#like its a phase people grow out of

[unorganisedalienrubbish]

I love that genderless fashion is becoming more mainstream and more widely available, but i'd also love if i could find genderless clothes that fit me. not every genderqueer nonbinary bitch is 5'6 and weighs 10 stone soaking wet. Theres nothing wrong with being short or lightweight, but im sick of clothing companies only making 'genderless' clothing for small(/childish) bodies. I have the build of what can only be described as 'the way Michelangelo paints women'. I'm not going to fit into a flimsy crop no matter how 'masculine' the cut is. Also (im not done yet), there are fat genderqueer people, (and because i'm afab this affects me) fat people are usually hung in the tit department, so a single layer of spandex isn't going to do jack shit for my rack or the accompanying dysphoria.

i'm just fed up man, i spent a lot of money on some cool masc bra/crop things and i always check to see if there are any plus size models, but in the genderless section there never are. not all nonbinary/genderqueer people are twinks/twink-adjacent

[rpmemes-galore]

the idea of anon hate is so funny to me, like   “ i’m a stranger on the internet, who’s too chicken to even attach my face to these words, and what i say isn’t going to affect any other facet of your life aside from this specific blog on this specific website.... but here’s all the reasons why you’re terrible and you need to listen to me bc i’m an entitled little dipshit who thinks the world revolves around me and everyone needs to cater to my whims all the time, always”   like lmfao.  touch grass, plz

[talkorsomething]

want to cut my hair again like you wouldn't believe. What are the possible consequences of going bald

[mayhem-moth]

Oh cmon it fucked up my tags -_-. I guess ill copy paste it here then:

Also I think its kinda dumb to police others identities. If someones a cat then someones a cat therians are a thing and they are valid. Existence is complicated and every creature has different experiences and ways of being completely unique to one another. What right do I have to tell another being that their unique way of being isn't valid just because I don't understand it personally.

I identitfy my gender ways that won't make sense to a lot of people. But it makes sense to me and thats what matters. If someones a robot, if someones an otherworldly being, then thats what they are. I don't like the way these people think because its filered through a world view entrenched in bigotry and it takes away everyones right to be free in what they are.

For me its not "oh its just a phase people grow out of that is for young kids“ its ”okay big deal? Does someone identifying as a cat really hurt anyone? Or does you and your ACTUAL agenda hurt people? Yknow the one that makes people like me and the people i love unsafe? The one that ties back to so many other forms of bigotry such as white supremacy? Intersexism? Did you think about how the things your saying makes others unsafe?"

"ohh what if my kid starts identifying as a CAT because of the trans agenda we have to prote—" well they've always done that. do you remember the psychological effects of h2o on young girls. of warrior cats on autistic children. i believed i was a demigod because of percy jackson. twilight came out and kids were telling their friends they were secretly vampires. this is just a thing kids do. worry less

[hollow-vok]

Ohh im obssesed

[toomanysubcultures]

i miss the bunny hat alt kids and i hate trendhoppers sm

[essercipertuttienonperse]

I never know what to say when people ask me why I don't like clubbing/partying like. it's just not an enjoyable activity per se lmao which is proven by the fact that everyone needs to be intoxicated to enjoy it 😭😭

[demareth]

i play this dress up game ap and sometimes i see ppl in the chat man hating and it makes me so so uncomfy

"if youre not the problem the jokes wont bother you" you do not know who is on the other side of the screen, what theyre going through, or how your "jokes" could genuinely hurt them

sorry since realizing my gender i have zero tolerance for the whole “man hating” angle of being queer i hate i hate it i hate you. stop. you are hurting people.

[labs]

Communities closed beta is here

Hello again! We’re back with an update on Communities, a big idea we had last year that we’ve been working on steadily since then. We’re abnormally jazzed to announce that we’re beginning a “closed beta” phase of this new feature, which means many of you will get to play with it soon!

We want to build this whole thing together, with as much input from all of you as possible. We’ve read and re-read the feedback from our previous post, and we’ve been surveying and interviewing people about this idea for a few months now. But it’s time to open this up even more for hands-on testing.

We’ve already begun reaching out to most of you who interacted with our previous post, as promised, with a survey asking whether you’d be interested in helping (check your email!). Over the next couple of weeks, we’ll be using the results of that survey to narrow down who we’d like to help test Communities in these initial batches.

The process is looking a bit like this:

If you received a Communities survey email to your registered Tumblr email address, fill it out! If you’re interested in helping us in this beta test period, that’s your way of potentially getting early access. If you did not receive an email with the Communities survey, don’t fret! Communities will be rolling out to more people as we expand our testing. 

We’ll go through the results and choose a diverse range of community ideas to gather a wide array of feedback.

Selected testers will receive a second survey with more detailed questions about their proposed community. Very practical stuff, like the name, title, and description, whether it should be public or private, the About page contents, its own community guidelines, and more.

We will create the new Tumblr community on your behalf using the information supplied. We’re building the tools that will let people create and edit communities themselves, so eventually you’ll be able to change them without needing our help. But for now, we’re creating and editing them for you, as needed.

After we’ve created the community, you’ll be made its first admin. Everything from here on out is up to you – Tumblr staff won’t be in your community (unless you invite us, of course). You’ll be able to invite anyone on Tumblr to your community. However, your community will have a population cap to start, limiting how many people can be in it and invited, as a way of keeping this beta test somewhat contained and manageable for us. We’ll be able to raise that population cap for communities that are growing and if we want to test further in that direction.

And throughout, we’ll be asking for feedback, both in some special communities for everyone in the closed beta, and via more surveys and the Support tickets we receive.

This closed beta version of Communities is far from finished, and that’s part of the reason we want to start opening it up to more of you for feedback. There are a lot of rough edges and known issues, but we think it’s far enough along that it’s usable enough for testing. We need feedback in order to feel like we’re building the right thing.

The very first public community is called “Communities Feedback” for this reason! We want everyone helping us test out communities to tell us about it, so people in this closed beta will be in there by default. We want to use that space to be more public and real-time about new pieces we’re building, bugs we’re fixing, things we know are broken, and answers to common questions. There is an additional, private community for community admins, to help shape how administrating and moderating these spaces will work. And if you don’t want to use those spaces, you can always use the “Feedback” category in our Support form.

Stay tuned for more, and keep an eye on that Communities Feedback space if you’d like to see how things are changing over time.

[plutosunshine]

The ruler of your Ascendant — and its house

Understanding the house in which your Ascendant ruler (also known as the chart ruler) resides is a deeply personal journey in astrology. It provides intimate insight into the core themes that shape your life path, personality, and approach to the world. The Ascendant represents your outward identity, how you present yourself, and how others perceive you. Its ruling planet acts as a personal guide, and its placement in a specific house highlights the life areas where you are naturally drawn and likely to encounter significant experiences. This knowledge fosters a deeper connection to your own life story and experiences.

Identify Your Ascendant: First, determine your Ascendant sign by calculating your birth chart. The Ascendant is the sign on the cusp of the 1st house.

