#kill your songs kill your verses....

[aregebidan]

head in hands in a t-shirt that says i ♡ narratives that criticize narrative i ♡ stories that resent being told

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[soyoudneverguess]

Holy fucking shit

[cyberfunsupporter]

i think in a song for a group’s 10 year anniversary maybe all 5 members should get a line but hey what do i know i’m not a moneyhungry idol company right. you know not naming names though 🤣🤣🤣. fuckass sm entertainment

[nordicbananas]

oughogh i have death, thrice drawn stuck in my head rn..

[gayemoji]

hello world i personally dont know how to feel about call me what you like but i bet if somebody yelled at me about it thatd convince me

[moodlesmain]

What I'm Made Of (Sonic Heroes OST) 🤝 With Me (Sonic and the Black Knight OST): Final boss songs who's lyrics apply almost just as much to Sonic as they do to the villain he's facing

[reinemichele]

⚠ Flashing lights warning and also volume warning . like 5 seconds in there's a scream <3

I'll put a read more for my rambling and also add... my preferred translations, since I didn't want to go with the 480p Moira concert, but ever since I first saw this post

(Bad screenshot; I was focusing on getting both of them visible but the text says "there's nothing left of us")

I've been trying to figure out what it reminded me of, and it finally occurred to me that it's the Greek duet between Thanatos and Elef in Doreitachi no Eiyuu 😭

(Translations are here & here)

Have you gotten used to the unbearable pain of loss? There's nothing left for me (you)... [Τιποτα δεν παραμενει σε με, σε μενα εμενα...] No hope at all for me (you)... [Ελπίδα δεν παραμένει σε, σε μένα εμένα...] Life is something to be lost... The Sword of Hades Elefseus, the Harbinger of Death [Ἅιδης ξίφος Ελευσευς, ὁτῶν φόβος σε θάνατος] The Lone Wolf Elefseus, Bringing Hellenes to Thanatos [Μονος λυκος Ελευσευς, φορτεἝλληνες για θάνατος] [...] “How long will we repeat this?" “O, Moira!” Even though humans are all but pitiful slaves of fate, For a slave like that to own another slave Is truly dry humor at its finest! Don't give up, keep struggling! You don't like being powerless slaves, do you? If you have the courage to take up the sword, then come with me! The Sword of Hades Elefseus, the Harbinger of Death [Ἅιδης ξίφος Ελευσευς, ὁτῶν φόβος σε θάνατος] The Lone Wolf Elefseus, Bringing Hellenes to Thanatos [Μονος λυκος Ελευσευς, φορτεἝλληνες για θάνατος]

[ofsnowangels]

TAG MOMENT...

ignore this :3!!

[tiktaalic]

gay! taylor swift just released a new song, and she's COMING. OUT. as a lesbian? yes as a lesbian! okay. which she's always been! okay alright jesus. it's called rainbow dress. hot summer june. sleepless afternoons. june. wearing my rainbow dress. is this taylor? she sounds bad. so full of pride. listen! what's hidden inside. like the vocals sound bad. jonathan van ness. jonathan van ness! okay. yeah he's gay. her best friend. i wanna have straight sex. she wants to have straight sex? at the gay pride parade. that's not so gay is it? this doesn't sound that gay. just normal sex. she's at the gay pride parade. nothing too weird. it's very confusing this song. yeah. a regular hunk with a beard. i wish there was straight pride. come on. at the gay pride parade. it's like a right wing talking point. if you guys aren't gonna listen? no no no. i'm gonna stop playing it. alright we'll listen we'll listen. we're gonna listen. she's talking about being at the gay pride parade. if this is supposed to be her song where she's coming out like why does she talk so much about straight pride? you have such a limited view of gender. oh yeah. you sniveling fuck. listen to the next verse. the second verse is gayer. i - you guys are gonna like it. who produced this? i think it was jack antonoff. i dream about your sweat. it sounds really bad. dripping down your balls. a sparkling chandelier. does she like this? she's really good at allegory. inside your shorts. julia are you okay? it's an ALLEGORY for QUEER LOVE. the balls line? i'm lost without a compass when i can't smell your balls. jesus ew that's like digusting. your balls are like a compass to my nose. what is this? pause - pause this. julia. what the fuck is this. are you guys gonna talk the whole time? i dont get it! i dont get what you're trying to do with this! where is she jt in the song. ... she's at the gay pride parade. alright yeah let's listen to it. it's fucking gay this next part? okay you're gonna love this part. i hate all vaginas. aaaaalright. it's an allegory! it's not gay at all! this was written by a maniac! no it's gay. even the one i got. dudes go down on me then they wanna kiss. this seems really like gender essentialist and hateful. that's disgusting gay shit. she has internalized homophobia. i am heterosexual. how are we supposed to interpret that? you guys are fucking assholes. yeah you know what we are being a little bit negative. i agree. she's gay. uhhh. you know. maybe she just wasn't like that outward about it with this one song.julia? julia? julia? she's gay! i'm sorry! i'm sorry! i'll kill you!

[internet-rat]

Taking a bath together

Aemond Targaryen x Wife!Reader

No warnings - just fluff

I just want him to feel loved and happy, okay?? ;_: He is a sweetie pie even if he does a little killing sometimes.

The warm water of the bath enveloped you both, steam rising and curling in the quiet air of the chamber, scented with the subtle hint of lavender from the bath oils. The large, marble tub was a luxurious expanse, allowing comfortable space for the both of you, a private sanctum isolated from the rest of the world and its demands. You and your husband, Aemond, preferred bathing alone and without any servants to assist you.

Warm water sloshed about as you cleaned your his silky pale silver hair. With Aemond sitting between your legs, his head tilted back slightly to let you have access to his hair, his guard was lowered in a way few ever saw. The absence of his eyepatch revealed the vulnerable side of a man typically known for his strength and intimidating presence, highlighting a rare intimacy shared between you alone. He was always gentle and sweet towards you, so different from how he came off to the courts and the world.

As you lathered his hair with soap, your fingers massaged his scalp, the action caring and methodical. Your voice, a gentle murmur, broke the silence, carrying affection and genuine admiration. "Your hair is so lovely, my sweet..."

Aemond's muscles, which so often held tension and readiness for combat, relaxed under your touch. The prince, the warrior, the brooding Targaryen—those identities faded into the background as he simply became a man at peace, indulging in the rare luxury of being cared for. You wanted to do your utmost to make sure he felt loved and cared for, and it seemed like it was taking effect.

