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boop-le-snoot · 4 years ago

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hot wheels | natasha romanoff x reader

explicit, 5,2k words, f/f. meet-ugly but still very much wholesome. we love a girlboss. natasha catches some random woman keying her brand new car but decides to be the better person for once and hear the woman out. turns out, being the better person can even get one laid! warnings: singular use of the d-slur, references to an abusive ex, lesbian sex.

[no y/n, no "you", nickname only, no reader description - race/age/body type neutral, she/her pronouns]

Natasha gave the tall, lanky boy an unimpressed look as she side-stepped the arguing couple to avoid colliding with the annoyed, teary-eyed woman the boy was groveling to. It was nearing rush hour and there was shopping to be done before the heavy NYC traffic could steer her already busy schedule down into an unmanageable chaos.

"But, Foxy, you know I didn't mean it! I love you, more than anything!"

The items on the spy's list were checked off methodically, item after item landing in the cart with a quiet thud as the redhead maneuvered through the isles with tactical precision. The usual afternoon crowd began to fill the store, taking up the so-needed breathing space; Natasha's shopping trip wasn't a moment of leisure and with her neverending to-do list full, she hurried to the self-check-out register, flying through the motions mindlessly.

Scan, place, beep, boop, pay, load up the bags, make way to the car, load up and pedal to the metal.

Scratch that. No, scratch - Natasha's eyes bulged as she neared her shiny, brand new Charger, seeing the obvious defects even from a mile away: the paint, previously cherry red and gleaming in the sun, ruined by a series of thin, gray lines, standing out unpleasantly on the otherwise pristine vehicle.

And the culprit, who's tuft of hair peeked over the hood of the car on the other side of the Charger, almost fully hidden between her car and the large Chevrolet in the next parking spot over.

Natasha's fingers clenched around the handle of the cart as she fought the urge to reach for her knife safely holstered under her leather jacket. "Excuse me?" Tone quiet and deadly, the spy prepared herself to fight or at least slightly shake up the hooligan.

The figure froze, vaguely familiar clothing and a puffy, tear-stained face slowly rising from behind Natasha's car. "In my defense, he deserves it," the girl - Foxy - the one that was arguing in front of the store earlier, declared through a stream of angry tears. "Call the cops if you want, I don't care." It was unclear if the girl recognised her, the Black Widow, as she made no move to run for the hills, just pathetically sniffled, pocketing the keys she used to scratch Natasha's car.

"That's my car," The spy responded flatly, a great deal of amusement crawling into her face as Foxy's eyes bulged, jaw fell slack, horror plain and evident overshadowing the waterworks. Natasha quickly pieced two and two together but patiently waited for the initial shock to subside before popping a question. "A word of advice, if I may?"

Foxy nodded, dumbfounded, frantically scrambling for the contents of her pockets, searching for something with the agility of a panicking cat, more than half of the contents spilling out onto the ground.

Natasha unlocked the car, popping the trunk and loading in her bags as she raised her voice to be heard over the noise of a busy parking lot. "Don't mess with the paint, the insurance will cover it. Slash three tires - not four - or take a swing at the front bumper and the headlights," the trunk slid shut with a quiet click as the spy inspected the damages close-up. Her Charger looked like it was attacked by a pack of aggressive, feral cats with nails of steel. "And always check the number plates before committing acts of vandalism to make sure you're enacting revenge on the right person." The last part was said with a smirk.

As the spy stepped closer to Foxy, she noted the excessive puffiness of her cheeks and the shaking fingers that held a checkbook and a pen. The woman looked torn between terrified and apologetic, worrying her lip between her teeth. "I'm so, so sorry. Todd just got his new car, it's identical to yours and I didn't get the chance to memorize the number plate yet," the offending man's name was said with a pitiful growl. "How much?" She weakly motioned to the ruined bodywork.

"What'd he do?" Natasha didn't resist her curiousity, leaning against the driver's side door and sizing up the other woman. She was pretty, well-dressed and reasonably wealthy on the first sight. "Yeah, he looked like a Todd," The quip slipped from the redhead's lips as she remembered the man from earlier. Foxy looked way too good to be wasting her time on someone who looked like an adolescent that hadn't outgrown his skater boy phase.

Foxy chuckled shyly at Natasha's remark, smoothing a hand over her face. "Lord, where do I even begin..." The sigh was loud and long. "He lived in my apartment rent-free, made me give up my cat by lying about his allergies, went through nine low-wage jobs in two years, did nothing but play video games in his free time and developed a pot addiction, thus spending all his money on it," she began steadily but her tone grew in pitch with every added offence as Natasha's eyebrows climbed higher and higher. "My last straw was when he took out a loan he couldn't pay off to buy his brand new cool car," the words were spat out with venom. "I threw him out last Saturday. He's been following me around all the time," Foxy continued, growing dark in the face. "And then I found out he had been cheating on me for I don't know how long. I just... I just lost it," she finished pathetically, all but crumbling into a pile of human misery.

Natasha's face had frozen into mute disbelief somewhere around the first half of the story, repulsion and astonishment mixing into a flurry of quiet rage on the random woman's behalf. Menfolk were bizarre animals, and as much as the spy felt herself annoyed by her roommates at the tower, she couldn't help but feel relieved that the men surrounding her were far from douchebags of the casual variety. This Todd, however, was no amateur, and had done Foxy really, really dirty.

The redhead made up her mind rather quickly. "That's a lot to unpack," she carefully studied the micro-expressions on the other woman's face. "I have a couple of nice bottles of wine at my place and nobody to share them with. Care for a glass?"

Foxy's eyes widened once more. "I don't- I don't want to take up your time, I mean, I'm sure you've got more important shit to do, like save the world and y'know..." The stammering was followed by a shy look to the side.

So, Foxy had recognised her. And she didn't go running the other way like most people that encountered her in disadvantageous situations did. "I actually don't, I was just getting my shopping done for a lack of better things to do," Natasha lied seamlessly, motioning to the other side of the car. "Hop in." Mission reports and Barton's pizza date could wait.

The woman made quick way around, buckling into the seat in seconds, right before Natasha peeled off from the parking lot towards the Avengers tower at breathtaking speeds. The car was a gift from Tony - one of the rare things he managed to get right - and an absolute pleasure to drive.

"What's your name?" The redhead asked, juggling the steering and her smartphone effortlessly.

The woman rattled of her first and last name on between attempts to fix her runny make-up and wipe the dried snot and tears off her face. "Foxy is a nickname my gramps gave me, said I used to excessively play with fox pelts in the attic when I was a kid," the woman added with a snort, totally oblivious to Natasha's eyebrow raise as the spy read the information on her in-between overtaking slower cars.

Good student, good family life, stable income and good career growth in a prospective sector. What did Foxy even find in a guy like Todd? The most important information, however, was also most pleasing. No ties to any kind of intelligence gathering organizations.

As Natasha parked and popped the trunk once more, the other woman offered a hand with her shopping bags. Friday acknowledged the newcomer, startling her, causing Natasha to roll her eyes and mention, loudly, that if Tony decided to pay them a surprise visit, he may end up castrated or shot on sight, much to Foxy's bashful snickering.

Once the shopping was put away and the wine opened, the spy let herself curl up on the couch opposite the woman who studied her Spartan style apartment with curios eyes. The lack of knick knacks must've been a surprise for her: Natasha's apartment looked bare compared to what she'd seen in other's people's homes but the desire to make the environment more cozy had never been strong enough to actually act upon it. She wasn't used to staying in a place for very long.

"Do you still want to get back at the bastard?" The redhead asked once the first bottle was coming to an end. The alcohol was sitting low, pleasantly warm in their bellies and the food that they'd ordered in the middle of a casual chit-chat lulled them into a state of comfortable stupor.

"I want to gouge his eyes out and wear them as a battle trophy," Foxy was slightly slurring her words, much more affected by the wine than the stoic, experienced agent. "But I guess I can settle for petty crime or arson."

"I'm sensing you didn't tell me the whole list of grievances," true to her words, the spy felt as it there was a possibility quite a few things were being left unsaid.

Foxy sighed once again, placing the empty glass on the table and using her palm to prop her flushed face against it, blankly staring off into the far end of the room. "I came out as bisexual last year and he was giving me so much shit for it. Todd kept pushing for a threesome and when I refused, started accusing me of cheating during our fights, called me a whore a couple of times," the more she spoke, the higher Natasha's anger levels rose.

Not only was a Todd a dick, he was an abusive one. Truly, the grand prize of Asshat Lottery. "I have an idea or three," the spy twirled the remaining red liquid in her glass before downing it. "But it'll have to stay between us two."

"I'm listening," Foxy turned to meet Natasha's face, eyes considerably more alert than seconds before.

A few days past their amicable wine-and-revenge get-together, Natasha's doorbell rang as if she wasn't already had been made aware by Friday that a visitor was coming up to see her. Boxes of hair bleach and dye laid stacked on the living room table, surrounded by jewelry and assorted accessories. A pitcher of fresh sangria topped the ensemble, two clean glasses placed neatly on the tray next to it.

"Hi, Nat," Foxy's smile was a mile wide - a far cry from the sniffling sad sack of a woman the spy had first met. The nickname flowed freely from the woman's lips, as calm as Natasha's own answering grin and greeting. "I gots the stuff," waving her purse about, the woman kicked off her shoes by the door, approaching Natasha with the same smile that seemed to be more effective at lightening up the room than Tony's expensive designer lamps.

As Natasha's plan achieved a solid state, the two women had quickly come to a realization that Natasha was far too recognizable with her signature red hair and over a flurry of text messages, the decision to switch to a warm caramel blonde was made unanimously. Foxy had rebuked any and all Natasha's attempts to affirm she'd be able to do it herself and the spy gave into the other's chiding, relenting to have her hair dyed by a person who at least had a possibility of seeing the back of her head without having to perform acrobatic tricks.

Foxy was an easygoing, non-problematic person. She was fun to have around, quiet but witty, with intelligent eyes and a realistic view on the world. It was something Natasha valued, alongside the lack of probing questions regarding her past or her job - her insides clenched uncomfortably at the thought of having to lie about those things, or even worse, having to admit to the wrongdoings in her past, however Foxy carefully steered away from topics that were sensitive and never gave Natasha as much as a side-eye if the spy appeared to lack some minor detail that normal women her age all seemed to be aware of.

The curiosity had her ready to burst. Nat's natural defense mechanisms were quite confused, not sure what to make of the woman who almost too friendly to be true, but the kindness in her eyes and the sometimes shy, awestruck looks she gave Natasha when she thought the redhead wasn't looking made up for it in spades.

"What do you think?" The noise of the hair dryer finally ceased, Foxy's voice echoing in Natasha's luxuriously large bathroom.

The newly-blonde spy studied her reflection with a tilt to her head. The ombre was a nice touch - her own hair was naturally darker than the caramel and honey blonde she had chosen, so the almost-brown shading at her roots took much away from the contrast between her lighter hair and darker brows. It was just another disguise for the spy, but somehow, this one felt more like home than any of the previous faces she had worn.

"I like it, you were right about the ombre," Natasha voiced her thoughts, eyes sliding over to the smiling woman behind her, feeling the corners of her mouth begin to creep upwards in involuntary response.

"You looked good with red hair, don't misunderstand me," Foxy briefly raised her hands. "But you have a light complexion and lighter colors do wonders for bringing out the youthfulness. Even if we don't have much joy these days, a good hair color is an opportunity to showcase the bit," she briefly touched her own hair in an exaggerated attempt at driving her point home.

