#like it feels so 3D and not flat at all

[spoonv]

accidentally wrote an essay in tags whoops

there's a mod that makes apples a hated gift of Harvey's and I think that's pretty great

am i really making fanart of a doctor if i don't make an apple joke. it just so happens that that one apple made him sick, and now he's questioning everything

apples and doctors are some kind of folk tale or something in this universe guys. some ppl actually believe it, like how parents tell their kids santa puts them on the nice or naughty list depending on how they act. i think that's funny

or maybe it's just not that serious and i should stop trying to make this work in the canon lmaooo

[butchyena]

i did really like beastars season 3 but it really did cement that the entire thing should have just been animated in 2d

[capsyst]

Here’s a breakdown of my animation.

Once I created the cave set in 3D, I retextured all of the blocks to be a wireframe so I could more easily keep the proportions correct as the camera moved through the scene. I began with a simple box person body. Not only did this help me make sure the proportions were correct but the different angles and sides of the character helped me eventually keep the characters features in the right places later. It’s very rough, but it was a good indication that I was on the right track.

Then began the tedious process of refining the animation. I did a new pass over the original animation with all the features of the character. It’s more detailed, but it’s just as rough in a lot of ways. I wasn’t trying to ensure elements were consistent frame to frame, so you can see a lot of the linework is very wobbly and inconsistent.

Once that was done I went back and did a cleanup phase. This helped smooth out all those inconsistencies and I worked on making sure the animation was smooth and flowed nicely. This became the basis for the final inks and color.

When I’d gotten far enough into working on the scene I went back to the 3D model and rendered it out in multiple passes. I did a flat lighting pass which you see here, and then a shadow pass. I combined the two in Premiere, added some color adjustments and then rendered it out to be used as the background for the final product.

I imported the finished rendered background into Procreate Dreams and began the final coloring. I’d already previously decided on the desaturated colors that would make them fit in this cave environment, so coloring was actually a breeze.

The final two elements that really brought it all together was a shadow layer and a glow layer for the torch. The shadow layer was tricky, but it definitely helps make it seem like the character is interacting with the environment.

As previously mentioned I thought I was going to import this into Procreate and animate it there since I like the Animation Assist tool in Procreate more than I do with how Dreams works. But ultimately because so much of this animation was tied to the movement of the camera I ended up animating ALL of this in Procreate Dream.

I’m really proud of my work here. If there’s anything you wanna learn more about how I worked or anything please feel free to ask, I’d be more than happy to talk about the process more!

[jasperxkuromi]

Play ideas for chronically ill, disabled, or otherwise bed bound/low energy littles

Hi all! I am chronically ill. I am not comfortable sharing my specific diagnosis, but I am more than okay with talking about disability in general. Everything below is based on my own personal experiences and activities I like to do while stuck in bed. Everyone's body and experiences are different. I may list some things that just aren't an option for you, and that's okay. You are more than welcome to add on to this post with activities you do too!

🐛 Open the curtains and cloud watch! I like to look for clouds that remind me of animals or characters and day dream a story about them. If the weather is nice, consider opening your window a little bit and letting some fresh air into your room.

🐦 Bird watch! I have a bird feeder outside my window that I painted myself from a kid's kit. There are also bird feeders that have suction cups that can be stuck right on your window. You can also make your own seed ornaments. You could pick yourself up a kids book or two on learning to identify birds.

🌷 Get a window planter. You may need someone's help to set one up, but once they are in place they are fairly easy to care for. I like pansies and marigolds because they remind me of childhood, and they are low maintenance and do well in containers.

📖 Audiobooks are great for middles who want to read chapter books. If you have a library card you can borrow tons of audiobook, ebooks, and comics through hoopla and Libby for free. There are some audiobooks for younger kiddo books, but honestly I think YouTube is better for that.

🖼️ Scrapbooks and journals! Being penpals with another little is also an option, but I do recommend using basic internet safety and common sense. (I don't think you should do this if you are under 18). You could always scan/take pictures of your letter and send it digitally to your penpal instead.

🛏️ If you spend a lot of time in bed, and have the money to do so, I really recommend getting items to make your time in bed more comfortable. Extra pillows, or even a reading pillow can be helpful. Lap desks or bed tables can give you space to color or set up play scenes with small toys.

🌟 You can also decorate the area around your bed to make it more child like! Fairy lights, glow in the dark stars, bed canopies, posters, and the like.

🪑 I have a floor chair I use for times I am playing outside of my bed. Being close to the floor helps me feel small, but not having back support hurts after a short while. I have an adjustable one that I can lay flat on the floor as a sleeping mat. Very helpful for the times when I need a quick nap after playtime.

🎨 Check the seasonal and kids sections at dollar stores and Five Below. I usually find fun craft kits that can keep me occupied for a bit for really cheap.

🧶 Do your own crafts! I like the knit and crochet. Some people can do them in bed, but I find it difficult to find a comfortable way to do that. However making friendship bracelets in bed works out pretty well. They make great gifts, even for non little friends. Or you could make matching ones for you and your CG or favorite plushie!

