#let's keep on exploring!

[spiritonadventure]

"I had thought that neither Favon nor I had a place in this world...

But when everyone surrounded us and was glad to see us back...

That's when I thought... It's wonderful to be alive!"

[deoidesign]

It's my right to tell myself I can do just a little animation just for fun just for really quick to do some action and then spend 3 days straight on it

[cottonsocks]

“In high school you believe all your friends are going to grow up and live on the same block as you . Riz loses that this season” just say he’s aroace

[maomango-doodle]

(13 pages) Forlorn

[edwardallenpoe]

thinking about how all the gayest scenes between Bilbo and Thorin were added to the movies. Thinking about how Bilbo and Thorin didn't even have more than two seconds of talking to each other in the book. Thinking about-

[thetarttfuldickhead]

Okay, so while aware!Roy and oblivious!Jamie isn’t necessarily my main hc for these two, never let it be said I’m not prepare to play around with notions for the funny hell of it. So when I saw the above-linked post by @roykentschesthair, I immediately started thinking about post-S3 Roy knowing that he’s attracted to Jamie, and knowing that Jamie is attracted to him as well.

Jamie knows neither of these things.

Eventually Roy starts to nurture the idea that maybe him and Jamie should act on their mutual attraction, just to, you know, see where it leads? Given that they’re already best friends and that they’re obviously very into each other physically (even if only one of them realizes it that at this point), getting together could well lead to something pretty amazing, yeah?

Only, there’s the fact that Roy is Jamie’s new gaffer and while there’s strictly speaking no rules about a coach dating his player, Roy strongly feels that it might be just a little bit iffy for him to proposition Jamie. Like he’d be taking advantage. Putting undue pressure on the lad. Now, if Jamie were to proposition Roy, however… Well. It’d still be iffy, but Roy can live with that.

Unfortunately Jamie is utterly clueless about being into men in general and into Roy in particular. Cue Roy trying, with mounting frustration and desperation, to rouse Jamie to the fact that he is in fact not just vaguely appreciative of the male form in a stricly professional manner. Attempts might include choosing certain films for their occassional movie nights and dropping less and less subtle comments during them, as well as increasingly suggestive exercises during the private training session they still do twice a week. Roy has, however, already been far too weird about those exercises, so nothing he throws at Jamie seems to faze him even a little, or lead to any revelations.

If it weren’t for the fact that she’s already been very clear on never wanting to mediate their bullshit, he’d ask Keeley to have a word with Jamie, bisexual to bisexual. Maybe he’ll even brave it, because he. can’t. do. this. for. much. longer.

In the meantime, Jamie is pleased as punch that Roy is giving him even more attention than before, and no, Isaac, of course it ain’t weird that he tied me up like that, it’s to strenghten my core, yeah? Felt dead good, too, you should try it.

(Bonus point if Jamie once the other shoe finally drops immediately goes to Colin for help on downloading Grindr and maybe taking him to a gay bar and act as wingman while Jamie explores this new side of himself. Colin looks up to meet Roy’s death stare across the dressing room, and immediately invents like a million excuses why he can’t, not tonight, and probably not tomorrow, or ever, actually, sorry, Jamie.)

[starry-bi-sky]

realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards

*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then

[velvetjune]

I’ve replayed enough Control to not be surprised, but I’ll never forget how magical it was to first uncover small details like the previous director, Northmoor, being in the power plant, all the security cameras following wherever you go, Ahti responding to Jesse’s thoughts, or the book club papers corresponding to deaths you come across in the game

[oneluckydragon]

"Suddenly the world was gray and dull and my heart was so heavy I felt like I couldn’t move, let alone make it back to Treasure Town. But because of Echo’s last wish… I was able to keep living.”

--- --- --- --- ---

SORA : (Partner)

Abilities: Justified / Inner Focus

Nature: Gentle / Hardy

Moveset: Aura Sphere / Metal Claw / Poison Jab / Dragon Pulse

[druidonity2]

If Shalamayne were a Legion artifact weapon...

[zylphiacrowley]

Cat's Out of the Bag pt. 2

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[sincerely-sofie]

*gently places angsty Twig comic in your hands*

There comes a point in healing, sometimes, where you must grieve the child you never got to be, and bury her along with the desperate hope of one day somehow becoming her.

It isn’t fair. And it never will be.

But you grieve the child, still.

[book-stacks]

the acolyte is arguably the coolest star wars show to be released since the mandalorian and y'all had to go fuck it up

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

[possamble]

I'm not allowed to be on social media for more than two seconds today but I just wanted to say that Laios will absolutely have his own reaction to all this as someone who would die for Falin but has also imprinted on Marcille as his Emotional Support Comphet White Girl Not-Girlfriend along the way

[blood-starved-beast]

IIRC part of Hades's curse in the first game is that he would never have a heir no?

So I've been thinking about this, and thinking about the direction Melinoe's arc might go in the final full-fledged game and hm. At the start of the game, pre-character development Melinoe seems like the perfect heir. Diligent, hard-working, conscientious, task-oriented in a way Zagreus never was. Hades 1 Hades would dreamed for Zagreus to be like her here.

And yet it never happened. Chronos takes over not after Melinoe is born, and she's raised far away from the House and its norms (I wonder then, since Mel is aware of the Family Curse that this is the reason why she blames herself for the demise of the House). She works hard to restore that, but she does it at the cost of her own well-being and who she Is as a person.

And that's the kicker I think. There's a lot of evidence - convos between Melinoe and others - that highlight how much she doesn't have a life. Eris is constantly pointing out how ~ boring ~ she is and trying to get her to "enjoy life" albeit in Eris's own terms and ways. Heck, even Hercules warns her against Olympus and even her Father (even if it's projection on his part), suggesting her task might not be what's cranked up to be.

So I wonder. Melinoe is the Goddess of Nightmares and Ghosts in the myths yes, but also she's associated with invoking Madness. We see a little bit of that in her repeatedly giving Chronos no peace (I wonder if defeating him for real would involve getting into his nightmares. I mean, Hypnos is asleep for a reason right?). But also she's described as being a beast apparition with many forms, a way for people to communicate with the dead. That seems to tie her more to the Surface in a way.

Anyways, what I'm saying is, I think her arc is gonna go in the direction of her relaxing her stance on her Mission. Taking and enjoying herself. But cause of circumstances, she returns home, but it's not the same. She's not a member of the House structure in a way that matters, Time cannot be stopped, things cannot be the way it was before. She's gonna stick to what she knows, stick to the Crossroads and Hecate and maybe fighting Chronos to keep him down and up to the surface all the time, maybe causing her own version of chaos and doing it cause she enjoys it, or wants to, not just cause it's expected of her. So maybe she drives everyone insane or sows mayhem cause of it so what.

Basically