#kaito anniversary week

[mei-lin-jesset]

my profile in project sekai

happy anniversary kaito

[bluwus-art]

Now its time to celebrate V3's Birthday! (wooooo it's his 10th anniversaryyyy!)

[sillylittlelou]

happy borthday len and rin :D

[etrangeres]

The Curious Case of Kaitou Kid

(UPDATED 11/27 JST. Sections with significant new portions will be bracketed with a ☘️)

We love alliteration in this household.

To start with an anecdote, I went to the main Animate store in Ikebukuro some 2-3 weeks after M27 began showing in theaters. I had two reasons to be there: hopefully grab some copies of the Magic Kaito Treasured Editions, and grab what movie-related merch I could. The former I managed, but the latter was a lot harder. Despite them devoting nearly an entire wall on the right side of the first floor to Detective Conan merch, every single piece of non-blind box Kaitou Kid merch had been snatched up already. This trend of Kid’s merch being sold out seemed to continue for at least a couple weeks afterward, at least in and around Tokyo.

This demonstrates something I think we all already know: Kaitou Kid is a crazy popular Detective Conan character.

…Detective Conan character? Yes, but… No. But definitely yes. But… yes?

Kaitou Kid - real name Kaito Kuroba - is such a funny character if you think about him for more than a few seconds. So I chose to think about him for a few, uh. Days.

When I say he’s funny to think about, I don’t necessarily mean in terms of who he is as a character - which is admittedly also fun, because I think Gosho Aoyama is the king of gap moe - but more in terms of his placement in the greater DCMK canon. I mean, the fact that we have the “DCMK” acronym at all signifies the importance of tying these two series together. Even though they technically take place in different worlds. You know. Technically.

So I want to (mostly) chronologically go through Kid’s history in Detective Conan, how it relates to his origin as Kaito Kuroba in Magic Kaito, and amuse myself with the strange relationship he (and his source manga) has with the juggernaut that is Detective Conan.

Before we jump into this, some basic notes:

-I don’t mean for this to come across like some academic thesis. Nor did I actually think this would hit over 18k words. I’m just Like This.

-Any translations you see here are done by me, from the source Japanese.

-There will be concrete mentions of events from M27. They are comparatively trivial in terms of the mystery the film offers, but there will be spoilers for certain major parts of the plot as they relate to Magic Kaito elements. This will be clearly demarcated, should you wish to avoid those spoilers.

The MK to DC Pipeline

So I don’t know how many people actually need this information, but for completion’s sake:

Magic Kaito is Gosho Aoyama’s debut serialization (important distinction), and it began in June 1987. Though roughly the first two volumes’ worth of chapters were published at a fairly consistent monthly rate, it grew more and more irregular after that due to the popularity of both Yaiba and (more importantly for our discussion) Detective Conan. Due to it still technically being an ongoing series, it is currently Weekly Shonen Sunday’s longest running manga. This just so happens to be followed by Detective Conan, and they lead this particular ranking by a fairly wide margin.

The manga as it currently exists came out of the one-shot “Nonchalant Lupin,” which he submitted to Shonen Magazine’s manga contest after his editor told him to “draw the story you most want to draw” (Treasured Ed. V5). The one-shot won an honorable mention. His comment in Treasured Ed V1 also mentions that he “all but became a mangaka because I wanted to write about a high school kaitou,” so he’s clearly attached to the concept. He’s also clearly attached to Magic Kaito itself; a number of excerpts from the Gosho Aoyama 30th Anniversary Book, for example, talk about how a greedy part of him immediately thought of Kaitou Kid on the silver screen when he heard about the first movie being greenlit, or how he thinks Detective Conan will one day end but Magic Kaito may not because that’s what he really wants to be writing.

Back to our timeline: the Kindaichi Case Files were gaining steam in the early 1990s, and Weekly Shonen Sunday wanted its own version of the boom. Gosho himself was approached by the editorial team at Sunday to do a mystery series, and he accepted, not thinking it would last very long - not only because he wasn’t all that interested in the idea, but because he didn’t think there would be enough material to last more than three months.

It has lasted 30 years.

I say all this not to indulge in the depressing truth that Magic Kaito only has just shy of 40 chapters, but to specifically highlight the synergy Magic Kaito has with Detective Conan - despite the existence of magic in the former - due to their shared inspiration of Arsene Lupin. Things like Sherlock Holmes and Kogoro Akechi are pretty obvious inspirations for Detective Conan that I don’t need to go into in much depth, but the idea of a “high school kaitou” still very much bleeds into aspects of Conan’s character. Many of the things Kaito is either capable of naturally or has to deal with due to the inherent nature of his position are things that are also reflected in Shinichi.

Feats of physicality (Comes naturally to Kaito due to genetics and practice; enhanced for Conan via Agasa’s inventions)

Master of disguise (A practiced skill with makeup and voice changing for Kaito; use of a voice changer and aid from people in his life to deal with disguises)

Secret identity (a flipped perspective version: Kaito has a straightforward secret identity, while Shinichi has to keep his survival a secret)

The “bumbling police” (A good kaitou story will have a morally upstanding but kinda dumb detective that demonstrates the sheer skill of the kaitou in question while putting a contrast to their morals. Nakamori is this to Kaito; though not a one-to-one, characters like Megure or Kogoro serve similar roles to Shinichi to demonstrate his skills as a detective.)

“Why are you like this????” (Admittedly the most Vibes of the list, but there’s a level of gray morality. We root for the main character while knowing that what they’re doing is at times questionable. Kaito goes without saying, but Shinichi is more likely to engage in suspicious behavior like breaking into cars, bugging people’s houses, or even stealing evidence after becoming Conan.)

Motive (The most interesting - and sometimes the funniest - overlap is the fact that they’re both after a shifty organization. It’s a bit surface level at first, but there’s a suspicious level of overlap between not Shinichi and Kaito, but Shinichi and Toichi.)

All of this is to say that pushing DC and MK into DCMK is almost comically easy once you adjust for tone (and, uh. remove Akako, I guess) because Shinichi is BUILT from the kaitou framework and tweaked into a detective. So it’s no wonder Gosho decided to throw in a Kaitou Kid cameo that turned into the character asserting himself as a recurring sub character, as opposed to a quirky crossover character.

Even if he’s still both. And also a secret third thing.

The Last Wizard of the Black Star

So, there’s not much to mention about Magic Kaito’s early run. All chapters in the pre-DC era are stand-alone stories, with the plot starting and concluding within the span of a single chapter. It was a bit of an “anything goes” era, with the genre fluctuating all over the place and a lot of things we consider “standard” in any given Kaitou Kid story not yet being fully codified. Many of these weirder chapters have their own charm if you allow the gag manga energy to take you for a ride, but if gag manga isn’t your thing then it feels like these chapters are where Kaito himself is at his most…incongruous with the character that would eventually show up in Detective Conan. (Let it be known for the record that I personally find these early chapters SO silly and would kill for an animated adaptation of Clockwork Heart, the truly bonkers third chapter.)

The biggest “what do you MEAN that wasn’t there from the start?!” is by far Blue Birthday, which is the chapter of Magic Kaito that was published immediately before Detective Conan began serialization. It took about half of the currently released chapters to introduce Pandora, a now fundamental concept that is likely to be included in ANY one-paragraph summary of Magic Kaito’s plot. It isn’t the only thing, of course; though Kaito’s card gun debuts in the very first chapter, his hang glider doesn’t show up until Chapter 10.

The other major thing worth pointing out in the pre-Black Star era is the general pacing and fundamental makeup of the stories themselves. Very few case-only (or heist-only, as it were) characters show up in these chapters. When they do show up, they tend to be pretty flat, are often ridiculous, and are there to facilitate the hijinks of the day (the gun-crazy detective, the weird robot inventor, the irresponsible prime minister).

This changes with Green Dream, and it’s an immediate change. Detective Conan has been in serialization for over half a year by this point, and already its formula is bleeding into Magic Kaito. There are multiple new characters per heist, and multiple pages with two to three times more text than before are dedicated to setting up a fundamental conflict. Kaito is also more likely to take a stance in this fundamental conflict and use his talents and status as Kaitou Kid to lead it to a conclusion. Behind all of that, though, Kaito himself is still the cheeky little agent of chaos we all know and love throughout these chapters. (As an aside, the Kid mark used on his advanced notices debuted in this chapter!)

The big watershed moment is very obviously Black Star - the Detective Conan version, in this case. In both this and the Magic Lovers case (despite his very little screen time in the latter), readers of Detective Conan are introduced to a FAR more serious version of the Magic Kaito character. This is largely because what we’re seeing in Black Star specifically is a 100% outsider's perspective. Though we’ll very shortly find out this is not Shinichi’s first meeting with Kid chronologically, it is the first time he not only hears his name, but also has any real interactions with him. Kaito wears the mask of his father in his performance as Kid, and you could very much argue his guard is WAY up around probably the weirdest child he’s ever met. So in a story from Conan’s perspective, we have no way of seeing behind that mask.

Personally, I always put a bit of an asterisk next to DC’s Black Star. This is the case that feels the most like a “crossover” than any other Kid case after this, and of course it would. It’s the very first one! It’s the Kaito and Aoko cameos that really bring this vibe for me personally; great care is taken in Detective Conan not to pull much of anything from Kaito Kuroba’s personal life except in a few stand-out cases, and those  almost never involve anyone in our core cast directly. And I don’t even mean in the “he’s only ever shown in his Kid costume” way, because there are plenty of times where he shows up not wearing that. They key for me is that Kaito is always “at work” as a disguised Kaitou Kid as opposed to as Kaito Kuroba - the hat, the darker clothes, the low-effort disguises as police or staff. That kinda thing. But the appearance of Kaito and Aoko in their casual wear or school uniforms here really makes this case stand out in a way that later cases simply don’t joke about.

Detective Conan shows us Kaito at work. It’s why he comes across as so difficult to grasp and almost intimidating in these earliest of appearances. Those vibes obviously continue into The Last Wizard of the Century, the third theatrical release and Kaitou Kid’s very first movie appearance! His grand total screen time is only a fraction of the movie’s full run, but the vibes have a heavy overlap with that first conversation Conan has with Kid on the roof in Black Star. Though there are debates regarding the movie’s canonicity, this also marks the point in at LEAST movie continuity where Kaito figures out Conan’s identity, so there’s that precedent set. (Put a pin in that, by the way.) This also marks the first time Kid disguises himself as Shinichi.

What’s more amusing to me is that Magic Kaito’s Black Star seems to have been published to coincide with the movie’s release. Magic Kaito’s very first chapter after Kaitou Kid’s appearance in Detective Conan brings Shinichi Kudo to Magic Kaito. This is his only appearance in Magic Kaito to date, whether it be as Shinichi or as Conan. Gosho mentioned in his note on the Yaiba vs Kaito chapter that he really likes crossovers (same hat), so I have to think that the limited run of Magic Kaito is likely why we don’t see more DC characters in MK. Though in a Q&A he did toy with the idea of Conan showing up in Magic Kaito one day, so…

All that said, every time I think of MK’s Black Star my brain shoots off in two directions. The first and easier to articulate direction involves Akako’s presence, but we will get to that in the next section. The second direction is the very existence of this chapter at all.

As I mentioned above, this is the first new heist for MK after Kid showed up in DC. It is also the first multi-chapter heist, which indicates even more influence is bleeding over. It was also published alongside the movie, probably as part of a promotional stunt. Something about it feels like a doubling down of sorts on the stapling of these two series together. Kid showing up in Detective Conan is a fun reference; Shinichi showing up in Magic Kaito instead of the more recognizable Conan feels like a statement of shared worlds, largely because of how it makes you think about the timeline. The Akako issue aside, it really feels like he wanted these worlds to collide. If you have your own Lupin analogue AND your own Sherlock analogue, why wouldn’t you want to pit them against each other?

Add More Staples!

It’s at this point that updates to Magic Kaito get… particularly sparse. But there’s a LOT of stuff going on across the DCMK space as a whole in these few years that feels like it’s trying to tie the two series together.

We start off with the Twilight Mansion case, which introduces Hakuba into Detective Conan. Which would be fascinating by itself, but this was also Hakuba’s first appearance in EITHER DC or MK in TEN YEARS if you don’t count his one-panel cameo in MK’s Black Star. The framing of his introduction in Detective Conan is interesting, because the paneling and composition very clearly tell the reader that the character that’s about to be introduced is either 1) important, or 2) already known. In Hakuba’s case it’s clearly the latter, but this would make very little sense to someone that isn’t as aware of his place in Magic Kaito.

Enter The Gathering of the Great Detectives, the animated adaptation of the Twilight Mansion case that was turned into a two hour special and opened with MK’s Black Star. There are ways in which it’s an odd choice, given Hakuba barely appears in Black Star at all. But I think Hakuba’s status as yet another Magic Kaito character being introduced into the narrative provided an opportunity for them to adapt a Magic Kaito heist for TV broadcast, and the chapters featuring Shinichi were the easy choice. The Yaiba vs Kaitou Kid vs Conan OVA had come out shortly before this, so it’s technically not the first time a Magic Kaito chapter had been adapted. But that was more of an altered gaiden OVA compared to this, and this TV adaptation seemed to hit you over the head even harder that there was merit to delving into Magic Kaito if you were a fan of Detective Conan.

☘️Between these two was the first of many OVAs, and the first of a couple of attempts to shove Conan into Magic Kaito material: Conan vs Kid vs Yaiba. This is an adaptation of an August 1993 chapter of Magic Kaito, and is the chapter that broke a roughly three year break in publication (it was then followed a few months later by Blue Birthday). Much of the main plot of the chapter is largely kept intact, with one fairly major (and obvious) difference: Detective Conan’s involvement. Much of the core DC cast has been dragged into the plot, which is at first a little odd considering the explicitly battle shounen-style magical flavor of Yaiba.

This OVA handles that incongruity with the “fever dream” solution. In Conan’s side of the story, things get increasingly more and more ridiculous until the final reveal that Conan had fallen asleep reading Yaiba. Which is to say that, plot wise, the OVA ultimately amounts to nothing. But that’s fine, because what’s more interesting is how early they display Kaito’s carousel of emotions in this OVA as compared to the “mainline” media (manga or movies). What’s also worth noting is that this is the first appearance of Akako in DC media, right before she gets a more mainline debut in EP219. She’s a one-scene wonder, bursting in with an ominous fortune and leaving in a very magical disappearing act.☘️

But the OVA, in the aforementioned fever dream context, excuses her existence. In the manga, though? Oh, Akako. Bane of the DCMK world. Sole reason we must argue that they take place in parallel worlds despite how ridiculous that sounds.

In the manga, Akako gives Kaito her premonition about the Demon of Light coming after the White Sinner. This is also in the episode, if memory serves. But in the episode as aired on TV, Akako features very little after that… because they fully cut the scene of her attempting to use magic at the base of the clock tower. Magic does not exist in Detective Conan, after all. It was eventually put into the episode another ten years later on the bonus DVD that came with certain versions of the Treasured Edition of Magic Kaito Volume 4.

More broadly, Akako is clearly a sticking point for the combining of these two “worlds” into one. Gosho himself takes the easy way out by ignoring Akako’s existence entirely in the Detective Conan canon, just as the TMS adaptation of Black Star did. He’s often brought up the concept of the two taking place in parallel worlds where the only major difference is the presence of magic in one and its lack in the other, as in his comment on Akako’s intro in Treasured Ed. V1: “In truth, the biggest bottleneck when it came to introducing Kaitou Kid into Detective Conan was the inheritor of Red Magic herself! So please just accept the two series as parallel worlds (lol).” He’s much more straightforward in his comment for Sun Halo in Volume 5: “You really gotta have Akako use Red Magic! (Please just assume Akako does not exist in the Conan world…lol)”

Despite this insistence she doesn’t exist, Sky Walk features an almost blink and you’ll miss it reference to her. Nakamori brings up the idea of Kid’s assistant being in play, to which Conan shows surprise at him having an assistant at all. Nakamori replies that there are multiple reports, some of an “old man” and others mentioning a “young woman.” The old man is obviously Jii, but the young woman is very likely meant to be a reference to the stunt Akako pulls in Akako’s Delivery Service, a very early Magic Kaito chapter.

As you’ll notice, Akako is still very much a practitioner of sorcery as of something as recent as Sun Halo, so it’s not as though Gosho has simply opted to phase her or her magic out of Magic Kaito. But considering there are MULTIPLE DC cases that deal with debunking the supernatural, her presence would most certainly complicate things. That being said, Magic Kaito’s world and plot do not seem to hinge on magic in an intrinsic manner (unless Pandora is literally a magic gem, as opposed to the tale of the gem being a metaphor for something), so I personally don’t see too much of an issue with magic being very rare, even in Detective Conan’s setting.

