#like LONG ass post

[me-beef]

@strangeravatar made a great point

i was gonna focus on the spike-hotboxing-celestia aspect but i got distracted somewhere along the way and i think i forgot what joke i was trying to make

but dont you think its interesting how many guards of the exact same color/body type she's managed to accrue?? i do

ooohh you want to go look at our stickers so bad

[jenderenvy985]

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[ozlices]

another super insulting part of the watcher situation i haven't rly seen ppl addressing much

ryan deadass saying smth like "nobody else on youtube has made tv quality content"

like... i really feel like it's important to highlight that bc not only do they obviously have no respect for their audience, but that statement shows they have no respect for their peers in the industry, either.

not to mention it is a shining example of bleeding arrogance to such a high degree, you will straight up fucking lie bc you're truly convinced you're that special when you're anything but.

there's been NUMEROUS online creators who were recognized by entertainment industry workers BECAUSE they made tv quality content & even full stop blockbuster quality content.

bo burnham started on youtube & is now one of the most wellknown & loved standup comedians of our generation, with numerous netflix specials & even a movie he wrote & directed under his belt.

the try guys, fellow ex-buzzfeed employees, had their own tv specials on food network (based off their youtube shows, btw) & a documentary made about them as well

rosanna pansino has also been on numerous food network shows both as a host & a judge

quinta brunsun, another fellow ex-buzzfeed employee, went on to create her own whole ass sitcom that has been highly praised

matpat cameo'd in the fnaf movie because of his theories & multiple other fnaf creators had small cameos through the employee of the month board easter egg

markiplier made multiple high-quality shows on youtube & is now working on a highly anticipated movie (he was also planned to cameo in the fnaf movie but couldn't due to conflicting schedules with his own movie)

hot ones got their own tv gameshow due to their popularity & they are still one of the most wellknown, beloved & respected internet shows

many short films made on youtube went on to premiere at film festivals & even in theaters

the hit horror film "talk to me" was created by youtubers rackaracka

webseries of actual fucking tv shows have also existed for literal decades

the list goes on.

to seriously think that overproduced bullshit is all you need to make "tv quality content" is not only tone-deaf, but shows they do not even know what they're talking about. many tv shows & huge blockbuster movies are made with absolutely microscopic budgets & small teams, & they still get praised & awarded for the passion, dedication, & creativity that shined brightly under those restrictions.

the blair witch project is probably the most wellknown & highly praised example of this, but it is far from the Only example

it is a whole other slap in the face, again ESPECIALLY when puppet history is one of their most popular shows, to spit in the face of internet history. to see the success of their predecessors, even ppl they fucking worked with at buzzfeed, & deny them of all their success & efforts to get where they ended up.

no, y'all are not the first people to make "tv quality content" on the internet. FAR from it. because your crap isn't even genuine "tv quality".

but you are the first ones to ever disrespect not only your audience, but your own fucking industry & your peers on this level.

& you are the first & i sorely hope the only fuckwads dumb enough to pull a stunt this fucking stupid, out of touch & utterly tone deaf.

[lmadsadness]

soundwave and his weird ahh husband who always somehow managed to get into his quaters without waking him up

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[flowing-between-space]

Love feeling my cock get hard against your ass after I grab you by the neck from behind and start groping your tits. It turns me on so fucking much. Like do I just bend you over the nearest counter, pull whatever you're wearing down around your thighs, and just fucking take you right there? Or do I take my time teasing you? Pulling your shirt up and making you suck on my fingers while your tits are out and my cock is throbbing against your ass. Mmm, I need you to make a mess out of my fingers so I can rub it all over your nipples before turning you around and pushing you back into the counter. Fuck, well now I have you against the counter, tits out, drool all over your nipples and my fingers... Do I grab your hand and move it down to my cock so you can feel how much I throb for you while we make out? Or do I just pull all your clothes off and put you on the counter? Mmm, your legs spread wide open, just waiting for whatever I do next. Do I kiss my way up your thighs and split your pussy open with my tongue? Just licking and sucking on your clit until you cum all over my face. Or do I slip my fingers inside you and grab you by the neck with my other hand? Just holding you there by your neck, relentlessly fingering you until I force you to cum all over my fingers. Mmm, so many decisions. So many ways to fuck you. So many ways to make you cum.

[girlboyburger]

anybody still deeply enjoy the aesthetics of early 2000's tech? this pup certainly does!

🫧🐠♻️ 💙 SB - $70 💙 MI - $5 💙 AB - TBA

- comment to bid! - winner will get transparent moodboard, anthro idog, chibi idog gif, and the image above, unwatermarked. - payment due 48 hours after last bid placed - feel free to DM me any questions!

