#like i think one of the more compelling themes was trying to find meaning in immortality or like the meaning of immortality and that was

[anastacialy]

y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'

[cockworkangels]

honestly i do have to say i actually was happy with the ending in a way that i wasn't expecting a satisfying ending bc every other supposed ending point of the series i didn't really find satisfying but an actual answer to the central theme of the series for real this time yippee and so on! like lestat actually being able to find meaning in his own immortality and fulfillment in his need for recognition in the community of vampires he was instrumental in creating and actually like yeah sure i'll take that

[hareofhrair]

I wanted to put this one the previous post but it was long and this is a tangent but- In regards to the hypothetical "If House was my doctor I'd just tell him everything. Rip to all his other patients but I'm different."

The whole point of the show is that you wouldn't. Like a major theme of the show is about how the various shames and stigmas and habitual dishonesties that plague our societies both metaphorically and literally kill us. "Everybody lies" isn't just a cynical catchphrase, it's the shows thesis. Because of how we operate as a society, everyone feels compelled to suppress and hide things and that inevitably leads to suffering.

And there are plenty of episodes where this is obvious, ie "I cheated on my partner and gave them an STD." But there's also much more of "This little girl went through early puberty and because of the way our society stigmatizes women's bodies her single father never discussed puberty with her and she was so afraid and ashamed of her new pubic hair that she tried to shave it without telling anyone and mutilated herself, leading everyone to think she'd been abused and throwing off the whole case until House figured out her hormones were going crazy because she'd been exposed to her father's low T medicine, which he hid because of how our society regards masculinity, which he started taking because he began dating a younger woman (because of shame stemming from our society's unrealistic expectations wrt sex in relationships) which he was hiding from his kids, because of shame regarding our societies toxic views on monogamy."

A particular episode stands out as a really good example. S06E15 "Private Lives," which aired in 2010 but was fairly prescient about where social media was heading. The patient was a blogger who documented literally every moment of every day for her followers. She made it very clear she left *nothing* out, from her and her boyfriend's sex life to, eventually, asking for feedback from her followers on whether to get her heart valve replaced with one from a pig or a "vegan" plastic one. She handed the whole blog over to House as soon as he took the case and the team poured through the whole thing. Surely this is proof you're wrong about everybody lying, the team says to House. She's give us her whole life and you still can't find out what's wrong! Spoiler, it turned out the crucial symptom that allowed House to put it all together? Was the one thing she *didn't* include in the blog- Her bowel movements. Shame and stigma around talking about *poop* nearly killed this woman. It was also a detail that should have been picked up immediately by a normal doctor, who would have asked about her bowel movements as part of the standard checklist of diagnostic questions. But this woman was so confident that she'd laid out every relevant detail of her life in her blog, she wouldn't answer those questions, obfuscating what she was actually ashamed of underneath a pile of curated, rationalized, narritivized junk she could pretend was proof of a lack of shame and not simply a skill at creative writing.

When I say "I'd just tell House everything" is ridiculous, I don't just mean "well, because of the way the show works, you HAVE to be hiding SOMETHING." I mean literally, you- because you are a human being- are ashamed of *something.* And because you are a human being, the more info you try to give House the more deeply you will bury whatever it is you're actually ashamed of. And, because of the way the show works, that *will* end up being the key to what's making you sick.

[psychotrenny]

It's funny to me how Armoured Core 6 spawned like an entire sub-section of Mecha fiction that isn't even based around the game's actual overall content but rather an exaggerated form of some very specific dynamics and ideas that crop up. And like the extent to which this sub-section "really" exists is kinda debatable, being something you only see in like short-form erotic fiction posted on Social Media and Fan-Fiction websites. But it's "real" enough to spawn a whole backlash to it which is also funny because of the stubborn refusal to recognise this fiction as like its own thing

And I'm not saying that this whole sub-section is "good" or that you have to respect it or that it's a thoughtful and compelling reflection of broader Mecha fiction. It's certainly reasonable to dislike this style of Mecha fiction. But you have to at least realise that this sort of thing is it's own style and stop criticising it as just a failed attempt of something more mainstream. Like I'll often see indignant cries of "Do these people even watch Robot shows? How can they call themselves Mecha fans?" and like yeah I'm sure a lot of people who enjoy this form of Erotic Mecha fiction only engage in that specific form of Mecha; which may make them fans of something you don't like but it's stupid to call them "fake fans". And there's also people who do very much engage with and enjoy other works of Mecha fiction but are obviously going to take a very different tone when talking about such erotic Mecha fiction in contrast to Gundam or something. They are very different takes on the same broad idea; interest in one doesn't automatically include interest in the other but that doesn't make them mutually exclusive either

I think an obvious illustrations of this is the whole "Imagine if a Mech Pilot was just a normal guy" post that was going around. To fans of the broader Mecha genre, both Super and Real robot, this comes off as a pretty inane thing to say. It's a common enough idea even among the most well known and successful properties; hardly something you have to "imagine" because most genre fans would have outright seen it. Not to mention the fact that most "proper" mech pilots are just ordinary human soldiers who have been trained for a special job. Like it's not a novel idea in the slightest. But within the specific context of (loosely) Armoured Core 6 inspired erotic Mecha fiction it takes on a whole new meaning. In such fiction your average pilot is some sort of lobotomised cyborg puppygirl, with the simultaneous transhuman and subhuman status of the pilot being a consistently major thematic aspect of the sub-genre. In that context, it would be pretty weird and fucked up for an ordinary guy to be caught in the middle of all that

Which isn't something you need to find interesting or compelling as a Mecha fan. It's perfectly understandable to reject this sub-genre and its ideas as stupid or obnoxious or whatever. But that rejection has to be a conscious act, not a reflexive outburst about how it's different from your preferred form of Mecha fiction. If you're going to criticise this sub-genre of Mecha then the criticisms need to be on its own terms; around what it's actually trying to achieve. You're missing the point entirely if you main criticism of horny mech posts is their failure to understand the themes of Mobile Suit Gundam.

[our-hextech-dream]

i haven't seen anyone fully articulate what i personally felt disappointed by wrt viktor's s2 persona and ending so i guess i have to do it myself even tho i'm bad at talking!! can someone who is better at this just read my mind and say it fancier and more coherently?

agency, the loss of

i have seen people already mention the way disability came into play at the end and what a wild choice it was for jayce - born able-bodied and healthy - to be the one to tell viktor - trapped in a body that was actively killing him - that actually your disability is a part of you and made you who you are and you owe everything to it. ... huh? jayce (by which i mean the writers), do you think without his disability, viktor wouldn't have still been a genius? yes, viktor is disabled - that's not even remotely what makes him a compelling character and power player. it is his mind not his body that makes him who he is. the fact that he had to waste almost his whole life fighting against that body to achieve anything is the entire crux of his frustration - imagine what he could have dedicated his mind to if he weren't constantly struggling to find a way just to survive another year, another month, another week, one more day. have you thought about it? because he has. so yeah that whole conversation, trash. bruno mars just the way you are ass one direction that's what makes you beautiful ass argument. viktor was not going crazy over cosmetic surgery, he was trying not to die.

but it strikes me as just one more expression of an overarching theme for s2 viktor - that of the complete and total loss of his agency. (more on a meta level than in the show itself, but also in the show!) i said after act 1 that viktor had died in that explosion and jayce was going to be chasing that corpse until the end, and i was correct. viktor bounced from one mindset to another, never seeming to have any consistent ideology of his own that couldn't be changed as soon as the plot demanded it. at any given point he was just kinda... wandering around, doing some random shit with the powers that worked through him. gone was the viktor who used his own hands and mind to influence the world directly, to bend it to his will. i always always felt this and i stand by it - taking viktor's abilities as an inventor and scientist away and turning him into some arcane mage jesus figure was a mistake and a disservice to his character. arcane said no this boy wasn't smart or determined, his ability to build and invent and seek and learn don't matter and never mattered, he was just in the wrong place at the wrong time and as soon as the arcane got its goop on him he just became the most specialest magic pixie dream boy to ever live and his own goals, dreams, ideals, morals, talents, skills, and hard work ceased to matter in any meaningful way. he never had to work to master magic to be able to use it to further his goals, because he immediately stopped having goals.

viktor became a non-character. he became whatever ideological and technological threat level the show needed to challenge to heroes and never more. he ceased to have any control or understanding over what was happening to him, rather he just gave up and decided to use his magic indiscriminately for whoever made the most convincing argument, a choice that would have been completely antithetical to his character up to that point if he'd still been alive. 'fuck zaunites, sure i'll turn them into robots so a foreign power can use them to attack and take over piltover and zaun, who cares. it's not like these are the people i've spent 30 years of my life trying to protect and save.' <- something viktor would never ever ever have agreed to! ever! no matter what! they have played us for absolute fools.

ambiguity, the loss of

the thing i wanted the most and was expecting because of the way viktor's original lore was set up was that the series would end with viktor and jayce unreconciled and with mutually exclusive worldviews, both fully believing they were right and the other was misguided but not evil or irredeemable, setting them up for future conflict. this felt like what was being set up when arcane made it a plot point that jayce was being convinced to turn hextech into weapons while viktor started getting unethical and unhinged with the experimentation. they both had good reasons to do what they did - and i'm absolutely not going to insult jayce's intelligence by claiming he was just manipulated into it by anyone, give me a fucking break - but the point was that both of them were doing something the other thought was misguided and dangerous. and they also felt that if they could just make the other person see their completely logical and rational pov, they could fix the divide between them and make up and be best science buddies again.

but then at the end arcane completely gave up on viktor having any belief in his own ideals. it just turned into 'aw actually he was just lonely all along and none of that science stuff or difference in morals or worldviews mattered bc he's got a buddy now and he's completely unequivocally on jayce's side. :)'

it was like. insanely selfish. as in, self-centered, concerned *only* with the self. the viktor i liked, and the one i wanted to flourish and hoped arcane would canonize, was someone who was entirely dedicated to zaun, to righting the wrongs of piltover and helping the people in the way he thought best - no matter what jayce or piltover thought about it. an ambiguous villain, just like all the other really well-written ones in arcane.

accountability, the loss of

viktor killed people. not sky, who was an accident despite his fixation on her; i'm talking at least a hundred or more zaunites during his stint as the machine herald. he ripped their minds out and made them play house with him, then turned them into weapons of war for ambessa's siege, and all of those people - primarily sick, desperate zaunites - died. this was always the entire crux of the conflict between (league) viktor and jayce giopara. viktor was willing to destroy people and use their bodies for his own gain unapologetically because he thought what he was doing was a blessing and the people were better off under his control because they would never feel fear or anger again. agree, disagree, depends on your view of free will and human nature, but the fact is that everyone who came to viktor hoping for a chance to be healed so they could pursue their own dreams and lives had those dreams and lives ripped away from them and they never got justice or even a single scrap of acknowledgement from the narrative.

in arcane, the horror of viktor's actions just... fade away into the background. viktor and jayce waltz off into magicspace together, leaving viktor's dead, ruined victims for piltover and zaun to deal with. he doesn't return their minds or bodies, he doesn't even seem to remember or care about what he had just been doing to other sentient living human beings. he's not sorry, he doesn't feel regret, he got what he wanted (a friend) and fuck everybody else.

because the narrative just shrugs and handwaves and says no no forget all that it doesn't matter it was just the hexcore or whatever, viktor becomes a flat, uninteresting character. he loses the depth that villains like ambessa and silco had, villains who had their victims validated by the story, who faced challenges in their arcs specifically because of the people they had hurt despite thinking they were doing the right or noble or most important thing. and not just the villains! even the heroes had to wrestle with the people they stepped on on the way to their lofty goals. but not viktor. he just floats away scot free, completely blameless, having no affect on the world and the world having no affect on him.

on arcane's status as the new canon lore and the Implications™

reminder that arcane is somehow supposed to tie into the world of runeterra at large, but now viktor and jayce both have been seemingly entirely removed from it. if it only mattered that they knew the people we'd already seen them interact with, okay, i guess. but that isn't the case. they both have a ton of connections to other champions - from regions other than p&z even - that haven't been introduced and don't have any plausible explanation for how they could have met in the past, which means they should have been set up to meet somehow in the future. implying that jinx escaped and has gone traveling the world is the perfect way to incorporate her in-game relationships with people like lux - she could have met her while traveling! but jayce and viktor don't get that plausible continuation of their story and development of further relationships - they just disappear out of existence. (ambessa also has this problem because they killed her, but unlike jayce and viktor she does have a huge amount of unexplored backstory where she could have spoken to (for example) swain and hwei and shyvanna at some point.)

note 1 - jayce and viktor are so old that they don't have any voice lines in game when meeting other champions. but other champions who are either newer or who have had voiceover updates do talk to them, which is how (aside from the old lore) you can infer that they do have relationships with other champions including ones who weren't in arcane.

note 2 - maybe riot actually doesn't care and none of the champions are really supposed to know each other or be involved in each others' lives canonically, they just have random quippy voice lines that imply that. which would fucking suck. having the lore of the game have no impact on the game itself and vice versa would objectively suck. if the characters talk to each other on the rift and say something interesting, i want that to have meaning. i want to be able to extrapolate the state of the world and the relationships between the characters from the things they verbally say with their mouths. i'm not arguing about this. the voicelines should be seen as the most high irrefutable canon that there is for the game because it is the ONLY source of lore in the game itself.

anyways there's my bible i guess. i miss evil laser robot viktor i want him to perform unethical brain surgery on me (fixing my adhd but also turning me into his personal puppet attack dog) and then give a weapon to a child so they can kill their bullies.

