#last year it was 1989 now its rep
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Are you ready for it?
HAPPY BIRTHDAY THOMAS
#last year it was 1989 now its rep#im also a rep clown and i pray taylor releases it today so thats why#fc bayern#bayern münchen#thomas müller#reputation taylor’s version#tayor swift
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𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦 𝐀𝐔 - 𝐓𝐡𝐞 𝐑𝐮𝐦𝐨𝐫𝐬
Spin-off of my rockstar's girlfriend
Cast(s): Rockstar!Eren & Model!Reader
Cw: swearing, reader using she/her pronouns, slight hange x reader, food
A/n: haven't posted anything for months! hope you guys love this one<33
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yourinstagram life recently...
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angelicyn WE MISSED YOUUUU
ynfan23 glad you post this when im still awake
yndaily OMG YOUR PUPPY ISNT A PUPPY ANYMORE. ITS BEEN A LONG TIME SINCE WE SAW HER ON YOUR/EREN'S STORY😭
↳yourinstagram i know! but she's getting smarter and cuter. i love her so much, she's my girl:)
erenfan19 i dont see eren... soo the rumors are true?? :((
↳ynfan24 girl, she's her own person and this is her insta. besides, that man is childish lmao. imagine unfollowing THE Y/N L/N just because she doesn't attend his concert in europe...
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justjared After getting unfollowed by her long-time boyfriend last week, Y/N L/N was spotted walking out of Oscar-winning costume designer Hange Zoe's apartment building this morning. New couple alert?
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ereyn.daily i'm happy if y/n's happy🥲
goddessyn cmon, we all know they've been friends for ages. stop spreading stupid rumor like this
erenfan20 not gonna believe anything till one of them confirm it in front of my face
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paradis.memes Thoughts?
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paradisfan7 Im not believing this shit
erenfan21 she doesnt wanna marry him, im crying😭
↳paradisfan8 she once said she's jo march kinnie😭
↳ynfan25 How do you know she doesn’t wanna marry him? Maybe he doesn't wanna marry her? We don’t know what happened behind the curtain unless Y/N and Eren themselves actually comment on it .
erenfan22 guys, if you read the article that @people posted, at the end they said “Reps for Jaeger and L/N have not commented on the breakup.”
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paradisofficial Paradis World Tour. Antwerp. May, 2023.
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paradisfan9 YOU GUYS WERE SO AWESOME😭❤️
paradisfan10 PLS PLS COME BACK TO ANTWERP ASAP. ALSO THE SURPRISE SONG?!? BED OF ROSES?!?
paradisfan11 so sad cant see you guys perform last night🥲💔
paradisfan12 if you guys dont cover “bed of roses” on your Asia Tour, you're racist.
↳paradisofficial We've agreed that every region will have different song to cover. Thank you for your support😊
↳paradisfan12 OMG I WAS JOKING LMAO (i mean, not really)
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sashablouse unseen🤓
tagged: @yourinstagram @nicolo
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nicolo 🤍
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conniespringer dude, what were you doing in the first pic
↳sashablouse cause you're just a man 🙄
yourinstagram dont wanna be a third wheel anymore...
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paradisupdatee New Setlist For Europe Tour! I've upgraded the playlist, link in bio.
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paradis.devil see you at accor arena tmrw!!
↳paradisupdatee See you, bby<3
paradisfan13 the fact they didnt cover any song in northern europe countries😀
paradisfan14 I literally flew from brussels to london last month to see them perform AND THEY DIDNT SING BED OF ROSES?!? I WAS ROBBED!!
↳paradisfan15 sameeee i attended some of their shows in us last year and they didn't cover any song 😭
paradisfan16 is this eren's way to confirm the breakup rumors?😭
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yourinstagram the rumors are terrible and cruel...
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ynln.jpg dont tell me you're in paris...
taylorswift but honey, most of them are true🤭
Liked by yourinstagram
↳yourinstagram patiently waiting for 1989 (Taylor's Version)😊🙏
↳ynfan25 soo the rumors are true?🥲
↳ereyn.daily i'm in spain without s
ereyn.exposing Whatever ereyn does is only for promo. It's a fact that eren is not going to follow y/n or ever going to post her picture on his Instagram again.
↳yourinstagram seems like you guys have been talking about this and tag me in a few posts everyday. but now please, i beg you to stop. it's just negative, i really have no hard feelings towards you. i just know what a beautiful world there is to go out and live in instead of trying to dissect a relationship between two people that you don't even know. i don't need his follow, my name is permanently tattooed to his arm. This is my final comment on this, but i want you to know that it's not meant to offend you. just hoping you can find something else in life to be inspired by xx
↳erenfan23 OMG OMG OMG YESS YOU TELL THEM QUEEN
↳ynfan26 FINALLY PEOPLE COULD SHUT THEIR MOUTH NOW. THESE "EXPOSING" ACCOUNTS ARE ANNOYING AF
↳erenfan24 I think you should've messaged them, instead of calling them out publicly like this. no offense, still love you tho
↳yourinstagram i see why you think that ought to have been a direct message, and i agree. i just didn't considered it. it's all really frustrating, and i'm only human... you guys understand how hurtful assumptions like this can be, especially when they are made about someone i care about a lot. if you guys care about him too, you'll eventually realize that we are on the same team. i apologize if it came off as impolite or rude. i was simply attempting to start a conversation so people would realize that their statements were painful rather than just an "anonymous confession." this cruel internet culture has no benefit for society as a whole.
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ereynpost “You guys are crazy, you know that? No... I don’t think my girlfriend and I need another dog for now. What about you, Jean?” — Eren laughs as he answers a fan's sign.
USHSSUDSHDUAJSYSHS GUYSSS THE RUMORS ARENT TRUEEEE THEY'RE STILL TOGETHER OMFG!!!!
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its.ereyn Girl, I almost deactivate this account
↳ereynpost PLS, SAME😀
ynfan27 OMG MY EREYN HEARTTT
erenfan25 PARENTS OMG😭😭😭
ynfan28 I can die in peace now, thanks
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erenjaeger My love, my lady, the most precious human on this earth. I'm really grateful because we have an incredibly meaningful, loving, and fun relationship. As you guys know, this world is cruel and I'd do anything to make her the happiest, but I've failed to do it. I personally love it when people make assumptions or speculations about me, because I know they all wrong. But when people start to say something hurtful to my woman, I can't tolerate it.
Six years of relationship and we have never ever broken up, not even once, if that's what you all really want to know. She's my present and future, she's the one who teaches me how forever feels. The love I have for her only gets stronger and bigger, it's crazy to think about it. Thank you for all the love and support, we really appreciate it.
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erenfan26 I TOLD YOU ALL THEY'RE ENDGAME
ynfan29 how to find myself a man like you😭
erenfan27 oh he is, he really is in love🥹❤️
yndaily the fact that i'll never experience this type of love hurts a lot. but i couldnt be more happier for you two💓
jeankirschtein ngl, at first i did believe you two broke up
↳erenjaeger bro, fuck off
↳erenfan28 LMAO JEANNNN, IM CRYINGG😭😭😭
ereyn.daily As iconic as David Bowie and Iman❤️
↳yourinstagram thank you, but I don't deserve this compliment. also, your comment will boost eren's ego, he'll think he's as good as him
↳erenjaeger why would you say that:(
(+bonus on what really happened lol)
#the fact that this insta au inspired by taylor and joe's break up news lol#im sad...#aot x reader#aot x female reader#aot x you#aot x y/n#aot smau#snk x reader#snk x female reader#snk x y/n#snk smau#eren x reader#eren x fem!reader#eren x y/n#eren x you#eren smau
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Hi! I am a news Gaylor/Kaylor and to me- you’re like Wikipedia! I love your analysis and posts and it feels like I will need like 5 years to catch up.
So I wanted to ask you if you could tell me your favourite Karlie coded song of each album and why do you like it that much. English is not my first language and it feels like I miss a lot because of that.
Thank you! Have a lovely day
hi! welcome to my blog and i’m so sorry things are hard to navigate and research, but i hope you have fun!
your question is a fun question! and SO HARD to pick just one from each. SO HARD! (update: its so super hard!! wow!) i truly have multiple favorites for most albums. ultimately i tried to mix it up a little bit and not always just the classics or if i like the beat of the song. it was still so hard! because the last time i counted, for me, there are over 50 kaylor songs now, in my opinion🫶
ok, i will try to write more short explanations but let me know if something doesn’t make sense!