To keep with Magic Kaito for a little while longer, Golden Eye was the single heist released during this period. As far as its significance is concerned, I actually think Gosho said it best in his comment in the Treasured Edition: “Magic Kaito may be a thief story, but it’s also a magic story, so it was incredible to finally be able to mention the actual legend Harry Houdini. Even so, there’s an awful lot of deduction going on, so in this story you can also really feel how it’s been corrupted by Conan (lol).” It was a thought I had about Golden Eye even before reading his comment, so I’m a bit amused to find he actually called it out to be honest.

The following Detective Conan cases - Sky Walk, Three Instruments, and Four Masterpieces - and the movie Magician of the Silver Sky are all more along the lines of Black Star in terms of Conan and Kid’s relationship, but with an extra added pinch of “coming together for a common cause” in the movie. Sky Walk specifically also introduced Jirokichi to the mix, and he becomes the only Detective Conan character whose purpose in the narrative is tied exclusively to Kid. It’s in this way we begin to create a Detective Conan-exclusive environment for Kaitou Kid, which in turn establishes him more and more as simply “a Detective Conan recurring character” as opposed to the main character of another story that’s here for crossover shenanigans.

There’s a Pandora’s Box reference in Three Instruments that makes me want to pull my hair out because don’t say Pandora that word is important, and Four Masterpieces is a lot more “murder mystery involving Kid.” They happen very rarely in Detective Conan, but they happen basically NEVER in Magic Kaito (Dark Knight doesn’t count), so this lowkey feels like another way we’re shoving Kaitou Kid into the rules of Detective Conan.

In Magician of the Silver Sky, Conan expresses a level of shock when “Shinichi” passes the pinch test. This then marks the first time (in movie continuity, at least) that Conan is aware that Kid naturally resembles him.

But the funniest thing about this series of cases (and the movie) for me is the cracks in Kid’s mask, whether that be for Conan himself or for the reader. The final confrontation in Sky Walk ends on an almost comical note with Kaito being blasted off again via gasoline fire, and there’s a stinger at the end of Four Masterpieces showing a pathetic Kaito after Conan has just shot a mecha-powered soccer ball directly at his stomach. And that’s not even getting into the movie, whose entire first act drops us into a tense confrontation with a very suave Kaitou Kid before rewinding back to when he put on the least convincing act ever as a disguised Shinichi Kudo.

Have I mentioned he contains multitudes yet? King of gap moe. 

But we aren’t truly there yet. He’s a little silly for sure, but there are still times where the mask is on about as tight as it can be in Conan’s presence.

☘️The last two OVAs from this era - Conan, Kid, and the Crystal Mother and Follow the Vanished Diamond - have varying levels of significance. The latter matters extremely little to this conversation on the whole except for Kid finally showing up toward the end. Heiji and Kid have only ever had cursory interaction in DC to this point, and this frankly continues that trend. It’s worth noting that its release right before Movie 10 is significant specifically in this regard, though.

No, what’s way more interesting is the extremely forced adaptation of Crystal Mother. The bare bones and much of the meat remains - it’s still very much recognizably Crystal Mother in every way that matters and then some - but we’ve once again stapled Detective Conan to an adaptation of a Magic Kaito chapter. To accomplish this, they find ways to make Magic Kaito fit the world view of Detective Conan, like with OVA 1… But this time, it requires many more changes that wind up feeling a little more forced.

These changes are largely focused on Pandora and MK’s organization. Though Kid still looks at the jewel through the moonlight, all mentions of Pandora are dropped. Snake being recognized by Conan under the code name “Jackal” as an international jewel thief also has some interesting implications. A more generous reading would be that he potentially had another, more general-use, code name before joining his organization and receiving the name Snake; a less generous reading would be that the OVA has recycled Snake into an otherwise original character for the OVA that has taken Snake’s place, thereby removing any implications of a Pandora plot existing at all. Regardless, Jackal seems to have had previous run-ins with Kid. Which of these readings you opt for greatly changes the implications of Kid’s own personal plot in DC. At this point, despite pulling a very real crossover this time around, they apparently aren’t ready to commit to Kid’s motives being the same across both series.

In addition to Jackal, an assassin by the name of Rose is introduced in this OVA. Though she’s working with Jackal, her purpose seems to be to give Conan someone to confront in a more tangible manner, since Conan and Kid’s paths can’t really cross without drastically changing the story. Otherwise, the last major note I have for this OVA is the final scene. Conan hearing Kid saying he’d come after the Jewel of Destiny next is a nod to the at-the-time upcoming movie, Movie 8.☘️

The last two stories mentioned here - Detective Koshien and the movie The Private Eyes’ Requiem - are actually a lot less about Kid and a lot more about Hakuba. So let’s talk about the cosplay detective for a little while.

Hakuba is interesting to me, for a couple different reasons. One is the cadence of his appearances in Magic Kaito. He is introduced late into the pre-Blue Birthday run and is in a total of three chapters. Those three chapters speedrun his discovery of Kid’s identity… and then he’s gone until his first Detective Conan appearance. Golden Eye is his return to Magic Kaito in a short but fairly significant scene that fills out the contours of his relationship with Kaito with regards to that identity, at which point he is in all but one case thereafter.

The other reason is that he seems to slip through the cracks of “significant Kaitou Kid relationships” unless you consider yourself a Magic Kaito fan. But I think this is largely due to the line in the sand we shall not cross: Kaito Kuroba’s personal life is off-limits in Detective Conan. As a result, Hakuba is framed far more often as a detective in his own right that just so happens to have some manner of connection to Kaitou Kid in his few Detective Conan appearances.

This connection is made fairly obvious in Twilight Mansion by both having him introduce Kid’s presence in the case, and having him and Conan highlighted as the two people that are after him at the end of that case. But his next appearance, Detective Koshien, only implies a connection in passing and chooses instead to focus on contrasting him with Heiji in preparation for the movie. In an interesting move, the plot developments of the case actually give Hakuba an excuse to avoid wearing a school uniform like the other students because he ultimately settles into the “foreign detective guest” role. There are, as a result, zero indications that he and Kaitou Kid’s civilian identity are actually classmates - or that he attends a Japanese school at all.

As for the movie itself, Hakuba was Kid in disguise the entire time, so there’s very little we can discuss when it comes to Hakuba himself. But after Kid’s frankly poor performance as Shinichi in M8, his performance as Hakuba in M10 is almost uncanny levels of spot-on (which admittedly turns into a very funny contrast with his Hakuba disguise in Green Dragon).

All in all, this selection of chapters, episodes, and movies pulled more of Magic Kaito into Detective Conan (when those details weren’t flying in the face of it), while Kid himself began to more closely resemble the Kid of Magic Kaito in the small moments. In Magic Kaito, meanwhile, we’re starting to see far more obvious influence from Detective Conan in the writing and pacing of its heists.

But the gates have not yet been thrown wide to truly allow the silly in.

Throw Wide The Gates That We May Sillie

The collection of chapters that start this portion of the list are, in a word, fascinating from a Magic Kaito perspective.

We start with Shinichi’s Childhood Adventure, which does a couple of notable things. First, it confirms that Toichi was the magician that taught Yukiko how to use disguise makeup for her acting career. It was implied to be him in a very “if you know, you know” fashion in the Golden Apple case over 200 chapters prior, but this makes it inarguably clear. The extension of this confirmation is that Toichi also taught Vermouth the art of disguise, which is a particularly interesting connection to think about. As obvious as it sounds to say, this chapter is also the start of confirming that many things we know of Magic Kaito’s plot and backstory remain consistent in Detective Conan as well. The case ensures you don’t need prior Magic Kaito knowledge to pick up on Toichi being the first Kaitou Kid. That he meets Yukiko with Kaito in tow also means (unless my memory is failing me) that this is the first and only time Kaito’s name is spoken within the Detective Conan manga. It also confirms that the author that named Kid was, in fact, Yusaku.

The big part of this case that people tend to bring up in the wake of the M27 reveal is the “I’m your younger brother” conversation from Toichi to a young Shinichi. Now, 2006 is earlier than what meager sources I’ve managed to find that seem to indicate he had the familial relationship in the back of his mind, so I’m personally not sure how much stock I place in this conversation as any form of foreshadowing. What the entire case does seem to indicate regardless, though, is that Toichi and Yusaku are aware of each other on more than a surface level. At the very least, we’re meant to take away a passing of the baton, from father to son, in their relationship as friendly rivals. It has, apparently, always run in the family.

All in all, this case is a far more intentional mixing of Magic Kaito with Detective Conan because it deals with past events. It says “these things were always here, intermingling” and concretely refutes the idea that the modern Kaitou Kid was the first point of contact, retroactively entrenching the character even more into the world of Detective Conan.

We switch back to Magic Kaito for a heist with Dark Knight, which Gosho acknowledges in his Treasured Edition comment is “another story with a strong mystery feel, and a dark conclusion that isn’t very Magic Kaito-esque.” This also happens to be the first Magic Kaito case to feature Superintendent Chaki, a Detective Conan character and Nakamori’s boss as introduced in Black Star.

The following series of four Detective Conan cases all look at slightly different aspects of Kid that haven’t really made themselves known in DC yet. First is Purple Nail, a personal favorite and the case that arguably leans the most into the idea of a magic show. The focus on having an audience and the employing (and challenging) of Thurston’s magic principles give it a slightly different vibe to other cases. In relation to Thurston, Kid actually opts to approach Conan ahead of the heist to personally challenge him. In the manga, it’s the first clear look at Jii in Detective Conan. But the thing that stands out to me is the sheer level of emotional expression on display from Kid. It’s not in a small moment at the end of a case anymore, but in various moments throughout. You see his panic when Conan shows up above the building, or his sense of satisfaction when running through the crowd in the middle of his trick. All of it combined makes it feel much more like, by this point, Conan and Kid are engaged in a game.

After that is Iron Tanuki, an amusing oddball of a case. That Jirokichi used a fake notice to send a secret message to Kid pleading for help is interesting enough, given it displays a level of begrudging trust the former has in the latter. But more amusing is Conan’s choice to facilitate this upon realizing the truth of the situation, as well as his choice to stay behind and ask Kid if there was anything he could do to help to open the titular safe. If Purple Nail was their first real game, then Iron Tanuki is the first time they really came together in anything resembling a cooperative stance.

Kirin’s Horn seems like an outlier at first - and it sort of is, since Kid thought a little shock and awe was in order - but the case also demonstrates a level of familiarity. Conan remains flat on the ground because he knows how Kid works, and knows figuring out why he’s chosen to knock him out this time is the key to the case. There’s also a level of gag to this case via Kid’s choice to disguise as Genta, and the stinger of Conan getting the last laugh via something as silly as a paper taped to his back.

The fourth case, Ryoma’s Gunbelt, is where the real fun starts. Despite the rather nonstandard premise of Kid opting to return stolen goods, the general flow of the case is fairly standard for a Kid case in Detective Conan. The standout of this case, in my opinion, is the final conversation between Conan and Kid. They speak of their respective mothers in a conversation that reveals key details about each other, and do so surprisingly candidly. There’s an argument to be made that Kid knew of Conan’s identity by this point; regardless of that argument, that Conan spoke of his mother with such identifying details once again indicates a level of trust. Kaito implying Phantom Lady is his mom, while not particularly identifying, returns that trust. And that’s not even getting into the fact that a Kid case in Detective Conan is introducing a pretty important fact about Kaito’s mom.

Skipping ahead a bit, what makes this case notable is not the case itself, but rather its pair: Phantom Lady, a Magic Kaito heist published a year later that serves as an immediate prequel to Ryoma’s Gunbelt. This is the first time since Black Star that Magic Kaito picks up on a Detective Conan case in any capacity, and arguably the first time at all it does so with such a direct connection. The mentions of the Black Star served as a vague framing story for the clock tower heist, but Phantom Lady ends with a shot of the three treasures that assumes you know exactly where things go from here.

All of these cases do much more to peel away the mysterious veneer from Kaitou Kid, and give him a more candid and open relationship with Conan.

But the big thing of this stretch, and a turning point as a whole for Kaitou Kid in the franchise in my opinion, is The Lost Ship in the Sky. Now this? THIS is a Sillie Movie. Kid is playing around with goats, smirking like a fool with Conan before jumping out of a helicopter, and making the most inappropriate sounds when Conan’s hand wanders a little too far. He and Conan are actively seeking each other’s help and indulging in silly banter, even as Kaito makes a fool of himself with Ran. Speaking of Ran, this is the movie where she first fully realizes that Kid naturally resembles Shinichi. And as a cherry on top, we also get a shot of Kaito Kuroba himself.

And the movie was far from the only thing happening in April 2010.

☘️First is the OVA that was released just a few days prior: Kid in Trap Island. What starts as a standard Kid heist gets utterly derailed when the Detective Boys shoot Kid out of the sky, and now he has to chaperone them back to safety. Despite Kaito not being named in any capacity, we get to see him out of (most of) his costume and even hear about his fear of fish for the first time in DC media. Heck, Jii is even mentioned by name as well!☘️

Then there’s what aired the very same day the movie came out: Secret Birth of Kaitou Kid, the first episode of TMS’s adaptation of Magic Kaito.  After years of teasing the door open on who Kaitou Kid is behind the mask, TMS adapted the first chapter of Magic Kaito and aired it in the Detective Conan TV time slot. It, too, is an incredibly silly episode of an incredibly silly first chapter of an incredibly silly gag manga. THIS IS KAITO KUROBA, Detective Conan said. OBSERVE HOW SILLIE HE IS.

Testing the Waters

TMS eventually made 12 of these episodes. Based on the air dates, I can only assume Secret Birth of Kaitou Kid was meant to be a one-off, or at the very least it was a testing of the waters. Whatever the case, the remaining episodes got greenlit and were aired over 2011-2012. The most interesting change to the second half of these episodes is the addition of new plot points related to Magic Kaito’s organization, chiefly the new member Spider. They were introduced alongside Hakuba, who I imagine they wished to give a larger role in the episodes he did show up in. Another major takeaway from the TMS adaptation is their decision to animate Akako’s Delivery Service in The Witch, The Detective, and The Phantom Thief, albeit edited and extended to deal with the new anime-only plot points. In terms of Akako’s feelings for Kaito and Hakuba’s discovery of his identity, it’s a fairly significant chapter. Despite that, this is the only animated adaptation. I have some… complicated feelings regarding this, but now is not the time. 

As for the manga, we have a major arc in Mystery Train. This is not, in all technicality, a Kid case. If anything, his presence is pure coincidence, given he was only there to stake out the train ahead of the actual heist. Though this is a purebred Detective Conan plot, with the Black Organization’s involvement, Kid winds up a key part of their plan to convince the Organization that Sherry is well and truly dead.

Though his appearance in this case would be referenced in the future, this would be the first and last time Kid was directly involved in a major Detective Conan plot beat. This chapter was released before I had an active interest in Detective Conan, so much of what I’ve seen are second- or third-hand accounts from Japanese fans who went through the arc’s release. In short, reception was very mixed to Kid being such a major part in the resolution of this conflict. While there are those who enjoy his inclusion, either because they’re fans of Kid or because they accept the manner in which he was dragged into the plot halfway through, there are also those who consider him a “cheat” character who taints the worldview of Detective Conan by his presence alone. Gosho himself has also mentioned that he won’t be involving Kid in Black Organization plots anymore, either, due to the backlash.

My personal view on Kid’s involvement in Mystery Train is that the arc felt very much like a capital-E Event, so I bought it. There was a clear amount of luck involved in his presence there, so I could see how some may think the entire thing contrived, but it’s that coincidence that sells it for me. It’s Conan needing to fly by the seat of his pants to ensure Haibara makes it out alive, and further impresses upon us that they were half a step away from potentially fatal consequences. Nevertheless, this seems to be a case of an attempt to integrate Kid into the greater Detective Conan narrative that ultimately failed, so he returns to being largely divorced from the overall plot.

Despite this, though, there appear to be multiple chapters after this that focus on systematically introducing Kid to members of the extended cast. This starts with Blush Mermaid, Sera’s first presence at a Kid heist. What’s also unique about this chapter is the small but significant scene at the end that actually does continue the overall main plot - in this case, Sera’s misgivings over the death of Akai. Though Kid will not be overly involved in the main plot from here on out, his chapters do start featuring B Plots that touch on said main narrative. It’s… a half victory, of sorts, in terms of integration.

The other major takeaway from this case is a continuation of Conan and Kid apparently keeping a score of sorts. Due to Kid’s assistance during Mystery Train and the lack of a real theft, Conan lets Kid go. We’re in real “friendly rival” hours now.