🪀 Make your own sensory bin! You can find tons of tutorials and ideas online. Bonus is you can get most of the items you would use at the dollar store. There are tons of other DIY sensory toys you can make as well if you look around. Glitter/shaker bottles are pretty popular too.

🐇 Cuddle with your stuffed animals. Tell them stories. Play pretend. Read to them. They will appreciate all of it.

🎮 If you have an old 3DS stuffed away in a drawer somewhere, pull it back out. 3DS are fairly easy to install homebrew and there are toooons of kiddo friendly games you could get (check 3ds.hacks.guide for this, do not follow tutorials on YouTube or random websites as they very well could be outdated)

💊 Decorate your medicine organizers with stickers. If you use mobility aids you can decorate them as well! Fake flowers are great for decorating mobility aids and there are tons of ideas you can find online.

🍼 I have stomach problems that makes it hard for me to eat enough. I often drink Ensure to make sure I am getting enough calories/nutrients. I get the strawberry flavor and sometimes put it in my sippy cup and pretend it is strawberry milk 😋

😴 If you need rest, rest! You deserve to get as much sleep as your body needs. Babies and toddlers take naps all the time! Trying to just exist with chronic health issues is difficult enough. You don't need to push yourself.

[3v1l-0m3n-0f-d3ath]

Evil sketch

I really love drawing these faces

Ottto

[lemon-lime-behavior]

Do you have any tips for drawing noses? Sorry this is out of nowhere but I'm wanting to improve on my art, specifically the faces, and it's always the nose I find myself struggling most with.

I really struggle w making it fit the face if that makes sense? Every time I try to add it it just throws the whole face off, especially the eyes, not to mention how to make different nose types and the angles </33

I love your art style so bad, it's so smooth and satisfying to look at and the way you draw noses like it's nbd (and anatomy in general like damn) baffles me so I was just wondering if you maybe had any tricks or not, Ty either way for sharing your art in the first place <33

@extravagav Well I can try! First off thank you very much, I often feel like I still have a very long way to go in regards to proportions and anatomy so I really appreciate your kind words <3

Hokay, so, noses. I do love noses. To start off when it comes to drawing noses I'm afraid I'm going to have to give you the most annoying advice in the world which is just to practice a lot. Find a lot of pictures of noses in a bunch of different shapes from a bunch of different angles and just draw them until your brain melts out of your ears. Pay particular attention though to the nose as a 3D object!

It's of course trickier to do than I'm making it out to be but the more you practice at imagining the nose as a 3d physical form the easier it becomes to make a nose model in your mind that you can rotate like a microwave.

This is my personal very very basic understanding of the nose's construction:

it's like three circles and a taco shell.

Okay so now that you've got a basic understanding of the nose's construction, how to put it in the middle of the god-dang face??

So the funky thing about noses is that they tend to change shape the least out of all our facial features when we're making expressions. Our eyes change shape, our mouths move, our eyebrows, our cheeks, our jaws, they all go all over the place. the nose, however, tends to be pretty stationary and doesn't deform much (save in one important way I'll get to later). So because of all this, and here's my biggest piece of advice when it comes to making the nose fit in the face, I like to draw the nose first! I do a very loose head construction, draw the nose, and then sort of "hang" the rest of the features off of it:

Two very different expressions, same nose!

Now when it comes to noses interacting specifically with the eyes the greatest thing to remember is that the part of the nose that sits between the eyes sticks out farther than you might think, and will likely be obscuring one of them, the extent of which depending a lot on the angle and how pronounced the nose bridge is.

for someone with a pretty flat nose bridge you'll be able to see most of the eye except in a more extreme angle, while someone with a protruding ridge might obscure the eye entirely. but the nose will likely be interacting with at least one eye if we're not facing the character head on. Really making your brain think in 3d is gonna most helpful here.

Finally! The nose being expressive! So the main way the nose plays in to expression is by wrinkling. the muscles that pull up your top lip and the muscles that pull down the middle of your forehead are almost all connected to the nose, so the nose tends to develop a lot of wrinkles whenever brows are furrowed or teeth are bared.

Adding those wrinkles can add a lot of impact in the expression! And not just angry ones neither:

Sooooooooooooooo yeah! noses! They're weird and they come in all sorts of shapes and sizes and they can do a lot to add character to a face and they can also make you want to tear your hair out in big clumps! I'm still learning myself when it comes to noses (and most other things) and I'm faaaar from a master at it, but I hope I've been able to provide at least a little bit of help. If you do use my advice going forward please let me know! Good luck!!!!! (And here's all my nose "headcanons" for the strawhats. The ones who actually have human noses, anyway):