The fun part was done, the time came to execute the revenge. It wasn't exactly anything special; rather, the plan was quite simple - let Todd make a fool out of himself in front of his friends and perhaps (a slightly, teensy possibility) get himself arrested. The two women took their time to get dolled up, not too much - but rather, adding just that little bit to themselves to easily attract moderate amounts of attention from men.

The bar was busy, noisy and full of people when the two women stepped through the door. Natasha's eyes scanned the room out of habit, easily spotting the tall, lanky Todd in the far end of the bar, laughing and boozing with equally pathetic-looking man-children. The urge to gag was almost irresistible.

The spy let herself to be led to the bar by Foxy who looked mildly uncomfortable. Natasha was sure that if she was to touch the other woman's face, it would be flaming under the circumstances. "Try to relax a little, I won't bite," with a quip to her companion, Nat ordered them a vodka cranberry each, sitting down with her back to the men. "Tell me when he notices us and starts moving this way."

Foxy nodded minutely, clutching her drink for dear life and taking generous sips to calm herself down and relax like the spy had requested. They talked about everything and nothing in between, Natasha's hand on Foxy's knee crawling closer to her hip as minutes passed by without interruption. Loud noises of men playing darts and drunkenly cheering reached the womens earshot every now and then, causing Foxy to throw increasingly infuriated glances towards her ex-boyfriend and the Black Widow's current victim of choice.

Sitting opposite the perfectly composed, smiling woman, it was clear as day she was, indeed, best of the best. Despite knowing Foxy for only a few days, Natasha managed to pull off a very convincing girlfriend: her body language was nothing short of absolutely besotted and the googly eyes the spy was making had Foxy constantly remind herself that it was only for show. There was no way this gorgeous, incredible human would be interested in someone as plain and ordinary as herself.

"Heads up," Foxy's smile suddenly grew a mile wide as she stared directly at Natasha, eyes alight with fury at the scene about to unfold. Natasha's reply was to briefly tighten the grasp on the other's leg in silent support.

"Hey, baby," Todd was drunk enough for the stench of his breath to reach both women. "Oh, I see you're with a friend," his attempt at flirting only made Natasha scrunch up her face like a cat that accidentally smelled a lemon.

"Leave me alone," Foxy stated firmly, knowing the phrase wouldn't do anything to deter her overzealous ex, but this time - she counted on it.

"It's okay, I can share," the slurred words had a couple of people nearby raise their eyebrows at the audacity.

"I'm not interested," Foxy snapped. "In fact, there is absolutely nothing your freeloading, cheating ass can bring to my table."

The woman radiated satisfaction as gasps sounded out around them; Todd was a regular at this bar and most people there knew him in one way or another. The moment of joy, however, was brief.

"Listen, bitch, you have no business talking to me like that," full of drunken bravado, the man spat angrily, taking unsteady steps closer to Foxy. "What you need is a decent man that can handle your outbursts, not some dyke..." before he could even utter another offensive syllable, Natasha had his wildly gesturing arm twisted painfully behind his back, easily forcing the inebriated man to his knees.

"Wanna try that again, champ?" Sarcasm flowed freely from the spy's lips as the patrons in the bar gasped. The civilian clothing and the new hair color might have been an effective short-term disguise but once the crowd had seen her neat little party trick and had taken a good look at her face, nobody was doubting her identity. "Call the cops, will you?" She addressed the shocked bartender who immediately scrambled to obey.

"I didn't do anything!" Todd cried out, eyes drunkenly darting between the Black Widow's quiet rage and Foxy's grim stone face.

"Huh, that's weird. Because I clearly heard and saw an attempted hate crime," Natasha's voice attained a sardonic tint. "And I have a bar full of witnesses," the spy shrugged, letting go of his arm but keeping a boot firmly planted on his back to prevent him from escaping. "I hope you have a lawyer."

Foxy snorted, reaching for her unfinished second drink. "Tough luck."

Out of the corner of her eye, she spied Todd's friends inching closer to the exit door second by second, as if they could stand a chance against a professionally trained secret agent. Luckily for them, Natasha wasn't interested in the remainder of Todd's gang of losers and merely raised an eyebrow when the other men reached the door, a tiny smirk appearing when his pleading eyes didn't cause any reaction in his friends, the spineless worms, hopping out of the door without as much as a goodbye to the man laying face-down on the dirty floor.

As soon as the police arrived, awestruck by one of the NYC's most famous superheroes just casually standing in a bar, they eagerly collected the inebriated offender, briskly escorting Todd to the squad car. The bartender and several other patrons confirmed Natasha's words that an attempted hate crime had taken place. Cops were in and out in less than fifteen minutes and the otherwise-pleasant hole-in-the-wall bar returned to its usual evening bustle.

"Celebratory shots?" Natasha laughed as Foxy exhaled, deep and slow, once her racing heart calmed down.

"My treat," the other woman motioned for the bartender and soon, a line of colorful glasses appeared in front of the women. Each downed a glass easily, slamming it back on the table. "Man, this is everything I never knew I needed," Foxy confessed with a shy smile. "Thanks, Nat. You're the best."

The spy responded with a satisfied smile, picking up another glass and holding it out for a toast. "To revenge well-deserved," the glass clicked, alcohol slid easily down their throats. "So, what now?"

Foxy's eyes shone in the bright lights of the bar, relieved and tipsy. The small empty glass twirled easily between her fingers. "Dunno," the shrug came and went. "Maybe go on vacation. To Florida."

Natasha let out a belly laugh, downing her last shot without as much as a stutter in her movements, Foxy's eyes lingering on the stray drops of alcohol running from the spy's plump lips. "A vacation with the crackheads? Romantic," the quip was received with an eyeroll from the other woman.

"Spoilsport," Foxy, too, finished her booze and placed the money and a hefty tip on the bar, tapping twice to get the bartender's attention. "I meant more like - lay on the beach, sip mimosas, look at sexy people in swimsuits..."

"Florida is for old people," Natasha objected, pulling her leather jacket back on and leading them both outside. The evening air was crisp, bringing a clearer head and re-arranging the thoughts back into a more sensible state.

Foxy easily picked up her pace to match Natasha's precise strides leading them in the direction of the former's building. The warm buzz of vodka coupled with the fresh air and her desire for retribution well-fed, Foxy settled into a comfortable silence next to the spy. They reached the building quickly, their pace brisk and distractions lacking.

"Care for a nightcap?" She didn't know what prompted her to blurt out the words; as soon as the words registered in her brain, they were already out and Foxy's face heated, fingers fumbling for the keys in her pocket, Natasha's touch still warm and lingering on the side of her leg.

The spy seemed amused, studying Foxy's nervous habits with a crooked smirk. "Sure," she agreed amicably, following the woman into the apartment building, not missing both the rigidity of her back and the added spring to her step.

A moderately sized, well-decorated apartment revealed itself behind the open door, scarcely illuminated by the NYC lights coming in from a glass wall in the living room, reflecting the vast living space furnished with a large couch.

As soon as the door clicked shut, Natasha turned around, stepping into the other woman's personal space with the grace of a predator. Two shining eyes stared back at her in the darkness, framed by fluttering lashes. Foxy's bottom lip disappeared behind her teeth, skin gleaming with perspiration.

The recently-turned blonde spy wasted no time caging the other woman between her body and the door, chests almost touching. The air around them was charged, Foxy's heart thudding loudly in her chest as she gulped. Natasha studied her expression, "You want this?" she whispered against her lips, sharing the oxygen between them.

"Ye-yeah," a short nod and a gasp later, the women were devouring each other, grasping at their hands and shoulders like they were drowning. Hot and wet and sharp from the booze, the kisses were as graceless as their fingers haste in removing each other's top layers of clothing.

The sharp corner of the living room archway dug painfully into Foxy's back, bringing an additional sense of awareness: this was real. This was happening. Natasha's blonde locks flowed through Foxy's fingers, soft and silky, a contrast to the teeth pulling on her lip in impatient hunger. Foxy grunted in response, parting from the other woman to send her t-shirt flying somewhere in the direction of the kitchen.

"Bedroom," mere minutes in and she already sounded utterly and throughly ruined.

"Couch," Natasha was equally feverish to get to the good parts. Her belt was unbuckled and the nice button-up she'd worn hung open, a plain white bra iriscendent on her alabaster skin.

Letting herself be led to the couch, Foxy could barely take her eyes off the woman in front of her, making sure she wasn't ogling Natasha outright yet secretly hoping to be caught anyway. The blonde was like a porcelain doll, unreal, firm and soft at the same time.

The moment Foxy gracelessly landed on the couch, Natasha was all up in her space, straddling the other woman with the grace of a savage cat; lips once more attached to her flesh, Natasha left a trail of hot, wet marks starting at the jawline and ending at the cups of Foxy's bra.

Not knowing what to do with her hands, Foxy grasped Natasha's hips, unable to hold back a moan heavy with lust as the spy ground down with her hips. It was exhilarating to see the other woman affected by their heavy make-out session; nothing short of absolutely smitten to see Natasha pull back, panting and disheveled, to shed her shirt and her bra.

Unable to resist the urge, Foxy's hands reached out to cup the spy's round breasts, tugging her closer to pop a rosy nipple into her mouth. Natasha shivered, arching into the caress, holding onto the other woman's hair and tugging it in the direction only she knew.

Natasha wasn't loud, she wasn't wild; her moans were more like muted gasps but her body spoke for her louder than any words: the grinding was getting more impatient, Natasha's hold grew stronger. As Foxy fumbled for the button of Nat's pants, she felt the soft, delicate lace underneath. Natasha had come prepared.

"Hold on," the spy mumbled, hopping off Foxy's lap to quickly push her pants and panties down her legs with practiced ease. The other woman followed suit, leaving herself to be bare besides her underwear, the attempt to remove them intercepted by Natasha. "Let me," quiet words tickled the skin of her throat where Nat had immediately attached her mouth.

Foxy scrambled to intake the oxygen she needed, letting herself feel the hot glide fully, having lost herself in pleasure, missing the exact moment Nat's fingertips breached the waistband of her panties. Soft and nimble, so different to a man's roughened skin, the sensation was as strange as it was sweet. The urge to arch and rock her hips against the nearest surface intensified and Foxy could only keen, quiet and high, causing Natasha to chuckle to herself.

"Enjoying yourself, sweet girl?" The miniscule trace of coyness seeped into the blonde's voice. The engorged, puffy, moist flesh of Foxy's lower lips parted eagerly to Natasha's experimental dip.

"Yeah, yes," the woman slid down, spreading her legs in invitation. "Please, touch me," begging to be filled in all the empty spaces, Foxy threw her head to rest against the back of the couch, watching Nat through unfocused eyes.

"Oh, I will," the spy purred, sliding lower to put her face next to Foxy's dripping cunt. The spy's fingers glistened with arousal and she popped them into her mouth, licking them clean before doing the same to her lover's swollen folds. The response was instantaneous and loud, Foxy shook under Natasha's expert teasing. "Stay still," she ordered quietly, patting Foxy's belly.

Molten, honeyed waves of bliss overtook common sense and awareness, tiny sparks shooting up Foxy's cunt every time Natasha suckled at her clit. The spy read her body like an open book, following the movements of her hips with her mouth, always a step ahead and slightly south. Foxy's peak was imminent, approaching rapidly, as Natasha's sweet merciless assault wrung every single drop of the thick, precious liquid out of her cunt.

It only seemed to gush more, the woman pushing her cunt into Natasha's face as the latter doubled down on her efforts to bring her to ecstasy.

The waves began deep in the pit of Foxy's stomach, making her legs tremble, her toes curl and the flutters of her cunt increase in speed and intensity. Silky soft and typhoon wet, her orgasm crashed her mind into million pieces and Nat dutifully extracted everything until the last drop with the skillful touch of her tongue and fingers.

