#let me syd

[rafegetinmybed]

im sorry baby, i didn't mean it. what can i do?

And that ones mine *i squeeze your butt before pulling you into a kiss*

*I slap your ass before pushing you against the wall* who’s your daddy? *I rasp kissing your throat*

[emmisturniolo]

busting!

[yourmother29]

i just nutted EVERYWHERE

[nerdlvr]

if i ever saw park jisung in real life i would literally eat him alive....

(glove wearing black hair barefaced live park jisung i'm talking to you)

[vltravio1ence]

lemme eyp 😭😭😭😭

[sunrisemill]

This is making me want to sneak off to a bathroom with him and give him the most soul defining head to ever exist

[kylejsugarman]

gus is so cracked. he really came up to mike during breaking bad and was like "it is better to have pinkman on our side. its ur job now to make sure he doesnt kill himself. i know that the last time we tried to do this with nacho he killed himself, so lets try to avoid that. remember that?? how nacho shot himself in the head?? we should not repeat that mistake. make sure jesse does not shoot himself in the head. here is ur paycheck for this quarter. okay, goodbye."

[ciaomarie]

GIF by lousolversons

What do you do when the person who has unknowingly shaped your dreams and then made you part of his dreams disappears? And he's two feet away? I'd fade, too. I'd scream my grievances in a dumpster and wonder if I simply expected too much of someone. People die and leave you. People find a girlfriend and leave you. People are dealing with issues and leave you. And... maybe they were never really with you in the first place?

[nine-months-older]

sean ono lennon’s twitter is a cesspool why the fuckkkk is he starting beef with someone with the handle “sydbarrettyaoi”

[purposechef]

syd & carm put off making their wedding cake until the night before the actual wedding.

[sydneys-adamu]

I think there might be a misconception about the various instances of sydney’s spiraling and how it’s exclusive to all of the times that carmy’s yelling or pushing or rejecting and while that would make sense for someone who has no underlying feelings for her coworker that’s not the case.

when she’s spinning out again in legacy, this time in front of her mirror she thinks about a lot of things and two of those things are 1. when they meet, which we’ve seen is something carmen actively thinks about as well, and 2. the moment under the table. these aren’t bad moments, these are times where she’s felt her mind and soul match with his the most. these aren’t just things that have happened for sydney these are times with carmy that actually make it hard for her to know if this is something she wants anymore. not something she should or shouldn’t do but something she truly *wants*. and that’s amplified even more when she’s given the concrete opportunity to leave later on. if she didn’t care about having this time with him then she’d just focus on all of the times he’s been an ass. but she doesn’t. she sees the good in him that he doesn’t see in himself. she’s still!! trying to find comfort in him. it’s insane.

another obvious indicator is that syd has a family at the bear and nothing about that is minimized in the slightest but there’s a reason carmen is the last person sydney thinks about before she has her panic attack. someone who should be easy to say goodbye to, but isn’t.

so even though it doesn’t really make sense, she wants to stay.

they have created a gray area so dense—

[katiethelmie]

Vampire AU

Just some lil ideas on the vampire AU idea and extra messy sketches to get into the Halloween spirit!

Literally just make it The bear but Syd is a vampire in this universe

Having her being a vampire, how? Maybe she’s been a vampire for a long time, traveling around the world being the jack of all trades

Always having her cooking be her best skill

She came back to Chicago cause she wanted to be back home again

Found out one of the favored chefs were also back in Chicago and is now working at the beef looking for a sou, she’s intrigued.

Syds outside of the beef, getting ready to go in as she smells something she recognized when visiting that restaurant in New York all those years ago

Let’s make it like he’s a reincarnation of a reincarnation from a person she’s met throughout her immortal life

A hint of blood orange, tart and a bit sweet. Not too strong but just enough to entice her for her fangs to come out

Standing face to face with Carmen Berzatto, the smell of his blood surrounds her and she gets hungry but she abruptly stops herself

Getting the job, Syd has to suppress her urges and confuse her thoughts that if what she’s feeling is a crush, admiration, or just pure instinct to taste his blood.

Or maybe all of the above?

But then she gets to see how he is while working with him then her anger and confusion arises. He’s not what she thought he was

He calls her too green

Her dish is just “not ready yet chef”

and yet she stays because she wants to improve the restaurant and make a difference to a small place.

Maybe even get to know him better, with the life he has right now

No- Not staying just for him, that be absurd and too weird. Right?

