#like I'm not saying there can't be movies/stories were the stuff changes for the better and it ends like that

[shine-reblogs]

To everyone making movies (and other kinds of stories too really): sometimes divorce would be the happy ending, just saying

[blossomthepinkbunny]

Vivzepop will always be the biggest issue with her own show if she doesn't change. And i'm not saying that because I desperately want to shit on her but rather because it's so clear that her attitude is what made Hazbin Hotel be so dissapointing after the long wait. The pilot released four years ago and Viv had these characters for much longer than that. One could assume that with this much time on her hands she would have a concise plan for how a series of her story would play out (I can imagine that having an own show is a dream for lots of creative people out there). And I get that that plan might get screwed up by a shorter episode count then expected, but she should be the one who knows her story best and who should know what stuff could also be cut out. The first season of Hazbin Hotel is so incredibly overstuffed with characters and plot that it completely looses the main premise the show was originally pitched with (the idea of a hotel were sinners are redeemed. As it is now the hotel is really not important at all). People have talked endlessly about how Viv can't handle criticism and it really sucks because criticism is one of the best ways to improve your writing, drawings, music etc. Without criticism you won't refine the thing you're working on in a meaningful way. Of course it feels bad when you put something out there you wanted to share and then people critique it, but that's part of pretty much every creative journey, or atleast it should be and Vivzepop shouldn't get a pass from this just because she doesn't like it. And there are great shows, movies or books that are rarely or almost never criticised. But the artists behind these works probably went trough years of honing what they do by being criticised for the stuff they put out. And I don't want to say that Vivzepop didn't work hard to make Hazbin Hotel, but it is hard to claim that she improves in her craft, when everytime someone says they don't like her show she throws a hissy fit. She wants the same reactions that these other amazing pieces of media get without ever listening to criticism. Which she sees as a personal attack rather than a tool that could help her to achieve the same level of writing prowess the creators behind media like that have. She believes she is already on the same level as them, just because she basically shuts anyone out who disagrees with her. There's this clip at the end of a Drew Gooden Video which I think sums up the situation with Viv pretty good (the Video is called "Leaving the YouTube Bubble"). He is talking about Lily Singh and her talk show but I feel like a lot of the stuff he says about handling criticism applies to Vivzepop as well.

(you might have to turn up the audio).

Unprofessional behaviour like that might be excusable when the creator is pretty young or they are interacting with publicity for the first time really. But neither of that applies to Viv. And Hazbin Hotel isn't just an indie animation pilot on youtube anymore. It's now a fully realized show created with a pretty prominent studio on a major streaming network and it should be held to the same standards as other shows or movies alike (not saying indie animation or animation on youtube doesn't have a standard but with more budget and support, there's obviously going to be different expectations for the show now). There have been issues in Helluva Boss and the Hazbin Hotel pilot ever since their release which could've been handled with more time and the new show. But Vivzepop shows time and time again that she isn't willing to listen to people who criticise her, which could actually lead to her show getting better. I don't like Viv or her work a lot. I think she is incredibly unprofessional and she has done her fair share of questionable or problematic stuff, which often leads to issues in her shows. There have been some characters I like, some songs or scenes that were pretty well done, very cool animation and an actually interesting premise on paper in HH and HB. There are things that make me come back to these shows to watch the next episode. And i'm obviously passionate enough about these shows to make whole posts about what I think was done badly and what could be changed. But for the aspects of HH or HB I enjoy, there are soo many more problems I have with it. Problems that won't go away unless Viv stops seeing every criticism as a personal attack. Because if Vivzepop doesn't stop acting like her writing is some unreachable stuff that needs no changes I don't really see a point in assuming that these shows will ever get better.

[bookishdaze]

Kingdom of the Planet of the Apes Review. More like Rambling and Word Vomiting.

I saw it last night. Finally. After so long!

I personally thought it was good, and a solid addition to the POTA franchise. I don't think it's better than Dawn or War, but I'm willing to bet that by the time the full trilogy is out, Kingdom is gonna be looked back upon as a good beginning to Noa and Mae's story, the same way Rise, despite being most people's least favorite of the Caesar trilogy, is still an amazing intro to Caesar's story.

Some nitpicks. Despite the movie being 2.5 hours long, I felt like the final act came too fast? Like, I understand what people meant with the pacing issue. Suddenly we were in the 3rd act and I was like "Wait, we're here? It's done?"

Now, onto the characters! Let the fangirling commence!

Noa

I loved seeing how his journey and character started and where he ends by the end of the movie.

Him going from "That is the law" to "That is the law. But the law is wrong" was so satisfying.

And him being able to call the eagles to him by the end was great to see. By the way, THE SINGING SCENE WITH THE EAGLES???? LIKE???? It could've been so corny but I LOVED IT???

I'm so glad this movie answered the question of whether apes can sing. Yeah, I know they are only humming, but I'LL TAKE IT. APES CAN SING. YESSSS!

He was just a really nice character to follow. I can't wait to see how he'll be like in the next movie after the events of this one transformed him.

I also think he is the kind of protagonist we need after Caesar. I love Caesar, but Noa is....hmm, I guess you could say softer? More naive? I'm sure he'll get tougher as the movies progress like Caesar did, but I like this change.

Mae

I am a Mae defender. Yes, she did betray Noa in the end. I expected her to tbh. And I understand why she did it. She was right in that Proximus getting his hands on those weapons would've been disastrous.

She has probably been taught all her life nothing but bad things about the apes. She was not going to switch sides just because she met Noa. We still got two whole movies after this. She probably won't have her "redemption" until the 3rd movie. I can honestly go on rambling about her, but I'd rather save that for another separate post.

Raka

I really like him. He's great and funny. I love seeing how he talks about humans and his hopes for humans and apes.

Right before he dies, he reminds Noa "Together, strong." His final words and his necklace as a gift to Noa serve as a reminder. A reminder of a hopeful future where apes and humans can coexist. (And then Noa passing along that same necklace to Mae? Bringing a reminder of that hope for peace into her world? Ugh. So good.)

Also, "He was my village." LIKE. DID HE LOSE HIS PARTNER? MY HEART.

Proximus

I thought he was cool. He gave my mother and I a jump scare at the dinner scene where he slams his fist. Also, the way he was just in awe of the gun after Lightning dies. He has his priorities.

Soona and Anaya

Those two were so cute, and I loved their friendship with Noa.

Anaya broke my heart. In the beginning at the tunnel scene, he's all like "Anaya is not scared." But at Proximus's kingdom, he looks terrified at the dinner scene, and before he goes on the mission to climb the wall, he goes "Anaya is scared" and didn't want to go. Poor guy. He pulled through in the end though.

Although *puts on tinfoil hat* this makes me wonder if this foreshadows how his fear will lead him to make a big mistake in the future movies. Similar to what happened with Winter.

Soona was so sweet. Although I'm disappointed we didn't get more of her with Noa. I saw an interview where Soona's actress described a moment where after they are reunited, they kind of make known their feelings for each other or something like that. But...it didn't happen?

Mae and Noa

Alrighty, I'm gonna briefly put on my shipping goggles on, bear with me, because one has to be a teensy bit delusional for this type of stuff, BUT....

I sensed a....vibe? Not a romantic vibe. They are nowhere close to that yet. But I felt like there were tropes and scenes between them that simply imply a romantic path is a possible direction for their relationship. I will make a separate post about them. I wanna wrap this up, lol.