[itsrlymine]

not really a question, i just want to share my thoughts. when i was new to manifesting, a youtuber said in a video: that in order to get your dream body you can affirm, but you also have to workout. like why put your limits on everyone else? 💀 and then i heard about the 3d and 4d from Youtube as well which didnt really make sense to me, because if you have it then you should just have it. like why would the 3D even show me the “old story” if I have it? like for example (this isnt shade at all to anyone, dont get me wrong) a video said saturate for hours until your 3d changes and matches your 4d, but shouldn’t you be in the state of it already being done? yea, so theres nothing to change. (i do understand affirming to remind though, just NOT from a point of lack) comments on videos also say you need to wait until the universe is ready to give…….i got so annoyed. im glad i found your page 🫶🏽. my favorite one on your masterlist was “lazy manifesting”. read that whole masterlist and boom! mindset changed! like i literally decided i have everything and now i do 🤷🏽‍♀️

i feel like some people just make content so they can be heard bc how can you try to tell me about the law of ASSUMPTION and then tell me i have to work for something as well.....??? someone is a lil dense sorry not sorry. that's why i used to be so annoyed by the "reprogram your subconscious mind" girlies on twitter and youtube like do y'all hear yourselves??? and then they had the Great Battle of Affirming vs States and some tried to use neuroscience (logic) to defend and explain why they need to repeat things 10k times to manifest......

it's the law of assumption y'all. Not the law of doing.

i'm happy you are here babe bc if you don't want to do any work, you don't have to!!!! i literally changed my physical appearance and gave myself a smaller waist and flat stomach JUST BY DECIDING UGHHHHHH. I didn't go to the gym, I didn't do any workouts or change my diet. I didn't even stretch. I just reminded myself of the truth.

[otterloreart]

Steps of creating a 3D model replica from scratch

trace photos of character from available and cleanest angles. attempt to get a 90 degree*, front and back, side profile and straight on of the face. save additional reference photos such as bottom of body, back, and various extra angles without tracing which may help reference later on.

*more on angles later, but trying to get a 90 degree from each side is the most realistic and practical option if you dont actually have the character you're copying

2. block out the body and head

and by block i mean, yeah, its made out of elaborate rectangles

4 aha, you thought I would hand sculpt those? no. no. I used the curve tool to add these swirls. And yes i exactly traced them over the drawings to match the original as best as possible. The end of the curve tool is flat by default so I added a few spheres to make the ends nice and round. (there is absolutely a way to make the ends of curves rounded but I did not feel like looking it up or messing with the settings)

this wasn't mirrored to the other side- I traced both sides of the body and the front from photos and sculpted the swirls for each side. I couldn't get a single photo of the swirls at the butt area so I just winged it.

6 I am struggling to not make Cha Cha look angry.

I feel like the eyes are basically traced off the original and yet she looks so much grumpier. maybe it just needs to be smoothed out?

I added a little definition to the area around the eyes and I do think it looks a little better. The more definition I add in this stage the better, because I prefer this to sculpting. However, if you're more adept at sculpting you would probably not make this as detailed.

7 Here she is after smoothing everything out in sculpt after remeshing, in both Eevee (left) and Cycles (middle/right). still trying to figure out how best to render things. For some reason her nose ended up lighter in cycles but i cant be bothered to fix that rn

On the previous step I made the elements of her face + ears mirrored but once I start sculpting I'm not using the mirror tool. In fact nothing ends up mirrored, even the back right foot is slightly shifted in position.

this is probably not even the final version, I think i might redo the smooth/sculpt part and fiddle with the underlying shapes (basically go back a step)

Cha Cha's face. is one of the most difficult things to sculpt. It is extremely difficult to understand the shape of the underlying sculpt because there aren't any photos of her with the eye paint removed. There are so few of her out there I don't think anyone would willingly remove the paint to make a custom or anything unless it was in truly awful condition, and I dont think that has ever happened.

I have saved dozens of references from a number of different sites- these pics here are from etsy, the above was from the wiki. Her eyes are different from every single other pony and pony and friends- they're so bulging, so round, the eyelashes are longer. It's wild.

I can only see all the things that are wrong with it.

It's basically impossible to get something like this 100% perfect unless you have like, a set of turnaround photos all from the same angle that you can match up to the camera. You can basically overlap references with the camera view but you will never know the exact angle so if you make edits from multiple angles like this you'll inevitably not match each angle and then have to go back and adjust the angles and then you're fiddling with it infinitely. That's why I usually go for the "trace 4 angles and make the rest up as you go along" method.

I don't want to spend _too_ long on every model I make- the Takara pony which took 6 months really shows how far down the rabbit hole I will go with something like this, and it's just not practical. But I think with a slight amount of fiddling I can match the reference a little better.

[miltonbarbie]

Wukong, Mk, and Macaque with a very hyperactive + bubbly crush </3

[Mentions of NSFW]

🍑 Wukong 🍑

He always loved how talkative and straightforward you were, he's never seen someone as confident as you before.

When you first met, his first thought was literally just: WOW. This person is A LOT.

Would honestly listen to you for hours even considering that he can get impatient with other people sometimes.

Greet him with a hug, he'll try playing it off all cool and stuff but he lays awake at night thinking about it.

