#keep pushing for change

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

[sophies-junkyard]

Change is incremental, but something CHANGED today. You weren’t sure about voting for Biden? You don’t have to anymore! And now is the time to RALLY. The world is fucked up, but letting Trump win will not lead to the political revolution we’re waiting for. Wake up.

Im gonna vote for Kamala Harris in November because I don’t want a wannabe dictator running our country. Simple as that.

[myokk]

the new fifth-year✨

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[mysterycitrus]

getting positive feedback about my characterisation in fics (even for characters that only show up briefly) is rewarding cause the creative process for that is having a bunch of sticky notes with lists like ‘nicknames for the titans gc’ ‘brave bows 80s mixtape’ ‘books lian has probably read’ ‘plot relevant injuries from the chemo period’ ‘french comics i am choosing to inflict on dick grayson’ and ‘every dc character that personally relates to the iron giant (it’s a long list)’

[utterdrip]

? do people not realize that astarion eventually wants to and enjoys having sex again ?

[d8tl55c]

hey wait a minute

so it's the start of AvA part 7 and Chosen and Dark are talking, right? and the former has this vision of terrible things happening if they don't stop the latter, right here and now.

they see the ViraBots descending on the last remnants of stick kind with Dark as their leader (or Lord if you will. ha ha) and i, trusting viewer, took their assessment as reliable*. we JUST saw Dark getting uncomfortably violent in earlier scenes after all

but

however

notwithstanding

unless Chosen has demonstrable prophetic powers (like how Orange has** in the past seen things currently happening (horizontally-prophetic let's call it: seeing faraway in the current time) (there's probably a better word for this but let's move on)), how did they know this was definitely what Dark was leading up to?

** ⬆ examples of Orange horizontally-prophesizing in AvM episode 11, SkyBlock (unconfirmed but referenced as, "uh? well maybe??? maybe i didn't think about it yet-" (abridged quote from AvG react video)) (op will die /j /extremely pos if this is used again in AvA 11 (HAH they'd both be episode 11 (op just giggled maniacally)))

Dark doesn't even have his control bracelets on.

because Chosen didn't know about them yet.

because this is not a prophetic vision.

Chosen is just that... reactive. what was it. @compressedrage (hi o/ ) had a good wording let me find it. yeah i guess it was reactionary

the ONLY time we've seen them stop to think things through is actually just a terrified anxiety breakdown while they stand there, frozen, imagining the worst, until they snap out of it JUST in time to impact their reality.

but with no time left for debate. reasoning. they assumed Dark was beyond reasoning from the moment he showed off what his device could do............. because they were beyond reasoning out of fear.

<community post version>

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them

[st4rstudent]

Winn + Mac fusion idea. lalala.

[saltpepperbeard]

Just coming on here and giving everyone a huge hug this morning. We’re officially at the two week mark. We’ve all done so much, and so much has happened in that short time frame.

I know so many of us are tired, or discouraged, or burnt. But just know that all of you are so so lovely, and even the smallest things are so so appreciated. Whether that’s filling out the feedback forms, tweeting at the other platforms, reblogging information, being here to lift others up, or taking time to yourself so you can come back for another push later, you’re all doing so, so well.

If nothing else, we’ve all managed to come together, and to shower the cast and crew with so much love.

So I’m sending that same love y’alls way, too. Keep up the good work, keep those fingers crossed, and mostly importantly, take care of yourselves 💜🏴‍☠️

[poorly-drawn-mdzs]

In the shape of you, something new.

[First] Prev <–-> Next

[averagecatdoodlesenjoyer]

My piece for @daily-teki's DTIYS !

[notbecauseofvictories]

though, lingering over that last post....I wonder how easily this trips into horror story? I mean, in this world where there are child-producing marriages and then sisterhoods/brotherhoods for the rest, this obviously allows the family to keep a stranglehold on their collective assets and wealth. Therefore, I bet that family is an even more tightly-locked cage for those born into it.

Oh, you thought that if you could just escape marriage you'd be free, didn't you? You thought you could join the local order and letter manuscripts or tend goats or say prayers over the dying---but no. No, that's for other people's sons and daughters. You have no escape. You will serve your family forever, whether you will or no. You marry who they tell you to and live in your family's third-nicest castle your whole life; you can have as many lovers and bastards as you want, you can earn coin all on your own, if you can, but it will come to naught in the end. You will be cursed with absolute surety of where you fall: res nullius.

As it was and ever shall be, amen.

[theshadowrealmitself]

Back to the Spiderman au I have where Peter has radioactive venom and accidentally bites Miles when the kid is trying to help him, and because he’s so full of guilt at accidentally doing this to the kid (especially in one of those universes where people absolutely hate the x-men and stuff, being mutated might ruin that person’s life), he takes him under his wing to teach him everything about his new powers and before he knows it, Miles is working alongside him as a new hero

For that au, I’m now thinking about that version of Peter trying to rescue Gwen, and in the end the only thing that can help her is for her to be turned, so he shares his venom, and to Peter it’s this incredibly horrible event where he’s dragged another person into this life of being mutated, but Miles, who is next to him and has never once been unhappy about gaining powers, is like “welcome to the web warriors!!! you’re one of us now!!! :D”

[dykedvonte]

Ok so we know you love Benny (rightfully so, I mean look at the man) but do you have any thoughts on the other Chairmen? Swank and Tommy specifically?