The ending

I liked the ending. It has me so excited for the future of this trilogy. Now that the humans are able to communicate with others, what will this mean? How will Mae be torn between her people and the apes? Same with Noa? I need to know naooooo

8.5/10 stars (I ain't done rambling about this movie yet. But it's my birthday, and I gotta go out and have some dinner, hehe).

[tirsynni]

There's a popular mindset that I'm seeing within fandoms right now, and it's the type of mindset which destroys fandoms and makes enjoying any type of storytelling difficult.

"Well, I don't understand why the character just didn't do this."

"If I was in that person's shoes, I wouldn't have done that dumb action."

"OBVIOUSLY, the character just should have done this."

One, if the character did all of that stuff, there wouldn't be a story to tell. Two, if the character had such a godly, clear perspective of everything and the emotional detachment to complete all of the actions, it would be a boring story. Three, that's not how shit works. That's not how stories work, and that's not how real life works.

"Why did that character run up the stairs? That was stupid of them."

Do you think they knew what genre they were in? How many horror characters know they're in a horror story? Many of them think that if they're in any genre, it's romance or something.

In that specific moment, with the known options available and no information beyond what is immediately in front of them, what option will the character take? The viewer or reader is outside the action. They can pause the movie. They can put down the book. The character doesn't have that option.

Characters within a story are also bound by the laws within that story. If they have the time and ability to think on their options, that still doesn't give them complete freedom of choice. They are still bound by specific options, with each set of options having possible positive and negative consequences.

This character has concerns about his current military operation? What makes more sense? Dramatically going AWOL with all of its possible complications and consequences or staying in line? More often than not, the latter makes the most sense to the character at the time. They think that they have the time and ability to figure everything out. They don't have the information to know just how bad the situation is.

The tragedy within stories and what often makes them fascinating to us is all of the things which binds the characters to their negative choices. A story where a character realizes they're in a horror genre and are completely willing to get the hell out of there... except they can't. Because they can't leave their friends behind. Someone who knows their actions will probably lead to their own death but truly believes that it will benefit their loved ones. Someone who keeps making awful choice after awful choice for all the best reasons and can't back out now: they've gone too far and they're confident that the next choice will make everything better again.

The best characters are the ones whose positives are balanced by their negatives. Their strengths become their weaknesses. A character's confidence becomes arrogance which leads to their doom. Someone's love becomes obsession.

And sometimes, within the frame of the story, the character can make all the right decisions and still fail. As Captain Picard says, that's life, and that also makes for an intriguing story.

I love my fix-its. I love writing how something could have changed to make a happy ending. I rarely want the canon to change unless the writer made that awful ending for stupid reasons, though, like laziness or just going for stupid shock value. Even then, the best fix-its work with the tragedy inherent in the original story.

Darth Vader survives! Now what? It's never implied within the narrative that he thought the bad guys were wrong, after all: he just chose his son over the emperor, chose love and family over the Empire. Him surviving by a change in circumstances doesn't mean happily ever after. It opens a whole new can of worms.

And honestly? Sometimes the characters having two equal choices and choosing the bad, lethal choice is what makes the story that much more heart wrenching, because they were so close to that happy ending, and it was their lack of godly perspective and their mortal limitations which led to their tragic end. That's not a bad thing!

If every character made every proper choice and had no flaws which would impair their decision making, it would lead to a boring story. It would also be jarring within the context of the story and separate the characters from their own universe, elevate them above the narrative instead of allowing them to flourish or wilt within it. It's more fun to dissect what led to those choices than to just say, "Well I would have just done this!"

[bi-bi-bi-bakugo]

I think I could talk about BakuDeku for hours.

Like, genuinely

I understand their past. All that's happened.

But when you see past that. See Katsuki's actions for what they were supposed to be. Acknowledge of course what he's done but also acknowledge he is changing and atoning.

These two have always been special to me but now that I'm older I'm (somewhat) smart enough to understand and adore their relationship on a greater scale.

And also, looking at them from a literary standpoint. The parallel of Izuku's body running before he had a chance to think to save Katsuki from the sludge villain.

And Katsuki doing the same thing for Izuku with Shigaraki, ending up getting impaled?

The soft looks you catch when you're paying extra close attention to Katsuki.

The familiarity and comfort the two find in each other.

These two mean the world to me. And I know not everyone sees their relationship like that. But they're special to me. And I love them.

I can only hope for them to get the happy ending they deserve. Maybe even together? But I know how unlikely that is.

He's looking at Izuku here. Seeing him train when he should be sleeping after a long day of hero work.

The soft smile he has as he watches Izuku win. Seeing him be victorious in battle. (At least until Shoto catches him!!)

And that's just two examples from the movies not even talking about the canon stuff!

Their story is tragic, something that breaks my heart the longer I think about it. But they're healing.

I know some people can't forgive Katsuki for what he has done, the important part is Izuku has. And Katsuki is growing. He's becoming better.

Class 1.A vs Deku is proof. This kid is desperate to have Izuku back. So he does something that who knows if he was planning on doing them or if it was on a whim.

He apologized. And he's putting in effort to call him Izuku. Even when Izuku says he doesn't have to.

And then there's the recent episode.

(spoiler below break)

Say all that you want about Katsuki. But his "7 minutes" when he died? Were Izuku. In his final moments, Izuku was not only on his mind but gave him strength to keep going. To push past what I can only assume would be the worse amount of pain imaginable.

He still had that card on him. That special All Might card that matches with Izuku's.

Whether you see their relationship as platonic or romantic, I do truly think they're soulmates.

Not in the traditional sense, but I do believe their souls are meant for one another. They complete eachother. Where one falls flat the other excels in. They push eachother to be the best version of themselves they can be. And I think that has to count for something.

Izuku and Katsuki were made for eachother. That is something I can say without a shadow of a doubt.

Two sides of the same coin.

Soulmates.

[professorhayforbreath]

my blog probably gives the impression that i think the show is bad as a whole, but the reason this show frustrates me so much is because it's definitely NOT 100% bad

like... the movies are bad adaptations. everyone knows it. they have some great moments (an embarrassing amount of which are better than the show lol) but overall they are widely considered blatantly bad adaptations. it's easier to make peace with that

the show, however, is far less consistent and i find it much more difficult to wrap my head around. there are parts that are bad and i'm happy to say that with my chest, but underneath numerous questionable-at-best writing choices, there are glimpses of really, really good stuff. the first few episodes had so much promise—percy burning blue jellybeans and praying to sally, the consensus song. these are brand new additions but they're good, they capture the spirit of the story and characters successfully

and sprinkled throughout the rest of the show are other strong choices! for example in the last episode i really liked that they set the betrayal scene during the fireworks, it created a fantastic ambience. i liked that grover left camp at the same time as percy and annabeth so the three of them got to part ways as a trio on half-blood hill

there are good changes being made, but they're almost all small in the grand scheme of things. in my opinion, the bigger, more consequential things are where they missed the most marks, and that prevented me from fully enjoying the show as a long time book fan

when it comes to writing nothing frustrates me more than wasted potential. mediocre writing is one thing, but mediocre writing that could have clearly been so much better is INFURIATING. i don't dislike the show because i wanted it to be a 1:1 recreation of the book, i dislike it because it's just okay when it could have been great. it so EASILY could have been great and i don't get why it's not. a lot of the writing choices are just baffling in their mediocrity, and sometimes technical weakness, when compared to the well written and effective source material. i wish i could have been a fly on the wall in that writers room when they were making some of these decisions, seriously

the cast is phenomenal. their budget is more than sufficient. they marketed it as a "redemption from the movies", as the adaptation that would finally give fans book accuracy. and the show we got is... fine. it's all right. it's not all that book accurate even though it was advertised as such. there's plenty to like but it comes hand in hand with plenty to dislike. it's only natural for people to be disappointed

i know my critiques can come off as venomous but please never mistake my harshness as hating for the sake of it. i adore the original pjo books so i really wanted to adore the show as well, but unfortunately i can't get there yet. "yet" being the key word because there's still plenty of time for this show to pick up the slack, and for that reason i'm glad it got renewed. i don't have the most faith the writers will listen to the feedback but i'm rooting for them to prove me wrong