SOLD!

[bottomcyclonus]

My sister is a total cunt and around when we were kids, 12 (her) and 15 (me), she became a really big fan of that Jesus guy, but in a ‘if you wear lipstick that’s TOO red you’re clearly a whore who is doing naughty things with the devil’ and ‘all “dark” animals like black cats, snakes, rats, spiders, and bats were sent by the devil himself”. W e had an older home, and the way it was set up is that one of our vents had a chute that went over the porch, and you could look down it and see basically right over the porch itself. This is relevant because I, at the time, really wanted a cat and our parents were considering it. However, cheese cunt (my nickname for her which she hated <3) saw me looking at an adoption page for a black cat. She absolutely lost it and said that I was trying to bring the devil into our home and that I was going to hell and that that cat was evil and going to claw out my eyes in my sleep. We got in a BIG fight over that. By the time we moved out there were still puncture marks in the wall from where she went at me with a fork. Back to the porch and vent. Kind of. I _needed_ to get this bitch, so I recruited two of my good friends who I knew would be ready to commit a fuckery. One of them had a pet snake (which I think she found in her yard and abducted adopted) and she fed him frozen mice and whatnot. Obviously we weren’t going to involve her snake, but the frozen mice? Those were fair game. Her job was to bring the mice and help behind the scenes. My other friend, he’s a big guy, intimidating if you don’t know him, *his* job was to be the devil. We’d found a dead bat in my attic (again old house) and made it look alive with popsicle sticks, then tied it to a string wound through the vent. We planned the fuckery for when our parents were staying at a hotel for their anniversary, so we were home alone all weekend. We had a pizza box as bait outside, with the frozen mice inside arranged in a pentagram. My guy friend was dressed up in a stereotypical grim reaper outfit, big black cloak, white ghoulish face, lantern, the works. We waited around until night, then he rang the door bell and hid, with the pizza box left on the porch, just far out enough that you would have to step outside. Me and my friend were in the bathroom when then happened so that my sister would have to go look. In reality, she was waiting above, ready with the bat, and I was hiding behind the garage door, which was right next to our front door. The moment I hear my sister let go of the door I gently closed it and locked it on her. I heard her scream and the sound of her dropping the pizza box, which was my friends cue to drop the bat on her and dance it around. At this point she’s freaking out and trying to get back inside, screaming and shrieking. I turn off the porch light, and from the shadows across the street, emerges my friend, face dimly lit by the lantern in his hand. I had to muffle my laughter with my fist in my mouth cause my sister is yelling like she’s going to die, which yeah, I can see her thinking that. All my friend had to do was walk across the street and point at her to get her to start crying, and she bolted into our backyard, where she tried to get in through the back door that was unfortunately for her, locked, courtesy of me. We made her stay out there for an hour or so, giving us time to put everything back to normal and sober ourselves up from laughing so hard. Then I let her back in and acted like I didn’t know anything. We got the cat and I named him Pizza.

THIS IS A TRANSFORMERS BLOG

[slavhew]

jakey + dirkjake sandwiched between my organic chem notes. a poem in there somewhere

[worldformula]

you don’t know what you’re asking for.

[civetside]

TLT game night

[penguin-stars]

You know one of my favorite things about this novel?

Is that Cale (Well, Kim Rok Soo) actually acts his age (36)

I personally haven't read many Isekais aimed at male audiences, so I can't speak for those

I have, however read quite a bit of Otome Isekais

And one of the things that annoys me the most about the genre, is when the protagonist, usually an adult woman, gets reincarnated into a baby, a child or a teenager and you sometimes forget their actual age because some of the things they do, some of the decisions they make are /baffling/ when you remember they're a grown ass adult

But with Cale is quite the opposite, people around him are often left scratching their heads at some of his actions and level of maturity ("Aren't you supposed to be 18-20?")

Hell, one time he told Raon that he is "30 years older than him" only to remember mid-phrase that nope, he's actually supposed to be only 15 years older

-Spoilers for P1-

And it's also very funny when Alberu finds out that Cale is, in fact actually older than him, his reaction is pure gold because he's supposed to be the hyung around here you know?

[bamboozled-distress]

was stressing over this case at like 2am and pheonix pissing me off because mayas about to DIE and he’s doing his gayass monologue over edgeworth like don’t make me mad

[a-fangirltrash]

I ship Billford in a "needy triangle can't get over the first man that made he feel things after saying that he was just a toy for him" way. And FiddAuthor In a "romance protagonist ends up with the good guy after 3 seasons with the ugly ass bad boy" way