#like its easier for me to be trans than it is for me to keep pretending to be a person

[snekdood]

Some of yall deeply underestimate how much some cis men are threatened by trans men and our masculinity. How theres so many cis dudes out there that want to rape us, thinking that will make us detransition. How many incels out there are mad at us for betraying womanhood and not sucking their dick. How much they want to force us to detransition, how much they want to kill us and force us into hiding which, to me, minus well be killing us since theyre smothering who we are for the sake of a status quo. We shake their fundamental understanding of the world. Its one thing for a GIRL to be a tomboy to them. They think its cute, like a baby pretending to be an adult. Its a whole other thing for someone percieved as a woman to try to actually be a man to them. They think thw fact we have the gal to assume we can escape their grasp, to escape the kitchen or whatever tf, means we're disrespecting them and trying to "destroy" them, rather than what it really is, us trying to be independent. We're the exact thing these types of cis men hate. Sometimes they tolerate (emphasis here bc im not saying they accept yall. Dont twist my words)trans women bc they fetishize them but they want to completely eradicate us becayse we threaten the patriarchy by virtue of deciding we dont need a man to take care of us, we want to be the man that takes care of ourselves.

[stonyponyofficial]

i feel like i have species dysphoria more than actual trans gendered dysphoria. so where s the hrt for that hm??

[idledreams4]

I know I'm spending too much time on Tumblr cause y'all just call me Harlenn

I just got caught off guard when someone who I know keeps calling my by my dead name did exactly that.

I'm so used to hearing the name I want to that I got blindsided and also it's making me re-evaluate my friend choices...

[lumalalu]

i know that last post is abt americanization so i didnt wanna ramble in the tags since tags are more visible now and it doesnt feel the same as talking to myself but i was thinking abt how sasha is a gender neutral name but not to the people i would meet. the name i originally picked is gender neutral in that half the world thinks its masculine and the other half thinks its feminine. guess which half i live in. it doesnt matter bc its wrong either way.

people make fun of enbies w object names a lot but likw. if you just browse gender neutral names lists its really easy to see WHY people gravitate towards object names. there is no gendered correlation for "socks". the average person would assume it's a funny nickname, but they won't ask me if it's short for "ariana".

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[plaidos]

It doesn't really make me happy, but i feel like i can ignore thinking about gender in a way i wouldn't be able to if i did more about it. Like, its okay if people get it wrong bc they dont know, but having to explain it and think about it and know people are thinking about it sounds so much worse? I talkeb about it with my best friend (who is a trans girl) and she just looked at me with a dude..... can you hear yourself.... sort of face, and a couple days later she just randomly used male pronouns for me and it was a super incredible feeling, but the few times i actually ask people to call me different pronouns i dont feel anything? So i dont really know? If it actually meant something shouldnt it feel great and exciting every time?

here’s the secret: both transitioning and not transitioning are hard. but transitioning gets easier over time. not transitioning doesn’t.

not getting any gender euphoria out of asking people to try different pronouns is pretty normal because the act of asking is an emotionally demanding & dysphoria inducing

and also like… i’m gonna be real. no, you can’t ignore your gender to make it go away. like… how has that been working out for you? you keep saying “i could do this forever” but it sounds more like you’re trying to convince yourself than me.

look, i’m not gonna sit here and try and convince you to take HRT or try something gender affirming that doesn’t give you immediate results — because i’m not your mom, and because crucially this is a decision you have to make for yourself. but if you could just ignore it forever…. then why aren’t you doing that? all of society is already demanding it if you, and yet it still bugs you enough that you sent these asks to me.

if you want my honest opinion, it seems pretty obvious to me that you totally want to transition, but are scared about the emotional & physical effort it would take to “get started”. people don’t construct elaborate “should i or should i not? do i want to, or not?” scenarios about something society has told them for their entire life is disgusting & abhorrent to do unless they, yknow, wanna do it.

it sounds to me like you’re in a large-scale version of that depression spiral where somehow you’re too tired to either get up or go to bed — inaction is easy, action takes effort.

this feeling won’t go away. i promise.

[raven-at-the-writing-desk]

I interpreted the "adaptation from the manga" thing to imply that they'll animate the 3 Yuus (like you said) but my partner proposed smth to me that raised my concerns... what if they only animate Yuuka? or like- default to a female Yuu? I could see that bc it would be probably easier for them to have only one protagonist.

don't get me wrong I like Yuuka and I know a lot of TWST fans are women but since the studio involved is apparently known for shojos I'm scared they'll make it seem like the story is romantic/the game is an otome... Which I mean- we do have SOME fanservice stuff but it's definitely not a romance story. That's why I'm scared 😭 if they do go that path... I much rather prefer the disconnection (?) of having 3 different Yuus than the possibility of this...

Also I'm just 🥲 I'm scared ppl will see that and say ahhh So Yuu has always been a woman!! Because as a trans guy, one thing that rlly made me feel valid in a way was seeing that in the game Yuu has no gender at all... I don't go by they/them but I'd much rather be referred as that than to be misgendered. It's a small thing but it's such an important detail for me (the fact that Yuu is gender neutral/can be whatever u want them to be) that it being erased in the anime would make me pretty sad... even more if ppl take the anime as "confirmation" of Yuu's gender, which it wouldn't be regardless if they end up giving us a girl OR guy Yuu- it would just be another Yuu interpretation different from the game.

But yeah, personal stuff aside, I'm more scared by the possibility of them making it seem like it's a romance story 😭 or ppl calling TWST an otome... which I mean... some people already have that misconception, even some fans...

[Referencing this post and this news!]

I definitely think they're probably leaning towards a new Yuu every season; otherwise, there would be a very uneven distribution of screen time for one Yuu over the others, and that leads into the problem of one Yuu being "more" canon than the rest. Yes, it will probably be easier logistically speaking to keep the same Yuu for the entire anime--but I also said the same thing when we only had the Episode of Heartslabyul manga, and look what happened with that. We ended up getting Yuuka and Yuuta following Yuuken, regardless of the logistical inconvenience of it all. I think if the anime intended to have a singular Yuu to follow for the main story, they would have chosen to adapt the light novel (which has Yuuya across multiple volumes) instead of the manga. The conscious decision to adapt the manga (with changing Yuus) says something to me. So really, I don't think we have to worry about one "kind" of Yuu dominating the anime. I took a look at the portfolios of the two studios collaborating for the Twst anime and didn't see a ton of shoujo myself. There was definitely a handful of them, but overall there was a spread of genres. I think Yumeta Company (one of the studios) has Tokyo Mew Mew New under its belt, which is probably one of its better-known works and maybe that's where the "they're known for doing shoujo" allegations are coming from? Don't quote me on that, though. I'm not someone who closely follows anime studios.

I would, however, like to point out that we shouldn't put all our stock into the studios behind the anime. Yes, they are obviously animating the project and thus have an influence on how the final product is. However, there are tons of other people involved (like the script writer) that will dictate how the anime looks and feels. (In fact, the script writer for the Twst anime, Kato Yoichi, is not known for writing shoujo.) I highly doubt all the staff involved at every possible level of production are conspiring to make Twst a genre it's not. (Related: I blame socialization for this, but it's a little sad that most of us by default think one woman + a bunch of men in a cast must be romantic.)