You two go out to the amusement park a lot. And your always dragging him to roller coasters or REALLY fast rides. He's 100% gonna excuse himself to go to the washroom and then throw up. But he loves you too much to ask you to leave.

He notices every little thing you do, like when your sitting down and you start kicking your feet. He's gonna die and come back to life.

As much as an amazing, strong, powerful and supercool (his words, not yours!) Diety he is, when he thinks about you he legit starts twirling around and jumping up and down squealing like he's your biggest fan.

I feel like he's really good at art, so he's gonna ask if he can draw you once in a while. Tell him you love it, and he's just gonna fall for you again. Even better if you hang it up in your house.

When you start dating, you'll feel more comfortable enough to get more relaxed around him, but it still shocks him how behaved you can be if you want to. He's definitely still used to you being all Impulsive and whatnot.

You two are literally the embodiment of eccentric reckless cutie x chill enabler and it works so well for you two.

This immortal fucking GOD is simping over a hyperactive human dumbass and he feels absolutely no shame for it.

Also let's be real, Wukong is the biggest whore known to mankind. So we all know damn well he's had fantasies of pounding that little mortal pvssy until you screamed.

🍜 Mk 🍜

Oh boy oh boy..

YOU TWO ARE LITERALLY MEANT FOR EACH OTHER. PERIOD.

You two gush over everything together, doesn't matter whether it's a show you love or some random shit Mk keeps rambling about like some bootleg illegal ripoff of a Monkey king inspired video game called "MONKE KANG: Asskicker 3D"!!!!!!!!

You both are stupid but you love each other justtt the same <3

In between shifts he'll get caught by Pigsy trying to text you and he'll do it again. And again. And aga-

So much ADHD.. You two get overstimulated being around the other so as much as you don't want, you have to take breaks from seeing him sometimes.

But even with all that energy he has, you still can't get enough of lil' ol' Mk.

He once tried to secretly replace himself with a clone because he wanted to hang out with you but got busy.. You found out right away and yapped about it for 4 hours.

Mk is emotionally unavailable most of the time, so when you two get some alone time, it takes all the strength in him not to confess flat-out because he missed you so so much.

Sometimes he wishes he wasn't the Monkie Kid because it takes time away from being near you. But it's okay, you plan stuff every once in a while.

You got really jumpy and happy when he showed you his Monkey form, and he let you brush his fur for the rest of the day. Now he's like that most of the time because one, he can't really control it. And two, you love his monkey form anyway!

He's definitely thought of fucking you animal-style in that form too.

Have fun being idiots together, the rest of the gang are on literal MISSIONS to keep you two apart.

🎭 Macaque 🎭

Ohhoo he loves seeing that stupidly pretty face of yours whenever you get all excited..

But to be honest, he thought you were REALLY FUCKING ANNOYING at the beginning when he first met you.

He only began to soften up a few weeks or maybe a month or two after realizing how much of a sweetheart you were, and that your hyperactive traits were just a part of what makes you, you.

Sometimes when you're in your room and you're on a call with someone, he'll send one of his shadow clones to listen to your voice for him so he can jerk off to it.

You go to all of his plays, and he's usually a confident guy. But one look at YOU? He's so close to accidentally stuttering on the stage he has to mentally slap himself to make sure not to.

His biggest turn-on is when you wear skirts and you're jumping around all giggly n stuff while he gets the perfect view of your ass.. That's why he prefers to walk beside you or slightly behind you to get that 4k quality.

You two definitely have that Yapper + Listener vibe. You can talk about some absolute bullshit and hell, he'll still be listening to you. But half the time he zones out imagining what that mouth of yours would look like on his cock.

He wanted to buy you roses but got embarrassed (surprisingly) and shoved them up Wukong's ass.

He's a biter. He's such a biter and even while keeping that "friendly" attitude with you, he always finds a way to put his teeth on you. Whether you're fighting over a snack or play fighting. Even during a regular conversation he just bites your shoulder?? Kinky much??? (Yes, he is.)

You found him sleeping on top of your ceiling so you threw a rock at him to wake him up and he started borderline hissing at you like he had rabies. He then realized it was you and didn't speak to you for a whole week.

You make him do things he wouldn't regularly do and it pisses him off.

[devilcandymerch]

New "Zipper Flowers" shirts I'm debuting at ANE!

The base shirt is acid wash + oversize style.

The flowers on the front, back and sleeve are all puff print, so they have a 3D feel to them! Zipper + the other sleeve design are flat print!

I've been obsessed with wearing mine, I really hope you guys like them too!

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[canisalbus]

might be an odd question, but i have a theory after noticing trends amongst artists iv known in my life and SO FAR it's rung true so im expanding sample size

IDK if u know what aphantasia is already so I'm including reference [forgive me if uv already spoken abt this also]

Where would u say u fit on the scale?