Fearless: Love Story because karlie has said in an interview that it’s her favorite song and because a long long time ago karlie was in a photoshoot that matches the love story mv aesthetic
Speak Now: Enchanted because, whether or not it was written about karlie, taylor went on to mash it up during 1989 era with wildest dreams while wearing a sequin bodysuit with background visuals just like the lover mv fish bowl scene, and i think these visuals are incredibly moving
RED: The Very First Night because i like to imagine it’s about karlie, specifically taylor thinking about all the times in the past that they crossed paths and wishing she could go back in time and confess her feelings to karlie earlier. it’s a sweet song but there is also a quiet sadness that i think matches some of the timing issues they’ve had as soulmates
1989: Style because, after it was recorded in february 2014, it continued on to only become more and more of a kaylor anthem. from taylor walking down the runway at vsfs 2014 hand in hand with karlie to this song, to taylor including it in one of the medleys on rep tour that was so karlie coded (style/love story/you belong with me),
reputation: call it what you want because the song truly sounds like taylor and the background singers and singing “karlie what you want” and “call it what you want, karlie” and i happen to believe that karlie is the one filming taylor in the making of video
Lover: Afterglow because it’s one of the first times we hear taylor apologizing to karlie in her lyrics (i tied your hands behind your back, oh, thought i had reason to attack, but no) and i think it’s one of the key songs to understanding a recurring theme in their relationship and the fact that taylor recognizes it. which i think was powerful to know at the time. made every next album easier to think about.
folklore: the lakes because it is the first time taylor used the word muse to describe karlie. also it was released a little bit after the album came out and a lot of people at the time were saying kaylor had broken up because the album ended on the song hoax, which is a sad song. taylor released the lakes and it re-contextualized the whole album and reset a lot of the conversation that had been going on.
evermore: gold rush because gold was a consistent metaphor we had all ascribed to karlie up until then so it was incredibly wild to have this song happen in the first place, and the song matches up with the beat of runway walking, even the vsfs 2014 opening runway where karlie is a golden angel
(Big Red Machine special mention): Renegade because i see it as a song from karlie’s perspective, about when karlie was there for taylor during her “darkest night” and i find that very touching
Midnights: Karma because it embodies karlie as this unstoppable force that is on taylor’s side and i love that depiction. also, the song name sounds like karlie, taylor arguably sings “karma is my girlfriend” and that was so amazing to pick up on upon the first listen
The Tortured Poets Department: imgonnagetyouback because it ties together so many kaylor themes related to karlie attending eras tour, in particular the bridge (the criminality of “even if it’s handcuffed im leaving here with you” the forgiveness theming of “push the reset button we’re becoming something new” and “bygones will be bygone”the board game theming of “we lost all the pieces but still wanna play the game” the reveal of the truth “told my friends i hate you but i love you just the same” etc) and it gives me an adrenaline kick to listen to it, and gets me nostalgic for attending the 8/3 show, so close to when she attended.
if anyone reading has another favorite to add please add in the comments! i truly have so many that i didn’t cover and i bet you all do too 🫶🫶
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New Orleans Night 3 Announcment?
Something defientley happening tonight at New Orleans Night 3
Oct 27 = 1 year anniversary of 1989 Taylors Version
13 shows left on the Eras Tour
NOLA = NO LA = No Los Angeles Post for the Sofi Stadium dates where 1989 TV was announced
1989 TAYLORS VERSION HAD THE SNAKE S In Taylors Version
ET TU BRUTE = Julius Caesar = Caesars Super Dome
RED REP OUTFIT, GOLD REP OUTFIT, NOW SILVER REP OUTFIT?
Taylors Nails STILL painted GOLD like LWYMMD video with Sabrina Carpenter at New Orleans Night 2 AND SHE WAS WEARING ORANGE not a new multi-color surprise dress
Today is the 1989 1 year anniversary + SHE HAS BEEN FILMED BY A CREW 5 NIGHTS IN A ROW, so she's leading up to something that she wants documented
136 shows today Oct 27 in New Orleans BUT IF Vienna shows hadn't sadly been canceled, then that would make today, New Orleans Night 3 139 1+3+9= 13
Taylor's google vault tracks puzzle game had THE ERAS TOUR STAGE as the KEY to the VAULT. And there is a Door at the End of Karma and Her Vault is still locked with Reputation Vault Taylor in the Glass Box for LWYMMD
6 NIGHTS since Black / Gold Rep Outfit Debuted
They have been playing Karma, Bejeweled and I Can See You behind the scenes music videos AT the ERAS TOUR. all these videos / songs are about her reclaiming albums
AND the Fortnight music video behind the scenes. In there she says 'Til nobody noticed my new aesthetic !!! Her Instagram feed doesn't use TTPD greyscale filters anymore
TAYLOR NATION POSTED THIS: Only 13 Shows LEFT
They Used A Yellow Heart and Taylors instagram feed is all lined up in yellow, and she wore ALL YELLOW at Night 2 New Orleans + An Anniversary of 1989 to Celebrate tomorrow - NIGHT 3
She's been singing debut x reputation mashups
shouldve said no x i did something bad - Miami Night 2
our song x call it what you want - New Orleans N1
then tonight she CALLS Sabrina on the phone - New Orleans N2
the old Taylor cant come to the phone right now (CALL it what you want) ....and our song has THE phone in it
Toronto & Vancouver are last stops = TV = Taylors Version so she will make everything become Taylor's Version before the end of the tour finally Coming out in a THIS IS TAYLORS VERSION shirt for RED
THE NEW DRESS IS 1989 to REPUTATION ORANGE
The New Outfits are blue / white (like 1989) and orange and pinks like reputation
1989 was/is the album before the supposed "lost ablum" / "karma" and Reputation. Which means its only fitting to do something around the time of the 1989 taylors version.
Her new aesthetic has been yellows / pinks / oranges and plaids + jean / denims
OR just could be an announcement for more TTPD, DOWN BAD MUSIC VIDEO, SO HIGH SCHOOL, or ERAS DOCUMENTARY / ADDITION OF TTPD TO DISNEY+ FILM.
@taylornation @taylorswift
posted oct 27 2024 1127am
#taylor swift#the eras tour#taylor swift theories#new orleans night 3#new orleans night 2#debutation#repuation#reptv#1989 taylors version#1989#taylors version#taylor theories#taylor swift theory#ttpd#neworleanststheerastour#new orleans n1#new orleans n2#new orleans n3#sabrina carpenter#taylor swift vmas#taylorswift#taylurking#taylornation#eras tour#the tortured poets department#ts11#midnights#reputation#tstheerastour#swifties
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✦✩ Crowley & Aziraphale (Taylor’s Version) ✩✦
So for the past couple of months I’ve been pouring my heart and soul into an analysis masterpost of this playlist, a Crowley and Aziraphale playlist comprised purely of Taylor Swift songs. I had been curating this playlist for a little while over the latter half of last year, and around November or so I decided to write up an analysis for why I’ve included each song! Some are about a specific character, some about their relationship, and many are about both! Five-ish months and eighteen pages of analysis later, here we are. It’s been so awesome to combine probably my two biggest interests, and even if you’re not a swiftie, I encourage you to read some of this if you’d like to!! You might find some songs you really like the sound of. If you like it, please support :) I spent so long on this
The track list is as follows:
All You Had to Do Was Stay
Say Don’t Go
How You Get the Girl
You are in Love
Wildest Dreams
hoax
peace
mirrorball
Come Back … Be Here
The Very First Night
All Too Well (10 Minute Version)
The Archer
Death by a Thousand Cuts
Cruel Summer
tolerate it
champagne problems
ivy
Back to December
The Great War
Midnight Rain
Tied Together With A Smile
Don’t Blame Me
Dancing With Our Hands Tied
✩✩✩✩
Notes: song titles are in the same order as the track list. they're numbered and colour-coded by album (1989 and midnights share the same colour, as do folklore and rep because Tumblr has limited options) so it’s easier for people to find specific songs they want. They’re not in any particular meaningful order, just grouped by album. If you want to read specific song analysis, please scroll to that point, or open this post in its own window and do a page search (on mac it’s command+f , but I’m not sure about other operating systems.) Obligatory disclaimer that this is all my subjective analysis, both of Taylor’s songs and Crowley and Aziraphale’s characters. I am not making any assumptions about the creative intentions behind them, these are purely what they mean in my view. What I think is not necessarily what the creators intended. If you disagree with anything, that’s fine!! Just please don’t be rude about it. I’d love to hear what you have to say about it!! If you’ve got any thoughts or additions, please add them in a reply or reblog, and we can make it a discussion :D Check back in the future if you want, because I might be adding more depending on if I have some new ideas! ✩✩✩✩
Alright, with that stuff said, here we are!! Grab a snack and get cozy if you want, this is a long one. You can read as much or as little as you want!! I hope you enjoy :)
✦✩ Crowley & Aziraphale (Taylor’s Version) ✩✦
All You Had to Do Was Stay
Title is self-explanatory. However it fits both perspectives; Crowley begging Aziraphale to stay with him and to not leave for Heaven, and Aziraphale begging Crowley to stay with him. They both view the other as being opposed to their own plight because their failure to communicate leads to misunderstandings. Specifically the choruses are most relevant. The verses don’t really feel like they fit; they’re very, very angry and bitter, and describe a relationship that the narrator has pretty much moved on from (‘and people like me are gone forever when you say goodbye’ & ‘now you say you want it back, now that it’s just too late’ to name a few lyrics). I don’t think this is accurate to them as I don’t think they’re going to be able to move on in this way. I also don’t think they’re this angry with each other. The narrator, in the verses specifically, describes their partner in a very reductive way. ‘People like you [..]’ etc, is a very insulting way of talking. Not that either party isn’t upset with the other; I think they’re both very confused and hurt. But I don’t think they’re at the stage where they can be this vitriolic. Partially due to character reasons, and also because obviously the story isn’t going to end with them in the exact positions they’re in now (otherwise there wouldn’t be a third season and the show would be very unsatisfactory). They’re upset, but they’re resigned and bitter, as opposed to outwardly aggressive about the other. ✦ Notable lyrics: ‘You were all I wanted, but not like this’ Because Crowley wants Aziraphale but only if they can stay the same, not both angels in Heaven. ‘Had me in the palm of your hand, why’d you have to go and lock me out when I let you in?’ Because Crowley poured his heart out and from his perspective Aziraphale didn’t think him enough to leave Heaven behind for. 2. Say Don’t Go
This is THE Aziracrow song. I had a 1989 (Taylor’s Version) listening party with my friends and when this played I went WAIT … especially the second verse and the bridge. The entire song is about begging someone to say that they want you to stay. Even though they both did tell the other they wanted to stay together, neither of them actually realised that’s what they were saying. ✦ Notable lyrics:
‘Cause you kiss me and it stops time, and I’m yours, but you’re not mine.’ The first half of the sentence being from Aziraphale’s perspective in reference to the kiss, and the second from Crowley’s, in reference to how Crowley’s much more accepting of his romantic feelings.