Now, to your main point. I understand the initial fear of people misunderstanding Twst as a dating sim/otome from how it is presented. Really, I do. I also understand the frustration that comes with people claiming Yuu's identity or gender or what have you is "confirmed". But to that, I ask you: so what? And I don't mean that in a "your feelings aren't valid" way (because your feelings are very valid!) I mean in like... Do these misconceptions others have truly impact your own enjoyment? Do the people believing in these falsehoods erase what you know is the truth? I would wager it doesn't. There has been and always will be those who see Twst or interpret Yuu as something they are not. Lots of us (myself included) thought Twst was an otome game when they first heard of its concept. People claimed Yuuken was the definitive Yuu when the first chapter of the manga dropped. That's fandom, especially the larger they get. If we fixate on those sore spots, it will ultimately make us unhappy because there will never be an end to misunderstandings. I would advise that you try and detach from those worries and just focus on having your own fun in the fandom rather than worrying about how others are consuming or reacting to Twst. Yes, we want Twst, a franchise we've seriously been invested in and love, to be seen a certain way--but I don't think that should come at the cost of your enjoyment. Fandom is meant to be fun, and we don't want to make ourselves miserable by stressing over the "what ifs", you know? Please focus on yourself!!

[lycandrophile]

I bet the transfem tag doesn’t have half as much transmasc porn deliberately tagged wrong as the transmasc tag has transfem porn

For every transmasc post I see there’s two porn accounts to block

Just pisses me off. I want to see posts about transmascs!!!

while i think you are probably right about the fact that there isn’t going to be as much transmasc porn in the transfem tag (though i can’t say i’m 100% certain, it’s not like i’ve ever scrolled through both tags and actually counted) and i do find the amount of porn in our tags frustrating, i want to talk a bit about the way this issue is being framed.

the thing you have to remember about porn bots is that you can’t think of them as real people. the whole point of them is to make money by pushing those links into popular tags so as many people see them as possible. they want people to click the link, so they show it to as many people as they can. so when you see these posts, you have to keep in mind that there’s not an individual person sitting behind a screen making specific decisions about whose tags to fuck over or what kind of porn to advertise, those decisions are most likely made based on some sort of algorithm designed to make as much money as possible.

so let’s think about it critically — why might we be seeing so much transfem porn in transmasc tags?

well, a lot of these bots are probably using our tag because tumblr has a lot of transmascs who use those tags. the trans communities on different sites are going to have different demographics, and if you’ve ever seen a poll going around with different choices for transmascs and transfems, you’ve seen just how dramatic the difference in numbers on here can be. these bots are targeting our tags because there are a lot of us here and we tend to be very active which means the bots have a better chance of getting clicks, not because an actual person decided they wanted to fuck over our tags specifically.

and why does the porn tend to be transfem porn? i can’t say for sure, but i’ll tell you my theories. first of all, i’m guessing these bots are using trans porn because tumblr has a lot of very active trans tags, and they probably take that into account — they assume that people in trans tags are more likely to want trans porn. the tag matches the link’s key words in that way, so that’s what their formula for getting clicks thinks we want to see. and i’m guessing it’s transfem porn specifically because there’s just more of that — transfem porn is much easier to find than transmasc porn, and it’s also probably seen as a better bet for these bots because being more popular means more people will want to click it. and that doesn’t stem from people preferring transfems over transmascs or anything like that, it stems from the rampant fetishization of transfems. these accounts aren’t actual transfem sex workers choosing to put their content in the transmasc tags, they’re bots doing what they think is going to make money. they don’t care how transfems feel about it being used and they don’t care how transmascs feel about seeing it instead of what we were actually looking for.

so while i absolutely share your frustration with our tags being overrun with porn, i don’t like how the issue has been framed by a lot of people as a transmasc vs transfem issue. i get how on the surface, it seems like our tags are having more of a problem with it and that must be for a reason, but the reason doesn’t actually have anything to do with our identities — it has everything to do with what bots think is the best way to get us to click their links.

this problem has nothing to do with transmasc vs transfem, and everything to do with the fact that tumblr won’t take care of its bot problem. if you want to get mad at someone for the fact that you can’t see the content you’re looking for without wading through countless porn bots, that’s where your anger should be going: toward the site that hasn’t done anything about it.

i wanted to lay this all out because while you didn’t explicitly blame transfems for this issue in your ask (you more so just said they don’t have to deal with it to the degree we do), i’ve seen posts with a similar tone that do imply that transfems are somehow behind this issue, and that honestly frustrates me more than the issue itself. blaming transfems for this isn’t fair to them — this is a bot issue, not an issue with real people on the site — and it also doesn’t do us any favors because it makes people less likely to take us seriously when we talk about things that are actually specifically targeting our community spaces.

and even though you didn’t take that explicit blaming stance in your ask, i think this issue being brought up as a “transmasc issue” at all reflects a fundamental misunderstanding of exactly why it happens the way it does. so i want this to serve as a reminder that when we have a conversation about something in our community, we have to think critically about the way we’re framing that conversation and make sure we have a good understanding of the root of the problem at hand.

because this really isn’t an issue that should be framed as transmasc vs transfem. i’m sure it’s not any less frustrating for transfems to see porn that fetishizes their bodies plastered all over the site than it is for us to have to dig through that porn to find the content we’re looking for. and it’s not really an issue that has anything to do with the fact that the tags are for transmascs at all. you say someone is deliberately mistagging into our tags, but it’s deliberate on a level that has nothing to do with the individual tags being used.

if we want to have conversations about the ways transmascs are uniquely mistreated, that comes with a responsibility to make sure the things we talk about are actually examples of a unique form of mistreatment and not symptoms of a totally different issue. we have to be careful not to pick the wrong battles, especially if doing so could artificially pit us against transfems who haven’t actually done anything wrong.

i worry that the struggles we’ve had in making our voices heard within our community have made some of us start to see our transfem sisters and siblings as the enemy by default, so i want to strongly caution everyone contributing to these conversations to think deeply about how you’re framing what you’re saying and if it’s actually appropriate before suggesting that any particular issue is a matter of transmascs vs transfems. there are definitely situations where the root of the issue is lateral aggression or intracommunity conflict, but this isn’t one of them and the fact that so many people have interpreted it that way really doesn’t reflect well on us.

i’m just as annoyed by the porn bots in our tags as the next guy, but this isn’t the way to go about having that conversation.

[talkbycolor]

I deserve this

A/N; at this point its obvious that i inspire in rebzyyx songs

Pairing; "Your Boyfriend" x AFAB!Reader (cus people are scared of the word trans)

CW; reader becomes willing at the end i swear / unhealthy, obsessive and possesive love / sensitive topics such as mental health, depression, anxiety, fear of abandonment, dissociation, suicidal thoughts / a crazy concept: he talks about his emotions!! / non-con, violence, like, i cry while i masturbate

It's quite blurry trying to remember how it all started, it seemed harmless to accept a date from a stranger, he gave you a beautiful rose and was quite kind to you.

