn. Steve puts the book down on a table in the corner of the room and begins his presentation. 

“Thank you everyone for being here." Steve looks directly at you as he speaks. "We have reason to believe there is a Hydra operation here in New York. It seems small, but they are developing technologies for other operations. The mission will take around a week and will include-" 

"Basically we just need to develop a tech system to disarm all of their tech and hack into their security system for all intel we can find." Tony interrupts. 

"Thank you, Tony." Steve responds while rolling his eyes.

"Oh, you are so very welcome Capsicle. I'm always here to help." Tony laughs. "Anyways, the tech team will include myself, Banner, and the world's most stubborn agent." 

Everyone looks at you, including Bucky. Steve starts telling everyone about all of your achievements and skills. Bucky just stares at you and you glare right back. 

You realize that you never want to be back here again.

NEXT PART

Thanks for reading! :) 

[fanficmaniatic]

The "Anti-Chat" Theory.

(Which is also why Chat Blanc 2.0 wont work and why Ladybug needs to be akumatized).

This is a turducken on my thoughts for S4 and the future of the show so just roll with it.

So, Season 4 has been wild so far, and if clues given by the writers and people involved in show are any indication, this is only the beginning, we are in for a bumpy ride and things are just going to keep getting worse.

In all the discourse revolving season 4 something that we are all mentioning is how “Chat Blanc” is still a thing and there is no guarantee it won’t happen again. If anything it now seems more likely Chat Noir will get akumatized considering the imminent Ladynoir fallout, and how Adrien is still living with his Father, as his isolation keeps getting worse. And though I am always In for some good Character angst, and I feel like it is necessary for Adrien to know about Chat Blanc, and/or for Chat Blanc to reappear, I don’t think Chat Blanc 2.0 is something Adrien nor the show needs right know.

This theory has many parts, I promise it all ties neatly at the end.

First things first, I may be a little biased, Chat Blanc is an episode I really enjoy. I love Time Travel shenanigans, and I was dying to see Adrien finally find out about his father. The heavy consequences of the episode were obviously erased, but the impact of it all still remains trough Marinette, whom we see in the episode ‘Sentibbubler’ is having nightmares about the whole thing. But still, I love the episode, and I really don’t want an “Stormy Weather 2”… which is an episode I heavily dislike, compared to THE BEST formulaic episode of the Whole show, a.k.a “Stormy Weather” a.k.a My favorite episode. So yeah, this whole first point is just me REALLY not wanting an episode called “Chat Blanc 2.0” But there is more to it, and is the fact that I don’t see how it could work out.

“Chat Blanc 2.0” is unnecessary, and the reason why is that bringing him back wouldn’t actually do anything besides perhaps bringing Ladynoir further apart. Ladybug still CAN’T know Chat noir’s identity, (Let’s be honest and admit that’s prolly s4 finale OR happening during s5) so the show would go out of its way to make his dialogue as plain as possible without mentioning his father being hawkmoth. And yes, I do realize that Chat has been bottling his emotions and it all is likely to come out during THE ladynoir fall out… But people are ignoring the elephant in the room which is that Chat Noir DOES NOT fight Ladybug.

I promise this is relevant.

Chat Noir, unless mind controlled, would never attack Ladybug. The most clear example of this is in “Gamer 2.0” when he straight up says “I could never bring myself to fight you” as he sacrifices himself for her, that added to their classic “Is us against the world, My Lady” every season finale, and Marinette’s “In case something happens to me” In ‘Optygami’, it all could pretty well be a foreshadowing of a Ladynoir fight, where Ladybug is akumatized, and Chat has to willingly fight her. Yes, one could argue that he did fight her during ‘Chat Blanc’, but it could also be read as more of him trying to make her listen.

Where am I going with this? Chat Blanc 2.0 would be unable to bring the nuance the story needs right now. Chat Blanc still wouldn’t fight his father, because I doubt they won’t leave that for season 5. Chat Blanc still doesn’t have a motive to actually fight Ladybug. But the most important part is… What would happen at the end? What would be the change? What conversation are we having? What would be different than what we got in the original Chat Blanc?

To be fair, maybe I am wrong, maybe it can work out, this is just a theory. Maybe all the things I crossed out as impossible will actually happen, but I have been watching the show for 6 years, and If I have learned something about it, is that it is a slow burn, in ALL the aspects.

So yes, I believe Ladybug/Marinette needs to be akumatized, but I also think that Adrien has to learn about Chat Blanc, and that Chat Blanc needs to reappear, having a bigger Role than just a nightmare. So… how does that tie with everything I just said? Easy, the “Anti- Chat” Theory’

So you probably remember “Anti-Bug”, one of the best episodes from season 1, where Chole tries to help Ladybug, she doesn’t listen, and Chloe ends up being akumatized into “Ladybug but evil” … In theory, that is the deal, and is no wonder I am picking Felix Graham De Vanily to fill this role.

From an animation perspective, Felix is the obvious choice, he is identical to Adrien, and if following Anti-bug’s logic in costume desing, that would mean they can reuse Chat Blanc model with no alteration needed.

Now, How would this work? By giving Ladybug a jump scare. She thinks she has to live one of her worst nightmares again, to then find out “Oh… This is not Chat Noir” while still creating enough tension, by looking scared and distraught, that she HAS to tell him that she is scared of him being akumatized WITHOUT actually needing to mention the alternative timeline. This gives Chat noir the chance to lash out, once he realizes this is part of why ladybug is keeping him away, which can lead to Ladybug’s future akumatization.

Why this way? And please hear me out. Chat Noir NEEDS to let his emotions out, and I don’t think lashing out at ladybug is the best way but I see it as necessary. Adrien needs to take on more responsibility while being Chat, but he also needs to learn how to healthy express his emotions, because he is not allowed to do that in his current situation. Ladybug being akumatized because she feels guilty about Chat Noir allows Adrien to do BOTH. Because to save Ladybug he would have to realize “My emotions are valid, and is okey to let them out, but the way I did it was not the right one”, and both Ladybug and Chat Noir would have to apologize because this whole thing is not miscommunication… is a misunderstanding of their partners character. Ladybug needs to relay more on Chat and Chat needs to take on more responsibility… it won’t happen if Ladybug is the one that needs to save Chat Noir.

Adrien needs to realize that he needs to save himself, and that there’s people outside of his father that care for him. Ladybug is this figure that he looks up to and Admires, and is from a side of his life that his father has no control over, (At least from his perspective). So if she forgives him, if they are able to fix their relationship he will realize that things can get better.

Now, going back to Anti-Chat… his deal is way bigger than just bringing The Ladynoir fight… Is about setting up seasons 6 and 7.

What do we know so far? The Love Square and Gabriel’s Hawkmoth is going to come to an end by season 5. Which has left many fans wondering “Then what is happening on seasons 6 and 7?” And the best answer we have so far is in the episode “Timetagger” where Bunnix reveals that there is a whole team of miraculous holders fighting the Hawkmoth of the future, which is by the same episode confirmed to not be Gabriel Agreste. Besides this, I think it is safe to assume that the specials are quietly setting up themes that could come back In seasons 6 and 7.

Now, when speaking about characters that could be future villains the fandom seems to have its collective mind set on two individuals: Lila Rossi, and Felix Graham De Vanily.

Besides ‘Rocketear’, (E17), ‘Wishmaker’ (E18), and the special ’Shadow Moth’s last attack’ (Eps 25&26) we don’t know the names of the episodes of the second half of the season, which is really uncommon for miraculous ladybug, and the reason they gave us as to why is “You would know who is akumatized based on the names”… Which AGAIN, is really uncommon for ML. If you have been in this fandom for a long time you’ll realize that most people working in the show don’t really seem to care about spoilers. Now, this is kinda a conspiracy theory, but If you saw that there was an episode called “Anti-Chat” would you have assume it was any one other than Felix?…. No, right? That’s what I though. Miraculous has proven that it is good at subverting expectations, so when they are pointing at something (like a Chat Blanc 2.0 episode) it may not be as we want or suspected it to be. So I think an Anti-Chat episode makes a lot of sense.

Now, Why am I saying that this can set up future season? Buckle up, pals, here we go. What do we know about Felix?

He is evil, or at the very least seems to be ill-intentioned, if his attitude and look at the end of his episode is anything to go by.

He is after jewelry. Which, yeah, was only shown in that one episode he appeared, but this could pretty much be a foreshadowing of him later on going after the miraculous.

We know that he is bound to appear 3 more times

For this theory to work, I need it to happen in episode 22… Yes, the feared 100th episode of the show. It is not as important why Felix is akumatized, but what is happening WHILE he is akumatized.

Besides what has already been discussed, with Ladybug being scared, Ladynoir should not be able to work together. They are tumbling on each other because Chat Noir feels like she doesn’t trust him, but Ladybug NEEDS his reassurance right now, which he wont give.

This, is directly parallel with what is happening between Anti-Chat and Shadow Moth. Because Felix, even though he wants the miraculous, he won’t let himself be bossed around. He is demanding things from SM, and like in Robustus, Anti-Chat tries to, not just take Ladybug’s and Chat noir’s Miraculous, he wants to destroy Hawkmoth too. Which will lead to Shadow Moth being the reason he gets de-akumatized, instead Ladybug and Chat Noir saving him... bringing more fuel to the Ladynoir fire.