"Tash," Foxy moaned. Her legs quivered at the slightest touch to her oversensitive cunt.

"Mhm," was the blonde's reply, contented humming getting closer and closer until the womens lips met once more in a fierce, passionate kiss.

Foxy's hands immediately sought purchase on Natasha's hips, searching for the spots that would make the spy's body song in the same way she'd done to Foxy; seemingly much more reserved, quiet but happy sighs broke past Nat's lips in response to gentle hands stroking where she was most sensitive.

"I've got a vibe in my bedroom," clarity finally broke through the orgasm haze, Foxy's brain slowly coming back to reality.

"No, I want your fingers," Natasha's reply was assertive as she moved her hips in tandem with Foxy's hand, dripping the sweetness of her around all over.

The urge to pop the fingers into her mouth was strong, so Foxy did just that, moaning at the tangy taste, Natasha's breath quietly stuttering at the sight in front of her.

"I want to eat you out," the words barely had left Foxy's mouth as Natasha flipped them so she was the one laying on the couch, spread-eagled and open for the other woman's eager mouth to explore. Wet, sloppy and so, so tender, Foxy let herself taste the arousal of her lover.

"Yeah," so soft, one could easily miss it, the approval didn't get lost in the headrush nonetheless. With grace, Foxy sought the spots that would force Natasha to break her silence with slow, broad motions until the blonde had no choice but to arch her hips into the sensations, chasing her pleasure, losing the aura of restraint she'd so carefully cultivated.

No time for self-control. The temperatures were climbing steadily with every single movement, both lost in their imperfect shared rhythm, the soft of Foxy's tongue and fingers like finest silks on Natasha's eager cunt. Two fingers slipped in without resistance, immediately seeking out the soft, spongy spot that made the blonde's toes curl and mouth open in a silent scream.

Foxy's free hand groped around for Natasha's ass hastily, bringing her hips closer to her mouth, tongue never ceasing its assault on the blonde's clit as her body grew more rigid, fingertips going white with the force she was gripping the comforter.

"Gospodi bozhe," came the mumble, the only warning before Natasha's powerful thighs locked Foxy in place as the blonde rode out her orgasm, violently shivering, dousing the other woman's face in her sweet release. Dutifully, Foxy stroked the silk of Natasha's skin everywhere she could reach, her hot breath on the blonde's pussy easing her back to Earth through the aftershocks.

Natasha's eyes opened, feeling her lover's look of adoration, and she cracked a reluctant but genuine smile. There was something about Foxy that was just so-

Natasha taglist (open, see fic hat for info; crossed out nicknames are the ones I couldn't tag, please update your info):

@mikariell95 @letsby @sleep-i-ness @toomanyrobins @persephonehemingway @bluecrazedandbeautiful @slothspaghettiwrites @xoxabs88xox @marvelsbanner @sapphicnoodle69

#bun writes #bun writes: drabbles #natasha romanoff fluff #natasha romanoff x reader #natasha romanoff smut #natasha romanoff x you #natasha romanoff x y/n #black widow x female reader #black widow smut #black widow x reader

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liquid-luck-00 · 4 years ago

Text

Connections 8

Chapter 8

this is based on @thepeacetea daminette soulmate au

Masterlist *** First *** Previous *** Next

~~~~~~~~~~~~~~~~~~~~~~~

Dinner went as normally as it could, but that only means that Grayson and Todd were arguing about something or other. Damian was quiet and sent Stone glares from across the table.

First, she leaves me underground and then I find out she knows our secret. She is a loose end that needs to be dealt with.

Alfred was binging out a plate of macaroons when Todd seemed tired of speaking with Grayson.

Stone took a couple of cookies and was going to leave when Todd changed targets.

"What was that about after school?" he asked "Demon Spawn, Pixie either of you want to explain."

Damian moved to grab his katana from under the table, he didn't need to hide it since she knew of their nightly activities, but she moved quickly.

She was now between the two of us, shoving a cookie into both of our mouths.

"I really don't know what you want to hear Jay, but we had a study hall at the end of the day. Damian went to the library and must not have heard the bell" she answered.

Damian grumbled shooting daggers at her, but she held her ground as he left. He doesn't know why but he decided to listen at the door.

"Honestly, Mari what happened today?" he heard Todd, ask in a soft concerned voice he had never heard before. "Damian isn't the" he doesn't know what was going to be said because Stone cut him off.

"That is what happened whether you believe it or not. And I will not be told how to think of anyone, including Damian, without giving them a chance." she stormed out, while he ducked into the nearest door.

---

I went up to my room and was about to turn in there was a knock at the door.

"Hey Damian, is there something you need?"

"How much do you know about me?" that was not what I was expecting him to say. So, I motioned for him to come in. I sat on my bed and he sat at the desk.

"Obviously, your Robin, you are Bruce's only biological child, and your brothers call you Demon spawn."

"Anything else."

"Just what I've observed at school. Oh, and your murder attempts on Jay and Tim and your fight with Dick.

"They haven't said anything else"

"They've tried" he stayed silent as if telling me to continue. "I dunno they try to tell me, but I don't think that is fair to you."

"What is that to mean" he snapped at me. "You gather information, if it is being given to you, you take it. It does not matter if it is gained fairly or not." he seemed to scold me.

"Wow"

"Wow, what Stone" he barked.

"I think that is the most I've heard you speak in one go" he only blinked at me, that was the only indication I got that I took him by surprise. "let me guess. You think I am naive for wanting to get to know someone myself."

"Tt. yes"

"Fine you can play it sensible, the king of conventional but I don't have to.” I flopped backwards laying on the bed.

"Say that again" now I sat up when I heard the confusion in his voice.

"I don't have to"

"before that"

"King of conventional"

"I've heard that before.” That was when a memory surfaced.

"I can cut you free. Out of the drudgery and the walls you keep in. So, trade that typical for something colorful. And if it's crazy, live a little crazy, you can play it sensible, a king of conventional."

"You" he shouted accusingly jumping up.

"Me” I smirked, having finally recognized this Damian as the Damian I met in Paris years ago.

"How long have you known?"

"I just figured it out actually"

"Figures that the aggravating girl from Paris would be you."

"Ya well you are still the intrusive kid who doesn't seem to know how to have fun."

By now we were yelling at each other.

"Did you know?" he asked glaring at me.

"know what?" she retorted with a huff.

"That I am or rather was an assassin then" he yelled.

"I'm sorry what?" my voice was softer and the only thing I seemed to be able to do is blink at him.

His reaction was much like my own, but shock was clearly in his eyes.

---

"You didn't know” I whispered more to myself than to her. I don't know why I told him she

didn't need to know so why?

She took a few steps to close the gap between us and just enveloped me in a hug. We didn't say

anything to one another, Damian silently cried into her shoulder hugging her tighter. Why am I crying. I should not be letting my emotions control my actions, But I feel safe. Why does she make me feel safe?

We stayed like that until I spoke again,

well it was more of a whisper into her hair. "Why aren't you running away from me?"

"Do you want me to?" she asked just as quietly. I shook my head holding her tighter. "stay, please"

she hugged me tighter "You're stuck with me Wayne"

I chuckled at that, genuinely amused, as we stepped apart "And you with me Marinette"

"Good" she then grabbed my hand and dragged

me to the living room.

"What are you doing?"

"We" she pointed between the two of us "are going to watch movies until we fall asleep" she stated as if it was the most obvious thing "You choose the movie and I'll go grab some blankets"

"Anything you want to see?” I asked before she left.

"I dunno" she shrugged "something with magic" she came back soon with a pile of blankets and a bowl of popcorn. They ended up watching the first three Harry Potter movies before falling asleep.

---

That was how everyone found them coming up from the cave. Asleep next to one another wrapped in blankets.

Three things occurred that shocked everyone the next day.

1. Damian smiled. Marinette the sun child she is get him to smile. He smiled and it was as if he was actually a kid it was just as bright and infectious as one of Mari's smiles. However once Dick took a picture his scowl was back.

2. They argued, civilly no yelling no swords, well it was more of a discussion of which house they belonged in. It was the longest argument that Damian was part of that didn't end with him with a katana in his hand, and that was almost frightening. It was settled that Damian was in Slytherin and Mari was in Gryffindor only after they took the Pottermore quiz.

3. Still more shocking was whenever Damian spoke of or with Mari it was Marinette not Stone. Damian had been with them for months, but he only referred to them as Father, Grayson, Todd, Drake, and Pennyworth. But in comes Mari and she is called by her first name before any of them.

So as a family of detectives they tried to figure out what changed with their youngest member. Because he only seemed to let down his guard around Mari. They couldn't understand it, it was an enigma with no true answer. Hell, they even found them sparring with Damian correcting and teaching her to sword fight. In turn she taught him gymnastics for when he is grappling through the city.

Two weeks passed quickly, and they were saying goodbye to Mari, but they still hadn't figured out the change.

~~~~~~~~~~~~~~~~~~~~~~~

Taglist🐞🦇

@thanks-captain-obvious @mandy989 @our-preciousss @readingismyoxygen @birdy912 @shifty-lesbian-retro-goblin @todaylillypads @laurcad123 @demonangel27 @be-happy-every-day-please @fandom-trapped-03 @thequeenofpotatoeunicornss @t1dwarrior-of-earth @saays-bitch @kawaiigiantjudgefish @k-poplunardreams @animegirlweeb @animezodiac707 @weird-pale-blonde-person @myazael @toodaloo-kangaroo @moonlightstar64 @miraculous-simmer7 @wannajointhecrabcult @blackmagicforever @iamabrownfox @inkattbi @i-wanna-be-a-ninja @justcourttee @consumeconstantly @abrx2002 @livelifeauthorstyle @certifiedbidisaster @dreamykitty25 @ironspiderstark @fantasyislive @ertyzeta @dast218 @susiej1118 @sassakitty @lilyreadbooks12 @dawnwave16 @mochegato @galla02006 @nathleigh @trippingovermyfeet @promiswords @rosep16 @officiallydarkgeek @inarachi02 @justafanwarrior @emimar7 @vroomtaka @gimpedmercy @alabastas

#miraculus ladybug #dc x miraculous #dc x mlb #maribat #mlb x dc #ml marinette #batfam #soulmate #damienette #daminette #damianette #marinette stone #maridami #damimari #miraculous x dc #Connections AU #marinette x damian #damian x marinette

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or-simplydreaming · 3 years ago

Text

beckoning, beckoning...

This blog, as you can probably see, is an RP blog for Johanna Barker of Sweeney Todd. I’ll also reblog both posts specifically about canon & posts I associate with Johanna.

Due to this being a sideblog, follows/likes/asks/etc. will come from my main. If I send an ask in-character, it will be on anon and signed with my username.

Ind. & semi-selective

I prefer not to do roleplay threads on Tumblr — add me on Discord at werewiire#8094 instead if you're interested or just want to chat. However roleplaying via Tumblr is fine too if for whatever reason you can’t use Discord. :)

I tend to post para/multi-para replies, but I’m happy to match length if you prefer. If you have a different length style, don’t worry about needing to match me — just make sure you contribute enough to move the plot forward.

I find the formatting of many RP blogs inaccessible since I’m ND, so minimal formatting in replies with me would be fantastic.

I don’t use fcs/icons/gifs in threads, but you’re welcome to!

I headcanon Jo as a lesbian & don’t ship her with anyone in particular. However, I’m open to other interpretations & ships as long as it’s all consensual, legal, & sane.

Minors may interact! I am 17 and I don't post any NSFW/18+ content here. Thus, I won’t participate in explicit roleplays. I may reblog art with artistic nudity, but I will tag it with #nudity tw.