[vethbrenatto]

TLOVM Season 3 Retrospective

I am not a campaign plot purist. The concept of fitting a meandering D&D campaign into a 12-episode season of television is, by all accounts, ridiculous. TLOVM is based on the campaign, not a blanket retelling, and we've all known that from the start. In fact, that's why I'm not particularly worried about the comments about the M9 series that CR has released, how the plot will change vastly. D&D, especially in worlds DMed by Matt Mercer, is extremely sand-boxy and will not one-to-one translate to the time allotted in TV and movies. VM is actually the campaign that I think translates the best to the medium without much modification as it has very clear arcs and corresponding antagonists (Briarwoods, Chroma Conclave, Vecna).

That said, the core behind plot changes is that the narrative heart should remain. The character beats, the character arcs. And I do think Season 3 dropped the ball with this.

Let's start with those that I think were handled better- Vex and Percy. Percy's relationship with both Ripley and Vex, I think was handled excellently. We see Percy's journey to move beyond vengeance and try to grasp something real beyond it, the start of the man who just wants to be a clockmaker. Vex struggles to be loved and deal with her fear that's she's a curse to those she loves and then her reluctance to do it while Percy was still alive, thinking she's missed her shot.

Vax and Keyleth have an odd role switch in this season, with Kiki (initially) hopping into the Vaxleth relationship while Vax feels it's too risky to get involved? This just feels weird to me, as a lot of Vax's characterization is so centered around still pulling for love in the face of death and adversity. Outside of Vax, Kiki gets a late season arc about believing in herself and coming into her own as a leader, but I felt this was somehow both redundant and underplayed. Keyleth's fire plain aramente in Season 2 felt reminiscent of her E10/11 scenes in Season 3, so I got a bit of deja vu. But also the stem of her belief in herself in this season, her instinct about Raishan is so underwhelming. Keyleth's moral compass and instict is a pivotal character beat for her, she's the only one who clocked Raishan and that matters. The others disregarded her opinion and that matters. And yes, it got brought up, but the take away ends up being just tying back to Vax and "You have ties to this world. Don't be afraid to let people in." ?? These are two separate issues, my guy. (On this point, I feel I must point out that while plot changes are necessary, Keyleth spent an episode and a half doing a scrying spell. Could she not have been better utilized exploring her emotional connection and friendship with Percy in the Vax/Vex chasing down Ripley plotline?)

Grog is absolutely shafted in this season. I can't say it's shocking- Grog is a simple guy (Likes ale, fighting, loves his friends) and I don't expect him to reach the character depths others do. But he had a very clear place he could’ve soared this season- yes, the Scanlan stuff. Not only is the “fix him” character beat a muffled whimper, but he’s left to comedically hold Scanlan’s limp body while Pike goes off to save him (by finding Kaylie). Grog could’ve easily slid into that side story, Kaylie could’ve heard not only from Pike about Scanlan and why he’s important and good and worth saving, but also from Grog, a man who cares about very few people in the world, but so very deeply when he does and Scanlan is one of those people he cares about.

I enjoyed the amount of Pike content this season (that’s my girl!!!) and I won’t get super into because I already made a post about it, but I just didn’t really get the crisis of faith arc for her. She’s already experienced a crisis of faith in a prior season and it’s not something I feel like campaign!Pike would’ve gone through, even IF Ashley was full time at the table. It weirdly almost feels like ground building for the current Bells Hells/Downfall/Calamity takes on the Critical Role gods as opposed to how Pike would feel about her deity, specifically. I did enjoy her relationship to Scanlan in the season and her support of Scanlan building a relationship with his daughter, it felt like a nice connection to Scanlan asking Pike to be Kaylie’s person if he died during the campaign.

And Scanlan. Oh, Scanlan. Just… confused, is all I can say. The show has had Bard’s Lament seeds for multiple seasons, including in S3 itself, and then just doesn’t go through with it. I simply don’t agree that it couldn’t work in the medium- what it feels like is that this is the more palatable story to tell. The resentment is so important to his character development. The show makes this all about Kaylie and fatherhood, which is of course a huge part of ABL, but the lament is also about Scanlan himself (in fact, I'd argue that Kaylie is more of a loose factor in it; his promise to kaylie [another egregious cut in the story] being a spur of the scene and Percy calling him out changing the trajectory of what Scanlan leaving actually was. it's about Kaylie, but it's kind of not). It's about feeling neglected or undervalued. There are scenes in TLOVM throughout alluding to this (a couple with Vex in particular I can think of in 1, 2, AND 3) but then no payoff? That part of the character development is completely swept under the rug for both Scanlan AND those around him. Pivotal moments in the campaign have been honored in TLOVM, even with shifts in them (the arrows in Ripley's heart and mouth, Keyleth stands up to Raishan, "My heart is yours"), but when the defining campaign moment is Scanlan's, it's completely changed. I simply think this is too far outside of the original intent and character beat to pretend it's honoring the moment.

So, yeah, I really don’t care if Scanlan just goes down instead of gets fully resurrected. Or that the fire plain and the trek to the city of Dis is combined into one journey. Those are just plot points.

What gets me is that these character beats, the meat and heart of the story, are getting shifted dramatically and not in ways that I feel are aiding the narrative.

ALL THAT SAID, this is going to sound a lot more negative and hatery than I really feel. This post is mostly of summation of criticisms, when there were of course, many highlights in the season. TLOVM continues to be a beautiful, well done show and would not keep getting renewed if it was a flop. But there are certainly things that I think could be done better.

[bobbydagen24]

in Defence of Creek ( warning if your an Avid Creek Hater you may not want to read this 😂😂 )

ps. Branch will Hair strangle some guy he Barely knew who he didn't even care about for betraying them but doesn't do the same to his Jerkass Brothers who let him down his whole life 🤷‍♂️🤷‍♂️🤷‍♂️🤷‍♂️.

anyway onto the topic at hand 😂😂😂😂

Creek gets an unfair Rap in my opinion sure he technically betrayed the village but when you examine the story of the first film he literally had no other choice.

as there's no other scenario that didn't end with him being Horribly Eaten as soon as he was picked by Chef for Gristle Jr to eat and taken out of the cage his fate was sealed.

unlike the rest of the snack pack he didn't have the option of sitting around waiting on the off chance Poppy would Rescue them.

we see in the Betrayal scene he was literally in Gristle's mouth before he finally played the only card he could and said he'd do what ever they wanted him to do.

and from then on he was kept in Gristle's locket around his neck which I have to say was Horrible poor guy was stuffed in their with no space or light or even air given how tight it was.

and he was kept there until eventually being moved out of the locket and put into Chef's waist bag just before the snack pack got the Locket from Gristle and were then captured by Chef.