She finally quits but still has lingering feelings and she thinks, “What if I just have a taste, then I can leave and it’ll all be over I’ll be done with him and that restaurant. I don’t have to stay.”

She’s traveled all over the world and yet this one dingy place with this blue eyed mam keeps her here tethered

But does she hate it?

“Why? Why him?”

Looking at him and smelling the hint of blood oranges hits her and she’s hooked again, she came to collect her check but she stayed yet again for him

Sprinkle a lil bit of inner turmoil, with the restaurant renovations and Claire situation. Ya know, angst

And how bout him finding out she is a vampire at the end of S2 after friends and family.

Syd gets really weak after service, throwing up and getting her vampire urges

Desperate, she turns to Carmy since he’s the only one left after being freed from the freezer

“I NEED YOUR FUCKING BLOOD CARMY.”

Finally when she takes a bite, it’s literally life changing, life ALTERING like she can’t get enough and doesn’t think she’ll ever get this again so she savors as much as she can take

Secretly also he likes it, he finally feels calm and things go quiet while feeling safe in her arms

This is where spice ensues, cause he takes her back to his apartment to feed more

Once she wakes up the next morning, the bed is a bit of a mess, blood dry on her lips and chest

But there’s no Carmy

She cleans up and heads straight to the bear, and there he is, with dishes in front of him and a cold demeanor

His aura is completely changed

For S3 they make a little deal between eachother.

Carm is her blood bank and he willingly complies as long as she pushes him and he can push her for the restaurant

He thinks this’ll be the chance for him and syd to finally connect better in a weird fucked up way

While also simultaneously being sort of robotic and detached like he sorta was in S3

Also another way for her to stay with him for as long as she’ll have him

More drama ensues etc. idk I’m not good with writing but it was fun silly idea to get into the Halloween spirit!

[iriswestallenn]

Someone needs to talk to Jeremy Allen White then

Someone should tell Jeremy Allen White to stop having Carmy stare at Syd like that. I don't know what to tell yall! I really do not. You cannot deny the chemistry. You cannot make me believe they didn't purposefully write the MOLLY GORDON (such a good actress not in this though lmao) as a cardboard cutout manic pixie dream of a girlfriend for Carmy. You cannot tell me Carmy and Claire are any sort of endgame just because they were each others childhood crushes. They wrote an ER nurse as if she bakes cookies all day. Why is she always in such a good mood and always there to lift Carmy up? Get this out my face lmao

Carmy thought of Syd while having a panic attack because the thought of her brought him back down. Are you serious? Carmy has a sex scene in the same episode him and Syd are underneath a table just talking and there is more chemistry in that scene- I'm losing my mind. The choreography during the one take table scene is more gentle and romantic than what we saw with him and Claire in that bed- I'm LOSING IT!

I've just seen a lot of tweets and posts that are like "no they need to be platonic. go to netflix for ships like this not the bear" and I'm like huh? Talk to Jeremy Allen White and Ayo then. The little touches on her back he does for NO REASON. Tell them to tone it down cause I'M certainly not seeing anything that isn't there. The characters are communicating better than they were season 1. You know what that is? Growth. Them signing sorry to each other? HELLO??? "I wouldn't even wanna do it without you." I CANNOT BREATHE!!!

Like oh I'm sorry y'all are choosing not to see what's right in front of you lmao a very sad life to live I guess idk. But also who cares? Let people ship what they want and stop trying to talk about platonic ships as if we are not being bombarded with so much fucking tv and film. The platonic ships are out there for you babes, let me have this hot romantic one in peace. Let me do that.

[thuesdaynightdykelife]

As a lesbian, trying to make a sex playlist that's actually decent to fuck to is such a struggle. Buddy, it can't ALL be from The Internet's discography.