Non-RP blogs can also interact — in fact, you’re welcome to.

If anything here is unclear, just send a DM/ask! I’m happy to clarify anything.

Character Bios

[ pre-canon and during canon ] and [ post-canon ]

about the mun

My main is @werewiire . I also run a R.M. Renfield rp blog, @themasterssong .

My name is Quincey (he/him).

Apologies for any less-than-beautiful formatting, I usually post from mobile and therefore can’t make this blog as pretty as other RP blogs.

tags

I try to tag triggering content, but I may not be perfect, so please be warned. If you want me to tag other things, please let me know and I'll try my best. Triggers will be tagged as “[trigger] tw” — for example, #blood tw. In general, due to the nature of the character and source, expect mentions of trauma, child abuse, grooming, and blood, although all will still be tagged.

a note

I know DNI lists don't do much to stop people from interacting, but please note the following people will be blocked on sight:

TERFs, "gender critical", LGBTQ-phobes including ace/bi/pan exclusionists. NSFW/kink blogs (I'm a minor), ED/thinspo/proana blogs, people who ship underage with adults, and people who ship related characters. Please note that these things are not up for debate.

#* mine.#* ooc.#* about.

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leverage-ot3 · 4 years ago

Text

notable moments from The Tap Out Job

leverage 2.02

Jack: Somebody drugged his water. It's an old boxing trick. He couldn't defend himself, and... He's still in the hospital.

that’s fucked

- - - - -

Eliot: It's not a cockfight. All right? Let me show you something, Hardison. Come here. Can I borrow you? (puts a gentle hand on Parker’s hip, guiding her to the open space behind the couch) All right. Square up. Remember what I showed you?

(Hardison and Parker square up)

Hardison: Are you...

Eliot: There's three phases to an MMA--to an MMA fight, okay? One, striking. (Parker punches Hardison in the face) Nice. Next is grappling, the takedown. (Parker grabs Hardison and throws him on the floor) Exactly. All right. The third one is jujitsu. Okay, try to isolate a joint. (Parker gets Hardison in a hold) That's good. That's a textbook armbar, Parker. Put some pressure on there.

Parker: Like this?

Eliot: There you go. Or you can go for a choke hold.

Hardison: She got to be choking me. (tries to get away)

Eliot: Remember that thing that I showed you?

Parker: Oh, yeah. The choke.

Eliot: Lock that in. All right. You don't have to hold the arm. See, that's a triangle choke. That's nasty. Puts pressure on his carotid artery, and the guy will submit by tap out.

Hardison (tapping the ground): Eliot, I'm tapping! I'm tapping!

Eliot: These fights are won by inches, I'm telling you.

Hardison: I can't breathe!

Eliot: All about leverage.

Sophie: Yeah, it looks really painful.

Hardison: It is painful!

Nate: No TV deal, you said, huh? Hardison, what are this guy's other interests, this Rucker guy?

Hardison: Seriously, you ask me a question right now...

Sophie: I'll take that. Yeah, rotary club, golf membership.

Nate: Golf, huh?

Hardison: Help me!

Sophie: Yeah. I mean, this guy's like a 1950s sitcom character. He plays a weekly game with the local businessmen. In fact, last year, he won the club championship.

Nate: Did he? Hmm.

Hardison: Let me go!

Nate: I guess it's...

Hardison: She's killing me!

Nate: …it's time to hit the links.

Hardison: I'm cool. Just let me go real quick.

eliot canonically teaches parker how to fight in his spare time and I LOVE THAT

fucking CHAOTIC OT3 + parker is having a great time while hardison is dying

ALSO can we just for a minute appreciate how when she puts him in a chokehold she was wrapping her legs around his neck, which basically had his head in her crotch area and !!! it wasn’t sexualized at al !!! literally A N Y other show would have sexualized it even just a little bit but not leverage. never leverage.

- - - - -

I love it when they fuck with peoples gear (like with the baseballs or hockey pucks or in this instance the golf balls)

- - - - -

parker playing with the golf club covers

- - - - -

literally EVERY con has nate being an asshole (this one was one of the more annoying ones tho)

- - - - -

hi I am but a simple bi and eliot in that grey hoodie was VERY attractive

- - - - -

Room Service: Room service. Can I help you?

Sophie: Yeah, no, I can't eat this. I'm sorry?

Everything on my plate is yellow.

Room Service: It's chicken-fried steak.

Sophie: It's what? Chicken-fried steak?

Room Service: Yes.

Sophie: No, let me just tell you, all right. Meat should never be used as an adjective.

~ a little while late ~

Sophie: I'm starving.

Parker: I found these in the minibar. (throws her a bag)

Sophie: "Pork Rinds"? How do you peel a pig? (throws it back)

- - - - -

Hardison: Got it. See, Online video websites, they track viewer hits by IP Address, so the trick is to just spoof a bunch of IPs, then write a script that lets you browse the video page via the proxy list and...

- - - - -

Sophie: Well, this guy, he just--he give me the creeps.

Eliot: We've gone up against rougher dudes than this before.

Sophie: I know. But it's this whole treating people as commodities. This whole barbaric sport.

Eliot: Hey, don't lump these guys in with Rucker. All right, he's not what the sport's about.

Sophie: Eliot, this "sport" is about two guys beating the crap out of each other.

Eliot: MMA fighters act with more respect than any other athlete I've seen.

Sophie: Yeah, they're "Braveheart," I get it.

Eliot: No, you don't. These guys don't fight because they like hurting other people, all right. They fight to gain some sort of control over their opponents, over their environment, over their lives. Have you seen this town? Huh? The farms are drying up. The only stores are bail bondsmen and pawn shops, and there's nothing they can do about it. So, yeah, they get in the ring and try not to let it all suffocate them. (a beat, he smiles) And it's about two guys beating the crap out of each other. (she smiles back)

- - - - -

eliot is wearing a green flannel in this one and it looks very nice and comfy

- - - - -

Rucker: Well, bottom line is, you need good product. What event are you here to produce?

[Interior Van]

Hardison: On it. There's a tractor pull in grand island, a livestock show in council bluffs, white people doing other white things…

pls keep calling out white people pls we deserve it lmfao

- - - - -

Director (in car looking at his phone): Come on! Come on! Give me something! Come on! Is this gonna take long?

Nate (through window): No. Two shakes. Are you in a hurry?

Director: Even half a bar... what? Yes. Hurry. Does anyone in this backwater hellhole know what that means?

Nate: You're a director, right? What was your name again?

Director: What? It's Laurence. Todd Laurence.

Nate: Todd, well, listen, Mr. Laurence. See, I wrote a script...

Director: Huh?

Nate: Yeah. It's about a limo driver who solves mysteries till his wife leaves him for --

Director: For the love of god!

Nate: ...the best part: The feed store manager. Right? His wife…

Director: Yeah...?

Nate: Tramp...

Director: Hey, hee-haw, move the car! Okay

- - - - -

parker in leather pants, a bright yellow ‘I heart Nebraska’ tshirt and weird hat, eating a corn dog? ,,,a look I guess

- - - - -

Hardison (showing passes): So, I'm Todd Laurence? (girls flock to Hardison) Ladies, please, look. For the last time, I am not the tailback for the cornhuskers. Go! I don't even know what a cornhusker is.

- - - - -

Rucker: And all you need is a product?

Sophie: Well, that's what they are: Products. You get the girls with Trianna, you get the boys with MMA. And there's always another fresh-faced princess ready to go through the singing/dancing mill in Florida. Occasionally, we let one be a lesbian, keeps the press on their toes

- - - - -

Hardison: What? What? W-what was I supposed to do? It was cousin Jimmy.

Sophie: He's right. We couldn't have planned for that.

Hardison: Look, you know what I can do? I can re-task a satellite, I can get a level 3 NSA clearance, but I can't hack a hick

- - - - -

Eliot: All right, it doesn't matter. What do we do now?

Parker: We can move the Howorth.

Eliot: We're not moving the Howorths. All right? This is their home. That means something to people here.

Sophie: Yeah, we can't babysit them forever.

Nate: We've taken out bigger players than this. You know, there's got to be some way, something we can...

Eliot: No, no! I take the dive.

Sophie: You sure?

Hardison: Give me some time, okay? I've found some funny business in Rucker's accounts. I can move some things.

Eliot: Forget the fact that we just got beat by Barney Fife, all right? This is the right move. Tactically it's the right move. You all know that. (walks away)

none of them want to see eliot hurt more than he needs to or see him go down like that and I cry

alec ‘give me five minutes I will do literally anything for eliot’ hardison

- - - - -

Sophie: Hey. Listen, you-you don't have to do this, you know. Nate's gonna come up with something.

Eliot: I'm losing a fight, Sophie. I'm not diving on a grenade. I'll be all right.

Sophie: Yeah, I know. I'm not talking physically.

Eliot: I think my ego can handle it.

Sophie: Look, you told me that it's about control, about knowing that you're never gonna be the victim. And that's what keeps you going, right?

Eliot: You think I'm upset 'cause I got to let this guy kick my ass? I learned a long time ago, you can't control the violence. I can take the punishment. That's what I do. What I need to control is not out there. (touches his chest) It's here. Always.

(Sophie smiles and walks away)

- - - - -

hardison holds eliots face before he fights I never noticed that before

+ eliot’s hair is curly when it’s wet/when he’s sweaty. this means he blowdries his hair on a regular basis. eliot, as a part of taking control of himself and his life after moreau took interest in self care and taking care of his hair in this essay I will-

- - - - -

one thing I love about this is that eliot doesn’t have a six pack (see this commentary I made with a few lovely additions by my mutuals)

- - - - -

Jack: Where's Rucker?

Hardison: Oh, the Iowa State Police just got a tip that a fugitive is headed into their jurisdiction. And I'm pretty sure crossing state lines with a bag full of cash won't look too good.

Parker: Especially when they find the little surprise in his trunk.

[Flashback, Pawn Shop]

Parker: I need guns. (dumping money on counter) $6,000 worth. And one of those.

LMFAO THERE WAS A TUBA TOO

- - - - -

Doctor (examining Eliot): You took a hell of a pounding. We should get you a CT scan. You could have internal bleeding.

Jack: You let yourself get hammered like that on purpose? That's a hell of a lot of punishment to take.

Sophie: That's what he does.

- - - - -

eliot held the rope up for parker to step under when they were getting out of the ring

- - - - -

Sophie (to Parker): Pork rind? They're actually pretty good. (parker shakes her head and rubs her stomach) You sure?

sophie nO

#leverage #leverage 2.02 #leverage 2x02 #the tap out job #the tap-out job #leverage season 2 #season 2 #notable moments #mine

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miss-choco-chips · 5 years ago

Text

Young Just us college au

Rent a room, Dick said. It’ll be a nice experience. Don’t just buy a flat, that’s boring and lonely.

Tim had tried to tell his brother that maybe he prefered lonely to crazy, but Dick had insisted. And everyone knew just how difficult dealing with that could be, so he knew better than to resist.

At least, he had tried to comfort himself, he knew the people he’d be rooming with. They were all his friends, an odd assortment of assholes he’d picked up on school, summer camps, vacation trips, scientific events, even comic cons, and just… fell platonically in love with them.

Maybe, as Dick said, it would be fine.

-.-.-.-.-.-.-

No, it wasn’t fine.

-Jay -he whispered into the phone, hoping he wouldn't be heard by the others on the other side of the door- Jay, they are crazy. I need extraction asap. We could fake my death and I can go to University somewhere else.

The older man laughed in the other end of the receiver, the sound of pages rustling indicating Tim had caught him during his daily grading paper sesion. That was the sound of crying students dying over carefully demolished arguments.

