#like 1 more part in this

[goldenstorm0]

pt 2 (pt 1 here)

I think these two are on the same page more often then they realize

(ignore me messing around randomly) (next part will take longer due to me being picky about art gloves)

[fexrox]

tears are worth their weight in gold

(happy new year!!!)

[sematarygirls]

how are you gonna put him in one of the sluttiest shirts he's ever worn WHILE HE'S SPREADING HIS DAD'S ASHES ????

[bixels]

I've been watching Teen Titans for the first time with my partner. Saw the "Apprentice" arc and "Haunted."

[scarymonsters-andsupercreeps]

“My flames can melt even steel itself!” 🔥✨

[higuchisora]

"Jinx left so Vi wouldn't have to choose between them, she left so Vi could finally be happy"

Is anyone else bothered by the implication that a relatively NEW girlfriend would be capable of making someone just as if not MORE happy than healing their relationship with their sister, who they spent YEARS wanting to make up with?

Me personally, I can get over a bad breakup. But if either of my sisters DIED, or simply chose to actively walk out of my life forever, that would fucking break me. I would not, in fact, move on. And maybe it's different for you guys, but Vi consistently spent an entire season trying to find and make up with Jinx. I don't know what the hell happened in season 2, but her saying "the only thing that kept me going was the thought of getting back to you" about her 7-year prison sentence doesn't sound like "I'll be better off with this girl I've dated for a total of 2 weeks".

Why is there an immediate assumption that any romantic relationship holds just as much if not MORE weight than any platonic/familial one? I'm sorry but why is it even a contest? I'm fully convinced that in season 1, had Jinx not demanded Vi kill Caitlyn- aka take a life, ANY life- and instead asked for LITERALLY ANYTHING ELSE, she'd have done it. Remember what she said? She said they could leave the entire city behind, just the two of them, and never come back. She was ready to leave their home, leave Caitlyn, leave all of it, for Jinx. Because at the end of the day, all she wanted was her sister back. But suddenly season 2 rolls around and it's "Caitlyn makes her happier." When? Where? How? I don't see any scenes of Caitlyn making Vi happy. Oh but she did hit her though, after getting upset that Vi didn't want her to shoot at a kid.

I'm sick of romantic relationships being taken as "naturally" being the priority. Maybe if you're married with kids or something, you'll prioritize your partner over your friends, sure (but if you have kids they still take priority over your partner IMO). But a 2-week-long situationship? I've known people who get ghosted after longer than that. Fucking be real with me.

I'm simply not convinced that Caitlyn should matter this much to Vi so quickly. It shouldn't even be a competition. I genuinely cannot imagine Vi, who's SOLE MOTIVATION in season 1 was Jinx, and who's SOLE MOTIVATION in EVERY UNIVERSE and TIMELINE was her FAMILY, would ever "move on" and "be happier" with any romantic partner. Callous as it may sound, she can always get another girlfriend. There's no replacing her sister.

[poorly-drawn-mdzs]

Learning to celebrate the little wins!

[teiasviago]

— Chapter 13, ROMANCING MISTER BRIDGERTON

[theladystrikesagain]

[moghedien]

imagine you go to a school where everyone fawns over this one girl who is like this preppy little air head who's hyper focused on her appearance and her social standing who just all of a sudden starts getting really attached to her goth roommate who does really good academically, to the point where the goth girl gets invited to go meet the president and discuss a future career in the government.

and on the day the goth roommate is leaving, the preppy popular girl has a public falling out with her boyfriend, announces to everyone she's changing her name in solidarity with her teacher who was arrested for being a radical, jumps a train heading to the capital without telling anyone she's even leaving, and then the next thing you hear about her is that she's a political prisoner being held by the secret service and her goth roommate is the most wanted fugitive in the country and is on the lam

[raepliica]

one of these nights

[clockworkreapers]

Damn Jack... I think you might have hurt his feelings

[ponury-grajek]

canon text exchange

[clarkgriffon]

Buffy Summers + Outfits (1/∞)

[molinaesque]

"Ugh, I'm gonna miss that butt." - The Unicorn (2019)

[help-itrappedmyself]

Liminal Jason part 2

And, the plot bunny strikes back.

Red follows easily as Jason leads to the safe house. He spares a moment of thought towards whether Red is chatting with the whole family in the comms right now But then he focuses back on the kid in his arms. The kid is practically falling asleep, even as they grapple across buildings.