"Your touch is as soothing as the Maiden's song," he replied, his voice a low hum that vibrated against your skin. A soft sigh escaped him, a sound of utter contentment that filled the space between you with a resonance more articulate than words could ever be.

Your tone took on a playful edge, teasing him gently while simultaneously offering praise, a balance that spoke to the depth of your relationship. "My, how poetic you are~ What have you been reading?" you inquired, the smile audible in your voice, a gentle prod at his scholarly habits.

Aemond leaned back further into you, the warm water and your closeness lulling him into a state of tranquility he found nowhere else. "A collection of verses from old Valyria," he admitted, a hint of sheepishness in his voice, revealing that even a prince could have his indulgences. "There’s a beauty in the old words, a power and grace that I find... comforting."

His hand rose to meet yours, fingers intertwining as he held your hand against his chest, a silent expression of gratitude for your teasing, your care, and everything you did to make him feel loved and at ease. Your laughter and light-hearted queries were as much a part of his reprieve as the soothing waters that enveloped him.

Aemond rested back against you, the solid warmth of his body pressed into the softness of your form, an intimate juxtaposition of strength and tenderness. With careful affection, you bent forward to press a kiss to the sapphire that sat in place of his missing eye, a gesture of acceptance and reverence for all that he was, imperfections included.

"Very good, my prince... You read such varied books and texts. Poetry is just as valuable as history," you murmured into the steam-kissed air. "Your diligent reading shall temper your mind into that of a great ruler." Through your words, you offered not just praise but a recognition of his efforts to grow beyond the warrior the world often mistook him for.

He could feel the vibration of your voice against his back as you spoke, the underlying message clear: he was valued not only for his title and the power he wielded, but for the depth of his intellect and character. A soft, pleased little "hmm" noise escaped him, a sound that held within it both gratitude and a burgeoning sense of pride.

Aemond turned his head slightly, trying to catch a glimpse of your face from over his shoulder, his good eye searching for yours. "With you by my side, I have no doubt of what I might become," he said earnestly, his voice steady and sure as the pull of the tide. "You see in me the king I am yet to be, and for that vision, I am eternally grateful." He had a soft smile and a devoted look in his eye.

As Aemond’s gaze met yours, searching and sincere, you leaned in to close the distance between you, your lips meeting his in a gentle, loving kiss. It was a simple act, yet it spoke volumes—the touch of your mouth against his was a seal to the promise of your words, a silent reassurance of your faith in him.

The softness of the kiss, coupled with the intimacy of the moment, pulled a reaction from him that was both rare and endearing. His cheeks flushed with a rosy hue, the blush spreading across his fair skin. Even a man of Aemond Targaryen's stature, for all his fierce reputation, was not immune to the tender affections of the one he loved, especially not when delivered so unexpectedly and with such genuine emotion.

[assassincraft]

                                                      lyric starter call 【 @ardentsolis​ 】

                                                             ❝ totally fine ❞ by p.u.p

                    ❝ if i'm being real i don't even mind whether i'm at my worst or i'm totally fine. ❞

[marvelwinchester67]

I’m gonna need 5-10 business days to recover from the Hazbin Hotel season 1 finale.

Hazbin Hotel episode 7 and 8 spoilers (because I’m going feral) and my thoughts/unhinged feelings about it because no one else can understand quite like tumblr can

Read at your own risk

What. The. Fuck. Guys.

WHAT DOES IT MEAN?!

IT WAS NIFFTY WHO KILLED ADAM?!

AND SIR PENTIOUS?! ARE YOU KIDDING ME?! IM NOT OKAY BUT IM GLAD HE IS

Lucifer “now I’m gonna fuck you” Morningstar everyone (plz I love him so much)

So Carmilla knew who Vaggie really was and just, didn’t give a shit? Love her for that

I love Rosie. Her design, her personality, she’s amazing. She was so sweet to Charlie when she didn’t have to be and actually listened to her and encouraged her (points for the relationship advice)

So Alastor is on someone’s leash and he’s trying to wiggle his way out of it, the Vees are plotting (of course they are), and LUTE KNOWS LILITH?! THEY MADE SOME KIND OF DEAL?!

I’m so so curious about how Lute and Lilith know each other and why Lute would want her to deal with her daughter

But this implies that Adam had a previous deal with Lilith regarding something we don’t know yet, since Lute said she was in charge now that he was dead and that their deal pertained to her now

ALSO?! You’re telling me that’s what Adam looked like under his mask?! (I still loathe him but lowkey he was hot I’ll be honest right now)

Sir Pentious telling Cherri he loved her was so sweet

I soaked up every single scrap of Huskerdust I could within those last two episodes they own my soul and I’m so excited to see more of them in season 2

So it looks like Vox thinks Alastor is missing again which is why he’s plotting with the other Vees, but Alastor showed back up at the hotel during repairs so that might not last long

Alastor’s fight with Adam was so good holy shit omfg plz give me more of Alastor’s powers that shield was so cool and his verse in that final song gave me chills like, oh my god he was so mad and I’m here for it

And Lucifer showing up and telling Charlie she changed his heart and mind about the sinners? He is so precious plz protect this duck loving man at all costs

Charlie and Vaggie’s More Than Anything Reprise? Please I am sobbing they love each other so much it hurts

To top it all off- Alastor having beef with literally everyone will never not be funny. Fucking Susan? Are you kidding me. I was laughing so hard. Rosie seems like she deals with Susan a lot and Alastor calling her an Ornery Bitch was so fucking funny for no reason.

Everyone has beef with Susan now.