   

Find the Ruling Planet of Your Ascendant:

   - Aries Ascendant: Mars

   - Taurus/Libra Ascendant: Venus

   - Gemini/Virgo Ascendant: Mercury

   - Cancer Ascendant: Moon

   - Leo Ascendant: Sun

   - Scorpio Ascendant: Pluto (modern) or Mars (traditional)

   - Sagittarius Ascendant: Jupiter

   - Capricorn Ascendant: Saturn

   - Aquarius Ascendant: Uranus (modern) or Saturn (traditional)

   - Pisces Ascendant: Neptune (modern) or Jupiter (traditional)

The ruler of your Ascendant is in the 1st house

This placement makes your identity, self-expression, and personal impact on the world the center of your life. The 1st house is the house of the self, so having your chart ruler here means you're strongly connected to who you are and how you present yourself to others. It's like your core energy radiates through your personality, making you a powerful force in shaping your life path.

People can't help but notice you. Whether you're naturally confident or working on building that self-assurance, your presence is hard to ignore. You're likely to take the initiative in life, often driven to carve out your own path rather than following others.

With the Ascendant ruler in the 1st house, personal independence is not just important, it's a defining feature of your character. You possess a strong sense of what you want and are driven to achieve it, even if it means going against the norm. This placement is all about you taking charge of your destiny.

You're wired to express yourself authentically. There's a deep drive to figure out who you are and ensure your outer life reflects your inner truth. You're not one to fake it—being authentic is what matters most to you.

This placement also means that your self-development is not just a passing phase but a lifelong focus. You're constantly evolving, and the challenges that push you to grow often revolve around how you perceive yourself and how others perceive you. Personal improvement might feel like a never-ending project, but this continuous growth keeps you moving forward.

This placement makes you magnetic, driven, and authentic, giving you the natural power to shape your own world. It's a direct alignment between who you are inside and what you project to the outside world!

The ruler of your Ascendant is in the 2nd house

You likely crave financial stability and material comfort. It's not just about money, though—it's about feeling secure and grounded in your life. This desire for financial stability is a reflection of your need for security and is completely understandable.

This placement makes you very attuned to your own value. You might tie your self-worth to how well you can support yourself or what you achieve in the material world. Learning to balance self-worth with what you have versus who you are is a key lesson for you.

Whether it's building wealth, a home, or even skills, you thrive on creating something lasting.

Your sense of self is deeply connected to what you personally find valuable, whether that's relationships, possessions, or even spiritual beliefs. These values guide your decisions and validate your alignment with your true self.

This placement drives you to create a life where you feel secure, self-sufficient, and aligned with what you truly value. You're not just looking for material wealth—you're building a life that reflects your deepest sense of self-worth and stability!

The ruler of your Ascendant is in the 3rd house

You’re someone who’s always asking questions, always wanting to know more. Your mind is sharp, and you probably dive into new topics, pick up different skills, or constantly seek intellectual stimulation. You’re naturally curious about the world, and this curiosity shapes your sense of self.

Whether it’s through writing, speaking, or teaching, expressing yourself is key. You likely feel at home when sharing your thoughts or bouncing ideas off others. Your voice matters, and you probably thrive when you can interact with others, exchange ideas, or stay in the know.

You might have strong ties to your local environment, like your neighborhood or community. Siblings, cousins, or close-knit social circles often play an important role in your life. Your relationships are likely a constant source of learning and growth for you.

With your chart ruler here, learning doesn’t stop. Whether through formal education or self-taught experiences, you never stop growing mentally. Engaging with new ideas keeps you feeling vibrant and connected to your identity.

The ruler of your Ascendant is in the 4th house

You're someone who finds a lot of meaning in your home environment. Whether creating a cozy space or being surrounded by loved ones, having a secure and nurturing home life is essential for your emotional well-being. You're likely someone who values privacy and needs time in your sanctuary to recharge.

Your family, especially your roots and ancestry, plays a big role in shaping your identity. You might feel a strong connection to your heritage or have a deep sense of responsibility toward your family. Exploring your family history or finding your place within the family dynamic can be a major part of your personal growth.

Beyond the physical home, emotional security is a huge focus for you. You might spend a lot of time reflecting on your inner self, working through emotional patterns that go way back to your childhood. Establishing a strong emotional foundation helps you feel grounded in who you are.

With this placement, you likely have a natural instinct to care for others. Whether you're nurturing family members, friends, or even your own inner child, creating a supportive and loving environment around you is part of your life's work.

The ruler of your Ascendant is in the 5th house

You're naturally drawn to creative pursuits, whether that's through art, music, writing, or any activity that lets you express your unique self. Creativity is not just a hobby for you; it's a core part of who you are. You feel most alive when you're putting your own personal stamp on something.

Having fun and doing things that make you happy isn't just a nice thing to have; it's really important for your overall well-being. You enjoy experiencing happiness in many different ways, whether it's through hobbies, having fun, or appreciating the little things in life. You know how to let loose and embrace the moment, which makes you magnetic to others.

When it comes to love, you approach it with passion and excitement. Romance, flirting, and playful connection are likely a big part of your life. You might also find that your relationships bring out the best in your self-expression, making love a key theme in your personal growth.

This placement makes you a natural at bringing fun, creativity, and love into the world. You're at your best when you enjoy life, follow your passions, and share your vibrant energy with others. Letting your creative and playful side lead the way is what truly makes you shine!

The ruler of your Ascendant is in the 6th house

Whether it's in your work, health, or personal habits, you're someone who thrives on getting things done. You might be the type who enjoys checking off tasks, organizing your day, and feeling productive. There's a profound sense of accomplishment in being efficient and dependable, and your efforts are truly commendable.

You likely find immense joy and satisfaction in helping others, whether that's through your job, taking care of loved ones, or simply being the go-to person when someone needs support. A natural part of you enjoys being of service and making life easier for those around you, and your altruistic nature is truly appreciated.

This placement often brings attention to your health and daily habits. You might be very conscious of how you take care of your body, mind, and spirit. Maintaining your well-being, whether through exercise, nutrition, or mental health routines, is a key part of feeling grounded and balanced.

The 6th house is also about self-improvement, so you always look for ways to grow. Whether picking up new skills at work, refining your routines, or focusing on personal development, you're motivated to keep evolving.

The ruler of your Ascendant is in the 7th house

Partnerships play a big role in your life. You're likely someone who thrives in close relationships, whether it's a romantic partner, best friend, or business collaborator. You feel more complete when you're sharing your life with someone else.

A big part of your life is about finding a balance between yourself and others. You're probably someone who likes harmony in your relationships and may go out of your way to ensure things are running smoothly between you and the people close to you.

You're drawn to people who mirror qualities you want to develop in yourself. Whether consciously or not, you tend to attract partners who help you grow; through these relationships, you learn a lot about who you are.

Working with others or being part of a team probably feels natural. You're not someone who likes to do things completely on your own—there's strength and fulfillment in knowing you have a partner by your side, whether in work or life.