Feeling that people could like you, that someone could be romantically interested in you, because of who you are, your personality, that they knew your… desires?

Because you had dreams, of course.

…

Your dream was to live, to live a quiet life, a stable, pleasant job, with good pay, a normal and peaceful life, where the deep emptiness in your heart was non-existent, years had passed and the monotonous feeling did not disappear, you had already accepted the pain, after all, if you felt that constantly it was probably because you did something wrong at some point, right?

But that was a personal dream that would never be shared.

And it's not like that matters now, not when you're in… A room, that's funny, your last memory is of Peter slamming you against the table to tie your limbs since their last date didn't end as expected and It was time to go home.

Return to an empty home, for what? Peter was more than willing to take care of you, why was he so scary? Accepting it would have made things easier, but you ruined everything by trying to run away, you even fought tooth and nail, that was too pathetic now that you remember it, maybe you DO deserve all the shit that is happening.

You could have saved yourself so much terror and attacks.

"PETER ENOUGH! PLEASE! LET ME GO! NO! NO! FUCK, PLEASE!" You tore out your throat with terrified screams and tried to claw at his skin until your fingers were bloody, biting the hands that tried to stop your screams, hitting his face with your elbows and kicking him away, crawling like a dying animal away from him. "PETER!" You sobbed sharply before losing consciousness.

But nothing worked, resisting only made all that shit worse and now you were tied up, in Your boyfriend's old clothes.

You barely remember how you got to that place, or if time passed, anyway that doesn't matter anymore, from one day to the next you find a very small piece of clothing that turned out to be yours, time passed, your body grew but your mind didn't, they keep lying but you know that your life will depend on how well you do it.

And you're not doing it right, you tried to adopt toxic happiness but you couldn't even maintain it for a while before exploding, sadness was already an everyday thing and you just weren't feeling it anymore.

"Dear?"

Just peace please, how hard could that be? It was annoying, you even felt angry for feeling so empty, because people were so rude and the constant rejection killed you socially.

It was hard to breathe, wasn't it?

"Love? Do you hear me?"

It feels like the end, your soul is bleeding, you wish your stupid job made you feel a little more alive and motivated to continue.

And now you have done so many things to escape from that monster that pulls you back to the room to devour you under the bed.

"Darling!" Your boyfriend's voice echoed through the room, making you look at him once and for all, your eyes tired despite having been unconscious most of the time.

"…" You wanted to respond, really, but what were you supposed to say?

"You must be exhausted, you didn't even touch dinner" It was a tricky phrase, he had tried to feed you since you were tied up.

"Peter-…"

"I already told you that I prefer to be called other way, honey" He responded with a smile and a definitely not irritated tone.

"I want to sleep" He left your lips, he was being so caring, taking care of your health.

He kidnapped you.

And you couldn't even thank him for it.

He knocked you out.

You really were an ungrateful shit, weren't you?

He locked you up.

You wanted to return the signs of affection.

Soon the ropes left your body, Peter helped you stand up and you both walked to the bedroom, he was still carrying a small plate with a light dinner, he refused to let you go to bed without having eaten dinner.

Once in bed, he made sure that you had a proper dinner, and he helped you change your clothes so that you would be comfortable in bed, he also did the same with his attire and now you were both lying down. It always made your stomach churn when he looked at your half-naked body.

"Dear" He murmured next to you while you tried to sleep as soon as possible, so many things had happened those last few days that the only way out was to sleep, you had probably already been fired from your job for not showing up. "Honey, love, darling," he said sweetly as his hand went up to your cheek, he simply looked at you with a huge and probably painful smile on his face, almost tattooed, you made him so happy with your mere presence.

"Can I kiss you?" He asked, your mind still cloudy enough to refuse anything, so you just went up to kiss him, the room was very dark and there weren't even crickets echoing at night, the amount of silence was overwhelming… of course, that didn't count the lip-smacking they shared.

So it continued.

For a long time.

"Pet-…uhm, I mean, honey, I'm tired and I want to sleep" You interrupted the honey session.

"Please, you don't have to do anything, just let me love you, darling" his voice was soft, soothing to that darkness but not to the painful weight in your heart and the knot in your stomach, his touches felt strange.

You know that's wrong, you don't like it.

You didn't stop him, just like he said, you let him love you as you closed your eyes and a buzzing sound echoed in your head, like television static, your bottom clothes had disappeared, but that didn't matter.

You couldn't hear anything, you didn't see anything, your body reacted but your mind was very far from that place, you wandered through your memories, fantasies of a life you were never going to have.

It was really digging into your cunt, huh? Even when your mind wanted to flee somewhere else, it was undeniable how he held your thighs and you gasped heavily with each thrust.

His member was still dripping his seed, did he use protection? You don't know, you don't care.

It doesn't matter.

B e cau se s oon y o u w il l b e d ea d.

"Honey? Didn't you enjoy it?" Peter asked with a worried frown.

What the hell is wrong with you? Do you no longer have respect for yourself? You know it's going to hurt you.

Don't you mind dying? You lost hope and you don't even try to help yourself anymore, damned and pathetic attempt at being human, really unnecessary.

"Honey…" Peter caressed your cheeks and brought his forehead to yours, sighing softly and carrying your body to the bathroom in the room.

You didn't say anything either, you just felt how it was cleaning your body, the water was warm, the bathtub full of bubbles, and it smelled pretty good, like coconut soap. Peter hummed quietly as he treated your body with the utmost affection, you were sure he was whispering things in your ear but you were barely aware of your surroundings.

When your eyes finally focused on something you could see the ceiling of the room thanks to the moonlight, Peter was behind you, hugging your body, caressing your hair, and sniffing the soapy fragrance.

"You are so sweet, so unique, so kind, so special to me, a truly exceptional person, I will do everything to make you feel comfortable, darling, I love you so much, my adorable-…"

"Peter"

"… Yes love?" This time he didn't argue about that name, you were finally talking and that was good.

"I'm sorry I feel so alone, I know you're here but…" You wish you could give him an answer but that was something even you hadn't figured out yet.

"It's okay, honey, I'll be with you to hold you, forever."

♡

[queer-ragnelle]

Understand is is a very weird question to get out the blue so no offence taken if this gets left in the inbox, but I was wondering how (if at all) to integrate transgender knights into arthurian retellings/adaptations ect while trying to keep it vaguely true to the medievalisms of the whole thing? I know its easy and liberating to just go 'fuck it everything queer' and its a totally valid way to go about it, but (as a trans person) I like having a narrative examine queerphobia and other structual issues with the setting - gives the whole thing a bit of meat (in my personal tastes). That being said, it feels like its a nightmare to try and have a transmasc knight stay stealth in this place! Everyone feels like theyre getting stipped and tended to after breaking a rib in a joust or merlin shows up and is a dick about pronouns and outs you to get you married to a Roman king. Stuff like that - things that feel a little easier to dodge when its a civillian character, not an ruling class.

Is this a 'kill the cop in your brain' kinda deal? As a queer storyteller yourself do you have any tips or strategies or tools you use to crowbar this kinda stuff a little easier together? Or do you know any stories/retellings/academic texts ect that cover these kinda things (even if its in a 'for the love of god, don't do that' way). Love the work you do for this fandom a lot, regardless of your answer! Hope you have a good day.