Twin Bets pits Kid against Kyogoku, a frankly long overdue confrontation considering he’s Sonoko’s boyfriend. There’s a half-argument to be had that this also involves Kid in a major B Plot for the series as a whole, since this is a romance plot with a major recurring character. There’s also a level of intrinsic amusement in a Kid vs Kyogoku confrontation, since it comes down to (to quote my girlfriend) “guy who is literally from another manga but feels like he belongs here vs guy who somehow belongs here but definitely should be in another manga.”

Twin Bets also serves as the very first time Kid looks at the gem of the day under the moonlight in a Detective Conan chapter. It's the first case post-TMS Magic Kaito where it's applicable for him to do so; he's a bit busy with other things in Mystery Train, and he calls out Blush Mermaid for being a fake. This trend would continue in every case afterward where the plot wasn't otherwise preventing him from doing so (like the murder in Azure Throne).

Normally, this particular stretch of chapters would include quite a few more due to how many of them follow this “Kid, meet [Character]” format. But some of you may have noticed that, despite all the ample opportunities I’ve had to speak of it, I’ve avoided mentioning a certain number…

1412

Thousands of words earlier in this retrospective, I mentioned that Detective Conan’s Black Star felt the most like a crossover chapter. What I didn’t mention at the time, however, was that it also feels like one of the most fundamentally necessary Kid cases in Detective Conan. Not because it’s Kid’s first appearance, but because it introduces a piece of information about Kaitou Kid that eventually becomes baked into his identity despite the fact that it was introduced outside of his source series.

1412, the Interpol criminal code assigned to the internationally renowned phantom thief that was subsequently transformed after an author misread a journalist’s hasty scrawl as “KID.”

It feels like no small coincidence that the A1 adaptation of Magic Kaito added “1412” to the end of its title not just to differentiate this adaptation from TMS’s Magic Kaito specials, but to also indicate that this version of Magic Kaito would be the marriage of its namesake manga and Detective Conan.

In this regard and more, Magic Kaito 1412 modernizes aspects of the original story.

Technology, for example, was updated to reflect what a high school student like Kaito would be doing. Instead of reading the news in the papers, he’s scrolling through news sites on his phone. This is the most common kind of update that you see across adaptations of all stripes, so it’s the less interesting change.

The anime also modernizes with regards to itself, looking inward to find out what people associate with Kid in the modern day and adjusting the story - and the order that story is told - to account for that. This is expressed in ways both large and small. Blue Birthday, for example, is pushed way up to episode 2 of 1412 to introduce Pandora to the audience as soon as possible. Given Blue Birthday is also an Aoko-centric episode, it’s equally fitting that she gets the second episode. Jii’s significance is heightened by reworking the scrapped chapter Hustler vs Magician, a chapter that also coincidentally focused on an aspect of Jii’s past, into episode 3. This focus on major characters continues into episodes 4-6, which introduce Hakuba (chapter 15), Akako (chapter 6), and Shinichi (chapter 23), in that order.

There are also minor changes, likely made for pacing or simply content reasons. One small but frankly fairly significant change involves Kaito’s card gun. He’s shown using it in the first chapter of the manga, which also means he’s using it in the first episode of TMS’s adaptation. Since it eventually comes to be a signature weapon for Kaitou Kid, 1412 prevents Kaito from using it while in his civilian identity (like when he’s panicking about the fish with Aoko). Due to moving Blue Birthday up to episode 2, heists that originally weren’t really bothered with holding the target up to the moon include scenes of Kaito doing just that. Jii is suspiciously absent for most chapters until Black Star, so 1412 inserts him into animated adaptations of older heists, such as helping Kaito prepare the fireworks for Blue Birthday or providing an anime-original explanation of magic vs sorcery. There are similar one-offs with other characters as well, like a short scene of Hakuba being inserted into Akako’s introductory episode.

As a proper series in its own right, as opposed to a series of animated specials, 1412 also had to decide on a unified tone. Though TMS’s adaptation fluctuates wildly, 1412’s tone is a bit more even across the board. It’s comedic and dips its toes in gag vibes without taking it to absurd levels. While TMS’s adaptation of the first episode includes an entire apparatus outside the classroom window in episode 1, Kaito simply jumps out the window and makes it to the ground after running around the classroom in 1412. Though it also pulls away from some of the more atmospheric moments of TMS’s adaptation, it pulls back far more from the gag energy.

As a result of the above two points, many chapters are shuffled around or cut entirely. Chapters like Clockwork Heart, Japan’s Most Irresponsible Prime Minister, or I Am The Master are a level of absurdity that doesn’t fit with modern Magic Kaito’s energy, so they were completely cut. The Police Are Everywhere (chapter 2) was pushed back and adapted as The Princess and the Thief’s Improv (episode 15), because the emotional core of Nakamori potentially getting removed from the police force simply doesn’t work that early in the story outside the gag context. Akako’s Delivery Service was also unfortunately cut… Whether it be because of Akako’s appearance as Kid and the subsequent punchline or because of the technology Hakuba used to ascertain Kid’s identity, they apparently determined it was either too outside the tone or too difficult to adapt. Hakuba’s call in Golden Eye truly comes out of nowhere as a result, though, and that’s one fewer episode for a character that already had a bit of a spotty appearance record early in the manga’s run.

When the anime was announced, there were 30 chapters out. Seven of these were ultimately not animated, and many of the two chapter cases could be easily adapted into a single episode. They needed more material to fill out the remaining episodes, so they did this in two main ways.

The first is by reaching into some key Detective Conan cases. Black Star is a bonafide Magic Kaito case, but shifting it and Shinichi’s appearance in this adaptation to episode six - right after a series of core cast introductions - is actually very telling. 1412 was not only concerned with adapting the manga for modern sensibilities, but also with adapting Detective Conan for a Magic Kaito audience and further strengthening the connection between the two. This “adaptation” resulted in anime-original retellings of Ryoma’s Gunbelt, Sky Walk, and Purple Nail from Kaito’s point of view. Personally, I wouldn’t be surprised if this was a decision early on in the anime’s development, and if it was their existence that necessitated the tone of 1412 be evened out via not adapting the more “out there” chapters of the source manga.

The second thing they did to fill the run time was for Gosho to write an entirely new heist to function as a finale for the anime. This was Midnight Crow, the first heist to really touch on the driving plot of Magic Kaito (outside of Snake showing up to be ineffective) since Blue Birthday. Gosho’s comment on this case in the Treasured Edition is… a lot.

After a standalone anime adaptation was greenlit, the topic of what we should do for the final episode came up at our first meeting, so I said “Why don’t I write the ‘Black Kaitou Kid’ story I have saved as a trump card in Sunday and use that in the final episode?” Thus I wrote Midnight Crow! I’ll never forget how surprised the members of staff looked when I bluntly told them that Toichi is actually still alive (lol). (…) Though Chikage made Kaito work as Kid in Phantom Lady, she tried to get him to quit in Midnight Crow because of everything that happened in Las Vegas… But that’s a story for another time (lol).

The story itself has plenty of hints that Kaitou Corbeau is a Toichi-Chikage tag-team, but actually seeing him spell it out so casually sure is something.

Speaking of spelling things out, though, I also want to take an aside to touch on the Magic Kaito 1412 novelizations. Six volumes were published roughly concurrently with the anime’s run, and though there isn’t anything drastically different from what we already know from either Magic Kaito or Detective Conan, sometimes the narration can be quite enlightening. For the purposes of this, though, I specifically want to touch on that pin from earlier.

In the movie continuity, there is very clearly a moment where Kaito figures out Conan’s identity in The Last Wizard of the Century. There is no concrete equivalent to this in either Detective Conan or Magic Kaito, and 1412 doesn’t really expand on this either. I mentioned the possibility that Ryoma’s Gunbelt would have given Kaito ammo to figure out who Conan might be, but it’s not the most compelling argument. I’ve heard tell that Gosho once implied Kaito may have simply come to this conclusion on his own outside of the movie continuity, and I’ve personally always taken this stance given he seems to recognize Conan as a “high school detective” in Fairy’s Lips - and simply DOES know, no arguments, by Azure Throne.

Taking novelizations like these as fully canon is always a bit of a risk, but there’s a very interesting expansion on this particular issue in Volume 3, during the Ryoma’s Gunbelt adaptation. After Kaito runs into Conan while under disguise at the museum, the novels go into a brief explanation of how Kaitou Kid came to be known as such (aka the 1412 thing), followed by a flashback to Kid and Conan’s first meeting in DC’s Black Star. The narration then turns to what happened after the fact. This is fairly long, but as far as I’m aware these novels aren’t available in English, legally or otherwise. As such…

***

Kaito investigated the child that was on the roof of the Beika hotel - the young boy who called himself a detective, and with whom Kaito fought during the Black Star incident.

His name was Conan Edogawa.

He was a distant relative of Hiroshi Agasa, inventor and scientist, and was currently freeloading at the house of Kogoro Mouri, the famous detective “The Sleeping Kogoro.”

…And that was all he really figured out about him.

Conan Edogawa was full of mysteries.

But there was one thing that bothered Kaito.

Kogoro Mouri had a high school daughter named Ran. And Ran Mouri was the childhood friend of Shinichi Kudo.

That Shinichi Kudo.

The very high school detective that cornered Kaito during the clock tower heist.

Before his run-in with Conan, Kaito had looked into the young man that had aided the Metropolitan Police Department.

At a certain point after that clock tower incident, he had apparently gone missing.

He was not officially registered as missing, nor did it become a massive incident. But he stopped attending Teitan High School and disappeared from his home. He was apparently gone because he was busy chasing after some case a client had requested of him, but…

The elementary schooler Conan Edogawa appeared before both Ran Mouri and Kaitou Kid as if taking his place.

Shinichi Kudo, and Conan Edogawa.

Due to their mysterious nature, the two detectives continued to fascinate Kaito.

By the way…

The certain young novelist who had given Kaitou Kid his name was currently a world-renowned mystery writer.

His name was Yusaku Kudo.

Shinichi Kudo’s father.

Then there’s his mother, Yukiko Kudo, who was an essayist. She was a former actress, and once studied under the magician Toichi Kuroba to prepare for a role. Kaito had even once met her alongside his father in his childhood.

A strange turn of fate connected the Kudo and Kuroba families across multiple generations.

Did Kaito realize…?

Did he know that Conan Edogawa was actually Shinichi Kudo, who turned into a child after being forced to take a strange medicine?!

-

Professor Agasa was aware that Conan Edogawa was actually Shinichi Kudo… and it was likely only a select few others knew this. Not even Ran Mouri, his childhood friend, knew.

If Shinichi Kudo was keeping his identity a secret… then the reason he became a child must be pretty dangerous. Something that involved crime and the underworld. Just knowing the truth could put your life in danger.

It was only obvious that Kaito kept his identity as Kaitou Kid hidden.

But Shinichi Kudo must be living an even more troublesome life.

***

The narration of these novels knocks on the fourth wall fairly often, explaining that middle bit of this particular excerpt. It never confirms for sure whether or not Kaito managed to connect the dots, but the aforementioned questionable canonicity of novelizations like this means that was probably the safe choice. That there’s extra information here at all about Kaito looking into both Shinichi AND Conan is a pleasant surprise, as far as I’m concerned. But it’s also a bit frustrating that we don’t yet have even a hint of how this occurred in the manga when we now have two potential sources of that knowledge in the movies and these novels.

Which you opt to take as the more likely canon is probably up to personal interpretation, but I think I’m personally a bit more willing to go with a version of the novel’s events. I prefer to include the movies as a level of canon unless they outright contradict the manga (like M10 does, tragically), but the novel’s versions of events is probably the safer option.

But it’s the inclusion of extra scenes like these that further connects Magic Kaito - especially this particular iteration - to Detective Conan. They are holding hands so tightly now.

This all eventually culminates in Sunflowers of Inferno. Though M14 is the more obvious turning point with regards to Kid’s general behavior and personality in Detective Conan movies, Sunflowers of Inferno is a slightly more interesting turning point: all three movies after 1412 airs involve aspects of Magic Kaito, whether it be in its story or in its theming.

For this movie, it’s a very obvious example of the former. I think the plot of M19 is… strictly okay, but Kid’s motivation throughout being related to Jii is something I really enjoyed about the film. You know, assuming you don’t think too hard about Jii’s age as it relates to the timing of the flashbacks. Outside of that, Kid’s behavior in the movie almost looks as though it’s walking back from M14, but that’s only because Kid is playing the villain for most of it. Once that facade is dealt with he’s fully cooperative with Conan, to the point that the latter trusts the former with Ran’s safety. The opening scene with Kaito in his dark heist garb is also a nice bonus.

All in all, I think 1412 airing actually has the biggest effect on the movies. I’m not sure if that was intentional - movies 23 and 27 have the same director, so it could just be that her artistic vision includes MK in it - but for Sunflowers of Inferno it was almost certainly intentional as a show of fireworks after the ending of the anime. As for the manga, 1412 airing actually seems to have had very little influence on the Detective Conan chapters featuring him. Though Kid is a lot more likely to resemble the version of the character from Magic Kaito now, the manga seems a bit more concerned with introducing him to the new guard.

Meet The Fam

The Detective Conan cases in this section continue the general trend from after Mystery Train of either 1) introducing Kid to a significant sub character, or 2) running parallel to a B Plot that is concerned with the main narrative.

Luna Memoria does a couple of interesting things. First, this is the first time Conan explicitly asks Kid about investigating the jewel of the heist, since he knows Kid is on the search for a “special jewel.” Kaito is very candid in his response, telling Conan he ran into the deceased owner as the readers get a small flashback to Kaito Kuroba reverse pickpocketing the necklace. It’s an interesting conversation to have in the first Kid case since 1412 aired, especially since this aspect of Kid’s MO hasn’t really been discussed in any concrete way in DC before this point.

The second thing it does is have a small but nonetheless amusing B Plot with Okiya. While taking pictures of potential targets for his disguise, Kaito inadvertently gets a picture of Okiya’s voice changer. So Okiya joins Conan in confronting Kid in the bathroom and Very Nicely requests they get that picture back. Kaito has an “oh shit” moment, gets the heck outta dodge, and the chapter ends on a comical note when Kid can’t escape because Nakamori refuses to stop looking for him.

The next DC chapter, Fairy’s Lips, does a little bit of 1 and a little bit of 2. Surprisingly enough, Heiji has not had a significant confrontation with Kid in the manga before, and now Kid is getting himself involved in his and Kazuha’s romance plot. This chapter is retroactively significant because it’s the key jumping-off point for Heiji and Kid’s relationship in M27. But it’s also surprisingly significant for the MAIN main plot of Detective Conan by bringing in Koumei as a secondary detective that’s working to capture Kid… because he’s in Tokyo to receive a mysterious envelope addressed to him. The truth of the envelope’s contents is an Extremely Big Deal, and though by this point in the manga I was fully aware that plot developments would often happen in otherwise standalone cases now, I was personally not ready for that in a Kid case. So there’s that.

Between these two cases is the Magic Kaito heist Sun Halo, which puts a focus on Aoko for the first time in a while. It’s also very minorly a Magic Kaito version of a suspicion arc - the first one since Kaitou Kid’s Busy Day Off - though it ends with a return to the status quo. This chapter, as mentioned way earlier, also features some magic shenanigans from Akako in a more concrete way than we’d seen in a while. There’s some stuff about these chapters that are more disturbing the longer you think about them (what do you Mean Kaito just carries some blood neutralizing spray around with him so people can’t figure out his identity based on his blood), and the general tone is a lot more somber because Kaito is suffering from both pain and blood loss. It feels like an extension of Midnight Crow’s tone, in that regard.

After these three chapters is our next Kid movie, Fist of Blue Sapphire. This movie features a romance subplot between Sonoko and Kyogoku, and thus brings Kid back into it via certain aspects of the movie plot. As a post-1412 movie, the major feature of this movie is not the plot, but the thematic underpinnings of said plot.

Many post-Blue Birthday Magic Kaito heists tend to overlap aspects of Kaito’s situation with that of the characters introduced in the heist. The feature character of Red Tear is a woman who has grown to hate magic after the untimely death of her parents. The titular Dark Knight lives a double life as a notorious criminal for his son’s sake, and Kaito works to make sure his son never finds out about that double life. The thief in Golden Eye is attempting to salvage her father’s legacy. If they aren’t straight parallels, then they present what-if scenarios or twists on what Kaito is going through.

Fist of Blue Sapphire pulls something similar with Rishi, one of the movie-original characters. He’s torn up enough by his father’s death that he chooses to dirty his hands in order to get his revenge. After Midnight Crow, where Toichi himself wants to ensure that revenge is not Kaito’s only driving force, this presents a what-if scenario - an alternate path that Kaito might have chosen, had his admiration for his father not won out over his grief at his death. It’s interesting to see this particular thematic through line in a Detective Conan movie because it’s never been shown in a Detective Conan manga case before, and it’s one of the reasons I’m particularly fond of Chika Nagaoka’s Kid movies.