You're likely good at reading people and understanding their needs. You can easily put yourself in someone else's shoes, which makes you a supportive and thoughtful partner.

The ruler of your Ascendant is in the 8th house

You don't like surface-level stuff. You crave depth, whether in relationships, conversations, or even understanding yourself. You probably want to dig into the "why" of everything, looking beyond what's obvious.

Change and growth are recurring themes in your life. You might undergo major transformations, either in how you see yourself or your life circumstances. You know how to rise from challenges stronger than before, almost like a phoenix.

Whether it's psychology, the mysteries of life, or even finances (like investments or shared resources), you're attracted to topics that others might shy away from. You have a natural curiosity for things that are hidden or misunderstood.

With your Ascendant ruler in the 8th, you might find that part of your life journey is learning to regain your power. Whether it's through overcoming personal challenges or helping others do the same, you're someone who seeks to understand power dynamics and work through them.

The ruler of your Ascendant is in the 9th house

Whether traveling to new places or exploring different ideas and cultures, you have a hunger for adventure. You thrive when you learn something new or experience life from a fresh perspective, and you're probably always thinking about your next big trip or goal.

You're not just interested in the day-to-day details—you want to understand the bigger picture. Whether through philosophy, spirituality or even just pondering the meaning of life, you're driven by a desire to understand the "why" behind everything.

Education, whether in school or through independent learning, is really important in your life. You enjoy learning about new things, and you might like helping others learn, too. Lifelong learning is your jam.

You're likely open to different cultures, ideas, and beliefs. You see value in diversity and are always looking to broaden your perspective. You're curious about what's out there and aren't afraid to challenge your own views.

You have a strong desire to find meaning and purpose in everything you do. Whether through your career, personal growth, or spiritual journey, you constantly seek something that brings direction and fulfillment to your life.

The ruler of your Ascendant is in the 10th house

You’ve got big goals and dreams and are not afraid to chase them. Whether climbing the career ladder or building a reputation, you have a strong drive to succeed and be recognized for your efforts.

Work and your professional life play a big part in your identity. You’re likely someone who puts a lot of energy into your career, and you probably feel most fulfilled when you’re making progress and reaching your goals.

How others see you, especially in a professional or public setting, matters to you. You’re likely very mindful of the image you project and want to be known for your accomplishments and integrity.

You’re not just thinking about short-term wins. You have an eye on the bigger picture, always thinking about how your actions today will impact your future. Building something that lasts—a career, a business, or a personal legacy—is important to you.

The ruler of your Ascendant is in the 11th house

Friendships and connections play a huge role in your life. You’re likely someone who loves being part of a community or network of like-minded people. Whether through social groups, clubs, or online communities, you’re energized by sharing ideas and experiences with others.

You’re not just thinking about personal success—you’re focused on long-term goals and the future. You probably have big ideas about how you want to contribute to the world or make an impact, and you’re always looking ahead, planning for what’s next.

Collaboration is your jam. You’re great at working with others toward a common goal, whether a cause, a project, or even shared fun. You understand that teamwork makes the dream work, and you’re likely the one who brings people together.

This placement is not just about what you can do for yourself but also about how you can be part of something larger. Causes, humanitarian efforts, or even just supporting friends in their dreams are important to you. You’re motivated by making a positive difference.

The 11th house is linked to innovation and new ideas, so you might be someone who’s into technology, progressive thinking, or just thinking outside the box. You enjoy exploring new concepts and staying ahead of the curve.

The ruler of your Ascendant is in the 12th house

You spend a lot of time in your head reflecting on life, your emotions, and the deeper meaning behind things. You’re probably more comfortable with your thoughts and feelings than most people and might need a lot of alone time to recharge.

Whether it’s spirituality, intuition, or just an interest in what’s hidden beneath the surface, you’re drawn to the mysterious side of life. You might be naturally intuitive, with a strong sense of things that aren’t immediately obvious to others.

You likely prefer keeping parts of yourself private, not necessarily because you’re secretive, but because you value your personal space.

This placement often suggests a path of personal healing and growth. You might go through deep transformations throughout your life, learning a lot about yourself by facing fears, letting go, or dealing with the past.

[teastyun]

༻ pound town

arcane sevika x female reader (nsfw)

a/n: i'm going to war (exam phase is about to start), therefore i must make haste (my hiatus starts again). also, i got a new job so i'm not sure when my hiatus will end :(

pt. 1 ; masterlist

grabbing the broom from the back of your mechanics shop, you start you usual closing routine as the streets of Zaun more active as the day ends. growing up in Zaun, you appreciate the livelihood of the people, but grew wary of the criminality rising abruptly at the end of each day. enforcers started to patrol the quiet streets of Zaun and hang up missing posters of Jinx, who you've been visited by for several occasions over the last few months for tech equipment she required. you grew fond of the girl and would occasionally even slip a few extra pieces, and she would thank you proudly by telling you about her latest new technological improvements.

one time, she told you about a prosthesis as her newest invention. Sevika immediately came to your mind and the way she held your cheek the last and first time you saw her. or the way her bionic arm held your hips so strongly as you rode her strap. shit, you really are down bad for this woman who doesn't even know your name.

as several months gone by since then, you managed to gather your savings and invest it into your shop for new techs and products to sell. you were finally able to call your shop your full time job and scrap your shifts at the brothel completely. Sevika didn't only save your shop, but she saved you from drowning in exhaustion as the only thing you ever did was work day and night.

you hoped to see her again, but your hope was slowly scarped as each month passed by.

after sweeping the last corner of your shop, you only had to rearrange your products before you could finally leave to go home. as you tidied the screws collection, the door to your shop opened audibly by your crystals dangling from the person entering.

"we're closed-" you start, but stop as you see the person at the entrance.

there she was, standing in her usual cloak and a hood that hid her face, but you recognised her nonetheless. she took her hood off with a smile as she looked at you. "good to see you again."

suddenly, you felt naked again. although she knew your identity (prolly even the whole time), the mask would hide your facial expressions and reactions. now, you are standing there with a shocked impression written on your face, unsure of how to react to the person that is the reason for your shop to still be alive.

"i see you created something out of this shop since the last time I've seen you," she speaks with a soft smile on her lips as she takes a look around in your shop. "thank you. you were actually a huge help last time we've seen each other," you respond, your hands linked together behind your back as you turn to look around your shop.

honestly, your shop is quite shady from outside with its half-broken broken neon sign spelling the name mechs n' treasures. but once you enter, you quickly realise that it's a one man's business by it's intricate appearance. it has so much personality now that you have as much time as you'd like to spent in it, decorating it with your favourite things you've collected over the years that weren't too precious to be displayed in your small flat above your shop. a few colourful crystals dangle around your entrance and the door to your flat, reflecting the neon lights from the streets of Zaun onto the mechanic pieces you sell. tidiness is your top priority, since it's hard to keep such an old shop neat and clean. you love your old and shady, but precious personal shop and wouldn't wish it to be any different. business seemed to be booming recently, too. you had no idea why, but Zaun is a quick and fast learning city with its advantages and disadvantages, resulting in people visiting your shop to buy the pieces they require for their newest project.

now, Sevika is standing in the centre of your shop, taking one of the mechanical pieces into her hands and looking at it in detail.