Hello anon! This is a great question.

Now let me preface this by saying I’m not transgender and I’m not a medievalist. There are plenty of trans medievalists on tumblr, but I’m not one of ‘em. So my answer is coming from a queer but cis author and enthusiast perspective. I'm going to provide lots of links to read things as well so everyone can draw their own conclusions from the material.

I think a large part of this does come down to “kill the cop in your head.” But at the same time, I’ve been exactly where you are wondering, “How can I make this story feel authentic to its era without torturing the trans characters?” Because you’re right, there’s a lot of nudity and close proximity interaction between knights in the medieval stories and Merlin is totally the type to be a dick about pronouns. I've also searched and struggled to find a medieval-set story that manages to incorporate queerness in a period-appropriate way (so far as we can guess) while balancing the narrative as to not tip into something deeply unpleasant for the target audience to read. (See: the series by Lavinia Collins, which has great queer rep, yay! But tons of horrors previously unseen and still unnecessary, boo!) So where does that leave us?

Well first I’m going to give you an example of how not to handle transness in an Arthurian story....

The book Once & Future and its sequel Sword in the Stars by Amy Rose Capetta and Cory McCarthy went with the phenomenon you already described as, “fuck it, everything queer.” It doesn't take place in the past, but does use the medieval stories as more than reference, it's not as divergent as something like Port Eternity by C. J. Cherryh, the reincarnated characters do interact with the past directly at times, so I'm using it as an example.

Anyway most characters are either gay (umbrella term) or trans. Except the way trans characters are treated sucks majorly (in my opinion). I completely lost faith in book 1 after the introduction of Lamorak, a gender fluid knight who uses they/them pronouns. Merlin misgenders them and gets corrected by Kay, to which Merlin does this whole self flagellation routine about. Lamorak is also disabled, missing their left hand. (Why isn't it Bedwyr? Anyway not the point...) Lamorak gets no dialogue here whatsoever, all agency is completely stripped from them regarding their disability and their gender identity. Double whammy.

This is worsened when Percival gets introduced, as Merlin then makes a point of asking for pronoun clarification in the most obnoxious way possible. To which Percival takes no offense at the weird slight against his sibling and tells Merlin his pronouns.

But what about the sequel? Surely these two queer authors improved with time.....

Is this a joke? Is this the best way they could indicate the inclusive realm of Avalon? Why not just describe the women as they are, all shapes and sizes, and let the reader figure it out? The authorial intent would be so obvious by this point. Instead they say it… like that. Gag.

It only gets worse when Mordred is born. Then they're weird about a literal infant.

What in the bio essentialism? If the characters have been living in a future that’s broken out of the gender binary, the baby’s genitals should be irrelevant. Gwen’s literally saying Mordred is going to fulfill the evil prophecy because he was born with a penis. Even if this is intended to be a teaching moment, I hate how it’s handled. These quotes are in order of appearance in the books, so after the subtextual implications of all that came before, this last part really doesn’t sit right with me. Sorry I find these books completely abhorrent. They've won awards, they’re beloved by many. Maybe it's me. But no thanks.

Honestly, so long as you're not blatantly offensive with your handling of such things, I think you'll be fine. It's important to remember that even if one is part of a demographic they're depicting, it's always a good idea to hire sensitivity readers and take that feedback seriously. Not everyone will love your work, there will be advice you don't utilize, with time you'll be able to weed out the bad faith feedback, (the "all depiction is glorification" crowd) and ignore it. But it's so important to open oneself up to constructive criticism so you can learn and your work can develop into the best possible version of itself.

Now let's get to some ways you can go about researching a way to do this that fits in your story. It’s important to remember that throughout human history, many people lived stealth their whole lives and we don’t know about them for that reason, not because no transgender folks ever lived authentically and happily in medieval times. So it’s never impossible to incorporate a trans character into a story who experiences no direct violence, even if the world they live in isn’t presented as a queer utopia. The other thing is that public opinion regarding queerness, cross dressing, etc have varied a lot over the centuries and were vastly different depending on location. Not every “woman” found in armor would have been treated as poorly as Joan of Arc. So there’s lots of wiggle room for interpretation when you go about writing these narratives. The majority of my examples deal with the ruling class so they address the concerns you mentioned with added scrutiny a noble would face if they were to experiment with gender presentation compared to a commoner. I’ll be spoiling the plots of everything on the list to make clear why I’m suggesting them.

My initial advice would be to read medieval literature with queer themes followed by essays on the subject. The best examples I know of are:

Yde et Olive

Transmasc knight (good ending). 12th century French romance. Yde’s mother Clarisse died giving birth to her & later when Yde reaches maturity, her father makes advances, so she disguises herself as a man & flees. Yde becomes a successful knight & is married to the king’s only daughter, Olive. When it comes time to consummate the marriage, Yde must confess the truth of his identity to Olive, who vows to keep it secret. This is overheard by the king who then attempts to uncover Yde’s identity but is stopped by an angel who chastises the king for harassing such a good vassal. Then Yde is transformed into a man, the king dies, & Yde is able to have a child with Olive. They name him Croissant as if it couldn’t get any more French than it already was. Anyway the story alternates pronouns for Yde given the situation which is pretty neat & in the end he gets to live his best life! Yay!

Le Roman de Silence

Transmasc knight (bad ending). A 13th century French romance about a baby girl named Silence. Silence is raised as a boy because King Eban won’t allow women to inherit property. Like many medieval romances, the hero's adventure is often punctuated with personified emotions (Dame Fortune, Lady Love, etc) but Silence is tormented by Nature & Nurture as he comes into adulthood. He becomes a knight & eventually takes on an "impossible" quest, to capture Merlin, which supposedly can only be done by a woman. Content warning for the ending, it does not go well for Silence. Merlin reveals his backstory, & he’s forced to take a feminized version of his name, live as a woman, & marry the king to keep his lands.

Wigalois by Wirnt von Grafenberg

A 13th century German romance that follows Gawain’s son, Wigalois [Gingalain], but this ain’t about him. There’s a character Marine who fights as a knight. She’s consistently referred to with she/her pronouns, but she’s renowned for her knightly virtues & fights alongside the men in the war. She’s treated very well narratively & dies in battle after apprehending a high-value hostage. Everyone mourns her & there’s a big funeral held in her honor. So even if Marine never presented herself as a man the way Yde or Silence do, she provides an example of a female thriving in a male role. Food for thought.

Parzival by Wolfram von Eschenbach

Another German banger from the 13th century. This one’s about a cis male knight but Parzival has transmasc vibes. Trust me. Here’s my favorite article about it called The Clothes Make The Man - Parzival Dressed & Undressed by Michael D. Amey that really illustrates what I mean.

After that, you can check out these retellings:

The Story of Silence by Alex Myers

I bought this but haven't read it yet. It’s a retelling about the aforementioned Le Roman de Silence. This book uses neutral they/them pronouns to refer to Silence, which I can say from experience sometimes causes confusion with readers, so it's good to study how this author did it & determine if that method feels right for you. (If you ever decide to do something like that with a character.)