and from that point like Creek himself said there was literally nothing else he could do that wouldn't result in him being killed straight away by Chef.

this is what rubs me the wrong way about the movie trying to make him into a villain he has no real agency in the betrayal it'd be a little easier for me to Judge him.

if he was kept in the cage with the Rest of the Snack Pack so he had the option of just having faith in Poppy someone he claimed to care about.

coming to save them but instead he took the more cowardly action and offered to sell everyone out early on in order to save himself then I feel it'd work a little better.

but having him be plucked from the cage early on and literally only betray everyone when he was on the verge of being eaten just makes him a victim in my eyes.

like I'm sorry but he can't be blamed too much for anything he does at that point he's just a normal civilian who's life was put in danger by negligent leaders ( cough Peppy cough ).

he technically wasn't obligated to die then and there and the whole situation with him selling out the Village is a classic Trolley Problem sure its easy to Judge.

from the outside but when we're on the verge of being gruesomely murdered who's to say what each of us would do in the moment to stay alive.

basically its Chef's actions and she's the one to blame not Creek dude was a literal Hostage who had been kidnaped Humiliated by being shoved in a taco and sprinkled with spicy stuff.

and then nearly eaten and then crammed into a tiny locket for presumably Hours and then crammed into a waist bag like how is this guy not the victim here?

and some people do like to point to how he behaved about the whole thing telling Poppy he's doing it for her but I'm sorry that doesn't change anything in my eyes.

sure its an unusual reaction but its also an unusual situation and I see it more as him weakly attempting to justify it to himself since he does admit he wishes there was another way but is promptly reminded by Chef that there isn't.

his Reaction isn't Great but it doesn't change the situation and make him some pure evil person.

a little autistic maybe? given the weird response to an emotional situation he has but yeah it doesn't make him worse in my eyes.

basically to end things the film as well as the fandom that villainise him seem to basically be saying that he should have just laid down and accepted his gruesome fate the first time.

and the movie even ends on a cruel irony of still being eaten along with Chef.

which for Chef is ironic in a karmic way but for Creek its just kinda sad tbh so the film's saying his death was decided at the start and he's a villain for not accepting it the first time.

and as punishment he meets the same fate in the end anyway.

I thought this was a Trolls film not a Final Destination film lol.

anyway even tho its separate cannon I was Happy when he was Revealed to still be alive in TBGO sure I feel his Return could have been written way better.

but Regardless I'm Glad he's still alive he didn't deserve to die and also the movie cannon never contradicts the tv show cannon in Terms of Creek's survival.

so yeah he could very well still be alive in the movies as well sorry Haters 😅😅😅😅.

[jq37]

Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified. 

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney. 

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes. 

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie. 

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky. 

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it. 

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it. 

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie. 

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo. 

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character. 

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie. 

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here. 

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie. 

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude. 

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard. 

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was. 

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh. 

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math. 

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy. 

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon. 

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that. 

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy. 

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger. 

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves! 

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster? 

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago. 

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise). 

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors. 

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie. 

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny. 

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely  POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it. 

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along. 

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad. 

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable. 

Worst Line: Honestly, this song is too boring to have a worst line. 

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax. 

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward. 

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on. 

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.  

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that. 

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however. 

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never. 

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further. 

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE. 

I firmly believe someone should go to jail for that. 

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it). 

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre. 

It also comes weirdly late in the movie, which isn't a complaint, just an observation. 

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact. 

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl). 

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt. 

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves. 

MISC

This is just a section for things that annoyed me that didn't fit anywhere else. 

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling. 

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience. 

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious. 

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out. 

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense. 

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom)  in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks. 

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX. 

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat. 

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now! 

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding! 

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif! 

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities. 

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good! 

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it. 

[mdhwrites]

if you've seen Steven universe how would you compare it to TOH? I've seen many takes that TOH is Steven Universe 'done correctly' which drives me up a wall, especially since TOH has a lot of the same flaws as SU (pretty much everyone has to be tied to steven in some way- the same way everyone's gotta tie into Luz, White Diamond pisses me off for the same reason the collector does and dear god both finales are messes and the worldbuilding is also kind of messy) but pretty much everyone can agree that Steven Universe's themes of restorative justice are good, its themes surrounding interpersonal relationships and intergenerational trauma is good- I've seen people justify how TOH handles its villains 2 ways "its doing steven universe's restorative justice but like correctly" or "its about killing your oppressors, which steven should have done" which is dumb. Idk this fandom has a huge hate-boner for SU and Amphibia in general though. I also saw someone have the take the collector and belos where foils which... Is weird I can see where they come from but they never are put together in a way that highlights their similarities and differences. So what are some actual comparisons that can made between the shows outside of LGBT characters and surface level stuff?

Sadly I have not seen Steven Universe so I can't really comment on much of it. I've seen the first episode (both halves), decided the gems were insufferable to me and Steven was okay and went on with my life because at the time, I was a full time college student and a part time Walmart employee. I do like some of the songs that have reached me but I never got an in with the show, especially since my early experience with it was much like Gravity Falls where I heard a lot of high concept stuff about it but not much about why I would actually enjoy a given episode, what was enjoyable about the characters, etc. like that. Honestly, the only criticism I know of for it is that people hate the ending.

BUT.

I have seen one other thing. I have seen about twenty minutes of the Steven Universe movie. With that I can say one thing definitively even if it's not clearing a high bar: The Diamond's turn to good is better than the Collector's because they have literally ANY reason to listen to the person preaching at them. The Collector doesn't. In fact, he has no reason to reform and it is drastically out of character for him to care about... Anyone?

Let me start on the Diamond's side because I don't have a lot to say about this but it is something I'm surprised I haven't heard anyone talk about: They were clearly traumatized by the loss of Pink Diamond. Whether or not you think this is a good part of the plot isn't what matters, the point is that this is a literal fact to the story. This grief has gone unresolved for literal decades (just going by Steven's lifespan, someone in my Discord provided the context that they blamed themselves for her DEATH, not just disappearance, for CENTURIES which only bolsters the point I'm making) and has festered in them a desperation for their old comrade? Friend? I don't 100% know but you get the point. So when her son arrives and can't be kept by force, they're going to be pretty amenable to listen to whatever demands means keeping him around. Is that great? No, I wouldn't say it is as the question of what happens when Steven dies is there but it works for forcing them to consider the consequences of their actions and how they may need to change to have the life they desire. It is a compelling force for the first step of change. It's not amazing but it is at least functional from a narrative standpoint, an emotional standpoint and from a character standpoint. Not that it's great but that it is functional. You can string together how this works without having to just invent bullshit.

The Collector has none of these three because he's the literal fucking worst.

I've talked about this before but the Collector isn't the child the fandom treats him as. Even if we try to disconnect the second season version of the Collector, who very much so knows what death is and the consequences of his actions, S3 Collector does have a foil to Belos: He's an actual colonizing piece of shit. Not in that he is literally colonizing places but in mindset. Everything to him is something to be used for his entertainment or enrichment or it is to be stripped of all rights and brutally oppressed until it fits the role he desires. This is what happens when you become a LITERAL. FUCKING. DOLL. And he even has enforcers like the armies colonies would use that have wildly more powerful magic, i.e. technology, in order to make that oppression more seamless. Remember: Hexside is actively hiding from roaming stars that he just has going around the Isles that hoover up people, making at least those who resist into dolls immediately without question, and then bringing them to him to be new play toys in his game. That is explicitly what he has been doing to the entire Isles for MONTHS once S3 episode 2 happens.