[vashti-lives]

The new Martha Wells book-- Witch King-- is fucking delightful if you like slightly complex fantasy that doesn't hold your hand. This is a book that never ever commits the sin of explaining stuff to a character that should already know about it for the sake of the audience. Exposition only happens in ways that are natural and logical, which sometimes means stuff just isn't explained.

It's not as obviously accessible as The Murderbot Dairies is-- it's plot is a little more opaque, there's more moving pieces, it's less directly comedic-- but man I like it and Kai is in someways a similar protagonist to Murderbot. Powerful but vulnerable and often just a little out of his element. Lonely in the face of a lot of people who are afraid of him.

Its very much a found family story. Like, literally. The book goes back and forth between the past and the present. The parts of the narrative that are set in the past are about Kai meeting the people who become his family, and the parts of the narrative set in the present are about him going to find members of that family that have gone missing. Family is a theme that's always there.

In spite of the swap in narratives there was never a moment where I was listening to one half of these stories wishing I could get back to the other one-- they were woven together very well and I found them equally compelling.

Anyway I am very certain there are people who saw there was a new Martha Wells book, then saw it wasn't Murderbot and decided to peace out. Some people probably won't but I think it's worth trying. Tor released enough excerpts that you can get a feel for what it's like and decide if you'll like it or not. The mystery is fascinating and, like Murderbot, it's casually queer in a really good way. Martha Wells clearly loves her a lesbian power couple.

[ironunderstands]

Dr. Ratios predictions, theories and ideas I have for his lore BECAUSE SO MUCH HAS HAPPENED AND I AM INSANE ABOUT HIM AAAAAAA

‼️INCLUDES DISCUSSION OF LEAKS SO BE WARNED‼️

So, I’m sure if you like Dr. Ratio even a little bit or have kept up with what leakers are doing, you have heard of a little something.

That little something being our new planet in coming in 3.0 is Ancient Greece inspired 

Oh boy.

And oh it gets better, thanks Sparkle for playing genderbend Ratio during Cosmoddesy because 

Yup, this is his planet.

I’m well aware it will be like 7 months before we start getting proper leaks about this place, but for now, let’s do some speculation shall we, because if there’s anywhere we are gonna get his backstory/lore/a story centered around him, it will be here.

So let’s begin 

Whatever the hell I think is gonna happen during 3.0

A) He will serve as a guide for the Astral Express in navigating this planet 

I don’t think he will immediately go to them to help, or they will immediately seek out him, but rather coincidentally or through the connivence of circumstance he will end up helping lead us around, at least partially until we really get roped into a conflict.

Or, it’s the other way around, where we kinda are left to our own devices a bit and then something happens and either by his own decision or something that’s forced upon him, Dr. Ratio now has to supervise from now on.

Personally I find the second option way more interesting and I think it has way more potential for angst so I’m going with that one let Ratio be dragged around by a malicious entity or his own experiences I’m so here for it. 

B) Something happens.

Wow, descriptive. 

Ok, what I really mean is that something bad happens like a prophecy comes true or the express breaks something or a stellaron comes to eat people’s grandmas and Ratio is implicated in it. 

And this is where the fun begins, as the nature of what this something is can completely shift the story in very interesting ways.

Perhaps he was prophesied to doom Amphoreous’s civilization with his presence or something, and was abandoned by his parents on another planet?

Perhaps he has connections to the leaders there who desired for him to be their puppet/tool, so he left to find his own path and now they are trying to force him back.

Perhaps he failed at a test of theirs when he was younger, some universal trait on the planet that he couldn’t live up to and was exiled because of it. Now that he’s back, they blame whatever bad thing happens on Ratio. 

I actually really like these particular theories as Ratio has a lot of themes about creating your own destiny, so seeing him resist one forced upon him would be compelling. Moreover, I feel as though an arc demonstrating how exactly he wanted to become a Genius/where he got all his insecurities and motivations from is not only necessary for his character but would flesh out the way we see the path of Erudition in general, even if I already really like the way they have gone with it so far. 

C) Resolution/Self acceptance 

I doubt they will permanently kill him, it just doesn’t suit his character at all.

However, do I think is he gonna get messed up by whatever that “something” is? Yes. 

If the story centers on this remains to be seen, honestly, I doubt it will considering we have the entire cast of the planet and its own lore to meet and learn about, but I do think Ratio will be a major player and I hope how he feels gets some of the plot’s focus as we have quite literally only have 1 full scene of him where we see who he truly is, and it’s all the way back in 1.6 (Ratio-Screwllum conversation my Roman Empire). 

Like guys I needed this man bleeding out screaming dying crying throwing up clutching his wounds looking up at the screen like a kicked puppy losing all hope in himself and others YESTERDAY 

I NEED SOMETHING BAD TO HAPPEN TO HIM FOR CHARACTER DEVELOPMENT AND BECAUSE RATIO IS SO HIGH STRUNG THAT ANY AMOUNT OF PRESSURE WILL CAUSE HIM TO SNAP SO PLEASE HOYO LET HIM BREAK!!!

He needs another scene where he’s being sincere, he needs a scene where he’s being vulnerable, Ratio’s marble facade needs to crumble to reveal the man underneath and I need that man to pick himself back up again knowing he can allow himself to be human as well AAAAAAAAAA

His connections to Acheron 

If you have seen my other posts I have already talked about this at length, however the brainrot for this particular detail is all consuming so let me just demonstrate:

Dr. Ratio has the same philosophy as Acheron, an emanator of Nihility.

Look.

Essentially, they both believe that only in desperate situations will humans reach their full potential and begin to truly live for themselves. Moreover, they also both try and offer the tools to help people save themselves, Ratio with knowledge and Acheron with destroying the dreamscape, and that even if people can only become their true selves through struggle, it is the guidance and love of other people that will allow them to pick themselves up. 

Interestingly, pre-2.2 I also believed Ratio was walking the path of Nihility, due to how he engages with knowledge. That very viewpoint spawned from the 1.6 conversation I just showed you, as Ratio demonstrates to the audience that he does not care about knowledge in of itself, but rather the value it can bring to people.

Now, this sets him apart from the Genius Society members, who believe knowledge is inherently valuable and that it is what brings the universe meaning to them. Every person Nous has acknowledged has expressed this belief, which is why they were acknowledged and Ratio isn’t.

Before you say it, no, it’s not that he isn’t smart enough, quite the opposite actually.

Screwllum himself acknowledges his genius and time and time again are Ratios myriad of accomplishments brought up. In universe plenty of people believe he should have been instated into the society by now as well:

These are just the ones that implicate the society directly, as so many of Ratio’s character stories also mention just how accomplished he is.

Moreover, in 2.3 we are getting a new Sim Uni update made by Ratio himself, centered on humanity because of course it is, therefore he’s even smart enough to do the same things the GS members do, even collaborating with Screwllum to work on their favorite pet project.

So, what does this have to do with his lack of acknowledgment, and the path of Nihility?

I have established Ratio is smart enough and that he doesn’t view knowledge in the same way the other member’s do. Therefore, this difference in mindset is why Nous has never acknowledged him, because as much as Ratio thinks he is walking the path of Erudition, his personal philosophy and behaviors have never aligned with that, even if he thinks they do.

I mean, the man says it himself, even if he doesn’t realize the implications of it:

“The Path of Erudition has neither reason nor logic. While geniuses wander among the stars, the ordinary can’t even trace their footsteps.”

That is the path the Genius Society members walk, the path Ratio is criticizing in this sentence, the path he refuses to travel along himself, because what defines Ratio is that he will never leave the ordinary behind to stumble alone.

That is the path of Erudition.

And Veritas Ratio does not follow it. 

So what does he believe in?

Finding your own path. Forging your own future, in the face of a meaningless universe, that is the only thing we should do, the only thing we CAN do. 

“even a life marked by failure is a life worth living”

That’s what Ratio believes.

It doesn’t matter if the masses cannot escape their mediocrity, if they will never be geniuses, if their efforts will go unacknowledged, because the universe doesn’t care, therefore they shouldn’t either. There is no grand test, no final destination, no perfect goal people must attain.

Destiny is uncertain, and people’s fates are theirs to choose. 

Dr. Ratio believes people can still improve themselves, and that it doesn’t matter if people cannot reach the ceiling of knowledge, as they should still push themselves off the floor and stand up. 

He doesn’t think anything confines people from bettering themselves, and that it’s pointless to deliberate over whether one can achieve perfection or not, they should strive to improve themselves regardless and live their best lives because why not? Sure there’s nothing saying they can, but there’s also nothing saying they can’t, and in the face of a meaningless universe, devoid of purpose, one must create their own, and he dedicates his life to aiding others in realizing this.

Ironically, Ratio does not take his own advice. He can recognize the merits of the masses, but he cannot appreciate his own. Ratio is forever walking forward, but he cannot see the path ahead of him, or appreciate the lengths he has gone, the distance he has traveled, and the lives he has improved. 

Ratio spreads knowledge across the universe, believing that is what Nous desires, what the Erudition means, or rather should be, which is partly why he views himself as mundane, as a failure. 

Not just because he is as ordinary as any other person, but because Ratio thinks he hasn’t succeeded in his goal without Nous’s acknowledgement. I think he believes that he hasn’t done enough, that he isn’t smart enough, that he will never be good enough, therefore no matter what has happened, Ratio is doomed do be as mundane as everyone else, and his accomplishments will never be worth the gaze of the entity who inspired him to help others in the first place, as that’s what Ratio believes they would want.

However, helping others is not something Nous cares about, it’s something Dr. Ratio cares about. Even if he doesn’t understand or acknowledge it, Ratio’s accomplishments are meaningful, and he has walked his path further than most ever have. 

However, that path just isn’t the path of Erudition, it’s the path of Existence. 

Initially I believed it to be the Nihility, and in a way I’m not wrong, considering one must cross underneath the shadow of the Nihility to find the Existence, so in a way he is still approaching them.

However, as always, Acheron clarifies everything.

The Nihility envelops all, therefore it is meaningless. And before our final ending, our predetermined destiny (death), we have so many choices to make, therefore we should make them, as it makes both our life and death develop a completely different meaning.

As I have stated, this is what Ratio believes in, even if he attributes it to the Erudition, rather than the Nihility.

Ratio’s entire goal in life is to help others bring meaning to their lives and guide them in the right direction so they can begin to choose for themselves, using knowledge as his means to do so.

Which is exactly what Acheron does, “on the still waters of oblivion, I guide the wandering souls,” isn’t just a line she says because it sounds cool, rather, that is her goal as well. An emanator of Nihility, whose goal is to help others find their meaning in the universe. 

But Acheron doesn’t just want that. She is looking for the Existence, and to kill the Nihility (meaningless) forever.

Which is significant, because if Ratio believes the same exact thing she does, and is walking the same path as she is, then like Acheron, he is heading towards the Existence, not the Erudition.

And Nous will never acknowledge him, not because he isn’t smart enough, but because he never followed them to begin with.

In fact, we know what Ratio is, or rather, what he might end up becoming.

So far no Doctors of Chaos have succeeded in their goals, but perhaps Dr. Ratio, Dr VERITAS Ratio, will be the one to do so. After all, who else could it be but him?

How fitting that the man named after truth would be the one to find it.

That fuckass owl 

Glaux I want to throw you into a blender 

This is Professor Glaux, one of the figures from the Hanunue-Clockie Era of Penacony who did some things like bring the stellaron there, was a scholar of the Intellgenica Guild, became the first dreamweaver, inspired the paper birds, did some shit with the Nightingale Family and presumably died.

I know, horrible explanation, especially considering I haven’t even done the quest this guy is from, but hopefully that’s all the information you need for now so I can introduce you to this theory (which I did not create, sadly I don’t remember who did but it was someone on twitter somewhere so shoutout to them)

That being… Dr. Ratio is Glaux

I hate it I’m sorry. But I will attempt to explain where it’s coming from.