Now, Why should Felix have an attitude with Shadow Moth? Well, my friends… Do you remember, years ago, when the producers of the show said “The peacock miraculous holder will make Hawkmoth look like a baby”…. That’s not Mayura. Nathalie is a great miraculous holder, and she is really clever. But instead of making Gabriel look like a baby, she makes him look smart because he has someone like her on his team. What I am saying with this is that Felix, will suspect/ figure out Gabriel is Hawkmoth at the en of Anti-Chat, and that he will get the peacock miraculous during “The Last attack of Shadow Moth.” Thus, setting up a villain for future seasons.

This makes Felix 3 appearances be: In episode 22 (Anti-Chat), In episode 26 (SM last attack, part 2), and during S5’s finale. Felix situation will be much like Lila’s during s1 and s2 where she was introduced at the end of the first but not used until the end of the second.

Conclusion:

Felix Graham de Vanily has the potential to be a future villain and bring the Ladynoir conflict to finally surface.

And to clarify, The Ladynoir conflict, just like this Felix theory, is not something that will, nor can get resolved in one episode. If anything the fight will be around the end of season 4, and it will get resolved during season 5.

But again, this is just a theory, and I will probably be death wrong, but who knows?

[jeannereames]

Hi, Dr. Reames! I just read your take on Song of Achilles and it got me thinking. Do you think there might be a general issue with the way women are written in mlm stories in general? Because I don't think it's the first time I've seen something like this happen.

And my next question is, could you delve further into this thing you mention about modern female authors writing women? How could we, beginner female writers, avoid falling into this awful representations of women in our writing?

Thank you for your time!

[It took a while to finish this because I wrote, re-wrote, and re-wrote it. Still not sure I like it, but I need to let it go. It could be 3xs as long.]

I’ll begin with the second half of the question, because it’s simpler. How do we, as women authors, avoid writing women in misogynistic ways?

Let me reframe that as how can we, as female authors, write negative (even quite nasty) female characters without falling into misogynistic tropes? Also, how can we write unsympathetic, but not necessarily “bad” female characters, without it turning misogynistic?

Because people are people, not genders, not all women are good, nor all men bad. Most of us are a mix. If we should avoid assuming powerful women are all bitches, by the same token, some women are bitches (powerful or not).

ALL good characterization comes down to MOTIVE. And careful characterization of minority characters involves fair REPRESENTATION. (Yes, women are a minority even if we’re 51% of the population.)

The question ANY author must ask: why am I making this female character a bitch? How does this characterization serve the larger plot and/or characterization? WHY is she acting this way?

Keep characters complex, even the “bad guys.” Should we choose to make a minority character a “bad guy,” we need to have a counter example—a real counter, not just a token who pops in briefly, then disappears. Yeah, maybe in an ideal world we could just let our characters “be,” but this isn’t an ideal world. Authors do have an audience. I’m a lot less inclined to assume stereotyping when we have various minority characters with different characterizations.

By the same token, however, don’t throw a novel against the wall if the first minority character is negative. Read further to decide if it’s a pattern. I’ve encountered reviews that slammed an author for stereotyping without the reader having finished the book. I’m thinking, “Uh…if you’d read fifty more pages….” Novels have a developmental arc. And if you’ve got a series, that, too, has a developmental arc. One can’t reach a conclusion about an author’s ultimate presentation/themes until having finished the book, or series.*

Returning to the first question, the appearance of misogyny depends not only on the author, but also on when she wrote, even why she’s writing. Authors who are concerned with matters such as theme and message are far more likely to think about such things than those who write for their own entertainment and that of others, which is more typical of Romance.

On average, Romance writers are a professionalized bunch. They have national and regional chapters of the Romance Writers of America (RWA), newsletters and workshops that discuss such matters as building plot tension, character dilemmas, show don’t tell, research tactics, etc. Yet until somewhat recently (early/mid 2010s), and a series of crises across several genres (not just Romance), treatment of minority groups hadn’t been in their cross-hairs. Now it is, with Romance publishers (and publishing houses more generally) picking up “sensitivity readers” in addition to the other editors who look at a book before its publication.

Yet sensitivity readers are hired to be sure lines like “chocolate love monkey” do not show up in a published novel. Yes, that really was used as an endearment for a black man in an M/M Romance, which (deservedly) got not just the author but the publishing house in all sorts of hot water. Yet misogyny, especially more subtle misogyny in the way of tropes, is rarely on the radar.

I should add that I wouldn’t categorize The Song of Achilles as an M/M historical Romance. In fact, I’m not sure what to call novels about myths, as myths don’t exist in actual historical periods. When should we set a novel about the Iliad? The Bronze Age, when Homer said it happened, or the Greek Dark Age, which is the culture Homer actually described? They’re pretty damn different. I’d probably call The Song of Achilles an historical fantasy, especially as mythical creatures are presented as real, like centaurs and god/desses.

Back to M/M Romance: I don’t have specific publishing stats, but it should surprise no one that (like most of the Romance genre), the vast bulk of authors of M/M Romance are women, often straight and/or bi- women. The running joke seems to be, If one hot man is good, two hot men together are better. 😉 Yes, there are also trans, non-binary and lesbian authors of M/M Romance, and of course, bi- and gay men who may write under their own name or a female pseudonym, but my understanding is that straight and bi- cis-women authors outnumber all of them.

Just being a woman, or even a person in a female body, does not protect that author from misogyny. And if she’s writing for fun, she may not be thinking a lot about what her story has to “say” in its subtext and motifs, even if she may be thinking quite hard about other aspects of story construction. This can be true of other genres as well (like historical fantasy).

What I have observed for at least some women authors is the unconscious adoption of popular tropes about women. Just as racism is systemic, so is sexism. We swim in it daily, and if one isn’t consciously considering how it affects us, we can buy into it by repeating negative ideas and acting in prescribed ways because that’s what we learned growing up. If writing in a symbol-heavy genre such as mythic-driven fantasy, it can be easy to let things slip by—even if they didn’t appear in the original myth, such as making Thetis hostile to Patroklos, the classic Bitchy Mother-in-Law archetype.

I see this sort of thing as “accidental” misogyny. Women authors repeat unkind tropes without really thinking them through because it fits their romantic vision. They may resent it and get defensive if the trope is pointed out. “Don’t harsh my squee!” We can dissect why these tropes persist, and to what degree they change across generations—but that would end up as a (probably controversial) book, not a blog entry. 😊

Yet there’s also subconscious defensive misogyny, and even conscious/semi-conscious misogyny.

Much debate/discussion has ensued regarding “Queen Bee Syndrome” in the workplace and whether it’s even a thing. I think it is, but not just for bosses. I also would argue that it’s more prevalent among certain age-groups, social demographics, and professions, which complicates recognizing it.

What is Queen Bee Syndrome? Broadly, when women get ahead at the expense of their female colleagues who they perceive as rivals, particularly in male-dominated fields, hinging on the notion that There Can Be Only One (woman). It arises from systemic sexism.

Yes, someone can be a Queen Bee even with one (or two) women buddies, or while claiming to be a feminist, supporting feminist causes, or writing feminist literature. I’ve met a few. What comes out of our mouths doesn’t necessarily jive with how we behave. And ticking all the boxes isn’t necessary if you’re ticking most of them. That said, being ambitious, or just an unpleasant boss/colleague—if its equal opportunity—does not a Queen Bee make. There must be gender unequal behavior involved.

What does any of that have to do with M/M fiction?

The author sees the women characters in her novel as rivals for the male protagonists. It gets worse if the women characters have some “ownership” of the men: mothers, sisters, former girlfriends/wives/lovers. I know that may sound a bit batty. You’re thinking, Um, aren’t these characters gay or at least bi- and involved with another man, plus—they’re fictional? Doesn’t matter. Call it fantasizing, authorial displacement, or gender-flipped authorial insert. We authors (and I include myself in this) can get rather territorial about our characters. We live in their heads and they live in ours for months on end, or in many cases, years. They’re real to us. Those who aren't authors often don’t quite get that aspect of being an author. So yes, sometimes a woman author acts like a Queen Bee to her women characters. This is hardly all, or even most, but it is one cause of creeping misogyny in M/M Romance.

Let’s turn to a related problem: women who want to be honorary men. While I view this as much more pronounced in prior generations, it’s by no means disappeared. Again, it’s a function of systemic sexism, but further along the misogyny line than Queen Bees. Most Queen Bees I’ve known act/react defensively, and many are (imo) emotionally insecure. It’s largely subconscious. More, they want to be THE woman, not an honorary man.

By contrast, women who want to be honorary men seem to be at least semi-conscious of their misogyny, even if they resist calling it that. These are women who, for the most part, dislike other women, regard most of “womankind” as either a problem or worthless, and think of themselves as having risen above their gender.

And NO, this is not necessarily religious—sometimes its specifically a-religious.