"can i help you with something?" you ask, looking at her with curiosity. after she puts the mechanic piece back into its tray, she says "I was hoping you could me out with this."

she reveals her bionic arm, where you see the its shimmer capsules completely shattered. surprised, you walk towards her and take her bionic arm into her hand to have a closer look. you inhale her smoky scent and suddenly were confronted with a vivid memory of the first night you guys met at the brothel, as you sat in her lap writhing under her touch. focus. you twisted a few pieces to inspect the reachability of the broken capsules. "I assume you won't be able to take it off?" you ask her, your eyes still fixed on an odd piece you've found.

she shakes her head, "it would be a hazard trying to put it on afterwards. do you think you'll still manage to repair, though?"

after twisting the last few pieces for inspection, you leave her arm. "shouldn't be no issue," you take a look at your wristwatch and notice how late it already is. a few extra minutes won't hurt, you decide.

you nod towards the counter, "take a seat, i'll be right with you."

entering the back of your shop and take a big breath. fuck, this intimidating woman still effects you after several months. at this point, you were sure you even forgot about her.

you grab your toolbox and head to Sevika, who is waiting for you behind your counter on a chair. her cloak is thrown over your register's desk, revealing a similar outfit you saw at the brothel. only now you realise how muscular this woman actually is. her arm is almost fully exposed by her sleeveless top and a choker around her neck makes you shake off your dirty thoughts.

you place the toolbox on the counter before you take a seat next to it. Sevika watches every move of yours, making you even more nervous than you already are.

grabbing your first tool, you lay her arm in you lap and start unscrewing the plates that cover the isolation of the shimmer capsules. her arm felt heavy, but oddly warm in your lap for the fact that it's broken. you remember how the same arm pinned you down on her strap a few months ago.

your brain is almost about to malfunction if Sevika wouldn't have interrupted your thoughts, "so, how is your shop going?" she asks as she leans the side of her upper body on the counter. when you look down at her, she's only mere centimetres away from your face. her grey eyes digging into yours. your pussy clenches as your breathing stops at the sight of her. you quickly look away and focus on her arm again. "it's going well," you start and grab for another tool to remove the shattered pipes. "sometimes it's exhausting to handle a shop alone, but you get used to it, you know."

her eyes follow your movements on her arm while she hums as an indication for you to continue. "once, a dude i recognised from the brothel came to pick up a few things and i couldn't help but wonder what his day job is. he was a sex worker as well, so he probably even recognised me," you tell her. it's unusual for you to share thoughts and memories of your old job. you weren't ashamed of it, but you much happier spending your time in your own shop and not thinking back to your old routine.

she shifts in her seat to look up at you, "i'm glad you were able to escape that shit hole, beautiful," she says quietly, careful of the words she chooses, "do you still remember that night?"

your movements halt immediately at her questions and you felt her eyes laying heavily on you, watching every single movement. the way you took a deep breath, trying not to appear nervous around her. the mere thought of that night made you feel butterflies in your stomach and wetness in your core.

"i do," you confess. without meeting her eyes, you continue your maintenance on her bionic arm in your lap, trying to suppress the urge of jumping into her lap and kissing her senseless. "do you?" you ask in almost a whisper, unsure if you even wanted to know the answer.

when she didn't, your eyes travelled to hers in question. she seemed to be in deep thoughts as well before she asked "how couldn't i?"

her eyes finally meet yours and you recognise such sincerity and trust in them, you couldn't help the soft smile that sneaks onto your lips.

"you were the only thing on my mind in this cruel world," she continues, making you feel several things at once. "and i don't even know your name."

you chuckled and referred your eyes back to your almost finished work, concentrating on exchanging the pipes.

"so, you're not even going to tell me?" she asks amused.

"what, my name?" you act oblivious, knowing exactly what she wanted. now it was her turn to chuckle at your teasing. "you can be a pain in the ass, you know that?"

you shake your head in disbelief with a smile on your lips as you screw on the last iron plate on her arm.

"move it," you command and she obliges. she moves her joints, making the shimmer that was left in her tank fuel her new pipe, while moving it a few more times in several directions. you've never seen machinery working with shimmer so closely. you wonder how the metal felt like against your skin.

ripping you out of your trance, she stands up. right in front you, almost between your legs, which you desperately wanted to close at the sight as you felt your pussy clench.

"thank you," she looks at you, her eyes wandering from your neck down to the rest of your body. it's like she can't help herself, checking you out as you sit on her cloak next to your work instruments.

"you even look beautiful in your casual attire," she whispers as her eyes meet yours again.

"so," you wrap your index finger through her choker, "how about taking it off and see what's hidden underneath?" you cock your head before you pull her closer. your legs are opened by her thighs between them as she looks down at you, clearly surprised by your boldness. "i don't fuck nameless girls," she says in an equal tone to her low chuckle.

you take a quick look at her lips, wondering what they would feel like on yours. "didn't seem so last time we've seen each other."

your finger is still wrapped around her chocker as you grin. she didn't answer. she knows you're messing with her.

she places her arms on each of your sides, the sounds of her bionic arm moving leaving a shudder throughout your body. she's dangerously close.

"if i remember correctly, last time you've fucked yourself, princess."

shocked by her comment, your grin fades as you suddenly remember how you rode her in that brothel, eagerly chasing your orgasm as she guided you through it.

you let go of her choker and rest your hand at the back of her neck instead, caressing the soft strands of brunette hair as you try to maintain yourself.

"y/n," you whisper. Sevika's eyes widen at first, but a slight grin sets on her lips at the sound of your name.

"beautiful name, princess," she whispers back and you feel her breath on your lips with each sound she speaks.

you close your eyes as you feel her full lips grazing yours. "y/n," she whispers repeatedly. her lips finally touch yours, first cautiously but confident after a few seconds of lingering. you copy her motions and gasp when her tongue grazes your lower lip.

pressing her more firmly against yourself, you part your lips for her tongue to enter. she faintly tastes like cigarettes, but more of a harsh liquor you can't really pinpoint. your arms cling desperately around her neck, feeling her torso pressed around yours in your heated kiss. you lock her against your core with your legs around her hips, moaning as she leaves your lips to leave kisses on your neck. "you have no idea how often i thought of kissing you," she whispers before she trails down kisses to your exposed shoulder and collarbone, licking the line of it and pressing soft bites against your sweet spots.

instead of responding, you pull her up again and lock your lips together. you press your lower body against her in search of the friction you desperately seek, but with no success. her lips form into a smirk against your lips as she realises what you're seeking.

frustrated, you separate yourself from her and motion for her to step aside, so you could jump of the counter. "i have a bed upstairs," you tell her. Sevika stands there confused, but god does she look hot. her lips are glazed from your spit and her hair looks slightly tousled from your hand that clung to it.

she doesn't let you move, though. instead, her hands are pressed firmly on your side as she still stand between your legs. "i thought that might be more comfortable..." you say, unsure of the current situation. she shifts in her stance to let you stand up.