-They are all your friends, Timbo. If you fake your death, you’ll need to start over again and meet new people.

Tim hissed.

-Exactly, babybird. Also, this is day one of sharing a house, how bad can it possibly be?

-Jay, they left the kitchen lights on. It’s daytime! Why the hell do they need the lights on? Aren’t they aware of how big the bill is gonna be if they are like this?

-...Timmy, you… you are a billionaire. I think that should be the last of your concerns.

-That’s not the only thing. It’s so noisy, Jay. I choose the attic room hoping it’ll be nice and quiet. It’s not. I can hear everything. What do I do if some of them pair up? I’ll be stuck here listening to them having sex forever!

-...I don’t know where to begin.

-You can start by contacting B for me. He was right when he said it wasn’t a good idea for me to live with other people. But I can’t call him to help me out of this, because I think Dick blocked my number in his phone, and my emails don’t seem to be reaching him.

-He said it because you are the purest of his children, and he knew college was corruptive enough without adding dorm sharing to it; that was his version of helicopter parenting. But Timbo, it’s moving day. You’ve been there for less than five hours. And you already emailed B?

-The first thing Slobo did when he came in was to fart. In the middle of the living room. I can’t live with them, they are animals!

-They are your best friends, you’ve known them forever.

-But I never had to deal with them in a closed space for an unlimited amount of time!!! I’m trapped here.

-...

-...!

-...Are you hiding in a closet?

-...no. That would be stupid, in a three story house where I have my own/

-You are, ain’tcha?

-I am. Please help me?

Long sigh- I’ll meet you for coffee on the place near the Economics building so you have an excuse to be out for the evening while the others finish their moving. You’re done with your part, right?

-Yes! Thank you!

-You owe me.

-Next time Dick wants bonding time, I’ll sacrifice myself volunteering so you can run.

-And this is why you’re my favorite. Be there in ten.

-.-.-.-.-.-

-Tim? Tim! Here you are!

Blinking was a thing Tim suddenly remembered he needed to do, and he did it a few times as his eyes were dragged away from his book by a pair of hands on his cheeks.

-Kon? What are you doing in the library?

The other boy was panting slightly, flushed from what Tim guessed was a desperate run there.

-I was looking for you! You never came back after classes were done for the day, and you didn’t pick up your phone. We were very worried, dude.

-I was just studying, chill.

-It’s almost midnight.

No, it couldn’t be.

-No, it isn’t. I haven’t been here that long.

Serious and slightly worried, Conner thrusted his own phone in Tim’s face and… uh. Look at that. It was nearly midnight.

-Oh. Got distracted with research, sorry.

-It’s been barely two weeks, how much can you possibly need to study?

Unprompted, Kon started to help him pack his books and papers. He seemed utterly amazed by the almost illegible graphs and charts.

-No, this isn’t homework. I’m working on a thing for WE…

The rest of the way home was spent with Tim talking Conner’s ear off about shit he had absolutely no idea about, but didn’t complain, just holding Tim’s backpack with one hand while steering his sleep deprived friend back home with the other.

-.-.-.-.-.

-Bart? -Tim yawned, getting into the kitchen and raising a confused eyebrow at his friend- It’s… three am. What are you doing awake?

-Stress baking -the smaller boy replied, never stopping stirring the bowl- You?

-Papers and presentations.

-Classes or WE?

-Bit of both. What are you making?

-Cupcakes. Want some?

-They’ll go great with coffee, thanks.

They spent the next half hour waiting for the oven to do its magic talking about video games, classes and evil teachers.

-Your brother is the worst. TA. Ever. He always grades my papers and he’s a bitch about them.

-He relishes in the pain. It’s what keeps him young. I swear he never grew past fifteen.

-It’s scary, and honestly so annoying. Like, I get pointing out mistakes, but he doesn’t need to be a passive aggressive ass about it.

-I’ll let him know what you think.

-Please don’t. I’m afraid of him, and the power he holds in his hands. The power to make me fail Creative Writing.

-Why are you even taking that class? Actually, what even is your major?

A shrug, and before Bart could open his mouth to reply, the timer let them know the cupcakes where done.

-You can have one before bedtime, dude. The circles under your eyes look like make up at this point.

-You are one to talk, mister Stress Baking at Three in the Morning.

-But unlike you, I don’t have to be up at the ass of dawn. C’mon, have one of these and back up you go.

-Bite me.

-I’d rather bite this peanut butter miracle, but if you insist…

-No! Bart, get away from me!

-Then go to bed!

-Go to hell!

-I AM in hell! I have Jason Fucking Todd as my TA!

-IF YOU DON’T GO BACK TO BED RIGHT NOW, I’LL KICK YOU BOTH ALL THE WAY THERE! -Cassie’s voice echoed in the walls, and they both blanched at the reminder that her room was, in fact, in ground floor.

-.-.-.-.-.-.-

A part of college Tim had never considered, let alone readied himself for, was the… party bit.

-What do you mean, of course you’re coming -laughed Anita, clutches firm on Tim’s sleeve as she dragged him into hers and Cassie’s room.

-No, I have to study for…

-You don’t have any midterm or final this week. I know, because I checked. No papers due either. This is literally the perfect time for you to party.

-I can’t, I…

-Suck at socializing? Yeah, cher, I’m aware. That’s why awesome me is taking you as my plus one for this party. No need to thank me, glad to be your social buffer whenever you need me.

Tim started to resist in earnest when they got into the room and he caught a glimpse of the clothing Anita had apparently chosen for him.

-There’s no way I’m fitting into those pants! Let me go!

-I’ve seen you squeezing your butt into the vent that one time when Kon threw the key to the coffee maker cabinet inside it. If you could get in there, these pants are a piece of cake.

-No!

-Don’t make me hurt you, Drake.

-Anita…!

-Ugh! -she stopped, dropping Tim on her bed and crossing her arms. She averted her eyes- My ex is gonna be at the party. I might have been exaggerating a bit when I said I was over him, but I already promised my friends I was gonna be there. I… could really use your help here. I know it’s not your scene, but Kon and Bart have midterms, Slobo would straight up punch my ex with his astounding lack of subtlety, Miguel is away dealing with family stuff, and the girls are awesome but not really what I need right now.

A pause.

-Okay, but I’m absolutely not putting on that crop top. And we better not end up wasted, I have a reputation to uphold.

Spoiler alert: he did put on the crop top. And they had to call Conner to walk them home after the third time Tim walked into a lamp post and Anita fell into the campus’ pond.

-.-.-.-.-

They were walking back home late on a Friday when they were approached by a group of stupid, drunk dudebros. Tim was already dreading the moments to come before they even spoke, just by the way they kept eyeing Cassie’s legs and Anita’s rack. Cissie herself was wearing loose pants and a sweater, so she was safe from their disgusting examination. Not that it kept her from crossing her arms and looking down at the assholes.

-Heyyyyy, ladies. Wanna go clubbing with us?

Tim shrugged- He’s talking to you, girls. I’m out. Have fun.

Cassie caught him by his hoodie before he could take a single step. He heard her warning clear as day and sighed, defeated.

-Yess, you can go -slurred Dudebro number two, waving him away- There’ three of us, and three of those pretty things. You can get lost.

-See, Cass? Hear the gentlemen. You don’t need me here.

Anita kicked him in the shin.

-No. We just got our nails done. You either solve this peacefully, or take care of it if it turns dirty. Why do you even walk us home if not to protect us from creepers like these?

A loud ‘hey’ came from the dudebros, but Tim ignored them. Silently, he pointed at Cassie’s legs (he had seen her crushing a watermelon between them once), Cissie’s arms (a thing of beauty that made multiple lesbians all around campus cry) and Anita’s katana (that she wasn’t supposed to keep on her person around other students, but who was gonna enforce any rules on the girl with the giant knife?).

-Excuse me? You three should be protecting me. I’m a rich, sheltered boy.

Apparently done being ignored, the three idiots decided this was a good time to throw the first punch. Which Tim dodged, without breaking eye contact with Cassie. She raised her eyebrow, not moving an inch. Cissie was examining her nails. Anita’s eyes promised hell.

He sighed, turned around, caught the second coming punch, and used the hand under his palm to force the dudebro to his knees. A knee to the face and then he turned to the other two.

Next time, Slobo was walking with them.

-.-.-.-.-.-.-

Flip side: the attic room had its own bathroom. Significantly smaller than the ones on the other two floors, but hey, no sharing.

The downside: apparently, the bathroom vents all connected with one another, and because of their aligning schedules, he often took showers at the same time Miguel did.

Flip side: Miguel had the singing voice of an angel, and the acoustic was fantastic. Showers were rarely boring now.

Downside again: Tim often forgot himself and sang along, but his voice… wasn’t as pretty.

Flip side again: at least, judging by Miguel’s smile, he found it adorable rather than pathetic.

Downside number three: Greta and Cissie’s room, by some unsolved mystery, also had connecting vents to the bathroom, and the archer girl was… less charitable about Tim’s inability to sing.

Flip side: Greta liked him better than most of their house mates, and she had more than enough dirt on Cissie to keep her from sharing the secret of Tim’s awful voice.

-.-.-.-.-.-.-.-.-

-Hey, baby bird. Sorry I’m calling just now, it’s been a while.

-Hey Jay. Don’t worry, you’re busy grading papers.

-How do you know?

-Bart was crying in the tub this morning. Completely clothed and eating nachos with whipped cream, I might add.

-What is that boy even studying? I know he has Chem classes, Roy is his TA, and Kory saw him in the designer’s building.

-That is an unsolved mystery for the ages.

-Hey, speaking of your housemates, how’s it going?

Tim stopped on his way out of the kitchen, eyes growing fond as he examined the group on the living room. They were fighting over that night’s movie choice. He didn’t know why they tried, Greta was gonna win. Nobody could resist her and Miguel’s puppy eyes.

-It’s… it’s been great, actually.

-Uh huh.

-But don’t tell Dick. He’ll be unbearably smug.

-Of course I won’t. You still have that time I crashed B’s favorite car on me.

-Oh, Oh fuck! -came Slobo’s voice- TIM, BRING THE FIRE EXTINGUISHER!

A loud crash. Tim winced, eyes leaving his friend in favor of the wall. If he didn’t see it, it wasn’t happening.

-TIM, BUD, WE NEED SOME HELP HERE!

-...what was that, Timbo?

-Nothing.

-TIM, TIM, THE TV IS ON FIRE!!! COME QUICKLY BEFORE IT REACHES THE XBOX OR SO HELP ME GOD I’M MURDERING EVERYONE IN THIS ROOM!

-...Tim?

-Don’t tell B.

-Gotcha. Going to save their lives?

-More like hiding in my room until they sort themselves out or die. Good luck on those papers.

-Good luck on surviving.

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hellomynameisbisexual · 5 years ago

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5 Ways That Bi Erasure Hurts More Than Just Bisexual People

December 2, 2014 by Milo Todd

This year, Bisexual Awareness Day/Celebrate Bisexuality Day was on September 23rd.

That same day, the National LGBTQ Task Force thought it’d be a good idea to post an article entitled “Bye Bye Bi, Hello Queer,” in which leadership programs director Evangeline Weiss said “she is ready ‘to say bye bye to the word bisexuality.’

She said it does not describe her sexual orientation, and she encouraged readers to cease using the word as well as she felt it reinforced a binary concept of gender.

Let me drive that home a little more. The National LGBTQ Task Force not only thought it would be a good idea to publish an article insulting, misrepresenting, and forsaking the bisexual letter in their own name, but did so on Celebrate Bisexuality Day.

Rude.

And a fantastic example of the constant, ongoing erasure bisexual people have to deal with. This one just happened to be incredibly blatant.

