#like im so sorry you put up with me

[blazefire2012]

Tagged by @godforbidding (thank you, I love this one and these tag games are cute to me lol) I'm a lowly Mobile user so forgive formatting, I'm trying my best.

Shuffle music library, list 10 songs, tag people!

1. Savior - Rise Against

2. The Last Great American Dynasty - Taylor Swift

3. Northern Downpour - Panic At The Disco

4. Waiting For The End - Linkin Park

5. Long Way Down - Robert DeLong

6. Zombie - The Cranberries

7. Eros And Apollo - Studio Killers

8. All Time Low - Jon Bellion

9. We Made You - Eminem

10. Doncamatic (feat. Daley) - Gorillaz

I'm tagging (don't have to if you don't want to, just thinking about you <3) @thatonepeppi @fluffy-bats-appreciator @theiconicace

[inkskinned]

i wrote an interactive poem for my girlfriend in 3 parts. she said you need to read it.

go here: take only the final quiz or take all 3. i don't mind. it's sad, though. this is a poem about choice. about fate and mental illness and how love fits inside of all of it. this is a poem about a long dark hallway. mostly this is a poem about mango sushi rolls.

good luck. i love you. despite it all, i'm hopeful.

[fincherly]

my gf was looking through wesker's wiki page (as you do) and sent me this

and i lost my shit bc it just seems like they're looking at him like girls look at a weird bug

[arsenicflame]

Bonus round! Do you use a queue tag?

[kuradex]

day 260 Swampert

buy stickers, commission a pokemon, or support me on kofi!

[elsecrytt]

curse technique concept:

your technique can make anyone fall in love with you. it's not permanent, but the emotions are extremely real, and powerful, wearing off over time unless refreshed.

the technique is activated by eye contact.

you've also taken a binding vow - you cannot activate your technique at will, it's always on. this makes your technique much stronger than it should be.

so you run around with a blindfold, much like gojo, just to prevent making random people fall in love with you.

it's not so bad, really!

growing up, your parents would wear eyepatches - with only one eye making contact, the technique was half as effective!

except... if the effectiveness of the technique increases proportionally with the number of eyes... well...

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[ewwww-what]

The moment when you find exactly what you were looking for (it was your best friend the whole time)

(close-ups below & my commission info)

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[reapersmarch]

"good morning!"

(au where nothing bad happens and they're just stupid gay retired and married and not on the brink of complete and utter ruination please god)

[just-null]

Kokichi, similar to Noritoshi in the sense that they're analytical and kinda tsun, but that's mostly it. This is another Megumi and Noritoshi situation where, on the surface, they appear to be very similar, but you squint and realize they're extremely different.

Whereas Noritoshi isn't as bold because he still holds remnants of pride, Kokichi is just shy about it since it's so new. He won't back down from it, just hesitate.

[Long ass rambles under the cut! + bonus doodles.]

When referring to shyness, Kokichi leans into the awkward and stiff type. There's always confusion and slight fear in his eyes when he's experiencing something new or romantic. He doesn't want to mess up, but if he does, he just hopes it works in his favor.

Being born in a body where he was under constant pain and stress, someone touching him was the last thing he wanted. He'd never known the loving touch of another because the heavens decided he wasn't allowed to.

After meeting you, that yearning to be next to you became too much. To hell with his restrictions. He'd to do whatever it takes to be able to be with you even if he had to sacrifice others to do it.

In retrospect, he feels like he should've done it sooner. Being touched or even grazed doesn't feel like his skin is falling off anymore.. Plus having both arms and working legs is always a good thing. It's new and odd, but not terrible. His mind never once wandered back and regretted those he's thrown under the bus because why would it?

Unfortunately, when his body was being healed, Mahito made him healthy.. and that's all. Knowing Mahito, he'd leave Kokichi to struggle with catching up to the rest of his peers by working for his own stamina, weight, and strength from square one. Though Kokichi isn't complaining much about it. He'd still take this rather than being stuck in that god forsaken tub for a second longer.