‘I’m standing on the sidewalk, alone. I wait for you to drive by. I’m trying to see the cards that you won’t show.’ Because of those shots in the Final Fifteen with both of them ‘standing on the sidewalk’ watching each other from opposite sides of the road. Also, any lyrics with references to cars or driving makes me think of these two. ‘Cards that you won’t show’ is very interesting lyric, because it’s a reference to Aziraphale’s love for human magic tricks, and also to their inability to actually properly express and explain their thoughts to each other. ‘I said ‘I love you’, you say nothing back.’ Crowley’s perspective. 3. How You Get the Girl
This song is about how to apologise to someone after breaking their heart … while the breakup was not entirely Aziraphale’s fault (they BOTH need to learn to communicate and properly confront their feelings), some of the lyrics do have some similarities to their relationship.
✦Notable lyrics: ‘That you were too afraid to tell her what you want.’ He was just scared about what his feelings for Crowley mean :( 4. You are in Love
The single happy song on this playlist. Honestly, it’s a song which isn’t that specific to them and I feel like it’s applicable to every ship ever; you know, the Love Song. However, there are some lyrics in this song that have some of their vibes. The whole song is about how love is constant and yet unable to be put into words or exactly understood, which perfectly describes them. ✦ Notable lyrics: ‘He says ‘look up’, and your shoulders brush’ reminds me of someone telling someone else to look up at the stars !!! because Crowley made the stars and he was so happy about them :( and Aziraphale remembered that AHHHHHH
‘and why I’ve spent my whole life trying to put it into words’ it’s ineffable <3
5. Wildest Dreams This song is about falling in love with someone while knowing that it can never last.The relationship in this song is one that is magnetic and beautiful and messy, and the protagonist enters it while knowing it’s going to end but wanting to stay anyway. This describes their relationship perfectly. They both have a tendency to repress their feelings because they both feel like they can never be acted upon. Even them being friends is something that is constantly fraught with danger, something that they actively need to fight for if they want to keep it (See The Great War). To Aziraphale, indeed to both of them before their shared realisation of ‘this is possible’ because of Gabriel and Beelzebub’s confession, their relationship only ever existed in their ‘wildest dreams.’
✦Notable lyrics:
‘He said, “Let's get out of this town, drive out of the city, away from the crowds.” I thought, “Heaven can't help me now” Nothing lasts forever, but this is gonna take me down.’ All of Crowley’s invitations to run away; invitations that are always declined, even if Aziraphale wants so badly to go with him. There’s always a duty that pulls him away, something he feels he needs to fix before things can be how he wants them to be.
‘Nothing lasts forever’ HAHAHAHA … ‘I said, “No one has to know what we do.”’ A relationship that’s kept hidden. “He’s so tall, and handsome as hell. He’s so bad, but he does it so well.”Beauty and love that pulls you in, but feels wicked and frightening. See Cruel Summer.
6. hoax
THE Crowley song. About loving someone who exposes your vulnerabilities; they feel like part of who you are, so they’re also your biggest weakness. ✦Notable lyrics: ‘Stood on the cliff side screaming ‘give me a reason’’ is very much ‘show me a Great Plan.’ ‘My best laid plan, your sleight of hand.’ References to magic!! Crowley prepared and tried to gain enough confidence to confess to Aziraphale and ask for them to run away together, but Aziraphale’s ‘sleight of hand’ and the Metatron’s influence messed with that. It looked like he was actually going to confess and they maybe had a chance, but then that all fell apart because he didn’t foresee any reason why Aziraphale would go back to Heaven . ‘You knew it still hurts underneath my scars from when they pulled me apart, but what you did was just as dark. Darling, this was just as hard as when they pulled me apart.’ Aziraphale ‘abandoning’ him hurt him greatly, as it felt like such a core part of him was being torn away. This is akin to what Falling would likely have been like, obviously not the same, but in both instances his sense of normal, his identity, and everything that he held dear to him was destroyed.
‘You know I left a part of me back in New York.’Crowley and Aziraphale can both never truly leave the other without leaving ‘a part’ of themselves behind, because they’re so intertwined in each other's existences.
7. peace
Describes how they could never find peace with each other because ‘hereditary enemies’ etc etc etc. They can’t be safe together; for a long time they couldn’t even admit their friendship because it would mean danger. We can still see this in Aziraphale; he’s constantly afraid of doing the wrong thing when he should be a good angel.
8. mirrorball
THE Aziraphale song. Perhaps one of the most Aziraphale songs of all time I'm genuinely not joking or exaggerating it's SO GOOD. About a people pleaser who revolves their life around others. Their existence and value is determined by their role in relation to someone else and how well they serve said role. The image of a mirrorball, shining high above the dancefloor, providing light and a shiny jewel for everyone to look at, yet being all alone (that Taylor Swift described was the inspiration for the song), is very fitting. ✦ Notable lyrics:
‘I’ll show you every version of yourself tonight.’ For so much of his life, Az’s purpose has been to serve Heaven. This lyric reflects that. His character growth throughout the show largely focuses on him coming to terms with their lies and abuse, and forming moral codes of his own.
‘You are not like the regulars, the masquerade revellers, drunk as they watch my shattered edges glisten.’ ‘Masquerade revellers’ referring to the angels, watching Aziraphale ‘break in a million pieces’ to serve Heaven, without understanding that he has limits and he’s his own person.
‘Hush, when no one is around, my dear, you'll find me on my tallest tiptoes, spinning in my highest heels, love, shining just for you. Hush, I know they said the end is near. But I'm still on my tallest tiptoes, spinning in my highest heels, love, shining just for you.’ Aziraphale only really acts himself when it’s just him and Crowley and they’re free of Heaven and Hell’s observing forces. Also ‘I know they said the end is near’ ; reference to Armageddon!! ‘I’m still a believer, but I don’t know why, I’ve never been a natural, all I do is try try try’ He’s trying to be good but his warped understanding of what good is hindering that. He has such a low self-esteem especially in regards to his own ‘goodness’, hence he tries so hard :( he’s just trying to do the right thing but he doesn’t realise what he believes to be right is far from it ahhhhhh
‘I’m still on that tightrope, still trying everything to keep you looking at me.’ Remember the ‘I’m standing on a tightrope, alone.’ Lyric from Say Don’t Go? He’s positioned above everyone else, on a completely different level to them, representing his isolation and unique status as really one of the only angels who’s simultaneously trying to do the right thing to help people while following the will of Heaven, things which often contradict each other.
9. Come Back …. Be Here
Long distance anthem!!!!! Them pining after each other after the s2 finale when they’re separated; it mostly feels like Crowley’s pov.
✦ Notable lyrics: ‘taxi cabs and busy streets that never bring you back to me’ London is busy, but to Crowley, it feels empty because one of the things he loved the most is gone. ‘If I'd known what I know now, I never would have played so nonchalant.’ Because their own constant inability to confront their feelings and dancing around their relationship is what lead to their misunderstanding and then them being separated. If they had actually talked about things together, maybe they’d have a better understanding of their relationship and what the other wants.
10. The Very First Night.Nostalgia and looking back on what was. Very fitting for a show with immortal beings that features their histories together all throughout time. ‘I knew the angel you used to be.’ ‘The angel you knew is not me.’ ✦ Notable lyrics:
‘I wish I could fly, I’d pick you up and we’d go back in time, I’d write this in the sky, I miss you like it was the very first night.’ opening scene of season two, CROWLEY MADE THE STARS DKAJNS They both want things between them to be normal and safe. Aziraphale thinks that them being together in Heaven, like things used to be, would ensure this, but Crowley of course wouldn’t touch it with a ten foot pole. ‘I wish I could fly’ is interesting. Falling being akin to clipping a bird’s wings; removing them of their power. Obviously Heaven would think taking away an Angel’s Heavenly status is a terrible punishment. It’s interesting because Crowley doesn’t actually wish he could fly because he doesn’t want to be an angel again. This lyric could be representative of both of their wishes for more power to be able to change things. They both want to be able to make things better for the two of them and for everyone else, Aziraphale just thinks he has to become a better angel and embrace his Heavenly duties even more in order to make things how he wants them (‘If I’m in charge, I can make a difference.’)