"fuck, yes. i mean, yes, let's go upstairs," she chuckles after stumbling over her own words and her bionic arm moves to gesture you to lead the way. you laugh at her sudden awkwardness but go ahead to lock up your shop.

walking up the stairs, you fumble for your home's keys. Sevika followed you closely behind, touching your waist and kissing your neck as you try to unlock the door, a sigh escapes your lips as you try to unlock your door.

as the door closes behind you, she pins you against it. her hand holds your wrist against the door as she kisses you feverishly. her bionic arm slips beneath your ass to lift you up, so you could wrap your legs around her hips. you press your breasts against her, trying to seek for any further touches. "the bed, Sev," you say between kisses, too occupied to actually resist her touch.

she ignores your words and losses her grip on your wrists instead to wander to the buttons of your shirt, never breaking the kiss. "patience, beautiful," she whispers as her lips leave yours to press a kiss on your cheek. "we have all night, right?"

your arms find their way back around her neck, playing with her loose hair. "please," you respond, your eyes making contact with hers. you peck her lips before you say, "i want to touch you, too."

her head falls onto your shoulder as she groans, "you make me loose my composure so easily," before looking back into your eyes with need and desperation "do you realise that?"

you grin at her confession and kiss her hot and wet, moaning into the kiss as she continues to unbutton your shirt until your bra is exposed to her hand. she grazes the outlines with her fingertips, making a shudder run through your body as you gasp. you press your chest into her touch and she gladly responds with cupping your breast while biting your lower lip.

her index finger grazes your puffy nipple through your bra and you can't help the moan that escapes your lips.

she pecks you one last time with a smile, before looking around your small flat, seemingly inspecting your small setup where your bedroom and living room are combined to your cozy grove.

her hand moves to your back, stabilising you in her arms before she finally heads to your bed to lay you down on it, watching you as you lay there with your undone shirt and the few strands that escaped your hairstyle completely wordless.

similar to her, you exhale at the sight in front of you. Sevika is still fully clothed, so you pull her down by her collar to kiss her hard, wrapping your legs around her waist to pull her body on top of you. "take this off," she whispers against your lips, her bionic hand gripping your shirt as her hand sneaks behind your neck to tilt your head for her to suck.

she kisses and bites your sweet spot, disrupting your motion of pulling your shirt off and making your eyes roll back in pleasure. you moan her name in frustration before she finally let's go.

"this too," she tells you as she eyes every little detail on your torso. when you take your bra off, her bionic hand cups your breast. the sharp and cold details of her metallic hand exposed on one of your most sensitive parts of your body leave you breathing hard, moaning as her pointy fingers pinch and twist your nipple. "you have no idea how often i thought of touching them since that night," her eyes are not leaving your chest as she confesses.

"you could've touched them that night," you respond, your hand finding the back of her head as you play with her small ponytail. after hearing your words she looks at you, almost with a shocked expression on her face. "there's no way i would have touched you without your consent," she tells you. surprised by this sudden turn, you move up to rest your weight on your elbows, looking at her in disbelief. "but you payed for that night with me," you state, still confused by what she just said.

she's just as surprised as you, cupping your cheek softly as she spoke, "y/n, i would never do anything to you without your consent. do you know that?" she asks you, her eyes never leaving yours as she spoke. you've never experienced any sex partner expressing their respect to you verbally. and fuck, this is probably the moment you realise you have feelings for this woman in front of you. you nod in response, still overwhelmed from your thoughts and feelings. she smiles at you as she says, "good girl."

your soaking pussy almost purred at that nickname. kissing her quick but softly, you grind your clothed hips against hers as you kiss a trail down her neck to her exposed collarbone.

she exhales heavily at your motions before saying, "tell me what you want, beautiful."

"i want you to fuck me," you respond after hesitating, still nibbling at her collarbone as a soft moan escapes her.

"with this," you continue as you grind stronger onto her clothed cunt than before.

her bionic arm holds herself on the bed as her fingers trace your curves. "with my fingers?" she teases as she opens your trousers with her other hand slowly.

your lips move up to her ear, licking and biting her soft skin. "no," you whisper, "with this."

you press the seam of her jeans with your fingers against her clit, making her grip your hips hard from your sudden touch. "fuck," she mutters in response, clearly trying to compose herself before she continues to fully undress you.

"under one condition," she starts as she takes in your naked body with hungry eyes, "i'll have a taste before i fuck you," she unbuttons her shirt, revealing a dark bandeau bra beneath. she's in a hurry, so she won't bother to take off her unbuttoned shirt, but moves on by removing her jeans as well as underwear in one go.

you try to take a peek at her body, but she immediately kneels between your legs to kiss the soft skin of your thighs, dragging her motions slowly to your soaking pussy as her hands hold you firm beneath her touch. feeling her breath on your clit, you whine from sensitivity, gripping the sheets beneath you as she finally tastes you for the first time.

both of you moan from the touch, your hips stutter beneath her strong hands. she eats you out like a starving woman, humming at the sounds you're making. your clit is circled by her tongue as she softly bites and sucks before your legs start shaking from the pleasure that builds up in your lower belly.

she moves her arm from your thigh to press softly against it, realising how close you are. "come on my tongue," she tells you, intensifying her motions as you come hard. the way you moan her name sounds similar to a scream, your thighs pressing against her head as you throw your head back in pleasure.

she gently guides you through it by licking in decreasing motions, careful of your sensitivity. as your calming down, she kisses your clit one last time before she straightens herself to watch you after your first high.

her lips and chin are glistening from her pussy and strands that were originally framing her face now hang loosely. "you did so well, beautiful," she whispers, climbing on top of you to press kisses into your face. "fuck, you really sent me to another dimension," you confess, laughing a litte at the absurdity. she chuckles at your words, grinning as she examines your face.

"are you still down for another round?" she asks carefully, giving you the space you might need, but you nod as you smile at her. she kisses you before she straightens again to manhandle your legs, placing one on her shoulder as she moves her own over your other to align with your pussy, not starting just yet. she caresses the long on her shoulder as she presses kisses along with it.

she looks absolutely breathtaking while doing it. you feel her pussy kissing yours, and fuck, she's driving you crazy. the unbuttoned shirt exposes the abs you eyed earlier through the tightness of her shirt. her v-line is deeply defined, even more when she starts to slowly grind against you. her pointy bionic fingers suddenly press into your thigh as she gasps from the pleasure she suddenly receives. her grey eyes watch you heavily, making sure you're alright with her pace as she slowly picks it up.

"you feel so good," you whimper as you meet her motions by copying hers, crying from the sensitivity from your earlier orgasm. "fuck- i'm close again."

she grins at your confession, pushing herself harder on your clit as you cry out from the friction. she's mostly quiet, but a gasp escapes her lips anytime you improve your speed.