“I want to be an honorary man” women absolutely should NOT be conflated with butch lesbians, gender non-conformists, or frustrated FTMs. That plays right into myths the queer community has combated for decades. There’s a big difference between expressing one’s yang or being a trans man, and a desire to escape one’s womanhood or the company of other women. “Honorary men” women aren’t necessarily queer. I want to underscore that because the concrete example I’m about to give does happen to be queer.

I’ve talked before about Mary Renault’s problematic portrayal of women in her Greek novels (albeit her earlier hospital romances don’t show it as much). Her own recorded comments make it clear that she and her partner Julie Mullard didn’t want to be associated with other lesbians, or with women much at all. She was also born in 1905, living at a time when non-conforming women struggled. If extremely active in anti-apartheid movements in South Africa, Renault and Mullard were far less enthused by the Gay Rights Movement. Renault even criticized it, although she wrote back kindly to her gay fans.

The women in Renault’s Greek novels tend to be either bitches or helpless, reflecting popular male perceptions of women: both in ancient Greece and Renault’s own day. If we might argue she’s just being realistic, that ignores the fact one can write powerful women in historical novels and still keep it attitudinally accurate. June Rachuy Brindel, born in 1919, author of Ariadne and Phaedra, didn’t have the same problem, nor did Martha Rofheart, born in 1917, with My Name is Sappho. Brindel’s Ariadne is much more sympathetic than Renault’s (in The King Must Die).

Renault typically elevates (and identifies with) the “rational” male versus the “irrational” female. This isn’t just presenting how the Greeks viewed women; it reflects who she makes the heroes and villains in her books. Overall, “good” women are the compliant ones, and the compliant women are tertiary characters.

Women in earlier eras who were exceptional had to fight multiple layers of systemic misogyny. Some did feel they had to become honorary men in order to be taken seriously. I’d submit Renault bought into that, and it (unfortunately) shows in her fiction, as much as I admire other aspects of her novels.

So I think those are the three chief reasons we see women negatively portrayed in M/M Romance (or fiction more generally), despite being written by women authors.

------------------------------------

*Yeah, yeah, sometimes it’s such 2D, shallow, stereotypical presentation that I, as a reader, can conclude this author isn’t going to get any better. Also, the publication date might give me a clue. If I’m reading something published 50 years ago, casual misogyny or racism is probably not a surprise. If I don’t feel like dealing with that, I close the book and put it away.

But I do try to give the author a chance. I may skim ahead to see if things change, or at least suggest some sort of character development. This is even more the case with a series. Some series take a loooong view, and characters alter across several novels. Our instant-gratification world has made us impatient. Although by the same token, if one has to deal with racism or sexism constantly in the real world, one may not want to have to watch it unfold in a novel—even if it’s “fixed” later. If that’s you, put the book down and walk away. But I’d just suggest not writing a scathing review of a novel (or series) you haven’t finished. 😉

[popculturebuffet]

Prince of Wishful Thinking (Tom Retrospective): Tough Love or The True Monster

Hello all you happy people and welcome back to Prince of Wishful Thinking, what is usually my look at the life and times of Tom Lucitor but since I NEED to cover the season 3 finale as vital part of Tom’s story, we’re taking one last look at the tragic tale of Meteora Butterfly before the finale sends these two stories hurtling together. You’d THINK this would be the last detour of this already sizeable arc.. and you’d be wrong as i’ll also be covering Kelly’s World, as I feel it’s vital for both “Curse of the Blood Moon” and “A Boy and his hard to remember title”, as it provides extra context for Marco’s anguish in the former.. and provides extra evidence for why a CERTAIN MOMENT in the latter pisses me off to no end.. seriously even when as universe dies and the only people left are Frankllin Richards and Galactus, there will still be a little note reading “Fuck how they treated Kelly” written in all caps so Galactus remembers to yell it. 

So sadly that DOES mean it’s been three entries in this retrospective in a row that either haven’t feature Tom at all or in the case of the last episode only had him in short cameos. I mean we did get his love affair for pie but we also got a creepy goblin man forcing his girlfriend and best friend to kiss each other, his best friend being WAY to eager to jump to that conclusion, and neither considering using Marco’s Scissors because the writers only remember he has those half the time in Season 3... and clearly I ddn’t either as I forgot to mention that plot hole, something @jess-the-vampire​ brought up to me. Sadly I DID forget to consult on this when we talked earlier this week , and she’s not online as I write this so I won’t have her insight for this one. 

But if you want some Tom content, i’m happy to share my crossover ship for the boy with you. I’ve been shipping him with Octavia from Helluva Boss lately.  Because of course it’s Helluva Boss, i’ve not been at all subtle with my obession with it and much like Letterkenny, X-Men and Dragon Ball Z Abriged it is a love I never plan to be subtle about. 

But I just think they compliment each other well: They have contrasting atittudes, and tastes in music, but seem like they’d share hobbies. Like taxidermy.. I could see Tom buying this... demonic combination of a badger, a skunk, a deer and my nightmares Octavia is preciously holding up.

Granted I also feel tom would both animate them with their dead souls.. and then use his new woodland friends of the dammned as a chorus to sing “Can You Picture That” from the Muppet Movie, because that’s what my mind does on a regular day. I think the contrasting attitude creates great chemstiry and it made me also realize I have a thing for ships with directly contrasting home lives.  Tom has two loving decent parents who deeply love one another and at worst simply didn’t reign in his worse behavior because it was standard for demon stuff. Octavia in contrast simply has two parents, one who DOES love her and tries his best, but his best includes calling his side piece “My big dicked blitzy” right in front of her and hiring said side piece to guard them, and her mother who clearly thinks so little of her daughter’s emotional well being she hired a cowboy to shoot her daddy dead in the middle of a large crowd. The point is I think they’d be adorable and they both badly need to be happy after being emotionally fucked over by people they care about. 

But  alas my new ship will have to wait as we marginally important things to get down too.. things that will impact both this season and the next’s endgame and utterly destroy Eclipsa and Moon’s relationship for good. Sound fun? Well if so join me under the cut won’t you?

We open in the Pidgeon Kingdom.. and things aren’t exactly great.. and by that I mean Meteora stomped a hole through it and ravaged the place and Rich demands blood.. and vengance.. and possibly blood vengance. But not Tekken Blood Vengance.. he already has like 5 copies of that on dvd. Still needs it on Blu Ray though, hook him up if you got it. 

So Moon and Eclipsa are trying to smooth this over/find out which way did she go George which way did she go, and are angrily dismissed after they try Rich’s patience, not helped by Eclipsa not being familiar with the Pidgeon Kingdom because they hadn’t slaughtered everyone who used to live there yet. Look that’s what happened, Star outright mentions in the Big Book of Spells that htey suddenly sprung up where another kingdom was and no one knows what happens. There was some bird murders up in that place.. or birdur if you will. Some birds drank some human blood. This is what Alfred Hitchock tried to warn us about with his film built on horrifying actress abuse. 

The point is with some more pidgeon-led murder stabbings on the cards our heroines are trying to find her since their attempts to convince Rich not to go on an Archer Style Rampage fell on deaf ears. 

But it’s clear from the second the two are alone both have diffrent priorties: Eclipsa desperatley wants to find the daughter she lost and talk her down from what sh’es become, help her become better and hopefuly heal from the pain she’s been in. She’s lost her husband, her kingdom and centuries. She can’t loose her baby girl too.

Moon on the other hand... clearly has no intrest in helping Meteora or stopping this peacefully. Her first thought is stopping Meteora. Her living through it is not necessary. It’s also clear her racisim isn’t REMOTELY gone depsite Buff Frog and Star’s best attempts and despite learning just how deeply and horribly Mewni’s engrained racism has hurt eclipsa and destoryed Moon’s own family history. To Moon this is just a big monster to fight.. i’ll dive into this more in a bit.

For now our heroines encounter an angry mob. This time their not here for Homer Simpson, but for Meteora as her rampages have destroyd their towns, livelehoods and given some weird guy a hat. It’s the best bit of the episode and i’m embarassed I forgot it happened. 

So with them being no help our queens back out but end up finding some actual help: Eddie! You know the guy from the episode I skipped over... River’s cousin or something like that. He dosen’t have a wiki entry, I do not know why. He’s voiced by Rhys Dharby of Flight of the Conchords Fame whose since made quite the career as a voice actor. No major roles yet that i’m aware of, but a lot of delightful minor ones like this. It’s good to see him he was one of the highlights of that show and not just because he sang this..

Eddie showed up in the Bog Beast of Boggabah and I honestly forgot he was in this episode.. but again, it’s Rhys Dharby. It’s not like suddenly finding out “Aw god dammit Pauly Shore is in this”. So Eddie agrees to help as he’s been tracknig Meteora.. and we find out something troubling: Meteora is getting BIGGER. Gradually, to the point the bog from said episode Is skipped over is drained because she DRANK IT. We also get a great exchange “I’d hate to see the size of her mother” “Actually her father more than helped with that”

Awwwww.... seriously Esme Blanco is a national treasure and has some great deliveries in this one.. and some heartbreaking ones. But before we can get to that it turns out Meteora sucked the powers out of Eddies family.. who he misses..e xcept one guy> That guy can fuck right off. Seriously Eddie is also a national treasure and I wish he’d shown up in season 4. I mean he couldn’t of HURT it. For one it’s Rhys Dharby and for another that season shot itself in the face, both feet, the groin and then the face again enough that I don’t think anything could hurt it as bad as the writers already did. 