11. All Too Well (10 Minute Version)
One of her most iconic breakup songs …. but this song, and the 10 minute version specifically, has lots of lyrics that remind me of them. Notable lyrics: ‘Something ‘bout it felt like home, somehow’ Aziraphale was home to Crowley, when neither Heaven nor Hell ever treated Crowley like he had a place. One of my favourite metaphors in this show is the use of Crowley’s glasses to represent his vulnerability. The bookshop is one of the only places he ever takes them off because it’s the only place he feels really safe. Him taking them off during his confession only to put them back on again when he realises Aziraphale isn’t going to follow him, and then being on during the kiss is just so symbolic!!!! AJSNBSKDNSBSK ‘You almost ran the red cause you were looking over at me’ obligatory driving lyric ‘you used to be a little kid with glasses in a twin sized bed’ Crowley used to be so happy about making the stars :( ‘Oh, your sweet disposition, And my wide-eyed gaze’ THEM !!!! More vibes of them as angels though. ‘And I was thinkin' on the drive down: Any time now, he's gonna say it's love. You never called it what it was. ‘til we were dead and gone and buried, check the pulse and come back swearing, it's the same after three months in the grave. And then you wondered where it went to as I reached for you but all I felt was shame, and you held my lifeless frame’ This entire section is them. Aziraphale could never admit their friendship or his own feelings because of his relationship with heaven. He feels ‘shame’ because it’s not what he should be doing as an angel. ‘And there we are again when nobody had to know. You kept me like a secret, but I kept you like an oath. Sacred prayer, and we'd swear to remember it all too well, yeah’ Hiding their relationship because az is afraid and it puts both of them in danger. However Crowley doesn’t have the same loyalty to heaven or hell so he keeps aziraphale like an ‘oath’ because it’s an important vow as opposed to something you have to keep hidden. Also any references to prayer is yeah !!!! ‘Well, maybe we got lost in translation, maybe I asked for too much.’ Because they never talk about their feelings!!!!!!!!!!!!!!!!!!!!!!!!!!!! ‘They say all's well that ends well, but I'm in a new hell every time you double-cross my mind. You said ‘if we had been closer in age maybe it would've been fine’ and that made me want to die’ References to hell. Crowley thinks Az will only love him if they’re both angels (but this isn’t true, while Aziraphale does still have biases against Hell because of Heaven’s abuse -’You’re the bad guys!, etc-, he just wants them to be happy :( ) Also ‘every time you double-cross my mind’ is such a clever piece of lyricism. I’ve got nothing too deep to comment on with that one, it’s just plain clever. ‘The idea you had of me, who was she? A never-needy, ever-lovely jewel, whose shine reflects on you’ Again, Crowley thinks Az will only love him if they’re both angels. Aziraphale also deeply failed to understand that Crowley doesn’t want to go back to heaven; this section is from Crowley’s view that aziraphale only cares about him as an angel, which is partly true but he remembers how happy and safe they both were as angels, and he just wants that feeling back. ‘I'm a soldier who's returning half her weight’ fighting for a broken cause; applicable mostly to Aziraphale’s loyalty to Heaven, but could also have meaning in regards to him and Crowley (See The Great War). ‘I still remember the first fall of snow and how it glistened as it fell. I remember it all too well’ because they were together for the very first fall of rain EVER !!!1
12. The Archer This is perhaps one of Taylor’s most Crowley songs ever. His anxiety and paranoia. He’s constantly on edge, constantly worried. He’s lived consistently exposed to danger and lies in every single direction with Aziraphale being the only one he could really trust, and even then, the two of them weren’t ever fully honest with each other. ‘The archer’ is someone who is consistently ‘ready for combat’ and thus sabotages their relationships because of this and feels guilt for it. ✦Notable lyrics: ‘I jump from the train, I ride off alone.’ Crowley’s way of dealing with stressful things is to run away from them. He consistently abandons situations he isn’t prepared to deal with because he ‘never grew up’ and gained the ability to properly communicate his feelings. Him walking out the bookshop door and driving away could be a representation of him running away from his feelings for Aziraphale because the fragile hope he’d gained in the previous scene had been torn down.
‘I’ve got a hundred thrown out speeches I almost said to you.’ Because they never actually talk to each other:
‘Because you and Mr. Fell don’t ever talk to each other.’
‘We talk all the time, trust me. We’ve been talking for millions of years. Blah, blah, blah, blah. I say something brilliant, he says something unintentionally funny back, it’s great.’
‘You never say what you’re really thinking.’
‘I wake in the night, I pace like a ghost, the room is on fire, invisible smoke.’ Bookshop fire ….. also just general restlessness and inability to sleep; to rest, because he always feels like he needs to be fighting for what he has and wants otherwise he’ll lose it.
‘All of my enemies started out friends, help me hold on to you’ Crowley’s whole life and sense of self was torn away from him and burned, and any relationships he managed to have before he Fell would have gone up in flames as well. His desperately self-sustaining and combative attitude towards existence was likely borne from this; being unsteady in anything he ever gained. Aziraphale obviously was the only relationship he really was able to ‘hold on to’, but even the angel was never able to fully feel like he could be himself … and also, this lyric:
‘screaming who could ever leave me, darling? But who could stay? [….] you could stay.’ Except ‘he’ didn’t stay, did ‘he’?
13. Death by a Thousand Cuts
A breakup song about a relationship that you can’t move on from because it formed such a key part of you for so many years. It was ‘a great love; one for the ages’ yet you’re ‘still writing pages.’
✦ Notable lyrics: ‘I ask the traffic lights if it’ll be alright, they say ‘I don’t know’’ very much Crowley driving around aimlessly trying to fill up the space Aziraphale left behind.
‘I get drunk but it’s not enough because the morning comes and you’re not my baby.’ Because that’s also how Crowley copes with his feelings when they get too overwhelming; running away and drowning himself with drink.
‘Gave up on me like I was a bad drug, now I’m searching for signs in a haunted club.’Aziraphale doesn’t really feel comfortable admitting his relationship with Crowley. We can see that Crowley doesn’t like this through, for example, their dialogue when Crowley first asks for holy water (‘fraternising’ etc). To Crowley, Aziraphale leaving must have felt like Crowley wasn’t enough to stay for, and that Aziraphale never really loved him as much as he loved Aziraphale. Also bears similarity to Don’t Blame Me (‘Lord save me, my drug is my baby, I’ll be using for the rest of my life, oh.’) which gives the impression of love that was addicting and powerful, but it became too much. ‘Our songs, our films, united, we stand, our country, guess it was a lawless land.’Get ready because this line is so much more meaningful than I ever realised when I added it to this post. ‘Our songs’ something something nightingales.
But the real meat of this lyric lies in the second half. The phrase ‘united, we stand, divided, we fall’ is often used in mottos of organisations and countries in order to inspire collaboration and patriotism for them. It preaches the importance of staying loyal to a certain side, for if division sows among them, then they will ‘fall.’ Historically, it has been frequently used as war propaganda in WWII, and the American Revolutionary War. It has also been used in the struggle for Indian independence, by Ulster loyalists in Ireland, and by many political leaders, for example. Similar phrases can be found in the Bible, for example in in Mark 3:25 (If a house is divided against itself, that house cannot stand), Matthew 12:25 (Every kingdom divided against itself is laid waste, and no city or house divided against itself will stand), and Luke 11:17 (Every kingdom divided against itself is laid waste, and a divided household falls).
In this song it describes the relationship between the singer and their former lover, which further animates their love as a physical nation or state (as well as a house with the lyrics ‘I look through the windows of this love, even though we boarded them up, chandelier’s still flickering here ‘cause I can’t pretend it’s okay when it’s not).
This animation and the use of this specific phrase which has been used to garner a sense of loyalty towards a cause shows their love to have been a deeply personal thing, something you pledge your devotion to. However, in this song it’s contrasted with the lyric ‘Guess it was a lawless land’ which shows that the nation and love was hollow. It fell apart due to division.
Remind you of anything? Loyalty conflicts is a big part of this show, particularly with Aziraphale’s character, who is still shown to be attached to Heaven as late in his character arc as the Armageddon storyline in season one:
‘Even if I did, why would I tell you? We’re on opposite sides!’
‘We’re on our side!’
‘There is no ‘our side’, Crowley!’
Aziraphale’s turmoil between his Heavenly duties and his feelings for Crowley (not just romantic, even their friendship) is a large part of his unwillingness to admit their closeness, but he’s also just afraid that they’ll get punished. He’s just afraid.
‘we could’ve been …. us.’
‘our side.’
‘a group of the two of us.’
etc , etc
Their relationship is repeatedly treated like it’s its own ‘side’ or ‘group’ that can be pledged allegiance to or deserted. This perfectly sets up Az’s character conflict and growth. It’s so GOOD!!!!!!
It also has a double meaning with Heaven’s patriotism, which has a façade of goodness but is really very corrupt and ‘lawless.’
‘But it wasn’t enough, it wasn’t enough, no, no.’Crowley tried so hard to convince Aziraphale to go with him, he did everything he could, but it didn’t work. That’s what the kiss was; not a moment of love, but a moment of desperation. A final attempt to lay everything out. But it wasn’t enough.
14. Cruel Summer
Secret relationship that makes you feel whole but destroys you at the same time. ‘Devils roll the dice, angels roll their eyes.’ Religious language. The inability for Heaven and Hell to understand love, and even just friendship, between angels and demons is possible. Hell, and the demons, ‘roll[s] the dice’, the language featuring references to gambling shows their more opportunistic nature and need to trick every situation into benefiting them, because otherwise they’re stuck at the bottom of the pile. They can risk everything on a bet that could see them losing all their money, but they don’t really have anything to lose, which makes them very dangerous (like Furfur). Heaven is more judgemental, ‘roll[ing] their eyes.’ This judgement is what Aziraphale is afraid of (and, of course, the physical retribution that follows). It’s rather akin to an abusive relationship such as between a parent and a child, with an unhealthy power dynamic and Heaven always having more control. The child is always trying to do what’s right, but their view of what is right is often in relation to what their parent has raised them to believe is right, or simply in relation to whatever will make the parent happy. This is an analogy that perfectly describes Aziraphale and his internal conflict. ‘and if I bleed you’ll be the last to know’ Az hides his distress and doesn’t like people seeing him cry. See Tied Together with a Smile (second to last song).