"come with me, y/n" she leans down, kissing you with so much passion as her eyebrows furrow in pleasure. you moan into the kiss, your breasts moving with each thrust as your nipples graze against the cotton of her bandeau. you felt your orgasm creeping, but you weren't ready for the intensity it comes with. you cry out against her lips, holding her against you as you feel her groaning from her own orgasm. both your hips stutter in your motions before you stop to look at her.

her head rests in the nape of your neck and the only thing you feel is her hot breath against your skin. as you untangle your legs, you kiss on the side of her head. "are you alright?" you ask after several seconds of silence.

she vaguely nods, still maintaining her breath before she answers "you have no idea what you're doing to me."

you smile as you caress her hair through your fingers. "i'd love to figure it out in the future," you continue, making space between your faces so you could look at her as you speak. "this idea you've just mentioned," you clarify as she looks at you speechless.

she kisses you passionately after a few seconds, smiling as she realises what you were suggesting.

"let me take you to dinner after your shift tomorrow?" she asks as her thumb trails your cheekbone. you nod, kissing her on the cheeks before you answer "gladly."

you both fall asleep, and sooner or later date nights with Sevika become your favourite traditions as you two engage in a passionate, but intimate relationship with each other.

tags: @sevsbaby @womenathleteshaveme @macaroni676

masterlist

[robotpussy]

love it when people say "well i think even if you were racist i think its a win that you were racist only for a while and we should all give people like this grace regardless of the trauma and hurt and pain they may have caused during that "phase" even though most people do not have phases where they are violent racists and the groups these people affect during these "phases" have to forgive them because at least they aren't racist anymore!"

"#idk i think everyone should be allowed to have room to grow

#if it was just a phase i'd say that's a win

#you cant always control your environment or how you were grown up

#but if you've changed i'd say thats a slay"

um.................

[ghelgheli]

i would actually like to hear more of your thoughts on whipping girl, whenever you feel ready enough to talk about it. i've only ever heard positive recommendations for it. i was thinking of reading it. i've read one or two introductory 101 texts on transmisogyny as well as some medium/substack posts, and always looking to read more as a tme person. ty!

thanks for asking! I'm gonna try to be concise because I'm stuck on my phone for the month, but here are my thoughts on whipping girl:

serano is at her strongest in the book in three areas: manifestations of transmisogyny in media (e.g. how trans caricatures pervade movies), the history of medical institutions developing a pathology of transsexuality (like the diagnostics of blanchard et al. or how trans people seeking healthcare were and continue to be forced into acting out prescribed expressions and manufacturing memories), and the construction of her own transition narrative (telling the reader what it was like for her to grow up desiring femininity in a way that confused her, the experience of crossdressing, the effects of hrt for her)

whenever she's just sticking to this, I think she effectively communicates a lot that the unaware reader could benefit from—even many trans women/transfems/tma people who are otherwise in tune with the history of medicalized transsexualism and our popular depictions could probably benefit from her own personal narrative, by nature of how variegated our experiences can be.

unfortunately I think the book fails at its primary—stated—goal, which is to theorize about transmisogyny. in the big picture this is a bifurcated failure:

on one branch of her argument, she remains committed to there being something biologically essential/innate about gender. this manifests thru multiple claims: that we have "innate inclinations" toward masculinity/femininity and "subconscious sex" rather than what I believe, which is that the latter are constructed categories imposed on different matrices of behaviour/expression/desire in different cultural contexts; that there is "definitely a biological component to gender" (close paraphrase) after a discussion of how she believes E and T tend to affect people (thus equivocating gender with dominant hormones!); that we have such a thing as "physical sex" which is the composition of our culturally decided "sex characteristics" (don't ask me how the dividing line is drawn) even as she says we should stop using "biological sex" as a term; that there is "no harm" in agreeing that "sex" is largely bimodal with some exceptions; that social constructionism is necessarily erasure of transsexual experiences in early childhood... altogether she is unwilling to relinquish arguments about the partial "innateness" of femininity/masculinity and gender. this is at tension with her admission on several occasions that these are neither culturally/geographically nor temporally stable concepts! but that doesn't seem to be a line she can follow thru on.

on another, intertwining branch, she engages in what I think is a deep and widespread mistake in the theorizing of transmisogyny: reducing it (mechanistically) to what she calls effemimania* or essentially anti-femininity. it is her stated thesis at the start that masculinity is universally preferred to femininity. she doesn't offer a definition of either term until one of the final chapters, where she defines them as the behaviours and expressions associated with a particular gender. but I think this reduction just misunderstands transmisogyny. it is even in tension with an observation she makes early on, that trans women are often punished for their perceived masculinity! but again, this is a thought she seems unable or unwilling to follow thru with.

my problem with the thesis is that masculinity and femininity do not float free of gender—it is not possible to speak of their valuation in the abstract. anyone who grew up as a masculine cis girl and never "grew out" of that "phase" can attest to the violence wrought upon expressions of masculinity from women. and this applies doubly so to the subjects of transmisogyny! not only are we punished for any perceived bleed-through of masculinity from our supposed "underlying male selves", those of us who are willingly masculine and thriving as mascs are punished for our failure to conform to the rules of the normative womanhood that is imposed on us (just as we are punished for any willing femininity as "false" and predatory upon cis womanhood—observe that transmisogyny is reactive degendering in every case!).

on both branches serano makes only perfunctory remarks about the intersections with race, class, and colonialism. "sex" as such was made to only be accessible to the "civilized", most of all the white european! for a racialized person and particularly a Black person navigating gender the waters are just not the same; the signifiers of sex neither available in the same way, nor granted the same medical legitimacy. what is the "physical sex" of someone who is de-sexed altogether? how can gender have a "biologically innate" component when its expressions between the bourgeoisie and the working class are at total odds with one another? this all goes for the masculine/feminine distinctions as well. what sense is there in the claim that we have innately masculine/feminine inclinations when globally (and transmisogyny has been made global!) what is feminine and masculine can be very nearly mirrored? nor is "masculinity is always considered superior to femininity" innocent of obviating race. transmisogynoir adds yet further degendering thru the coercive masculinization of someone as a Black woman—masculinization as punishment, again!

and as a final point, the account fails to be materialist. there is no attempt to place transmisogyny in its role as an instrument of political economy or, as jules gill-peterson might say, as a tool of statecraft. it is just a psychological response to the way the world is, as far as serano has anything to say about it. but how did the world become that way, and why?? serano's solution, the abolition of what she calls gender entitlement, is naive to the fact that gender entitlement is necessary to the maintenance of the capitalist state, which is structured thru patriarchy and built on colonialism. it is not possible to reskin this into something innocuous!

this is why I cannot recommend whipping girl as a work about transmisogyny except at the most shallow level. it could be a helpful critical read, but imo, it is just wrong about transmisogyny.