For me I cannot see an apple, I know I am supposed to, or I will see concepts of it [like how the flesh is shiny and holds water droplets but i do not SEE it nor can i hold a clear visual of anything in my mind for that matter it is always flashing IDEAS like components of a visual, never the whole thing]

I'm asking because of people I've asked about this, there's a quality of their art that [i dont know how to put into words WHY] reminds me of each other, and I'm wondering if u will give me the same answer they have because I am a curious little bastard

I'm pretty sure I'm 1? I think I might have one of those brains that operate mostly on visuals. I don't need to close my eyes to see the image in my mind, it just sort of "opens in a different window" and I'm looking at reality and the mental image simultaneously.

It's never a flat picture, I see a 3D model of sorts, and I can rotate it around, cut it into pieces, look "through it" to see it from outside and inside at the same time, and arrange it to different poses if it's a character. Sometimes when I'm drawing something, I imagine what it would feel like to touch it and hold it in my hands, and that helps me to figure out how to convey a better sense of volume and tangibility.

I also think in images (or, like, gifs?) and I've never had an internal monologue. It surprised me when I heard that some people actually have a narrator in their heads, I can't imagine what it's like.

It's not always fun though, sometimes I get pretty nasty intrusive thoughts and they come in forms of vivid and very unpleasant mental images. Like visiting a relative's grave and being hit with a crisp picture of their decomposing body. Or getting those "I could walk in front of that car/ jump down from here" call of the void thoughts and instantly getting a brain illustration of it playing out from an onlooker's point of view and what the aftermath would look like. They're most distressing when it's bad things happening to someone I care about, for example I have a really persistent one about accidentally slamming a door on my cat and seeing him crushed and dying.

Oddly enough it doesn't extend to all visual thinking. My mind's eye and visual memory work well, but I also have severe face blindness and practically nonexistent ability to form mental spatial maps of my surroundings.

[chiiroptereh]

[Please zoom in, there's a lot of detail! And a massive file size...ouch]

Hi guys, long time no post! Been working on Art Fight and life stuff, but I've got something kinda fun for you.

This is a compilation exploring how a mortal Bill may interact with our world if there were still some kinda Euclidean instincts buried in there. Y'know, before the Book of Bill ruins all my headcanons >:P (EDIT: IT HAS BEEN READ. YAHOOOOOO)

Also quite an experimental piece as you can probably tell. Lots of details on both said headcanons and the art stuff under the cut, but I invite you to study the colorful texture yourself beforehand and think about what it might be representative of, just for fun because I got some really cool answers from my friends when asked :]c

TL;DR: the headcanon is that Euclideans have exceptional eyes for geometry. They find things like symmetry, tessellating patterns, graphs and fractals very aesthetically pleasing. If pushed into our 3D world, they feel comforted by the familiarity flat objects/spaces bring, as well as high-contrast patterns. Shadows especially are a familiar dimensional reduction that may bring them much comfort.

Bill would surely not be happy about these inclinations, constant reminders of a past long gone, but I'm not sure he's even aware of them here :P I think his ego gets in the way to the point where he just views these interests as common sense, which, of course, us lame humans just don't understand because we aren't nearly as cool as him. Of course he likes perfectly symmetrical leaves and staring at the kitchen floor, it's called taste, look it up!

And yet, he can't seem to shake the strange sense of melancholy he gets from viewing his own shadow.

~ End of TL;DR, long version below! ~

🔺 Headcanon Development

So, the catalyst of this idea was in relation to my friend and I's AU ( @love-triangles-au ). TL;DR, Bill's brought back mortal, meets another triangle named Y.V. (it's his hand holding the paper in the piece, actually), at some point they fall in yaois together, you know how it is. And, in writing a pair of triangles (or, more broadly, writing from the perspective of a different species), something I've had to consider was that you really can't get much further removed from a human being than sentient geometry.

The anatomical aspect was mostly figured out (see my piece on Bill's eye-mouth), but I wanted to consider what psychological differences might be at play. I wanted them to be weirder, more alien, double-so for Bill. At first I explored these possibilities through the lens of Bill and Y.V.'s relationship, specifically the question "what might a triangle find appealing about another triangle?"

Well, really the only things that came to mind were straight lines and symmetry, anything related to the geometric form of such a creature. That's more-or-less where that ended until the thought struck me that there's no reason this aesthetic appreciation couldn't extend to the rest of the environment, and then further when I realized, "wait, this is a species that is designed to live in a 2D environment. Like, they should seriously be really weird. I need to push this like 200% more."

So...yeah! I did some thinking and brainstorming with others and came up with a pretty long list of things a Euclidean in our world may be inclined to enjoy or find some level of comfort in. It's worth noting again that in this piece specifically this is a mortal/powerless Bill, so he can't really escape this Earthly environment. IF he's aware of these instincts at all (and that's a big "if"; when have you last been cognizant of your own instincts let alone known where they were stemming from?) I think he'd have snuffed them out in immortality and/or purposefully gone against them; he doesn't take kindly to being told what to do.

In order from left-to-right, top-to-bottom, here's an explanation for each!:

Flat objects such as paper are something he may find particularly engaging. It's basically 2D!