‘and I scream for whatever it’s worth; ‘I love you, ain’t that the worst thing you ever heard?’’ From Crowley’s perspective, Aziraphale loves Heaven more than him, and loving him is something that is shocking and unthinkable. Aziraphale is aware and okay with his feelings for Crowley, he’s only okay with them on a very, very surface level. He’s only sort of okay with their friendship, but doesn’t want to acknowledge anything more than that. So even if a confession of love is something Aziraphale wants from Crowley, he also doesn’t want to hear because he knows that they could never work. AHHHHHHH 15. tolerate it Largely about Aziraphale’s relationship with Heaven. He gives them everything and works so hard to be a good angel but they never fully value him. ✦ Notable lyrics: The bridge also is in reference to his and Crowley’s relationship: ‘While you were out building other worlds, where was I?’ Because they made the stars!!!!!
‘Where’s that man who threw blankets over my barbed wire? I made you my temple, my mural, my sky … now I’m begging for footnotes in the story of your life.’ CROWLEY CROWLEY!!! Also religious imagery is just *chef's kiss*.
16. champagne problems
About a proposal that’s refused … I feel like I do not need to elaborate much on this, however it does apply to both of them, because they BOTH were offering something that the other refused. ✦ Notable lyrics: ‘this dorm was once a mad-house, I made a joke, ‘well it’s made for me’’ Crowley vibes. ‘I never was ready so I watched you go.’ Aziraphale wasn’t ready to fully turn away from Heaven, so he had to watch Crowley leave. ‘You had a speech, you’re speechless, love slipped beyond your reaches.’ Crowley tried so hard to convince Aziraphale; he knew he had to start talking first because if not he’d ‘never start talking. He knew what he was going to say, he ‘had a speech’ but it ‘wasn’t enough’ and Aziraphale ‘slipped’ away.
17. ivy
This song is about an affair, and it’s also a very, very queercoded song. To Aziraphale, his relationship with Crowley feels like figuratively cheating on Heaven, ignoring his duties and shunning his responsibility and role as a ‘good angel’. Notable lyrics: ‘He’s in the room, but your opal eyes are all I wish to see.’ “But it’s pretty!” 💛💛 ‘So tell me to run, or dare to sit and watch what will become.’ Aziraphale’s relationship with Heaven is very mentally abusive. He will only be free of their influence if he ‘runs’ from them. He can’t stay connected to Heaven and be truly free and happy.
‘So yeah, it’s a fire, it’s a goddamn blaze in the dark and you started it, you started it. So yeah, it’s a war, it’s the goddamn fight of my life, and you started it, you started it.’ Both of their, but especially Aziraphale’s, internal conflict symbolised through fire and war. ‘Spring breaks loose, but so does fear’ Their bond and love has remained throughout history, and with Gabriel and Beelzebub revealing their relationship, the spark of hope was lit in both of them. ‘Spring [broke] loose’ but the Metatron’s offer subsequently pulled Aziraphale away from Crowley and reignited some of the ‘fear’ that he’s spent the show trying to grow away from.
‘He’s going to burn this house to the ground.’ Speaking of Aziraphale’s fear; he’s worried about what admitting his feelings for Crowley, romantic or even just their friendship, will mean. The danger that it will draw. This lyric also has an interesting double meaning, referencing the literal burning of Aziraphale’s bookshop.
18. Back to December.
Another song about apologising to someone for breaking their heart. ✦ Notable lyrics:
‘You gave me all your love and all I gave you was goodbye.’ The first part of this lyric is only really relative to Crowley’s confession in the Final Fifteen, because their relationship has never really been stable; they never gave the other ‘all [their] love’ because their fear stopped them. Crowley only ever showed his love to Aziraphale because he felt like he didn’t have a choice and it was the only thing that could save them. But Aziraphale
‘But then the cold came, dark days when fear crept into my mind.’ I initially added this lyric because it reminded me of Aziraphale, but it also now reminds me of both of them. Their own fears interfered with their abilities to accept the other’s confession and to be happy. They need to both grow and learn before they can actually have a healthier romantic relationship.
19. The Great War
The metaphor of relationship troubles and trauma being connected to war.
There are some references to said relationship troubles relating to the inability to properly confront feelings and issues, instead turning away and using silence as a punishment to avoid really having to change your relationship.
Also relevant because their relationship isn’t just a metaphorical war; there is the imminent threat of literal war between Heaven and Hell, and literal physical negative repercussions to each of them due to their love being known. The motif of soldiers is also connected to the line of ‘I’m a soldier who’s returning half her weight.’ from ATW10MV.
✦ Notable lyrics:
‘It turned into something bigger, somewhere in the haze, got a sense I'd been betrayed. Your finger on my hair pin triggers …. soldier down on that icy ground, looked up at me with honour and truth, broken and blue, so I called off the troops. That was the night I nearly lost you. I really thought I lost you.’
They are each other’s weaknesses; see hoax. Their inability to communicate their feelings lead to the breakdown of their relationship. They ‘really thought [they] lost’ each other. ‘And maybe it's the past that's talkin’, screamin' from the crypt. Telling me to punish you for things you never did. So I justified it.’
A bit part of Aziraphale’s character is his journey of developing his own sense of morality independent of Heaven’s. This is especially delved into in season two through, for example, the Job storyline and the Edinburgh storyline. However, we can see that he’s still very much under the influence of Heaven’s abuse during episode six through the way he still believes what they say about right and wrong and about the nature of Hell (‘Of course you said no to Hell, you’re the bad guys’ as opposed to ‘they’re the bad guys’). He doesn’t want to do anything malicious, and he doesn’t want to leave to Heaven, with his conflict about staying or going being quite obvious (as numerous points in the Final Fifteen he appears very tortured, frequently hesitating and trying to say things other than wanting to go back to Heaven). But he feels like it’s what he had to do, ‘So [he] justified it.’
20. Midnight Rain
This song is actually on their official playlist!!! About moving on from someone who wanted something different out of your relationship; a sentence which almost perfectly describes the way they view their relationship (of course, their misunderstanding led them both to believe the other wants something different, when in actuality they both want the same thing; to be safe together).
‘My town was a wasteland, full of cages, full of fences, pageant queens and big pretenders, but for some it was paradise’
&
‘It came like a postcard, picture-perfect, shiny family, holidays, peppermint candy, but for him it’s every day.’Heaven… I don’t think I really need to elaborate on this.
‘He wanted it comfortable, I wanted that pain. He wanted a bride, I was making my own name, chasing that fame, he stayed the same, all of me changed like midnight rain.’
Crowley wants them, he wants them to be ‘comfortable’ and safe, and he thinks that’ll only come if they distance themselves from both Heaven and Hell. Aziraphale also wants this, but he also can’t leave Heaven behind to the extent Crowley wants him to. He wants the ‘pain’ of belonging to Heaven’s institution and having high value there, because it’s familiar to him. It might be incredibly abusive, but it’s home to him.
He wants to do the right thing, and he thinks that the only way to do that is to stay there. Ahhh ..
21. Tied Together With A Smile
Aziraphale song :( another one about his massive insecurities, folks.
✦ Notable lyrics:
‘you walk around here thinking you’re not pretty’ Aziraphale always doubts how good of an angel he is and how well he’s doing what’s expected of him.
‘That you cry, but you don’t tell anyone, that you might not be the golden one, and you’re tied together with a smile but you’re coming undone.’Aziraphale doesn’t like letting anyone see him cry. He always turns away and tries to pretend he’s the ‘golden one’, trying to pretend everything is fine and he’s always doing exactly what Heaven wants, yet he is so insecure about his goodness.
The entire second verse about him wanting love and praise from Heaven: ‘I guess it’s true that love was all you wanted […] but he leaves you out like a penny in the rain’ he’s tossed aside and talked down to by the people he works so hard to do the right thing for.
22. Don’t Blame Me Mainly this song is included because of its heavy religious motifs. It’s very reminiscent of a gospel song, also connections to Cruel Summer; ‘love made me crazy’. Of course a lot of this song is very ironic because it describes a love so strong and intense that it ‘made [me] crazy’, that you disregard everything ‘true’ and ‘right’, only doing what you feel is right in connection to your lover, nothing else mattering. However, this is absolutely NOT what happened in this show, in fact the exact reverse. I think this song describes how Crowley feels; not feeling connected to the institutions of Heaven and Hell and being willing to leave them completely behind. Perhaps it also describes a hypothetical future in which Aziraphale has grown and reached the point he can comfortably leave Heaven completely.
✦ Notable lyrics: ‘Baby I would fall from Grace, just to touch your face. If you’d walk away, I’d beg you on my knees to stay.’ Because .. because that’s what happened. They begged eachother to stay :( Also religious language. ‘I get so high, oh, every time you’re, every time you’re loving me, you’re loving me.’ Their relationship is so powerful (especially how they were able to perform the really large miracle ACCIDENTALLY). ‘Something happened for the first time in the darkest little Paradise.’ Religious language. Them being together is their own ‘little Paradise’, because, due to them being forced to hide the nature of their relationship, their relationship becomes very intimate and personal. ‘Halo, hiding my obsession, I once was poison ivy but now I’m your daisy.’ Religious language. Aziraphale helps Crowley be able to relax and to rest, letting down his guard. Crowley’s not fully able to do this, and he’s not fully willing to embrace the fact he is indeed ‘nice’, but he’s getting there. He’s still The Archer, but he can put down his bow slightly easier (but of course, the one time he fully put it down and opened up his heart, he was burned, so I don’t think he’ll be doing it again any time soon). ‘Lord save me, my drug is my baby, I’ll be using for the rest of my life, oh, oh.’ This lyric is particularly meaningful when parallelled to Death by a Thousand Cuts; ‘Gave up on me like I was a bad drug.’