I have so many thoughts on the Vegas families but even more on the Chairmen just because of how unique their position is.

Like to start off, I have mentioned and still fully believe the Chairmen are the most paranoid and distrusting of all of the Vegas families. You can get sucked into many personal dramas and plights when it comes to the other Vegas Families; Quest-lines that get you super involved with their inner workings and pasts, ergo, quest-lines like Beyond the Beef and How Little We Know. Other than the very little side quest we get from Tommy, where you don’t even out in a good word for the Aces Theater for the talent recruits, your very boxed out with the Chairmen.

While the other families are more curious and intrigued by the NCR and Legion tensions rising, House being killed and other things, the Chairmen are always paranoid, concerned and negative. They mention wanting to leave like in the old days but can’t drop the act. They don’t mention anything that isn’t in a way that relates back to them and it tells how little they wish to or do interact with those outside the family. Swank mentions how he doesn’t trust the other families and the sentiments are shared with Tommy who discourages you from seeing the other sights. They are probably not purposely isolating themselves but they keep to their own. I only think this is extrapolated by House favoring Benny as a successor and possibly more restrictions on them. They were the first family and likely the prototype of whatever is detailed in their contracts. House was not as lenient as he is now, taking Swank referring to House’s rules into account.

Specifically about Tommy and Swank is interesting. Tommy feels like he’s older to me, not like more mature but he’s been around to see how far the Boot-Riders changed into the Chairmen. He’s not like an old guy either but older than Swank and Benny. I like to think he’s a middle ground to Swank and Benny, where Benny is the idealist, Swank is the nihilist and he’s there realist. You gotta real with people when you work in entertainment. He has a keen eye and can tell when things aren’t right but doesn’t jump out of his lane, not without provocation that is. In relation to Benny, I think Tommy’s like a snide older brother type guy. He rips on Benny cause the guy is so obsessed with not being seen as a tribal anymore but Tommy of all people can see when someone is playing too much into a bit. Benny keeps him close cause he keeps him real.

Swank is described in universe by House as being dependable but unimaginative. I don’t think that’s fully the case but he isn’t the person to push things in my eyes either. He has complaints but he does what he’s asked of and is loyal. More of a “Are you sure” Man than a “Yes” Man. I don’t think he sees the best in the people around him but prefers to see them as static. I take this with how hard it is to convince him that Benny is a traitor and how he seems shocked you are so ready to kill him. Things run a certain why and it’s why he likes that. It’s why he’s so good a managing The Tops. He wants things to run smooth and easy and everyone to be having a time. He’s the type to struggle with a shift in change at first but then forget why when the new song and dance start to come naturally. He plays the part just like Benny but also reminds him of what they came from. He’s his most trusted advisor and friend keeps him in focus.

This is all personal opinion and just a quick run down of it. But I hope I answered at least some of what you asked:p

[blood-starved-beast]

IIRC part of Hades's curse in the first game is that he would never have a heir no?

So I've been thinking about this, and thinking about the direction Melinoe's arc might go in the final full-fledged game and hm. At the start of the game, pre-character development Melinoe seems like the perfect heir. Diligent, hard-working, conscientious, task-oriented in a way Zagreus never was. Hades 1 Hades would dreamed for Zagreus to be like her here.

And yet it never happened. Chronos takes over not after Melinoe is born, and she's raised far away from the House and its norms (I wonder then, since Mel is aware of the Family Curse that this is the reason why she blames herself for the demise of the House). She works hard to restore that, but she does it at the cost of her own well-being and who she Is as a person.

And that's the kicker I think. There's a lot of evidence - convos between Melinoe and others - that highlight how much she doesn't have a life. Eris is constantly pointing out how ~ boring ~ she is and trying to get her to "enjoy life" albeit in Eris's own terms and ways. Heck, even Hercules warns her against Olympus and even her Father (even if it's projection on his part), suggesting her task might not be what's cranked up to be.

So I wonder. Melinoe is the Goddess of Nightmares and Ghosts in the myths yes, but also she's associated with invoking Madness. We see a little bit of that in her repeatedly giving Chronos no peace (I wonder if defeating him for real would involve getting into his nightmares. I mean, Hypnos is asleep for a reason right?). But also she's described as being a beast apparition with many forms, a way for people to communicate with the dead. That seems to tie her more to the Surface in a way.

Anyways, what I'm saying is, I think her arc is gonna go in the direction of her relaxing her stance on her Mission. Taking and enjoying herself. But cause of circumstances, she returns home, but it's not the same. She's not a member of the House structure in a way that matters, Time cannot be stopped, things cannot be the way it was before. She's gonna stick to what she knows, stick to the Crossroads and Hecate and maybe fighting Chronos to keep him down and up to the surface all the time, maybe causing her own version of chaos and doing it cause she enjoys it, or wants to, not just cause it's expected of her. So maybe she drives everyone insane or sows mayhem cause of it so what.

Basically