Tessellations are especially fascinating, and our world has them everywhere in the form of tile floors. Symmetry and such a predictable pattern...as the infinity of the starry sky might for us, the infinite potential of tessellations might invoke a similar sense of awe in him. Add on the maximum contrast of black on white kitchen tiles and the forms are only even better defined! A sensitivity to contrast would be very helpful for a 2D being navigating their environment.

Fields are flat and open, much like Euclydia itself. Laying flat may make him feel a little more at home.

More tessellation in the honeycomb of hymenopterans (bees, wasps and friends)! It helps that pain is hilarious.

The city is an absolute treasure trove. Rectangular buildings, precise architecture, square sidewalks and straight lines abound...he may as well be looking at a rainbow or an art gallery! I think a Euclidean's brain is very fine-tuned to mathematics, especially in regards to trigonometry. What may appear to be a straight painting might appear obnoxiously crooked to him.

Zebras are high-contrast :]

Another flat surface, another relaxing space <3

I think graphs are about as high as high art gets to most Euclideans.

I've touched on shadows before, and for good reason; truly they must be something borderline magical to the Euclidean and perhaps bitterly nostalgic.

This one kinda speaks for itself. Dweeb.

🎨 The Artsy Stuff

Lately I've been trying to find ways to fit more color into my work, as color is perhaps one of my favorite things in the world. My wardrobe is rather garish; my dad jokes that you could see me from space. My fursona is obnoxiously bright for a reason -- I feel my soul is a very colorful one!

I also realized recently that I don't actually know the exact style that speaks to me. I could talk about the phenomenon of the "style crisis" that many artists have all day, but in my mind the best cure for this feeling is to go against it entirely and begin stealing as much as possible.

So, I've tried to keep an eye out for more sources of inspiration everywhere I go, physical and digital. I've tried to train my mind into making a habit of considering, "can I do anything with this?" everywhere I go, and it recently paid off!

The glittery rainbowy texture you see plastered all over Billiam is this one, a photo-manipulated set of fruit stickers. I must confess I've been obsessed with this image for the past 72 hours, and this seemed like a good excuse to try it out!

I worried throughout the process if it might be so abstract that it loops back around to being horribly deliberate, if that makes sense -- like each sparkle was not a piece of a whole but rather an object in itself -- but it seems like that hasn't been a problem, so I'm grateful for that :Dc

I hope it can dazzle and delight you as it does me, but as long as you find it fascinating at the very least then I consider it a success! I really enjoyed hearing my friends' interpretations while workshopping it, and got tons of amazing answers from opal to kaleidoscope to fossilized bone marrow! I truly believe that the best art has some room for interpretation and it really excites me to be surrounded by that kind of creative energy that follows said pieces. That definitely adds to my pride in this work. It's weird, it's colorful, it's detailed and yet ambiguous. I'm feeling pretty autistic about it

Alright, I think that's about it. Thanks for listening!

[mclalan]

Can you share what your art-making process is? What software and tools do you use?? I'm falling in love with your work!!

Thank you, I'm so happy you like my work and are interested in the process. The short answer is I mostly use Adobe Animate.

I hate how I'm using an Adobe product (although I still regard it as a MacroMedia Flash product), but there's just no other software that compares to its jankiness. Perhaps it's just my long familiarity with the program, but nothing I've experienced matches how it simultaneously feels like drawing in MS Paint and using Microsoft PowerPoint vector shapes. The result is something that feels in-between the two; handmade yet computer-generated.

Typically, I'll start with a hand-drawn sketch, often beginning as a thumbnail done with pencil and paper.

I'll then do a mix of hand drawing and vector shape tool rendering. I use the Paint Brush tool to hand draw strokes, and the line and shape tools mixed with transform to make more geometrically accurate shapes. The design is rendered into divided closed loop shapes, ready to be filled with a solid. The strokes are kept or removed depending on the design.

These fill shapes are then either coloured and rendered in Adobe Animate, using fills, gradients, or a more complex process of masks and effects.

Alternatively, I'll bring all these vector shapes into Photoshop and use them as clipping masks. The vector shapes act like masking taped areas or shields to maintain sharp edges, while the brush is like an atomized airbrush used to build soft volumed forms.

Please excuse all that horrible Adobe Cloud and AI bloatware...

And there we go!

Variations in the process include just using MS Paint, index color in Photoshop, or 3D programs.

Very old works of mine were almost abstract, just exploring digital mark-making, which was a trend I was following in the mid 2010s that I loved. This kind of stuff.

While my current work uses its digital material specificity as an intermediary to the subject in the illustration.

For example, #ersatz.world parodies clip-art and flash edutainment styles but imagines the characters living within that kind of world. The designs are meant to be cute, easy to read, light in computer processing, but also irreverent, janky, and generic too.

People typically regard this sort of clip art style as ephemeral trash, but I always found them charming. I use Ersatz World primarily as a satire vehicle, parodying educational formats to spoof corporate explainer content and digital media.