[sydcarmyfan]

Carmy craves for Syd’s touch so much

[espumado]

Guys, you don't know what just happened to me!! I love soundtracks so I stopped to listen to The Bear's, i found the official FX playlist on Spotify and was listening to it when suddenly a podcast starts and I was like???? So i looked and it was about a horror film??? I, tring to understanding, went to the FX site to see the playlist and the episodes and saw that it was the song from the beginning of the ep5- Children (the lullaby) with our beloved Natalie💖...So what happened was that the music is from a horror film and instead of putting the soundtrack they put on this podcast!!! And I don't know if it was on purpose or just a mistake!!! (And all this reminded me of the people here who started a tag, I don't know who, about The Bear being a haunted/ghost story💀)

It's this scene, with this song:

And the Playlist has this podcast:

But i was like Nat why you have a horror movie song playing in your head??? And cause I'm curious, I went to find out more about the film, cause I didn't know the movie (horror isn't really my thing) and I discovered that: 

The Night of the Hunter is a 1955 American film noir thriller directed by Charles Laughton. Despite receiving negative reviews upon its original release, it has been positively re-evaluated in later decades and is now considered one of the greatest films ever made. “The movie is best known for Robert Mitchum's extraordinary performance as serial-killer-posing-as-priest Harry Powell, a menacing religious misogynist who marries widows for their money and kills them off in the name of the Lord. Having been jailed for stealing a car, he shares a cell with father-of-two Ben Harper, soon to be hanged for murder and the theft of $10,000. Before his arrest Harper hides the money in a rag doll belonging to his little daughter Pearl, making her and his 10-year-old son John swear never to tell where the money is hidden. The plot hinges on Powell's pursuit of the money and John's determination to protect his sister and escape from a psychopath whom others assume is virtuous. Hiding his past, Powell woos, then marries Harper's widow Willa (Shelley Winters). When she discovers his motives he murders her, and the children escape on a boat down the river. A tense chase ensues. The film exists in that cinematic no-man's-land of fairy tales for adults, is a children's fairytale – strange and idiosyncratic – but also a noir thriller, laced with the darkest elements of both genres: death, guilt, greed, poverty, cruelty, biblical references and a terrifying pursuit by the scariest of bogeymen. Laughton described it as "a nightmarish sort of Mother Goose tale". John, played superbly by the steely eyed Billy Chapin, is pivotal as the boy who is alone in perceiving Powell's true motives. In a tale of innocence and experience, he must quickly grow up in the most sinister of circumstances; he must resist adult hypocrisy and stupidity, and a new "father" who pretends to be loving, but is secretly abusive. Gripping in its narrative, the film is also frequently and darkly humorous.”

“Thinking of The Night of the Hunter in terms of its visual impact on other filmmakers, there’s a striking echo to be observed between its unseen presence in films by Scorsese, Spielberg, the Coens, even Ari Aster, and the influence of silent cinema on Laughton’s own filmmaking choices.”

“We can notice the importance of one particular scene: the escape of the children in a boat (they are running away from the killer). This scene, being so important, is also one of the most memorable of the entire film. The components that make it so memorable are: setting, lighting, framing, blocking and music. In the river sequence, the usual realistic environment of the film disappears, giving place to such an artificial setting that it seems that we are watching a whole new film.[...] Again, we feel that the children are safe again in the boat, as they run away from their hunter.

“The river symbolise safety – it is what separates (even temporarily) John and Pearl from Powell. In a way, it is a metaphor for the transformation of a past full of terror into a brighter future¹ with Rachel.”

About the music: “Composer Walter Schumann called the heavy four brass chords that often accompany Preacher a “‘pagan motif, consisting of clashing fifths in the lower register,’” which cede to the lullaby “Dream, Little One, Dream” with a shot of Gish. This celestial lullaby foreshadows her adoption of the children after they escape downriver. In the opening and river sequences especially, audio-visions juxtapose fantasy and reality, and good and evil, to propel the children to safety.[...] In these sequences, Laughton’s visual constructions and Schumann’s score establish abstract contours that take root in spectatorial memory. When the overture transitions from Preacher’s pagan motif to a tranquil lullaby, celestial sounds and Gish’s presence seem to safeguard the children from Preacher’s tyranny.[...] Schumann’s pagan motif, Miz Cooper’s lullaby, and the sounds of the children’s river journey mix realistic tropes and emotional flourishes in the manner of 1950s melodrama films, which especially employed music to articulate these opposing poles. For Peter Brooks, music punctuates the wordless gestures of the melodramatic “text of muteness”: its sweeping rhythmic motions render space and time tangible to imbue characters—especially muted victims—with emotional depth².[...] Analyzed through a motivic model that binds characters to themes, Hunter’s river lullabies foreshadow the children’s eventual safety with Miz Cooper even though maternal figures are not visible.”