People do not matter to him and this even extends to King. When King steps out of line, The Collector cracks the whip. He's even willing to KILL KING for having the gall of caring about anyone other than him. Those death games would be just as lethal to King as it would be to Eda and Luz after all. And if you actually do divorce S2's "PLAY AMONGST THE BONES!" line (which is fucking awful because you have to remove literally all of the first appearances of a character which is usually considered, you know... Bad) and believe that he doesn't know what death is... He knows what pain is. He knows what torture is. He knows the despair of being trapped in a space where you can't move or act or do anything except watch as an observer on a world that could destroy you at any moment because your prison is all of your being.

And then he makes people into dolls, with consciousness, without a second thought. He is willing to BREAK people in order to make them play along. His literal plan was to shatter the bodies of the Owl House trio over and over and over again until they were subservient to his desires. That is WORSE than just wanting to kill them. And he only stops to throw a tantrum because he fails to succeed and starts whining about it like any selfish asshole not getting his way. Not like a child: Like a selfish asshole.

So with ALL of this, what does the show do to try to make him consider the consequences of his actions? Well... Nothing. It claims it's trying to do something but the tour with the trio is much more a circle jerk about how amazing the show was and how much could have happened if not for the shortening ("That sounds like something that could have been its own spin off!" Or whatever King says to Eda talking about her and Raine's time at Hexside) than it is about talking to the Collector. There's a couple lines here and there, talking to him about what works for making friends but does it stick?

No, the Collector learns nothing and in mocking Steven Universe, they make that clear. The Collector is told that people are complex and you must show compassion. Rather than actually believing this, he uses it like a blunt hammer, just like all of his other solutions, to make a problem of his go away. That's why he hugs Belos and assumes it will work. He is not considering the complexity of humanity or the person he is applying this to. It is just to solve a problem so he'll get praised and go back to playing his games. Nothing. More.

And then he fucks off instead of fixing the damage he'd done because why would he stay? Why would he help? He hasn't learned anything and he doesn't want to help these people. He has NO motivation for why he helps save the Archive except otherwise he loses his sweet crash pad. So afterwards? He's gonna go somewhere where he can be himself and not be scolded for it because this toy is no longer fun.

Edit: He does stay to change everyone back from dolls. That much more falls into the "It's the ending, we have to have the problem only he can fix be fixed by him" despite the fact that he is responsible for so much more destruction that would theoretically be pretty easy for him to fix as well. He only does what is demanded of him for the sake of a happy ending, not because of character motivation, not from how I see it at least.

The most condemning part of this is that it's all around Luz. All around someone he doesn't like. He sees Luz as trying to take away his only friend after all and, you know, he is correct about that. They don't even try to hide that fact during the tour. They're still clearly upset with him and not even trying to be his friend, they're just lecturing him. It doesn't work from a character perspective, a narrative perspective or an emotional one. King MIGHT have with better writing, there's a reason I always wanted the Collector redeemed by one of his games forcing him to have to kill King by the rules he made before breaking it and having to face how that's unfair and cruel to others since they wouldn't get that leniency, but that's not how the show plays it. King is an unwilling servant for one episode and then VERY against the Collector in the next until after the death games. When he first shows up, King isn't trying to mediate, he is ready to fight just like the other two. He's not the Collector's friend and he never was so why would the Collector bother listening to him?

That is why me saying the Diamonds, even with my limited knowledge, works better than the Collector is almost literally the worst you can do when it comes to something like this. All the setup is wrong, the catalyst requires explicit retcons and don't work with the character and the payoff is... Nothing. Literally nothing. The only way to have done it worse is to have had everyone praise the Collector before he then stabbed Amity and no one acted like that was a problem. It can only function because we are TOLD he's redeemed even if he never shows it.

Andrias standing alone as a farmer, accepting the punishment for his actions and trying to make better on them, is such better payoff to a redemption arc than anything the Collector gets and his redemption was in character and setup by his past. So then let's get to one of your last points: Why is it that the TOH fandom rags on SU and Amphibia so much, especially for their endings, when theirs is such shit?

Well... Because that's the reputation of TOH. That it is the 'good' one. That it is better than almost all other media. The show itself, with moments like the Collector mocking the SU ending by hugging Belos, reinforces this. As such, for you to criticize TOH as failing in a department that other shows are not rapturously praised for is to fall out of sync with the show itself. As such, all other works must be placed beneath it, especially if those are widely believed to have a flaw in an element to then raise TOH up with. This is part of why so many people want to say the Amphibia ending is wrong because the Amphibia ending is brave and controversial and saying something while the TOH ending?

I mean... Do you really think the Collector's the only part of it objectively flawed like this? Because if a major redemption for your big bad is botched this badly, you can bet other problems exist. I've talked about them at length. But there are probably people out there who would call me the Lily Orchard of TOH if I was better known.

See you next tale.

======+++++======

That last line isn't an endorsement of Lily Orchard btw, just that I have to imagine it's the label I would be given. What little exposure I've had to her works is... YIKES. Just fucking yikes. My Discord has really enjoyed every time I've live reacted to a video of hers they've posted there. sigh

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[lowkeyrobin]

HEEEEEY, YOUR WRITING IS AMAZING! I would like to order something with Morgan, anything cute please!

aweeee thank you!!! I'm so glad you enjoy my stuff 🫶 ; I did a weird songfic of a song I like so iykyk ; thank you for requesting! hope you enjoy :) ; also sorry this is super short I just had no idea what to write lmao

MORGAN DAVIES ; happy hurts

summary ; he wonders where you are now, and is proud of you

warnings ; language, broken up relationship/reminiscing an old relationship (its happy I SWEAR)

tracks ; matching tattoos ; josh ross / happy hurts ; warren zeiders

word count ; 574

y/f/i = your first initial

masterlist

They say nothing lasts forever, but you both knew that wasn't true. Tattoos last forever, and the same with saying something will, even though it won't.

You don't know why you got matching tattoos with Morgan at eighteen, but you didn't really regret it now years later at twenty-two.

"Hey, Morg, why don't we do something crazy?"

"Like?"

"Get matching tattoos?"

Sometimes, he wondered how you were now and if anyone asked about that tattoo. Did you say it meant nothing, or did you tell the truth?

You had an M on your index finger, he had a y/f/i on his.

Looking down at it now as he lounges on his couch, he feels like he's right there with you, watching your favorite movie again. Like nothing ever changed.

He reminisced the long drives as the sun began to set, exploring the back roads around the woods, out where you barely had any internet. He smiled, thinking about seeing you in the passenger seat with a banana split from the local ice cream shop. You, without fail, always managed to get chocolate syrup stuck on your lip, and he'd kiss it away, ridding your lips of the sweetness.

He missed your slight road rage, mostly just being pissed that people didn't know how to drive, and how you'd passenger-seat-drive even though he'd always act annoyed. He missed being dragged into your favorite restaurant once a month to get your favorite food. He missed how you were basically friends with all the waiters and hosts there and how they'd come to sit down with you guys on their breaks. You couldn't spend any less than two hours there.

He missed celebrating your 20th birthday, and your 21st, and celebrating your friends and your family's birthdays. He missed listening to music with you and taking long drives to see something new. He missed telling you stories from his childhood and things about his hometown that he just randomly knew.

He missed telling you everything.

He was glad to see you happy though, having been moved on, having your dream job, smiling and going on adventures with someone new. He told you that when you ran into him a few months ago.