However, part of the problem with Ersatz is I've made it look too polished, complex, and I've grown too attached to the characters, which I imagine is a typical issue with overbuilding a world. So recently, I've made an even jankier Ersatz-like set of characters to play about with, using an even simpler style with less cohesion. I like to try and use slightly different styles and digital material styles to relate to the property at hand.

That’s why #autonymus has a bitmap digital material and a denser feel to it. Unlike Ersatz, Autonymus is not meant to be an overt semi-meta fiction. It’s not exactly pixel art, but the pixels are just about visible, as the intention is to create a digital expressionist depth to the setting. Although it’s still stylized and not realistic to our world, I definitely still want to evoke semblances of our world. That’s why there’s attention to landscape, plant life, and implied life beyond what you see in the frame with the characters, etc. But I'm still making a cartoon, and I still want it to feel at ease with itself being a digital material work. Characters are therefore flat, simple, stiff, and the speech style is like a bad Shakespeare parody. I like to balance between ugly and appealing, simple and complex, familiar and unfamiliar.

In regard to things like inspiration, references, and my relationship to aesthetic genres; these things certainly factor into my work, perhaps I'm even overtly dependent on them. My work can definitely be post-modernist in method; creating new, ironic, or fragmented interpretations through deconstructing a mix of various styles or methods. But at the same time, I'm still trying to make a digital gestural representation where the aesthetic is driven by my relationship to the software and techniques directly—not simply in an attempt to reference a style. For example, I like drawing lines in sweeping strokes, not to a point of geometric perfection, but just in a way where the curves are smooth and simple. But if I want perfectly curved or straight lines, I'll use the vector tools.

Working this way, you can sort of learn why certain styles and design choices in past vector aesthetics were made, as they would have also needed to make similar choices. That’s why I’m more mindful of using digital material specificity as a foundation to build narrative and subjects upon these days.

For example, genre references like cyberpunk clichés for #cyberhell or late medieval design for #autonymus or 2005 to 2015 era subculture fashion for #gradientgoblinz.

I think it’s important to take inspiration and reference from a wide variety of sources, but I think they’d mean nothing without having something to say or express. Autonymus, although it is a collection of tropes and clichés, isn’t just about that. It’s a story about the tensions of socially constructed systems and how that shapes faith, technology, and the natural world, or at least that's what I'm aiming for anyway.

But despite all that, I think there’s a danger of locking myself into the past by using these methods. For example, using nostalgia and references to past aesthetics can result in just recreating the past in a form of role-play. To avoid that, I try and evoke the past through a messy, inaccurate pastiche rather than caring to accurately re-enact anything. I’m probably not always successful at communicating the deliberateness of this, and it can certainly get very frustrating and pedantic. To be honest, I do kind of hate aesthetic labels (terms like Y2K, global coffee house, utopian scholastic designs from a pre-9/11 world).

I do not believe that a project aimed solely at mapping history through aesthetic styles is worthwhile. Sure, they can be handy for organizing style trends, but they can also be reductive and ahistoric. Who are these people to define the history of these design eras? The result is a kind of suffocating simulation of design history but removed from context, perfect for moodboardism. I wish it felt more tongue-in-cheek, less absolute of itself in its own practice. Instead, it acts to legitimize and engender those making these labels, almost giving them ownership of the design styles. It’s similar to the logic and process of generative AI and its databases in a way, just done manually.

I’m very inspired by artists like Oneohtrix Point Never in this regard, as I think he’s able to create an aesthetic portal to all kinds of memories, feelings, and worlds reminiscent of the past, while still being in the present. It’s more a reflection of how timelines are messy now, like a memory or dream, rather than an audacity to say the past was actually like that, or to try to actually map some kind of timeline.

I think the benefit of this process is how it avoids the other side of the spectrum—being locked into chasing the cutting edge of digital processes. I don't necessarily think using an old digital process means your work inherits the semiotics of old aesthetics. Non-digital mediums don’t have this issue to this degree, as you can still paint in oils and be considered contemporary, or at least it's not frowned upon to such a degree. And I also don't think anyone in the heyday of Flash ever made work the same as I do, especially as computers are more powerful now so can handle more. I probably shouldn't boast too much about that though, as artists at the time probably just had more sense than to use Flash like a painting program! So then, why is my use of Adobe Animate critiqued as obsolete and an aesthetic dead-end? Because to whose standards is this process obsolete? If you value digital aesthetics as an apparatus in industry practice, then sure, my work is redundant.

But as wonderful as the latest tech can be in creating new aesthetics, I do feel it can be overtly dependent on the trends and directions of tech corporations, and therefore act as an indirect propaganda tool to their hegemony over digital aesthetics, such as the ever-demanding processing power needed for simulated realism. If anything, work that does follow in the direction of the latest tech trends is ironically the quickest to date once the trends move on.