[hurtspideyparker]

Thinking about restless spirit Tony Stark who just can't move on to the after life.

The first thing he does once he realizes he's an apparition is check on Pepper and Morgan. True to their word, they're okay. He watches them for a bit but feels this deep unrest pulling him away from the quaint home he yearns for.

There's a deep wrongness within him, some unfinished business that draws him back to New York.

He fears for a moment that it's Peter- but no, it can't be him. He'll be in Massachusetts right now, attending MIT as a freshman. There isn't a doubt in Tony's mind that his little genius is already making his mark.

Still, he follows the pull of his spirit to some dingy Queens' apartment he's never been to before.

It's deep in the night yet the apartment is empty. He looks around a bit, his body phasing through anything he attempts to touch.

It's small and dirty. There's old coffee cups on the desk, alongside a couple GED manuals. Great, the universe thinks he has unfinished business with some broke high school dropout.

He's pondering how he must have screwed up this kid's life; was it the Avengers, Stark Industries? Maybe his old playboy lifestyle is finally coming to bite him in the ass.

His contemplation is cut short by the sound of the window cracking open.

It strikes Tony for a moment that maybe he's stuck on Earth to be a guardian angel, Iron Man living on as some invisible protector against whatever creep is sneaking into people's windows. It doesn't make much sense considering the whole non-corporeal thing, but he still stiffens like he's ready for a fight.

He sees a man- no, a thing? A creature maybe, or an alien. Even in death Tony can't escape being one of Earth's mightiest heroes.

The creature is shrouded in darkness, something slick and bald crawling inside the room with terrifying grace and silence. It shuts the window with a soft kssssh as the seal is formed.

And then it pulls off its mask.

There, with the click of a table lamp, glows the face of Peter Parker.

He's definitely older now; sturdier shoulders, a rugged set of his jaw, hair tamed to something semi-professional. Still present, though, are those gentle brown eyes.

Nothing makes sense right now. Why is his kid here, in this apartment? Surely May wouldn't allow this. How many tenant laws does this place break? Where are his little sidekick friends? And on what planet would Peter Parker ever need a GED?

Tony's getting angry now, watching Peter move around the tiny space. He changes out of his costume and into pajamas. That spider suit isn't Tony's suit, it looks like cheap craft store fabric.

The kid opens a small freezer and pulls out the singular bag of peas that reside in there, pressing it against his ribs while he goes to pop some bread into a toaster.

Tony takes note of every glimpse he gains into Peter's life. Empty cabinets when he reaches for a jar of peanut butter. A fridge housing nothing but condiments and energy drinks when he goes to grab jam. A drawer with two spoons, no forks, and a paring knife which he pulls out and sticks into the strawberry jam jar just as the toast pops.

This is all so wrong.

Tony's outrage is coming to a rolling boil. Peter deserves the world- he was gonna give him the world. He couldn't wait to send Peter to MIT and show him off as his protégé. Tony was gonna fund his projects, tease him about pretty girls, maybe even see him step back from Spider-Man and act like a normal college kid. He wanted to see him flourish and grow up. It was all he could think about when Peter turned to dust between his fingers; he should be goofing off with his friends at a mathletes meeting, or building Legos, not fighting an intergalactic war.

Tony couldn't even conceive how much went wrong to end up here.

Alone. Broke. No school. He didn't even have his Stark suit to protect him. Everything that made him him has been stripped, leaving him in this shallow box with scuffed paint and hollow cabinets.

Tony can feel the violent rage burn deep in his spirit as he thinks about it.

This is why he's here. He can't let his boy live like this, wasting his potential to be some villain's punching bag. Where is everyone? Does no one care enough to stop this? The fury that builds in Tony is dangerous, wondering why a dead man is the only one who cares about the teen's life right now.

Without thinking Tony's hand reaches for the GED textbook, a mocking piece of work that laughs in his face, and throws it at the stupid little kitchenette that's mere feet from the bed.

It sails across the room with surprising speed before it's met with a thunk against Peter's palm, hand reaching out to catch it from the air before it collided with the toaster.

Oh.

Peter sets the book down and immediately picks up his web shooters, eyes darting furiously to every corner of the tiny apartment.

"Who's there?"

Tony steps a little closer but Peter's eyes just look right past him.

"C'mon Pete, c'mon. I'm here, I'm right here."

Tony looks for something else to grab. He swats at a hopefully empty coffee cup on the wooden desk, but his hand just passes right through it.

"Shit," the hope Tony felt waivers slightly and he tries again.

Nothing.

Peter is searching his apartment now, making sure the window is secure and feeling around every crevice, bookshelves, under the bed, in the top corners of the room. Searching for something nefarious, tech maybe.

Tony hits the cup, again and again, frustration building up and up and up till-

The cup flies across the room, Tony and Peter's eyes track its movements as it bounces against the ground and rolls to a stop.

"Shit," Peter breathes out.

Tony walks up to Peter now, standing before him.

"Figure it out. Think kid, you've met aliens, gods, magicians, surely ghosts aren't too far fetched."

Peter closes his eyes. His posture straightens, Tony watches him take a deep breath in as the hairs on his bare arms stand on end.

Peter's eyes blink open, and they're looking directly at Tony.

Tony smirks, "that's it."

Peter turns around and picks the cup off the ground, running to his desk with it and ripping a piece of lined paper out of a notebook and scribbling furiously on it.

Tony walks over as Peter places the cup in the center of the paper.

On the left is the word YES in bold print, NO on the right.

"Okay, okay okay. So, move the cup if, if you wanna talk. Um, is there someone in the room right now?"

Tony reaches for the cup, an intense glare as his fingertips graze it gently. It shifts minutely towards the YES.

"Shit! Shit. Sorry, whew. Okay. Are you friendly?"

Tony moves it to YES again.

"Are you a, um. Person? Like not an alien?"

YES.

"Are you wearing tech, invisibility suit or your molecules are uncalibrated or maybe it's a portal thing like, multiverse shit is happening again, a mirror universe! Oh, maybe a..."

Tony let's a frustrated sign. The kid is too practical, logical. He needs to think like a non-genius.

"... could be. Or, or maybe you're just a ghost-"

Tony perks up and immediately swats the cup, causing it to fly off the desk towards the YES.

"Oh. Oh that's... kinda normal. Or maybe really weird? I mean... I certainly have some ghosts in my past."

Peter picks the cup up and puts it back on the desk.

"Do I know you?"

YES.

"You said you were friendly, and I'm not getting any danger tingles from you. I'm gonna start with people I know are dead, cuz I just really hope you're not a... new ghost. Um. M-May?"

The boy's voice cracks on the word and Tony freezes. May is dead? Tony starts to fear that things are a lot more wrong than he previously thought.

Peter's breath catches and Tony realizes he's waiting, dying for an answer, and quickly pokes the cup towards NO.

Peter's shoulders sag.

"Uncle Ben?"

NO.

"T- Mr. Stark?"

Tony grins, "now we're getting somewhere!"

YES.