23. Dancing With Our Hands Tied This song describes a love that you desperately want to be hidden yet you know that it’s only a matter of time before everyone finds out and the danger starts.To have one’s hands tied is to be unable to affect something, representing how their relationship and their own lives were always out of their control because they could never live how they wanted to without fear of retribution (an excellent metaphor for queerness). Additionally, the motif of dancing, which in this context is an intimate and notably private act between the two lovers, is happening while the lovers’ hands are tied, representing the division and conflict that intrudes even while they’re alone together (‘Something happened for the first time in a darkest little Paradise’ from Don’t Blame Me).
✦ Noteable lyrics: ‘I, I loved you in secret.’ ‘Yeah, we were dancing, dancing with our hands tied, hands tied.’ See above for analysis of the title lyric!! This song also reminds me of them because thy did actually dance together in season 2 episode 5, which is one of my all time favourite GO episodes. ‘I, I loved you in spite of deep fears that the world would divide us. So, baby, can we dance, oh, through an avalanche?’ They couldn’t live how they wanted because of ‘deep fears’ that outside forces would ‘divide’ them, which in the end is what happened. Feeling like the world is against them (‘angels and demons, they can’t just-’)
Honourable mentions!!
Lyrics that make me think of them but there’s not enough content in the overall song to justify it being put on the playlist. They don’t have much, if any, elaboration, but if you want to hear my thoughts on any of these, let me know!! Of course I’ll add analysis to these if anyone wants them. This will probably be the section of the post that’ll be updated the most frequently, and feel free to reply or reblog with any of your additions :D
~~
‘Just a shot, just a shot in the dark, oh oh.’ - Sweeter than Fiction, 1989 (remember the ‘I’ve known it from the very start, we’re a shot in the darkest dark’ from Say Don’t Go?)
‘Now you hang from my lips like the Gardens of Babylon. Your boots beneath my bed, forever is the sweetest con.’ - cowboy like me, evermore
‘Eyes full of stars, hustling for the good life […].’ - cowboy like me, evermore
‘And you asked me to dance, but I said ‘Dancing is a dangerous game.’ - cowboy like me, evermore
‘I knew it from the first, old-fashioned, we were cursed, we never had a shotgun, shot in the dark.’ - Getaway Car, reputation (again, the ‘shot in the dark’ lyric! Also this was my suprise song WHAT THE FUCK?!??!!?!?!?!?!?!?)
‘We were jet-set, Bonnie and Clyde, oh yeah, ‘till I switched to the other side, to the other side.’ - Getaway Car, reputation (‘We’re on our side!’ … ‘There is no ‘our side’, Crowley!’).
‘Cause lately I don’t even know what page you’re on.’ -The Story of Us, Speak Now
‘Oh, simple complication, miscommunication leads to fallout. So many things that I wish you knew, so many walls up I can’t break through.’ -The Story of Us, Speak Now
'But I liked it better when you were on my side.' -The Story of Us, Speak Now
‘And I wouldn’t marry me either, a pathological people pleaser, who only wanted you to see her.’ -You’re Losing Me, Midnights
‘Loving him was like driving a new Massarati down a dead end street; faster than the wind, passionate as sin, ended so suddenly.’ - Red, Red
'You dream of my mouth before it called you a 'lying traitor.' - Is It Over Now? , 1989 (Taylor's Version)
'When your impressionist paintings of Heaven turned out to be fake, well, you took me to Hell too.' - loml, The Tortured Poets Department
thanks for getting to the bottom!! it means so much to me that you wanted to read this in any amount, you truly have no idea. here's a cookie 🍪 !!!!!
bye :D
#good omens#good omens 1#good omens 2#good omens show#good omens analysis#good omens meta#crowley#good omens crowley#aziraphale#aziracrow#ineffable husbands#ineffable partners#crowley analysis#aziraphale analysis#songs#spotify#music#good omens playlist#ineffable husbands playlist#crowley playlist#Taylor swift#swifties#Taylor Swift analysis#playlist#the eras tour#eras#pigeontalksgoodomens#PIGEONGO
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An early 1990s interview with Jeremy Northam, from West Lancashire Evening Gazette (Sat 4th April 1992, p23), about his appearance in Appointment With Fear: House of Glass (an ITV anthology series.)
STRANGE things happen when Gerry Stafford—the last of the line—inherits his grandmother's family mansion.
The ancestral home takes on its own sinister character as soon as Master Gerald and his new American bride Sonia arrive to supervise its sale.
Even loyal house-keeper Mrs Gilbert acts oddly when she leaves Sonia to fend for herself alone on a dark and windy night.
Appointment With Fear: House of Glass (ITV, 8.50pm) is a ghostly chiller starring Lisa Orgolini, Jeremy Northam, Matyelok Gibbs and Mary Wimbush.
Lisa, who plays Sonia, found filming for the half-hour story was "sometimes quite scary."
"Most of our time was spent in a great big old house and I don't like being left on my own in big houses with lots of rooms!" admits Lisa, who is 28.
Fortunately, there was always the film crew there to take my mind off things. I could imagine the house (in Lymington, Hampshire) being very creepy at night. It's just as well that the family who live there have ten children to fill it, but even so..."
Actress Lisa admits that scary films have a spooky effect on her.
She says: "This is an old-fashioned ghost story. I admit I don't normally like to watch this kind of thing at home on my own. It's easier for me to be in one than watch one!
After I saw Hitchcock's 'Psycho' I never took a shower when I was alone in the house for many years."
Ironically in this new TVS film, Lisa actually played a scene in the shower, surrounded by a film crew for company! She says: "I was in a bathing suit and there were people around me spraying mist in the bathroom."
Lisa, who is from Los Angeles, turned down the chance to go to drama school in the States, preferring to come to England and study at drama school in London, where she is now based. Her father is a US film producer.
Lisa's television credits include Tell Me That You Love Me, Parnell and the Englishwoman, Campion, The Thorn Birds, and a leading role in the new series of Perfect Scoundrels from TVS, with Peter Bowles and Bryan Murray.
On stage she played alongside Julie Walters in Peter Hall's The Rose Tattoo with Patricia Hayes and her feature films including Shining Through and The Recruit.
Jeremy Northam (Piece of Cake, Journey's End and Fatal Inversion) plays Gerald, with Matyelok Gibbs (Maigret, The Bill, The Jewel in the Crown) as Mrs Gilbert the house-keeper and Mary Wimbush (Jeeves and Wooster, The Country Boy) as the ghost of Mrs Stafford.
Jeremy, 30, who plays the young heir to the Stafford family's long-established glass-making business, describes the film as "a good yarn."
The self-confessed thriller fan adds: "House of Glass plays upon the conventions of the thriller and the ghost story very well.
"I sometimes think telly takes itself too seriously and short films like this help to stop that happening.
"This is a good, simple story which is ideal for watching on a dark evening!"
Jeremy is the only actor in his family although his father, a retired academic, taught drama, and his mother did some chorus singing for a while.
The youngest of four children, Jeremy's eldest brother Chris is a pianist, brother Tim is a set designer and sister Kate is married with four children.
Jeremy's television career began in the summer of 1987 in 'Wish Me Luck' - he also had a leading role in the second series—and his other TV credits include 'Piece of Cake' and 'Journey's End'.
He spent two years at the National Theatre and in 1989 was winner of the Olivier award for best newcomer. Jeremy trained at the Bristol Old Vic and spent seasons in rep including a spell at Salisbury.
"I suppose I've been thinking about acting seriously since I was about 16. But I can't say it was something that crossed my mind before that.
"I thought it was kind of vanity really. I thought that you would have to think very highly of yourself, and in a way you do, but it's difficult to explain. You have to have a certain confidence."
#jeremy northam#appointment with fear#house of glass#lisa orgolini#mary wimbush#matyelok gibbs#1990s#anthology series#horror#interviews#ghosts#not burninated but one of those anthology series#not available anywhere for love nor money currently#so it's a good idea of the ep#i had no idea that they were still doing half-hour plays like this still in the 90s#but sounds like it'd be an interesting little watch#newspapers#west lancashire evening gazette#my transcript#apologies if there are any errors; the original is in the image above
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we're never getting reputation (taylor's version) and here's why:
1. the color-coding
taylor's discography is very obviously and deliberately color-coded, each album strongly associated with a particular color or shade. although there is some overlap (1989's light blue vs midnights' dark blue), the variations are distinct enough to avoid any confusion between them. in that sense, b&w is an extremely inflexible color assignment, on account of not being... well, not a color. b&w is b&w (not to be confused with folklore's grey; monochrome ≠ b&w), there aren't exactly many (or any, as it were) ways to stretch that palette to the extent it'd successfully take on an identity (album) of its own. which i believe blondie is aware of, and on that basis i believe it was a deliberate choice. and why? it's not as though she'd exhausted all of her options. there are colors she has yet to use, as well as different shades, tones, and tints of already used colors that would've been just as viable. why take this extremely particular and inflexible palette and, essentially, risk shifting that association from one album to another? unless she wasn't risking anything.