A) Glaux has very similar references to Ratio, aka they are both associated with Greek culture, wisdom and owls 

Glaux is the Greek word for owl and they are heavily associated with Athena, the god of wisdom.

Now Ratio has extremely obvious owl, Greek and wisdom association if you have looked at him for any longer than 2 seconds so I’m not gonna bother to demonstrate it, they have similar references, moving on.

B) The Intelligencia Guild + their titles 

They are from the same faction, and both are referred to as Professors (ratio gets called that more in the CN version I think), and at least Ratio dedicates his time to spreading knowledge, which I think is something Glaux shared.  

C) This occurrence in Gold and Gears

You know, the one where a student kills themself because Ratio thinks they are an idiot.

Well, it’s complicated because apparently the story told in Gold in Gears takes place a long time ago?? 

How long I don’t know as my brain melted in my skull when trying to piece it together, so please do correct me if I’m wrong, I’ll try to make sense of it later.

Moreover, this is also complicated by the fact that this particular occurrence was used by Herta to teach the trailblazer some mechanics of the sim uni, which makes me thing it’s not a part of the lore/timeline in it in general, and just something funny she added in anyways. Continually, there are also occurrences from characters like Argenti and of the Genius Society members themselves, so I don’t think every event is set in the distant past.

However, I think this idea comes from the other person in that occurrence, Dr. No5, but he also kills himself in it, and I can’t find anymore information on it, so I doubt it. (also apparently in the Chinese version the Ratio they refer to isn’t in the way they refer to Dr. Ratio/the one we know so idk)

Either way, what this means is that if this occurrence did take place a while ago, then Ratio must be super fucking old and he must have been part of the Intellegencia Guild during that time, like a certain owl aka Glaux, who was part of it.

D) Ratio’s weird origins

By weird origins I mean we know jack shit about his past (although we finally know the planet he’s from!) and for all we know the man could have spawned in one day, with some other theories even coming to that conclusion, like the infamous worm theory.

Essentially, if you put this all together, Ratio was once an owl-humanoid named Glaux who was from the Amphoreous, and then became part of the Intelligencia Guild a while back, which is when that occurrence happened. He then went to Penacony, did some stuff, faked his death and like came back as Dr. Ratio on that planet again, which is why we don’t know anything about his origins.

Can you tell why I hate this theory as a concept.

I find it to be dumb, nonsensical, a waste of potential and just straight up random as hell. However it is also objectively valid and could have happened within the plot of the game which is why I hate it so much because please hoyoverse do not go in this direction I will skin you.

However, I do not think Ratio has nothing to do with Glaux.

Rather,

A) The stuff Glaux did on Penacony is meant to parallel how Ratio acted there, as both served as a guiding figure for people on their respective timelines 

B) Ratio is the same species as Glaux/ they are from the same planet (Amphoreous).

Now this I fuck with heavily. Yes, Glaux is way more owl looking than Ratio is, however more human versions of his species could exist, and Ratio could just have the ability to like shift forms or something.

He also looks extremely similar to the owls on Ratios design, which I now deem it appropriate to show to you the metric fuck ton of owls in Ratios design.

(there’s a few more btw I just couldn’t fit them due to the image limit LMAOO)

Why do you have so many, and why is it the same fucking owl, same culture, same goddess referenced, same symbolism???? 

Like even if I hate the 1 : 1 Glaux-Ratio theory, they are clearly connected, and this is no accident on behalf of the developers. 

Therefore, I would keep an eye out for Glaux mentions in the future, especially on the planet coming in 3.0, as I 100% believe that they are from the same planet. There’s no way they can’t be connected in some manner, and if I am right about this I will be annoying about it for the rest of time. 

I can’t believe owl Ratio might actually be a reality. 

So uh, let’s put this all together.

We go to Ratio’s planet in 3.0, problems happen and we learn both his past and his connections to that owl species Glaux is from which likely causes even more problems. Bbg probably gets his ass handed to him in 3.0 and 3.1 and gets to make up for it in 3.2, ending the arc off more fulfilled as a person, and perhaps making some realizations about himself including that he isn’t actually following the path of Erudition. Then we skip all the way to endgame when the trailblazers are fighting Nanook and him and Acheron come in with the steel chair hopped up on Existence juice to give the trailblazer enough of a will to live as to not succumb to the Nihility because oh my god how can you defeat the embodiment of Destruction. We somehow win and Dr. Ratio gets married to Aventurine and they ride off into the sunset roll credits we all cheered. 

So, yeah.

If I’m even a little bit right about this I will be the most insufferable person on this planet. Anyways I hope you enjoyed reading this, and even if these theories don’t end up being true I do still think the speculation gives a lot of insight into his character.

[bonefall]

do you have any tips for writing a low empathy character who isn't evil? Or how to make an interesting apathetic character who's a thoughtless sort of evil? These are two different chatacters btw-

I tried looking up examples and stuff but uh. It's been a bit fruitless.

Honestly it's not too hard! Having low empathy just means we're bad at automatically "connecting" to the feelings of other people. You can come to understand it's not even a character flaw once you uncouple the idea that Empathy = Kindness. And apathy, well, that one's a bit more complicated imo.

Low Empathy

In English, it's just unfortunately super common to conflate Empathy and Compassion. To have compassion is to be aware of the suffering of another person, and ergo, want to help stop it. To be empathetic is to identify with and understand the feelings of another person. These are different things.

For an example in action; imagine a medic with a patient whose shoulder is dislocated, and xey'll need to pop that arm back in place in order for the patient to feel better.

A medic feeling EMPATHY for that patient is having an emotional response to what xey're seeing. Xey might have a tingly "ghost pain" thinking about the injury, and xey might feel guilty xey're going to put them in more agony, but also joy because this patient is going to feel much better in just a moment.

A medic feeling COMPASSION for that patient is thinking about how the shoulder must be causing a lot of pain, and knows xey have the skill to fix it. Xey know from xeir own experience that pain sucks and so it is a bad thing that needs to go away. It will hurt a little more for a moment, but then there will be immediate relief.

This is imo, why a lot of low empathy people are "bad at" comforting people without going to Autism College where they give you the scripts of Shit Neurotypicals Say. We're not trying to be selfish when we end up making "comfort sessions" about ourselves-- that's what we think empathy is, because we don't have a lot of it to really know what you want.

Like, doesn't it make sense to you? "I don't know what you're feeling. Here's a similar situation I've been though. I must know what you're feeling-- does that make you feel better? That you aren't alone? I think that's what empathy is, am I right?"

A LOT of low empathy people go into medical fields, the funeral industry, and disaster relief. We often really do want to help people so seek these fields out, or when we get there, just end up not getting burnt out like our high-empathy peers!

Apathy

As for the apathetic character, honestly, I'd suggest thinking about your story's themes. Villains are very special to me and I always try to handle them with care. What are you trying to say is bad to not care about in your work? How does their apathy play into the story you're trying to tell?

A Captain Planet villain is completely selfish, and exists only to benefit itself by exploiting nature in some way. Then the Planeteers show up and punch it in the face. Boiled down to its barest, most simple essentials; "We have conflicting goals and so I will stop you."

Personally I find total apathy to be something not especially compelling in villains, for that reason. Like, if you really don't care about anything, why bother with the trouble of going against the protag? Motivation is meant to be MOTIVATING.

(also ngl I'm on the Shadow As A Hero sort of bandwagon where I find it much funnier for the simple apathetic cool edgy guy to be the funniest person on your tennis team)

Dungeon Meshi has TWO characters who struggle with apathy, and are both antagonists at some points in the story, but never villains. Shuro and Mithrun. The theme of Dungeon Meshi is the beauty and complexity of life, the value of living, and how our connections to others changes the people we are. Food is a metaphor for bonding, self-care, and understanding.

For Shuro, he begins the story as someone who's both been encouraged to bottle up his emotions for the sake of other people, as well as to not actually consider the emotions of those lower-born than him. He's from a very different place than the other members of his party, and this causes friction as class, culture, and sophisticated, refined, weapons-grade autism clashes.

When the woman he loves is eaten by a dragon, he doesn't stop to tell her brother and """childhood friend""" what he's planning, as if they both wouldn't run in and get hurt. He owns demi-humans. He doesn't consider his own needs or the needs of his rescue team of loyal vassals. As a result, he's too weak to continue, losing a fistfight with one of the main characters, Laios.

After this, he connects with him for the very first time, and reaches out to him by giving him an important magic item. There's even a MASSIVE moment where he outright tells Laios that his ability to be so open (read: not have to mask his autism) is something he envies, breaking through that veil of apathy he wears.

The story Dungeon Meshi is telling here is that it is important to value the needs of yourself and of others. Shuro's apathy towards his own needs in a bid to prove his love weakened him. In acting like he was above his old teammates, he never spoke to them like people to smooth out his issues. He's never even noticed how much his vassals love and care for him.

(and the incredible irony is not lost on me, that Shuro's name is because Laios mispronounced it and was never corrected... while Shuro never noticed that Izutsumi had the unwanted name "Asebi" forced onto her when she was "taken in" and made his slave.)

See how that comes back to the theme? Shuro doesn't exist to just "be some asshole" or act like a villain. He has a full character arc that contributes to the narrative.

For Mithrun? I won't even spoil it. Go read Dungeon Meshi. Watch elf depression. We love a king with strabismus.

Anyway,

If you ever need good personal resources on any stigmatized mental condition, I've found it's usually productive to go into the #Actually (Thing) tag here on Tumblr. You can find people posting about basically anything. I found a lot of really good resources on NPD that way.

[idanit]

ok now i need to know about your niche country-specific jeeves AU

"Every valet takes great pride / in cooking what his husband likes" an edit of a makatka by @maidblues

(You've probably forgotten about sending this ask. I almost forgot I had a reply sitting in my drafts.)

This is incredibly niche and very hard to do for numerous reasons, but I've been thinking about a Polish Jeeves AU for a good while now. I'm not the best person to come up with the best way to cut almost all politics out from a story set in the 1920s in a country that has just become sovereign and is about to go through some further enormous transformations, so I'm not going to try very hard. Wodehouse's stories already take place in an idyllic sort of fantasy on the theme of interwar and postwar Britain, so I suppose a Polish AU would have to just lean into that even harder.

(Polish aristocracts lost their legal protections in 1921, but let's not think about it too much. Don't think about how you could possibly make "Comrade Bingo" work in a post-1920 Poland either. Etc., etc.)

So we've established that this would have to be some sort of barely recognisable fairytale Poland. But something in me is compelled by the idea of trying this out anyway because there are not a lot of wodehousian stories in Polish literature of the time. Not a lot of comedy without other genres mixed in in general. And one does wonder what it would look like.

Names are tricky. I want Bertram to be Bartłomiej or Bartosz (Bartek in the diminutive). @maidblues likes to give him the surname of Kogucik (rooster) and I toyed with the idea of giving him the Kur (another word for rooster) crest.

As for Jeeves's name, his case is more complicated because as far as I know servants in Poland were usually called by their masters by their first name, and the most common servant (as well as Polish in general) name would probably be Jan. So I'm tempted to make Reginald Jeeves a Jan Regulski or a Jan Reguła (reguła means "a rule").

This choice has the advantage of turning the "Jeeves?" / "Yes, sir?" exchange into "Janie?" / "Tak, jaśnie panie?". It rhymes. I find this amusing.

Servants at the time were overwhelmingly female, especially those who worked alone and for a single person/household, but we're going to ignore that.

Bertie is an aristocrat living in Warsaw, since it's the capital city, but his family is from some Mazovian dworek (manor house).

Aristocracy was not quite as much of an exclusive club as it was in Britain (some historians say it made up 10% of Polish society). Bertie probably says his ancestors fought at Grunwald, but he would likely bring up the Romanticism and the XVII century a lot as well, because they were as alive in the Polish public consciousness of the time as Middle Ages were in the mind of a certain kind of Englishman. Bertie could lean into something commonly called "the pride of the Sarmatians" (duma sarmacka).

Bertie's school is important. Everything depends on this, I think — Bertie's language, his friends, his club. Wealthy aristocrats did send their children abroad sometimes, so he could even have a typical British public school education even if he'd be unlikely to attend Eton and Oxford, specifically, but this feels like a cop-out, so I'm going to assume he was a student at some Polish university and not think about it too much lest I get caught up in the timelines of what university in what partition of Poland it would make sense for him to attend.

Bertie's way of speaking. My heart wants to make Bertie use some elements from the Warsaw subdialect because it's very fun and it would fit him, but regrettably, I think it's too working-class for him. I am fascinated by the idea of Bertie borrowing words from German and Russian in addition to French, though. He'd probably make use of some form of gwara uczniowska (student slang), too.

