#kinetic installation

[nonotakstudio]

"SORA v.1" by NONOTAK in Amsterdam w/Unfold Art.

[itscolossal]

Site-Specific Kinetic Installations by Pinaffo & Pluvinage Channel Modest Materials Into Ephemeral Experiences

[woundgallery]

Rebecca Horn, Ballet of the Woodpeckers, 1986, glass, metal, transformers, motors and egg

[pop-up-x]

Lucy Gregory - TheApplause Machine, 2019

100 x 150 x 220cm

[garadinervi]

Magdalena Fernández, Flexible Structures, (video), Sicardi | Ayers | Bacino, Houston, TX, 2017 [© Magdalena Fernández]

[short666bread]

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[silveragelovechild]

Check out the video at the link below. It’s of a kinetic art piece “Strandbeest” - by Dutch Theo Jansen. The creation is 59 feet long and scuttles across a beach using the power of the wind. It looks alive and magical. Recommend sound on (no narration, just the sound of the shore).

@itscolossal

[artistsonthelam]

Happy Arbor Day! 🌲 Flashback Friday to a month ago: Joyful Trees (Arbores Laetae) installation by architectural group Diller Scofidio + Renfro at Oil Street Art Space, Hong Kong, featuring 16 Chinese Junipers, three of which are placed on rotating planter box turntables at a 10-degree tilt. // (c) Jenny Lam 2024

[voice-of-illogical-sense]

@falling-down-the-scroll-hole, I saw this and thought of you.

[dirtytimeslut]

Velvet underground

[itscolossal]

Monumental Site-Specific Installations by Morag Myerscough Stoke Community and a Sense of Belonging

[woundgallery]

Rebecca Horn, Cutting Through the Past, 1992-93, 5 doors, metal shaft, motor

[kbln]

The installation "Pause" invites the viewer to reflect on the passage of time and find tranquility in the present moment

Music by Digital Moss

[sheltiechicago]

“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters

Lively Kinetic Sculptures by Yunchul Kim Pulse with Iridescent Color-Changing Cells

Seoul-based artist Yunchul Kim echoes the heaving, lively motion of breath in his glimmering kinetic sculptures. Part of the ongoing Chroma series, the mixed-media works are reactive: small motors bend the transparent polymer material and cause an iridescent, color-changing ripple that pulses across the piece. Often suspended in a gallery space, the sculptures are knotted or shaped like a vortex, as in “Chroma V,” which references “subjects and symbols of culture and disciplines, such as ancient murals, nature, literature, art, philosophy, and science,” Kim says.

“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters. Photo by Roman März

[hydeordie]

Building facade installed in downtown LA

[juliaitp]

How can art be realized?  Out of volumes, motion, spaces bounded by the great space, the universe.  Out of different masses, light, heavy, middling - indicated by variations of size or color - directional line - vectors which represent speeds, velocities, accelerations, forces, etc... - these directions making between them meaningful angles, and senses, together defining one big conclusion or many. Spaces, volumes, suggested by the smallest means in contrast to their mass, or even including them, juxtaposed, pierced by vectors, crossed by speeds.  Nothing at all of this is fixed. Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe.  It must not be just a fleeting moment but a physical bond between the varying events in life.  Not extractions, But abstractions Abstractions that are like nothing in life except in their manner of reacting.

Alexander Calder. ‘Calder: Sculptor of Air.’