But sadly we say farwell to Eddie as he goes out how men have since the begining of time.. deciding to poke a strange creature till it murdered him. Or took his soul out in this case, speaking of which...

Yeah while I couldn’t get Jess in time for this review, she did bring this up in the past: Meteora’s ablility to pull a 

Comes right the fuck out of nowhere with no build up and no explination for it. She DID drain personalites and according to this episode youth.. but that was with a big ole machine. It MIGHT have been intended to be one of Globgor’s powers.. but that makes zero sense, as if he COULD do that, as we saw with Toffee last season when he had that power, also out of nowhere but at least it made a touch more sense given his power was draining magical energy anyway at the time, so adding souls to that isn’t a huge stretch, but as we saw that would’ve been game over for the comission, especially since we DO see him fighting them one on three next season. If he had this power, he wouldn’t be in crystal and I think they realized that, but just tried to act as if his daugther COULDN’T do that and assumed everyone would casually forget. And I get not accounting for me writing about this years later, even I wouldn’t of thought that, but not counting on fans both young and old to latch onto a continuity error? Have you met fandoms Disney, have you? It dosen’t bring the story down entirely and I get WHY ti’s there, so she can nonlethally kill people so we’re not down most of the cast for Season 4, but it feels like an easy win button and one she barely uses despite it being eye beam activated. It should be easy enough to pull, boom, soul suck, win, rinse and repeat. It’s okay to have uber powerful tequniques but they have to have a drawback. For instance the Kaioken from DBZ. It’s a really damn cool technique that gives the user a neat red aura and amplifies poewr.. but the more you amplify the more strain it puts on your body and the more likely you’ll die, and Super later creatively explained why it hadn’t been used since Super Sayian was introduced because said form would’ve sped it up so much it’d be too much for a body to take. Here whie Meteora dosen’t use it in EVERY fight, she uses it enough that it makes no sense this isn’t just her first move for every fight she gets into, mental breakdown or not. 

That being said Meteora’s current mental state as she talks to her mother, having regressed to talking in only a few words and acting like a child, makes perfect sense. Henious already wasn’t in great mental shape to begin with, having a slow sustained breakdown since Marco overthrew her. and now on top of this she remembers her whole life has been a lie, starts to mutate into her natural state at a rapid and likely unehalthy pace, and then finds out on top of all of this Mewni is rightfully owed to her. Given she ended last episode blowing a guy up for rejecting her, it’s not a stretch that given even more power and no time to process anything, Metora would deteroate further. 

Esme and Jessica really knock this scene out of the park as Eclipsa presents Metora with her old doll Bobo and gently trying ot talk to her.. but you also get the fear Eclipsa feels as she tries to awkardly manuver around the fact her daughter is far more unhinged than she was prepared for, even threanting Eclipsa simply because Eclipsa wanted to be called mother instead of mommy. But despite this fear.. Eclipsa wants to help and Walter beautifuly captured metoera as a hulk like tragic figure:a being with low sanity and too much power desperate to be loved by the one person it cares about. And it makes it even more heartbreaking as Eclipsa explains what happened: bad people trapped her , a disfunctoinal society with a racist queen and even more racist subjects has taken hold in her absence... and it’s clear both want opposite things: Meteora wants what sh’es owed, her family back on the throne and Mewni back in her graps, but has lost herself so much to rage, anger and insanity she can’t see it’s not hers to take, while Eclipsa.. just wants her daughter back. She’d be happy just settling down with her and having a LIFE after hers was taken away. Eclipsa just wants a chance to be with what family she has left. It just HURTS to know that despite RIGHTFULLY hating the comission, despite having eveyr reason to take the crown from Moon by force and make the world better by force.. she dosen’t want that. She just wants some peace. It’s selfish... but it’s hard not to be when you havealmost nothing to hold onto. Eclipsa has lost her legacy, her husband and her crown... Meteora is all she has and all she wants and sh’ed of been happy if she just accepted that. If that was enough. 

But the real telling part, and the thing that ultimately makes this go as bad as it does.. is Moon’s reactions to all of this. Sh’es CONFUSED by Meteora having a toy as if that’s foreign to her a monster would, and she’s cleaerly livid , if restrianing it, at both Meteora’s deire for the crown and Eclipsa RIGHTFULLY calling out the state of how things are, and mildly at that. Despite seeing how much damage Mewni’s inherent racisim has done, how it lead to her living a lie, ruined Eclipss, Globgore and Metora’s lives, despite how DESPERTLY her daughter struggles to fight against it, despite seeing firsthand that Monsters can have famiies and lives... she can’t let it go. She can’t see monsters as people. SHe dosen’t see a flawed person who was turned into a metpohrical monster by years of brainwashing and abuse and is slowly unravling under the weight of her true self.. she just sees a threat to her kingdom. She dosen’t see her kingdom as racist, just as it should be. And she dosen’t see herself as stepping down like hse damn well should’ve the MOMENT she found out everything. Because at her heart Moon can’t accept the truth and clings to her racisim. 

And that my friends.. is what ultimately leads to Tragedy. Not Meteora’s unraveling mental state, not Eclipsa’s naitvite. What happens next is ENITRELY Moon’s fault. Whle Eclipsa was failing to get through to Metora, she was trying her best and might of gotten somewhere.. but Moon was already settling to attack.. and does so, making it look like Eclipsa set her own child up. 

A fight ensues, a suprisingly even one... but Eclipsa breaks it up and PROVES her way could’ve worked. In one of Esme’s best performances sshe tearfully tells her daughter she loves her.. that ALL she wants is time with her to make up for what she’s lost.. she dosen’t need a kingdom or her crown or her wand, all things she DESERVES... she just wants her daughter. She just wants to help her baby girl before she goes so far down this path of hatred and vengance she’s alreayd well trod upon there is no point to return to. 

It gets through to Meteora, makes her stop... and Moon TAKES ADANTAGE OF THAT. She then restrains metoera with a magical rock barrier and starts palpatineing her to death. It’s a horrifying moment that ultimately shows who Moon really is.. that when given the chance to let Meteora go, let her CHANGE and grow as a person and help the kingdom.. she instead tries to kill her. When she’s no longer a threat,  hasn’t seriously hurt her in their fight, and could use her power to RESTORE the damage she’s done, fix what she’s broken and help the kingdom grow and mend the bridges racisim has torn down. But all she can see is a monster, and something to destroy.. not someONE to save. 

So Eclipsa does what Moon would do if it were star about to die and saves her daughter, desperatly trying to stop mooon.. and allowing Meteora to get a clear shot and take half of moon’s soul. While Eclipsa is able to stop her from taking the full thing, Moon is left disoreinted and half alive and leaves on insticnt to parts unknown while Meteora escapes. Eclipsa is left alone, devistated and with her daughter truly lost. And the worst is truly yet to come. 

Before we get into final thoughts i’d like to talk about how this scene impacts Moon’s betryal later. To me having rewatched this scene.. it only makes it work MORE making it clear Moon simply can’t fahtom racial equality and that she can’t fahtom that eclipsa had very good reason for doing what she did ... to me it comes off as her using Eclipsa betryaing her as a very flimsy justifcation to not validate her rule and to first retire and then try a coup. That “Well she “BETRAYED” me so i’m fine. “ But in truth... she betrayed Eclipsa first. She attacked her daughter TWICE when Eclipsa was close to getting through to her Her reasons are flimsy.. because i’ts not ABOUT eclipsa, but what eclipsa represents: equality with a race Moon dosen’t see as people. It’s about Moon’s racisim coloring everything tills h’es truly blinded and should have lost everything She didn’t because the ending is a fucking disgrace, but we might get to that at some point, the point here is for all that disgrace’s faults... it did get it right here, and Moon was always portrayed as being unable to let go of her racisim no matter what it cost her or how much her daughter despteratly tried to change her. Trust me as someone whose Dad used to argue that gay marriage meant he should be able to marry his cat, and who still argues against trans people using the bathroom of their choice, I get trying desperatley to change someone who don’t wanna. “Sigh”. 

Final Thoughts: This episode is truly excellent. The writing is top notch as is the voice acting for all involved and the climax isa true, well led up to tragedy. The animation is also on point, with the characters emotions on perfect display. This is an episode I now realize is one of the series best and worth ar ewatch if you haven’ts een it. Truly amazing stuff that gets me pumped for the finale.. and disapoints me in how the series could reach these highs for one finale.. but would sink to it’s lowest point for next seasons.  Next Time on Prince of Wishful Thinking: Star tries depseratly to find her mom, while Marco, Tom and a motely crew of misfits try to take down Meteora and Tom learns the awful truth from the photo booth and wears a zuko ponytail which weirdly looks good on him. That boy can rock anything let me tell you. 