And Jeeves could know the Warsaw subdialect well, even if he would probably not use it while speaking to the members of the aristocracy (I'm pretty sure an early version of canon Jeeves spoke with a subtle Cockney accent, calling Bertie "guv’nor"). I wanted to make him a Warsaw local, perhaps with some family in the countryside, perhaps in the former Prussian partition, since I think the level of literacy was higher there and I need a way for Jeeves to have a chance of getting some education.

The Drones. There were no gentlemen's clubs, so I think the Drones would have to be a coffeehouse, a restaurant, or a szynk / pub called "Truteń"/"U Trutnia"/"Pod Trutniem". It's a significant change because they were not exclusive places, but it's the best I can think of. Coffeehouses in particular had a rich tradition as cultural places where people spent hours and hours on discussions. I think a Polish equivalent of a Drones Club could even serve as a tongue-in-cheek satire on artistic groups like Skamandryci. The Polish Drones would just have to take their gambling elsewhere. (@maidblues came up with another name for a Drones-like place that served food: Darmozjad. I love the pun — the word means someone useless, lit. someone who eats for free.)

As for the Junior Ganymede (Ganimedes), I think it would be a stowarzyszenie (club/society) without its own venue. Its members would probably meet at regular conventions. Here, I see an opportunity of some comedic nods to the tradition of "zjazdy", which in the centuries past were politically significant meetings of the aristocracy.

Bertie sings Mieczysław Fogg's songs.

Jeeves knows quotes from Mickiewicz and Słowacki (Polish Romantic poets) by heart.

Bertie is bi/multillingual enough to run off to Paris instead of New York City every now and then. Not quite putting an ocean between you and your aunt, but far enough for Ciotka Agata not to follow him.

I'm unlikely to ever finish writing anything for Jeeves in Polish, so, to finish things off, have this contextless excerpt from some draft of mine:

Mam na myśli tyle tylko, że podczas półtygodniowego pobytu, w którym jaśnie panowi udało się wpaść do sadzawki, zaręczyć, zostać pogryzionym, rozsierdzić Spodkowskiego i obrazić trzy stateczne matrony, choć nie dokładnie w tej kolejności, Jan ocalił mój ulubiony garnitur (bez krawata), zgrabnie mnie odręczył, opatrzył i odwiózł do Warszawy, a skroni jego nie zrosiła nawet mgiełka potu. Wspaniały człowiek. Obsypałem go, rzecz jasna, pewną ilością marek, ale wydawało mi się to zgoła niewystarczające. Dusza moja śpiewała, wolna jak ptak bez obrączki, a mój wybawca miał z tego tylko trochę świstków papieru, które i tak natychmiast wyśle rodzinie spoza stolicy — znałem go doskonale.

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[jacketpotatoo]

Initial Thoughts on Arcane S2 (spoilers)

I think season 1 was far stronger because it told a much more focused story and centred its themes on the relationships of the characters. What I love about s1 is that you could pick two characters from anywhere in the show, and they'd be foils of some kind, or parallel each other, etc. We don't get enough time with characters talking to each other for that in s2. In s1, so much of the insight we gain from characters is through their conversations with each other - this is effective because they're there and reacting to each other, so you get the deeping of their relationships alongside development of the plot. I think this is why people resonate so strongly with Ep7 - it's so contained. The expanded cast of characters and expanded plotlines mean that at times, it feels like they're checking off plot beats rather than letting the story develop as its characters do. But this is also why I find the jayvik storyline to be the most compelling part of s2 - it's this beautiful medley of greater themes and personal ambition wrapped around inextricably in the other. I found the show's thesis on healing and destruction and the cycles of human violence compelling, and I liked that magic was a sort of tech/industrialisation stand in. Viktor had some GREAT lines that I need to spend some more time unpacking. Cosmic yaoi soulmatism is beautiful. Also speaking of episode 7, I also thought Ekko's arc was incredible and the best and he's the best and I love him.

That being said, I definitely think the ball was dropped on the class commentary. The writers simply took on too much - just trying to explore the class tensions between Zaun and Piltover is enough to take up the entire season. And it's so deeply integral to the politics of the season, and to the balance of the relationships of various characters, that it's just a bit. sigh. Especially when nearly all the new characters introduced get killed off. And we don't get much focus at all on Sevika, who's one of the only main characters involved in revolution. I love Isha, but she felt so much to me like a plot device to me that i find it hard to reconcile. And the lack of class-commentary sours their portrayal of Caitvi alot for me. I personally think Cait's revenge to reconciliation arc was handled fine, and that a verbal apology wouldn't mean as much to vi as the action of freeing her sister did, but the last line of the show is hard for me. "I'm the dirt under your nails." I get that it can be interpreted multiple ways (see: non-problematically), but that had to have crossed the writers' minds. Is it intentional then? A reminder of Vi's insecurities, simply glossed over by Caitlyn? Does it just draw attention to the inequality of their relationship, indicate that there's further work to be done between them and individually? Honestly I feel the same way about where Zaun/Piltover is left off politically. This sort of ambivalent state that isn't endorsed (the sneers the council throws at Sevika are intentional), but is unfortunately realistic. I don't think the ending is a happy one at all. Ambivalent really is the word I'd use to describe it.

I also figure that I need to rewatch the show in full, including season 1. Thoughts might change! I'm still working things out in the brain. I do still think Arcane is a fucking beast and a triumph, and I will forever be inspired by it. I love these characters. every shipper won something and I think that's beautiful. Fortiche's animation is revolutionary.

[butchvamp]

i finished Davrin's quest last before going into the endgame and i have a lot of mixed feelings about it. i know a lot of people were really upset with what they did to Isseya (i don't know anything about the Last Flight so i can't speak on that) but i think it was interesting what they tried to do-- the Grey Wardens have always asked "do the ends justify the means" and i think his quest has potential to tie up nicely with the overall theme of choice and regret-- Davrin choosing the Wardens, choosing that sacrifice versus Isseya, who was forced to follow orders and ultimately regrets her choice.

but Davrin's quest, like the majority of companion quests, is hindered by racism (thinly veiled anti-indigenous racism filtered through the elves as well as anti-black racism). we had a chance to explore real reasons why he felt compelled to leave his clan and join the Grey Wardens-- he's a monster hunter, sure, but he is also a protector. maybe he felt he could better protect them in this role? but Dragon Age loves their "the Dalish are boring and too stuck in the past and tradition, so i left to find something better" shtick, and they are clearly caught up in dichotomies in this game which we also see with Taash (and the rest of this quest, too). Davrin cant be Dalish and a Grey Warden and proud of both-- only one. but this doesn't even really align with Davrin's attitude that we see later.

i mean he named his griffon Assan, he clearly does hold the Dalish close, and we get to learn about how he used to tend the halla with Eldrin-- he comes back to this after surviving Weisshaupt, something he probably never imagined he'd be able to do, and i wish the game had dug into his feelings more rather than shifting immediately to focus on Assan.

Davrin survives Weisshaupt, he survives killing an archdemon, and he clearly has a lot of guilt about it-- Rook can tell them that he did the Wardens proud, but he retorts, "Did I? Because I'm still here and they're not." he made his choice, was prepared to make the sacrifice, and it was taken from him, and he survived when so many others died. "I feel like a blade sharpened all these years to confront the worst darkness in the world. And my blade struck true at Weisshaupt. What now?"

so now he has a new choice, one that he doesn't feel he's earned. and they try to convey this through the griffons, trained by the Grey Wardens for one singular task until it ultimately killed them... but now reborn, Rook and Davrin are given the chance to release them from their service to the Wardens and potentially find a new path. like Davrin, they weren't supposed to survive, either, and only did because of Isseya. throughout the quest we can see Davrin shift his opinion of the Gloom Howler, insisting on calling her Isseya, giving her back her name in the end to stop her. we see other wardens who have lived past their calling, past their "purpose," and how twisted they have become-- Davrin clearly sees some part of himself reflected in Isseya because of this, on top of being both a Grey Warden and an elf, too. unlike Isseya, though, Davrin has pushed through his guilt and regret and found new purpose with the griffons.

i think this is a good set-up. but in my opinion the execution is weak because after a certain point the story just starts to ignore Davrin in favor of the griffons. Davrin is the one that is both the monster hunter and the shepherd, but we only focus on Assan, and the ultimate choice is about the griffons, not Davrin himself. with the blight ending, why didn't we get to discuss what it is Davrin wants to do once everything is over? does he want to return to the Grey Wardens? he fulfilled his purpose, he killed an archdemon. does he want to become the griffons' shepherd now instead? there is no option, the griffons (besides Assan) are just handed over to someone else in the end. does Davrin join them after the final battle? does he help train them with Evka and Antoine? or does he leave the wardens and join Eldrin in Arlathan? the fake-out goodbye with Assan makes it seem like he doesn't do either, but we really don't know, since his end slide in the credits is just about the fucking griffons! it's so frustrating.

i also think him being the possible sacrifice at the end is a poor choice. the point of Davrin's story is that he survives. he survives! he has to live with it and accept it and find a way to move forward, reconnecting-- through raising Assan-- with a life he had previously sworn off. all of that development only for the game to potentially just kill him anyways.

Davrin has some of the best banter and relationships in the game, he deserved better, i really wish we got to explore his character more beyond using him as a stepping stone to reestablish griffons in Thedas.

[spacedlexi]

So I was rewatching berleezy's twd s4 and someone in the comments said it was interesting that Clementine (determinately) can believe there's no life inside of walkers when her parents were found together and they were assumably walkers for those 6 months she and lee were together. Meaning they could've wandered off and separated but they were found together after all that time. (It's more than likely for plot but it's still an interesting point) Thoughts on that? Also any headcanons on her parents? (Or art 🥺👉🏾👈🏾) have you watched berleezy's playthrough???

well walker tenn still does the hand thing. and you could apply that idea to clems parents still standing together after all that time. maybe some deep part of them compels them to move that way, to stay close to those people. what made them Them is still in there somewhere even if theyre gone. its something S4 Wants you to think about. is there really Nothing left of who they were once theyve turned? i think there is. on some level. the person may be gone, but some part of them still remains

i like that since they do the "humans are the real monsters" thing that every zombie thing does (which ultimately i feel is what zombie media is About (plus our capacity for love and community. great love and great evil)) they leaned into that idea of well if the zombies arent the real monsters then what are they? theyre just their own thing. any creature just trying to survive, even if theyre dangerous. once they were a person who lived a life and had people who loved them. and now theyre This. i joke when i call james the neighborhood cat lady but like... yeah. S4 is very explicitly about what makes someone a "monster". willing to do evil things (or willing to stop doing them) and at what point there is no return, and when you have to let go of them. but does that not also apply to the walkers? there is no return for them either, and you still have to let go (or die with them), no matter how much of who they were is still in there somewhere

S4 is very philosophical about its themes and wants You to come to a conclusion on the ideas its presenting to you. it Is a choice game after all. i do believe walkers are walkers. but that doesnt mean there isnt still a part of who they were in there somewhere. both can be true

and yes i watched berleezy cuz he was the only one i could find who actually liked vi and her romance 😭 (and who didnt not save her/get her killed). so many people were so apathetic or weird with her while still choosing to romance her i couldnt take it anymore WHERE IS THE ENERGY?? his reaction to vi shooting minnie is the reaction you Should be having in that scene. thats how i get every time i see it 😩

[the-cosmic-cauldron]

Unpopular Synastry Opinions 💘💓❣️💚💞💖💙💛🖤💗💜💔❤️💕

Disclaimer: This is a long post. If it doesn’t apply, let it fly. These explanations in my perspective resonate most with your Synastry based on the Whole Sign system.

💕 For me, in order to have a romantic connection with someone, their planets must fall into the houses of romance in your chart. If not, it doesn’t mean you won’t have a romantic relationship, but it does suggest that the connection might be more rooted in friendship, familiarity, work, career, or business rather than romance.

🏡The houses of romance are the 5th, 7th, 8th, and 12th houses.

1️⃣ The 1st house in synastry isn’t particularly amazing to me. In fact, I think it can cause more issues than it provides benefits. The reason is that everything becomes tied to the house person’s identity. For example, if your Sun falls in their 1st house, everything revolves around the house person’s sense of self. While there might be attraction and allure, it also creates a dynamic where the focus is heavily on one person. To me, this doesn’t really scream romance as much as it functions as a confidence booster for the house person. I think it works well if there are other connections to the romantic houses (5th, 7th, 8th, or 12th), as the 1st house overlay can complement those by boosting someone’s confidence within the relationship. However, on its own, I don’t see the 1st house as particularly compelling or significant for fostering deep romance.