2. the pre-ttpd announcement period
as is customary for her, in the weeks before the official announcement of ttpd, all of taylor's social medias began taking on a b&w color scheme. the same had happened with purple and speak now (taylor's version), with light blue and 1989 (taylor's version), so on and so forth. a kind of unique mass-hysteria ensued as all signs pointed to reputation (taylor's version.) as it turned out, every last one of us was wrong in that assumption. if reputation (tv) were to drop, she'd have to go the b&w route again—which, for one, would in this case be predictable (we got bamboozled once, no way is it happening again) and that's very much not her style; and for two... there'd be no novelty. doing the same bit twice, really? not her!
3. the themes of reputation
reputation centered two core concepts: joe & falling out of public favor. a "good" thing and a "bad" thing. this would remain true for several years after the fact, yet no longer is—instead having turned into two "bad" things. i would not blame her if she chose not to return to this notably awful period of her life by way of re-recording, especially given the fact that the thing—person—that was once a shining star in all that proverbial darkness simply blends into the void with the way things are now. and while, yes, she had re-recorded songs about her exes, she'd only done so after a long while has passed. not only was this the longest relationship she's ever had and therefore likely uniquely devastating, the breakup itself is also very recent.
4. the contrast and the timing
and continuing the last point, only last year she'd dropped a couple devastating songs about this relationship on midnights, followed by more than a fair share of them on ttpd. doubtless she's still moving on/healing (judging by ttpd); i simply do not see her delving into an album that'd dredge up all those memories of the good times, the better times—not to mention that ttpd and rep are as antithetical to each other as it gets. if she'd recorded lover any earlier and had no ownership of it, for very similar reasons i wouldn't believe she'd re-record that one either.
4. the ttpd logo (NOT!!! my finding!)
now i never put much stock into this when i first saw it, as whoever had found it had taken it to mean "yay reputation (tv) soon!" and i simply did not agree. i actually thought it was a really freaky coincidence. bc, c'mon. let's be serious. however, i did realize it sort of fits remarkably well into my "ttpd is replacing rep because ttpd is reputation (taylor's version) in fewer words."
5. thanK you aIMee
kim? we're talking about kim now? who was maybe relevant around the year 2017? around the release of rep? oh. okay. i'm sure that means nothing
but that's just a theory... a game theory.
#taylor swift#ttpd#the tortured poets department#reputation#reputation taylor’s version#swiftie brainrot im so sorry
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So I’ve been learning more about Taylor Swift and I’ve got a question: why do the majority of Swifties that I’ve seen (not you) seem to have zero chill about her version of Reputation? As more of an outsider, it seems like she’s released eight albums (four albums and four Taylor’s versions) in the past four years, with the last one only coming out a month ago. If she wants to release it, I don’t doubt that she could/would, her work ethic is phenomenal and I have the utmost respect. The conversation seems to be less “if Reputation comes out, there’s less stolen versions of Taylor’s catalog that people will have to resort to for streaming, etc. and I want that for Taylor (and also fuck Scooter Braun)” and more “gimme gimme gimme.”
hahahha the majority have zero chill about literally everything. but i think because we know she's ultimately re-recording all her "stolen" versions, its only a matter of time for Rep. and, to be fair, she IS making it a fun spectacle by dropping hints and clues and announcing albums on tour, so i get it to an extent. but at the same time, its borderline absurd to be expecting it and demanding it, then having the audacity to be disappointed if it doesn't happen on the night you wanted lol. i wish more people would just take a breath-- taylor is literally churning out more content than is really humanly possible, so when people are chanting for more at her concert (which is already a gd SPECTACLE!) it feels a little MUCH. i didn't really love when she was playing acoustic versions of her new 1989 vault tracks they started chanting for Rep.. i'd be annoyed if i was her. and this is coming from a huge Rep fan (it's my fave album).... but i'm still trying to process the vault tracks from Speak Now for fucks sake lmao
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Ive been watching you and Bea go back and forth making each other rank Taylor albums and Im going to miss it SO MUCH Could you two rank the taylor swift tour videos please? I love looking at you guys' takes on things (even if yours are just complimenting every song and Bea is the one who knows how to actually criticise things 💀) love you guys <3 - an anonymous observer😉💗
TYSM :((((( SOBBING LY!!!!!!!!!!!!!!!!! @deprivedmusicaljunkie look we've been percieved ! anon ur slight diss at me for not being able to criticise things is KILLING ME HAHAHHAHAHA (ur right though)
okayy heres my tour ranking (note that there isnt an official tour video for red OR eras so this probs affects my ranking,,, more for red than eras bc i see eras content every single day online anyway)
speak now world tour - okay i may be biased because this is my favourite album,, but even if it wasnt this would be her best tour (in my opinion),, i feel like in her old concerts she was so theatrical, and parts of it kinda looked like a full broadway production,, also the iconic elements like the lyrics on the arm, also shout out to the live album recording of this bc i listen to it soooo much and its amazing and perfect and show stopping etc etc im literally gonna list a bunch of iconic moments right here: THE HAUNTED BELL, the fireworks during dear john, the koi fish guitar with the light up tree, the gold fringe dress (DROP EVERYTHING NOW) the ballgown, just the wholle thing is the best thing i have ever seen
eras tour - this tour actually is killing me with all of the nostalgia watching her sing through and acknowledge all of her old albums and past selves (except debut, rip😔). and i especially love all of the details from past concerts she has (like the fearless spins, the sparkly & koi guitars, the over head hand heart) and also the new visuals for existing tours (like the old taylors in glass cages for rep) AND the visuals for the albums that hadnt been toured before (lover, folklore, evermore, midnights) i just think that she really did her albums justice (again, apart from debut☠️) and its insane that the show is so long 3+ hours
reputation stadium tour - karyn the snake is the coolest thing ive ever seen. also the ready for it intro with the hooded bodysuit outfit is ICONIC,,, i love the choreo on this tour, like the part of i did something bad where taylor gets lifted up like a cheerleader (AHHHHHH) and i love the quiet long live / new years day moment on the piano,, its so nice
the red tour - like i said before, there isnt a tour movie for this one so i dont know as much about it, but i loveeee how fun it is, i love the ringleader outift and circus theme for the closing song, we are never ever getting back toghether (my favourite part of the show) and i love the unnecessary hairflips during all too well😭
the 1989 world tour - this tour feels like her biggest one (even though it isnt), its like the most pop artist thing ever, its less theatre-production like than any of her other tours and it feels less personal? that being said its obviously very iconic, im forever obsessed with the wildest dreams/enchanted mashup, and that one out of the woods bodysuit that she only wore once for some reason, + the FOREVER iconic rock version of wanegbt BUT THE WAY THE TOUR MOVIE IS EDITED IS SOOOO ANNOYING LIKE IT SWITCHES TO A DIFFERENT PERSPECTIVE EVERY 2 SECONDS😭 anyway i really do appreciate this tour bc taylor really did give it everything she had, and looking at the miss americana documentary, u can tell it was really hard to have put on that show with what she was going through
fearless tour - this is ranked last but i actually really like this one, its cute. her vocals werent as good as they are currently but idc because this show was so funny,, it had the iconicccc throwing of the red chairs in forever & always and shoudlve said no in the rain!!!!!!!!
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Ooo my favorite album i have heard of hers.... "fun" fact i rolled my car while listening to that album...the song was woods specifically... then I hit a tire in a snow storm listing to her again... so this album is kinda not lucky for me🤣🤣🤣 at least in the winter...
Also what where her easter eggs to make everyone think it was next?
Omg 😳 that’s insane that this album got to be the soundtrack to so much bad car luck for you! Im so sorry but I’m so glad you’re okay and hopefully this version will bring you better memories😂😂
I will be honest there were quite a few from the last few days that made me stroll down clownelia street again that something was happening tonight
First was in the I can see you music video she ended it driving a getaway car towards 1989 so people thought double drop with Rep but I wasn’t clowning that hard 😂 figured it was one of the two next though.
Then main one for it happening today specifically was 8/9 would have been 8 years, 9 months and 13 days from its original release date and she is wayyy too much of an Easter egg mastermind to pass up at least announcing something tonight.
SoFi stadium also released some photos welcoming Taylor to the city earlier last week and one of them had a lifeguards stand with 1989 Taylor’s version written on the side which was suspicious 😂
Back when she announced the speak now tv release date the show before the announcement the bracelets you’re given to wear they flashed purple 3 times and I guess last night the bracelets flashed light blue 5 times which I found out about this morning and double downed on my clowning😂
The jacket she wore during the lover set at last nights show was new dark blue color as well as her bodysuit during midnights was new and was sooo similar to the bodysuit she wore during 1989’s tour so those got my hopes up even more for an announcement during tonight’s last show.
Then today there was a tweet from Taylor nation with a bunch of numbers that added up to 89 before the show started. And during the show tonight two other dresses changed to a new blue color that both looked like the 1989 blue vibe and then for the 1989 set she usually switches it up with a pink, green or yellow two piece sparkly set that she then has a matching color dress cover she puts on before she does the surprise songs and bc of the midnights and lover jacket changes last night I said to my sister this morning what if instead of pink, green or yellow it’s LIGHT BLUE and I was right😭 it was so pretty too!!
So yeah these were the main ones that were pretty fun to put together and then for the surprise songs tonight she played the last one from 1989 and then New Year’s Day from Repuation so I think Rep Taylor’s version will release on New Year’s Day or maybe we’ll get the announcement? I’m calling it now😂
#writing it all makes it sound crazy but like???#she does this kind of stuff#and most of the time people are wrong#but sooo many were true or made too much sense for it not to happen tonight#Hannah tag
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- via Variety 2023
The Swift Games:
A team up we've been dreaming to get more of, finally got together for one last game.