Another major aspect of this movie is how the sheer amount of screen presence Kid has gives the movie ample time to show what more involved cooperation between Kid and Conan looks like. The second Kid is framed for the crime, he chooses to go to Conan; if Kid looks to be in genuine danger, Conan begrudgingly comes to his aid. They spend time talking over the aspects of the case, and work seamlessly together during the climax. It’s by far the most actively cooperative they’ve been before or since, but it doesn’t come out of nowhere (and the spirit doesn’t quite go away, either). The clearest indication of this change in relationship is the line spoken by Kaito after he’s dealt with his wounds on the roof: “A magician makes you believe he holds something within his clenched fist, and a detective guesses correctly what they hold before it’s ever revealed.” It’s a stark contrast to probably his most famous line from Black Star about phantom thieves being artists and detectives being no more than critics.

Fist of Blue Sapphire happens to be one of those movies that I personally have any concrete info about via things like guidebooks. I don’t want to bloat this more than it already is, so there’s only two things I read that I want to share. 

The first is Kappei Yamaguchi’s seeming reaction to the script during recording, specifically in regards to his laugh. Normally, Kid in Detective Conan has had a sort of booming, open laugh, but twice during the recording for Fist of Blue Sapphire he opted to go for a version of the laugh as written out in Magic Kaito - an “ahaha” vs a “kekeke” kinda difference. He talks about this in the Kaitou Kid Secret Archives, but an online article on the movie from Movie Walker expands on this from Nagaoka’s point of view:

This time, we have a lot of aspects from “Magic Kaito” and Kaitou Kid’s true face in this movie. The moment I thought “This is just Kaito” was during ADR, when Yamguchi Kappei-san laughed like ‘hihi!’ Kappei-san said to me “I did it even though I thought it’d be struck out.” (lol) I could tell in those words that he met this movie with his own interpretation. I was impressed. We have a very cool Kid as a result.

It’s also in the Secret Archives interview that we get the “His speed may be at 100, but he has zero combat ability at all” comment from Gosho to Nagaoka, which is… extremely funny.

The other major thing from the Secret Archives interview (and elsewhere) is an anecdote about a certain regret. Nagaoka herself seems to be a big fan of Magic Kaito, but after M23 was released to theaters, Gosho lamented that he should have had Kid allude to Aoko. This was brought up again in a more recent Animage article: “Actually, back during Fist of Blue Sapphire, Aoyama-sensei had told me something akin to ‘We should have had Kid say “I have a better sapphire (Aoko) already” when he returns the blue sapphire,’ and I responded ‘You’re going to tell me that now, Sensei?!”

This is all to say that, despite the lack of any obvious elements akin to Jii in M19, they were clearly thinking of Magic Kaito while making M23.

☘️The next case on our list isn’t really a Kid case at all, but I consider it significant in the way it illustrates Kid and Conan’s developing relationship. Yusaku Kudo’s TV Show Case’s big twist is that Vermouth had been in disguise as Yusaku the entire time, but what’s important is that instead of being suspicious of his dad’s double showing up, Conan immediately assumes and trusts the double as being Kaitou Kid. “Kid” claims he’s here to help after Yusaku stated on the news that Kid wasn’t the culprit, and the following events snowball into interesting events and implications.

The first and most obvious is Conan’s implicit trust and expectations for Kid. He is visibly disappointed when “Kid” doesn’t respond to his deductions the way he assumed he would or didn’t pick up on details he was convinced Kid would immediately notice. It’s actually a staggering amount of trust, despite everything.

Then we have the fact that Vermouth was able to use this tactic at all. Her visiting the Kudo residence was a failsafe to ensure Yusaku really was out of the picture, so she needed a way in. Personally, I think it’s safe to assume she didn’t adjust after Conan thought it was Kid - she knew this would work from the start. Yusaku absolving Kid in the news is a perfect in for someone who was already fully aware that Kid had teamed up with her Silver Bullet before in Mystery Train. And she was right. Conan’s immediate assumption and subsequent display of trust blinded him to the possibility of the other infamous master of disguise on his list.

That this particular case works as a prologue of sorts to the minor Black Organization arc that follows is also interesting to consider. Kid didn’t appear in the arc at all, but he certainly was used as a tool for it.☘️

The subsequent DC chapters continue the “Kid, meet [Character]” trend with Amuro (and Kazami) in Queen’s Bang. He’s a fairly active part of the process, not the least of which because Kid belittled his card trick skills as they were lining up to enter the museum. Though this chapter doesn’t have a relevant B Plot, it is the first reference to Kid’s presence in Mystery Train since Blush Mermaid - and a pretty significant one at that, since Amuro was the one that actually had to deal with “Sherry.”

Siren Splash’s main character introduction is actually Azusa, which feels a bit like a follow up on the minor role she had in Queen’s Bang. This case has a couple of fun things that sort of cover the entire spectrum of ways in which a Kid case could be fun for our purposes. The least significant of these is Kid’s skates, which (if memory serves) haven’t been seen since chapter 10 of Magic Kaito. Gosho mentions wanting to use them again in his Treasured Edition comment on that case, so it’s a lot of fun to finally see them show up again.

Going up to slightly more significant, there’s a Very Ominous Comment from Kanenori about his left eye, which serves as foreshadowing to information we find out about him about a volume later. And then we have the end of the case, which is a little difficult to talk about because we don’t have any elucidating information yet. Regardless, I’ve always been amused that, despite Conan being the talk of the various police departments, he’s largely avoided being in the news… except where Kid is involved. It seems that’s finally coming to a head with the older gentleman that is none too pleased about the news story covering Conan’s victory. We don’t know what role this man has yet, but if this has ties to the main plot, then this is a very amusing way in which Kid has affected the main plot.

There’s not much else of note to say about this series of chapters, because it’s largely continuing the trends of the era that led to 1412’s release and codifying a less mysterious Kid, and an (at times) more cooperative Conan. But it’s also a comparatively sparse number of chapters; in the over seven years since 1412, Kid had only featured in four chapters here. You probably wouldn’t expect any major developments from a precedent like that, right?

…Right?

Erasing the Line in the Sand

We have now entered the modern era - specifically, the immediate lead-up to M27. Recency means some of these things are going to be a little bit harder to extrapolate on, largely because we have no idea if this is the start of something new, or perhaps just an outlier in the general trend. Regardless, some of this stuff fully makes my brain spin. Never mind brainworms - I have brain bees, and they will not stop buzzing.

We start with the most-recent Kid case in Detective Conan as of this writing, Azure Throne. This particular case is significant for multiple reasons, besides just being a good time. First, it’s Hakuba’s first appearance in Detective Conan since Detective Koshien, which means it’s been a whole seventeen years. Help. It’s arguably also the closest it comes to a proper Hakuba vs Kid case in Detective Conan, since Twilight Mansion is a little too busy with other aspects of its plot to spend much (if any) time on Hakuba’s relationship with Kid. Hakuba is also just a little insane, given his plan was to airlift the entire observation deck and sink it into a pool to trap Kid… There’s some minor Magic Kaito gag energy in that idea, and Hakuba’s never done things by halves.

Next, we have yet another reference to Kid’s presence in Mystery Train. Queen’s bang was only a couple years ago, and in Conan Publishing Time that’s no time at all considering Mystery Train was back in 2012. It’s interesting to get two references to that particular case so close together. 

And speaking of references, my third point of interest for this case is that it straight up references Golden Eye. There’s even an illustration of Cartier, the security company manager that Nakamori is thinking about when he responds to Jirokichi’s comment. Magic Kaito has certainly referenced Detective Conan before, and 1412 itself pulls heists whole-sale from it to fill out its runtime. But this is the first time it’s gone the other way around.

It’s also, somehow, the very first time Kid has assumed the Shinichi Kudo disguise in the manga. And even more surprisingly, it’s done so at Conan’s request. Sure, Kid was the one begging Conan to free him of suspicion for the murder that just happened, but “disguise yourself as me and make sure Ran doesn’t find out” was the condition Conan put forward for his cooperation.

This connects to the fifth and sixth points that I’m concerned with. The fifth point is Ran herself; she has a comment toward the end about how she can’t forgive Kid for “disguising as Shinichi every single time.” Which is, you know. Kinda weird, if all we’re considering is manga continuity. This is his very first time assuming this disguise in the manga! So in Gosho’s mind, at least, the movies aren’t not canon. Considering more recent movies are more likely to require “homework” to fully enjoy them, I wouldn’t be surprised if they were more carefully written to slot into canon more easily than early movies were.

The sixth and most hilarious point is a single aside in a conversation Kid and Conan have.

Actually, why do you look so similar to me?

Why would I know?! Maybe we have a shared ancestor or something. (To be honest… I’m not even changing my voice much, either…)

Now, the addition of that voice comment makes the whole thing sound like a gag - they do have the same seiyuu, after all - but their similarity has always been a bit of a gag… In the movies. Thinking back on it, I’m not sure it’s ever really been brought up in the manga, so this is a joke that feels almost necessary after Conan requested Kid to disguise himself as “Shinichi,” which Kid managed to do despite being not at all prepared for it.

And, you know. It’s also foreshadowing now. Not by much, considering the movie was only a few months out, but still.

tl;dr: There’s a lot going on in Azure Throne. It is probably the densest of the Kid cases in terms of its relationship to itself and its relationship to Magic Kaito. As a result of that, there’s something about this case that feels like the purest mix of Magic Kaito and Detective Conan. It also feels pretty clearly written with the movie in mind, considering it not only had the aforementioned foreshadowing, but also brought in ideas from previous movies into the manga to create synergy between them.

After that we have Green Dragon, a Magic Kaito heist that ran through M27’s theater release. Meeting Aoko’s mother is certainly a standout of this particular heist, but what I personally find more interesting is the tone. It eschews the steady creep of drama into the narrative by pulling back to something more comedic, and in some ways feels a little like a return to form. Kaito’s fear of fish is brought up again for the first time in ages, and Midoriko gets a whole host of muscle men to corner Kid.

The chapter also opens with a reference to the crimes (as Midoriko would prosecute them) Kid committed in Queen’s Bang. In terms of time, it’s been over ten years since the last MK heist referenced DC in any meaningful way. But in terms of heist count, Phantom Lady was only three heists ago.

It is at this point I must discuss the movie, The Million-dollar Pentagram. As the movie is not yet out on Blu-ray as of this writing and the international offerings were a bit spotty (especially outside of Asia), I want to give another spoiler warning for the information I’m about to go into. I mentioned earlier that later movies require a bit of “homework” for full enjoyment, and M27 is no exception. It has also turned into one of the more common complaints I see from casual DC movie enjoyers, at least on the Japanese side of things - because yes, there is a whole audience of people whose only exposure to the franchise is the yearly movie. While the most easily recognizable pieces of “homework” for this particular movie are clearly cases like Fairy’s Lips or even M21 for familiarity with Momiji and Heiji’s attempts to confess to Kazuha, it is also very much arguable that the second major pillar of this movie requires a working knowledge of Magic Kaito. Like, not just knowing who Kaitou Kid is, but knowing who Kaito Kuroba is.

Which means I’m going to be talking about a lot of this movie in concrete detail. The main thrust of the movie is, to put it very simply, a treasure hunt. What I discuss will give you very few clues as to how or why that mystery is solved, but it will end up touching on key events, motives, and emotional beats. If you’d rather keep yourself unspoiled so as to enjoy those aspects as well, please skip to my discussion on FILE.0. You can find that by scrolling to below the second horizontal line, or doing a Ctrl+F search on “FILE.0.” That being said, there will also be more concrete references to the post-credits scene everyone knows about by this point in the final section of this retrospective as well.

——

There’s a lot I want to discuss with regards to M27, but it’s frankly hard to conceive of how I’d go about it. Going through the movie chronologically would take far too long, so I think I largely just want to list up a few interesting elements and then dive into what significance I think those elements hold. For the curious, I saw this movie twice in theaters: once about a week after premier, and again when they were running English subtitles at certain locations.

Let’s start at the beginning, with the most amusing thing this movie did before it was even released: the lack of a pre-screening. Movies like these usually have a seiyuu event of some kind attached to an early screening of the movie that fans can attend via lottery a little while before the official release, but they used the framing device of Kid “stealing the pre-screening” to avoid holding one at all. This isn’t strictly related to anything I’ll discuss further, but it is amusing to think that they believed the information presented in this movie was important and significant enough that they didn’t want to risk people talking ahead of the official release. And, you know, it WAS, but we’re not getting into that just yet.

Also somewhat minorly was the cover of an-an being Shinichi and Kaito, as opposed to Conan and Kid or even Shinichi and Kid. There’s also been a handful of DC merch that includes both Kaito and Kid in the lineup, and I don’t think stuff like this has happened since 1412 aired. It’s clear in hindsight they were focusing on his civilian identity because of his motive in the film and the reveal in the stinger.

As for the movie itself, I want to start REALLY basic, and actually talk about the score of the movie. The Million-dollar Pentagram is the first Kid film since Yugo Kanno took over from Katsuo Ohno for the movie soundtracks. This normally wouldn’t matter too much, except for the fact that Kaitou Kid has utilized a variation on the same two themes since The Last Wizard of the Century. There was apparently quite a bit of back and forth as to how to handle this aspect of the soundtrack, but in the end they went with a completely new theme: The Grand Circus (華麗なるサーカス). If you’re reading this and somehow haven’t heard it before, I highly recommend you give it a listen. It serves as his calling card throughout the movie and is a much more playful tune. I can’t help thinking about Toichi’s conversation with Kaito in Hustler vs Magician about how the pierrot is the most important member of the circus (yet another reason I’m glad this chapter got salvaged in the 1412 adaptation). I definitely don’t dislike his old themes, but I do enjoy that the vibe of this one expresses a side of Kid in Detective Conan that has seen more screen time lately, but has until now had no musical motif to express it.

Another amusing part of this soundtrack is a certain melody, only a couple bars long, that repeats throughout the entire score. This melody just so happens to play during the final major reveal of the movie: that Toichi had been disguised as Yoshihisa Kawazoe the entire time. Kawazoe is a local detective that is in and out of the movie for almost its entire runtime. Toichi was, in essence, with us the entire time. Just like this melody was, weaved in and out of the soundtrack. It’s a nice touch. Kanno mentions in the Toho Cinemas guidebook that there’s very little impact to a melody introduced in the final moments, and that he wanted to inspire a sense of deja vu alongside surprise by accompanying that final reveal alongside a melody that had played the entire time. It’s kinda neat.

As for Kid’s behavior in this movie, it’s informed entirely by his desire to discover why his dad apparently went after this “potentially world-destroying” treasure, found it, and then left it alone. There’s an overlap between this and his motive in M19, considering both are more personal in nature, but M27’s motive is also far more fundamental to Magic Kaito. Kid is mentioned multiple times to have an assistant of some kind in Detective Conan chapters, but the only mention of his dad is that 1) he exists, and 2) he was the previous Kid. He’s not at all connected to Kid’s search for Pandora or his reason to be the second Kid in the first place, so bringing his dad into things as a motive feels more poignant if you know Kaito’s always been chasing him. Which is to say, it relies a bit more on knowing Kaito’s personal story from Magic Kaito.

The plot leans into this “if you know, you know” vibe by having Kaito only ever indirectly refer to his dad. When he explains why he’s searching for these swords to Conan and Heiji, he only refers to “a certain thief.” In a moment of respite, he only just barely gets to say the first sounds of “dad” before he’s interrupted by one of our culprits. It’s not said in any capacity until the very end of the movie, when the treasure is found alongside Toichi’s glove and a notice from Kid the first: “Wake not a sleeping lion.”

Going back to Heiji and Conan, he’s not openly cooperative with them until they save him from near death. It’s at that point they share info and Kid ropes them into solving this puzzle because it’s what they do best. The rest of their cooperation in the movie usually takes the shape of a “2+1” format. Conan and Heiji are obviously working together while Kid comes in and out via a number of disguises. There’s a comedy to his disguises in this film, since they’re almost too easy to see through. It’s likely in part so Heiji and Conan can be aware of his presence, since they’re technically working together. Minami Takayama also picks up on this in her movie pamphlet interview, adding that he “seems more open and honest this time, probably because that’s just how badly he wants to solve this mystery” and that it feels more like “Kaito Kuroba and Shinichi Kudo have taken a step closer” as opposed to it just being Kid and Conan this time around. Kappei Yamaguchi in the same set of interviews says he’s “basically Kaito” with Conan, even if he still mostly behaves as Kid with Heiji.

To summarize, Kid’s behavior in this movie is far more open due to the goal being tied to his dad, and with Conan specifically the mask is basically off. Add this to the comedic touch of his disguises throughout, and you’ve got some good Magic Kaito vibes despite his reduced screen time compared to M23.

