#because their dynamic is underrated

[creativesplat]

When Alfred and Rafal declare sibling-hood in their last support what they really meant was the most toxic dysfunctional family style sibling ever.

[failyaoi]

GUYS PLEASE THEY'RE SO UNDERRATED PLEEAAAAASE

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[cluescorner]

I’ve slowly grown to realize that my one of my favorite relationship dynamics is: most competent person in the universe with identity-based struggles x absolute goofball who instinctively knows exactly who they are and loves them so, so much. 

[deeply-unserious-fellow]

Something I don't like about a lot of Vox takes I see is that they tend to portray Vox as someone who's unpleasant to work with and has weird ideas about what partnership means when really... he's not? He's not and he doesn't. It's just that two of the most prominent interactions we've seen him have are with Valentino(who is a fucking NIGHTMARE to work with) and Alastor(a man he has undisclosed, deeply emotional history with). But everyone seems to discount his OTHER important relationship: Velvette. Which by all accounts, is INCREDIBLY normal.

Like, yeah, their first interaction opens with her yelling at him, but that's less about Vox himself and more about Valentino. As they keep talking throughout the first bit of the episode, she starts calming down, and they just seem to genuinely get along? She has every right to look upset during Stayed Gone because Vox is being really weird and she's nOT THE ONE WHO ACTIVELY ENCOURAGED HIM TO DO THIS SHIT(staring directly at Val rn), but even then during the meeting after Stayed Gone she does actually. Participate. Unlike s o m e people. Despite being on her phone the whole time(which is literally her job-), she actually pays attention and contributes real ideas! Which tbh she didn't have to do at ALL like she did not have to put up w/ Vox's bs in RKtVS the way she did. There's also their phone call during the overlord meeting which, while I definitely think Vel was playing it up to annoy Carmilla, still sounded like a conversation between two ppl who genuinely like and respect eachother!

No matter what you think their relationship is(romantic, platonic, etc...), Vox and Velvette seem to get along REALLY well(outside of Alastor-related incidents). Like, better than either of them do with literally anybody else in the show. Vox & Val do LIKE eachother, but I find whatever the fuck is going on beneath the after the battles & masterless cattles to be DEEPLY upsetting to think about for too long(ex; any of my other posts abt their relationship), and the only other interactions we've seen either Vox or Vel have are Stayed Gone & Respectless, which are literally just song battles. Both of their only interactions outside of the Vees have been song battles. Aw fuck I'm getting off topic... BACK TO THEIR RELATIONSHIP AS COLLEAGUES- okay uh basically, I don't think they would get along this well if Vox was a terrible person to work with(note I said WORK WITH. Hate that I need to specify this but I don't think Vox is a good person overall, just a good business partner). I think Velvette is generally a good bench mark for both Vox & Valentino's relationships with other characters because she's their equal, their friend, and isn't in a weird toxic relationship with either of them. Their interactions with her provide a window into how they just generally interact with people. And based off of their interactions, Vox seems to be actually pretty decent to work with when he isn't being Actively Provoked for shits and giggles or trying to sooth the tantrum of a man child. Also when he views you as an equal and doesn't own your soul that helps too.

Edit: Hiiiiiiii just here to say that now, in the light of day, I don't really agree with everything I've said in this post? I wrote it at midnight while like half asleep so my ability to consider the fact that. We barely know anything about either Vox or Velvette at this point in time. Was kind of impaired I think. Cuz we really don't. I do stand by everything I said about their relationship to EACHOTHER, and I stand by the idea that we should take that dynamic into consideration for character analysis more often, but everything else I'm a little iffy on and I just woke up like an hour ago so my brains still a little fuzzy & I can't explain exactly WHY I'm iffy on it, but just know that I think the conclusion I drew is a bit of a leap in logic at the very least and I recognize that now lol

[valvarads]

KUJO KIRIYA + KAGAMI HIIRO KAMEN RIDER EX-AID

[daisyssousa]