He used to hate being fussed over because of his illness. He prefers to do things on his own and now he can. Yet, Kokichi still gets pitiful looks on other's faces when he's too weak to carry something. It makes him want to spit at them, he can use Mechamaru to do his heavy lifting for now. He doesn't need a beefed up body to do it.

Unless you're the "beefed up" one fussing over him.. He doesn't mind it when it's you. In fact, Kokichi feels grateful when it's you, endeared even. He never feels belittled or pitiful when its you.. Only you.

Judging by how he treated panda for having the ability to interact with others in person despite being a cursed corpse, Kokichi has a number of insults and creative verbal abuse he's ready to spew out once someone tries getting a little too close to you. Scratch that, he's rude in general to those he isn't familiar with.

Kokichi has a lot of anger for those he deems ungrateful. What do you expect from someone who thought he was gonna rot in a bathtub for the rest of his life to do? Not harbor resentment? Luckily, he holds just as much, if not more, love for you who he's unbelievably grateful for!

Your affection is so odd to him, a new experience that he never knew he could grow to yearn for. It's not terrible, quite the opposite. It's so wonderful he can't get enough. Every time you're around, he wants to have at least one hand on you at all times. Doesn't matter where, just as long as he feels you're around. Safe to say, he's extremely touch starved.

Oh how Kokichi would drop everything for a walk with you. He'd use every Mechamaru he had just to make sure no one disturbs either of you. Murder is just a side effect if they get too persistent. He just wants to spend time with you!

Though he likes walks, he still gets out of breath easily. Walking is nice, but he still needs time to get used to it. Offering to help will only cause him to lean against you, it's not too difficult, he doesn't weigh much for better or worse. He loves when you lend him a hand, it's just another reason to get close to you.

When you part, it's only natural that Kokichi gifts you a little trinket he made. Rejecting it will only reward you with the most devastated frown, so just accept it. If you get rid of it when coming home, it somehow always finds its way back to you? Destroying it will lead to Kokichi giving you another one.

Yes, it follows and watches you, but it's just to keep you safe! Who knows what could happen. Whether or not the little trinkets are subtle, all depends on how you reacted to him asking if it was alright to know your location at all times when he's not around. Kokichi is understanding if you're not okay with it. He'll just make his gifts extra subtle so you wont know he's watching.

He just wants to be by your side constantly, even if he's not able to be there in person. Watching you through a screen gives him a sickly familiar feeling in the pit of his stomach, but it's better than not knowing what you're doing. He can even pick up little things about you this way for when he sees you next time! This is nothing but a win-win in his mind even if others beg to differ.

Kokichi never felt blessed. Not once since the day he was born, not until he found you. You who he feels is truly a gift from the heavens. You who he would give up everything to have. In a way, Kokichi is delusional. He sees you as the reason he got a heavenly restriction. It was as if other worldly forces tried to keep him at bay from pursuing you, but you're also the reason he broke his restrictions. He now has the body he wished for thanks to you, his drive, his motivation, his purpose, his love.

[extra shit]

Kokichi’s so fucking low key about being a chuunibyou. you're telling me he named his mech after an anime he watched. half his attacks have ultimate or ultra in the name.. HE MADE A FUCKING MECH. Your ass can't tell me he didn't watch anime while growing up and got inspired to make it a reality. He probably watched Evangelion or something.. Woah, anime dates with him where he makes your favorite creature and uses it to his advantage.. woah.

[Bonus Kokichi verbal abuse]

[snekdood]

"if we make america worse and more of a dictatorship that will be even harder to unravel and make it the way we want the country to be, maybe then everyone will join our Glorious Revolution!" bb girl you cant even be in the same room with someone who thinks you should vote, how in tf do you think you're gonna unite people to fight in The Revolution with you? it's gonna be you and your 5 friends, i hate to break it to you.

[heartorbit]

just how can i protect your smile?

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.