But that only lays the foundation for those vibes. There are plenty of other reasons why it feels more Magic Kaito-y, given key aspects of this movie bring in more aspects of Kaito’s civilian life - and certain emotional beats rely on your knowledge of that.

To start with a more minor beat that wraps up things mentioned above: Toichi’s glove. Kaito takes it with him after discovering the treasure, and there’s a short scene while he’s flying through the sky (after a more significant moment we’ll discuss later) that sees him looking at the glove with a frankly mixed expression. The novelization of the movie mentions him smiling happily as he soars through the sky, but that is not the expression we actually see in the movie. He has Thoughts about finding his dad’s glove there, but the audience is left to guess what they may be. It’s a hole that’s nearly impossible to fill without knowing Kaito’s backstory (and, arguably, without knowing about Midnight Crow).

And we’ll get to Midnight Crow’s significance, just you wait.

The second beat I want to talk about is Nakamori. First (and more minorly) is his engagement in some true gag Magic Kaito energy. A short scene with a disguised Kaito at a hotel alongside Conan and Heiji ends with Nakamori up against the window, looking in with multiple police officers behind him, as he realizes he’s found Kid. Kid then runs, and Nakamori and his officers run across the screen as Conan and Heiji continue their conversation. Real goofy hours.

But the actual most important story beat with Nakamori is him getting shot by one of our antagonists. He’a shot while on duty and escorting another principle character, and the framing of the movie puts us in Kid’s shoes as he discovers a gun aimed at the both of them just a little too late. This decision carries with it a couple of interesting tidbits, whether they be for our purposes or for how it seemed to affect the people that worked on it.

I want to do the latter first, since the snowballing is less extreme. Yamaguchi has talked about this scene a number of times, whether it be in interviews or during seiyuu events. As a voice actor, he was surprised at his own performance as Kid yells out Nakamori’s name. It was desperate and loud in a way he’d never been before, but it still felt natural to him; he thought it was indicative of just how important Nakamori is to Kaito, and that this was less Detective Conan’s Kid and more Magic Kaito’s Kaito Kuroba.

Related to this is a comment he made at a stage event that in his heart, he’d wanted to say “ojisan” instead of “Inspector Nakamori.” But he felt that it would be too difficult to display their relationship that way, so he went with the latter. There’s a lot of character interpretation you can do with regards to what Kaito chose to say in the moment, but I also can’t deny the possibility that it simply comes down to the “Kaito and Nakamori” dynamic not appearing in Detective Conan at all. Well, at least in part.

The other major ramification of this narrative decision is actually Aoko’s appearance in the movie. Nagaoka recounts in multiple interviews, such as in Febri or Animage, that she originally felt the tension in the movie was a little too slow-going, so she suggested someone get shot. The original plan suggested shooting Nishimura, the Hokkaido police detective, but Gosho said Kid wouldn’t save him if that was the case. It was here Nagaoka suggested Nakamori, to which Gosho agreed. He then added, though, that if he was in the hospital, then Aoko would likely show up.

Thus we have Aoko’s first theatrical appearance, and her first appearance in Detective Conan at all since Black Star. Her appearance in this movie grounds Kid’s emotional narrative in Magic Kaito; it implies the existence of Kaito Kuroba in ways Hakuba or Nakamori never could, because her significance rests entirely in his civilian identity. There are scenes dedicated to Kaito watching over her in disguise as she waits for her father to wake up, only leaving once she seems to be okay. He’s on the phone with her in one of the last scenes in the movie, and his smile when he ends the call is the softest it’s ever been in Detective Conan.

That’s not all, though. In a cute example of the movie affecting the manga, Gosho told Nagaoka later on that a gesture Aoko performs - a two-handed clap to the face that helps her psych herself up - was brought back into Magic Kaito for his April serialization. We see Midoriko do the very same gesture when she wakes up after her quick nap, as it turns out.

There’s something else I want to mention about Aoko, but that fits better elsewhere. So before we talk about the elephant in the room, I want to mention the theme of the movie. Both Nagaoka and Takahiro Okura, the script writer, have described the movie as dealing with “parent-child relationships” and “inheritance.” All of the antagonists follow after their forefathers in some way, but it’s an idea most obviously expressed by Hijiri Fukushiro, the main movie-original character. The complicated feelings he has about following in his father’s footsteps, and the things he does as a result, can all too easily be compared to Kaito’s own struggles. As I mentioned earlier, Nagaoka does something similar with M23, but it’s even more powerful here because Kaito is just as determined to chase after his dad as the many other characters in the narrative are to deal with the legacies their forefathers left them.

So. 

Elephant in the room. 

The ship-breaking shot heard round the world.

Shinichi Kudo and Kaito Kuroba are cousins, and their fathers are twins.

I want to just trace this thread throughout the movie, in as brief a form as possible.

It starts with the very first confrontation between Kid and Heiji. When Heiji gets the upper hand and knocks Kid’s monocle off, cutting through the brim of his hat in the process, the moon peeks through the clouds and gives Heiji a clear view of Kid’s face. He’s immediately shocked to discover he resembles Shinichi.

Heiji has a couple of moments following that clearly illustrates he’s ruminating on this. When he first sees Conan, he crouches down and takes Conan’s face by the chin, examining him. When Kid and Conan banter on the train, Heiji sits behind them, a confused but thoughtful look on his face.

Shortly after the above, Heiji confronts Conan: “Do you have any siblings?” He brings up the physical and vocal resemblance Kid has to Shinichi, but Conan brushes it off. “It’s a coincidental resemblance. It happened by chance.” Heiji drops the subject, but there’s an argument to be had that the way Conan says that last line sure is suspicious.

The movie follows the main plot until Aoko’s introduction. In one scene with her, Heiji, and Conan, she watches the latter two talk with interest. She crouches to the ground and stares at Conan, telling him that she’s reminded of her childhood friend’s younger years when she sees him. This is the first time their resemblance has ever been phrased as “You look like Kid/Kaito,” as opposed to the more common reverse. Nagaoka remarks in an interview that Aoko’s presence in this movie presented the perfect chance to further thread the foreshadowing of their resemblance throughout the film, and personally I rather enjoy that one aspect of this foreshadowing comes from the Magic Kaito angle.

Post-credits. Yukiko is surprised to discover Yusaku has an older twin brother. Yusaku is a little…cagey, in my opinion. He expresses mild surprise he hasn’t mentioned it before, says they keep in regular contact despite not seeing each other in over 20 years, mentions he receives gifts every once in a while (including the extremely plot-relevant missing sword) and hints to Yukiko that she’s likely met him before. As she continues to guess who it might be, Yusaku attempts to change the subject to his new book; he wants her opinions on it. This is when he receives a text praising his most recent novel, signed by “TK,” and Yusaku smiles. The scene cuts to a skyline view and Kawasoe standing atop a tower of some kind. He looks at his phone: “Thank you, Nii-san! YK.” He laughs, and the disguise comes off, revealing a smiling Kaitou Corbeau.

Now, I mentioned Midnight Crow earlier, so I want to recover that pin now. Midnight Crow is a Magic Kaito case. It is the case that very strongly implies Toichi’s survival. Absolutely none of this is brought up in Detective Conan in any capacity whatsoever. Not even a REFERENCE to a “Kaitou Kid in black.” I’ve seen multiple stories, whether they be about themselves or about others they went with or saw in the theater, about people that were simply confused as to why THIS was the stinger in this film. I even have a personal anecdote myself, given I dragged my roommate with me to the movie and what surface knowledge she had did not do anything to help her understand what the heck was going on in the post-credits scene.

Within the film, in the vacuum of this one movie, the connection between Kawazoe and “the guy that wears a monocle like Kid who seems vaguely threatening” is actually really well foreshadowed! It’s even BETTER foreshadowed if you know Magic Kaito, because the relationship between Hijiri and his dad has parallels to Kaito and his dad. Because Kaito’s first disguise in the movie and Toichi’s disguise throughout used the exact same method: taking advantage of someone’s vacation, and thus their absence. Because you know this man is Kaito’s dad, the thief who found this treasure before and chose not to steal it, and is now taking advantage of Kawazoe’s klutzy nature to give Heiji and Conan information so they can find and protect it.

As far as Kaito and Shinichi’s resemblance is concerned, it was always used as a joke in previous films. Considering how long this running joke went, I imagine that made their blood relationship that much harder to accept. It was clear they were doing something different with it from the very start of this movie, though, when Heiji’s reaction to the resemblance isn’t played for laughs and it just kept coming up.

This also doesn’t necessarily come out of nowhere. The earliest piece of info that I can personally confirm is from a six-page interview with Gosho in a 2011 issue of Hayakawa Mystery Magazine celebrating the release of M15. After the interviewer implies that the similarity between Kid and Shinichi may be due to Kid being written first as a protagonist (further implying it’s a stylistic “protagonist” thing), Gosho replied, “Their resemblance is not just because of the order they were written in, but because there’s a secret backstory. There’s no way someone that looks so similar exists, you know? (lol) As for why, look forward to it, I suppose.” In the No. 22-23 2024 issue of Shonen Sunday, Gosho also has a little cheeky comment saying he’s relieved he was finally able to talk about Kid’s secret…

The other comment complicating the timing of when Gosho would have first considered this is a comment from Yamaguchi during a later screening of M27 alongside the seiyuu. According to fan reports, he mentioned being told that Kid had a “secret backstory” when he was given the offer to voice him. Combined with the fact that Gosho had apparently specifically chosen Yamaguchi despite the latter already being onboard as Shinichi, and Gosho choosing to go with a Kid cameo in DC in the first place because he wanted to introduce a regular rival… Maybe the idea of them being related existed well before that 2011 interview.

You might be able to tell, given how much I have written about M27 alone, that I think it’s a very interesting movie from a Magic Kaito perspective. It borrows from it the most by far, and I have to agree with the Febri interviewer when they said this movie has the biggest crossover between the worlds of Magic Kaito and Detective Conan by far. Because aspects of the theme, Kid’s motivations, and the entire post-credits scene are frankly lost on you if you’ve never bothered to read Magic Kaito. It’s a very funny thing for the “yearly event movie” to do, if I’m being honest, but this movie relies on the strengthening ties the two stories have made over the years. It sure did break box office records, though, so it seemingly worked out for them.

My only question at this point is whether further media, manga or movie, will pick up on the movie’s main revelation.

——

Since merch releases and promotion for M28 are ramping up, I wasn’t expecting much out of the Magic Kaito or Kaitou Kid mines for a while. Imagine my surprise, then, when FILE.0 was finally released as part of the special rerelease of Volume 1. At a mere four pages, one could barely call it an extra chapter; if it could be called anything at all, it’s more like an omake of sorts. Here we have Shinichi taking a trip to Tropical Land to plan out his date with Ran - and with Fate, of course.

It’s honestly pretty cute, the way he’s likely taking way too many notes on what he could do there. But what ends up happening is Shinichi stumbles upon a scene from Magic Kaito (Kaitou Kid’s Busy Day Off, to be exact), right as Kaito says his embarrassing line about ice cream being as sweet as it is cold. Shinichi is taken aback at how cringe this guy’s being, but he likes the idea of ending his date here by the fountain, so he takes notes regardless.

Did we really just put Shinichi in a scene from Magic Kaito for a rerelease of Detective Conan’s inaugural volume? With Kaito and Aoko, right there? It feels so small and so silly, but I still can’t get it out of my brain. The last time Kaito and Aoko showed up just as normal people in front of our main cast in any capacity was in Black Star, and I’ve already mentioned that this appearance makes the chapter feel even more like a crossover. But now, after everything that’s happened, they show up again. Maybe the line in the sand is still there, but I think it’s moved.

Final Thoughts & Hot Takes

The very nature of Kid originally being from another older series means I have no idea where we actually go from here with all of this. I have no major expectations at all for when or how or IF Shinichi and Kaito being related will be brought into the manga in any capacity, largely because there’s very little precedent for it. You have things like Ran already knowing Momiji in the manga even though they only ever had a “first meeting” in M21, or James Black knowing about Akai’s survival first being confirmed in M18, but stuff like that that’s a pretty rare occurrence. Even so, Takayama and Yamaguchi discuss the idea themselves in an Animage interview. She mentions that the movies seem more connected to the manga nowadays, while he muses at the idea of Fairy’s Lip leading into M27, which may very well then lead back into the manga.

Regardless, I don’t think anyone would argue if you said Magic Kaito felt more integrated into Detective Conan now than it did 20+ years ago, when Kid was first appearing in the manga and movies.

So to cap everything off, I think some Hot Takes are in order.

The cousin reveal isn’t actually all that bad. I’ve admittedly been on this particular train for a decade, so this was like every national holiday and then some rolled into one. I definitely have some questions about things like Shinichi’s Childhood Adventure or Yukiko’s relationship with Toichi, but for me personally none of them really snap this reveal in two. Nor do I think it dampens the way they were brought together as detective and thief, especially since I think you could reasonably argue that Toichi and Yusaku maintained their distance not only due to the divorce, but because of Toichi’s new profession. “Over 20 years ago” puts them at probably no more than a couple years before Toichi became Kid, when he was likely traveling for his magic show, as opposed to the young age they apparently were when their parents divorced. It’s also made fairly clear in DC that Yusaku knew who Kid’s civilian identity was… or at the very least, that’s how I read that interaction. If they intentionally kept their halves of the family from meeting, then it’s pretty incredible Shinichi and Kaito met at all. If the manga touches on them being related in any capacity - and again, I have no clue how likely that actually is - then it’s not going to suddenly supersede the relationship they have now. It’ll just add to it, assuming they chose to entertain it at all, and that complexity could be fun. This is all admittedly personal, of course; my shipping preference leans very heavily into “weird platonic relationships,” so that informs this particular take by quite a wide margin.

1412 is the ideal way to consume Magic Kaito. I don’t know how much I even like this hot take, but I can’t help thinking it’s true regardless. It more closely resembles Detective Conan in tone and vibes than it resembles its own source manga in a couple of key ways, so I do actually think this - over either the manga or the TMS adaptation - is the way they want people new to Magic Kaito to consume it, especially if they’re coming in from Detective Conan. That Gosho created a new finale for it, and did so by pulling out the “Toichi is actually alive” card, is also fairly telling. And if people like it enough and want more, the manga is still plenty available.

Magic Kaito has become a Detective Conan spin-off. I think I also hate this take, but I also believe it to be true in any way that functionally matters. We must respect that Magic Kaito came first - that Kaito and Aoko and Hakuba came first - but Kid’s modern popularity can be almost entirely attributed to Detective Conan. And honestly, I have to wonder if it’s still running, albeit irregularly, because of that. Phantom Lady jumps off of Ryoma’s Gunbelt, Green Dragon references Queen’s Bang and takes a quirk from the movie for both Aoko and Midoriko. The tone does a clear shift after DC begins serialization as well, and goes even further into mystery solving after Kid makes his first appearance in DC. If you didn’t know any better, you might think it was similar to something like Zero’s Tea Time: a spin-off for a crazy popular character. It’s not, and it never actually will be, because Magic Kaito came first. But I think it sort of has become one.

The line in the sand is not bad, until it is. I don’t actually mind the parallel worlds argument, largely because I can understand what kind of slippery slope Akako is for the logic-driven Detective Conan. There’s also a part of me that doesn’t really mind Kid plots being largely stand-alone, with little to no involvement with the main plot. I could even also buy the two shady organizations actually being different, if and when we ever get information about MK’s organization. But after coming this far, and developing Conan and Kid’s relationship to the level that you have, I think not delving into who Kid is when he takes off the costume becomes the more contrived option. Gosho’s said before that solving the DC plot will not simultaneously solve the MK plot due to those organizations being different; I don’t think that means Kid should be verboten from Black Organization plots entirely. I don’t think it means Kid shouldn’t maybe suffer a consequence or two for being so open and casual with Conan, or that we can’t have a running side plot involving him. But then you run into the problem of Magic Kaito being its own series, and if you erase the line in the sand - if you let Kaito Kuroba be in Detective Conan - what do you do with Magic Kaito? The two worlds have overlapped so heavily with M27 that I almost wonder if we’re at a breaking point. Maybe this is the real Pandora’s box.

Kaitou Kid is a Detective Conan character, but Kaito Kuroba might not be… yet. I think DC has claimed Kid for its own. Especially the performance of Kid as displayed by the man behind the mask. But that mask has been chipping away, and Kaito himself is usually the one speaking to Conan at this point in both the manga and the movies. Even so, to so many people, that’s still just Kaitou Kid. I’ve seen disappointment expressed at that suave gentleman thief from the Black Star and M3 era being nowhere in sight in modern times, and it’s because it was always an act. You can’t keep up that act when you choose to trust someone, and they trust you back. You just… start becoming yourself. But he’s not truly himself in DC yet, despite the few scant appearances of Kaito himself we’ve received. For some reason, Kaito Kuroba still feels like a crossover character, and his appearance some special event, compared to Kaitou Kid. FILE.0 was a surprise in this regard, but in relation to the above, I have to wonder: Should Kaito himself ever feel as entrenched in DC as Kid is?

