#kzsu

[bestfuckinmusic]

Plutocracy - KZSU Takeover - Aug. 2000

Awesome hardcore - nasty and brutal!

[jinkieswouldyoulookatthis]

Wincest Wednesdays

for @wincestwednesdays Sept 3rd prompt: Radio

on AO3

“You’re listening to KZSU Stanford at 90.1 FM. I’m Nicole and I’ll be your host for the next hour as we open the lines up for some dedications. This first one is going out to Brad from Angie…”

The coffee shop nearest to his dorm catered mainly to the college crowd and played the campus radio station at a volume that was loud enough to hear when the ambient clatter and hiss and chatter didn’t drown it out.

Sam had developed a habit of studying at a table in the corner, where he had the wall at his back and could see the entire place easily. His father’s voice was still too loud in his head to ignore, barking at him about situational awareness. 

But the noise, rather than being distracting, made it easier for him to focus. Like the act of filtering out the activity around him opened his mind up to remembering, cataloging, making connections in the information. Something about habits developed through childhood made them especially hard to shake, and even when he wasn’t trying to read or do school work in various cafes, diners, and restaurants, he would still need to tune out his brother. Dean who’d always had the tv or radio on, laughing or singing along, or sitting silent and brooding (which somehow was always louder to Sam than anything else).

“We’re dropping way back into the 70’s on this next song with Foghat’s I’ll Be Standing By for Samantha from an anonymous caller. Ooh, watch out Samantha, this one’s giving off creeper vibes.”

~~~

“It’s Tuesday again, so you know what that means! Got a special song for that special someone? Our phone line is open for the next hour, 855-723-9010.”

“Triple shot, soy, flat white!” the barista announced as he slid a cup onto the pick-up counter. 

Sam scooped it up and headed back to his regular table. Sitting down he pulled out his class notes and laptop. He popped the lid off his coffee, so it would cool faster, and got to work. Handwriting in class then transcribing later into a Word doc helped cement the information in his memory, and digital notes were so much easier to search when he was studying for tests. By the time he was finished, he slugged down the rest of his coffee, which had been room temperature for a while now, and started to pack up to go to his next class.

“For our final dedication today Samantha’s anonymous 70’s rock fan is back! This time he’s requested Zeppelin’s Out On the Tiles. So, Samantha, this one’s for you.”

The driving opening riff hit hard and familiar as Sam pushed through the door and strode out onto the sidewalk. A surge of nostalgia smacked a smile on his face as he shoved his hands deep in his pockets and tried his best to look like he fit in.

~~~

“Third Tuesday in a row, we’ve got ourselves a regular caller. Samantha, if you’re out there, here’s Telegram Sam by T-Rex.”

~~~

“Oh, Samantha, we’re back in maudlin territory this week. Your anonymous friend requested Dylan’s If You See Her, Say Hello. Maybe check on the people you know, 10:15 in the morning seems a little early to be that drunk.”

Sam was taking both Latin and Greek this semester since he already had a solid grasp of basic Latin and he was taking it because it was a requirement for more advanced classes. He hadn’t been as well versed in Greek so he spent more time going over his notes and working on his translations. 

“Two requests in one show? I think I touched a nerve when I said he sounded drunk. Sam, Wish You Were Here by Pink Floyd.”