♡ new daisy/sousa scenes daisy explains the 'storm area 51 raid' to sousa

[earlgodwin]

given juan's deep affection for lucrezia and his evident melancholic concern for her when they were apart, it seems very possible that lucrezia named her first-born (giovanni borgia, "infans romanus" ("child of rome", c. 1498–1548) after juan since his italianized name is giovanni as well. the historical records that we have so far indicate a close relationship between the two siblings, noting that juan had a shining and symbolic role in escorting and walking lucrezia down the aisle at her wedding with the two of them appearing intimately linked and having a familial bond. there are also references to them occasionally traveling together and all...juan's untimely death likely had a profound impact on lucrezia and may have chosen to name her firstborn after him in the aftermath of his passing (14 june 1497) as a heartfelt tribute stemming from her deep regard for him, which is very tender and suggests that he held a special place in her heart.

(adding a gif of david and holly's portrayal of juan and lucrezia here simply because they're pretty and i love their dynamic in showtime's the borgias even though it was tragically shifted by disconnection and misunderstandings)

[starry-bi-sky]

one of the funnier things that's happened to me while playing Baldur's Gate was that in Act 2 I still hadn't romanced anyone because I slept through the tiefling party, but I still wanted to romance a companion. And when I took a long rest I was disappointed to see that no one had anything to say to me, so I went to go talk to Withers. And upon starting the conversation the first thing he says to me is basically "why are you single".

Which, okay, damn old man. I'm glad I'm not the only one who noticed but also it's not like it was on PURPOSE. I wanted to romance Gale because he's charming, but no dice despite having 100 approval. I was not having much luck.

So after finishing up the conversation and having no one else I needed to speak to, I decide to go and take a long rest and finish up the day. Bam. Immediately upon long resting I get Wyll's romance cutscene where he asks us to dance.

Funniest chain of coincidences in this game so far. I like to imagine that Wyll overheard the conversation and, having been pining quietly, decided to shoot his shot. And it worked.

[tvckerwash]

wash being ct's best and closest friend in freelancer is so so important to me. they're the kind of friends that can stay up all night together talking and sharing stories, but they can also spend hours together in complete silence just enjoying each other's company. they share things about themselves with each other that they don't share with anyone else. ct finds a solace in wash that she's never found in anyone else; because he feels just as deeply, openly, and honestly as she does. she admires his more subtle nature, and inversely wash admires her own bold defiance. ct gets so angry with him because she's angry at herself—angry that she can't be more like him, angry that she can't tell him all of what she's learned because it's no secret that they're close and she knows that price knows she knows and and and—

so ct takes a page from wash's book, she tries her hand at speaking his language. she let's him see her making calls because she knows that he'll never turn her in, because just like her wash puts protecting those he cares about above the rules. wash is smart, so she knows that he'll understand that she's trying to protect him—to protect all of them, just like he's protecting her.

leaving them, leaving him, is a painful but necessary decision. she fights to stay for as long as she can even though she can feel price and the director closing in. she wants nothing more than to bring him with her. every time she speaks with the leader she finds herself thinking about how well he'd get along with wash, he's cryptic, melodramatic, and just a little bit paranoid in all the same ways. maybe that's why she fell in love—because he reminds her of wash without being wash, who always kept a certain level of distance from the people around him. she'd seen his service record—he'd seen so many people die over the years that he learned how to love without getting to attached; otherwise, the guilt and grief would drive him insane. ct hoped that she wouldn't become another lost friend, but if she did, she found comfort in knowing that he would be able to move forward without her.

[palettepainter]

I know in the ROTTMNT fandom some people ship Donnie x April, which is all fine, I don't doubt there's clearly a chemistry between them in the show.

Personally, even when I first watched some of the older TMNT movies when I was younger with my cousin I never shipped April with any of the turtles, even now I don't really and prefer viewing their dynamic as siblings

BUT!! If I were to ship April with one of the turtles in Rise specifically....how hilarious would it be if it was Leo??