(My first house falls in the Moon of my ex, and although he always gave me so many compliments, I never felt like I was extending that same energy to him. This can sometimes lead to the planet person feeling used. First house energy can often come across as selfish.)

2️⃣The 2nd house in synastry always points to a business partnership, working on a project, or trying to accomplish a goal together. To me, it is not a romantic house. It’s heavily focused on assets, finances, and values. While some people tend to romanticize it—because that’s part of the allure of synastry and the desire to find romantic connections—it’s ultimately a serious house. This is where you and the other person are likely to focus on discussions about goals, plans for making money, or increasing stability, rather than romance.It’s not a romantic house at all, and it can also be easily afflicted because it deals with sensitive matters like finances and personal values. If the planetary interactions aren’t beneficial, it can become detrimental. Someone’s planets in your 2nd house could mess up your money, disrupt your goals, complicate business ventures, or undermine your responsibilities and stability.

( All the people I’ve met whose planets fell in my second house were people I encountered when I was trying to accomplish something, had a goal in mind, or was driven and focused on achieving that goal. That’s why I believe the second house isn’t really a house of romance—when you meet these people, you’re not necessarily looking for romance; you’re focused on your goals.

For example, I met two people whose planets fell in my second house while I was in cosmetology school, focused on earning my cosmetology license. I also met a guy in college while I was working toward my degree and pursuing education. Another time, I met someone whose planet fell into my second house, and they actually introduced me to someone else whose planet also fell into my second house.

I’ve noticed a consistent theme: most of the time, when you meet people whose planets fall in your second house, it’s in structured environments like work or school. You might meet them while handling finances at the bank or while pursuing a skill or goal in life. These connections often happen when you’re focused on something significant.

However, these relationships can go either way—they may uplift and support you, or they may become a detriment. In my experience, many of these people ended up being more of a detriment than a positive influence, likely because the second house can sometimes be afflicted and easily lean into its negative aspects.)

3️⃣The 3rd house, to me, is best suited for friendships. The reason it works well for friendships is that it fosters a talkative dynamic. With someone’s planets in your 3rd house, you’re likely to have a relationship where you both enjoy talking about your day-to-day lives, sharing what’s going on, gossiping, and having casual chit-chat.This placement often involves doing things together around town, like going to the mall, visiting restaurants, hanging out at bars or clubs, spending time in nature, or attending events. The energy of the 3rd house brings a sense of local community and a hometown vibe. It emphasizes communication, sharing ideas, and bouncing thoughts off one another.Because of this, the 3rd house is ideal for friendships, as it creates a lighthearted, engaging, and socially active connection.

(The third house is another place where you can meet people, particularly in learning environments. This could include retreats, workshops, hobby classes (like candle-making), or even orientations at school or work. Essentially, any setting where learning takes place is a likely spot to meet someone whose planet falls into your third house.

For example, I once met someone whose Ascendant fell into my third house, and what’s interesting is that we met in a communication class in college. I always find that so fitting for third house energy. When we started talking, we really hit it off—we were texting 24/7, chatting constantly, and hanging out frequently. We’d go to local places like restaurants or ice cream shops, which is so typical of third house energy.

Our activities were very local: we’d attend festivals, events, bars, and clubs together. It wasn’t about long-distance travel; it was about enjoying day-to-day life in the same area. We’d gossip, share details about our daily lives, and even FaceTime when one of us went on vacation—she would literally show me her day in real time.

The third house energy also shaped the tone of our conversations. Since her Ascendant was in Aquarius, we often had open-ended discussions about the future, radical ideas, activism, and LGBTQ topics. This placement is fantastic for friendships—it’s the “bestie energy,” where you always want to hang out locally and talk endlessly. It’s the type of connection where you’re constantly saying, “Let’s go anywhere in town and just hang out.”)

4️⃣The 4th house, to me, is not really a good house for romance or friendship. The reason I say this is that for romance, the 4th house is about familiarity, but that familiarity doesn’t always feel good. It can be something like, “Oh, you remind me of home,” but what is home? That’s different for everyone. People come from all sorts of backgrounds, and what feels familiar to one person might be unhealthy. For some, home could mean toxic people, manipulators, narcissists, abusers, or individuals who lack compassion. Navigating the 4th house can be difficult because not everyone has a positive experience with familiarity. This house also focuses a lot on home life, and when it’s negatively afflicted, it can cause tension between you and this person’s family. Their family might not accept you, they could judge you, or it could simply create a dependent relationship. In friendships or romantic relationships, the 4th house can trigger old wounds, leading to feelings of being stuck, codependent, or bogged down.That said, if someone comes from a healthy, nurturing home environment and has a positive background, the 4th house can create a sense of comfort and security, especially if familiarity is what they’re seeking. However, most people are often looking for something different than their family or roots when they seek a partner or even a friend. They want something new and different. So, for many, the 4th house can be an afflicted house.

(In my experience with people whose planets fell into my fourth house, the relationship always felt like I already knew them. With fourth house energy, there’s this overwhelming sense of familiarity—you feel like you’ve met this person before, or they remind you of someone from your family or home life. It’s almost as if they embody the essence of your upbringing, and that familiarity can create an instant connection.

When you meet someone with planets in your fourth house, they might remind you of your family or your home life, making it feel like you can understand them easily. There’s a sense of relating to them on a deep level because they reflect so much of what you’ve already experienced.

However, what I don’t like about fourth house energy is how it mirrors so much of your home life and your past. The relationship tends to reflect your prior experiences, including your upbringing and relationships within your family. If your home life wasn’t healthy or was filled with challenges, this can be incredibly triggering.

For example, I grew up dealing with manipulation at home, and I met someone whose personal planet fell into my fourth house who was also very manipulative. Another person with this placement was extremely emotional, which mirrored the highly emotional environment I grew up in. Like me, this person had also grown up in an emotionally destabilized home and dealt with similar abuses. Relationships like these can create a trauma bond because you’re connecting over shared wounds and struggles from your past.

Of course, if you had a healthy and happy home life, this dynamic might feel completely different and positive. But when that’s not the case, it can feel overwhelming and even draining. Most of the fourth house relationships I’ve been in have felt familiar and similar to me, but that similarity wasn’t always a good thing. At times, it felt like it hindered the relationship because it didn’t foster growth or bring anything new to the table.

The fourth house energy often brings relationships that reflect what you’re used to. But I think most people, myself included, are usually looking for something different—something outside of their comfort zone and past experiences. Fourth house relationships tend to repeat patterns from the past or bring people who are too similar to you.

For instance, I tend to avoid confrontation when I have issues, and I can be quite passive. I met someone whose planet fell into my fourth house, and they were exactly the same way. Instead of addressing problems, they just blocked me, which is something I’ve been guilty of doing as well.

People whose planets fall into your fourth house can act like a mirror, reflecting your past or your unresolved issues. They can be so similar to you that it becomes difficult to grow or create the kind of relationship you truly want. These relationships often feel like they have unresolved tension or lingering issues, and they don’t always foster a deep or fulfilling connection.)

5️⃣ To me, the 5th house is all about romance. Some people often talk about how the 5th house is fleeting, but you have to understand that they only attribute that perception because they’re projecting their own idea of romance onto the 5th house. The 5th house represents the type of romance you see in the movies, where someone gives you flowers, shows up for dates, writes love letters, and you’re going to different places together, enjoying time with each other. It’s the kind of romance where you’re so in love and captivated with one another, always wanting to be around each other, bringing each other happiness. You smile more when you’re together, and life just feels better because you’re doing things you love, inspired by the other person. The 5th house is a deeply romantic house. I don’t fall into the trap of thinking, “Oh, it’s not long-lasting.” I think people often say that because they’re projecting their own idea of romance onto it. But the 5th house brings that idealized, cheesy romance—the kind where you write each other love letters, poems, or even sing to each other. It’s giving gifts, roses, and all the Pinterest-worthy relationship moments. That’s the energy the 5th house brings.When you see an artsy couple painting together, that’s 5th house energy. When you see a couple who’s always laughing, giggling, and having fun, that’s 5th house energy. And when you see a couple who can’t keep their hands off each other, always touching and feeling on each other, that’s 5th house energy too. It’s a house that brings a fun, playful, and passionate vibe to relationships.

( The people whose personal planets fall in my fifth house always make everything feel like a fun time, where the focus is really just on fun, romance, and romantic things. Even with my sister, whose personal planet falls in my fifth house, we are really close. She’s done so many romantic things for me, like giving me romantic gifts, and we’re affectionate with each other. We write each other long paragraphs, compliment each other, and do fun things together. We try out hobbies like planting plants, doing artwork, and doing makeup together. We just have so much fun—we laugh together and always watch these dramatic shows, which is such fifth house energy.

Even in friendships, the fifth house energy makes things so enjoyable. You’re always going out to eat, doing things that make you laugh, and creating memories together. You’re really loyal to each other and don’t want that loyalty to ever break. You go on a lot of dates and genuinely have fun. My ex, whose personal planet also fell into my fifth house, and I did the same things. We’d go to Dave & Buster’s to have fun, ride scooters all around town, and spend hours on FaceTime joking and laughing. We’d go out to eat together, enjoying food, and listen to music together. We wanted to start things together like hobbies. He’d write me love letters, send me paragraphs expressing his love, and dedicate songs to me. We had songs that were “ours.” He’d get me flowers and buy me gifts, things he didn’t do for other girls. He was so deeply in love with me and wanted to do all the cheesy and romantic things.

Fifth house energy is truly needed—it makes you feel so attracted to each other. You just appreciate each other so much, and giving gifts, compliments, and doing romantic things comes effortlessly. Even in friendships, you’re always ready to have a good time. You really become besties because you enjoy each other that much.)

6️⃣Again, I know a lot of people romanticize certain houses, but the 6th house is not one to romanticize. The 6th house is a boring house. It is not about romance. I think it’s a good house to have in your relationship with your parents. If you have a parent with a 6th house placement, it can make them a great, responsible parent to you. The 6th house handles day-to-day routines, work, goals, projects, responsibilities, and health. So, yes, if you have a relationship with your parent that involves the 6th house, that’s fine.However, you don’t want to have a friendship in the 6th house. It leads to a boring friendship—one that you probably have because you work together or attend school together. It’s a friendship that’s likely to fizzle out because, outside of the goal or task you’re working on, it lacks depth and becomes dull. It also requires a lot of work. With a parent and child, the 6th house is somewhat inevitable because parenting is a lot of work. But in a friendship or romantic relationship, if it requires too much work, it can cause strain. It can make you feel miserable, as if there’s no romance in the relationship.There’s also a level of service and duty in the 6th house. You might even feel obligated to the other person. That’s why I said the 6th house is best for parent-child relationships. In that dynamic, you’re more likely to feel obligated, but in a friendship or romance, it can feel burdensome.

(The sixth house is really a boring placement for me. I know a couple of people whose personal planets fall into my sixth house, and there’s always this sense of boredom. I feel like they’re boring, and I want more fun, adventure, and excitement, but they just can’t provide that for me. That’s what the sixth house is—it has a very dry energy, and it often comes with a feeling of obligation and work. You might feel obligated to these people, even if you genuinely don’t want to do things with them. You might still feel like, “Oh, I just have to do this for this person,” or, “Let me just suck it up and go hang out with them,” because that’s the energy they bring.

One thing I’ve noticed is that there are often really boring periods in the relationship where nothing exciting is happening. All your hangouts feel really dry—maybe you don’t have much to talk about or share. You’re only talking about your job or your goals, and there’s nothing else you’re really discussing. People with a sixth house placement will talk a lot about work, responsibilities, and their goals. There’s rarely any deep or fun conversation. A lot of these people focus on education or other serious topics, which adds to the boring feel.

Also, with sixth house energy, these are the kind of people who might give you only what they can offer, rather than meeting your expectations. You might expect more romance, fun, or excitement, but they’ll just give you, “Oh, let’s hang out and do this,” and nothing else is really planned. I had one person whose personal planet fell in my sixth house, and they were so boring to talk to—it was just a snooze fest. Another person, I always felt like I never had fun around them. Everything just felt dry. Communication can be deep in some aspects, but I feel like a lot of what they want to do is super boring and routine. They really just want to stick to their routine, and that’s what I don’t like about people whose personal planets fall into your sixth house—they’re unwilling to break out of their routine. You have to adjust to their routine, and if it’s someone in your family, you’re going to feel heavily obligated to them. You may not even care to be around them, but you still feel like you have to stick around and do things for them.)