Taylor Swift once again joins Lionsgate in collaboration with The Hunger Games sound production team and James Newton Howard to work on its highly anticipated prequel's soundtrack amidst her busy promotion schedule for her re-recorded 1989 album (Taylor's Version), and all the while being spotted out and about on the crowded streets of New York City, strolling arm in arm with long time pal Sophie Turner -with whom she now shares an ex-, evidently entering her "REP TV era".
Her addition to the soundtrack has been revealed earlier today, along with the unveiling of four of the five vault tracks listed to be debuting with the release of her new version of the critically acclaimed, 57th edition of the Annual Grammy Awards's darling and its 2015 Album Of The Year winner; all in all the fan-favorite masterclass in pop that is her iconic 1989 album (coming out this October 27th, exactly 9 years to the dot from its original publication on 10/27/2014), right after achieving to successfully round up a whopping 33 million entries globally on her interactive Google search collaboration (and the frustration of a gigantic amount of users, repeatedly reporting glitches due to the unprecedented demand - yes, even for Google- that resulted in the search engine crashing several times): A crossword puzzle game, consisting of a series of 1989 themed word puzzles, precisely 89 per user, which sent her fans and well studied enthusiasts worldwide in a virtual quest to unscramble the seemingly random assortment of letters to spell out some of her most iconic phrases, as well as the deep cut cult memes such as "yes, whale" and "she wasn't doing anything". All of this in well under 24 hours. This Mastermind is at her most Bejeweled self when hijacking our Midnights.
The song "Ballad of Seagulls and Snakes" is out now.
#taylor swift#1989 taylor's version#1989 tv#1989 vault tracks#1989 vault puzzle#Google#this is obviously a joke#awkwardifying life#i shouldn't have put thia much time on this clowning#I've got a final in six days and im so so behind
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I think '1989 is not vulnerable' arguments come from the fact that Taylor was pretty distant during the whole 1989 press. Comparing it to red era where she embraced the heartbreak shared stories that made songs more poignant. 1989 Taylor very much did not want 1989 to be about 'a guy' so we got little insight into her mind.
Also I feel the haylors who says 1989 isn't vulnerable enough believes that 'that can't be all she felt for him' because comparing it with red(an album that's about CRUSHING heartbreak) the relationship devastation in 1989 pales in comparison. Non- haylors think it's not vulnerable enough because many people think the details she shared is exaggerated. Many people exclude harry from her serious relationships because they think the secret messages, love confessions etc.. in 1989 is exaggerated for storytelling purposes(while this topic never appears for red,rep,lover songs).
And I also feel like fans have a tendency to label her saddest/happiest songs based on the muse instead of lyrics. I, for one, believes that last kiss is one of the saddest songs of hers but many people used to(atleast until 2022) ignore it because 'its about joe jonas and she wasn't that hurt by him after speak now'. Jake songs gets labelled as the saddest because we all know how hard that was for her.
Not saying all this is true but this is also something I observed within fanbase(not saying everyone feels this way)
agree with paragraph #2, but i feel like taylor was very open in the 1989 press? she literally invited fans into her house and gave them personal details about what each song meant to her? and the long form interviews she gives for 1989 are as insightful as anything she gave for red, in my opinion
and i think the joe songs get brushed over (i think last kiss gets its day in the sun every year, but more like, people saying haunted isn't about joe) because they're right next to jake songs, which is so blatantly traumatizing that the relationship before it can get brushed over
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tagged by @fuck-sewingmachines long time without doing tag games, thank youuu 💖
I think the last ones depends of my mood (probably it’ll change in the future) but 1989 is always the last one, whooops i’m so sad debut its this low because I’m always rooting for her and I love her a lot but seems I like the others more... also curious rep was my absolute fav for years when it came and now look at her, idk its so difficult but the top 4 is accurate 💖 💖 💖
tagging all my swiftie mutuals who still follow me even with the multi fandom chaos my blog is lately ♥
Edit: Forgot to put the link, here it is
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I was today years old when I found out about 'sweeter than fiction'. It is so good. I feel like it was the first step of 1989 sonically. The bridge......😫😫
I’ll be one of the many saying Look at you now, look at you now, now I’ll be one of the many saying You made us proud, you made us proud, proud I’ll be one of the many saying Look at you now, look at you now, now I’ll be one of the many saying You made us proud, you made us proud, proud And when they call your name And they put your picture in a frame You know that I’ll be there time and again 'Cause I loved you when When you hit the ground, hit the ground, hit the ground, oh oh Only sound, only sound that you heard was "no" Now in this perfect weather It's like we don't remember The rain we thought would last forever and ever
This sounds super vulnerable despite the fact that she was shying away from that in 1989 era. I want 1989 vault badlyyyy.
awww you are not the first person i've seen discover sweeter than fiction lately and it's so heartwarming to me! it absolutely WAS her stepping into that era. the very first song taylor and jack created together!!! i'm curious if she's going to include it on 1989 like she did with today was a fairytale for fearless, or drop it on its own like she did with eyes open/safe and sound (assuming she re-records it). i especially love, "'cause i loved you when you hit the ground." i really do suspect she polished/curated/extracted certain things from that album to enhance its cohesiveness and overall effect, i can't wait for the TV. it's wild too because 1989, speak now, and debut all had massive days (their biggest i believe!) on streaming yesterday and that interest is going to bolster their re-recordings even further (and rep i imagine will be huge too). we've all been predicting SN and debut might be quieter releases but i'm thinking that might not be the case anymore. the only real question is when/how she plans to roll the rest of them out.
#my logical and understanding self: patient. i know each re-recording takes time and a LOT of effort and she has been very busy!#my excitable and impatient self: I NEED THEM I NEED THOSE VAULT TRACKS TAYLOR WHERE ARE THEYYYYYYY#anonymous#letterbox#thrown out speeches
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why I think Reputation (Taylor's Version) will not be announced tonight or anytime soon.
It’s highly theorised that Reputation will drop tonight, and although part of myself is clowning for it to happen, I think it’s highly unlikely.
To start off, a lot of the ‘easter eggs’ are really far-fetched, and despite Taylor loving an easter egg and sometimes pulling the most amazing easter eggs, I don’t think they’re as complicated as people are making them out to be. Some ‘easter eggs’ are feasible, like the ’22’ hands changing in recent nights (although I don’t know what 55,000 means to be honest), some theories such as ‘123’ - August 20th being 123 days from April 19th (The Tortured Poets Department) seem like a stretch, considering 1989 TV had easter eggs like a sign in the ‘I Can See You’ Music Video and having a blue outfit colour scheme for an Eras Tour show. As much as I love to clown (and trust me I do - I wanted to believe Reputation TV was gonna drop with TTPD) I don’t think an announcement is going to happen until at least later in the tour and then a release at the end of the year.
The Tortured Poets Department was released four months ago and is one of Taylor’s greatest musical feats in my opinion - with 31 songs in total. The last album she announced that was not a re-record was Midnights in October 2022. There was then a 7 month long gap between Midnights and Speak Now (July 2023). Whilst on the Eras Tour, Taylor has dropped both Speak Now and 1989 (October 2023) re-records, as well as The Tortured Poets Department. Although I don’t think it would be impossible for her to have recorded some of Reputation whilst on tour, the likelihood of her managing to create and release 4 albums during this time whilst juggling a world tour (with a changing setlist) is improbable.
It’s also important to take note that The Tortured Poets Department is still charting, so to release a re-record (especially such a highly anticipated one) seems like a waste in terms of numbers/position, as she’d literally be competing against herself in the charts. The Tortured Poets Department still has so much more potential in terms of streaming and possible releases (The Anthology vinyl/CD etc) so there would be no need for Reputation to be dropped other than Taylor wants it out there. Strategically speaking, letting TTPD run its course for a few more months so it can bask in the attention and love it is getting is better than trying to rush out Reputation during TTPDs ‘era’.
I genuinely think Taylor just enjoys trolling us because she knows her fanbase has gotten more observant with easter eggs, but I hope we can all still clown together every time something suspicious happens :) I appreciate what Taylor has given to us already (the rerecords, a new era we weren’t at all expecting with TTPD etc) so all of my theorising is just done for fun and jest!
UPDATE - I do think she could possibly announce Rep during the VMAs, but also I think she could just use it to drop more teasers and get us to clown once again. But we don’t mind. I also noticed that she sometimes drops a music video including tour footage when she's ending an era...which could mean nothing x
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I'm also unhappy with how quickly everyone moved on from 1989 TV including Taylor herself like it just came out and it was such a special project and had such extreme success and all the songs were so well done but now we're all hyped Rep TV! Even I can't stop myself from hyping myself up for it but still I wish we could just enjoy the many projects we already have and not just eagerly await the next project which will probably also be blazed through unceremonously like it feels so wrong how we can't enjoy projects anymore for more then like three months if we're lucky
i'm fine with taylor moving on from it quickly tbh, she did that with speak now tv too lol - the only one she didn't move on quickly from was red tv and that's because of atw10 and the short film. she wanted it to have its moment. but yeah the fans need to just pause and enjoy it like how have i seen more people (not on tumblr) talk about rep tv than the 1989 vault ? we've gotten SOOOO MUCH in the last few years it's crazy, i'm still not used to getting this much music
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