There is so much I have to say about this show and I could literally talk about it for years but for now I will be repeatedly listening to the soundtrack and impatiently waiting for season 2 because I no longer have the will to live after I sobbed on my bedroom floor over this show. VIVIENNE I AM IN YOUR WALLS-

[ryescapades]

omg hai...... can i please request a loserumi (narumi) of him religiously admiring an idol!reader.. like he'd almost always show up to all her concerts and fan meetings to the point where his followers would always upload posts of him getting seen fanboying in public 😭😭😭😭😭😭😭

— narumi gen, japan's strongest anti-kaiju combatant biggest fanboy ever.

characters: narumi gen (kaiju no.8) x idol fem!reader genre/warning: kinda headcanon format, none i think a/n: this is such a new concept to me so it took me a while to come up with something. thank you for the req anon! hopefully you don't mind me using kpop as the ref since i'm more versed in that compared to irl jp idols TT

pt.2

loser!narumi who undoubtedly has a stan account of you, his favourite artist across all social medias where he posts fancams, edits, merchs, etc.

loser!narumi who probably has a lot of customized/official jerseys with your name and birthday number printed on them. even sets his lockscreen with a picture of him wearing it or something.

loser!narumi who listens to your songs religiously and learns almost all of your choreographies. he's girlypop like that.

loser!narumi who has a 'y/n shrine' at home where he puts all of your albums, photocards, posters and prints that he got (also most likely he has a flag of your face on japan's logo hung in his bedroom. if you know that kpop idol on american flags, then you'd know what i mean).

loser!narumi who's your biggest defender and truther, he's never letting a hater of yours even breathe peacefully they gotta sleep with one eye open every night (he fights with them on twt and insta on a daily basis).

loser!narumi who definitely trash-talks Dispatch whenever you accidentally/mistakenly end up in a dating allegation.

loser!narumi who takes impromptu day offs from his captain duties in order to attend every single one of your concerts/fansign/cupsleeve events, especially when you're doing a tour in japan. he's in disguise, of course (japan would definitely riot if they see their cherished protector so much as mundanely breathe the outside air).

loser!narumi who still gets noticed by your other fans during said events. not like he tries that hard to hide himself anyway. not when he's loudly cheering along the fanchants during concerts, your lightstick held in his hand and he's screaming your name at the top of his lungs like his life depends on it (it does, he thinks).

loser!narumi who still pathetically denies the pictures of him posted on social media, saying he had a doppleganger or some shit (boy you ain't slick wtf that's clearly your ass squealing and dancing there).

loser!narumi who goes absolutely batshit crazy when you make eye contact with him or look directly at his camera when he's filming you or hold his hands and talk to him so sweetly during fansign events.

loser!narumi who giggles to himself, rolling around in bed, kicking his feet and shit whenever you reply to his comment during your live stream.

loser!narumi who always brings along a photocard of yours everywhere he goes, even during missions. "that one's for you, y/n!!!" *proceeds to kiss your photocard repeatedly* —narumi after killing a kaiju, probably.

loser!narumi who's a teensy bit delulu thinking one day he might be the one to have you, his dearest idol whom he loves so much <3

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[sirfrogsworth]

Froggie's Guide to Budget Headphones

@nimrella I am more well versed in traditional audio and home theater with big honking speakers, so I don't have much personal experience with headphones and headphone accessories. But I can tell you what I've learned from other people who are in the headphone world. And since you are starting more within the "budget" range I think I am somewhat qualified to guide you at this level.

You have three paths to choose from...

Wireless, low impedance wired (no amplification required), and high impedance wired (amplification required).

Basically... easy, medium, and hard.

But also... good, better, best.

Wireless Headphones

Wireless headphones have come a long way. Audiophiles used to scoff at them but now there are options that really do sound fantastic and the Bluetooth data rates are good enough to deliver high resolution audio. They also have noise cancellation options which may be desirable. If you do not have a quiet, dedicated space for listening to music you might find high end noise cancellation a godsend. People love them especially for planes, trains, and automobiles.

I don't know if everyone knows how noise cancellation works or not, but basically the headphones have microphones that listen to the world around you. They measure the incoming sound and then generate an opposite sound that just about kills ambient noise. If you play the same sound 180 degrees out of phase it basically nullifies those sound waves. The tech works best between 50 Hz and 1000 Hz. For reference we hear between 20 Hz and 20,000 Hz (lower if you are old). So anything super high or super low pitched can still get through.

In any case, if that sounds appealing, wireless headphones should be a consideration.

The other advantage of wireless headphones would be the ease of use. They pair to your phone, your laptop, your TV. They have controls to help you pause and skip songs and change volume. Some allow you to take phone calls.

But the big downside is the sound quality takes a bit of a hit. As I said, the bluetooth standards have actually gotten very very good. (Though there are audiophiles who will swear it still sounds like a 1990s MP3.) So streaming the actual media files are not really an issue. But trying to cram all of that tech into lightweight headphones you can wear around town all day requires compromises and added expense. Not to mention the battery has a limited lifespan. You may have more limited or inconsistent frequency response, poor dynamic range, distortion problems, weak output, and a high noise floor. Wireless options still can't match wired headphone systems in the same price range. And the wireless options that come close are quite spendy.

Wireless Headphones Suggestions

In your price range the two wireless options that I hear mentioned over and over again are the Sony WH-1000 series and the Bose QuietComfort. They are both well regarded for having a good mix of sound quality and noise cancellation while also being a decent value. You might be able to visit a Best Buy and demo them to see if you prefer the sound and comfort of one over the other.

The Apple AirPods Max are said to work really well within the Apple ecosystem. They have some interesting spatial sound modes and very good audio quality. I've heard the noise cancellation is some of the best currently available. But they seem too expensive and a lot of people feel they are too heavy. I also suspect they are due for an update. That said, if you wait for the new ones to come out and buy used, they could come into your price range. I'd really only suggest these if you have multiple Apple products that you will be streaming sound from.

Before we move into wired headphones, let's go over some terms that you might see pop up when doing research and reading reviews.

Froggie's Glossary of Audiophile Terminology

Driver A speaker is made up of drivers. Some speakers have a woofer, a midrange, and a tweeter. Each individual thing is a driver. And with headphones you will often hear "headphone driver" instead of speaker because it is more specific. Headphones typically have an all-in-one driver that does all frequencies. A woofymidteet.

That's not a thing.

I made that up.

Frequency Response This is the range of frequencies produced by the drivers from low to high. You want to make sure your headphones have good, deep bass. That will make more of a difference than anything else. It's the foundation of all sound and what is sorely lacking in devices with small/cheap speakers.

Music typically doesn't go much below 40 Hz in the bass range. So if you are only interested in music listening, that is plenty deep. Movies can go down to 20 Hz, but this isn't necessary for a good immersive experience unless you have giant subwoofers. So if you find something that can play ~40 Hz with decent output, you should be all good. Every speaker has a frequency response curve. It looks something like this.

The X-axis represents the frequency and the Y-axis represents the volume in decibels. We are most concerned with the 40 to 10K Hz section, as most sound happens there.

I'm not going to go super in-depth and overwhelm everyone, but typically you want this graph to look fairly flat in that range. A flat-ish line will give you a "neutral" response.

The above graph gets a little bumpy in the high frequencies. That means those frequencies will have a higher volume than the lower frequencies. If a higher frequency has a big peak, that could make your sound seem too bright or tinny.