7️⃣ The seventh house represents the quintessential romance that we are told about—opposites attract, and you find someone who completes you. The whole idea of the seventh house is that you meet someone who complements you, someone who makes you feel loved and makes everything in your life more meaningful. The seventh house is about opposites attracting. You come to this earth with only a certain amount of traits, attributes, or space for yourself, and then you find a partner who completes that picture for you. So, the seventh house is all about finding a soulmate. To me, the seventh house really indicates soulmate energy—the energy of your other half, the energy of what we could even call a twin flame. That’s the energy I get from the seventh house.For example, if you’re an Aries Rising, the seventh house would be Libra for you. In saying that, the seventh house is Libra for you, meaning Aries holds a certain energy opposite to Libra, and Libra holds a certain energy opposite to Aries. When they come together, they almost become complementary. The passive and the assertive unite to create a wholesome picture.When you think about the seventh house, you think about people bringing different qualities. You think about Libra bringing the romance, flowers, and all the beautiful romantic things. You think about Aries as the provider, the protector, the person who takes care of the house, makes sure the bills are paid, and makes decisions. It’s a traditional type of relationship that you get with the seventh house.For some people, they prefer the romance of the fifth house, but I would say the seventh house is more about a traditional relationship. It’s where the woman is more submissive and the man takes on the role of the head or the leader of the house. The seventh house energy suggests that we have roles that we’re assigned and we play, and that’s how we navigate our relationship. The seventh house is about courtship—the person you’re with courts you. It follows the traditional steps, like courting, proposing, getting married, and living happily ever after.

(People forget that your 7th house is based on your rising sign, not your sun sign. A lot of people will say, “Oh, I couldn’t go with this type of person based on their sun sign,” but it’s based on your rising. Every person I’ve met whose personal planet fell into my 7th house has had a crush on me. They’ve been interested, thought I was attractive, and enjoyed our conversations. I’ve had two people whose planets fell into my 7th house, and yes, they did find me attractive, but at the same time, they got really into me when we were talking. Just being able to have discussions with me drew them in even more. I feel like a lot of them thought I was the perfect person for them or the “good girl” for them.

I feel like 7th house energy represents someone feeling like you’re the right person for them. With friendships, it’s that type of bond where the other person really understands you. I had someone whose personal planet fell into my 7th house, and I felt like they truly understood me. They easily grasped my perspective, and I also felt like they were my vibe. I like to talk a lot, and they liked to talk a lot too—we just clicked.

7th house friendships can be really fun. Every time someone I’m around lands in my 7th house with any planet, they always want to talk to me. They get curious about me, feel like I’m a good person, and are drawn to the positive elements of me. I feel like people with a personal planet in my 7th house really like me. That’s what you often get—an affinity for you, even if you’re just friends. If you’re in a relationship, they always kind of like you. Even if you’re different, they’re interested in those differences. They don’t shy away from them; in fact, the differences pull them in. )

8️⃣Unlike the 5th and 7th houses—where the 5th house represents cheesy, romantic, fun couple goals, and the 7th house represents the traditional couple that leads to marriage—the 8th house represents the deep couple. Imagine a couple that has long, meaningful conversations, getting to know each other on a level most others don’t, where they can read each other’s minds and pick up on cues without speaking.Imagine a relationship where you can have tantric intimacy, or where just being around each other creates a sense of arousal. Picture a bond so strong that you feel like a ride-or-die partner, with unshakable loyalty to the deepest degree. No matter what happens, you remain devoted to this person, willing to go through thick and thin, hell and high waters, as long as you’re together. This is the type of person you would fight for—literally. It’s the kind of relationship where you protect your partner to the highest degree, never allowing anyone to disrespect them. That’s 8th house energy.The 8th house energy is staying up late, talking for hours about each other’s lives, bonding over past experiences, traumas, fears, and the most vulnerable parts of yourselves. It’s the kind of relationship where you can stare into each other’s eyes and see straight into each other’s souls. This type of relationship teaches you so much about yourself, both inside and outside the bedroom. It’s a bond where you trust your partner so deeply that you share things with them you wouldn’t with anyone else—your secrets, your money, your entire self.The 8th house energy is not for everyone, just as 7th house energy isn’t for everyone. The 8th house demands a level of depth, vulnerability, rawness, authenticity, and intimacy that touches every aspect of the relationship. It’s not a surface-level bond. It’s not the type of relationship you post about online for the aesthetic. Instead, it’s the type where you pour your heart out, writing five-page letters detailing every reason you love this person.The 8th house energy can feel so intertwined that when your partner goes through something, it feels like you’re going through it too. At times, the intensity can become overwhelming, leading to moments when you feel the need to take a step back and catch your breath. These relationships often experience heated arguments and deeply emotional highs and lows. Yet, despite the challenges, this is the type of relationship that fosters immense growth. It’s the ultimate catalyst for personal and relational evolution.

(Be prepared for deep bonds when someone’s personal planets are in your eighth house. Every person I’ve had dealings with whose personal planet is in my eighth house has resulted in a deep relationship. Usually, what happens is that if you’re dealing with someone of a gender you’re attracted to, there’s automatically a lot of focus on intimacy. That comes to the forefront, and it’s something that isn’t always talked about, but the eighth house brings up raw, primal energy—those suppressed desires. When you’re around that person, you just really want to unleash them. It also gives you this perspective of navigating intense emotions and channeling them into physical intimacy.

With friendships, the relationships are very deep, with a lot of loyalty. You can easily talk about deep topics quickly, often diving into trauma bonding. You discuss your fears and vulnerabilities, and you may feel more open to talk about things you normally wouldn’t. But with other people, especially in romantic dynamics, the eighth house energy can also be fearful and uncertain. You may not know if you can trust the person, and sometimes those bonds never fully develop because there’s a lack of trust. Trust issues often arise with eighth house energy.

I’ve had eighth house energy with people where I could talk to them on the phone for hours. With this energy, when you’re around them, you can feel their emotions. It creates an empathetic bond, especially depending on the sign it’s in. I’ve also noticed that eighth house energy prompts you to confront your trauma or unpack your issues. So, a lot of talking about personal struggles, trauma, and vulnerabilities happens. It creates a very ride-or-die relationship—you might hate the person one minute and love them the next, but there’s a loyalty that remains. It’s a very passionate relationship, and there’s a lot of passion shared between you.

What I’ve noticed in eighth house relationships is that they often go through cycles. You may be super close, then fall off, and then come back together. You’ll never really forget someone whose planet falls in your eighth house, or vice versa. They’re the type of person you think about deeply, even if things are no longer happening. These relationships can get overwhelming at times, and you may need space from each other. At some point, stepping back from the situation is necessary. Money often comes into play with eighth house energy—either the person doesn’t want to spend on you, they’re going through a financial crisis, you need money, or you end up loaning them money. Money is always somehow tied to eighth house relationships.)

9️⃣The 9th house is not typically seen as an ideal house to share with someone in a relationship. It often represents distance, usually physical distance. Whether the relationship is with a family member, a friend, or a lover, there’s likely to be some physical separation involved. At some point, you may find yourselves apart due to opportunities for personal growth, education, or differing life paths—such as one person moving to a new city while the other stays behind. This distance can create challenges and make the relationship feel tricky to navigate.Another aspect of 9th house relationships is the potential for arguments and conflicts, especially when it comes to philosophies, beliefs, and education. Everyone has their own perspective, and if these perspectives clash, it can lead to constant disagreements. For example, if you and the other person have opposing beliefs, the relationship may turn into a cycle of asserting your viewpoints without finding common ground. This might look like one person being Christian and the other Muslim, which can create difficulties in navigating shared values. Or it could be a dynamic where one person is highly spiritual while the other is deeply religious, like a mother forcing religion on a child who leans more toward spirituality. In romantic relationships, differing beliefs can also show up in lifestyle choices, such as one partner favoring traditional provider roles while the other prefers a 50-50 partnership. These clashes over philosophies can make the relationship feel strained. However, if both people share similar beliefs, the 9th house energy can foster open discussions, thoughtful debates, and mutual growth. It becomes a space for diving deep into shared values, exploring ideas, and expanding together. This mutual understanding can make the energy of the 9th house productive and rewarding. The challenges of the 9th house also include the physical distance that often arises. Travel may be necessary to see each other, and the lack of physical closeness can take away from the intimacy of the relationship. Additionally, the 9th house often focuses on growth and expansion, which can mean that personal journeys take precedence over the relationship itself. One person may prioritize their personal development or career, while the other might not, creating a mismatch in priorities.In summary, while the 9th house can provide opportunities for intellectual growth and shared exploration when beliefs align, it often comes with challenges like physical distance, differing philosophies, and an emphasis on individual journeys over the relationship. In my personal perspective, it’s not the easiest placement for building a strong, intimate connection.

(I’ve had two relationships with people whose personal planets fell in my ninth house, and what I can tell you is that, at some point, there’s going to be distance. At some point, it’s going to be long distance, and you’ll have to decide which path you want to go on: do you want to stay together, or are you growing apart? Ninth house energy often leads to relationships where you just grow apart. You get together initially, share common philosophies, outlooks, perspectives, and beliefs, but then you grow apart as you’re on different paths, and it no longer aligns.

In both of those relationships, there were clearly two different belief systems, and I feel like that’s usually what happens with ninth house placements. It typically means that you come from two different backgrounds. For the first person, I wasn’t religious, but they were. For the second person, we had different upbringings—I grew up in apartments with both parents, and they grew up in a house with a single mother. Just two different lifestyles. Both of these people had different beliefs from mine, and it created a lot of tension because we had conflicting belief systems and perspectives. That was a big struggle for me.

Ninth house relationships can sometimes feel like you’re longing for something you’re not getting. You’re yearning for something, and it’s more about hope than reality. Another thing I’ve noticed in ninth house relationships is that they tend to occur when you’re going through a period of growth, challenges, or transition—when you’re moving on to the next chapter. You often meet these people when you need someone to pull you out of your circumstances or give you a new perspective. You might meet them when you’re more closed-minded, struggling, or isolated. But what I’ve found is that these relationships are often meant to help you in the moment, and then, at some point, you break up and move on because they don’t last forever, on and off again relationship)

1️⃣0️⃣To me, the 10th house is not a good house for anything other than work. It functions well in a professional setting because, in the workplace, there’s an inherent understanding and acceptance of authority. You expect to have a manager, boss, or supervisor—someone above you in the hierarchy, such as a CEO. Even if you dislike your manager or supervisor, you generally respect the roles and the structure. This hierarchy makes sense in the context of work, but when it comes to friendships and romantic relationships, the dynamics become trickier. The 10th house works better in a parent-child relationship. For example, having a 10th house placement with your mother or father can be beneficial. They can provide structure, guidance, and support in making decisions about your education, career, and other life matters. Parents in this placement can help you build discipline and make strategic choices. However, in any other relationship, particularly romantic or platonic, the 10th house tends to introduce issues like power imbalances, abuse of authority, narcissism, and overly critical or forceful behavior. This house can easily become afflicted and detrimental.In romantic relationships, authority is not a desirable dynamic unless you’re someone who explicitly seeks a traditional structure, such as a woman looking for a man to be the provider, leader, or authority figure. However, in modern times, many people don’t want that kind of dynamic in their relationships, and as a result, 10th house placements in romance often create friction. Additionally, the 10th house focuses heavily on public image—how you’re perceived by the world around you. This can lead to relationships or friendships that look perfect on the surface but are completely different behind closed doors.For example, a romantic couple with 10th house energy might appear polished and ideal to the outside world—they dress well, present themselves as successful, and seem like the “it couple.” But privately, their relationship could be riddled with conflict, domestic violence, or toxicity. Think about Beyoncé and Jay-Z: they were seen as the ultimate power couple, but behind the scenes, they faced challenges that tarnished that perfect image. Similarly, a 10th house friendship might look like two people who are inseparable and deeply connected, but in reality, they talk down to each other, bully one another, or even blackmail each other. The public perception is completely at odds with the truth. When the 10th house energy is working positively, it might involve mutual support to achieve success or maintaining a strong public image together. However, even in its best form, it lacks depth and intimacy. It’s more about external appearances and worldly accomplishments than genuine emotional connection. For this reason, I don’t see the 10th house as conducive to romantic relationships. Its focus on power dynamics, public image, and superficial success often overshadows the qualities that make a partnership meaningful.

(In the relationships I’ve had with people whose personal planets fall in my 10th house, one being a romantic relationship and the other a friendship, I’ve noticed a pattern. The person with the planets in my 10th house often idealizes you for your appearance or public image, even before they get to know you. They might be attracted to you simply because you’re pretty, have a nice style, or present yourself well. It’s not in a dreamy, Piscean way, but more in a superficial, external way—they want to be part of your life because of how you look or what you represent.

For example, the first guy I dated with personal planets in my 10th house thought I was attractive and liked my style, but he focused more on how we looked as a couple and wanted to present a perfect image. He would tell everyone how much he loved me, but behind closed doors, he treated me terribly. He was rude, critical, and even talked to other women. The second guy was similar, but in this case, he made me look good publicly, like we were close friends, but secretly had a crush on me. Eventually, he started expressing his feelings, and everything turned awkward.