What happened as a result of that article? People got pissed.

People got so pissed that the Task Force not only removed the article from their website, but posted in its place this non-apology (it keeps being referred to as an apology, but I’m not so easily pleased): “Having listened to a wide array of feedback on the timing and content, we recognize that this blog offended people. For this we sincerely apologize. It has been removed.”

In other words, “Sorry you got pissed off. Hopefully you’ll shut up if we take it down.” Which, as far as I can tell, isn’t much of an apology for a blatant disregard of an entire community of people.

Misunderstanding of the bisexual community has been the crux of biphobia’s history and the ongoing battle to erase bisexuality from the LGBTQIA+ community.

It’s a scary time to be bi, especially when your lesbian, gay, pansexual, and queer siblings and allies are calling for your blood simply because they’ve fallen victim to the mainstream agenda without realizing it. (Say what?! Jump to #5.)

It’s time for a change.

It’s time for all of us to properly understand one another and to — hope of hopes — become allies for our incredibly similar endeavors. To help initiate that friendship, I ask you, dear reader, to go through the following three steps.

Step 1: Look below. If I’ve played my cards right, virtually every reader should find at least one category with which they identify.

Step 2: Approach your designated section(s) with an open mind, an unprejudiced heart, and a desire to further enhance your own community/ies. It’s difficult for people to learn new things and see different views if they automatically approach them with resistance, which is often the case with bisexual topics.

Step 3: See how bi erasure hurts you as a person and, while you’re at it, likely hurts the people you care about. Because it really is happening.

So here are five ways in which bi erasure is hurting people of layered identities.

1. Female-Identified People and Feminists

Bisexuality is one of the only non-monosexual* identities currently recognized in the English-speaking world. If bisexuality is kept underground, it suppresses our limited, precious resources for open discussion about non-monosexuality. This hurts female-identified people and feminists regardless of their sexual orientation.

To this day, female-identified people can’t get a fair shake. Pay is unequal, birth control access is limited, and objectification is a daily thing. Non-monosexual women in particular are often not taken seriously because they’re seen as sluts, greedy, or unable to make up their minds.

Also, the general fetishizing of women is particularly intensified in the bisexual realm by (straight-identified) men, turning the very act of women’s sexual freedom, empowerment, and self-expression into nothing more than something for male gazes. (This is most often seen through the relentless prompts for female-female-male threesomes and masculine catcalls in bars when two femme-appearing women make out.)

By participating in or casually allowing bi erasure to happen, we’re ignoring the specific plights and abuses of bisexual women, thereby contributing to the ongoing problem of female inequality, objectification, and silence.

As feminists, we can’t pick and choose which women to fight for. The complexities of womanhood — and all of its cultural suppressions — are an all-or-none deal.

*Note: Non-monosexuality usually refers to someone who is interested in more than one sex or gender. (In other words, somebody who isn’t gay, lesbian, or straight.) Another way to say “non-monosexuality” would be “polysexuality” to help keep it from sounding negative.

2. Male-Identified People and Male Liberationists*

Just like with female-identified people and feminists, bi erasure hurts male-identified people and male liberationists regardless of their sexual orientation.

Allow me to make this pretty basic: Men continue to be fed the message that being gay is bad. Being gay means you’re not really a man, which means you lose your dude membership and the bulk of your male privilege. And since gayness equals the slightest shred of attraction to or intimacy with another male, all manners of bromance must be squashed.

In short, many guys live in a state of silent terror in this regard.

Bi men are afraid of being banished from the world of lady-loving, gay men are worried about losing all of their connections to hetero land, and nothing is worse for a straight man than being called a fag.

Constant monitoring, constant filtering, constant stress: Is this really the kind of world we guys want to keep living in?

By being able to talk about bisexuality — remember: one of our only non-monosexual identities — male-identified people can begin to break free from the masculine ideal.

Bi talk helps bridge the gap between being a man (straight) and not being a man (gay) and realizing, hey, having some manner of attraction to or intimate interaction with another guy is totally okay, masculinity unscathed.

Gay men can begin to regain their identities as men, bi men can finally start coming out, and “fag” will lose its strength as an insult from one straight man to another.

*Note: Male liberationists are more or less seen as allies to feminists and vice versa. Both will argue that patriarchy is bad, but while feminists talk of how it’s bad for females, male liberationists talk of how it’s bad for males. Examples include the inability to romantically or sexually love another male, the emasculation of men of color, and the physical, verbal, and mental abuse that comes from society’s expectations to be stereotypically masculine.

3. People Who Identify as Trans Sexual, Trans Gender, Genderfluid, Genderqueer, or Gender Non-Conforming

This one’s pretty easy. Some people on the trans spectrum identify as bisexual. But then they’re told they can’t or that it’s an insult to their trans siblings because bisexuality is believed to be trans-exclusive.

The problem with bi erasure is it adds to the ongoing problem of cis people — LGQ or not — telling trans people what to think. Cis people have a bad habit of thinking they need to speak for people on the trans spectrum even when trans people are quite capable of speaking for themselves. This is even more frustrating when it comes from a community supposedly meant to support them.

Despite the personhood for which they’re continuing to fight, trans people can receive backlash from the lesbian, gay, and queer communities as their identities and bodies are turned into political battlegrounds.

Sometimes, they’re used without consent by some cis individuals so that points can be made for non-trans-specific agendas, and sometimes they’re ironically used in the attempts for cis identities to help better the trans worlds.

For instance, automatically dismissing bisexuality as trans-exclusive and guilting any person on the trans spectrum that wants to identity as bisexual, if I may make so fine a point.

As blogger Aud Traher writes, “If you want to support trans people like me, don’t erase me or speak over me or cause me harm out of self-righteous biphobia. Look into yourself and deal with that internalized biphobia and then help others get over theirs. Don’t advocate for the destruction of a community in the name of ‘saving’ it. And, especially, don’t do it in my name.”

4. People Who Identify as Gay, Lesbian, or — Yes — Straight

Quite simply, it makes gays and lesbians (and straight people) look bad, too.

Bisexual people get a bad rap for apparently upholding the gender binary by saying they love only (cis) men or (cis) women, but isn’t that pretty much exactly what gays, lesbians, and straight people are saying when they identify as gay, lesbian, or straight? That they’ll only love either (cis) men or (cis) women?

But where’s their rampant backlash from the rest of the community for upholding the gender binary? I’m just sayin’.

Even when these groups extend their definitions to include trans people and people on the gender non-conforming spectrum, it’s often still as long as those trans people exhibit some manner of gender representation that falls into the lover’s category of desire.

Now, I’m honestly not trying to rag on gays, lesbians, or even straight people. They have as much right to identify how they want as anybody else. And there’s nothing wrong with feeling primarily attracted to only, say, cis or trans men if your brain simply tells you that you only like guys. That’s fine. Go ahead and do that. I’m not saying you can’t.

What I am saying is you can’t be spewing bi hate or letting bi erasure slide because 1) it’s incredibly one-sided and unfair, and 2) in the end, it’s making you look bad, too.

What do you think will happen if bi erasure is a success? You’ll be next, dears.

*cue Jaws theme*

5. People Who Identify as Queer, Pansexual, or Another Fellow Non-Monosexual

In late October, Lizzy the Lezzy — who I quite enjoy, by the way — shared a photo on her Facebook timeline explaining sexuality in terms of guests at a BBQ.

This would be all well and good if it didn’t include a glaring misconception about bisexual people, especially when compared to pansexuals. While bisexual people were defined as getting both hot dogs and hamburgers, pansexuals were defined as getting hot dogs, hamburgers, “and a salad.” Oops. What year is this again?

I’m going to make something very plain to you, dear reader: Bisexual people don’t just love (cis) men or (cis) women. That’s not how the ballpark definition goes. The “bi” in “bisexual” does not indicate a binary. Well, okay, it does indicate a binary, but probably not the one you think.

Instead of “bi” meaning a love for only cis men or cis women or otherwise putting men and women at two opposite ends of a spectrum, “bi” means a love for identities bisexual people identify with themselves and identities that they don’t.

Or, as the popular Robyn Ochs definition goes: “I call myself bisexual because I acknowledge that I have in myself the potential to be attracted – romantically and/or sexually – to people of more than one sex and/or gender, not necessarily at the same time, not necessarily in the same way, and not necessarily to the same degree.”

Look at that very closely. That’s still a binary. That’s still “bi.” And there isn’t a thing wrong with it, no exclusion to be seen.

When compared with the general concepts of pansexuals and queers, our orientations suddenly sound pretty darn similar: We love everyone.

Bisexual people get a bad rap for apparently being transphobic. While we’ve already seen a little bit in #3 as to why we aren’t, I want to further drive the point home here. A large portion of the transphobic accusations toward us come from the queer and pansexual communities, which in turn seem to derive from some serious misinformation and misdirection by the mainstream.

For the record, queers and pansexuals are cool. I like them. But the fact of the matter is that the misconception of the “bi” in “bisexual” as meaning an attraction to only (cis) men or (cis) women — and therefore upholding the gender binary — was created and imposed upon bisexual people by the mainstream. You know, the people that want the gender binary to stick around.

And some queers and pansexuals ate the propaganda they were fed? That’s terrifying. It starts to show just how large and sneaky the mainstream’s gender binary monster truly is.

By defining and erasing bisexuality on the grounds that it upholds the gender binary, pansexuals and queers are not only reinforcing the binary they so sorely wish to dismantle, but they are losing important focus on where the problem actually resides: the mainstream’s insistence to force the gender binary on non-mainstream groups such as bisexual people.

Further, holding bisexual people responsible for the abuse they’ve suffered is simply wrong. All that’s doing is blaming the victim. But, by recognizing and respecting bisexual people as they truly are, bisexual people can not only help dismantle the gender binary and put a new definition on the concept of the spectrum, but finally be allowed to team up with pansexuals and queers to crush mainstream abuse on non-mainstream identities.

Doesn’t that sound nice? I think it sounds nice.

TL;DR

Dear non-bisexual identities, please stop shooting yourselves in the foot and then wondering why you’re missing toes.

We’re here for the same reasons you are: for the right to love whoever we want and for the right for others to do the same.

So let’s finally be friends. We’re never going to get anything done if we keep spending our time putting each other down.

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nitrateglow · 5 years ago

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Favorite film discoveries of 2019

Every year, my new-to-me favorites list always shocks me in some way. This year, the sheer amount of movies made in the 2010s on display is INSANE by my standards. Of course, most of the modern movies here are throwbacks or tributes to older styles of cinema, so maybe it’s not that shocking in the long run.

Another running trend this year: movies that are old but not as dated as we would wish. Many of the older films here deal with xenophobia and political strife in ways that still feel shockingly prescient today-- the more things change...

ONCE UPON A TIME... IN HOLLYWOOD (DIR. QUENTIN TARANTINO, 2019)

I never thought the day would come where my favorite movie of the year would actually be made after the 1970s, let alone by Quentin Tarantino. Then again, this movie is all about the end of Old Hollywood as well as a big love letter to the 1960s, so maybe it’s not that shocking a state of affairs. I adored this movie, the level of detail, the laidback yet elegaic vibe, the comedy and the relationships between all the characters. It was one of those movies where I loved even the scenes where nothing seems to be happening at all-- I mean, who knew Brad Pitt feeding his dog and watching TV could be entertaining?? But it is and I can't wait to see this one again!

INTENTIONS OF MURDER (DIR. SHOHEI IMAMURA, 1964)

Intentions of Murder has an insane premise, one that runs the risk of being tasteless: a housewife in a miserable, exploitative marriage is raped by a sickly burglar during a home invasion. Even worse, she can’t shake him, as he’s suddenly infatuated and wants her to run away with him to the city. And weirder still: her current existence is so miserable that she’s TEMPTED. While abuse and rape are grim subjects for any story, Intentions is actually about a woman coming into her own and finally standing strong against all these men trying to use her. It’s a weird blend of drama and dark comedy, a truly savage satire on patriarchy and class-snobbery.