Tony is going to have his work cut out for him, but being here with Peter just feels right.

Peter breaks out into a matching smile.

"Wow, okay. I think I'm gonna need more paper," he says as the boy gets to work making a more complex system than YES and NO.

Tony watches on proudly, reminiscing about all the great Peter was and all the great he still is, despite his situation. Whatever this is, they'll figure it out.

Together.

[tacagen]

just came back to this and realized i really formulated it vaguely so you cant even say what i actually implied. elaborating: his ASS was CONVICTED after his first fight with barry and 100% on all the news since 'nothing ever happens in this damn time'!! his NAME is DIRECTLY LINKED TO THE REVERSE-FLASH IN THE ARCHIVES RIGHT BEFORE F*NISH L*NE!! NOT MENTIONING HIS 21ST CENTURY HISTORIC ACTIVITY(tho idk how exactly that works considering there are variants where reverse-flash's identity didnt make it to 25th century but there should be SO much documentation in 1 iron heights 2 ccpd+court since there mustve been trials to put him there in the first place 3 flash museum as it already existed in 21st century, using the information from 2 other sources above (which well. above all must be completely digitalized by 4 freakin centuries after. like cmon TF were they up to for that entire time if it didnt include making the info easier to access/find/etc at least once) so i cant see how that could possibly happen except for eo throwin all that shit fuck outta window at some point to keep the mystery for his pre-reverse era but then again he still needs all that info to check his own history and all the changes and it was shown to be in the archives (collected by other people before him) so? man i wish timey wimey actually made at least some sense in at least 1 flash variant. is it really too much to ask.)!! NO WAY THE KNOWLEDGE IS NOT PUBLIC!! EVERYBODY KNOWS!! ESPECIALLY PEOPLE WHO KNEW HIM FROM HIS PRE-SPEEDSTER ERA!! NOT EVEN MENTIONING THE MUSEUM STAFF SOME OF WHICH FALL ON THE PREVIOUS SPECTRUM AS WELL!!!! AND NO ONE CAN DO ANYTHING ABOUT IT CAUSE THE ONLY PRISON CAPABLE OF HOLDING SOMEONE OF HIS SPECTRE OF POWERS AGAINST THEIR WILL WAS BUILT BY HIM FOR PARADOX SINCE APPARENTLY HE IS THE ONLY COMPETENT PERSON OUT THERE and, well. thawne is obvs not stupid enough to include in the design his own cell (btw. does this mean that thawne as a time travelling time altering genius TM could be the one responsible for the complete incompetence and poor anti-meta/speedster equipment of police/gov forces/etc and lack of means of detention around his time so that he can do his silly little museum work and scheming (AND get to be the hero in case some outside force attacks since again no other compenent people and actual means of defence but him//renegades created by him and hunter??) and well. generally existing peacefully without worrying about getting imprisoned here too considering that even 21st century iron heights does, in fact, have the necessary kinds of technologies and use it successfully on meena and august and whoever else (not mentioning it was PERFECTLY CAPABLE to contain thawne himself for some time) because there REALLY is no other fucking explanation on how THOSE of ALL things are lost and forgotten in 25th as well.). the central city of 25th century just has to live with the fact there is this murderous speedster that still works a normal job, can do pretty much anything with the city and time itself (but actually usually doesnt because hes hyperfixated and busy running his precious museum but yk threat is still there.) and no one can stop him from it and with being fully aware of it all. also if it wasnt enough at least PART if not majority of 25th century public actually thinks he IS a hero after the paradox's defeat. the internet arguments about him must be unmatched. also i think he (and his museum tours especially) is an obscure tourist attraction now. like cc's people at this point be like look at our local little deranged squeak squeak from the flash museum that basically owns the city and can do whatever he wants and also dies an unreasonable amount of times regularly. his appearance was foretold by flash's history because that rat can time travel and you can literally see him both on display and explaining all that including his involvemet live on his museum tours. so silly. so fucking insane. where else could you possibly have this.

typed some Thoughts in the tags but then realized it should be a separate post.

[literaryvein-reblogs]

Writing Notes: Plot Method

The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.

It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).

Each section pushes your story forward in its own way.

The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide. 

Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.

ACT 1

Opening Image (0-1%)

Show a “before” snapshot of your protagonist and their world.

What is life like before the adventure begins?

It represents the struggle & tone of the story.

Set-up (1-10%)

Expand on the “before” snapshot.

Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.

Present the main character’s world as it is, and what is missing in their life.

Also introduce important supporting characters.

Theme Stated (happens during the Set-up)

What your story is about; the message, the truth.

Usually, it is spoken to the main character or in their presence, but they don’t understand the truth/lesson…not until later, when they have some personal experience and context to support it.

Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.

Catalyst (10%)

The moment where life as it is changes.

Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.

There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?

Debate (11-20%)

But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.

Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.

“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?

It is the last chance for the hero to chicken out.

ACT 2

Break Into 2 (20%; Choosing Act Two)

The main character makes a choice and the journey begins.

We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.

They make the choice to begin their adventure/transformation/journey/new thing.

Show your protagonist deciding to plunge into Act 2.

The Promise of the Premise (21-50%)

This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”

It’s also one of the longest sections in your book.

Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.

This is when the main character explores the new world and the audience is entertained by the premise they have been promised.

B Story (happens during The Promise of the Premise)

This is when there’s a discussion about the Theme – the nugget of truth.

Usually, this discussion is between the main character and the love interest.

So, the B Story is usually called the “love story”.

Introduce a new character or characters who will eventually help the protagonist learn their life lesson.

Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?

Midpoint (50%)

This moment is when everything seems “great” or everything seems “awful,” depending on your story.

The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).

Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).

What happens in this moment, halfway between beginning and end?

But not everything we think we want is what we actually need in the end.

Bad Guys Close In (51-75%)

Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.

If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.

Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.

Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.

Show the protagonist’s newly-built world beginning to unravel.

This will also be one of the longer sections in your novel.

All is Lost (75%)

This is when something happens to make your character hit rock bottom.

It’s the absolute lowest part of your novel.

Maybe someone or something dies (either literally or figuratively).

The initial goal now looks even more impossible than before. And here, something or someone dies.

It can be physical or emotional, but the death of something old makes way for something new to be born.

What does this moment look like for your protagonist?

Dark Night of the Soul (76-80%)

Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.

They’re worse off than they were at the beginning of the novel.

Show how low things have gotten.

Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.

But, you must fall completely before you can pick yourself back up and try again.

ACT 3

Break Into 3 (80%; Choosing Act Three)

The “aha!” moment; the “lift yourself up and try again” moment.

Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.

Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.

Finale (81-99%)

The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.

This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.

The Bad Guys are defeated, the world is changed for the better.

What are the battles? How will the protagonist triumph (or not)?

This is another longer section, so you’ve got the space to make things dramatic and intense.

Act Three is about Synthesis.

Final Image (99-100%)

This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”

Show the reader how the protagonist and their world have changed.

THE END

Sources: 1 2 ⚜ Writing Notes & References