Or you could have the opposite problem. You could have a null in the bass where the output dips below everything else. This can make your sound a bit anemic and lacking punch.

Whereas a more flat speaker will output all frequencies at about the same volume and sound much more balanced and smooth.

Equalization or EQ A flat response is good because it will accept EQ well. Equalization is where you add peaks and dips in volume deliberately to taste.

This can be as simple as 3 knobs.

Or it can be a more complicated parametric EQ.

A lot of digital EQ methods have presets to help get you started. I promise it isn't as intimidating as it looks.

Some people like to buy speakers/headphones that are EQ'd how they prefer out of the box. (Or if you get Beats by Dre they just turn the bass all the way up and say "Fuck them other frequencies!") But this is often a bit of a crapshoot because it is hard to EQ a speaker that sounds good in every room or every environment or just to varying individual preferences.

By making the speaker more neutral, it can be much easier to equalize specifically to your needs and enjoyment.

So if you like the bass a little bassier and the mids a little quieter, you have the power to dial that in with great specificity on a neutral speaker. You can apply any EQ you wish and you won't be fighting the speaker's predetermined response.

Basically if you are reading reviews and the headphones are described as "flat" or "neutral" that's a good thing (in my opinion). Just remember nothing is going to be perfectly flat. We're shooting for flat-ish.

If you do decide to get a neutral sounding pair of headphones you may find them a little bland out of the box. Do not panic. You just need to learn a bit about how to apply EQ, but thankfully YouTube is plentiful with tutorials.

The Harman Curve was researched to be most liked by the most people, so you might start there. (Also, SoundSource is a very popular EQ app for Mac.)

Dynamic Range This is the spectrum of how quiet to loud something can get. If you have speakers that can render both a pin drop and a big explosion with great fidelity and proper intensity, you will be in audio heaven. There is so much emotion and drama that can be expressed by expansive dynamic range and most cheap speakers compress it to an inch of its life. When the soft and the loud sounds are the same you miss out on so much audio information intended by the composer.

Distortion This is just how loud a speaker can go without breaking up. Low distortion is good. While every driver distorts at some point, usually that is at a much higher volume than you will use. This typically only plagues cheap, tiny drivers.

Sound Pressure Level (SPL) This is a measurement of how loud a speaker can get. While you don't want to listen to anything louder than a sustained average decibel level of 80 to 85, you do want peaks over 100, especially in the bass. Bass is less damaging to ears and hearing damage is all about sustained volume rather than quick peaks here and there. Most headphones can comfortably do an SPL between 90 and 110 dB. The ability to go louder is good, but only because that expands headroom, not because you should actually listen to them that loud. So if the headphones can get super loud, that means they will have a much easier time delivering normal levels.

Noise Floor Every sound system has background noise. You know that static you hear when you turn a radio up really loud when there is no sound playing? That is your noise floor. You want that to be as quiet as possible because if you turn up the volume, you don't just turn up the volume of the sounds you want to hear, you also turn up the volume of that background noise.

If you can find a headphone system with a decent low noise floor and you can also find a very quiet space to listen in, you could have a religious experience. I don't think people realize how much the room you are in matters, even when listening to headphones. When you are in a quiet room, you can play at lower volumes. And that can mitigate a lot of the problems associated with cranking the volume. You won't damage your ears for one thing. But the speakers won't have to work as hard so you'll have less distortion and better clarity.

Noise mostly comes from the amplifier, which I will talk about later on.

Froggie Pro Tip: If you want cheap speakers to perform better, go to a quiet room and move them as close as possible. This allows you to play them at a lower output while maintaining your desired perceived volume.

Okay, now we can finally talk about...

Wired Headphones

You have open back and closed back styles.

Open back tends to have a more natural sound and feels more comfortable. Like listening to regular speakers. People generally feel they are able to listen to them longer because they don't create a seal and cause pressure on your ear drum. However, if sound can get out, it can also get in. So with open back headphones people nearby will be able to hear what you are listening to. And if you are not in a quiet room, all of that sound will leak in. Meaning you have to increase the volume and the noise floor and the distortion.

Closed back seals off your ears and gives you a quiet and immersive experience. You can be in a noisier room without having to crank the volume as much. Some prefer this style just because it helps them feel like they are going into their own personal dimension of sound. These are great for ASMR too. But ear fatigue can become an issue and you may need to take little breaks to let your ears breathe and your ear drums rest.

And the last thing we need to discuss is impedance.

The impedance of headphones mostly determines how hard they are to amplify. Impedance is measured in ohms which is this little horseshoe symbol... Ω.

Lower ohms means less electrical resistance and easier to amplify.

Higher ohms means more electrical resistance and difficult to amplify.

If you get headphones rated below 100 ohms, they can typically be driven by smartphones and laptops just by plugging into a standard headphone jack. Though depending on the device, 100 may sound a little quiet so you may want to go lower. 30 ohms is fairly typical if you plan to drive your headphones with everyday electronics.

Above 100 ohms you are going to need some sort of amplification—usually a DAC with a headphone amplifier. (There are DACs without amplification so be sure to check that.)

A DAC, or digital-to-analog converter, is already built into your phone and laptop. But those are very small, don't have a lot of power, and might have a higher noise floor due to interference from other components and heat and just a lot of electrical signals nearby.

By getting an external DAC w/amplifier you separate out the components, make them larger and more powerful, and typically improve the sound quality. Because it is more isolated, the amplification can be much quieter despite being more powerful.

If you plan to stay in a static location and you have high impedance headphones, you can get a little box DAC that sits on your desk. It works like an external sound card for your computer. If you record music or stream, a digital audio interface works great as well (remember to check the Ω).

But if you need to be more mobile with your headphones you can get a little USB dongle DAC, though you will probably not get the same sound quality and power.

Both will be superior to the internal DAC built into your computing devices.

So, low impedance headphones are easier if you need to move around.

High impedance headphones are better for staying put in a single location unless you get a dongle DAC.

Just remember, high and low impedance doesn't necessarily indicate quality. It's just that in order to drive high impedance headphones you need the larger amplifier with the nicer components and, by necessity, you automatically get that quality bump.

You can get very good low impedance headphones. However, if you power them *only* with a smartphone, you may not use them to their full potential. Which is why getting an external DAC is a good idea regardless.

But the nice thing about low impedance is you can get the headphones and still use them until you save up for the DAC. Or you can use them as normal while out and about and have a special listening spot at home with the DAC.