He was so happy for you, having seen you happy and moved on with your life with someone better for you. Sometimes, happy hurts, and he wouldn't let you know that it hurt a little bit for him.

Over time, he didn't have a feeling for it anymore. He smiled every time he saw your grin in another Instagram post, feeling all sorts of happiness for your own.

He never looked at anything of yours much, as you were just a story of the past, same for him. But, when he did, he always looked for your smile that clouded him with nostalgia.

Oftentimes, he'd fall asleep remembering the good times with you and remembering the making amends at the end of your relationship. He was happy it ended well, especially with you. He wouldn't be able to live with the pain of letting you go in an awful way.

"Hey, how're you?"

"Oh, good. Just working on some stuff around the house"

He smiles as he hears your voice over the phone.

"Hey, could you come over? I need help setting up this shelf thing. We can't figure it out." You awkwardly chuckle, a packet of screws laying in your free hand.

"Yeah, sure. I'll be right over"

[xeno828]

Trollhunters Ending FIXED!!!

So....I've recently binged this entire series, fell in love with it and promptly gotten heartbroken at the shitty ending the movie gave us. SO!!!! I have seen many people hating on the ending and pretending it and the movie didn't exist. I came up with an idea that I am permanently using as a replacement for the ending that I'm pretty happy with. I can't write dramatically for shit BUT I can scribble ideas! If anyone wants to flesh this out into a one shot fic PLZ TAG ME JUST SO I CAN READ IT!!!!!

(also this is gonna read more like a screen play for a movie cus I'm a vid editor and that's how I picture stuff, doesn't always translate well into a written story! 😅)

--------------

- So everything stays the same up until Jim uses the kronosphere to go back in time

- Instead of going back to the beginning and changing everything, he travels back to when the Arcane order had finally gotten a hold of the real Nari

- Everything is still happening around him but is dead silent as if he were deaf and in slight slo mo as he gets his bearings (not actually deaf, just that kinda cinematic idea for drama!!)

- Looks around and sees everyone alive gathered around (maybe some sappy or quiet music plays on top of him seeing everyone alive, I dunno!!!)

- As this is the past they don't know Jim just came from the future and are instead focused on glaring at something

- IRL sound hits back in like a huge thud, LOUD AF!!!!

- Jarring Jim to turn around and see the Arcane order hovering in that same ball of magic that surrounded them the first time (that's what everyone is glaring at btw!)

- This is when realization for Jim sets in and he knows this is his second chance

- The music from the credits in the original film (or something like that) starts to build up (in my head it's like him and the music are going "not this fucking time!")

- He transforms into his new armour (either cus it came back in time with him or cus now he knows about the 9th configuration, your choice!)

- Camera and everything is focused on the transformation as the music is building but you can see everyone in the background looking either shocked or like "HELL YEAH!!" when they see Jim finally transforming again

- Quick dramatic shot focusing on the Arcane order still performing their spell, t

- Some sort of cheesy/bad ass hero shot showing off everyone gathered together as the "9th configuration" and ready to kick ass

- Close up on Belroc looking pissed as they realize Jim has transformed and everyone is gathered to fight

- Equally cheesy close up on Jim quietly but determinedly saying something like "not this time" or "my turn" (I can't do dialogue I'm sorry!!!;)

- Jim jumps into fight with everyone following behind

- Final shot of everyone running toward the camera (Arcane order) and cuts to black with Jim swinging Excalibur at the camera.

- As it cuts to black the outro music (roughly 20 secs into it) hits the beat drop at the same time as the credits start!

--------------

Cliffhanger-ish ending, doesn't get rid of the whole story, leaves it up to imagination on who still lives and dies, doesn't undo character development, has more of a feel good "HELL YEAH!!" ending to it (at least for me!) Doesn't feel like a definite ending but has enough to still feel like Trollhunters isn't just over and wrapped up nice and nearly with a pretty bow! For me this works and I'm happy to pretend this is canon. Tbh 90% sure this looks cooler in my head than how it's written down, I might get round to making a vid edit for it on YouTube (cus that's my specialty) but dunno if anyone actually wants to see that!

As I said I'm not a writer so apologies for this chaos!! I don't usually post these things that I think about (cus I've also imaged a better ending for game of thrones!) But I just really wanted to share this in case someone else also enjoyed the concept or in case anyone wants to translate this mess into something coherent!

Anyway, rant done and idea written out, go have fun with it you want, just plz tag cuz I wanna read if you! 😭🙏

[jeffbiblesupremacy]

JEFF’S INTERVIEW FOR GQ MAGAZINE

Translation below

On the roof of a commercial building, I invited Worakamon Satur, also known as Jeff Satur, to sit and talk in the evening around sunset time. It was a very hot day. The afternoon sun made me think the summer is closer than we think. But when the sky began to darken and the sun started to fade, a breeze started to blow and made me feel that it wasn't that hot.

If anyone follows Jeff Satur, they probably know that he's being an artist since he was 17-18 years old, when he joined the Kamikaze camp and he released his own debut song. Since then, he's been through different companies till he's found his fit with Wafer Records, which is under Warner Music Thailand.

Jeff's journey as an artist has not always been a smooth one. He even took a break of being an artist to do something else. But his turning point was when he got the role of "Kimhan" in Kinnporsche the series, making the 27 years old Thai, with English-Chinese descent, artist more well-known. Not only as an actor, but also his ability to write, produce and sing songs, allowing him to sing the OST called "Why don't you stay", which has around 38 million views on Youtube.

I invited Jeff to review his career path as an artist over the past 10 years.

"How did a guy named Jeff Satur get to have millions of views on his songs, a lot of fans and an international world tour during this year?"

I think there are a few turning points, such as Kinnporsche the series. I also learned how to self-produced my own music and I started getting involved with everything, including the lyrics and the music videos. I started to be more myself and have the courage to say yes or no. Since then everything has changed more quickly than my mind is able to process.

Like when I went to Jakarta, we stopped to see the fan project. I think I've come a long way and I feel like I'm living my dream life. Sometimes I feel very overwhelmed and grateful for everything that's happened in my life.

"Are you a dreamer?"

I am a dreamer, but there are moments when we can'd dream any longer. You know, dreams and hopes are the same thing. If you're disappointed, you better stop dreaming and start thinking what you can or can't do. You don't have to do big things to be happy, just having a hobby is enough. At the end of the day, we just work for money.

There was a time when I felt very unhappy, I felt like I was just living a life, so at that time, I found my way out by writing a blog. I'm a person who has to tell something all the time, probably because my mom used to tell me stories before going to sleep and sing songs to me. I've heard/watch so many stories through cartoons, anime, and movies, and now I'm able to tell my own. I'm glad I didn't stop doing it (telling stories) even if I stopped dreaming.

"Who did you get the storytelling from?"

My dad is a businessman who's very good at telling stories and knows how to tell stories in a fun way. But my mom is the one who always tell us stories, like little things every day. She also likes to ask us questions after we watch a movie, like what we think about the story and stuff. She took part in making us critical thinkers.

"At this moment, what kind of things you are able to handle and what things you're not able to handle well enough?

What I can control is that I enjoy the concerts very much, even though at first I didn't have enough experience. But as soon as I started to do shows, I felt myself. Even if I make mistakes, I just make fun of it because I have fun with the audience. I used to focus a lot about how things were right or wrong while I was singing, but I don't care anymore. And the things I can't control... I'm a sensitive person, so when someone is criticizing you or try to take advantage of you... I don't like that. Why do they speak bad of me? I just want to work and be happy, I just want to meet good people and talk about good things.