Spear by Nicola Griffith + Spear's Author's Note

I enjoyed this one, beautiful prose. It didn’t feel like the most comprehensive Grail Quest retelling, but Peretur can be interpreted as a butch lesbian or transmasc, it’s ambiguous. She only uses masculine pronouns when stealth, otherwise using she/her, but it has a happy ending! It’s firmly set in the era & felt authentic on that front while letting the queer characters relax. Peretur isn’t alone. (A/G/L enjoyers keep winning + sapphic lady of the lake ftw + the other hotties Peretur pulled.) Definitely worth checking out.

The Bright Sword by Lev Grossman

This book just came out in 2024. Including it here is already a spoiler given the topic but I’m going to spoil fully from this point on so ignore this if that’s a problem. This is the best example I can give for your reading/writing tastes based on the ask; Dinadan is a trans man. His transness isn’t revealed in the main character Collum’s pov, but in Dinadan’s backstory pov, opening in his childhood. He & his twin brother were sent to different schools but young Dinadan would leave the girl’s school to practice knightly skills with the fay, which retroactively explains why he has a fairy sword that Collum was admiring. In exchange for this training, the fay ask that Dinadan slay Merlin. Which he agrees to while never believing he actually can, but the wrath of the fay in the afterlife is worth his ability to live as a knight. I love how it was all handled firstly because Dinadan has a fighting style that works for his smaller frame & because every knight has a different fighting style (Dagonet’s is “If it sucks hit da bricks.”) Dinadan doesn’t stick out like a sore thumb yet his physicality is accounted for. Secondly Dinadan explains the lengths he goes to in order to stay stealth from obvious ones like binding his breasts to pretending to shave his face every couple days & wearing a packer. Later on, Dinadan’s secrets are revealed when he goes swimming in the ocean with Palomides (who evidentially already knew) & Collum joins them. Collum had no idea, which I think brings up an interesting point about all of this which also reminds me of Gawain not recognizing that Beaumains was Gareth—the power of expectation. Just as Gawain expected to find a kitchen boy & would have no reason to assume his brother (who hit puberty since they last saw each other) would be stealth in the kitchens so therefore didn’t recognize him, Collum expects to find men as knights of the Round Table, so when Sir Dinadan is introduced, & Collum had heard of him before, Dinadan’s stature & high voice don’t register to Collum as anything but traits that this guy Dinadan happens to have. Learning Dinadan’s secret in the presence of another knight who already knows & is chill about it also encourages Collum to be accepting too. So giving Dinadan at least one ally in his corner throughout the story went a long way. In the end Merlin, who can only be killed by a man (which is why Nimue had to settle for sealing him away) is stabbed by Dinadan. So it’s like a reverse Silence/Éowyn situation that Dinadan’s gender is affirmed in his ability to kill Merlin. This book also includes the part from Le Morte d’Arthur where Dinadan’s forced to wear a dress, which in this context is very transphobic, but that’s the point. It’s made better when Dinadan gets to go insano style on Merlin so he gets payback. Just a heads up about that.

Some fantasy/scifi that’s not Arthurian but may help, as Arthuriana is largely fantasy to begin with, this may help you determine where on the spectrum your taste/writing falls regarding the bending of reality/history to fit your narrative.

Orlando: A Biography by Virginia Woolf

1928 novel about a character named Orlando living during the reign of Elizabeth I. Orlando is born male, then at some point in his early adulthood, falls into a deep sleep from which he awakens the exact same person, now metamorphosed to be female. Orlando, for her part, adopts this new role immediately & keeps on moving. She lives for 300 years as such & has many adventures, including an instance where she then presents as a man to elude marriage. Transitioned so she could cross dress in the other direction. She would’ve done numbers on tumblr. Ultimately, Orlando does marry… a gnc sea captain! The success of their marriage is attributed to their similarities in gender non-conformity. Even though this book only remains in the late medieval era for the opening, I think it’s a poignant example of a transgender individual living their life in their time & still getting to enjoy themselves without excessive suffering that may provide lots of inspiration.

The Left Hand of Darkness by Ursula K Le Guin

1970 Hugo & Nebula award winning novel. A fascinating examination of gender from the point of view of a cis man named Genly Ai having to reconcile his interpretation of the gender binary when confronted with a society who operates outside that. His travels with ambisexual Estravan challenges what Ai understands about the universe. His ignorance forms the backbone of the narrative as he grows close to a person from this other society. Even if it’s not a medieval setting, it may help you develop a narrative voice regarding this subject you’re able to bring to your work. Also it’s just really good.

The Privilege of the Sword by Ellen Kushner

2007 Locus award winner, Nebula & Gaylactic Spectrum nominee. High fantasy medieval setting. Katherine is a country girl brought to the big city Riverside by her uncle the Duke where she’s offered the opportunity to train as swordsman (ie cross dress) instead of political marriage. She’s unsure of the reasoning behind her uncle’s motivations for doing this, but goes along with it & kicks ass. A preview is available on Google books (linked).

The Realm of the Elderlings by Robin Hobb

This is my favorite series ever. It spans 16 books published between 1995-2017. The fandom on tumblr & ao3 is hugely active. (Avoid tags to dodge major spoilers or check it out for amazing art & many quotes!) The series has many gnc characters in a fantasy medieval setting. First & foremost, The Fool, who’s in all the books & whose gender ambiguity is mentioned book 1, to which he says, “None of your business.” The character ever. Without getting too specific, there are several trans characters including gender fluid characters who will alternate between masc/fem presentation & pronouns. This is my favorite example of gender fluid characters in any fantasy I’ve read, especially since there are several & each feels unique. In The Liveship Traders trilogy, Amber coaches another woman how to hide her period while pretending to be a ship’s boy by using a sock, so if anyone finds the blood on it, she can say she cut her foot. Little things like that really deepened the realism in an otherwise fantastical story for me, because addressing those details answers questions my overly analytical mind would ask & wonder about if unacknowledged.

Lastly I'd like to suggest the article Armour of an Alienating Identity by Jeffrey Jerome Cohen. While it doesn't mention Parzival (the text), it does mention Perceval (the character), as well as Gareth Beaumains, Lancelot, Gawain, Yvain, and even Arthur himself. It goes on to reference endless examples to support its thesis including Greek heroes such as Achilles and Odysseus with references to many different medieval stories from Old English Beowulf to the Irish Ulster cycle to the works of Geoffrey Chaucer. Most (if not all) of the texts mentioned in this essay can be found on my blog for cross reference if you desire, although the article already contains many quotes.

Okay I think that’s all I got. I’ve given you a ton to think about and read. Ultimately I don’t think there’s a clean cut answer for this. Nuance, you know? Having hired an editor and many sensitivity readers myself, it really is just a professional a vibe check sometimes. You write what you want to the best of your ability, then other people weigh in, and you keep tweaking it until it’s as good as you can possibly make it. During development, and even in its final form, there will be people who don’t enjoy your story and that’s fine. It isn’t for everyone, it’s for you and your audience. No single experience in this life is the same so each fictional depiction emulating life will also be unique, there’s no “right” answer on how to write this or anything else, only the way you want to.