If you enjoyed this reviews, please consider joining my patreon at patreon.com/popculturebuffet. As mentioned my 30 dollar stretch goal includes a review of the cluster fuck that is the series final arc, and the goals up to that , me making 20 and 25 dollars a month repectively, have their own nifty rewards: At 20 i’ll review Darkwing Duck once a month, the two remaning Ducktales 87 mini series I have not covered and the Danny Phantom film The Ultimate Enemy. 25 meanwhile gets you reviews of the Proud Family Movie, the theatrical recess movie and the Kim Possible almost finale movie so the drama. And 30 also gets you reviews of every episode of gravity falls season 1 at least one a month till I finish it at some point, so as you can see you get a lot of bang for your buck and these reviews will be public for everybody. Not only that but joining my patreon gets you a review a month if you pitch in 5 dollars and evne if you can’t swing THAT much just 2 bucks gets you access to my discord, a guarnateed pick in my shorts, votes for patreon exclusive reviews, and SAID patreon exclusive reviews. It’s a lot of bang for your buck is what i’m saying so please help me out so I can make a living off this and sign up today. I even JUST ADDED an exclusive and utterly insane scrooge mcduck review, The Great Wig Mystery. So throw in a buck to check that out. 

And if your intrested in Tomtavia... please hit me up. I’m really proud of it and until then... i’ll see you at the next rainbow. 

[prettywordsyouleft]

To Be Continued - Part 2

Summary: As an author, you had created Brian Kang for your current trilogy series to represent the ultimate man that everyone would love, along with Charli Evers - your female protagonist. What you hadn’t expected was for him to find a way out of the story and begin shaping up your world instead

Pairing: Brian Kang x female writer (ft. Park Sungjin)

Genre: writer au / romance / fantasy

Warnings: fictional characters coming to life / a bit of angst here and there / Sungjin as a cop (or does that only affect me?) >_>

Word count: 2205

Preview | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | Epilogue 

Once you stopped laughing with your panic, you did what any other logically thinking person would do and rang the police. And you waited at your front door, not touching anything within your home in case you tampered the evidence further. You were already scolding yourself for eating the food prepared for you. What if it had been poisoned? You thankfully didn’t feel any worse off with your cold, if anything, you felt loads better.

Still, the anxiety ran high within you until the two officers finished checking everything over.

“It looks like the person who did this knows you intimately,” Constable Park said with a brief frown. “We’ll run the fingerprints we’ve managed to find through our system to see if they’re in it but I’m not sure what more help we can give you, Miss L/N.”

“Thank you, Constable, I appreciate your efforts all the same.”

“You said you’re a famous author, right?”

You grimaced. “I wouldn’t say famous.”

“I’ve heard of your name before,” Officer Yoon mentioned with a sheepish grin when you glanced at him in surprise. He chuckled as he rubbed the back of his neck. “My girlfriend reads your stories.”

“Ah. Please tell her I said thanks.”

“Could I actually get your autograph to give to her? I’d be in her best books for-”

“Dowoon!” Constable Park cut in sternly, causing the taller man to shrink back.

“I don’t mind,” you offered and headed back to your office for a pen and paper. You stopped when you noticed your favourite pen was missing. Surmising it had been moved during the police search; you reached for another pen and then wrote down a quick message for the young officer’s girlfriend before signing it.

You stopped again, staring at the message still displayed on your screen.

Your biggest fan.

Constable Park was back at your side again and you glanced up at him. “You mentioned just now about me being known and the message here…”

“Just make sure you keep the doors locked and maybe invite someone around to stay with you for the time being. As harmless as it’s all been, we do have more than one fingerprint detected today. Since you live alone and haven’t had anyone over in some time, we can confirm there was a second person in here last night. I know it’s easy to spend time being grateful to your avid followers but be careful with who you share your personal information with.”

A chill shuddered its way down your spine and you nodded hastily, taking the card the man held out. He smiled comfortingly. “If you have any other problems, Miss L/N, this is my direct line. Contact me right away, okay?”

“Thank you, Constable Park,” you replied weakly, reading the card and finding that his first name was Sungjin. You smiled when you looked back up at him. “I appreciate it.”

“Alright Dowoon, let’s head out and I’ll be in contact when we’ve checked the database,” Sungjin – Constable Park – stated and you nodded once more as you handed the autograph to his colleague. Dowoon grinned bashfully and thanked you all the way back to your front door, where you fare-welled the pair.

And promptly locked and latched the front door.

You had lived alone since your early twenties, too independent to work well with roommates. Whilst you had started out in a small, frigid apartment, you had cherished the space alone to create your fantasies into novels. You had only moved to your modest villa within the last year and adopted Binks, the only company you needed on a daily basis outside of your characters.

You weren’t recluse by any means, you just preferred your own company. Socialising was exhausting for your introverted ways, and even though you wanted to play it safe, you slumped down on the couch after the police left and groaned at how exhausting today had been so far.

“I’m sick, that’s adding to it,” you said out loud, and then caught yourself doing so, snapping back upright in your position. “I talk out loud to myself a lot, don’t I?”

Of course, your belongings didn’t reply. And Binks had gone into hiding when Sungjin and Dowoon were here, being afraid of men entirely.

Thinking over the care the stranger had given to even your cat, you decided they had to be female. It didn’t ease your mind any assigning a gender to this person. But it did help you feel as if you were getting somewhere with the mystery behind it.

“And once the police run all the necessary checks, hopefully, I’ll have more answers,” you announced, groaning when you had realised you spoke out loud again. “Oh, whatever! I don’t have to keep my thoughts locked up inside my head or spoken through my fingertips into a word document either! My house, my life!”

And with that, you got up and went back to your desk where you tried to seek out some normalcy for the rest of your day.

You checked emails before conversing with Lily who was animatedly retelling you of her reactions to the final part of the manuscript you sent her. You mentioned to her about what happened too. Lily, however, seemed to be more concerned about something you had written, after exclaiming over your safety. You watched the video screen where your editor, and probably the person who knew you the most aside from your mother, struggled with something.

You frowned. “What is it?”

“You didn’t put your usual The End at the final part for me.”

“Yes I did,” you corrected, leaning back in your chair. “You know me. I always put it at the end of every manuscript so you can’t nag me for more words. The End means I’m not adding to this story anymore!”

“You didn’t put it, Y/N,” she repeated, glancing up at you curiously through her laptop’s camera. “You put something else.”

“Look, I’ll prove it to you,” you announced with pure conviction, clicking on the word document icon on the taskbar and then stopped momentarily when you finally noticed that the story was still open. “That’s strange. I know I closed out of it last night.”

“Out of what?” she asked as you clicked on the tab and watched the document appear on the screen.

You immediately gasped. There, after the final scene of Charli and Brian, was no longer The End as Lily had announced. Instead, the words, To Be Continued had been placed there.

“I didn’t put that there,” you whispered and Lily laughed, unconvinced.

“Don’t be so dramatic, Y/N! Who else would have?”

“I sent it to you right after I finished and I swear I had The End written there.”

“Maybe your writing muse changed it on you,” she teased but you didn’t join her in the amusement. She sensed your shock and blinked a couple of times before focusing back on you. “You really didn’t do it?”

“What if they changed the whole story?!” you shrieked as you jumped to the worst conclusion, scrolling up until you found the line that Brian had spoken to Charli about waiting for an eternity for her. You relaxed a little when everything appeared to be in order. “Maybe I’ll name the third book in this series, Eternity.”

“Wow, just like that, you calmed down,” Lily observed and then nodded. “I like that.”

“I don’t know. I’m just a little sensitive.”

“You were taking medicine last night for the cold, right?” You nodded at Lily’s question and the woman smiled knowingly. “Maybe you took too much at once and hallucinated a little. Or blacked out and can’t remember much.”

“I’m changing it back to The End,” you told her, typing it as you did so. Closing the document, you smiled brightly at the video call. “I’m not adding any further words to Captivated, you hear me? You work your editing magic and I’ll catch up with you later.”

“Yes, Boss!” she cheered, waving to end the call and you powered off your laptop then, making sure to shut the lid down as well.

After finding Binks, you scooped him up in your arms, checked all the doors a final time before heading off to bed for much-needed rest.

You were still a little sick, after all.

You awoke to the sound of your phone ringing the following morning and blearily reached out to silence it. “Hello?”

“Miss L/N?” a deep voice asked and you sat up a little, blinking away your sleep. “This is Constable Park. We met yesterday regarding your intrusion issue?”

“Sungjin,” you immediately said and then gripped at your blankets at your first name slip-up. Clearly, you were still grappling with becoming alert enough for proper etiquette.

He chuckled lightly. “Yes, shall I call you Y/N?”

“If it makes the situation still work well, be my guest.”

“Well, I’m not sure how happy you’ll be to have me calling you by your name, Y/N, in a moment.”

“No?”

“The results are in and there’s no fingerprint matching that in our database. Whilst that’s bad news for us to immediately act upon it, it doesn’t diminish the fact that someone had been there either.”

Despite being under your blankets, you ran cold, wrapping your spare arm around you to try and warm yourself back up. “I see. Does this mean you can’t do anything?”

