#like its going to the direction i wanted

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[tizzymcwizzy]

MERRY CHRISTMAS!!! i have another marichat holiday themed piece for y'all :D (imagine this is stuffed in ur stocking or smth (along with some tiny candy canes))

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[bunnieswithknives]

OK JUST A LITTLE THING BECAUSE IM INSANE @cubbihue

Song: Plastic by Cheekface

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[laurents-secret-diary]

oh damen we're really in it now.mp4

[mage-ical-character-person]

Why does he tell the player this. AND NOT HIS BIZZZYBOYS?? His boys are so scared…

Spoilers. And rambling

Shouldn’t it be the other way around if he wants us to “leave it to the professionals”? Wouldn’t it be better if he let us be afraid and not his boys?

Why does he tell the Godpoke at all? Isn’t sowing seeds of doubt and distrust the whole point of what he’s doing? He wants the player to stay out of his way and telling them stuff like this seems counterproductive. He could’ve not told us that without looking suspicious, he’s definitely got the plausible deniability on this one. No one’s seen Cobigail in years. Even she doesn’t remember for certain if she eats people or not.

SHE DOESN’T REMEMBER! Gosh, just… her genuine self-doubt over this. She’s pretty sure she doesn’t eat people… but what if they’re right, what if she is a monster? This bit breaks my heart, poor Cobi

I wonder if having her question herself that way was part of the plan.

ANYWAY! Inspekta could’ve easily told the player he doesn’t know if the blood sacrifice stuff is true or not, but considering the other letters it’s probably part of “King’s” plan, and that he and his boys are looking into it and the Godpoke should stay out of it until they know things are safe.

Again. Cobigail is not doing herself any favors. And again, Inspekta has the plausible deniability, and isn’t creating distrust towards the other gods the whole point of his plan?

She is NOT helping her case.

MA’AM!! I love you so much but you are making yourself look very guilty as far as the whole blood sacrifice thing goes. I AM TRYING TO CLEAR YOUR NAME RIGHT NOW MA’AM AND. YOU’RE REALLY NOT HELPING

Like

She even says it’s an understandable mistake to make. (After all the trouble that lie caused her… Cobi, how are you so sweet and understanding?) Inspekta could’ve played dumb. I guess his pride wouldn’t allow that, and he just couldn’t pass up the opportunity to make King look bad.

Or maybe a part of him recognized that he went a little too far with that one. Cobigail isn’t really a threat to him the way he perceives the other gods to be. And accusing her of blood sacrifice when she’s already been isolated for 20 years is disproportionately harsh compared to like… forging a breakup letter and sabotaging a roundabout love confession. (If you could even call it that. Those two probably would've went at least another century without admitting their feelings without Inspekta's meddling prompting the Godpoke to slap Clicky in the face with it)

Anyway now I’m imagining Hector apologizing to her after the events of the game and her responding with a similar “I can see how you would get that confused” and uh Hector saying like, “No, Cobbie, I new yew we-aren’t a blood drink-her. I lied ‘bout yew”

and Cobigail just going like: Oh…. Oh! That was a good one, then! You even had me going for a bit there! and then she does her scary face at him and tells him to never do that again or she’ll barbecue him. And then she says she’s just messing around but seriously dial it back next time.

And I dunno something like how she responds to you throwing her own jumpscare prank back at her.

Wanna draw that now. But alas I have other projects on my plate at the moment

[lemongogo]

sry i dont know what 2 draw anymore T_T . elendira portrait #999

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[suntails]

adrift

[delicatepointofview]

gonna have to deal with people missing the point of louis singing 1d songs in festivals... don't get me started on the other covers

[aria0fgold]

With a glass body

You bear the weight of the world

Praying for safety

[dykedvonte]

The second fic idea is a what-if scenerio where Jimmy dies in the crash due to and altercation with Curly and how Curly would navigate being Captain once he has to notice the little things and how he and Anya's relationship develop as he adopts an identical view point to hers rather than just keeping the peace.

And maybe i will write it but only time will tell tbh but it's stuck in my brain dome for the time being.

[mikoriin]

as someone who plans on publishing their story with their ocs one day, i do gotta say, if u think your personal interpretation of a character is better than canon: make your own oc. fandom has become so entitled these days and it worries me as a story creator because if you seriously think you can write it better? than do it. but do it with your own character. my characters are written that way because i want them to be, and if you think that thats just not your cup of tea?? then literally make your own blorbos to play dolls with. you have the creative freedom to do just that. fandom gets so attached to how they personally perceive a character that people end up acting like their word is law. but it is not, canon is law, and if you want your personal taste to be canon? make your own thing. be creative. make something. its good for brain rot.

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.