i. i just realised something about the kiss.
the way when aziraphale puts both of his hands on crowley's back, you can see them kinda shift so aziraphale isn't leaning. he held onto crowley for stability, and leaned in. pushed closer to him. he leaned forward. anyone ever says he didn't want the kiss im going to hunt you down because HE HELD CLOSE!!! HE KISSED BACK!!!!
EDIT: also im like WELL aware he kissed back i was even when i first watched it like its not a big revelation, its just that SOME people☠️ on TIKTOK☠️ KEEP SAYING HE WAS DISGUSTED BY THE KISS???? like i swear some people are watching a different show entirely
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haha heyy its been a while 😭😭 sorry for the lack of activity here,,, school has been kicking my butt + i've gotten SUPER hyperfixated on disco elysium,,,, BUT THE MOMENT I SAW THE ORIGINAL I KNEW I HAD TO DRAW SAM AS THIS RAHSBBFBDN i seriously need to catch up on the recent audios 😭😭😭 ANYWAY enjoy :)
vvvvv ORIGINAL BELOW vvvvv
shhhhghhshhshhsh youre telling me this ISNT sam??? like????
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Do you have anymore drawings that we haven’t seen of Cain absolutely fucking up Rire? Idk about you but there’s something about Rire being put in his place by Cain that really makes makes my heart quiver 💥💳💥💳💥💳💥💳💥
I drew this to a Vengaboys compilation mix
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
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I love that In Stars and Time gives the nonconsensual kiss a proper horrified reaction, by the way. Most media where a character can kiss someone out of no where either make it a funny thing or the "romantic" thing, but here Siffrin kisses without permission out of no where and Isabeau reacts correctly! He pushed them away! Because thats surprising, and fucked up to do to someone with no lead up and no permission! Isabeau had no context, and at the time when the kiss happened, was under the impression that Siffrin didn't like touch which can have a variety of horrible reasons for it. Not only that but... We don't know what face Siffrin was pulling and I don't think it was a nice one. Which, again, means that we don't have all the context either! This is a horrible event that has horrible consequences and I love that it does. Because it's something that is horrible and objectively one of the worst things Siffrin did to one of the others in the loops, so I'm just!!! So excited it had bad consequences!!!
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