Hopefully now you have some tools to help you learn how best to express your vision. I know they gave me a lot of insight and ideas I lacked before when writing trans characters in my books. Thank you for trusting me with this question and good luck with your project! Take care! :^)

[dandelionsresilience]

Good News - August 15-21

Like these weekly compilations? Tip me at $kaybarr1735 or check out my new(ly repurposed) Patreon!

1. Smart hives and dancing robot bees could boost sustainable beekeeping

“[Researchers] developed a digital comb—a thin circuit board equipped with various sensors around which bees build their combs. Several of these in each hive can then transmit data to researchers, providing real-time monitoring. [… Digital comb] can [also] be activated to heat up certain parts of a beehive […] to keep the bees warm during the winter[…. N]ot only have [honeybee] colonies reacted positively, but swarm intelligence responds to the temperature changes by reducing the bees' own heat production, helping them save energy.”

2. Babirusa pigs born at London Zoo for first time

“Thanks to their gnarly tusks […] and hairless bodies, the pigs are often called "rat pigs" or "demon pigs” in their native Indonesia[….] “[The piglets] are already looking really strong and have so much energy - scampering around their home and chasing each other - it’s a joy to watch. They’re quite easy to tell apart thanks to their individual hair styles - one has a head of fuzzy red hair, while its sibling has a tuft of dark brown hair.””

3. 6,000 sheep will soon be grazing on 10,000 acres of Texas solar fields

“The animals are more efficient than lawn mowers, since they can get into the nooks and crannies under panel arrays[….] Mowing is also more likely to kick up rocks or other debris, damaging panels that then must be repaired, adding to costs. Agrivoltaics projects involving sheep have been shown to improve the quality of the soil, since their manure is a natural fertilizer. […] Using sheep instead of mowers also cuts down on fossil fuel use, while allowing native plants to mature and bloom.”

4. Florida is building the world's largest environmental restoration project

“Florida is embarking on an ambitious ecological restoration project in the Everglades: building a reservoir large enough to secure the state's water supply. […] As well as protecting the drinking water of South Floridians, the reservoir is also intended to dramatically reduce the algae-causing discharges that have previously shut down beaches and caused mass fish die-offs.”

5. The Right to Repair Movement Continues to Accelerate

“Consumers can now demand that manufacturers repair products [including mobile phones….] The liability period for product defects is extended by 12 months after repair, incentivising repairs over replacements. [… M]anufacturers may need to redesign products for easier disassembly, repair, and durability. This could include adopting modular designs, standardizing parts, and developing diagnostic tools for assessing the health of a particular product. In the long run, this could ultimately bring down both manufacturing and repair costs.”

6. Federal Judge Rules Trans Teen Can Play Soccer Just In Time For Her To Attend First Practice

“Today, standing in front of a courtroom, attorneys for Parker Tirrell and Iris Turmelle, two transgender girls, won an emergency temporary restraining order allowing Tirrell to continue playing soccer with her friends. […] Tirrell joined her soccer team last year and received full support from her teammates, who, according to the filing, are her biggest source of emotional support and acceptance.”

7. Pilot study uses recycled glass to grow plants for salsa ingredients

“"We're trying to reduce landfill waste at the same time as growing edible vegetables," says Andrea Quezada, a chemistry graduate student[….] Early results suggest that the plants grown in recyclable glass have faster growth rates and retain more water compared to those grown in 100% traditional soil. [… T]he pots that included any amount of recyclable glass [also] didn't have any fungal growth.”

8. Feds announce funding push for ropeless fishing gear that spares rare whales

“Federal fishing managers are promoting the use of ropeless gear in the lobster and crab fishing industries because of the plight of North Atlantic right whales. […] Lobster fishing is typically performed with traps on the ocean bottom that are connected to the surface via a vertical line. In ropeless fishing methods, fishermen use systems such an inflatable lift bag that brings the trap to the surface.”

9. Solar farms can benefit nature and boost biodiversity. Here’s how

“[… M]anaging solar farms as wildflower meadows can benefit bumblebee foraging and nesting, while larger solar farms can increase pollinator densities in surrounding landscapes[….] Solar farms have been found to boost the diversity and abundance of certain plants, invertebrates and birds, compared to that on farmland, if solar panels are integrated with vegetation, even in urban areas.”

10. National Wildlife Federation Forms Tribal Advisory Council to Guide Conservation Initiatives, Partnerships

“The council will provide expertise and consultation related to respecting Indigenous Knowledges; wildlife and natural resources; Indian law and policy; Free, Prior and Informed Consent[… as well as] help ensure the Federation’s actions honor and respect the experiences and sovereignty of Indigenous partners.”

August 8-14 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)

[certifiedsexed]

hi so i was hoping for like a gut check on this because maybe it's weird and if it is i want to stop.

so im trans and autistic, and because of that im a little behind on understanding masturbation and my body. ive been trying to read up on it and im trying to learn how to masturbate. one of my friends and i were talking about it, and he asked to see some of the webpages i was looking at (shoutout to you and planned parenthood). but we were looking through them and one of the links went to scarleteen.

and he said it was weird and kind of perverted because im an adult (24) and thats for teenagers. i said that i thought it was okay because its not like im interacting with teenagers and theyre pretty good for teaching me i thought because i like the clear writing and the easier words and also its just a webpage. but the more i think about it the more freaked out i get. like scarleteens one of them and also teen vogue and some other ones because those are just what come up a lot of the time for learning more.

so what do you think? is it bad? because my friend and i ended up not sure. but if its bad i'll stop i dont want to hurt anyone.

Hello! Let me see if I can help.

So, there's nothing wrong with using resources designed for children when you're an adult, for the most part.

You're not taking resources from children or even interacting with children [though that's not even necessarily an immediate issue, depending on the situation], you're just using an accessible website with a lot of information on things you might've missed.

It can be very hard to find websites with accessible language, especially when you're new to a subject and there should be no shame in using something designed for people younger than you if it's helpful and its not hurting anyone.

I don't quite understand where your friend is coming from, to be honest. Using "perverted" and "weird", both harsh terms for something harmless, to describe this doesn't really make sense to me.

But I understand that it's upset you, understandably! So let me be clear:

No, there's nothing wrong with what you're doing. Using Scarleteen and websites like Teen Vogue are both perfectly fine, regardless of your age. They're targeted towards children, but children aren't the only ones who can use them.

It absolutely hurts no one for you to read their articles and learn. In fact, it's a good thing you're learning from these websites and showing them to other people you know. That only helps websites like that.