Kaito Kuroba - who many and more know as Kaitou Kid - is such a funny character if you think about him for more than a few seconds. His popularity in the Detective Conan vacuum is more than warranted, given his back and forth with Conan, but I really do want to believe that it’s the duality of his appearances in Magic Kaito and Detective Conan that contributes to this popularity. If M27 and some of the recent trends in both DC and MK are anything to go by, maybe I’m not so far off the mark.

We’ll likely get more stuff to enjoy in the meantime, but I’m currently looking ahead to Magic Kaito’s 40th anniversary in 2027 and hoping we get another movie… Or maybe another major manga arc. If you’ve managed to read all of this, you have my deepest gratitude! I hope this adventure was as enlightening for you to read as it was for me to write.

[alexiethymia]

In which Aoko meets Kaito?

Or someone who sure awfully looks a lot like him. What was it they said about karma again? Kaiao. Shinran. Here we go again.

sapphire & spade; Part of the shuffle the deck fic series; dcmk verse fics of rare encounters with the dcmk kids, while flirting loosely with canon. part character analysis, character interactions. much love for gosho’s couples.

Gong-gong

‘Oh no, Aoko’s going to be late!’

She breathes a panicked huff, still ruffling her hair to put it into some semblance of a nice chignon. Rather than anything elegant, she suspects that it probably resembled a bird’s nest. She tried to stem the tears she feels coming up. Aoko knew that this wasn’t like her, to be putting her hair up when she would just as comfortably let it flow loose. She remembered another time she acted like this – during her supposed ‘date’, but she could be forgiven for her nerves then considering that she was trying to prove her best friend’s innocence (ha, funny that).

Anyway, just as it was then, today was a special occasion. And just as it was then, it had something to do with Kaito.

Speak of the devil and he shall appear. Just there looking effortlessly cool wearing a dark jacket and slacks as he checked the time, stood her best friend. She blows away a strand of her hair in frustration. Kaito’s hair was as messy as hers, but why was it that on him it looked windswept rather than like her chaotic mess? 

But her happiness overcomes her frustration and insecurity. It’s been a week since she saw Kaito last, something about taking time off work to guest star in a magic show in America. At least to herself, she can admit, she missed him. It was their anniversary – in more ways than one. Of when they met and many other new beginnings. He swore up and down it would be nothing like her near-disastrous birthday. He promised that he’d be there and on time. As the gong was about to strike twelve midnight, Aoko was as happy as she could remember ever feeling to see he kept his promise.

‘I swear, no more lies, Aoko.’

Except…

She slows to a stop in front of him.

“Aoko! Here you were making me promise to be on time, and you’re the one who was almost late. Good thing Cinderella didn’t turn into a pumpkin or anything like that,” he jokes with a wink. 

His smile could blind her.

At the mention of Cinderella, she remembers a magical transformation and the warmth of his arms. But Kaito had never been her prince charming, rather he was the magical wizard who always did his best to grant her wishes.

Did his best…

Smile straining, she greets him, “Good evening, Kudo-san.”

At his honestly confused face, Aoko could very well applaud him. She could see that he inherited his mother’s skill.

“What are you talking about, Aoko?”

She breathes in and tries her best to be patient. “Kaito couldn’t make it, huh? I’m sorry you got roped into that idiot’s silliness, Kudo-san.”

“No, really,” he says, brows furrowed and looking utterly penitent, “What’re you talking about, Aoko? I am Kaito.” And as if to prove each and every one of her doubts wrong, a blooming rose still wet with dew appears in front of her face.

She would love to believe him, she really would, but Aoko’s had enough practice – and disappointments – in her life.

“Ok then. Aoko believes you,” she could have melted at his relieved expression, “So you’ll accept Aoko’s welcome home kiss, won’t you?” She clasps her hands behind her back and stands on her tip toes to draw her lips to his, closer and closer she draws and feels his breath intermingling with hers.

Just as she thinks they’re about to touch, a high-pitched noise makes her head ring just before she feels the softness of feathers caress her lips.

“That idiot…” she hears in Kaito’s voice, or something close to it. She’s impressed by the subtle shift. When before it had been laced with mischievous laughter, now it was smooth and mildly apologetic, “I’m really sorry about this, Aoko-chan.”

A slight shift in posture, a hand smoothing over his hair, and just like magic, instead of her best friend, there stood in front of her, one famous metantei.

Shinichi knew he shouldn’t have given in to Kuroba.

‘C’mon, Kudo, you owe me. Haven’t I dressed up as you enough times to save your butt?’

‘Yeah,’ he had replied while rolling his eyes, ‘Almost as many times as it caused me trouble.’

‘Onegai,’ Kuroba had pleaded, palms together. ‘Won’t you do your favorite cousin a solid?’

‘You’re my only cousin.’

‘Seriously, Shinichi,’ And he had looked serious, rare as that was, ‘I want to make this special for Aoko. Just think of it as practice for our body-switching trick for my next show.’

Shinichi had been ready to fall for it, before he sighed sufferingly, ‘Again, when did I ever agree to join –‘

‘Plus, if you do this for me, I promise I’ll get you a free three-night stay at the Ritz Carlton in New York. I got complimentary passes since I’m doing a show there. Isn’t your and Ran’s anniversary coming up?’

Damn it.

At the thought of Ran’s overjoyed and wonderstruck face, he decided not to listen to his brain for once. But looking at Aoko-chan trying to keep her smile up and herself strong had Shinichi rethinking this whole thing. No matter how happy Ran might be to spend their anniversary in New York, he’s sure she’d just as well get mad at him for putting one of her girl friends through the wringer. Again, he thinks with feeling, ‘That idiot…’

‘Why did I agree to this again?’

‘That’s no mystery. You pretend like you don’t care, Shinichi, but of course you do. I still remember how ‘Conan-kun’ helped Takagi-keiji out, and Kyougyoku-san too. As much as you say otherwise, of course you’d worry about Kuroba-san.’

‘At least I’m not as bad as you with Hattori and Kazuha-chan.’

‘Don’t fool yourself, Shinichi’, Ran had said laughing sweetly at him, ‘We both know you’re worse.’

Well, he’d agree with worse things than being accused of caring about his troublemaking cousin the moment she laughed happily like that.

Subtly guiding the forlorn woman to sit on a nearby bench, Shinichi tries his best to cheer her up. “You look really nice tonight.” Shinichi meant it honestly. While Ran looked great in lavender and red (probably one of the reasons why it was his favorite color in the first place), he tended to favor blue for himself. Meanwhile, blue seemed to favor Aoko-chan. In her glittering sapphire dress and crystal pumps, she looked every bit a modern-day Cinderella. Or maybe it was the total opposite and it was that modern-day Lupin running out of time. Speaking of…

While he knew he had an overinflated ego at times, Shinichi would like to think he wasn’t as bad as his dad. While he wasn’t as good as Kuroba, he thinks he’s picked up some things from his mother.

‘Ha, everyone knows I’m the one who took after Yukiko-obaa san.’

‘…’

‘I’m telling kaa-san you said that.’

‘W-wait, I actually have a reason I can call her obaa-san now.’

‘Ha, as if that’ll stop her.’

At the very least, he shudders to think he was as bad as Hattori, so he can’t help but ask, “How could you tell?”

Aoko-chan still seemed blue but lifts up a corner of her mouth in reply, “Kaito doesn’t usually wear dark clothes.”

Remembering countless pre-heist preparations, Shinichi opens his mouth ready to object before Aoko interrupts, “Aoko knows what you’re going to say, Kudo-san. Kaito wears dark clothes when he wants to hide, but for something like this he wouldn’t be able to help but draw attention to himself. He’d wear white or something bright.” Or something colorful and loud. Thoughtlessly she reaches up to stroke the feathers of the dove which had comfortably made a home on her head. She gives up the hairstyle for a lost cause and gets lost in her thoughts.

Aoko had always hated the dark. It reminded her too much of the silence of an empty home. But Kaito was always loud and bright, sometimes blinding. Like a beacon she would always be drawn to him in a crowd and then she wouldn’t be alone anymore.

She decides to continue, “Also, remember what you said earlier,” she smiles wryly, “Kaito wouldn’t compliment what I was wearing. You’re too much of a gentleman, Kudo-san, it still shows. You didn’t call me ‘Ahouko’ even once.”

Shinichi’s sure Aoko-chan’s expression was mirrored by his own deadpan look. They really resembled Hattori and Kazuha-chan at times, for better or worse. He knew that every couple had their own quirks and expressions, but he couldn’t help but worry. Since he wouldn’t ever admit being worried for that menace, let’s just say he was worried about Aoko and leave it at that.

“Still,” Aoko says while fiddling with her fingers, “You almost had Aoko fooled. You did his trick exactly like he would have done it. Is that why Heart-chan is with you?”

He takes a split-second before answering to ask, “Heart-chan?”

Aoko nods like he’s supposed to get it, “Yeah, Hato-chan.”

Shinichi deadpans. Well what else could he expect from someone who loved his punny riddles? Rather, ‘Heart-chan’ was supposed to keep an eye on him, and anyway ‘this little gal knows you already’ before said dove had disappeared into his clothes. Shinichi doesn’t admit to being impressed especially when he could tell how the other man had done it within five seconds. “Something like that,” he answers instead.

Kuroba should be satisfied that she’d done her job, Shinichi thinks, remembering the aftertaste of feathers. And yet he also remembers that annoyingly high-pitched feedback. Grimacing, he thinks that he better be satisfied. At the very least Shinichi was grateful so he gives the dove a pat of his own.

Shinichi was no magician, but if Kuroba could play at being detective, then he could do no less. If they were two sides of the same coin then something like replicating a trick he’s cracked the mystery to was as simple as child’s play.

Still, he was a detective and eternally curious at heart, “So how?” He simply asks, trusting Aoko-chan to understand.

Aoko smiles, a bit brighter than before, “The rose would have been blue,” since it was a special occasion after all, “And,” here Aoko pauses feeling herself blush, “Kaito breathes differently, ifthatmakesanysense,” she exclaims in a rush. She peeks up at the older detective, almost feeling embarrassed at being judged. She can’t help it, Kudo-san and Ran-chan always seemed to her to be so sophisticated and mature, a steady and steadfast couple if anything, that she worried if she was still childish in comparison.

Rather than shocked though, Kudo-san looks like he understands. “I get it, Aoko-chan.” And he really did, she didn’t have to explain. He’d compared women to mysteries once (with time he can look back on it now and see it as a child’s frustration and fear at not being able to understand the heart of the one dearest to him), but they were incredible detectives too. He remembers being shocked that Ran could tell Kuroba wasn’t him (sometimes he might underestimate her too much, it’s a lesson he’s happy to keep relearning), and surmises that this must be something like it. No wonder, Kaitou Kid had always been so tight-lipped. The greatest danger to his identity hadn’t been him, but Nakamori, albeit a different Nakamori than everyone thought.

Aoko breathes in the cold night air. It would be midnight soon. “So what happened? Did he…start again?”

Aoko released a huge sigh of relief when Kudo-san shakes his head empathically, “Kuroba knows better than to break your heart like that,” at her snort, he grins, “Well at least he should know better because you’d be the first to haul him right to jail, with me and Hakuba right behind you. I’m sure Hattori wouldn’t want to be left out either.”

At her energetic response of ‘much better’, Shinichi smiles feeling happy that he managed to allay a bit of her worries.

“It’s just that…he could have told Aoko he couldn’t make it. He said no more lies after all.” She sighed.  

“Aoko doesn’t want to hold him back from doing what he loves. She knows how much he enjoys the stage and spotlight, but sometimes Aoko just enjoys the simple things. Just him being here is enough for Aoko. She wonders if she’s selfish for feeling this way,” she says while placing her chin on her palms, pouting.

Shinichi nods noncommittally. It’s not as if he doesn’t get it. Although it’s been years, his heart still twists at the memory of Ran bursting into tears after smiling so brightly. It wasn’t his place to say, ‘maybe he really had a good reason’ when excuses were just another kind of lie. ‘There was only one truth,’ right?

Even if he could understand Aoko’s pain, it also wasn’t his place to chastise Kuroba when he had been the same. Detective and thief, critic and performer, truth and lie - they were indeed two sides of the same coin because, unlike Hattori, unlike Hakuba, they made their home in that grey area in between.

One truth that he can be sure of though, enough that he can confidently tell Aoko is this, “At the very least, Aoko-chan, no matter what mischief that guy gets up to, he’ll always return home to you. If there’s anything he’d wish for the most, it would be your happiness.” For the man with a thousand faces who knew everyone and could become anyone, there was at least one person in the whole world who knew the person behind the mask absolutely and completely.

He hears a soft ‘thanks’ at the same time a small smile tentatively blooms on Aoko’s face.

3…

2..

1.

GONG

‘It’s showtime!’

Ok, that hadn’t been a whisper from the mic he was wearing on his collar. He’s sure he had been listening in through that nifty accessory Heart-chan was wearing from who knows where, and finally decided to make his entrance.

Geez, that guy sure liked to make people wait (Shinichi thinks he deserves to be purposefully obtuse for once. He’s made too many comparisons between them already).

At the wonderstruck expression on Aoko’s face at the multitude of blue fireworks scattered across the night sky above the clocktower, Shinichi hopes that she and he would think this was all worth it.

Ironic that he’d find himself here again, finally facing his rival after so many years after that first meeting that they had both forgotten, and in vastly different circumstances too. He has to admit though that he is relieved to find out that that once moonlighting thief had managed to protect what was important to him.

He watched with Aoko as a glider with a jet engine sky wrote the words, ‘Happy anniversary!’ (As he remembers free falling off a blimp, Shinichi thinks wryly that he finally managed to solve that problem.)

Unlike Aoko though, he didn’t shout a delighted gasp of surprise when a pillar of pink smoke and glitter suddenly puffed in between them.

“Kaito!”

No matter how many times she’d seen it happen, she would probably always react in wonder as if it was the first time. (Not for the first time for him when looking at Aoko, he is reminded of Ran’s reactions after every successful deduction. Well, the very first time wasn’t really the awed reaction he’d hoped for. Still, he treasured that moment).

Kuroba Kaito, Kaitou Kid, the world’s most daring magician appeared with a bang. He might have had thousands of fans (in both personas), but from the wide grin and manic energy he had now it seemed like he was performing for the entire world in the form of one person.

“What’s that supposed to be, Ahouko?” He says pointing to the ruffled mess left of Aoko’s hair when Heart-chan left to return to her rightful master. It was teasing but still all the fonder for it.

“Mou, don’t tease, Kaito. Not when you’re so late,”

“On the contrary, I’m right on time,” and with a snap of his fingers, Aoko’s hair transformed into the elegant chignon she’d be wrangling it into the whole night.

Hands in his pockets, Shinichi observed the other man dressed to the nines in a white and blue suit. He could be accused of cosplaying a very popular phantom thief except the shade of blue was slightly different, and instead matched the eyes of his lovely companion. “Dummy?”

He was referring the obvious decoy still writing above them, but as expected when Kaito drew closer and narrowed his eyes at him, he’d gotten the double meaning.

“I thought I might have had to ruin my cue and come in too early, but good thing you were here, huh?” Kaito scratched Heart-chan on the top of her feathered head for being such a good girl, before whirling to point at his near doppelganger, “And you! A great detective shouldn’t be trying to steal a phantom thief’s job. That was way too close a call! Don’t make me tell on you to Ran.”

Shinichi scoffs lightly. Now he understood what Hattori must have felt back then, and inspired, he just says with a smirk, “Let’s just say we’re even now.”

Kaito narrows his eyes further if that were even possible. “You hold onto a grudge for way too long.”

“Says you.”

"Wow," Aoko says awed, "Looking at the both of you side-by-side like this...it's like looking at a mirrored reflection!" 

"What're you talking about, Aoko? I'm obviously more good looking," Kaito boasts. "Anyway..."

Shinichi could tell he was planning something from how he was creeping closer but not even he could have expected being blindfolded with magic scarves.

“Oi, Kuroba!”

Kaito knew he probably should have just waited till Kudo left but he never could keep his cool around Aoko. In a whirlwind rush, he drew her in a dance position and finally stole her lips.

Could it be called stealing if they were his in the first place? He may have been a retired thief, and call him a hypocrite if you had to, but he would never let anyone steal this. He may have been forced to look for Pandora, but all the world’s jewels could not compare to this one precious sapphire.

The moment he saw her in her get-up, his heart stopped and he suddenly couldn’t sit still. It was a surreal experience watching her with ‘himself’ from the outside, and to still feel jealous even when it was his own plan.