"But it's inevitable because you're starting to get famous"

Yes, it's inevitable. But it's important to surround yourself with people who like and understand your work. Don't put yourself in a place where you shouldn't be, put yourself in a place where you belong and you and your value is recognized.

"Are you worried because your success came very quickly?"

I prepare my mind all the time. "What if everything suddenly disappear tomorrow? Will I be able to live?" Because there are so many examples of famous people whose fame have vanished and they couldn't live. The most important thing is that I'm enjoying my work and the fame has no value to me. I'm satisfied with my work and the pieces I'm releasing so even if I lose my fame, the pieces will remain. I'm just happy to know that my stories won't disappear even if I'm not famous anymore. Nothing will be different.

I don't think everyone has to listen to my music and praise me for doing good music. That's what my mother taught me since i was a kid. I just want people to listen to my music and feel happy. Don't be so depressed because life is so short, only 4.000 weeks. For those who are listening to my music or reading this article, don't put yourself on misery. Get yourself out of there.

"So, what's makes you happy at this moment?"

My happiness is being able to sing and produce music, or even doing a photoshoot. Every job I do is telling a different story. I enjoy exploring everything I do. No matter what kind of job it is but seeing how my work change people's lives is really inspiring. I read it on twitter and through fan letters all the time. Some people were depressed or suffering, they didn't love themselves or they were afraid to go out alone, but my work gave them the courage to love themselves and love others more. That makes me wake up every morning and keep working.

"Do you think your work can change people's lives?"

I think art has that power, not necessarily my work but in general. Even the darkest job has the power to inspire depending on the person who consumes it. In the same way some movies can change our lives, I belie my music, my lyrics, even the series I do can change someone's life.

"What are your sources to find material for your stories?

I like to ask very strange questions. Have you ever played a ROV game? (Jeff turns to me). Some of the sentences that the game says are "the wind is strong", but we can't see/feel it. We realized the wind is strong because the images, the dots and some colors.

"There was a time when you decided to stop being an artist. What happened?

At that time I was 25 years old and I felt I was already too old for this field. If it was any other type of work, I wouldn't be considered old at all but I had been doing this for 7-8 years already and it wasn't working out so I had to accept it and go out and do something else. I was willing to do something I didn't like till the moment I could do what I liked.

At that time I was just making music, and I wrote on my blog, but I was starting to get worried about the future, and if I would be able to live without problems. I felt like I had a lot of pressure around me so I decided to give up. But in the end, I couldn't escape my happiness because I'm a storyteller. At first, I intended to create a website and even open an ad business, but it turned to be an inspirational website (laughs). It's like our dreams take us back to what we love till one day you close your eyes and it's right there, so just enjoy everything in the meantime.

"It must have been a lot of pressure on yourself to have success at the age of 25"

So much pressure (high pitched voice). I remember I was watching Mad Men at that time, which is about an ad agency, and I couldn't enjoy it because I was comparing myself and I felt like I hadn't accomplished anything yet. I was trying to convince myself it was just work but in the end, it didn't work.

"What did you discover from the show"

I understood that there's nothing I can't do, I'm just have to be open-minded and practice. The only obstacle we have is ourselves. I think you can do it if you step forward.

"Just a moment ago, you gave an interview to the GQ's video team and you described yourself as a weird person. I'm curious to know who weird you are"

I think I have a weird though process. When I was studying, I often failed my exams because I usually interpreted the question in a different way than it should. Also, I'm a person who likes to ask questions. I don't have a religion but I like to read books related to religion just to ask myself questions. What does it mean to live on this planet? What is God? What does it mean to have knowledge?

"If you don't have a religion, what do you believe in?"

I believe in God, but I don't have a religion. It isn't easy to explain. A God with no rules, nor love or hate. I believe in doing good things. If we have goodwills, they will lead us to the right direction no matter what. If our thoughts are wrong, they'll lead us to the wrong places.

"You used to dislike acting. What made you change your mind?"

Jeff: I didn't like my face on camera. I felt like I didn't look good and someone else should be doing that job. However, I decided to try. I ignored things and tried whatever was there for me. I found out that when I opened my mind to it, it was like opening the world. It’s also another type of storytelling too.

"Do you think you can say you have achieved success?

I think it's just matter of time. If I do a good work, then the focus on the work will come eventually, Last year was just the first step, and I'm excited about what's coming next. I think it's because I'm enjoying everything I'm doing, but I still feel like I have a long way ahead.

"You once said in an interview that "Getting lost was part of the journey". Have you found the right path?

I don't know (thinking). The funny thing about this journey is that I don't know what will happen next. I don't even know if I'm lost right now. I'm just following my guts. I feel like I'm on the right path and what's happening is the right thing for me. It's important to be yourself, in front of the camera but also outside, at least 80% yourself. That's the right way to be here.

"Throughout the ten years of being an artist, what have you learned?"

Be yourself. Don't try to be someone else. No one can be you better than yourself. If you have a skill, stay where you are. One day you will succeed without giving up, but there will be moments of suffering. Let's say you have to wash a thousand dishes. Just think about washing one plate at a time. Do it one by one and one day, you will find out you finish it. It's like reaching the destination you set. Just don't give up and lose happiness about your passion.

"Your lowest and/or heaviest moment in life?"

I don't have many. If something doesn't work, I just move on. I never cry over what happened even if it was my dream of being an artist. But I did cry over not good people who like to hurt other people's feelings. Probably because I'm a storyteller so I'm always sensitive to things like this. If someone hurts me, It will stay with me for a while but I'll go through it. I would say even successful people have a point where they're down or suffer, the important thing is how you choose to deal with it. For me, I will choose to talk to myself and write songs.

"You can write lyrics, produce songs and sing them too, what's the difference with other people who only sing?"

I do everything myself. It's the easiest way not to wait, just do it. Everything that comes out it represents me and being myself if the most important thing. I think that's my biggest strength.

"How do you normally travel?

I like to go out when I'm feeling down. It makes me happy to go to places where people don't know me. I like to walk without a destination and get lost. Let's say I want to go to a jazz bar but I take the wrong way and I get to the wrong place. I got lost but I'm happy because I got out from a familiar place. I don't like to go shopping, but I like to go to a quiet place in the countryside. Once, I went to Korea with the world tour and I went to a high place and looked out at the city view. It was very cold at night and suddenly I started crying because it's was very quiet. I felt like I hadn't live like that in a while.

"What are your plans for this year?"

Actually, I've been out of my comfort zone for a long time (laughs).

One of the things is to release my album. Also I want to do a world tour to meet my fans, but I'm sure there will be more stories along the way. Just keep tuned.