JOKER (DIR. TODD PHILLIPS, 2019)

I went into this movie expecting to think it was overhyped and when I first left the theater, I was all ready to say “it’s good but not THAT good.” But it ended up haunting me for weeks afterward, and I found myself thinking about how everything just tied up so well together, from the grotty urban hellscape which serves as the setting to Phoenix’s brilliant performance. It reminded me a lot of A Clockwork Orange in how intimate it lets you get to this violent man while never pretending he is someone to be glamorized or imitated.

SIMON (DIR. MARSHALL BRICKMAN, 1980)

How do I even describe Simon? Alan Arkin is brainwashed by a group of overpaid intellectuals into believing he is descended from an alien toaster. Then he gets a messiah complex and starts gathering disciples as he rails against television, condiment packets, and muzak. It’s a little uneven at times, sure, but the satire is really inspired. The whole thing is like a combination of Mel Brooks, Stanley Kubrick, and Woody Allen’s styles, and it is quite hilarious for those who thrive on cult oddities.

PEEPING TOM (DIR. MICHAEL POWELL, 1960)

Though it came out the same year as Hitchcock’s Psycho and has been nearly as influential for horror cinema, Peeping Tom remains underseen by everyone save for film theorists. And what a shame that is, because this movie is more frightening than Psycho. Sure, that may be because Psycho is so predominant in popular culture and just so influential that it no longer has the same shock value, but there’s something about Peeping Tom that gets under my skin, something sad, even disgusting. I felt dirty after watching it-- and this is 2019!

MIDNIGHT MARY (DIR. WILLIAM WELLMAN, 1933)

Loretta Young got one of her juiciest roles in this pre-code crime drama. Her Mary Martin is more than just a good girl forced into criminal circles-- she’s a complicated creature, compassionate and desperate and lonely and bitter and sensual all at once. This movie is a fast-paced, beautifully filmed ride, cloaked in that Depression-era cynicism that makes pre-code Hollywood of such interest to movie geeks the world over.

WILD BOYS OF THE ROAD (DIR. WILLIAM WELLMAN, 1933)

Wild Boys of the Road is a quintessential Depression-era movie, relentless in its bleakness and rage. That the main characters are all starving kids only looking for work makes their struggles all the harder to watch. William Wellman is quickly becoming one of my favorite directors: his gritty style and compact storytelling are just perfect for a ripped-from-the-headlines drama such as this. And the “happy” ending has one little moment that just knocks any smile you have right off your mug. Absolutely see this.

THE RUSSIANS ARE COMING, THE RUSSIANS ARE COMING (DIR. NORMAN JEWISON, 1966)

Sometimes, when you watch a movie only because a favorite actor is in it, you get subjected to pure trash like Free and Easy (oh, the things I do for Buster Keaton). Other times, you get cute gems like The Russians are Coming, The Russians are Coming, which, as you probably guessed, I mainly sought out for Alan Arkin. But the whole movie is hilarious, the best kind of farce comedy, populated by enjoyable characters and a sweet-tempered humanism that grounds the wackiness. While a little overlong, this movie is quite underrated-- and sadly, its satire of American xenophobia and Cold War panic is not as dated as we would like to believe.

ALL THE PRESIDENT’S MEN (DIR. ALAN J. PAKULA, 1976)

Who knew a political thriller where most people know the twist could be so intense and riveting? It’s about as nonsensical as feeling suspense when you watch a movie about the Titanic and hope the boat won’t sink-- but damn, it’s magical. All the President’s Men is real white-knuckle stuff, with Robert Redford and Dustin Hoffman projecting both youthful excitement and deep panic as they proceed with their investigation. It scarcely seems to have aged at all.

WHISPER OF THE HEART (DIR. YOSHIFUMI KONDOU, 1995)

There’s a scene near the end of Whisper of the Heart where the protagonist Shizuku shows the finished first draft of her fantasy novel to her first reader, the grandpa of one of her schoolmates. She weeps because it isn’t the perfect image she had in her head, despite how hard she worked on it, but the old man tells her that it takes polishing and discipline to make the work come to its full potential. Few movies about artists are so honest about how hard it can be, how unsupportive others can be in their demand that everyone be “practical.” As a writer who struggles to create and constantly doubts herself, this movie spoke strongly to me. I recommend it to any creative person.

THE PHANTOM OF THE PARADISE (DIR. BRIAN DE PALMA, 1976)

I’d been wanting to see this movie since my high school phan days. Holy crap, is it WEIRDER than I could have ever imagined, a true camp masterpiece. I’m shocked it was never tuned into a stage show actually, but then again, we would miss those trippy camera angles and we wouldn’t have Paul Williams as one of the greatest villains of all time.

DUEL (DIR. STEVEN SPIELBERG, 1971)

When people talk about the best movies made in the “Hitchcock without Hitchcock directing” tradition, why is Duel so seldom mentioned? The scene in the cafe, packed with paranoid tension and tense camerawork, alone should qualify it. Duel is most known as the movie which put the young Steven Spielberg on the map. It’s quite different from his later work, grittier and less whimsical for sure. Even the ending seems almost nihilistic, depending on how you view it. But damn, if it isn’t fine filmmaking.

CAROL (DIR. TODD HAYNES, 2015)

This gorgeous throwback to Douglas Sirk melodramas is also one of the best romantic movies I’ve seen in a while. Cate Blanchett and Rooney Mara have the sweetest, tenderest chemistry-- it was like seeing Lauren Bacall and Audrey Hepburn as love interests in a film. Unlike Sirk, there is little in the way of ripe melodrama here-- everything is underplayed, aching, mature. And I can say this is an adaptation that is better than the source book: it just feels so much warmer.

12 ANGRY MEN (DIR. SIDNEY LUMET, 1957

All I can say is that this was every bit equal to the hype. Common movie wisdom says people sitting and talking in a room is going to be boring on film, but movies like 12 Angry Men prove this is not so when you’ve got an excellently tense atmosphere, an inspired script, and a stable of fine actors to work with. Like The Russians are Coming, the Russians are Coming, this movie has not significantly aged-- much to society’s discredit.

A STAR IS BORN (DIR. GEORGE CUKOR, 1954)

Another movie I went into not expecting to love as much as I did. When movies from the 20s or 30s tended to get remakes in the 1950s, I always find them too garish and big, victims of glossy Cinemascope and overlong runtimes. Compared to the lean 1937 classic original, I expected sheer indulgence from this three-hour remake. Instead, I got my heart torn out all over again-- the longer runtime is used well, fleshing out the characters to a greater degree. Judy Garland and James Mason both give what might be the best efforts of their respective careers, and the satire of the celebrity machine remains as relevant and scathing as ever.

BLANCANIEVES (DIR. PABLO BERGER, 2012)

Oh, it feels like this movie was made for me specifically. It’s shot in gorgeous, expressionistic black-and-white. It’s set in the 1920s. It’s a clever adaptation of a classic fairy tale. It’s as funny and charming as it is bittersweet and macabre. Instead of more superhero movies, can we get more neo-silent movies like this? PLEASE?

THE FAVOURITE (DIR. YORGOS LANTHIMOS, 2018)

I’ve heard The Favourite described as a “bitchy lesbian Shakespeare play,” but this description, while a little true in terms of general tone, does not get to the heart of what makes this film brilliant. More than love or sex, this movie is about power-- particularly the corrupting influence of power. And it corrupts not only morals but love itself. Innocents become Machiavellian schemers. Lovers become sadomasochistic enemies. Good intentions turn to poison. This certainly isn’t a happy movie, but it is moving and, strangely enough, also hilarious. I was reminded of the chilly, satirical world of Kubrick’s Barry Lyndon more than once-- and for me, that is not a bad movie to be reminded of.

ON THE WATERFRONT (DIR. ELIA KAZAN, 1954)

Another classic that’s been on my list forever that I was delighted to find worthy of its reputation. It’s a classic tale of redemption and social justice, perfectly acted and shot. While I still prefer A Streetcar Named Desire as far as Kazan is concerned, this might be a better movie in the objective sense. Actually, more than even Brando, Karl Malden is the acting highlight for me-- he plays a priest torn between staying silent or truly speaking for the Gospel by demanding justice for the poor parish he serves. Just brilliant work.

KLUTE (DIR. ALAN J. PAKULA, 1971)

A perfect thriller, just about, and a great example of the “NYC is hell on earth” subgenre of the 1960s and 1970s. Jane Fonda is a revelation: she feels so real, not at all like a starlet trying to seem normal if you know what I mean.

KISS KISS BANG BANG (DIR. SHANE BLACK, 2005)

As far as subversive noir goes, this is the most entertaining. I would put it up there with The Big Lebowski as far as goofy takes on Raymond Chandler are concerned-- I don’t even really know what to make of it, but I laughed my ass off anytime I wasn’t going “WHAT???”

What were your favorite film discoveries in 2019?

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thegirlisuedtobe · 4 years ago

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Hi! I've been looking into Ok Joohyun since I followed you and I'm curious if you could recommend some of her shows? I listened to a performance of the Rebecca song and I was really blown away. Also, do you think audios of her do justice or should I watch videos instead?

OH BOY ANON!! Do I have a whole long long list for you LMAOOO Please come off anon let’s talk, I literally could talk about her for hours and if you do I’ll give you a couple gifts ;)) Since it’s the month of gift giving~

But honestly as far as her shows? all of them LMAO anything from her career 2010 and forward. I refuse ti look at any of her work earlier than that bc oof she was still working herself out. Let’s just go through her theatre history and then I’ll recommend my most favourite shows she’s done!

I realised that this is so long LMAO like I literally sat here for 30 minutes droning on, I swear you probs wanted like a 3-4 lines or something mdsfkgk But everything is under the cut!

(From 2010 forward) Since she’s doing Monte Cristo for its 10th Anniversary, please, please check out her “When the World Was Mine” and “All This Time.” The performances I linked are things that I just keep coming back to and it’s amazing!! A friend of mine was able to go see this year’s Monte Cristo run and her “All This Time” performance was just so so incredible, like a complete full body experience.

(2011 also doesn’t exist to me btw) But 2012 was where she was really starting to turn her career around. Like keep in mind that a lot of people still regard her as an idol and an ingenue type cast, so when she did Elisabeth people were starting to pay attention. Elisabeth as a role means a lot to her and she has kind of become Korea’s Elisabeth having represented Korea for the 25th anniversary against Elisabeth’s of the world. The part she does best is angst LMAO and this performance of “Rudolf, Where Are You?” is just heartbreaking ㅠㅠ

2013 was the real game changer in terms of her career. Rebecca literally shot past the moon, did yall know she was meant to be cast as Ich??? As Ich???? But the CEO of Emk personally was like I want to see her as Mrs Danvers, and honestly I owe my life to that CEO. Having personally gone and seen her live earlier this year HOLY SHIT actually HOLY SHIT because no audio or video really can ever capture the absolute incredible feeling to be in that theater hearing her sing and act. Added bonus is that she thinks Danny is a lesbian so Ock!Danny stans really won LMAO She also did Wicked in the same year and honestly we just kept winning. Her “No Good Deed” is the best hands down don’t @ me @ god

She kept doing Wicked until 2014 then did Marie Antoinette, and as far as she nails all of the angst parts in act 2, I think I’d rather have seen her as the rival protagonist, Margrid. Joo Hyun is deff more of a belter than a soprano but she can do both.