Arghh, just call him a hypocrite and be done with it, because the moment of that near-kiss, his life suddenly flashed before his eyes and all those times he took Kudo’s place with Ran. He apologizes to the metantei in his mind. Man, even if he did use him as bait for his trigger-happy black organization, Kaito realizes that that little detective must have had so much patience with him to not just punt him to the moon for all the stunts he did back then. He suddenly shudders remembering that ominous flash of glasses that signaled an ass-kicking. On principle, he started staying away from glasses-wearing grade schoolers after that. Trauma ran deep after all.

But he felt everything settle into place the moment he felt Aoko melting into his arms. He thought he knew temptation when he had a chance to steal a first kiss back then, but he had been content to let Sleeping Beauty rest. And yet, even after biting the bullet (and the plush apple that was Aoko’s lips), temptation still continued its siren call every time he saw her.

He must have really missed her.  

A rude cough woke him up from his wonderful dream, as Aoko squeaked and hid behind him.

“I’m giving you three seconds, so the moment I remove this I better not see anything scarring.”

“You wish,” Kaito responds childishly.

As Shinichi sighed sufferingly and peeked from beneath the blindfold, he remarks, “Should I be thankful you didn’t use sleeping gas?”

Interlacing Aoko’s fingers with his own, he shoots his cousin a finger salute and jokes, “Could still be an option.”

“Just try it. I’d tranq you first,” he says, narrowing his eyes at him, “But, I don’t want to ruin Aoko-chan’s evening after she waited so long for you.”

“Pot,” Kaito points to him, then to himself, “Meet Kettle.”

Shinichi rolls his eyes, but didn’t say anything knowing he had a point. “So, any reason why you couldn’t just wait until I left?”

“Because,” Kaito says cheekily before turning to Aoko with a bright, blue rose suddenly in his hand, “I just wanted to show you how it’s done.” Aoko looked even more delighted with the sudden gift.

“Right, right,” he says playing along, as he ruffles his hair. “Well, I’m off. It’s an early day tomorrow, and knowing Ran she’s probably waiting up,” partly to hear any ‘juicy details’ in her own words. “You kids have fun now,” he says with a wave as he turned away from them.

“Oi, metantei!”

When Shinichi turns back, he sees Kaito look unexpectedly sheepish, “Thanks again for this.”

With a small smile, he just replies with a ‘Hai, hai,’ as he finally leaves them to enjoy their anniversary in peace. He’d heard from Ran who heard from Aoko-chan that it was the anniversary of when they met, as well as the anniversary of when the Kaitou Kid had finally given up his mantle and the exciting life of a phantom thief to confess to his best friend. Rumor had it than even when he had the entire female population’s attention, he had only ever and truly sought after the regard of one specific person. Perhaps it was some kind of karmic justice that it was also the same person who hated his guts, and would continue to do so as long as he was still stealing. And so he’d given up the gold to get the girl. Or so the rumor went.

It was a long day and he’s just about ready to snuggle with Ran in bed as he entertained her with the kind of story she’d love.

From the excited gasp he heard behind him, he’s sure Aoko-chan had finally seen what his quick gaze noticed as soon as Kuroba whipped up that rose – another blue rose nestled in its petals, or more accurately it was an asteria, a star sapphire inlaid in a white-gold setting fashioned after a rose. Miniature vines made up its small band. Shinichi’s pretty sure it would fit perfectly, even imagined Kuroba dressing up as Aoko-chan to make sure it really did fit.

Another thing he noticed, the slightly off-kitler English letter ‘H’. Everything else in the message had been lowercase. Shinichi knew Kuroba, whether he was Kaitou Kid or not, being the perfectionist he was, wouldn’t make a mistake like that. Maybe it wasn’t supposed to be an ‘H’ and he had to improvise. Shinichi couldn’t be sure, but it almost looked like it could have been an English letter ‘w’.

Aoko-chan might not get the implications right away. Diamonds were traditional after all (like his and Ran’s), but when had Kuroba ever been conventional?

Seeing that gem had brought back memories of a fallen emperor, a chain of red lights, a forced landing, and a heartfelt confession. As if Shinichi could ever forget. It could have been the same gem that he tried to steal back then.

“I promise I didn’t steal this one, Aoko. Really!”

Just maybe scoured the world for it, which was why he had been missing for a week in the guise of a show. He’d used his own legal (and extra-legal too) contacts in the police, and even Shinichi’s. In the end he’d even asked Sonoko, Momiji-san, old man Suzuki, and when he’d run out of billionaires to ask, his dad and mom. They might have heard something. Even Kuroba as much as it pained his pride to do it, asked his oyaji who had heard of news of the missing gem during his own escapades.

Maybe he wasn’t a detective, and no longer a thief, but Kuroba was still a master storyteller. A star fit perfectly with the moon. And what’s more…

Destiny, Hope, Faith. What they had encountered was a fake empress with a fake gem, but he thought the genuine article fit Aoko-chan perfectly. That true and utter - some would say blind – faith in him, the real him under the smoke and mirrors.

Maybe he had almost lost hope, but just like Pandora, he kept a little bit of it close to his heart. So long as she was there waiting for him and believing in him.  

And just like that, no matter how many obstacles there were of other’s and their own making, maybe it was just destiny for them to be. Together.

Or maybe, he laughs at himself, he was just the sentimental fool Ran said he was, to be comparing their situations.

They were alike, as much as he hated to admit it. Maybe blood really did run that deep. So, he can say that Kuroba could be as stupid as him sometimes. But at the same time, he knew that Kuroba knew how lucky he was to have her, after everything. And they could only be so lucky not to mess up again and end up having to let go.

Maybe his original plan was to make it into one spectacular show, but he’d always been good at improvising, and no magician worth his salt would leave a young woman’s wish unheard and not granted. And so, his original plans took a back seat, and he turned it into something private and just for them instead. Despite that, he can understand if Kuroba still needed his critic one more time, to have someone witness no matter what he decided, and to stop him from running away if needed.

But…

He takes one last look as soon as he’s far enough. Aoko-chan had her arms around him, tight as if she never wanted to let go as she admired the ring on her left finger over his shoulder. Kuroba looked caught off guard, bright red and blushing with no trace of a suave Phantom Thief on his face, just a man flustered in the embrace of the one he loved, before he held her back, equally as tight.

He doesn’t think he needs to worry about anything on that front. He’d once been a thief, and thieves tended to guard their treasures zealously.

And well, Shinichi thinks chuckling, if it was witnesses he needed, then witnesses he’d get. By tomorrow, everyone of their acquaintances would hear of the happy news, courtesy of Ran.

He’s sure to enjoy the chase.

‘Good luck, Kaitou Kid.’

[cavydude]

Hey everyone guess what's back?

To celebrate the one-year anniversary of the remaster, we (the fine folks over at the Baten Kaitos fan Discord) are bringing back Spiriter Week! And now it's bigger than ever: we're going multi-platform!

So mark you calendars for September 15th-21st!!!

Wait, what's this now? Back in ye olde golden age of Tumblr, we used to have an annual thing we called Spiriter Week, a week-long celebration of our favorite card-game RPGs.

What do you mean, "multiplatform"? Due to fandom no longer being fully (or even mostly) within the confines of one website, we figured it'd be a good idea to have folks participate wherever they want to. Tumblr, Twitter, Discord, or wherever. Still have a Pillowfort? Go crazy there too.

Ok, how do I participate? It's super easy- just post something Baten Kaitos related every day. Could be a fic, art, videos, whatever. Wherever you're posting it, use the tag #Spiriter Week I am not blessed with creative prowess Neither am I we're all just bullshitting Doesn't have to be anything skillful like art or writing. Could be fan theories, a personal anecdote, ranking your favorite xyz or even a haiku. Like this example I stole borrowed from No's original post:

Holoholo bird All my apples are rotten Fuck fuck fuck fuck fuck

This sounds great but I'm super busy there's no way I can post every day. Again, same here friend. No worries, even just one or two during the week is fine. Let's face it, we've all aged a number of years since these were last a thing and life has a way of stockpiling responsibilities.

On what authority are you organizing this? Alright ya got me I'm just some rando with a Gibari pfp. But come on, why not have some fun and build some hype around these games we love?

That's a nice banner where'd you get it? Damn right! Credit goes to No, who still had the old banner and managed to change some digits :D

How can we follow for updates? Here on Tumblr, I (and of course anyone else who wants to say something on the topic) will be posting in the #Spiriter Week tag. Some major updates might also be posted in the baten kaitos tag but I don't wanna spam it too much.

But yeah, that should cover most of the major stuff, feel free to reach out with any questions!

[kaitokitty19]

Pandora AU: Home pt. 2

Part 1

This is a Hakukai fic. Kaito found Pandora but became immortal while everyone around him aged. Full synopsis here

Warning: WoT, (physical) age gap, angst

-- Kaito woke alone. The other side of the bed cold as he stretched over, tried and failed to fill the empty space. He remembered going to bed alone last night, too. 

There were two unopened messages in his inbox from Saguru, telling him it was a case and not to wait up. Kaito liked the messages belatedly while brewing a pot of coffee. He was already asleep when they were sent; he wondered since when had he stopped waiting up for his lover.

Lately, Saguru worked overtime a lot. If it wasn’t shareholders meetings at the Hakuba Corps then it was consulting with local and international law enforcement. Not that Kaito didn’t understand. He had watched Aoko wait for her dad enough times to know that patience is always a necessity being around people like Inspector Nakamori and Saguru. And more than anyone, Kaito understood the need to spread his wings unhindered. The older Saguru had gotten, the more responsibility he shouldered. His family business needed him. MI6 needed him. So did Interpol and the Mets. He just thought that… 

Kaito huffed, blowing on the steam rising from his mug. He didn’t even like the taste of coffee, but Saguru did. He missed the essence of him in the morning. 

Well, whatever it was, he was sure it would tide over quickly.

------ “This point of the investigation is most crucial,” Saguru cracked up from poor signal on the other end, his voice apologetic over the speaker, but not enough to quench the bitterness that had started to creep into Kaito’s ribcage, spreading fast like poison. His trip to Prague with MI6 would extend to three weeks instead of just the one – if he was even in Prague at all, so classified was the nature of his work. This hadn’t been the first business trip extension, either. And next week was February 23rd.

“I see,” Kaito echoed from a faraway place, straining to stamp down the need for a screaming match. He was at work, he reminded himself, and the Collection Care and Research department at the Lourve isn’t the most bustling of places – Madeleine from one desk over had already piqued up sensing gossip. Besides, how could he point an accusatory finger at Saguru proclaiming the man heartless when he was out there saving people? He dusted off his poker face and put on a smile, even though Saguru couldn’t see it: “Tough case, huh?”

“Yeah,” Saguru returned, before bidding him a speedy goodbye and ending the call. 

Kaito didn’t hear from him for an entire week afterward.

Ah, just like high school, Kaito thought, returning another day to a dark, deserted apartment, endless strings of days waiting for a presence that is forever absent. He tossed the phone onto his pillow and threw himself onto the bed to look at the gorgeous ceiling moldings, gorgeous tall windows, and gorgeous view beyond the glass panels. Gorgeous and lonely and not much else. 

Kaito had free rein of the house, of course. Even Hakuba's beloved Aston Martin, his unlimited black card were here, liberatingly under his disposal… But the man himself was never around anymore. It was almost insulting. Kaito had started to feel more like a piece of collectible ornament than someone’s partner.

February 23rd came and went. For their anniversary, Saguru sent him rare gemstones and an ancient sculpture he didn’t care for, cakes and sweets he had no one to share with, and a teddy bear from Prague that he wanted to strangle. 

Kaito tried to be understanding. After all, just like Ekoda, Saguru would always come back to him… right?

One month passed. Then two months. At the three-month mark, Kaito sent Saguru a curt text, took an absence from work, and traveled. He bought one-way tickets, hopped from one continent to another and then back again, flying first class, living lavishly, determined to max out Saguru’s stupid credit card – that had to at least get his attention! 

To his dismay, he found the task seemingly insurmountable. And all his provocations received from Saguru was a lackluster “Do as you like.”

------

Kaito ended up where he had avoided for so long: Tokyo. And though he had notified no one of his visit, the moment he stepped through baggage claim, Kaito was greeted by one Koizumi Akako. 

"Not only had your body not aged but you stayed a child mentally,” She scoffed at him from across the table, over her cup of tea. One red, sharp fingernail tapped a slow rhythm onto the ceramic rim. “You really do stay true to your name. Just a KID after all." 

Kaito darted his eyes around, alerted. But Akihabara was as crowded as he remembered it; no one would mind a stranger’s conversation. The corner of Akako’s mouth stretched into a glossy, amused smirk in deep rouge as she watched him fidgeted. Over the years, she had aged gracefully. Youthful skirts and flats traded in for elegant pearls and stiletto. Her outfit simple in details but bold in its cut and its shade of scarlet. There was hardly any pepper in her hair, but he could see faint lines where she smiled. The enchantress was as intimidating as ever.

Kaito, too, had aged himself appropriately with prosthetics. But Akako always had her ways of knowing things. He frowned:

"What's that supposed to mean?"

"You are here to run.” She accused cryptically, leaning over into his personal space and narrowing her eyes, “He’s drifting away from you, isn’t he?”

Kaito backed away, crossing his hands over his chest, defensive.

“It’s good to see you, Akako. But I don’t know what you’re talking about…”

Akako pressed on as if he hadn’t spoken:

“Why are you waiting? You have nothing tethering you back anymore. No more secrets. Why haven't you run after him?” Suddenly, she pulled back. With her petit teaspoon, the woman stirred her cup of Darjeeling tea once, twice. The swirling liquid barely had time to settle before Akako reached over and dumped the tea into his half-empty cup of hot chocolate.

“Hey!” Kaito yelped. 

Akako ignored him to keenly observe the bottom of her cup. She clicked her tongue and spoke without making eye contact.

“You might have all the time in the world, Kuroba, but the rest of us don’t. Especially him, your White Knight."

A thousand horrid scenarios flashed across his mind. Akako might be a cryptid and an occasional sadist, but he had never known her to joke around with people’s lives. Finally, it was fear that made Kaito bite:

“What am I supposed to do? He won’t talk to me! I don’t know what I did wrong.”

His old classmate looked at him like he was stupid before that crease between her brows eased into an exasperated look. She placed both elbows on the table and laced her fingers before resting her chin on top:

“My, my; are you saying that the legendary KID had no way of garnering the attention of one detective? How awfully out of practice you are.”

Something inside Kaito clicked. A lightbulb lit up. He stood at once, almost clumsily knocked over his chair. 

"Sorry, Akako, I have to go. And thanks!"

He simultaneously apologized and thanked her before beating a hasty retreat. Kaito had meant to check in on the Nakamoris, but it seemed reunion with Aoko would have to wait.

Looking out the window at his disappearing form, Akako could only huff:

"Idiots, the both of them." 

------

The Heist note was sent in two nights before the full moon, to the National Palace Museum of Korea. Kaito spent time making sure the note was perfect, that there would be no chance it could be disregarded as a mere prank, and went through the building blueprint five dozen times. The note’s arrival didn’t cause as much ruckus as he would have liked – people have grown skeptical during his absence. He couldn’t blame them; it had been nearly three decades after all. But, as the saying goes, the show must go on. He just hoped the Black Organization, too, belonged to the group of skeptics.

The target this time was a royal jade seal carved in the shape of a dragon. Once obtained without much challenge from the Seoul Metropolitan police, as a habit, Kaito raised the object toward the moonlight. The moon only cast a dim halo around it. The taste of disappointment was one Kaito found familiar.

Just when he was done putting the gem back, a troop of officers burst into the chamber. Kaito smiled at them and yielded himself over without a fight.

------

The officers didn’t know what to do with him. His ID, fingerprints, and passport were all legit in the immigration database, but his look didn’t match that of someone halfway over forty. He technically had yet to commit any major crime, and, as a legal alien, he was entitled to representation before they could proceed with the investigation. In the end, they threw him into one of those interrogation rooms with a one-way mirror to await further instructions from higher-ups.

He was slouching uncomfortably on his creaky metal chair when a Korean officer unlocked the heavy metal door. In walked Hakuba Saguru, tired and sleep-deprived, but dignified. He still donned that long, tan trench coat, and his height towered over that of the attending police officer. 

Their eyes met. They had not seen each other in half a year at that point. 

At the nod of his head, the officer went to uncuff Kaito. They were led out via the back entrance. In the hallway, Saguru put a black cap over Kaito’s messy mop of hair. Kaito wanted to reach up and take his hand; he didn’t. Instead, he was guided into the back of a nondescript black car while Saguru and the inspector in charge of the case chatted. Before long, they shook hands. His detective entered into the car next to Kaito, and tapped twice on the glass to signal their chauffeur to “drive”.