It's not bad in the least, Anon. I'd encourage you to keep using them, especially if they're helping you learn easily. That's literally awesome! [I'm honored to be among those you're learning from! <3]

Hope this helps! Let me know if you have any other questions. <3

[givemearmstopraywith]

this is the last thing im going to say about taylor swift because now i keep getting messages in varying degrees of outrage about off-the-cuff comments i've made about her. the problem i have with taylor swift and her fanbase is not with her as a person or really with the art she creates: all art is art even if i don't personally like it. what i have a problem with is that taylor swift has kind of became a very palatable, very white, very upper class foil on which people can plaster "morally correct" opinions, like being a feminist or a lesbian ally, without actually having to engage with the real, more difficult side of those issues. it is much easier, both socially and personally (especially if you are centrist) to hold up taylor swift's alleged bisexuality or the conspiracy about her being a lesbian as a sign of your allyship than it is to engage with real-life lesbians, who are frequently not pretty, thin, white, and upper middle class.

additionally, it is easier to pinion your feminism on someone like taylor swift than it is to engage with feminism in a world where now being feminist requires you to, for instance, speak out in support palestinians who do not have access to basic menstrual hygiene and are at risk of disease as a result, or think critically about women working outside of the home in the midst of a very prevalent movement touting the lucrative values of "traditional womanhood" to thinly disguise misogyny and chattel marriage, or engage in the very real and extraordinarily detrimental exclusion of trans women. taylor swift is easy: most women are not.

i think taylor swift is fine: i grew up with her and a lot of her music still holds value for me. but touting her as some feminist vanguard is a bit hollow to me: she's really not radical, because she looks out for her interests first and foremost (which is not a bad thing: everyone, especially women, have to be self-preservative- accusations of self interest are not automatically negative nor even really accusations) and then is treated by her fanbase as the model for all women. its a matter, i guess, of public perception, and how much easier it is to engage in white feminism than it is to delve into the real grit and heart of what feminism is or ought to be. however, if she wants to gone girl that jock she's dating, i will support her.

[clownhara]

is there like a jester ocs 101 i do wanna learn about them

Putting these under a read more because this might get long

My family :)

Edward Roberts-Rosales: I made too many jokes about this bastard being my dad and now he's my dad. High key wants to fuck plants. Evades taxes like no ones business. Kind of a shit guy but it's funny to watch him mess up everything so we keep him alive for that alone Max Rosales: My better dad. Can really do so fucking much better than Edward but he settled </3. Is a plant man. Likes baking. Is the dad that actually loves me. Heron Rosales: I don't do to much with her but I'm trying to do more. Max's trans sister. Wants Edward dead and honestly, we don't blame her. Average chronic pain haver tbh please get her some Ibuprofen. Boaty McBoatface: My brother who is a boat. Edwards favorite son, despite being terrified of being on boats after he was the sole survivor of a ship wreck. I fuckinh hate this thing

Project Moon adjacent ones

Despise Domek (Or just Des): Local Enkphalin hooked rat. Goes by it/they but people close to it can call them she/her. There are two remaining people who can call them she/her. Steals things from people it likes to keep a piece of them, so don't invite them to your house. Things WILL go missing. Says the phrase "Well it didn't kill me so I'm fine" way to god damn often. Ambrose Domek: Not actually related to Des at all his parents just stole Des's parents last name. We heart religious fanaticism to the point of self harm!!!!!! Has two boyfriends and has convinced himself neither of them like him. Him and Des are besties :) Keith: Real Jester-heads remember Keith. I made this bastard before Ruina came out and he keeps fucking staying relevant to whatever game is out. How does he do it. Lobcorp him is Geb and Myo's adopted son, a Rabbit, and had a complex where he's gotta prove himself 24/7 and ends up getting his leg ripped off. Ruina him is trying to find Gebura again after the whole Library situation happened, and is wildly distraught after learning Myo's whole deal. Limbus Keith is content, much older, runs a weapons shop, and is gay married to Heathcliff. Jesus Christ I made him before the new translation of Lopcorp happened I think HOW LONG HAS HE EXISTED WHAT THE FUCK

Damien Domek: Also not related to Des, just took it's last name because he liked it. They are qprs though. Also is broke as shit but mostly stays out of the Rat lifestyle by just old fashioned robbing people. Loves lying to people for fun and profit, but he is honestly a pretty nice guy. Minus the lying

Randos

Arlo: Disgusting rancid cyborg scientist who needs to bathe and touch grass. I adore him though. Ellie: Arlos little sibling. She/they user. Kills people for money and feeds the bodies to the eldritch horror that follows her around Hector: The eldritch horror that follows Ellie around. usually just looks like a dilf tbh its easier for Ellie to explain. Can't actually speak so he usually just talks telepathically while making a bunch of hums, chirps, and clicks to mimic speaking.

Oleander: Local unethical scientist that unethicaled a bit too hard when trying to revive his even worse older brother and turned off most of his emotions manually to avoid coping with the mental toil. Sad! Many such cases. Can't feel any emotions other then joy now. Kinda sucks but he certainly doesn't seem to upset about it :)

Simon: Oleadners brother. Kinda. Moreso a robot piloting Oleanders brothers body. Fucking hates Oleander but after Oleander lobotomized himself Simon begrudgingly takes care of him now. Despite his complicated feelings, he's wildly overprotective.

Cybel: A robot Oleander made! They are meant to gather as much information as they possibly can in case some horrible event happens that kills off humanity. is quite literally indestructible. Likes ice cream.

Octavius: I made this guy to be a danganrompa villain back in high school and I succeeded too well. I fucking hate this fake ass bitch

Tabb: This fucking guy. Trapped in a time loop but he doesn't know and its technically not a time loop. Met his (now) husband ages ago but died shortly after meeting him, so he revived Tabb, then the two got married, then Tabb died again so Halt (the husband) revived him again but he lost his memories then halt died and Tabb revived him the Tabb died again so Halt revived him but he lost all his memories so they dated again and got remarried then Tabb died again and you get the idea. Very nice guy, a bit anxious, perfectly normal minus the dying thing. If it wasn't for him losing all his memories and Halt tampering with shit so he was in love with him i uh. Don't think he'd actually like Halt all that much tbh

Halt: Just wants to be happy with his husband :(. Sad he unethicaled all over that science. Hey are you noticinga theme here. Also he's a cat boy but thats really not relevant to his depression issues

Urge: Halts kinda milfy twin sister. Really sick of all of this loop bullshit because she gets to watch her bestie Tabb die repeatedly, so she packed up her bags and left. Can't be in the same room as Halt without them getting into a fist fight. Do you see the themeing with their namesan d their ideals. Halt is kinda halted in place but Urge keeps pushing forward because she has the urgeto move on. Do you see it. It is almost 1 am

Russel: A kid that got roped into this whole mess because he walked in on a Tabb revival tube without permission. Sticks around Urge most of the time. Had a bad homelife to put it mildly, so Urge took him in.

Theres way more of these bastards but these are the most relevant ones. I am going to bed now. Goobnight

[cripple-punk-dad]

i hope you don’t mind this but like i’m 14 (not white, trans, gay, that stuff) and seeing a lot of people talk about how a lot of countries are going far right & extremism is coming back in full swing & no rainbow capitalism, etc is kind of scary. how do i like. not be so scared all the time? i just thought you’d know but if this is a weird ask i totally get it

It is scary. It's downright terrifying, looking out into the world and seeing the pattern of hatred, bigotry, and violence that is feels like its only growing more prevalent. Sometimes it feels like I'm on an island in a huge ocean of people who just want me to die, or change who I am, or both.

Not only that, but being 14 is fucking terrifying. You're not an adult yet, so you can't enact 'real change', you can't even drive (in the U.S) so your transportation is limited. You can't (legally) even get a job or anything. The world has done pretty much everything it can to keep you feeling scared. That's really hard to deal with!