What I’ve learned is that 10th house relationships can be very mismatched. What’s presented to the public isn’t always what’s happening behind the scenes. You might look good on the outside, but your relationship could be falling apart, or vice versa. There’s often a disconnect between how things are presented to others and what’s really going on privately.)

1️⃣1️⃣To me, the 11th house is really just a house for friends. It can also work well in parenting, especially as the parent-child relationship evolves and the child gets older. With 11th house energy, a parent might be more accepting, allowing their child to fully embrace who they are. This house also functions well in a work environment, where you’re collaborating with people you respect, find intriguing, and genuinely enjoy being around. That kind of energy makes for a great professional setting. However, when it comes to romantic relationships, the 11th house doesn’t feel romantic to me. Unless you’re looking for something unconventional—like a friends-with-benefits situation, a sneaky link, or a polyamorous relationship such as a thruple—the 11th house is not ideal for romance. This house gives off a vibe of I like being around you, but I don’t want any strings attached. Some people argue that 11th house energy represents “besties to lovers,” but I disagree. Synergy in a romantic relationship is something that typically exists from the beginning and continues throughout the relationship. I don’t believe it starts as friendship and then grows into something deeper. Instead, 11th house relationships often lead to situationships. For example, when someone says, We’ve been talking for three months, but they haven’t brought up commitment, that could be a result of 11th house energy. It tends to avoid true commitment and romance, sticking instead to a friendship-like dynamic. In our modern culture, when you’re dealing with someone you’re physically attracted to, this energy might naturally lead to intimacy, but that doesn’t necessarily mean it will lead to commitment. If you share 11th house placements with someone, it’s important to recognize that the relationship will likely be unconventional. That’s just the nature of the 11th house—it prioritizes friendship and camaraderie over romantic spark.For example, have you ever seen a couple who are so alike in personality that they seem more like friends? They can laugh, goof around, and have a great time together, but imagining them being romantically intimate feels almost impossible because their energy is so platonic. That’s 11th house energy. It’s the type of connection where someone might say, We’re sneaky links; we hang out late at night, but I’m not trying to commit to this long term. Couples with 11th house energy might describe each other as my best friend, not necessarily because they’re deeply in love but because that’s exactly how they view each other—as best friends. This is the person they talk to about everything, the person who gets them like no one else. While that dynamic can be valuable in a relationship, I don’t personally see it as romantic. It feels more like a friendship with an unconventional twist, rather than a deep, lifelong romantic partnership.

( People with personal planets in my 11th house feel like good friends to me. One relationship I had, I felt like it messed up the romantic part because I just wanted to be friends and be intimate whenever we felt like it. That’s the energy the 11th house brings—it’s very friendly.

We shared common interests, like nature, traveling, good food, and psychology. Another person I knew had similar interests, like anime, photography, and activism. I’ve found friendships with 11th house people are easy to develop because we click right away. It’s also the kind of unconventional friendship where the person might be a bit “weird” or have niche interests.

In romantic relationships with 11th house people, I’ve never been able to stay in them. Even when a friend wanted to try a romantic relationship, it felt like we were just better off as friends. The connection felt more like friendship than romance, and that’s how I’ve felt in all 11th house relationships. Even with someone I was in an actual relationship with, it felt more like a friendship than a romance. We shared interests, had fun together, and talked a lot—often through online mediums. I met one person online, and we communicated a lot this way. So, relationships with 11th house people tend to be more about friendship and shared experiences.)

1️⃣2️⃣The 12th house is a controversial house because it represents many things that can easily be misunderstood. It is undeniably a romantic house because all the water houses are inherently romantic. Water represents emotions, depth, and the connections that bond us together through shared emotional experiences. Romance, at its core, is built on emotions—falling in love and staying in love are deeply emotional processes. However, the 12th house can be difficult to navigate because we live in a concrete, practical world. We’re expected to work, go to school, and handle daily responsibilities, which often strips away the romantic energy to begin with. The 12th house is especially challenging because it represents a spiritual kind of love, and many people don’t focus on spirituality in their daily lives. Instead, they’re preoccupied with the practical.Additionally, our cultural ideas about romance—such as courting, dating, talking stages, and following a linear progression to commitment—don’t align with 12th house energy. This energy doesn’t follow those parameters. If you’re looking for a relationship that fits into your physical, practical day-to-day life, 12th house energy might feel out of place or even disruptive. This is why some people with 12th house energy in their relationships may end up having secret affairs. For example, someone who doesn’t have time for romance in their primary relationship might seek out a secret connection to fulfill that desire for something mystical and boundless. The 12th house is a house without boundaries, concreteness, or structure, which can lead to things like secret love affairs or deception. However, people often misunderstand what 12th house energy truly is. It’s a spiritual love, a telepathic connection. It’s when you meet someone and feel like you can read their mind. It’s when you feel an inexplicable familiarity, as though you’ve known them in a past life. It’s soulmate energy, often tied to karmic lessons and spiritual growth. This is the type of love where you might dream about each other before even meeting or have dreams that predict the circumstances of your first encounter. It’s a connection where you feel deeply attuned to one another’s energy, where simply being in each other’s presence feels like entering another dimension. Words often fail to capture the depth of this connection because it’s not a verbal or physical relationship—it’s intuitive and telepathic. This type of bond is reflected in relationships where couples explore spirituality together. They might meditate for hours, burn incense, study astrology, or discuss esoteric topics. It’s a relationship that transcends the physical and focuses on the soul. You see past each other’s flaws and physical appearance, loving the person’s essence unconditionally. In a 12th house relationship, you often want to escape from the world together. This isn’t a connection where you want to be surrounded by crowds or in busy, chaotic environments. Instead, you crave solitude with this person—whether that’s staying at home, retreating to a cabin in the woods, or finding some secluded, peaceful place to be together. Even intimacy in this relationship feels deeper than the physical. It’s about unlocking parts of your subconscious and evolving together. You help each other discover more about yourselves, exploring hidden facets of your being and diving into the depths of your soul. The 12th house often leads to relationships where you avoid focusing on practical matters. Instead, you want to engage in hobbies, dance, play, or simply escape reality together. This avoidance of the practical is what makes the 12th house dangerous for romance—it lacks boundaries and isn’t rooted in the physical world. It’s boundless, spiritual, and open, which can feel both freeing and unsettling. Ultimately, the 12th house is about a love that transcends reality, existing in a realm of its own.

( Relationships where someone’s personal planet falls in my 12th house are really hard to manage. Often, you’re not even prepared for what that relationship brings. I had an ex with their personal planet in my 12th house, and we kept coming together. There was so much between us—he’d walk me to the train station, call me all the time, and we were great with intimacy. But I had intense feelings I couldn’t understand. That’s the thing with 12th house energy—it’s confusing. You can love someone deeply and feel close to them, but sometimes the lines blur, and you can’t figure out how you really feel. The 12th house energy is internal, spiritual, and psychological, not as physical. Sometimes, you feel so close to someone, yet distant at the same time. There’s a lot of weirdness in these relationships. You end up talking about things you’ve never discussed with others, and sometimes you find yourself attracted to the person in a way you’re not used to. You care deeply, but it’s hard to express that care. This energy also requires a lot of alone time. You feel like you can only truly be yourself with each other. When you’re around other people, you act differently. It can be a very private relationship where you don’t share many details about each other or the connection. The relationship just happens, and you keep it to yourselves. There can be weird tension when you’re together, as it feels like you’re picking up on each other’s emotions without knowing how to interpret them. Trust issues often come up, and the energy can feel confusing. In one situation, I literally thought, “This is my soulmate,” but at the same time, I felt the need to get away from him. It’s a confusing, isolated energy. These relationships do best when they exist in their own world, but trying to bring others into it can cause problems. There’s a lot of love and care in 12th house connections, but it’s not always easy for others to understand.)

💜My favorite aspects in synastry are trines and oppositions. The reason I love trines is that they come naturally. There’s nothing you need to do in the relationship to create that element—it simply exists when you’re with this person. It’s like being with your mom, who naturally wants to make food for you, nourish you, and pamper you. You don’t have to ask her every day, “Can you make me food?” She just comes home, whips up a pot, and serves it to you. That’s the energy of a trine—effortless, nurturing, and harmonious. Oppositions, on the other hand, remind me of a defiant child. For example, a child might insist on touching a hot stove despite their parent’s warnings. They’re so set in their thoughts and feelings that they ignore the warning, touch the stove, and get burned. Then the parent says, “I told you so.” Oppositions are about growth. They challenge you to expand your perspective and adapt to new ways of thinking, feeling, and living. For example, a naturally passive person might enter a relationship with someone assertive. While the passive individual may have always “gotten away” with their passivity, this relationship teaches them that they must assert themselves at times. They learn a life lesson through this dynamic. That’s why I appreciate oppositions—they foster personal development and growth.Now, sextiles are not my favorite because they feel underutilized. To me, sextiles are like having a talent or hobby you enjoy, such as digital art. You love creating digital art, but you’re too busy with responsibilities to actually pursue it. A sextile is similar—it’s an energy that doesn’t naturally show up in a relationship unless you consciously decide to activate it. That can be frustrating, especially if life is too chaotic or busy to make use of the potential. You might experience small glimpses of the energy, but it doesn’t fully manifest, leaving you feeling unfulfilled.As for squares, I don’t like them because they feel overly contentious. Squares remind me of a Karen—the type of person you see in viral videos, arguing with strangers in public or refusing to learn, change, or compromise. They’re stuck in their ways, and no amount of reasoning or problem-solving will get through to them. Instead, they escalate situations, creating unnecessary tension and conflict. In a relationship, a square feels like constant resistance, drama, and pushback. It’s exhausting and difficult to navigate, which is why I avoid squares as much as possible.

💚I think it’s important to also look at the aspects and the signs involved. A lot of people might say something like, “Oh, my Venus conjuncts my partner’s Venus!” but overlook the fact that both Venuses are in Gemini. If you’re looking for that romantic, ooey-gooey love story, and your Venuses are conjunct in Gemini, well, it’s not the same as you might expect. Gemini isn’t a traditionally romantic sign. It’s a sign that focuses on duality, intellect, versatility, creativity, and sociability—it’s not centered on romance.If your Venus is conjunct someone else’s Venus, but it’s in a sign that values intellect and versatility over deep emotional connection, what does that mean for your relationship? And more importantly, is that what you want in a relationship? That’s why I don’t place a lot of weight on conjunctions alone. For instance, if your Venus is conjunct someone else’s Venus in Pisces or Cancer, that’s different because those are more emotionally-centered, romantic signs. But if your Venus is conjunct in Aquarius, for example, Aquarius represents innovation, progressiveness, and community. Sure, you both might value free thinking, but that doesn’t necessarily translate to romance.When analyzing a chart, you need to consider the signs, not just the aspects like conjunctions, trines, or sextiles. The signs tell you how the energy of the aspect will manifest. Otherwise, you might enter a relationship thinking, “We have so many romantic aspects!” only to realize that they’re not as romantic as you thought when you dig deeper. For example, let’s say your Mercury is in Aries and your partner’s Mercury is in Libra. This creates an opposition. You might immediately think, “Oh no, we’re going to argue all the time.” And yes, that can be true. Most people don’t know how to navigate relationships, whether interpersonal or romantic, in a healthy way. Many people are still maturing, learning, and, honestly, in need of therapy. So yes, even a single opposition can create tension in your relationship because as a species, we’re not always emotionally evolved enough to handle relationships harmoniously from the start.If you’re naturally fast to speak and your partner is slow and methodical, that opposition will come up again and again in conversations. It’s inevitable. But that doesn’t mean the relationship is doomed—it just means that oppositions highlight areas where growth and compromise are necessary. Relationships are part of our evolutionary process, and most of what we learn about ourselves happens through those challenges. That’s why I don’t believe in a perfect synastry chart. Do I think there are synastry charts that favor romance and foster loving, emotionally deep, and physically intimate relationships? Absolutely. But people often romanticize aspects like “His Venus conjuncts my Venus—he’s my soulmate!” without considering the nuances. For example, if both Venuses are in Leo, you might struggle with pride and ego clashes, constantly feeling like the other person is wrong and you’re right. That kind of energy requires work and self-awareness.In synastry, it’s crucial to acknowledge that as humans, we’re still evolving emotionally. Relationships will inevitably reflect tricky elements from the chart. And no matter how many positive aspects exist, challenging ones like oppositions will have an impact. It’s up to us to decide whether we’re willing to grow through those challenges or not.