2016 was the most busiest time of year for her. She had her Vokal Concert, which are all crazy, she doesn’t the craziest shit during them and it’s like,,,,, why am I still here and then I see the dumb shit she does and I’m oh, oh yeah LMAO And she also had Sweeney Todd and Mata Hari, both are some of my top favourites from her. Hands down her Mrs Lovett?? Unbeatable, I’m sorry but her interpretation is so energised and layered?? I didn’t expect that she would add this kind of melancholic undertone to her character but she did and it really worked. My personal fav song she does is “By The Sea” which sounds weird because it’s not a hit Lovett song but when you see it you’ll know. Mata Hari was her first original Korean musical role and legit Wildhorn, the composer, was like I really like this woman so much I’m going to write this whole score specifically so she can sing it and I SCREAM like same honestly skljfkjgfdhg I couldn’t find a good audio quality of her singing it live but this is from her 2016 live album

2017 brought me Bridges of Madison County and I have been begging and begging for her to come back to it. Madison County also just held a really special place in my heart well before she even came into the picture, the score is just amazing. And this role I think is where her soprano skills really shine, like she deff does it for other roles, but she is full soprano the entire show and it’s just soooo so good yall. Here’s her performing “Before and After you/A Second and A Million Miles.”

2018 was her 20th anniversary debut in the entertainment industry and she held another Vokal concert. As I said before she does some really crazy shit and was not surprised when she hit the fan in the best way LIKE kjsdfkgljdflkj she was doing the most in her concert and it was great LMAO I’ve seen a lot of other musical actor’s concerts and most of them are very lowkey, sitting on a stool and singing or moving around a bit but she’s out here doing full choreography and belting her face of it’s real fun! As for her roles, she premiered Anna Karenina in Korea and let me just say even though Anna Karenina as a musical kinda really sucks ass it really rests so heavily on the actors to make to run well and Joo Hyun has never let me down. I tend to usually favour the second act and OH MY GOD she does it perfectly, like I swear angst and crying is Joo Hyun’s super power. Her “Lullaby” and “Anya Oblonskya” and the part from “I’m Losing You” to the very end of the show is absolute goosebumps. Like the way she goes through Anna’s mental breakdown and her specific take on it (I legit just wrote probs a 5k word essay comparing her and So Hyun’s takes on Anna’s characterisation) and there’s just something about her madness that you can see in all of her characters. It’s this strange sympathetic pride and really truly something amazing to watch.

In 2019 she did the Camping Club variety show with her idol group where they all reconnected over a trip and did a concert at the end. Even though she was kind of really in the background of the show a lot of people really took her quiet, steady love of her group to heart. And I think it reveals, if you’ve been following her as long as I have ^^;; it that she really really cares very deeply. She’s really thoughtful and aware of people around her and how best to meet their needs. You can see it a lot with how she treats her fellow cast members, she’s gifted basically all the casts she’s worked with in some form or another. For earlier this yearn Rebecca she gifted them all coats, and hand sewed all the Dannys and Ich’s personal monograms into their coats. She’s also highkey a mentor LMAO in an interview she was like “I will teach you all that I know without mercy” LMAO and it’s so funny how often people catch her teaching. I think after she’s done with musicals (which tbh I don’t really see) she might go into teaching the nest generation of musical actors!

And just before I forget 2020 also brought us a new role! Marie Curie! Though technically it’s classified as Popular Theatre now, it started off as a Small theatre show (think bway and off bway size) and it caused a bit of minor chaos because of her casting LMAO. It came so left field a lot of people were stunned slkfjglkjg we thought we all knew what kind of roles she’s be taking but it was a really pleasant surprise! Here’s her almost breaking her mic stand during the musical press presentation. And this is her singing the song “An Other Name” again but this time an official MV. There was a free livestream a bit earlier this year and I managed to record it, it’s only her in the first act though because they changed. And yooo I really forgot how much I needed her being happy LMAO Angst may be her forte because that’s all the characters she’s been given, but with this native Korean original musical she’s really been allowed to explore the entire breadth of the emotional spectrum LMAO like legit Marie Curie was so well written she actually got to emote properly and have a well written arc. And a happy ending LMAO Like god this is the first show where she doesn’t die horribly.

Now that I’ve gone through most of her history. I thoroughly recommend checking out Elisabeth, Sweeney Todd, Mata Hari and Marie Curie. (Since you’ve already checked out Rebecca) those shows are the shows that she really out does herself. All of the roles she’s done has always been knockout to me but these in particular are the rubies of her crown. They show the most passion she has in theatre and as an actor. They also show off just how crazy her voice is. (I would add Wicked but there’s only her concert videos that you can hear her sing the score rather than properly check em out, but ocme off anon and I can change that LMAO) Rebecca I’d say is her crowning jewel. And that really boils down to the way that it changed her career, the types of roles that would be offered to her from then on, audience perception, and her interpretation of that character. I don’t think she’s every thought of a character as deeply as she has done for Danny. And though Elisabeth is equally tied to her name she even admitted that she didn’t do as much for Elisabeth as she had done for Rebecca.

But anyways! That’s just the best shows to introduce yourself, I’d recommend checking out everything her theatre history has to offer!

#illa answers #ock joo hyun #옥주현

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allthefilmsiveseenforfree · 5 years ago

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Candyman (1992)

All I know about Candyman is that I saw the movie cover innumerable times at Blockbuster as a child and it ALWAYS freaked me out. I think bees are involved? And a hook, and maybe a mirror? And the great Tony Todd, whom I know better from the Final Destination films, and whose voice is one of the all-time great voices in horror or anywhere else. With the new Jordan Peele-produced Candyman coming out this year (maybe...if, you know, movies ever come out again during the apocalypse), I wanted to watch the original for the first time, so I’d have an idea of what I was getting into.

Basically a couple of grad students, Helen and Bernadette (Virginia Madsen and Kasi Lemmons), are studying local urban legends and folklore in Chicago when they find out about the legend of Candyman (Tony Todd), a murderous spirit that haunts the projects in Cabrini Green and the poor black folks who live there. As Helen digs deeper into the mystery, strange things start happening to her until she finally is forced to confront Candyman face-to-face and then things REALLY go off the rails. So is this a slasher movie filled with racial tension, the precursor to more cerebral horror fare like Get Out or Midsommar? Or is this more Eddie Murphy Vampire in Brooklyn 90s ridiculousness? Well...

Much more the former than the latter. There’s a lot of stuff going on here, and not all the ingredients in the smoothie work well together. There’s a lot of good - strong performances, some great set pieces, and some truly tense, nerve-wracking sequences. My 7-year-old self was definitely right to be super freaked out by that VHS cover.

Some thoughts:

Ok this Philip Glass soundtrack is already really unsettling and weird in a great way. It turns out the soundtrack is one of the elements that really makes this film memorable and stand out from typical slasher schlock.

Ah, it’s based on a story by Clive Barker, ok so this is gonna be violent and sexual and uncomfortable, got it. [Ed. note: this assessment was pretty accurate.]

I don’t understand in what universe you want to like, play a Bloody Mary type game when you’re about to have sex. Is that what turns some people on? I’m not here to kinkshame anyone, but I just feel like there are other ways to court a bit of danger during sex that don’t involve invoking a murderous mirror spirit.

I am loving these oversized sweaters. Was any decade better for oversized sweaters than the 90s?

The set design is really incredible - this derelict building in the Cabrini Green projects is eerie, there’s an oppressive presence and an abandoned feeling to it all at the same time. And Wife pointed out that man, people really loved painting walls pink in the 90s, you just don’t see that kind of pink anymore. This movie has a really rich feel to it, like all the decisions were made with real craft and care. I can definitely see how this had ripple effects on other atmospheric horror, especially in urban settings, later down the road.

I can’t help but feel like our white woman protagonist is a tourist in a world she doesn’t understand. That sense of not belonging is a big part of the horror here, and at first I was very uncomfortable that this was playing into racist stereotypes of the young blonde white woman being threatened by all the big bad black people. But instead, the film humanizes and offers an air of protectiveness over the residents of Cabrini Green, and in many ways it is Helen who is shown to be the dangerous and harmful outsider.

The jump scares are real, and very effective.

Um what grad student has business cards tho, c’mon now.

Ah yes, the Clive Barker of it all arriving right on time with this completely unasked for child mutilation.

I love Jake (DeJuan Guy) and his incredulousness. He’s a pretty fantastic and emotive child actor.

Can I just say, Helen is really really out of Trevor’s (Xander Berkeley) league. I don't know what she sees in him. And it skeeves me out that he’s a professor and she’s a grad student because, although it’s never explicitly spelled out, I would bet a million dollars that she was his student.

Man, Candyman looking fly as hell with that fur trimmed coat and those shiny black shoes. “Be my victim” ok, Tony Todd, ok, I’m on board!

OH NO THERE IS GRAPHIC VIOLENCE TO A DOG. IT’S VERY GRAPHIC AND SUDDEN AND UPSETTING EVEN THOUGH IT’S FAKE LOOKING.

There’s also a lot of tasteful sideboob if you’re into that sort of thing.

You know, grad school was a stressful time for me, but at least I can say I was never woke up covered in blood and was accused of murder.

This dramatic motherfucker flying out the window backwards. Between this and the outfit, Candyman is extra AF.

I can’t get over how much Virginia Madsen resembles Gillian Anderson in early X-Files days. It’s similar facial structure and those big eyes, sure, but a lot of it is this hair as well. As any millenial lesbian can tell you, Gillian Anderson in early X-Files days was Very Important to our cause, so uh, I’m pretty into Helen’s whole vibe honestly.

At first I thought this was going to be about racial symbolism and Candyman being a physical embodiment of the horrors inflicted upon the black community in urban environments, but thigs get muddy with this whole murder plot and framing of Helen as this victim of some supernatural conspiracy theory, and I’m not really sure what I’m supposed to take from it? But damn, this is compelling and stressful.

OK but if she’s been in the hospital for a month, then this baby has been in this dirty ass room for a month with only a dramatic hook spectre man taking care of him? What did he feed baby Anthony?? I happen to know that he’s covered in bees and babies can’t eat honey.

Why do they have a giant paperclip on their wall as decoration?

The actor who plays Trevor, Xander Berkeley, is so burned in my memory as the foster dad from Terminator 2 that I keep expecting him to make the same dumb face while he’s covered in blood (because let’s face it, I’m expecting EVERYONE to die in this movie, and he’s been particularly shitty) and ope time almost ran out but there it is! 1991/1992 were the glory days for this guy dying bloody in movies.

Did I Cry? No, but I was VERY distressed about that dog :(

Overall, I can definitely see why this has entered the cult classic pantheon. Strong central performances from Virginia Madsen and Tony Todd carry a lot of this film, but there are elements that I’m still confused about, mainly due to a muddled and overstuffed plot. The racial injustice and lynching feels like rich material to draw from but then why is the belief in Candyman yielding the murders of other black people living in Cabrini Green? I would think the vengeance would be on the heads of the folks who actually did the lynching. Why did he have to kidnap the baby? Was it for leverage to get Helen to do what he wanted? Surely someone she had a stronger personal connection to - Bernadette, probably - would have been a wiser choice? And if, instead, this is all some Dracula-esque plot to reconnect with the reincarnated spirit of his long lost love, what on earth was all this other bullshit about? It’s a movie that works best when you don’t ask too many questions about it, and the soundtrack and visuals - especially that mouthful of bees - are ones that are going to stick in my memory for a long time.

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#120in2020 #candyman #candyman 1992 #candyman review #tony todd #virginia madsen #xander berkeley #kasi lemmons #dejuan guy #movie reviews #film reviews #horror reviews

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