“I’m afraid so. If you find anyone suspicious in your house or lurking around the outside, don’t hesitate to call me, okay?”

“Of course, thank you, Sungjin.”

“You’re the first person I’ve been called out to that’s called me by my first name, you know.”

“Do you find me rude for doing so?”

“It’s refreshing,” he admitted and you couldn’t help but smile at the thought of being something different for the man. You then bit at your lip, realising you were overreacting all because a man in uniform had stepped into your home.

Okay, so Sungjin was really handsome. And you were deprived of seeing such handsome outside of your stories. Whilst he was no Brian Kang, he would definitely make for a great love story counterpart in a new world. Perhaps he helped the main protagonist and became her protector. Or maybe –

“Y/N?” Sungjin said and you blinked rapidly out of your racing thoughts, coughing a little to cover your embarrassment. “You okay?”

“Sorry, I’m still recovering from this fever,” you admitted, fanning at your face for effect. “Did you say anything else?”

“Yeah, I just told you to keep safe, okay? I don’t need to be worrying about you needlessly, right?”

Oh, you were so going to get up right after this phone call and start typing out these ideas flashing through your mind. However, you gave a moment more to the police officer and confirmed you would call him at the first sign of trouble before ending the call.

Springing up from your bedding, you dashed into your office and perched on the edge of your chair as you opened your laptop and turned it on. You were relieved to find everything in your office in the right place as you opened a new word document and tapped furiously on your keyboard to get down all your ideas for your new police officer au story.

And when you were finally done, you leaned back in your chair and giggled. You weren’t always inspired by people who stepped into your world, but this was solid content you couldn’t ignore.

“Perhaps it’ll help me live out my Sungjin desires too,” you admitted sheepishly before glancing at your pen stand. You remembered about the missing pen and searched on top of your desk and then scooted your chair back to look on the floor. “Where did you go, favourite pen?”

Not finding it anywhere, you pouted right as your stomach grumbled. “Ah,” you said weakly, clutching your stomach in your hand. “I best feed myself and Binks. Hopefully, that pen will turn back up.”

Once you had eaten and quietened Binks’ demands for his morning affection, you got dressed and readied yourself for a trip out to the grocery store. Next, you had to write out a list of what you needed and went back into your office, sitting down at your desk and reaching for some paper.

Your attention turned to your laptop, where you found your favourite pen sitting upon it. “What the…”

And looking up at the screen, another message awaited you.

 Sorry, I didn’t realise I had taken it with me after writing you the notes.

 Glancing around yourself, you froze with the fear that rose within. You hadn’t heard anyone inside the house during this time. Yet, there was proof someone had come in again. You looked to the window, it was firmly shut. There was no way anyone could have gotten inside the house without walking passed you first.

You then started to shake.

Had they been in here all night long again?

Just as you went to get up and fetch your phone to ring Sungjin back, you noticed a second tab open on the document screen.

It was Captivated. And once again, the last words read, To Be Continued.

_________________

Part 3

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[satrangee-ray]

The Snack of a Lifetime

Book: Open Heart 3 and beyond.

Pairing(s): Ethan × NB!MC {Dr Inara Hepburn (she/they)}.

Rating: Teen+

Summary: Inara barges into the DT room with some obnoxious snacks to force Ethan into taking a break. But is that all they have in mind, or will their brilliant plan saved for later take him by pleasant surprise?

Category: Fluff, banter, life decisions and celebrations 🎉😁✌.

Trope: Weddings and Proposals.

Warning(s): one or two swear words, mention of a sex act.

Writer's note: By the time this starts, Ethan and MC have already said their 'I love you's, are in a committed relationship, and more or less everyone knows about it. In my original HC for Inara and Ethan they don't get married this early, so this is kind of an AU cause I really wanted to write a proposal fic. Also the whole lawsuit drama didn't happen, cause I said so, and most sane people would agree.

Ethan wasn't used to receiving.

It was apparent in the way he interacted with the world, immediately getting suspicious of anyone who would remotely extend some sort of courtesy towards him. 

He knew if he ever wanted to have something for himself, no one but he would have to take initiative to go get it. And for two-way processes like relationships, he had no belief whatsoever on the legitimacy of such things.

That was until Inara waltzed into his life, and amazed him with the possibility that he could be on the receiving end of good things without having to worry about any strings attached. Be it love, or a blowjob, or "care", as he previously liked to call it– the best things life ever had to offer were simply falling into his lap, and he couldn't find himself complaining.

Inara cared, in the truest sense of the word.

She cared enough to take off his glasses and cover him up in warm blankets, whenever he would fall asleep with an open medical journal in his hands. She cared enough to know just how he liked his coffee, or to school his scotch habits whenever they would get a little out of hand. And presently, she cared enough to let him work overtime, by agreeing to grab lunch with Tobias instead.

Ethan couldn't afford to take breaks. These days, he had to work even in between shifts, to finish editing his second medical book decently before it's approaching release date.

.

.

(One month before Inara's board exams)

.

The diagnostics office sat deserted, except for one doctor. A wooden desk, with papers sprawled all around. Ethan pinched the bridge of his nose, as he kept his glasses aside.

Suddenly the office door swung open, and three figures strolled in. Two practically tumbled, giggling overenthusiastically. The third one was Harper, who calmly walked in holding a tray, and shook her head with an amused expression.

Ethan looked up, and saw Tobias and Inara, each triumphantly holding up all their 10 fingers at him.

"Ring Chips!" Inara squealed, running towards Ethan. "Si baked these last night, and brought them as extra snacks for her fourteen hour shift today, but of course, we managed to hog some. So dig in!"

Ethan cautiously eyed the bright yellow crisps looped through Inara's fingers, and said, "you're not expecting me to eat those atrocities, are you?"

"Did you just call Sienna's baked goods an atrocity? That's wrong on so many levels E, lemme just get her on the phone..."

"NO", Ethan replied on high alert.

"That's what I thought. Cause bold words for someone who struggles even with a pancake."

Tobias and Harper chuckled, struggling in vain to stifle it.

"Fine, give me one here", Ethan said, extending his hand towards Harper's tray which contained the particular baked snacks.

"Nope, that's not the way", Inara stopped him, slapping his hand. "If you're doing this, you gotta do it right."

A loud exhale escaped Ethan. "What now, Rookie?"

"E, you can't just pick one chip and eat it, okay? You gotta slip it through your finger, and try to grab it with your mouth, the childhood nostalgia way. Like this."

Inara brought their hand to their mouth, and swallowed one whole finger, sucking on it until the chip looped through it flew backwards into their mouth. They proceeded to chew on it, staring straight into Ethan's eyes. 

He was so screwed. 

Turning away from Inara's gaze with tremendous effort, he wordlessly picked up a chip loop from the tray and tried to slip it into his finger.

"Too small", Tobias remarked, and handed him another. "Try a bigger one."

This time the ring effortlessly slipped through his finger, sitting perfectly at it's base. Ethan stared at it, perplexed, for a few moments.

"Yes! Now consume it with your mouth", Inara's excited cheers continued.

Harper couldn't hold in a scoff, while the youngest doctor in the room remained blissfully unaware of the implications of their phrase.

Ethan's mouth opened in protest, but he realized it's futility immediately and decided to close it. Scrunching up his entire face, in disbelief that he was actually doing this, he lowered his head, and slowly raised his hand to his face.

When his finger holding the chip was well within his reach, he opened his mouth once again to grab it. But just when he was about to take the bite, Inara acted quickly and slipped the chip out of his finger, causing Ethan to bite into his own skin instead. 

"Aahh, Nars what the hell! Are you nuts?"

The three other doctors in the room unabashedly cracked up now, not bothering to hide their glee in Ethan being tortured like that.

Inara began stroking his beard softly, before leaving a quick kiss on his cheek.

Shades of light pink took over it in response.

"You should have acted faster, honey", Inara said, taking his hands into theirs. Another gentle peck landed on his lips.

"Now I'm already running late, there's this patient I have to check on, gotta yeet. But you better finish the rest of those snacks, along with the real food we brought you for lunch, and for God's sake, please look up from those damn papers for five minutes, and take a freakin' chill pill!" 

The last words were shouted as they rushed out the door.

Ethan and Tobias sighed.

"They're the best thing that has ever happened to you"

"Indeed", Ethan said in earnest. "I'll be very inclined to agree."

.

.

(Four months after Inara's board exams)

.

The gorgeous venue sparkled with chandeliers and boujee people in expensive suits. Small round tables, aesthetic chairs, congratulations in order everywhere. No, it wasn't the medical industry's 'it' couple getting married, it was the 'it' doctor, and the chief of medicine's second book getting launched instead. 

Ethan had walked into the Edenbrook atrium that morning like it was a war zone. His expression still spelt terror, as he uneasily shifted his glance between some of his guests, shooting small, forced smiles their way.

"Why do we always have to do this?", he had asked Naveen. "Why couldn't we just release the damn book in stores? Why host a useless social gathering with forty thousand rich snobs who are only any good at showing off and draining your energy?"

Naveen had shook his head and hit him with an assertive "it's necessary."

So currently, Ethan stood awkward to his bones, in the middle of this necessary evil. Until, a certain presence near the door cued him to look up.