To review...

Low impedance and high impedance can both be high quality.

Low impedance (less than 100 ohms) works with anything.

High impedance (more than 100 ohms) requires amplification.

Both will be used to their full potential with a DAC/headphone amplifier of some kind.

Wired Headphones Suggestions

Again, I have not personally listened to any of these. I am just relaying what experts I trust have mentioned as being nice quality in your price range.

The beyerdynamic DT 770 headphones are some of the most well-regarded budget headphones I've heard of. They come in low and high impedance versions.

The Sennheiser HD 560 high impedance headphones are also praised for their value and performance.

If you can go a little pricier...

The HIFIMAN Sundara headphones have low impedance and can be driven easily by all your devices.

And the HIFIMAN Edition XS are even lower impedance and about the same price.

And if you want to try a DAC, I've heard good things about both Fosi and Schiit (yes, like the poopies), though there are many different brands. Just make sure the DAC has a headphone amplifier rated for the ohms you need.

The FOSI K5 Pro is a cheap "beginner" DAC that will power anything up to 300 ohms. This is the kind that sits on your desk.

And if you want a more portable dongle DAC, you can get something like the iFi Go Link.

I've also heard good things about the AudioQuest Dragonfly, though I hate recommending AudioQuest products due to them claiming they can do magical things. They use scientific gobbledygook to scam customers most of the time. That said, the DragonFly might be their only valid product.

Note from Future Froggie: AudioQuest just can't help themselves. While the Dragonfly itself is a good product and not a scam, they developed the "DragonTail", which is a scam.

It's just a USB A to C Adapter for the Dragonfly. But they have to find a way to justify 30 fucking dollars so they came up with this bullshit.

Definitely need to stabilize my geometry. If I have unstable geometry that could lead to quixotic trigonometry. And we all know that could introduce vertices into dodecahedrons. Which leads straight to accelerated cosmotic entropy catalyzing the heat death of the universe.

Fucking AudioQuest.

ANYWAY...

An inexpensive DAC may be all you ever need but DACs can get crazy expensive—just like headphones. And if you are really fancy you can get a DAC and a headphone amplifier as separate items. Audiophiles claim when you simplify components to a singular function you increase quality. While I think there is some small truth to that, I suspect they just think the tubes look neat.

Froggie's Disclaimer: I am not telling you to get these specific things, but I do think you'll probably be happy with anything I've suggested. But sound is a subjective experience and it is always best to test things out before you buy them, if possible. Or make sure there is a return policy. You might see if there is a brick-and-mortar store nearby that allows you to demo headphones. Remember that comfort can be just as crucial as sound quality for long listening sessions.

Final Thoughts

Good sound has been life changing for me. And I am excited when anyone goes down this journey. While the stuff mentioned is considered "budget" by audiophiles, this can give you a good starting point if you want to upgrade down the road. You'll get to know your preferences and get a better understanding of how this all works and choose your own adventure from there.

Though it is very possible you'll be quite content with "budget" and the sound quality is more than enough.

Personally, while I am very happy with my current home theater setup, I am hopeful one day I can upgrade one budget tier above where I currently am and that will be my endgame. I've heard $10,000 speakers and it is mostly a land of diminishing returns once you reach that level.

I'm fine in "budget" land.

Further Research

I didn't mention the different types of headphone drivers because I didn't want to put too much data in everyone's head. But if you want to do additional research you can learn about the 4 main types... dynamic, planar magnetic, electrostatic, and balanced armature.

[s3thwrit3sstuff]

*pulls the 45 cents I have to my name out of my pocket and drops them on your table*

I can't believe my name will be forever attached to this but one (1) Kenjaku solo session with Heianera!YN portrait, please

❝ life and death will always lead to love and regret (but you have the answers, and I have the key) ❞

Kenjaku x Heain Era!ftm!reader [one-sided] | Heian Era!ftm!reader x Sukuna Ryomen | r! is a curse-user & sukuna ryomen's concubine, NSFW | sub. bottom. reader (AFAB) | NOT PROOFREAD | wc: 4.1K

warnings: creepy/stalker behaviour, Kenjaku is a 'passive'-yandere (in the sense that Sukuna would and will kill him if he tried anything), manipulative behaviour, gore (detailed), Kenjaku jerking off in front of a portrait of r!, very unrequited

authors note: don't be ashamed, Gabriel. I got way too excited writing this and I think that speaks volumes on how I need to get checked, LMAO. On another note - yes, my YN's will always have a harem of men in the JJK-verse because that's what YN (and you, my dear reader) deserve!

I wrote this partially on my phone so bear with me guys...

*song on repeat: Bernadette by IAMX & Rule #34 by Fish in a Birdcage. * YN is described as having long hair because of the heian beauty standard (hair colour and texture not mentioned).

People often compared the years they lived as sand. The hourglass holding it is comparable to the human body. He often thought that metaphor was weak. People — humans — were not hourglasses and their years were not sand. No, no. That’s far too neat for humans.

Humans are messy. They are loud, and chaotic, they defy nature's rules and destroy her for the sake of progress. They had no balance, their compass broke when the synapses in their brains sparked conscious thought.

In that chaos, humans made curses. Or, well, you could argue it who came first but without humans and their silly consciousness — cursed spirits wouldn’t thrive.

People are flesh left under the sun. With their blood drying out, flies and maggots eagerly feast on what they can while the meat greys and rots. That’s a much more appropriate metaphor for a human life. If anything, the hourglass comparison should be used for himself. Constantly turning it over to keep going; uncaring of what kept the sands in confinement so long as it could continue its path.

Down, almost empty, flip, repeat.

Kenjaku had perfected his cursed techniques. He had earned this, he had earned his right to let his curiosities run rampant. He had earned the right to be in the presence of Sukuna Ryomen and you.

“Yuuji, you still owe me for eating my yoghurt from the fridge. It was expensive and it took so long for me to find it!” Nobara huffed. “You might as well just buy some for yourself. I’m labelling my food now.”

Megumi glanced over his shoulder at the lack of reply from the pink-haired boy. Nobara stopping next to him with her brows furrowed, sighing as she looks around for him.

“...I was just talking to myself? Seriously?” she grumbled. Megumi adjusts his grip on the bags. The grocery trips were a good team-building exercise according to Yuuji, a way to get to know each other better. Megumi and Nobara agreed after a particularly harsh mission that aimed directly at their novice team fighting experience.