Hear me out here: Leo in the show is so smug, he's shamelessly smug. If he found out he had a crush on April, he would be so needy for her attention, he'd do flips and spins and all sort of cocky, arrogant stuff in an attempt to make her think he's so cool, which he of course is. Meanwhile, April just rolls her eyes at him., but Leo see's the smile tugging at her face and considers it a victory. Also, April in this show is just as sassy. Can you imagine these two trying to out sass the other?? How sly and smug they'd both be, neither backing down from this fun competition they've crafted. Eventually Leo decides to test his luck and throws in a flirt, one which can easily be mistaken as a throw away compliment, but when April actively engages back?? Meeting his confidence equally?? Leo is hooked

And more so, can you imagine Donnie's utter horror when he finds out his twin is dating his beloved best friend??

Uh excuse me Leanardo what do you mean you're dating my best friend? No. No no no that's not allowed, you're not dating her. Why? You know why Leo you'll corrupt her! Donnie acting like an overbearing, protective mother whose baby can't possibly be dating when April and Leo announce the news (he most definitely threatened Leo with lazer cannon or something and constantly gives him the warning 'I've got my eye on you' face when he catches the two being ooey-gooey romantic. Has probably spied on their dates to to make sure Leo is treating April properly). I can see him never truly chilling out even if the two have been dating for years, with how close Donnie is shown to be to April in the show he probably considers her the second most important person in his life next to his family.

Donnie, the most dead serious he's been in his life with fire in his eyes: You had better be prepared to commit to this relationship with April 'Nardo, because there isn't a country on this planet where you will be able to seek refuge from me if you mess this up.

Leo, who has been dating April for two years now: Uh-huh yeah that's great bro whatever makes you sleep easier at night

I don't think I'm gonna make art of this ship cuz I still prefer the found family sibling trope April has with the turtles, but I just think this is an interesting dynamic that I haven't really seen anyone explore, despite how Donnie x April is fairly popular ship,

[phoneycam]

AU idea because i can’t write

OKOKOKOKOK I HAVE AN IDEA WAIT.

I know i said Royalty x Knight, but i just thought something a little bit better!!

Knight & Jester

JUST IMAGINE THE POTENCIAL LIKE

Obi-wan is the noble chosen to be the jester and he just thrives. He goes from another noble to one of the most amazing court jester ever known. 

With his ability to move in inimaginable ways, flexibility that makes every movement mesmerizing and the liberty of the role that gives him a none stop to his sharp tongue sweetened with his unending charisma... He has basically everyone in the court eating from his hand.

Well... almost.

Cody is an honorable well respected and intimidating guard who’s happily doing his job protecting the king (Jango prob), and then one day, this beautiful strawberry blonde man emerges from nowhere and everything turns upside down.

Just saying... It could be a really dope AU.

[kokitschi]

*not (necessarily) in a ship kind of way. as in you enjoyed the interactions between these two.

[daisyachain]

Media can be improved by giving any two characters a Dynamic. Not romantic nor potentially romantic, just give a unique flavour every pair of characters who commonly interact. There should be no generic superior-subordinate or peers out there. If you have two characters exchanging dialogue based on just their official ranking then you could insert any two faceless nobodies and your story would be the same. Put some seasonings on. If two people are on friendly terms then there should be some defining incident that bonded them together. If they’re working together than there should be some major decision that either put them on edge around each other or made them commit to each other.

[aranostra]

imagining gabrielle showing up in my nicki lives verse and seeing lestat and being like "hi." and then seeing nicki and going to him and giving him a big hug and actually being happy to see him lol

[anemonator]

There are multiple reasons why Frazie/Lizzie appeals to me as a ship, some less deep than others, (for example, I’m always a sucker for complementary Bird Motifs) but one of the big ones is how it forces Norma and Raz into similar circumstances that are completely beyond their control. Neither of them like this. Neither of them want to be here. They’re trapped together in the back seat as their sisters tear down the highway, and there’s nothing either of them can do about it. And amid all the potential shenanigans, there’s a weird common cause that comes from that shared helplessness. They’re stuck in the same barrel about to go over the waterfall, and the least they can do is learn how to not kill each other before then. It’s the journey from enemies to frenemies by virtue of commiserating their mutual third-wheeling.