~~~

“Another Tuesday, another dedication to Studious Samantha from your 70’s classic rock fanboy. So here’s Paranoid by Black Sabbath. Sam, your creeper’s got a nice voice but he seems to be going through a manic phase, watch out.”

~~~

“Okay, Samantha, this is the sixth week in a row and I gotta admit, I’m intrigued by your man’s musical choices. This week he’s dedicating Shame on the Moon by Bob Seger to you.”

Sam’s eyes went wide. It was the Seger song that finally made the pattern click. It had to be. He pulled his cell phone out of his pocket and punched in a number he knew by heart. It rang twice.

“Heya, Sammy.”

“Your mix tapes? First and last song on each?”

“Took you long enough. Hey, that Nicole sounds hot, think it’s just her voice or…”

“Jesus, Dean. Did you need something or have you really been calling up a college radio station DJ for a month and a half just to get my attention?”

“Just trying to have a little fun, shoulda known you be pissy about it.”

Sam rubbed his eyes and pinched the bridge of his nose while Dean was quiet on the other end of the line.

Finally, Sam heard an irritated huff and then, “Whatever, man. Get back to studying, wouldn’t want to bother you.” 

The call disconnected.

Sam sighed and looked at the phone, like he couldn’t believe that was it. He dialed again and it went right to voicemail.

At the beep Sam simply said, “Jerk.” and hung up.

[pynkchampagne]

Primus -- Tommy The Cat 🐈 Over the Years

San Antonio 4-16-2022

DJ Disk and Brain jam (1998?) from Videoplasty

Gathering of the Vibes 2012

KZSU 90.1 FM Live 1989

Dennis Miller Show 1992

Anchorage 6-22-2013

Loreley Germany 1997

Bill and Ted's Bogus Journey 1991

Bonnaroo 6-10-2011

Spring Break 1992

[8dpromo]

DJ Samuel Lawrence - Used To Hold Me (R Side Recordings)

8DPromo · DJ Samuel Lawrence - Used To Hold Me (R Side Recordings)

DJ Samuel Lawrence's latest offering on R Side Recordings speaks to those twilight moments when the club becomes a sanctuary of shared consciousness. The two-track release showcases Lawrence's masterful understanding of deep house's spiritual DNA while pushing the dancefloor into fresh territory. "Used to Hold Me" centers on a masterfully engineered kick drum that anchors floating vocal fragments and precise stereo stabs. The production achieves that elusive sweet spot where technical excellence meets pure dance floor magnetism. Lawrence then orchestrates layers of tribal percussion and crisp snare hits into the moody warehouse burner, "Light Dark." Like watching storm clouds gather through factory windows, the track's ominous breakdown creates tension before unleashing its rhythmic payload. Both tracks demonstrate R Side Recordings' commitment to releasing house music that prioritizes sonic innovation and DJ utility. Lawrence's careful attention to the subtleties of sub-bass and atmospheric space allows these tools to work in both peak-time slots and deeper sets. Dig in.

John Ferris (Transitions Sydney) – “Both tracks are amazing. Used To Hold Me is a huge classic and done well.” PillowTalk (PillowTalk Music) – “Great work! Full support.” Joey Silvero (Distant People)** (Seamless) – “Vocal is working nice here.” Zack Hill (TribeRadio Podcast) – “What a nice surprise! Used To Hole Me is dope.” Jon Barnes (KZSU 90.1 FM) – “Love the groove and mood of Light Dark.” Yogi Haughton (DJ Mag reviewer) – “Always loved the original of You Used To. This is a fierce rub.”

Available Now From: Beatport, Traxsource, Apple Music, And Spotify.

[cavedwellermusic]

CDM Presents: Sound Animal Interviews R Duck

R Duck is a fantastic experimental ambient musician whose innovative music can be experienced every week introducing his radio show, Sound Wheels, at the Stanford radio station, KZSU Stanford. As a DJ, he has a uniquely comforting, slyly playful, always calmly poised personality while he speaks during the two-hour episodes, giving us not only the playlist but other unexpected delights. Sound Animal sits down with R Duck to discuss his unique music, show and creative style.

[whoopitywhoopwhoop]

spazz @ kzsu '99

[john316john]

JOHN 3:16 '200 Million Horsemen' (Alrealon Musique/ALRN099) is #5 in the Classical/Experimental chart at KZSU Stanford.

https://zookeeper.stanford.edu/?action=viewChart&subaction=weekly&year=2019&month=04&day=28

"Philippe Gerber under any guise never disappoints and this new release with the JOHN 3:16 moniker is certainly no exception – Thoughtful dark experimental with light flourishes, manages to keep the Philadelphia experimental scene at the forefront of the genre."

Bravo Marco / KZSU Stanford

[theseoulavenger]

Golden Grapes Presents ... the avengeR LOVES DILLA

On the uno’s and dos’s doing a special set in honor of one of my musical heroes … 🍩

D I L L A  F O R E V E R ! ! !

Originally aired 02/24/2019 on MHz Radio for Art Of The Break. Re-recorded on 02/25/2019 for SoundCloud w/ a bonus track!

KZSU Standford: MHz Radio Tune in every Sunday for MHz Radio (Hip Hop Breaks and Beats) and Art Of The Break every last Sunday on ...

90.1 FM (if you want to listen the old fashion way)

KZSU.STANFORD.EDU (if you want to be all future about it)

[wwwdlabrie]

View this post on Instagram

A post shared by DLabrie (@dlabrie)

This Video is from my 2nd #HipHop lecture on Wednesday at @Stanford #Stanford Excellent group. I really don't think they expected me to keep it so 100. I think they could relate to the honesty. I like to focus on the #backstory #sociology & relatable parts of #HipHophistory. A few students even asked to interview me for projects they are working on. At the end, Dude on left side in back with the hat asked me to freestyle. He Did a #beatbox & I had the class throw out words. It was fun. They said #Lebron I got my roast on... If you need me to speak at your school, #college, programs RDVbiz1@gmail.com!! Thanx again #StanfordUniversity @kzsu #kzsu (at Stanford University)

[ztremx]

SPAZZ Live on KZSU Radio 1996

[bestfuckinmusic]

Spazs - Live At KZSU - 1999

Live in the studio - sounding more like Man Is The Bastard!!!

[gayenerd]

Green Day - 90.1 KZSU Studios (Live 1/17/90)

[dangerkeith3000x]

Primus - “John the Fisherman” (Live on KZSU, 1989)

[onetwofeb]

Hegel and his Heirs  

Robert Harrison and Adrian Daub discuss Georg Wilhelm Friedrich Hegel and his heirs in this episode of Entitled Opinions, a KZSU Stanford University program.