So far, the results that were yielded from it were found that Nobara had an aversion to pineapples, Megumi had expensive tastes, and Yuuji was very good at budgeting money.

“No, he was right beside you a few minutes ago,” Megumi reached for his phone. Nobara placed her hands on her hips, tilting her head as she continued to scan the crowd.

A gaggle of businessmen came out from the underground train station and between the crowd of slicked-back hair, desperate combovers, and sweaty bald heads, she spotted him.

Tugging on Megumi’s sleeve, she pointed to him. Yuuji was standing and staring up at some sort of vertical banner. As they both approached, they shared a glance.

“Oi, Itadori,” Nobara placed a hand on his shoulder. Smacked it really. He didn’t budge. There was a dullness to his eyes that unnerved her enough to remove her hand. Megumi tightened his grip on his phone as he called out to him again. She took a look at the banner and her brows furrowed.

It was promoting an opening of someone’s private gallery. Some rich kid’s great-great-grandfather’s collection. The painting they used was of a true beauty. A man with long hair, dressed in the finest robes with a serene barely-there smile. It looked to be more European in nature, the art reminding her of the portraits of giant frilly dresses and puffy shoulder sleeves despite the obviously Japanese clothing, accessory, and manner in which the subject was regaled in the painting.

The banner must have costed a pretty penny considering how much detail they could see. Megumi could practically feel the raised textures the artist had used to mimic the pattern of the traditional robe the man wore. The flow of his hair, the texture and pattern it had; and his lashes were surely not that long in reality.

Megumi tore his gaze to Yuuji.

It was like he was in a trance. His mouth was slightly ajar, his brows furrowed and his hands shaking as his knuckles turned white.

“Itadori?”

Yuuji had long forgotten this. This ache in his chest that he sometimes woke up with. When he reaches for the empty space next to him and finds no one. Those moments in the basement when he watches a historical movie and his chest tightens as the nobles courted one another.

“Do you know the painter or something?” Nobara asks.

No, he wants to say. Not the painter. If he knew who it was that did this portrait, he’d tear their heads off their body. But the man? He knew him.

That hellish grin, that perfect face and most importantly those nightmarish eyes.

You’ve seen dolls, right? Those porcelain ones specifically. The craftsmen who make them, the expensive ones with real human hair. To be left on shelves instead of being played with. They would draw these white dots on the eyes, varnish them even, so their eyes would reflect back. A mimicry of humans, that’s what dolls are. But even then, their eyes still twinkled. Not this man. No. It was devoid of light. Pools of (eye colour) and nothing more. These eyes would swallow up any trace of light and diminish the stars from the sky with just a glance.

Yuuji knew him. His soul knew him. His hand clutches over his heart and his friends watch this with trepidation.

It’s been 2,000 years. Sukuna was no longer human and therefore his memory was not as fickle. He still remembers those moments before dawn; the sight of your bare torso breathing softly as you rested next to him. The sun filtering through the windows and making you appear even more ethereal and deadly. How your brows would pinch seconds before you woke. Those soulless eyes that shot through his very soul.

Sukuna could recognize you even if he was blind. He’d be able to hear you just by feeling your chest rumble. If he had to eat one thing for the rest of his life, your body and flesh would sustain him.

In his Malovent Shrine, whilst he sat on his throne, he’d summon his flames in his palm. There he’d watch as your figure danced across his hand. You’d twirl between his digits, a smile across your face as he watches the imitation of you.

It used to be enough. Lately, the action brings him more contempt then fondness. The flames never quite catch your shape anymore. Constantly shifting. That coyness is gone, mini-you petulantly staying hidden behind his fingers. So he snuffs you out in his fists.

He hates you for making him miss you. A King should not be missing anyone or anything. Yet, as his vessel stands here, Sukuna teeters on the edge of breaking the Unbreakable Vow he’d made with the brat just to gaze upon you.

The painter got your resemblance and it was agony for him.

How could he continue to be without you when he’s seen you again? Days ago, he wanted to kill you for making him delirious and now he wants you back in his arms.

“Itadori.” Megumi’s tone is firmer. Nobara smacks his shoulder again and Yuuji jolts forward, nearly falling until his rigid legs quickly come back to life.

“Huh?”

“Are you alright?” Megumi asks, his thumb hovering over the DIAL button of Gojo Satoru’s number. Yuuji glances at his wrinkled shirt and releases it, confusion painted across his face at the fading pain across his chest.

“I...yeah, yeah. I'm okay. I have no idea what that was....”

Rich bodies made life significantly easier.

What was that saying humans used?

Money can’t buy happiness?

Kenjaku chuckles at the thought. Foolish and vain — typical of humans. Clinging onto whatever they can to convince their egos they’re better than most when they’ll all meet the same fate. Kenjaku forgets the exact point where he stopped seeing himself as one of them, but he’s sure anyone would if you’ve lived as long as him. Apathy. Most call it a disease of selfishness. Kenjaku simply thinks they’re lying to themselves.

“Mr Geto?” the gallery was a lucrative endeavour. A piece in his grand scheme that required little effort but great rewards. More personal gain on his end.

“Mr Hajimoto mentioned you specifically in his will. The private room is all yours. Thank you so much for your donation to this fine institution of arts.” Kenjaku offers the man a polite smile and nod. The awkward silence prompts them to open the large doors and Kenjaku is greeted by you.

(Y/N) (L/N). In all your glory. In his favourite colours and his favourite kanza. The bespoke lighting on your portrait makes his hands fall limply to his side. You were a brushstroke away from taking a breath. The colours used to recreate that undertone your skin had, the delicate curves of your lashes and the plumpness of your lip.

The two guards in the corner of the room are a nuisance. But with a simple twirl of his right hand, the Slit-Mouthed Woman makes quick work of them. This curse technique was truly convenient, the mess she made cleaned up by a different curse who laps at the blood with vigor. The noises are all muffled as he admires those vicious eyes.

Just saying your name makes warmth travel down between his legs.

“I’ve almost forgotten how you look like.”

Silence ticks by for a minute.

Then Kenjaku bursts into laughter. Clutching his stomach and covering his mouth as he does. He can still smell your blood. Even if Suguru’s body had never had the pleasure of touching you — Kenjaku remembers it.

The way it flowed out of you like silk ribbons. Warm and wet and virile.

“You are an unusual sorcerer,” those were the first words you said to him. He knows you meant that in a derisive fashion — the curl of your nose was a clear indicator. But that was the day a feverish need was planted inside of his very soul.

You. You. You.

The shape of your face.