It was them.

Pantsuit in a sinful vermillion, the colour glowing bright against their skin. Red bottom wedges, that only aided their boss status. Brunette locks framing their face, so impeccably contrasting the emerald eyes looking affectionately back at him. Those, which never failed to take his breath away.

Inara Hepburn.

His giver, his lover, his Rookie.

And Ethan couldn't be more mesmerized, or reassured.

"Need some help picking your jaw off the floor, Ramsey?" Inara quipped, as they strode towards Ethan, torturously slow.

"I– well…", he stammered, before clearing his throat. "Is that look the reason why you chose to arrive 'fashionably late', and drive separately to my book launch from our own apartment?"

"Yeah, definitely the look, but I daresay some other things as well", they said, placing a playful hand on Ethan's chest. "You'll soon find out."

He smiled warmly at them. "Is that a challenge?"

"Have you ever backed down from one?"

A reckless mistake of letting his eyes slip to their lips, and Ethan couldn't wait any longer. He wrapped his arms around their waist, kissing them hard and deep. Drinking in their mouth, their warmth, their sensations. Aching to draw as much energy as he could to power through this event, from his greatest source of confidence, his only constant supporter. 

"I love you so much, Rookie", he panted, after the kiss broke off.

"Some brand new information there", teased Inara, bumping their nose into his. "You know I love you too, E. Now tell me what's bothering you."

Ethan pulled back swiftly at that, and stared at them in astonishment.

"What?"

"What 'what'? It was all over your face when I entered, and you still don't look quite alright. What's wrong, love? I don't recall you being afraid of public speaking!"

"I'd address an audience in my dreams! I just don't understand what's up with these people who come up individually to congratulate me, and purposefully try to expand those two lines into a whole one-on-one conversation. Scandalous!"

Inara nodded vigorously in agreement.

"Such a mood, b*tch, such a mood."

Peels of laughter were shared again, at their effortless mutual understanding, and at the usage of Inara's all time favourite nickname.

"All the best", they wished, shaking him by the lapels of his coat. "Get out there, and kill it!"

.

.

.

About an hour later, applause sounded from every corner of the atrium. Ethan beamed, as he finished reading the last line of a snippet about his latest research from his book.

Clapping proudly from the crowds was Inara, a lover on a mission.

"Thank you everyone, for joining me here today", Ethan said, amongst cheers and buzzing words of encouragement from fellow doctors and other esteemed medical personalities. "I hope I will be able to add value to patient-care through my efforts behind this book. There are some people I would like to specifically thank for being of immense help on my journey till here, so let's begin. Dad, thank you so much for coming to support me. Means a lot. Maybe because of my personal outlook, I could never comprehend your brand of unconditional love, which you so freely offer without actively needing me to work for it. I know now how valuable and rare that is, and how it has helped me grow into the man I am today. For that I will always be grateful. Naveen, thank you so much. You know if I start listing 'what for', I won't finish."

A lighthearted chuckle spread among the crowd.

"You always keep saying my success is my own, but I firmly believe there was no way I would have been the doctor I am without your help and guidance. Thank you for being the excellent mentor and leader by example that you are, you still motivate me to become better everyday. And, last but not the least… Inara."

All eyes in the audience shifted towards one young attending, who was clutching her glass out of giddiness.

"I really want to say thank you, but those two words will never be able to express the amount of gratitude I hold towards you. Before you, my life was only ever about blacks and whites. Giving my everything into medicine, working late nights and coming back to an empty apartment with scotch in my hand, I thought I was doing it all right. But when I met you, got to know you, I… you left me in utter awe of who you are, both as a professional and as a person. I couldn't stop myself from falling in love, and in respect, with your brain, your mind, and your soul. I am so glad you were patient with me while I was busy trying to deny it. You continued to show that patience even until recently, when I was all cranky with writer's block. Now I know the great Dr. Inara Hepburn is also a published novel writer, so of course that bit might have come out of empathy, but nonetheless, I'm thankful for it. Today, I'm about to release a book I put my all into, the information in which might hopefully change the face of what I'm most passionate about – public healthcare, for the better. And I'd rather not share this moment with anyone else. So Inara, would you please honour me by coming up on stage to receive the first ever copy of 'Prognosis and Evaluation'?"

Inara couldn't speak, stunned into silence for a bit. They had no idea Ethan would be the one for emotional public speeches, and here they were, utterly moved, in for another surprise. So would he be, soon, they reasoned in their head, and gathered themselves. Keeping their drink aside on a table, they strode towards the stage, eyes shining with pride, love, and determination.

Determination to get this right.

Ethan took their hand as soon as they stepped on the first stair, and led them upstage. 

A copy of the book, new and shining, was lying, all theirs to hold.

'Prognosis and Evaluation: A comprehensive study.'

Their heart swelled at the words written on the first page of the book.

Typical Ethan's handwriting, somehow neat and gibberish at the same time.

'My love, my north star, I promise to never let you down' - Dr Ramsey Ethan <3.

Tears. Instantly, a whole lot of them rolled down their cheeks. They clutched the book hard and hugged it to their chest, holding on tight. Ethan held them in turn, locking their shaking frame in his embrace, as the crowd broke into a unanimous applause.

"E, I don't know what to say", Inara began, on being handed over the mic. "Si would have cried so much if she were present here, Naveen's already crying."

Their grandmentor smiled back at them through his tears.

"The thing is, I love success. I love standing in the spotlight, having my own life, and earning my own achievements. Despite that, there is always a deeper warmth in standing next to someone you love, when they accomplish great things, and shouting "my person!" Today, you've given me that opportunity, and I'm so grateful to you for it. I'm proud of you for believing in yourself, and speaking your voice not as a "mechanism of coping with the means of this corrupt world", but as a means to bring genuine change because you believe you can. I've always seen you try so hard to never let your loved ones down, and that effort is what I'm so here for. People like you are rare, and I'm glad I got one to myself, to constantly cheerlead for, now and as long as you'll have me. I'll never leave your side, Ethan. I'd love us to forever be each other's hype person. Not just in practice, but also… officially."

Three distinct gasps were heard in the room.

Alan, Naveen and Tobias let their pinkies lock into each other.

Ethan's eyes widened, as he took in the meaning behind their words, starting to sense what might be coming.

Doubt. Disbelief. Shock. Anticipation.

In the next moment, they were down on one knee.

"Ethan Jonah freaking Ramsey, will you marry me?"

Dead silence in the entire room, everyone taking in what just happened.

Ethan's hands flew to his mouth.

Minutes passed.

One… two… and five...

No one said a word.

Eventually, the entire audience burst into cheers and jubilation. Even in such a formal event as that, quite a few wayward whistles were heard.

And then there was the man of the hour, standing centre stage, shell shocked. Still trying to process everything.

"Inara... Rookie, I–"

He couldn't. Form words or coherent sentences. His entire focus was on the person and the tiny blue box in front of him.

"There's a ring in there for real?"

'Shit', he cursed internally. What a ridiculous question.

Of course this was real. Their love was real, they were real. He was to get married. What? Wow. Really?

Of course there would be a ring for real.

"Depends", Inara said with a wink. "On whether or not you say yes."

"Come on Ethan!" 

Encouragements burst from his acquaintances in the crowd, imploring him to say yes. His three musketeers, however, were heard the loudest.

'Yes', Ethan thought to himself. 'Yes.'

He had to say it.

"Yes", he tried whispering under his breath.

A first time, then a second.

"Yes. YES OF COURSE I’LL MARRY YOU!"

He exclaimed those words in ecstacy before dropping down on his knees as well, and pulled his lover in against him. He engulfed her in his arms, holding her so tight, it could knock the breath out of his chest. 

"Yes Inara, it would mean the world to me if I could marry you", he whispered again into her ear.

"Good thing I asked then, E", Inara whispered back, before squeezing him one last time and pulling away. 

"Ring! Ring! Ring! Ring!", the crowd chanted.

The widest smile ever was shot their way, as Inara once again took hold of the navy box. She waited for both of them to steady themselves, and Ethan found himself holding his breath. 

At last, the cover of the ring case slowly lifted, to reveal… 

A bright yellow ring chip sitting right into the slit of the fabric in the case. 

Confused noises of varying degrees filled the room. Only Naveen, Tobias and Alan watched the whole scene unfold with a twinkle in their eye.

Meanwhile, Ethan's expression progressed from utter cluelessness to gradual realization.

Oh! That ring.

"Wait, how did– how come that snack didn't rot in all these days?"

"Of course it did, love. Our original measuring tape probably decomposed long ago in some trash bin outside a gold shop, after having done its job. This is merely a replica, but you can call it a token."

"Nars… what do you mean?"

"I mean…", Inara said, inserting her hand into her suit pocket, to pull out a sparkling golden band, complete with five little diamonds on top. "May I have your hand?"

"Readily, Rookie… you already have my heart. Always, for as long as you'll have me."

Ethan placed his shivering palm on Inara's steady hand, and she took the opportunity to slip the golden band through his ring finger.

A perfect fit. 

With tears in his eyes, Ethan agreed.