This is usually where I'd say something dramatic, like "don't let them get away with that." But that's easier said than done. And that doesn't really answer your question, either. So instead I'll say this: It's hard to be scared when you 1) know your enemy, and 2) have other things to focus on. I don't mean that you should go debate every conservative you see, or even interact with them. But taking the time to understand the ideologies of fascism, alt-right conservatism, TERFS, white supremacists, etc. not only helps you to see how wrong they are, but also how they always fail and will continue to fail. This is also a good time to research and reinforce your own ideologies and beliefs. No one is immune to propaganda, but it's a lot easier to recognize it if you know what you're looking for.

But don't let that consume you. Remember, these people want you to be scared and isolated. If you spend all your time obsessing over everything wrong with the world (which is very easy with social media and the internet) then the people who want you gone will only grow stronger. So it really is a good idea to fight against that by building up a community of friends, and by building yourself up too. What I mean is this: Go outside, look at the ground, find a weird bug you don't know anything about. Read the obituaries in a newspaper. Go dumpster diving. Learn about something that interests you. Write a letter to somebody and never send it (or do). Pick up a weird hobby. You can just start gluing shit together, no one is gonna stop you, there are a lot less rules than you think.

But above all, remember that while history is full of empires collapsing, and wars, and horrors beyond imagination. The fall of Rome didn't happen overnight, it happened over centuries. But even in the midst of all that, people still made art, and had families, and not only survived, but lived fulfilling lives. I promise that you can and will be able to do that too. The sun will continue to shine, the grass will continue to grow, and the Earth will keep on spinning.

[ghostsandmermaids]

Fandom Manifesto: Hello From The Hallowoods

(Originally written for the Fandomanifesto community on Pillowfort.)

Here's a (mostly spoiler-free) fandom manifesto for my favorite podcast, Hello From The Hallowoods. (Please try to keep the comments on this post spoiler-free as well.)

What is a fandom manifesto?

Inspired by ship manifestos, a fandom manifesto is an essay meant to introduce people to a fandom and promote it by explaining its appeal. It's a really fun tradition that I would love to keep going.

What is Hello From The Hallowoods?

Darker than your dreams, and farther North than you remember, there is a forest where life and death meet…

Hello From The Hallowoods is a queer horror podcast written and produced by William A. Wellman (they/them). This is the official description (taken from Spotify):

Come walk between the black pines! In this award-winning queer fiction podcast, a cosmic narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.

It's set in a forest in northern Canada (the Hallowoods) in a post-apocalyptic world plagued by the black rains. The story follows the inhabitants of the Hallowoods—only some of whom are alive and human—as their lives become increasingly interconnected. 

The podcast is narrated by Nikignik (he/they), also known as One Hundred Eyes in the Dark, an eldritch god who speaks directly to the listener via their nightmares. He begins to tell these stories because he's grieving his partner, another god called Marolmar (he/him), and humans were the last thing Marolmar created. Over time, Nikignik changes from a more passive narrator to an active character in the story.

There are a lot of characters, including but not limited to:

a nonbinary Frankenstein's creature piercing together their identity

a trans ghost dealing with his occultist father

an invisible man finding love at first sight

a genderfluid storm witch trying to prove themself

a retired rockstar and her punk butch lesbian daughter

a floral-suit-wearing demon on a celestial audit of earth

a starwolf on a mission to kill said demon

a killer robot skull and his pet dead seagull

an unkindness of ravens (yes, they are one character)

… and many, many more.

How scary is it?

It's a horror podcast, so there are some scary moments, but for me, the story feels very comforting and bittersweet as it explores horror tropes in a really unique way. According to the website:

It's been described as a show that helps you sleep easier, rather than one that keeps you up at night.

The story also explores themes like religious trauma, isolation, death, grief, and queerphobia, so please check the content warnings at the end of each episode description or at the start of each episode transcript. Transcripts are available on the website.

Why should I listen to it?

If the description above didn't convince you, here are some more reasons why you should listen to Hello From The Hallowoods. 

There is so much content! I often complain about books being almost always standalones or duologies lately and TV seasons only being 8-10 episodes. If I really like something, I want to spend as much time with it as possible!

With HFTH, I don't have that problem because there is so much to listen to! There are currently (almost) 150 episodes available (plus a few live shows and bonus episodes), and new episodes come out every Wednesday. There are also weekly 100-word bonus stories on Patreon, and a tie-in novel called One Hundred Eyes In The Dark is currently in the works, so if you're looking for a story you can get really invested in (or if you're angry that all your favorite shows have been canceled), HFTH is perfect for you!

There are so many queer characters, disabled characters, and characters of color! If you're looking for a really diverse show, you will love HFTH. (I cried when I heard a character describe herself as aromantic.) But even aside from the diversity, the characters are just amazing. I mean, "What if Frankenstein's creature got love and support and was an absolute cinnamon roll?" is the perfect character concept. The villains are also really compelling and well-written. 

It's a great introduction to podcasts, especially for book lovers, because it often feels like a very immersive audiobook! The voice acting and music are incredible, and even though there are a lot of characters, you can tell them apart very easily by their voices. If you like fantasy and horror books, this could be your introduction to the world of audio dramas. 

That being said, if you have listened to other horror podcasts before, you will still love this one! It sometimes reminds me of Welcome To Night Vale, but the setting and characters are very unique, and the writing is so, so beautiful. 

It's also a great introduction to horror! I used to avoid horror media because I get scared very easily, but horror podcasts (and especially Hello From The Hallowoods) made me discover how much I actually enjoy horror. HFTH explores horror tropes in such a kind, unique, and hopeful way, and as sappy as that sounds, listening to it makes the horrors of everyday life a little easier to deal with. 

If you like Malevolent (another really great horror podcast), Harlan Guthrie has a guest role in HFTH! You might also recognize Mx. Wellman's voice from other podcasts like WOE.BEGONE, The Silt Verses or Old Gods of Appalachia. 

The fandom is amazing! Everyone is so kind and talented, and we always have a lot of fun theorizing about what will happen next. There's even a fan-run Discord server!

We also have a fan wiki, and in addition to the official information, we also have a "fun gender" for each character. Here are some of my favorites:

Tumblr Sexyman (Official)

Eye-Affiliated Podcast Host

Deer that will fuck you up

Whatever the hell was going on with the guy from Shape Of Water

Nightmare Personality

Hot Topic Goth

Dilf Automobile

How do I listen to it?

You can listen to Hello From The Hallowoods on the podcatcher of your choice. Here are some suggestions from the Hallowoods website:

Spotify

Apple Podcasts

Podbean

YouTube

Google Podcasts

It's not an anthology, so please listen to it from the beginning to see how the different characters and plot threads come together. 

The show is entirely ad-free and sponsor-free, so if you like it and want to financially support it, please consider joining the show’s Patreon.

And that's it! There are many things I didn't include for spoiler reasons, but this should give you a basic idea of what HFTH is about and why I love it so much. 

I hope I convinced you to listen to Hello From The Hallowoods, and maybe you will love it as much as I do!