The instant faith this kid had in him was startling, and Jason has his concerns about why. But the part of his brain able to focus on concerns is trying to figure out how he trusts the kid so much already. The only information they have about him is that he can make unknown sounds, which is apparently a language Jason can communicate in. And yet Jason already knows that he would not let anything happen to this kid.

 Hopefully, the kid also speaks a language the rest of the group can speak. If not they can always leave it to him and Cass, as the kids’ body language seemed close enough to normal for her unique language skills to be used. 

They arrive quickly, entering through the fire escape into what could pass for a living room, in a very minimalist world. There was a couch though, and Jason went straight there to lay the kid down on it. 

The kid seemed very hesitant to let go though, waking as Jason tried to put him down. A whimper leaving his mouth as he latches on to Jason’s clothes.

Jason glances quickly at Red, and then picks the kid back up and sits down on the couch himself, with the kid in his lap. Red drags one of the two folding chairs by the folding table over in front of the cough and sits down himself.

“What is happening?” Red asks. Jason gives him a withering look through the helmet, then realizes that’s not enough, and he would like to be able to speak to the kid without the voice modulator potentially freaking him out. So, he takes the helmet off and places it on the floor next to the couch. Gives Red a look he can actually see, because really what does he think is happening? Then looks down at the kid.

“Hey, kid?” Jason asks gently. The kid looks up at him. “You got a name?”

“Danny.” The kid does his best to sit up, and scooch over to his own seat on the couch, now aware of his surroundings and situation. But a rumble comes from Jason, and he doesn’t let Danny go, so he settles back down. “I’m sorry about the trouble. I didn’t mean to be so loud.”

Red looks confused at that, but Jason chooses to ignore him for now.

“I’m glad you were, so that I could find you. Are you okay?”

Danny shrugs. He lets out a hum of sad-fine. “I’m fine now. Or I will be, once I get settled.”

“Kid, you were in distress. Can you tell me what happened?”

Danny took a deep breath, and then slid away from Jason. Jason allowed it this time, and the kid curled himself into the corner of the couch, knees up to his chest and hugged them.

“My world was collapsing. Timeline deconstruction, leading to total meltdown. We were trying to get everyone to the portal, but… They thought the portal wasn’t safe. They wouldn’t listen to us, and they wouldn’t stop… One of my mentors got me through the portal. They sent me to this world. But my world is gone now.” 

“Hood, can I talk to you?” Red nods his head towards the hallway. 

“Right now?” Jason looks between Red and Danny, who is crying silently, that high pitched keen of distress grief-alone starting and stopping, hitching with his breath.

Jason growls, deep and strong,not-alone-mine-now.

“Yes.” Red hisses.

Danny sniffles, using his sleeve to wipe his face as he starts to give Jason a small smile.

Jason huffs. “Danny, will you be okay for a second?”

Danny nods, humming an agreement.

Jason chuffs a quick safe-promise and Danny gives him a small smile. Red taps Jason's arm, and he grunts, but gets up to follow him anyway.

“Be right back, Danny.”

Red and Jason go into the bedroom, Red closing the door behind him.

“Hood, something weird is going on.” 

“Obviously, did you not hear what that kid just said?”

“No, well… yes. But that’s not what I meant.” Red starts wringing his hands together. “I don’t know how you found Danny, Hood. You said you heard a noise, and I believed you, but I didn’t hear anything that whole time. And you two keep looking like you’re communicating, but neither of you are talking, and the only things I can think of to cause something like that is telepathy or mind control.”

“Woah, wait.” Jason holds a hand up to stop Red from starting to ramble, and once he’s silent runs his fingers through his hair. “You can’t hear the kid? The noises? I mean I don’t know how I’m making the noises, that came as a surprise. But you can’t even hear them?” 

“No, Hood!” Red seems very frustrated. “And if you don’t think it’s telepathy, then we have to look into other options.”

“Hey, now, wait a second.” Jason puts his whole body in front of the door, which makes Tim tense. Jason wants to tense as well, but he is trying not to escalate the situation. “Danny is not malicious. He’s a kid, and he needs help.” 

Red squared himself, preparing to argue, but Jason heard a cry from the living room and was out of the room immediately, heading towards the living room with his heart pounding frantically in his chest. 

Something ran into him, pushing him back against the wall, and before he could realize what it was, a syringe was in his neck and his head was getting fuzzy.

He tried to focus, keening out for Danny. Hoping Danny was okay, that he ran. He pushed away from the wall, keening again. But he didn’t hear a response before he was collapsing back. He would have fallen to the floor, but someone grabbed him. And then he was asleep.