The cadence of your voice.

The way the wind carried your scent to his nose.

The sound of your cat-like foot-steps.

The effortless way you carried yourself despite the heavy robes that a revered concubine of your rank would wear, along with the golden hair accessories that would probably break a lesser man's neck.

It didn't stop there either.

Your brain, the wickedness that ran through your very veins and that fire that burns within you. Kenjaku wanted to be inside of you in every he could fathom. To sit within that perfectly shaped skull, to thread his fingers between the locks of your hair and take a scalpel to that skin he so craves to taste. Or perhaps inside in the traditional sense, between your legs, embraced by your warm insides and your deadly arms.

Kenjaku ponders on the time he has. He decides that he should indulge in you. He undoes the robes this body wore and sighs as it reveals the torso. Bodies were all the same but he does appreciate the care Geto Suguru took into his temple — there was no need for shame when he's already desecrated this corpse so viscerally already. His hands travel down his torso and that pronounce v-line and past the patch of wiry pubic hair.

You make him feel young again. Reckless and stubborn. Your eyes watch him as he leisurely spits into his palm and strokes it over the tip.

Evil is such a lame word. So primitive in its nature, another one of human's attempts at letting go of responsibility. If something or someone were evil, they were inherently irredeemable. Humans used to call snakes evil simply for doing what a snake would do when hungry, instead of realising they shouldn't have left the door to their huts opened and their sleeping brat asleep.

Was something evil when it simply did what it was meant to do?

They were simply following natures course.

This act Kenjaku is doing now, is not perverted or evil, he is simply being. Simply living, existing, relishing.

If anything, you were the undoing. The evil. You've made, and continue to make, him lose crave and hunger. You were so cruel, so ethereal — so evil.

Kenjaku groaned your name, walking backwards and dropping onto the low seat the gallery provided. His legs spread and he hung his head down but his eyes remained affixed to your painting.

"He sounds beautiful, Mr Hajimoto," the blonde painter had told him once or twice or thrice. Young but talented, the way he used his brushes on canvas was so impressive and Kenjaku missed you so much (Y/N). He simply had to spread the wickedness of your beauty, immortalize it forever within canvases and lesser non-sorcerers minds.

"Did you know him?" his accent was clunky, the Japanese language tumbling on its delicate legs following the rhythm of the painters voice. Still, he — Mr Hajimoto, Kenjaku — gave him a gentle grin.

"Very well. He was my lover."

The small notebook the painter had written your features down in, it was displayed in this very room as well. In a glass casing, handled with gloves to ensure pesky skin oils wouldn't deteriorate his inked strokes.

Speaking of strokes, Kenjaku's was beginning to pick up it's pace. His smile now looser, like an animal that caught the scent of blood, his tongue curled over his teeth as he imagined the disgust on your face. You'd probably cover your nose with the sleeve of your robe and the thought makes his cock jump; you were wearing his favourite colours and it made him moan.

The notebook was filled with sketches of you. Kenjaku recalls correcting the human, correcting him when he disrupted the harmony of your anatomy. You were the humans muse for years, (Y/N). Even as he neared his death bed, the blonde artist kept drawing you. Sketches lose, your shape less tangible, but hauntingly beautiful. Like your dark flames flowing in the wind. Even as his memories of his life escapes him, the artist remembered you. What a blessing. Kenjaku had visited him before he died and whispered your name into the old man's ear.

Sorcerer Society keeps your name hidden. It's their way of control. Making Sukuna Ryomen more monstrous by telling others he ruled coldly and cruelly alone; death was not as harsh as being erased. They say Sukuna needed 20 of his fingers and his mummified heart to be revived. That's what those poems talked about after all.

A misunderstanding.

The heart was Sukuna's, yes.

But it wouldn't revive him.

"You were so angry," he chuckled out, "so defiant even when I was inside of you."

The sky was blood red, the black smoke making the colour more saturated as it seemed intent on blotting out the sun. Uraume had felt a sudden chill, you did too, and they swiftly rose as the scent of deceit was so thick in the air.

“Uraume,” your voice remained nonchalant. But there was a tenseness in your throat that even they could decipher through the layers of regality. They turned, mouth pressed into a thin line as they went on their knees.

You continued to stare, impassively looking down at the patterned swirl of their snow-white hair. The red and black sky turning the colour of your eyes a pleasantly mournful shade; the golden kanza in your hair that your Lord Sukuna himself had commissioned for you glimmered righteously. The teeth of a beast, the curling of centipede legs, and the melded wings of a raven. It was beautiful just as much as it was unusual.

“You leave your Lord’s prized possession to fend for himself?”

Uraume lips reveal a modest amount of teeth. Their face like a porcelain doll as they raise their head. It makes your heart flutter and squeeze.

“You are stronger than these worms, they wouldn’t dare attack you.”

This is true. A fact. You were strong. 100 sorcerers or 1, 000 sorcerers — it made no difference to you. They’d turn into dust and wither right before you. But it shocks Uraume when you place your palm against their jaw, thumb stroking over their cheekbone as you gaze down at them.

“How horrid it is, making me defend myself.”

They see your eyes soften. It was no wonder you were Lord Sukuna’s concubine. Just being touched by you, looked down upon by you; it makes their spine melt.

“I should have your head for your insolence.”

Uraume apologizes, lips stilling when your thumb presses down on them.

“Return to me. Whole. My Lord Husband and I will not be pleased if you do not. We don’t want weaklings to stand behind us.”

Uraume bows, their lips kissing your knuckles as they do before they raise and disappear from your sight. The screams of terror that are heard outside at the sight of them make you slip your eyes close.

Kenjaku appeared before you what felt like hours later. He looks at the scene with a raise of his brow. Your feet were soaked in blood as bodies were strewn across the wide room. The floor was shimmering, looking as though it was breathing as it creaked from his weight. The clothes the bodies wore painted a clear enough picture — they were your servants. Loyalties were swayed as the fight prolonged. These little ants thought they could save themselves from punishment if they showed these righteous sorcerers your head.

He couldn’t smell smoke and there were no signs of charring. The bodies were mangled beyond belief, guts spilling out, eyes gouged, arms bent unnaturally.

Yet, in the gore and horror, you stood across from him with only your feet stained by traitorous blood.

You were a vision. Delicately wiping away blood from the tiger claw kanza with the sleeve of a dead servant. Then, he watches as you carefully put it back in place atop your hair.

“Kenjaku.”

He bows his head, bending at his waist, then lifts himself up again.