I've noticed I've not really described what my work is about, just the process, in this text. But I don't know, maybe I like Flash because it is regarded as redundant. No one really cares about it, so I feel free to make whatever I want, and can decide on form myself, to my own standards, the quality of my work. As fun as making images is, I find it difficult to put into words what it is exactly I'm expressing in my work, and perhaps that would spoil it anyway.

[lunchtimebedamned1997]

I finished it >:3

(Speedpaint and lineart under the cut :D)

Okay, so... I kind of love them as a throuple haha I just feel like that perfect balance of personalities and temperaments are there that just tick all my boxes haha I like the idea of most of the ships I've seen for this show tbh, but this little idea stood out enough for me to wanna draw it >:3

This was so much fucking fun.

Honestly, I kind of can't decide if I like the full-flats or just the lineart better on this one. Maybe someday I'll render the colored version to have the same soft quality as the lineart - but also maybe not XD

If you guys know me at all, I don't usually do full lineart for my pieces, but this one just came out so... yummy I love the texture and the line weight/quality I got in this one sm! Yeah, just a really fun little project overall :D

MINOR FLASH WARNING!

I forgot to hit record at the very beginning, sorry about that, but you barely missed anything which is good! XD

Also getting sleepy half-out-of-frame Pomni to not look 13 was a fucking STRUGGLE my girl is so tiny and round lmao

Anyways, watching TADC for the first time this week was super fun, and I did a lot of traditional sketches of the characters (mainly Jax lmao) so I might share those at some point, who knows. I love getting into a new animated show, I feel like it always pushes my art so much and helps me to expand my shape language, etc. especially translating from 3D to 2D.

Honestly I think having to translate it down into 2D really helped me retain more of my own style rather than getting stuck in the show's animation style (which happens a lot with Hazbin/Helluva - which I'm fine with, but when I do want to branch out with those particular characters I do find it harder)

I'm super excited for more episodes to come out!

[chaotic-minds-think-alike]

Guess what time it is…….

CENTIPEDE TIME !!! she’s finally real,,,,,,,, based off Scolopendra hardwickei or the Indian tiger centipede

Before I go about the process I just want to say you guys have been soooo incredible and I love reading your reblogs and I love the idea knowing I’ve inspired a lot of people,,, the project, although it was a lot of work and I’m feeling not so great as of posting this, still motivates me to want to make another.

(Art process below)

This was entirely freehanded! I have a lot of experience working in 3D art settings that this part came easy to me but I started with a flat base shaped in the pose I’d like the creature in. I used one whole piece cut from a shipping box and filled in the gaps with tape; you don’t need a single piece for the base but for structural integrity it helps a lot. As you can see here I also cut the legs separate and glued them on using hot glue. The vertical cross sections are to give an early support for the structure of the creature, think about the frames of aircraft or boats. During this part I used a pen to mark the width and height of the previous section to get a gradual flow of shapes.

This next part I wish I got more documentation on but after the vertical cross sections I used soda boxes for the thinner and flexible cardboard to add contour lines along the length of the creature, gluing them on the cross sections. I did about 2 strips of this on either side to fill in the space and then I continued to use soda boxes to fold and shape the top of the creature, gluing onto the strips rather than the cross sections (this part was a mistake but I quickly adapted, no issues happened but it did make it slightly less secure). I also gave the legs vertical cross sections as well to shape them for the masking tape.

The worst part, taping everything. I used tape to further shape it how I wanted but that meant going over parts several times. I used 2 different widths of tape for this for efficiency but it doesn’t matter. The legs were very loosely taped and if squeezed then they’d lose their shape; I didn’t bother filling them in because I don’t have materials for that and I let the paper mache help support them instead. Tape was also used to fill any holes and gaps left by the cardboard skeleton.

The next phase is paper mache of which I haven’t done since 5th grade… I was not confident in this step. I used mod podge and a brush to smooth down the paper. Because I lacked materials I used fast food napkins instead of newspaper which worked totally fine, it just tended to tear a bit easier. Some areas required me to get hands on and I don’t really like the texture during this stage so that was fun (lie). I didn’t do too many layers, one for the body and 3 for the back and legs but some projects might demand more. I used half of a 16oz bottle of mod podge btw so please get more than you think you need.

Finally, texture hell!!! I did a base coat of white spray paint and painted everything else with acrylic. Start with your lighter colors first before doing darker ones! I originally mixed some yellow and orange for the body and realized it was too bright and so covered it with orange instead. It also wasn’t until later I realized I could’ve been smarter with my paint so I skipped over the segments that were going to be fully black, saving the orange for the rest of the body. I wanted my centipede to stand out and not look 2D color-wise so I also used the red for the head and tail to give gradients and edges to the orange segments and legs, later going back with burgundy to further darken them but not too much. For the black segments I also used a very watered down layer of sky blue to give a fake shine and show the intended structure of the segments. Do not be afraid to use your hands! I used mine to smudge my detail paints like the black fade on the legs and the back shading. To top it all off I sprayed a clear coat and punched two holes in the underside to hang it up, using thumbtacks angled upwards.