So there is this important and well-known scene in the film when the song plays. When the kids are finaly safe in a boat on the river (the part of the song they use in the series starts at around 3:55):

So basically: there's a father who hid some money in the kid's toy (which reminded me of the money in the cans of tomatoes- KBL); an orphaned brother and sister; children looking for shelter; during the escape they are they feel safe in a boat on a river (when the lullaby plays) and in the end they are adopted and everything is fine.

I wanted to understand what this means for Nat, what it has to do with her. When the scene starts the song says "fear is just a dream…" then she thinks about her fears: her brother, mother and a mom's funeral (Marcus), then the song continues "so dream, little one, dream", like, it's not real, no need to fear it!

So…this is ep5 called Children, where: 1-Syd and Marcus take his mother's stuff out of the house and talk about their family 2-we find out that Ever is going to close (a funeral will happen) 3-Marcus and Nat talk about his mother and to start a new project to honor her while Nat is resting from pregnancy discomfort 4- it's the ep The Computer appears and Nat defends Marcus 5- there are the Faks, including John Cena, talking about their family and the hauntings 6- Syd and Uncle Jimmy talk and he says he wishes he had done more for the kids (she reminds him that he is there for them) and finally 7- Carmy goes to the basement and finds a box with photos of the family (Donna and Mike and himself too and a baby that could be Nat?!!!) then some riffs of the song Mixed Emotions by Rolling Stones start and it cuts to the credits with the lyrics right in the part: You're not the only one, You're not the only ship, Adrift on this ocean. And that's it! Just these lyrics and then just instrumentals. They cut the song to fit the scene and without any other part of the lyrics!!!

Carmy my man, Nat needs you! And she was the one who reminded him in the first season: "did you know i recently had a brother die too?" She's trying. She wants help, she already told him, "the thing that pisses me of is that you never ask her how i am doing!!!" but he can't ask her that "because he feels trapped, because he can't describe how he feels, so asking someone else how they're feeling seems crazy to him" (like, he literally told her that in S1). They need to talk, they need each other, they need family (a new one probably...the restaurant...uncle Jimmy too?? She talked with him about be a parent last season and he is always there for them, saving them). Nat managed to talk to her mother, even asked for help (it’s not a solution for everything, but it was a start)...but Carmy...there's still a long way to go, a next season thing. But I think it may be a thing they need to do together somehow, i dont know...

Nat is afraid of her past, motherhood and knows family is complicated, she is looking for a brighter future¹. She and Carmy (and Mike) are children of a abusive/alcoholic parent and live with the consequences of that (some people here have already talked better about the subject). So they are like the kids from the movie, who are muted victims—with emotional depth², in a complicated family, going throught the river until they reach a safer place with better people.

And also, last seasons they showed the "pyromaniac tendencies" of the Berzatto brothers, there were these references to setting the restaurant on fire as if that was the solution to their problems...and now in season 3 I thought that had been forgotten...instead, the ep1 already starts with (first a train, and then) a lake, which appears other times throughout the season... Copenhagen Carmy living in a boat on a river!!!, and all happy and safe, drawing on a bridge over a river!!!

We also had a scene with water being thrown on the kitchen countertop and "flooding" the space (with a song by Trent Reznor and Atticus for a war doc! that the director describes as profound, haunting, unsettling and deeply moving!!!) in a moment that the crew is cleaning the kitchen and everyone is tired and overwhelmed; there is Donna talking about the fish tank that breaks in a dream that takes place in a place she doesn't know that looks gray except for the tank (surreal, like a noir thriller maybe). These don't seem so safe, but they seem to be about the past, something to be overcome... And there's even a scene of Syd reflecting in front of a lake... Several water references...and I have no idea if that really means anything...or if i am going to deeper into this?😅

...but Nat, dear, are you okay?!...you feel like in a horror movie with your remaining brother seeking safety together somewhere or with someone, running away from a curse, a haunting in your family??? (in S1 Carmy talks about how she blames the restaurant, not her mother or Mike, she says the place sucks up all the work, money and time and all they get back is chaos and resentment) But seriously, someone help her!!!...and Carmy...She must have felt very lonely this season with Carmy like that...But I guess this all means that everything will be fine in the end, like in the movie!

Seriously, I couldn't come to a better conclusion about this but it left me curious and confused... And of course, it might mean nothing and just be an interesting song from an amazing movie that director Chris Storer likes because he likes great movies and that's all 🙃 But with all the movie references, great directors and hauntings...maybe I'm not so crazy😅 <<<I tell myself to feel better🫠