“The Kamo clan, your clan, joined this rebellion. I feel that should be a good enough reason to kill you.” The fire in your eyes makes his heart race. He moves forward, casually stepping over a torn torso.

“That would be unwise,” he gives you a grin. This body of his is new. The stitches are still fresh and red. Most likely a desperate attempt of his to hide away while they destroyed his old body. The corpse is younger, and more plain-looking. Despite it’s Curse Technique being a mystery, you’ll take your chances at strangling him.

“I’ve come at the behest of your Lord Husband. To ensure your longevity.”

Your brows pinch. Kenjaku delights at the creases it creates, tucking away this sight into his memories for lonely nights. Then, you scowl.

“You lie.”

His giddiness is palpable. The wide grin on the corpse’s face is clearly not his own; cheeks lifted too high and smile too large and unnatural. Kenjaku must’ve been a truly ugly man with a truly ugly grin. The body struggles to adjust to this display of amusement.

“I’m not.”

He takes a step forward and you lift your hand. The standstill would’ve lasted longer if it weren’t for the yells and thunderous footsteps clambering up to your room.

“You lie!”

Dark flames roared out from the windows. The heat so smoldering it causes a burst of hot air to knock back the men on the stairs, burning their skin and face. The blood on the floor boils, the iron scent now more acidic as the once fleshy bodies now crumble into dust.

You feel his breathe against the nape of your neck. As you turn, he wrings his arms around you like a snake. One across your stomach, the other around your shoulder. That horrible smile is pressed against your skin.

“Kenjaku,” you growl through gritted teeth.

“That’s right. Say my name.”

Fighting feels a lot like sex.

Kenjaku can feel your passion behind every strike, the bruises you leave behind on his skin are akin to hickeys. When you yell out and scream, cheeks so hot he can feel the rush of blood to your face just from looking — the rapid pulse you have and the way your face is contorted.

Kenjaku pins you down. Your legs are thrown over his own while you gnash your teeth at him and spit insults his way. Your hair was so beautiful, thrown back around your head like a lion’s mane. He slides your wrists above your head and holds them with one hand while the other undoes the meticulous array of folds your kimono had.

Sweat drips down his nose. It’s all your fault. Using your Curse Technique in this room, charring the wood and setting it all aflame. Still, he could work in this conditions.

“Ah,” he moans at the sight of your bare skin. Watching the rise and fall of your chest, licking his lips as he places a hand over your heart.

When you kick at his stomach, he acts like he cannot feel it. When you kick again, this time hard enough for a loud crack to be heard, he looks at you.

“If you kill me, you will break the Binding Vow you and Ryomen had made with me.”

He feels your feet dig into his rib, the spiderwebs of cracks spreading further. He allows this with a pleased hum. Your ragged breathing all at once calms and with a blink, your eyes lose that unbridled fury.

“You dare say my Lord’s name so casually?”

Kenjaku laughs. As he leans down, he presses his forehead to yours. Your nose curls in disgust but you keep your lips pursed. The feeling of his sweat sliding down the sides of your forehead and dipping to travel the side of your nose; threatening to get into your eyes as it slips just beneath it.

“Forgive me, venerable concubine.” Kenjaku does not mean this. When he presses his fingers together and imbues his hand with Curse Energy. He enjoys it.

Slicing through your skin at a pace that made the cut more ghastly then it would be if it was done quickly. You remained stone-faced while Kenjaku chewed on his lower lip, every twitch or squint just fueling his hunger.

He is past your skin and now he sees the yellow, when he twists his wrist you grunt as he slices through the threads of muscles. He spreads his fingers and your teeth part as you let out a strained yell.

"You can be louder if you want," his lips brush against your cheek every time he speaks.

"When I return, I'll take pleasure in ripping your head off your body."

"Threatening me?"

He reaches bone. His finger scratching against it before he peels away and settles between your legs. Your hands aren't pinned but you do nothing but curl your fingers into fists as he shoves another hand into your chest. The squelching and pulsing of your flesh, the bursts of blood from your throbbing veins and pumping heart. The wetness and warmth of your insides. He can feel your body clenching around him, and he convinces himself its because you truly enjoy this depravity just as he does.

The size of his hands in your chest is unbearably uncomfortable. Invading you, filling you when you want nothing more than to burn him, as he moves his digits and wrists within you.

He grasps onto your bones and breaks it under the pressure of his wrist. Your blood is spraying him, staining his clothes.

"Your blood looks like ribbons," he whispers to you, "even your insides are like works of art."

You want this to be over with already.

Your arms move down, eyes still set in a glare. You slip your fingers under the soaked clothing and spread it apart further to reveal more of your skin. Shimmying your shoulders so your torso is now bare of any clothing.

The tent between his legs pressed into your crotch. It's hard to ignore, but you push through and grasp onto his elbow and force him to go in deeper.

"Promising you."

Kenjaku's elbow straightens sharply and he moans as he feels your heart beating in his palm. He pulls it out of your body, panting as your eyes slip close and your heart slows. Beating slowly...slowly...slowly...

Kenjaku moans at the memory of your heart in his hands. Your warm blood coating his skin, drying under his nails and crackling in the creases of his joints.

"I wanted to keep you on me forever," he grunts out as his pace gets faster. "The smell of you, of your flesh."

"I didn't need your body, but it was too beautiful not to be admired."

Kenjaku throws his head back, placing his palm across his nose and lips as he sifts through his memories so he can conjure it all over again.

The painting watches on impassively. The croons and purrs of Geto Suguru's cursed spirits echo faintly in Kenjaku's ears while his hips thrusts into his own fist. It's desperate. He usually isn't like this. Even when he was creating the Death Womb Paintings — even when his plans are so close to coming into fruition.

You make him like this. Make him lose control, every thought poisoned with you even when you're nothing more than a mummified heart hidden so desperately away by Sorcerer Society.

"I've gotten a lead," Uraume had informed him just a few days ago. "They've hidden him in the ocean in an underwater research facility."

"Underwater, hah, they think it'll keep your flames contained. Keep your loyal servant away as if the depths of the ocean is enough to scare them, us — Oh, (Y/N)."

His fist stops and Kenjaku stands, removing his clothing fully as he places a hand against the wall of the gallery. The textured wall, the grooves, give way to his nails as he digs them in. He stares into your eyes, imagining the crease of your furrowed brow and Kenjaku groans out your name as he cums all over the wall.

"...Oh, I can't wait to see you again, venerable concubine."