"I'm getting married to you."

"I'm getting married to you!"

Inara squealed at the prospect, and Ethan decided on sealing their joyous sentiment by crashing his lips onto hers in a searing kiss.

The audience went wild, but they were all forgotten in the minds of the lovebirds.

"I can't believe I get to call you fiancé", Ethan wondered in amazement.

"Me neither", said Inara, joining their foreheads together. 

"Say what, we should ask Sienna to bake our wedding cake. Three tier, with a big old fondant ring chip on top."

"What? Ethan Ramsey wants a huge a** fondant snack on the top of his wedding cake! Are you sure he's okay?"

"Yes, he is, and he would do anything for his fiancé!"

With moist eyes and full hearts, they buried themselves again in each other's holds.

This time, with a mutual promise of a forever.

F I N.

Oukay so this happened. I kinda posted it. Shh, I need to breathe.

Thank you so much for reading, if you've made it this far. I hope I haven't damaged too many of your braincells.

Thank you @gaeipsstuff for naming Ethan's book. I would have never, seriously! Thanks for proofreading and giving a detailed analysis, it came extremely handy during the my edit sessions. Thank you @adiehardfan, @jeetushmannfeelz, you know if it wasn't for the both of you, this wouldn't be up on my Tumblr.

This is my first proper OH fic, with an actual story and shenanigans, so I've been super apprehensive about this. Hence, it would mean a real lot to me if you could tell me how you found it. Stay safe, do what you love, stan pixelated characters, and take hugs. Peace✌.

Tagging: @adiehardfan @irisofpurple @barbean

Others kindly let me know if you wanna be tagged!

[ncisladaily]

With her NCIS: Los Angeles run having come to an end, Renée Felice Smith is ready for her next chapter — somewhat literally, being an author as well as an actress.

In the CBS drama’s Season 12 finale, Smith’s Nell Jones made the decision to not officially sign on as the “new Hetty”/Operations Manager, but instead join partner Eric Beale on an adventure to Tokyo, to head up his tech venture. But before driving off into the sunset, Nell briefly reunited with long-MIA Hetty herself, in costar Linda Hunt’s first on-set appearance of the season.

With NCIS: LA bidding adieu to both her and scene partner Barrett Foa, Smith — who joined the show early in Season 2 — spoke with TVLine exclusively about that emotional if bittersweet Nell/Hetty reunion, being an inspiration to smart girls, and what’s next for her as a legit storyteller herself.

TVLINE | How did you learn that this would be your swan song, and what was your initial reaction? Well, I think it’s complicated. I mean, I think that I’ve been ready for my next chapter for a while now, in whatever form it will take. But it’s surely to be centered around storytelling. I hesitate to be part of the “cliché actress” calling herself a storyteller, but I really am one. I’m a writer. I’m a director. We are developing television currently. We have another indie in the works. I want to tell compelling stories, poignant stories that offer an escape and chance of reflection for the viewer, so that’s where my focus is.

TVLINE | But as far as Nell leaving, I for one was quite surprised, because I felt like this season was such a journey for the character. They’d really been shaping her to assume this position of authority. It’s so true. I absolutely loved Nell’s journey this season. She really got to stand in her power. She really found her voice, and as a young woman it was empowering to play that side of the scene. Nell, I think, is a natural leader, and I really do think her strength as a leader is her vulnerability. I think that Nell has empathy for all players involved in the story. She can see multiple sides of the story. She’s a person that’s not only intelligent but she has emotional intelligence, and that has been such a gift for me as an actor to play. I’ve just loved her evolution, really. She started as a sidekick and she really, quite effectively, was the boss this year, and I had a fantastic time playing it.

Kilbride (played by Gerald McRaney) recently spoke to her unique strengths, saying to “stop asking yourself what would Hetty do” and just be Nell. And that really is such a necessary message. There’s a scene that I absolutely love with Miguel Ferrer, my dear Miguel, from a while back, and it was a similar sort of scene where he was trying to instill confidence in her as a leader. I actually have the quote: Miguel’s character, Granger, says to Nell, “Never belittle yourself or your accomplishments. You deserve the respect you’ve gotten. You’ve earned it.” I remember feeling so choked up in that scene, and I’ll get choked up now thinking about it.

Kilbride, similarly to Granger, has a real kind of affection for Nell and saw that potential in Nell. He wanted to foster her confidence in herself, and it was very moving to play those scenes. I feel like as a young woman we are often in a position where we may doubt ourselves just because of the social climate, but in the end I think it’s about trusting yourself. Nell really grew into a person who started trusting herself and making decisions for her, rather than trying to please. I’m a natural-born people pleasure, and I think Nell is, too. High-functioning overachievers always are. So, I think Nell’s decision at the close of the season really is her ultimately finding her voice and really having agency over her future and what it is she wants to do.

I know how difficult that is. It is reflective of my own journey and my own life. So, to be able to step forward and say, “You know what, this is the path I want to take now and I’ll potentially disappoint people while doing it, I commend Nell for her bravery in that.

What did it mean to you have Linda Hunt back for one final scene with you? Oh, my God…. My heart. Linda is just a magical creature. To have her back was really quite emotional. She was essentially sidelined by the pandemic, as you could imagine, so to even see her in the flesh, let alone share a scene with her

TVLINE | And a hug. And a hug, come onnnn! Chef’s kiss, you know? And the scene is really a bittersweet reunion. Nell really wants nothing more than to stay and catch up with her mentor, but she can’t. So, it’s kind of this “goodbye for now” scene.

TVLINE | [Showrunner] Scott [Gemmill] told me that Linda was thrilled to be back on set. She was like a kid in a candy shop. She was glowing. She was crackling. She was so alive in the scene. Whenever I’m in a scene with Linda, I’m a student. She really is such a master of the craft, and I’m a little sponge. I’m soaking it all up, and really, truly watching her work has been the most educational process for me. I just feel like truly I’ve been attending the MasterClass with one of the best, one of the greats, and I’m so grateful for my friendship with her as well. She’s my bud. She texts me lots of emojis.

TVLINE | You once told me about how you would go to lunch and you’d get all these Hollywood stories, including about her “Mary Tyler Moore moment” when she first went to live in New York…. My God, she dropped that story on me right before a walk-and-talk where I had tons of technical jargon, and I remember I was welling up just at the image of 16 or 18-year-old Linda Hunt getting into a cab and drinking in the big city and the possibilities that it held for her. She’s such a gift.

How nervous were you to shave Barrett’s mustache? I knew we only had one take and I knew it had to be good. My mom is a hairdresser and I watched her kind of do all of that kind of beard shaping for years, so I just kind of channeled my mom. I knew I needed a steady hand, and I just went for it. But I think he was a little nervous.

TVLINE | Would you like to be a part of Episode 300 (airing late next season), if asked? Of. Course.

TVLINE | What’s next for you? Like I said, storytelling. We just released our first children’s book, Hugo and the Impossible Thing, which is inspired by our canine son Hugo. Chris [Gabriel] — my partner, my other half, my creative partner — and I wrote the book about our dog who recovered from a really life-threatening illness. It was an inoperable brain tumor that most everyone told us would be impossible to beat. But through the help of some truly brilliant doctors and Hugo’s own determination, he made it to the other side and he lived a full life. It was this miracle that we witnessed, and we knew we needed to pass on Hugo’s message and let it inspire others.

I think oftentimes challenges in life are labeled as “impossible” when in reality they’re just extremely difficult. Of course, yes, certain things are impossible — I’m not going to be 6-foot-2 any time soon — but most of the time an obstacle or a challenge is just something we have to work our way around. So, we created the metaphor of the impossible thing.  It’s out in the world now.

TVLINE | Lastly, any message for the fans? Oh, for sure. Ultimately, I could say something profound but I just want to say thank you. Thank you for respecting Nell. Thank you for embracing Nell, for embracing her intelligence. I’ve always been cast as kind of the “funny friend,” the quirky turkey. I was the nurse in Romeo & Juliet when I auditioned for Juliet in high school. But with Nell, I really got to play so much more, and I am just so grateful to have been able to play the “smart girl,” quite frankly.

Someone actually shared a really touching story with me not long ago, actually. I was standing in line at a coffee shop in New York, and I heard this kind of grumble behind me. Someone asked, “Are you Nell Jones from NCIS: LA?,” and I kind of winced, afraid to turn around. I know native New Yorkers, I was thinking, “What did I do wrong? Did I accidentally cut the line or not cover my mouth when I sneezed?” So, I turned around to face this person and they proceeded to tell me about their 12-year-old daughter who wasn’t like the other girls in her class. She was interested in science and forensics and computers. This woman told me that a lot of times as a mother, she didn’t know what to do with her daughter, and that Nell and the character that I played for the last 10 years had helped her daughter to find some confidence in who she was and what she wanted to be.

So, if my time at NCIS: LA helped a young girl to see the possibility in pursuing a career in intelligence or technology… visibility is everything. If the image of Nell Jones as the brightest bulb in the room can instill confidence in a 12-year-old girl and affect her future, I mean, that’s the ultimate win. That’s it. That’s truly more than I ever could have asked for.