💘 Lastly, some people’s charts simply aren’t geared toward romance, so their relationships are going to look a bit different. For instance, there are people with very heavy Earth charts. Earth energy is practical and focused on everyday life, routine, work, and responsibilities—it’s not naturally inclined toward romance. The same applies to Air signs. Air signs prioritize intellect, communication, and social connections over traditional romantic gestures. In contrast, Fire and Water signs tend to be more romantic, at least from my perspective. People with strong Fire and Water placements crave romance. They want the cheesy, heartfelt gestures. They’re drawn to passion, intimacy, and the idea of partnership. Fire and Water individuals often seek traditional or deeply emotional connections. On the other hand, someone with a heavy Air chart might not want a traditional relationship. They may prefer a bond centered on intellectual connection or friendship rather than emotional depth or physical closeness. Similarly, someone with a heavy Earth chart may desire a relationship but also value personal space. They might not be interested in moving in together or merging every aspect of their lives.

💛This is why it’s so important to understand both your own needs and the needs of the other person. For example, I have a water-based chart, so I need that emotional connection. I also have a fire influence, which means I crave passion and excitement. Not everyone is going to need or value the same things in a relationship. Before diving into synastry, it’s helpful to ask the other person questions like:

• Do you care about romance?

• How do you feel about commitment?

• Do you want to get married someday?

• Are you looking for a soulmate?

• How deep do you want love to be in your life?

• In friendships, what do you value most? Hobbies? Going to events? Daily conversations?

These questions can reveal a lot about someone’s priorities and expectations. When you pair that with synastry, it becomes easier to see how a relationship might play out. Sometimes, what people call “unrequited love” is just a mismatch in romantic inclinations. For instance, there’s this growing sentiment that men aren’t courting women as much anymore, but I think a lot of men just aren’t naturally romantic. These might be men who don’t see the value in grand gestures like flowers or serenades. Instead, they express commitment by simply being present or spending time together—but they’re not especially affectionate or expressive. Looking at a person’s chart can give insight into this. If you’re dating someone with the Moon in Aquarius, can you really expect the same level of romanticism as someone with a Moon in Pisces? Or if someone has a Pisces rising, they may approach love with sensitivity and idealism, whereas a Capricorn rising might prioritize pragmatism and stability over emotional expression.I once knew someone who valued friendships far more than romantic relationships. He was mainly interested in physical intimacy and wasn’t emotionally invested in long-term commitments. Understanding these differences is crucial when dating. You need to ask yourself:

• Am I okay with someone who’s more focused on casual connections?

• Or am I looking for a deep, long-term commitment?

Thank you for viewing my post💛👋

[briefhottubcoffee]

Hey so I love spyxfamily, yet I have some issues with the pacing lately. I miss The Forgers like crazy and I am desperate for more Yor content. I suppose that’s what I’m most worried about, she’s not getting fleshed out enough and being used to her full potential. She’s such an amazing character!

That said, I do have complete faith in Endos storytelling capabilities. He’s created a truly amazing story with compelling characters (side characters included) awesome world building, and both light and dark themes. I think, in pointing out the slow pacing and lack of the Forgers recently, we’ve forgotten all the awesome directions the story can take with all the different plot points Endo has set up at this juncture of the story.

I feel like, based on the narrative, the story is about to reach a big climax, a change in the status quo for the Forgers. Exciting things have happened, but nothing has truly changed the status quo, or the relationship dynamics between the main characters. Since we have reached 100 chapters, and the way the narrative is propelling upward, I think we are due for a big shift. Not the biggest, but a change for sure. Just remember all that’s been set up! Here are a few things I’m fairly confident is gonna happen soon to the Forger’s in the story:

Manga spoilers obviously!

- Twilight is going to continue to try to distance himself from the family, because of the Wheeler stuff, but he will be challenged on that and face a work vs family thing. This is a big theme of the series obviously, and it will take a lot to break down his walls. But it will happen.

- Twilight will learn something about Anya’s past. Most likely related to her knowledge of classical language. Perhaps her history with other families or where she is from. I doubt he’ll learn about her mind reading, that would be huge, but I’m honestly kinda hopeful he does because I don’t want Anya to have to hide anymore. Whatever he learns will affect him and hopefully bring him and his daughter closer in the end.

- This means we will finally get the Anya backstory Endo’s been hinting at for a while! Again, I expect this to lead up to a sweet family moment that brings them closer.

- A new Yor arc. We are truly due for one and I don’t think Endo is ignoring her purposefully. It just may take a while to set up because it will be a big climax of the story. Perhaps Garden lore. A big assassination that affects her character or the plot.

- Yor will get closer with Melinda and maybe find out what the heck is going on concerning her relationship with the other Desmond’s.

- As this happens I think Garden will come into play. I don’t think they like the Desmond pro war agenda. Yor may report her findings from Melinda to them or something. This would be a continuation into that one panel of the Shopkeeper when Yor brought up that Loid was interested in their politics. They will start questioning Yor’s husband as well.

- Damian will confirm Anya can read minds, but will keep her secret. Maybe Becky finds out as well. Dimitri will come into play somehow. I would love to see Damian stop bullying Anya so severely and truly start treating her like a friend, while still struggling with his crush.

- Some Authen’s chapters with some information on their backstory. Are they related to Anya’s mind reading stuff?

- We were recently introduced to Chloe! Yuri’s co-worker and potential romantic interest. I think we will see more of Yuri x Chloe. This will hopefully help him in his crazy obsession with Yor lol.

- Yuri maaay become more suspicious Loid is Twilight (a reach I think). He may also start to like Loid more! (an even bigger reach lol).

- BUT I do think Endo is setting up a funny chapter where Yuri has to stay over and Loid and Yor will have to share a bed! That’s been hinted at several times!

- I also think we are leading up to a big moment between Twilight and Yor. Some type of physical affection. (I’d love a hug, but I’ll take some erotic hand holding once they’re forced to share a bed or something) It’s not a reach, the setup is there for a shift in their physical relationship. This will obviously change things between them. Again, Twilight will be confronted with his feelings after the Wheeler arc and struggle with his feelings for Yor.

- Yor is definitely going to realize she is in love with Loid.

- Finally, after the Wheeler arc, Handler gave Fiona some important patient files for Twilight. I think this will lead to a big break for Strix. He may also meet Melinda as Loid Forger in this capacity.

So yeah, based on basic narrative storytelling, we are due for a climax and change in status quo in sxf! I’m excited to see which way the story goes, there are so many different directions. I’m confident some of these points will happen sooner rather than later. Of course Endo could throw us for a huge loop. But he has setup all of these points and it’s bad storytelling to leave them open ended with no closure or shift in the story.

We have to remember Endo is setting up a truly big story! We should be excited about that. I think it’s fine to criticize the slow pacing (and lack of Yor) but I can only hope it is just building to something big!

[myargalargan]

A musical Polinalysis part 2

So I spent hours yesterday writing an analysis on the music we hear when Colin and Penelope first kiss, only to realize a couple hours later that...the kiss isn't the first time we hear that theme!! So of course I had to keep writing about it, because I just think this is so cool...

Alright, check this out... The very first time we hear the theme is the very first time Penelope sees Colin at the beginning of the season. We've just seen Colin flirting with that gaggle of ladies; he approaches his family, and as soon as Pen catches sight of him, we hear this:

But wait. I'm going to back up a sec, because in my last post, I said this was Polin's theme:

Pretty different, huh? So what's going on here?

Well, in the first transcription above, I have us in G Major, starting our theme with the familiar intervals of the fifth note of the key going up to the tonic, or first, note of the key, and then up to the second note (in this case, from D to G to A) and so on for the next few notes. Everything sounds normal here except that we're in a different key (G Major for the first sound clip, D-flat Major for the second one).

But then what happens halfway through with all those # marks? These accidentals are called sharps, and they indicate chromaticisms in the key, or notes that don't naturally occur in the key that we're in. Another way to write this so that the notes do naturally occur in the key (it sounds the same as the first transcription above, it's just expressed with a different key signature) is this...

The part I've circled in red indicates a key change. At the beginning, we're in G Major. Halfway through, we move into g minor. These keys are related in that their scales start on the same note—the tonic of both keys is the note G. However, the scales themselves do not sound the same—these keys do not contain the same notes. Here is a G Major scale:

And here is a g minor scale:

Notice that the g minor scale sounds a little darker, spookier, maybe more intense. This is the typical quality of minor scales in general—they tend to have a sadder sound.

So, okay, that was a lot of music theory, but what does this all mean for our Polin theme? I think it's so compelling that the first time we hear this theme, we have a key change halfway through from major to minor—from a relatively bright, happy sound to a more intense, morose sound. This is the first time we see Colin and Penelope occupying the same space this season, the first time Penelope sees Colin after his return (and it's honestly unclear to me whether Colin sees Penelope, as well...he looks in her direction but doesn't seem to recognize that she's there?). And the first statement we get of the music that is going to represent them throughout the next few episodes has a dramatic twist halfway through! Much like their relationship? Much like season 3 itself?? I think this speaks of conflict and intrigue to come—for these first four episodes and the season overall.

But that's not all! At the end of this episode, we have Colin and Penelope making their arrangement for Colin to help Penelope find a husband. And as they shake hands and share meaningful looks, just before Lady Whistledown's narration starts the close-out of the episode, this is what plays in the background:

Unlike the very first statement of the theme, this one does not start in a major key and then modulate to a minor key—it is fully minor from the beginning (the key of f-sharp minor is my guess).

Knowing what we know about minor keys having a sadder, more intense sound, this statement of the theme is clearly meant to convey conflict. There are two big conflicts being set up in this moment between Colin and Penelope: 1) the arc for the first half of the season, of Colin trying to help Penelope find a husband and oops falling in love with her instead, and 2) the arc that we'll be seeing in the second half of the season, of Penelope's secret identity and what that means for her and Colin's relationship. The music is telling us, as Colin and Penelope grasp hands, that we need to be wary.

There is one more iteration of this theme that I want to talk about, and it occurs during the scene when Penelope meets Colin at Bridgerton house for one of their lessons (the scene that is infamous for Colin putting his hand on Pen's back Colin what are you doiiiiiing we are so scandalized!! *gasp*).

The moment Colin greets Penelope in the entryway, we hear this very softly in the background:

This abbreviated theme repeats several time throughout the above scene, and it builds as it's repeated. First there's a couple measures of the theme, then a couple measures without, then the theme is stated again, followed by another couple measures without, and then we get three statements of the theme one right after another in different instruments, until Colin and Penelope make it to the drawing room.

In sharp contrast to the intense, doomsday-foretelling version of the theme we got at the end of ep1, this version is light and playful. We're back in a major key—and in fact, we seem to be in A Major, which is the relative major of f-sharp minor (the key we were in at the end of ep1). That is to say, f-sharp minor and A Major share a key signature—they contain the same notes—but since the A Major scale starts on an A rather than an F-sharp, it has a brighter, cheerier sound.

So here's what I think is happening with all this musical storytelling. In the beginning of the first episode, we get our first statement of Polin's theme, starting in a pleasant major key sound and turning sharply into a darker minor key sound halfway through. This foreshadows Polin's narrative arc, and the idea of more drama to come in the second half of the season, just as Colin and Penelope think they've found their happiness.

Then at the end of the first episode, we get a statement of Polin's theme entirely in a minor key—a callback to the second half of the first instance of their theme at the beginning of the episode, and another moment of foreshadowing which sets us up for the main conflicts we will see this season and in Polin's relationship. Episode one is all about setting the stage for the rest of what's to come.

Then at the beginning of ep2, when we hear the theme again, it's like we're being oriented back towards the first half of the iteration that we heard at the beginning of ep1. It's saying, "Okay, the music in ep1 told you to expect both joy and danger, and now here we are at the joy part." We're having fun right now. The romantic tension is still fairly breezy at this point. We haven't yet gotten into the gut-wrenching angst of watching the best friend we accidentally fell in love with about to get engaged to another man.

At the same time, the build-up of the theme the way we hear it in the scene at Bridgerton house—the way we get multiple statements of only the first couple measures—also creates some tension. The theme keeps getting cut off partway through, so naturally we want to hear more; we want to hear it keep going all the way to resolution. Keep in mind, up to this point, we have not yet (I don't think, anyway...) heard the theme all the way to resolution in a major key. So far, we've heard the theme: 1) start in a major key and end in a minor key, 2) start and end in a minor key, and 3) start in a major key but not end at all. And when do we finally, finally get to hear the theme all the way through in a major key, without all the twists and interruptions that we've experienced previously?

Polin's first kiss.

And it's beautiful, and soaring, and feels something like catharsis...

But of course, even hearing their theme all the way through leaves us wanting more, because at that moment, their arc is still just beginning.

analysis part 1 | analysis part 3