[legallybrunettedotcom]

Hi! Can i ask you what is your opinion on movie remakes? Like for example with Little Women (2019), after the huge success (commercially and also critically) do you think it would make sense to let another director tell the same story in their way? Like how many years should pass between another remake of a movie could be welcomed by the public?

hiii! that's a good question. i think there's some pessimism that has seeped into the movie loving public in the last several years. it seems like we're in a shortage of original stories in mainstream cinema so there's a layer of jadedness and annoyance. it's understandable, but i don't think entirely true. there's shitty remakes, there's remakes i like better than the original and there's situations where i like both the original and the remake. from my knowledge, the years that have passed between an original movie and a remake have varied greatly (not including here reboots, american adaptations of non-american films or stuff like sam raimi did with evil dead) so i'm not entirely sure if there is a formula that doubtlessly works, but our movie watching and perceptions have changed greatly. like gaslight was first made in 1940 and then remade in 1944, but what does that mean to a 2024 audience? nothing. now something like little women released in 2019 getting remade in 2024, well now that's annoying and you'll hear opinions. internet is now an added obstacle when it comes to reception. i'm trying to think of remakes that were well received. invasion of the body snatchers was released in 1956, remade in 1978 and then abel ferrara remade it again in 1993 under the name body snatchers. not too poorly received but what do people think of when they hear body snatchers? the 1978 version. why? i am clueless to what the reasons might be. the thing 1982 over the 1950s version as well. when you hear scarface it's al pacino that pops into your mind, and not the 1932 original, steven soderbergh's oceans eleven over 1960 rat pack movie, cronenberg's the fly over the 1958 original etc etc. you mention little women, i think we have a different situation and approach because it's a book adaptation. some of the movies i've mentioned are also based on books, but we can't really call them classics like we do with pride and prejudice or dracula or wuthering heights which have all seen multiple remakes and retellings. some of these originals or their remakes are defining for a specific generation, but then again sth like dracula is a matter of personal preference rather than a specific one being generation defining imo. at least now in 2024. if we were in the 30s/40s well that's a different situation. there are some objective criteria pertaining to storytelling that makes a remake a good remake, but even moreso i would say it's something deeper culturally and societally that makes one or many cling to a specific version. something about the movie experience rather than the movie itself, so i'm not sure i have a conclusive opinion or number of years i could give.

[arokel]

10 questions for 10 writers

thank you so much for the tag @strangethings-everywhere ! secretly I've always wanted to do one of these

1. Is writing a hobby or a way of life?

Way of life for sure; I'm basically never not thinking about it. I start to feel awful and purposeless if I go too long without writing at least something.

2. A journal full of notes or a clean completed manuscript?

Clean completed manuscript, unfortunately. I wish I could be less persnickety about my first drafts but so far that hasn't happened. I do sometimes make extensive outlines though and those are always by hand, but they're usually pretty clean too :/ no scribbly scribbly for me

3. Who or what inspired your writing?

I've been writing since I was five years old and telling stories since I could talk, so I guess I'll say that when I was first reading chapter books I asked my parents why books always have a few blank pages at the end and they said it was so you had space to continue the story yourself if you wanted. They made it up on the spot and they don't remember saying it at all, but it's always stuck with me.

4. Which is worse: Someone you ‘idolize’ reading your first draft or listening to you sing?

Listening to me sing, 100%. I post my barely-edited first drafts on ao3 all the time lmao. But I also feel like with a first draft it's easy to say hey this is a first draft, if there's stuff you don't like I'm happy to hear criticism! Whereas with singing, that's just your voice. You can practice the song but at some point whether they like it or not just comes down to something about you that you can't change. (Although I am a hashtag classically trained singer so my feelings of needing to live up to that might not be universal.) (Don't ask me to sing opera for you because I don't actually like opera.)

5. Has writing from someone else’s POV changed your perspective?

I think most of the perspective changes that have come out of stories have been from reading for me? Like the first time I was really exposed to the idea of transness was a Harry Potter fic (suck on that, JKR) and that obviously really stuck with me. But I think the desire to write from queer povs really helped me come to terms with my own sexuality, maybe more than actually doing it. I guess writing narrative essays, which I do less frequently than straight up fiction, is usually a way for me to explore things I feel about myself and about the world.

6. Tumblr, AO3, LiveJournal, or FFN?

AO3 foreverrrrrrr. I was on ffn in my misspent youth and Very briefly on lj, but ao3 has been my home since 2014 and it would take a lot to get me to move.

7. AO3 word count? And are you satisfied with it?

646,046, and soon enough it'll jump another 100,000. Honestly not sure how I feel about that.

8. What movie/book gripped you irrevocably?

I will never not love Tamora Pierce's Tortall series. I know they're kind of dated and don't hold up in some places, but they've been in my bloodstream so long that they're basically a part of my understanding of the world. They shaped so much of my ideas on literature - how to create compelling characters and relationships, what makes a world believable, what fantasy even is - and honestly I think they're responsible for about 50% of my sense of humor and at least a quarter of my relationship to gender. They were my first fandom and in the end I'll always come back to them.

9. What’s the highest compliment you could ever be given, and have you been given it?

One of my plays deals with a very difficult emotional subject and is quite frankly pretty depressing the whole way through, and after the premiere a friend of mine came up to me and said "it was so so funny; I was laughing the entire time." That's what I always want my writing to do, not so much in fic but out in the world - I want to give people catharsis, and I hope they leave the reading or viewing experience feeling a little better than they did going in. And also I want people to laugh at my jokes.

10. What defines your writing style?

Can I say inconsistency? No but really it's definitely dialogue. I struggle with descriptive prose sometimes, but I never have to work at dialogue. I think it's my strongest area and people always tell me it's snappy (thank you Tamora Pierce). Other than that uhh... too many commas probably.

tagging @violasmirabiles @fregata-magnificens @kjxlll @borealopelta @uwu-dowoon @teaforarteza @icegreyrose @shadowquill17 @ris-d-deridex and using my 10th tag for anyone else who wants to participate!

[yukii0nna]

"Only human" miraculous's problem in growth and character handling.

Time for me to finally say some things about "miraculous" in mlb. I may rag on it quite a bit but there was a time I genuinely thought it was good and even now I still like the characters though maybe that's because I'm in fanon part of the show. Plus there's a reason I like working on JLM to see what I can fix.

My biggest problem is how every character is handled. Like I could forgive bad world building. I like filling in the blanks for that stuff and can expect it but when the fans can write better than the actual paid writers, you have a problem. HELL WHEN THE MOVIE BETTER THAN THE SHOW, YOU HAVE A PROBLEM.

Pick any character and I can name how they were screwed over by the creator and how I want to fix that. Go ahead, try me. I am dead serious about it. I can and I will.

If you think that me just being salty, it's not. It's me disappointed. Season two was my favorite because it actually tried to let its characters grow and change. Then three came out and while it was a bit off, I just thought it would get better after that season four came and felt my stomach sink with how it went down. I stopped watching after that and was sad to say I'm glad I did because I heard season five and it was a train wreck.

Looking back on it now, I'm glad I'm not as attached to it anymore. What's sad is that, I genuinely think that the writers have at least good intentions and genuinely want to tell a good story. It just bombed miserably.

Don't help that Astruc doesn't want to hear criticism and blocks anyone who tries. His ego is ruining a genuinely good story and it makes me sad. He treats every character as they're perfectly written when they're not. And he doesn't know what the problems are.

He would rather make teenagers scapegoats and punish them for the right thing and reward them for the wrong things *coughs*marinette*coughs*ruining their psychic, make teenagers outright villa and redeem actual terrorists or try to anyway*cough*chole,lila and gabriel*coughs*, tackling abuse poorly*coughs*adrien,kagami, zoe,felix*cough*and others I can't think about at the moment. My point is that he seems to hate allowing his character to grow and when he does, it makes things worse.

*Sighs* Do yourself a favor and stick to fan content. Trust me, you'll find yourself having a much better time with it. Both with writing it and creating it. I do at least.

@lovelyllamasblog @bakawitch @fair-night-starry-tears @gritsandbrits @zexal-club