Just like that, Kaito was bailed out. He was half impressed, honestly. With his affluence and his various connections in the intelligence world, Hakuba Saguru wasn’t a man one could say no to. Kaito bet all the records and footage, too, had been wiped clean.

Their ride from the Seodaemun police station was quiet.

"Well?” He started. Saguru shot him a questioning look, “Say something." He urged.

"What do you want me to say?" Saguru gruffed out; he sounded tired. This was one of those rare moments when he looked his age to Kaito. Sometimes, he often forgot that everyone else around him had aged; Saguru was no exception. They stewed in that silence for long enough that the car stopped before a fancy hotel lobby. Kaito waited until the two of them were alone in the elevator before continuing.

"Oh, I don't know; ‘How did you gain access to the vault?’ ‘Why did you do it?’” He mimicked that sickly sweet voice to the T, “Isn't that what you detectives do? Prodding?"

Saguru breathed out a sigh. Kaito knew that sound. Just when he was about to be rejected and an end was put to their conversation, the elevator stopped, admitting two hotel patrons. They stayed in the background while the two American tourists chatted loudly, the tension thick and palpable.

At the forty-seventh floor, they emerged. Saguru made a beeline for the presidential suite. Kaito followed.

"Why did you do it?" At the door, Saguru’s curiosity finally won over. Kaito felt himself bodily piqued at an opening.

"I was waiting for you to show up.” Saguru had finished unlocking the door and turned to pass him a look of utter bewilderment. “My turn, where have you been."

“This isn’t ‘twenty questions’, Kaito,” Saguru groused, his temper rising, but he did not slam the door behind them, no. Hakuba Saguru is too well-bred for one such action. The door closed with a muted ‘click’. “What if they had shown up? We don’t know the extent of their reach. What if they had got to you while under custody?”

“Hmm… should have been ‘twenty questions’,” Replied Kaito impertinently, “So? Where were you?” 

Saguru gave up.

"All over North America. Argentina. Germany. Then… England, mostly."

"So you've been at home while I..." Kaito bit his tongue. Bit back the hurt. "Why are you avoiding me?" That part came out more of an accusation than a question.

Did I do something wrong? Was left on the tip of his tongue, unsaid.

"I don't know, Kaito, I thought I was giving you space. I don't want to... suffocate you," Kaito’s own word said carelessly months ago was suddenly thrown back at him, ringing in his ears like a piercing slap in the face.

"What the actual fuck, Hakubastard?!” He bellowed, “Is this all this is about?”

"You said it yourself, it’s suffocating building your life around another person. You don't need to feel indebted to me or anything. You owe me nothing.”

“Are you fucking serious?” Now it was Kaito’s turn to be bewildered. Saguru couldn’t meet his eyes. “Fuck, you are!”

“I'm not the same wild-eye high schooler when we met, Kai. I have aged much and I am weighed down by my commitments; you have the privilege of youth and you need your freedom, I get it. I’ll only hold you back."

Kaito barked out a hysterical laughter:

"And whose fucking fault was that? Who wished on Pandora? Who turned me into this freak of nature?"

Saguru cringed away as if burned.

"That's not entirely fair, Kaito."

Hah! Fair! Kaito turned around, found the nearest breakable object, and threw it on the floor. It was a fine ceramic vase. Looked expensive, but he didn’t care. Months of pent-up hurt and frustration were finally let loose and Kaito wanted to go to fucking war. Fuck Saguru. He can afford it. Kaito stomped away. He couldn’t even look at that idiot right now.

Kaito’s tantrum only served to aggravate Saguru further. The man was hot on Kaito’s heels into the next room instead of letting it go like Kaito had become accustomed to him doing.

"I... You...” his words stumbled, anger rendering such a man inarticulate, “What would you have me do, Kaito?! You were shot. You fell from a seven-story building. You were a bloody mess on the pavement. I couldn't even touch you for fear you would crumble under my fingers. The red staining your white regalia still haunts my dream to this day. No medic could have saved you. What would you have me do, Kaito? Watch the person I love die?"

"And now I get to watch mine die? You get to live the rest of your life with the person you love. What about me? I've been 17 for 28 years! Even when you pass away, I'll likely still be 17. And even before that you're already leaving me!"

Saguru staggered. 

“I’m not abandoning you. I’d never…” And just like that, all the fights were drained from his person. Saguru sat down on the edge of the bed, defeated. He was at once very weary: weary of the long flight and the time difference, of keeping himself away from Kaito, of this fight… and now the guilt he carried since that incident decades ago had finally done eating him up. "I didn't know about Pandora then. I'm sorry. I'd have happily traded my life if it meant you could continue living as you were"

"Don't. You. Dare." Kaito grunted out each word. Suddenly, Saguru was seized by the collar of his shirt and Kaito’s face was inches away from his. Blue sapphire alight with furry. He growled, "You made me this way, Hakubastard. You're not allowed to leave me. Ever."

And suddenly, Saguru was being kissed roughly. He hesitated for one millisecond but quickly found that he had no choice but to kiss back. Kaito tasted like desperation on his tongue, and he chased that acute flavor until it mellowed down into neediness. Kaito’s fingers half tangled, half tugged painfully on the hair at the base of his neck; and Saguru looped his arms around Kaito to steady him when he climbed onto his lap. What an intertwined mess they were, physically, emotionally.

Kaito bit him, and Saguru thought he sensed the tangy note of copper. Very well. Served him right for putting his Kaito through what he did. Somehow he always managed to make the wrong decision around Kaito. Logic seemed to escape him when it came to the man he loved.

They detangled at last. Both flushed and gaped for air. But Kaito immediately clung onto Saguru’s neck and tip them over onto the bed. He made no move to remove their coat or adjust them both into a more comfortable position. Right now, he just wanted to hold Saguru and be held. Saguru traced small circles onto his spine. Kaito shuddered.

"I'm sorry.” Saguru whispered lowly after a moment of silence, “I won't do it again. I just thought..."

"Shut up. For a world-renowned detective, you really are just a hebo Tantei."

"Sorry," Saguru chuckled and repeated himself.

Another quiet minute went by before the detective spoke again.

“Since you are so opposed to the idea of us ever leading lives independent from one another again; hypothetically, if I ask you to marry me, would you say yes?”

“Hypothetically?”

“Hypothetically.” Replied Saguru, trying not to think of his family heirloom ring he had kept in his pocket for 25 years, never finding the right time nor enough courage.

Kaito put on a show of deep contemplation – a fact that Saguru knew yet did not help his nerve one bit – before he took pity on Saguru and said:

“Then, hypothetically, I’d say yes.”

[collarful-clover]

Infinite Kaito drawings day 3: happy anniversary!!! (Yamaha date) day 2 of Kaito week :3 I love making v3 glowy

[iron-embers]

Whatever brief moments of interaction they had in the past were short and mostly of him being belligerent towards her, trying to get her to mess up and leave whenever she did something he didn’t like. Whether it was trying to get a rise out of her, or him trying to pry into her past. Shinjuro was short sighted when it came to understanding other’s personal lives, on more than one occasion crossing the boundary of getting into her business just so he could find something wrong to point out. Perhaps in some sad attempt at making himself feel better about himself. In his state he couldn’t fathom why a relatively young woman would spend all of her time in someone else’s home, having no where else to go and not imparting any info about other family she could turn to. It was puzzling, shouldnt she be taking care of her own family instead of spending every waking moment with his. Hatomi wasn’t the type to get offended easily by hurtful words, and so whenever he tried to insult her, she brushed it off with ease and focused on her duties. Never did she take any of his inebriated words to heart, for why grace his erratic behavior with a thought out response….until one day he had asked her. “Why even keep coming here? Are you that lonely that you would rather spend your time babying someone else’s bastards instead of caring for your own? What would your husband think?”

Usually she would have changed the subject or even give a half-lie to throw him off……but that week had been trying, and Kaito’s anniversary was a couple days away and so the feelings she had kept dormant had slipped out as she merely stated with calm yet curt tone. “I would not know sir, seeing as how he is long dead and asking his corpse would prove ineffective.”

It was meant to be sarcastic, and while he did scoff in annoyance, she took notice that he became less confrontational with her after that. It remained a mystery to her as to why he never went as far as to hit his children, and never once raised a hand to her when he was out of his senses. It was one relief of a few throughout her service that left her equally perplexed. And after all these years it was a sign that she realized that despite his inexcusable absence for his children and attitude, deep inside there was still a heart in there. Albeit a broken and pain filled one, but it was enough that she saw through the few cracks that showed in those moments. The fleeting moments had now evolved from what once was seen as loathing, to behavior acting out of hate for himself and how low he had fallen. The revelation not clouded by judgement that despite their differences, even in his bouts of being under the Sake’s influence the cruel words he would use to dissuade Kyojuro and Senjuro was a facade, a mask he used to hide his misery.

Just a little peak of their story, wanted to encapsulate Hatomi during her beginning years as the Rengoku’s governess, adjusting to a new environment after leaving her old home, now in a home where two children look for support from a father who has emotionally checked out after his wife died. Needless to say even in her younger years she saw the despair he was in, and chose not to be as reactive/confrontational whenever he said something out of line. These are a few moments she would let her frustration seep out, respectful but reminding him not to push a grieving widow either. Had to add a sketch as well of a late twenties Hatomi and early thirties Shinjuro, hope ya like and stay tuned!

[rejectedartist]

Do you have anymore married saimota headcanons? I can’t get enough

OH BOY DO I?? DO I??? HELL YEAH I DO

When Kaito misses Shuichi while he's at work, he'd pretend that Shuichi forgot his lunch at home to come see him

Shuichi doesn't mind of course and let's Kaito eat with him (since now he has two lunches and can't eat them all)

Kaito had Shuichi's home office renovated during their honeymoon to have a mini library and other things to be changed to what Shuichi would love, Shuichi almost cried tears of joy when they came back home

Shuichi pretended to not want a dog and Kaito, though sad, respected it. Shuichi got three little puppies and surprised Kaito with them the next week.

Kaito would regularly brag about his amazing husband at work (to the point that his co-workers questioned if Shuichi was real/hj)

Their computer/laptop wallpapers are pictures of the other on date nights or when they considered the other breathtaking

The wedding was held during the evening/night so they could get married under the stars

Kaito would wake up way earlier than Shuichi at 5 am to do a nice morning workout, much to Shuichi's dismay he gets dragged into having an early morning jog almost everyday

Kaito makes way too many dad jokes and puns on a daily basis, Shuichi's the only one who finds them funny

Shuichi snorts when he laughs too hard, so Kaito would do everything in his power to make him laugh

Shuichi still gets flustered whenever Kaito's being affectionate with him in public (hand holding, lil kisses, etc.) and Kaito thinks it's adorable

Sometimes Kaito accidentally calls Shuichi his sidekick since he was so used to it

He would then get flustered when Shuichi corrects him and says that he's his husband now

Every once and a while they call each other "dork" or "nerd" in an affectionate way

Kaito claims the best wedding anniversary gift Shuichi ever got him was a lego Star Wars set

Said set is displayed proudly in his home office and he loves looking at it every once and a while

On the other hand, Shuichi claims the best wedding anniversary gift Kaito ever got him was a "book bouquet" with all the books that was on his reading list

Kaito compares Shuichi to a curious black cat, Shuichi compares him to an over excited golden retriever

Kaito has so many pet names for Shuichi

Some include: Honey, babe, starlight, my moon, etc.

One of Shuichi's favorite pet names for Kaito is darling

Kaito constantly jokes about the time when he first confessed his feelings to Shuichi, Shuichi being so shocked and flustered accidentally thanked him instead of saying he liked him back

"Kaito, love, please just let it go" "Not until the day I die! It's still funny"

Whenever Kaito's drunk, some variation of this would happen:

"Woahhh, you're pretty, could I have your number?"

"We're already married, hun."

"Wait really?! Oh my god my husband is beautiful"

Shuichi got way too used to cuddling with Kaito while they slept, so everytime Kaito goes to space, he's always sleep deprived

Kaito would always try to convince Shuichi to let one of the dogs to sleep in the bed with them

Shuichi argues that the last time the dog slept in the bed he was pushed off and Kaito didn't notice until he woke up in the morning and Shuichi was grumpy and laying on the floor

Kaito learnt how to do a massage so he can help Shuichi relieve some stress after a bad day

When they had a bad fight (which is rarely), they both go to Maki

She is annoyed as hell but figured it'd be easier to get these two idiots to forgive each other if she knew both sides

She was also the maid of honor at the wedding

[pjsk-story-summaries]

STRAY BAD DOG Event Story Summary

TL;DR: One night, Akito and Toya encounter a popular new singer on Vivid Street, Tono Arata. He also is aiming to surpass RAD WEEKEND in the name of his partner, who can no longer sing due to an unfortunate traffic accident. Arata is confident in his own abilities and firmly believes he will be the one to surpass it, putting down Vivid BAD SQUAD in the process. Enraged, Akito challenges him to a battle, but is easily defeated. Arata tells him he's the least talented of the group.

Akito decides to work even harder from then on. He enters events solo on top of increased individual practice. This puts a clear toll on his physical well-being, worrying his teammates. Not even Ken can convince him to calm down.

Toya, An, and Kohane head to SEKAI for advice. There, the laid back DJ KAITO helps them realize Akito's anxiety over the other's rapid improvement and constant need to improve. He suggests they try reaching out to him as teammates.

Kotaro runs into Weekend Garage to ask for help. Arata crashed an event Akito was performing alone at and caused him to snap. He fears he's reverted to the old him, who constantly overworked himself after being told he's not a good singer, especially compared to his partner.

Meanwhile at the event, though Akito's performances have improved since last time, he's still no match for Arata. Suddenly, An, Kohane, and Toya crash the event and sing with Akito. As a unit, they were able to rival Arata. The event was called in a draw. Akito thanked the others for their help and decided to rely on them more.

Fan translation (eiyuuou) / Official English YouTube Upload / Song (Cinema) 2DMV / 3DMV / 3rd Anniversary 3DMV

Chapter 1: Vivid BAD SQUAD continues to improve as a team. Everyone happened to arrive at their next practice over an hour early, so they decided to go to SEKAI as to not wake others up. There, they encounter Rin and Len yelling at the newest member of the Street SEKAI, KAITO, for eating their ice cream. As an apology, he offers to teach them how to use a DJ sampler. Akito's wary of his carefree attitude.

Chapter 2: After another successful event, Akito begins hearing rumors about another singer aiming to surpass RAD WEEKEND, Tono Arata. Even Ken respects him as a singer. Vivid BAD SQUAD decide to enroll in an event he will be participating in to check things out.

Akito and Toya decide to go to Vivid Street and practice a bit more. There, they encounter a crowd of people watching none other than Arata. Akito runs over.

Chapter 3: Akito and Toya introduce themselves to Arata as partners. Arata explains how his partner's dream is to surpass RAD WEEKEND, but after some circumstances, now performs solo. He's confident he will be the one to surpass it, not Vivid BAD SQUAD. He thinks Toya's talent is wasted on this team, An's singing needs polishing, and Kohane's too new. Enraged, Akito challenges him to a battle.

Chapter 4: Arata easily crushes the two. Akito, upset, reaffirms the sacrifices he's willing to make in the name of the event that gave his life meaning. Arata isn't phased. His partner had the same mentality, but after a car accident left him paralyzed, Arata shouldered the dream for him. He finishes by telling Akito he's the least talented of the group and will likely never be good enough to surpass RAD WEEKEND.

Chapter 5: Toya tries to comfort Akito, but to little avail.

Akito remembers back to the early days of BAD DOGS. Nobody thought the two were any good, and only Toya had some potential. Akito began working even harder to prove them wrong. He's not planning on stopping that now.

Akito decides to enter solo competitions on top of increased solo practice. Worried, An asks what happened, so he explains their loss to Arata. The three reluctantly agree to let him, knowing he'd do it anyways.

Akito runs into Kotaro at one of his solo events. A few weeks later, Akito begins to physically wobble at practice, but brushes it off and heads to yet another event. Toya runs after him.

Chapter 6: Toya confronts Akito about overworking himself. Akito knows what he's doing to himself, but has no intention of stopping. Toya begs for Akito to let him help. Akito walks away to go perform.

An, Kohane, and Toya are worried about Akito. Not even Ken could get him to stop. They decide to go to SEKAI for advice. KAITO inadvertently helps Kohane realize Akito might be anxious over Toya's rapid improvement after resolving things with his father. Toya doesn't get that, since he was under the impression he'd finally caught up to Akito. KAITO suggests reaching out to Akito again, this time as a team.

An, Kohane, and Toya go back to Weekend Garage. Suddenly, Kotaro rushes in and asks for help. Arata ended up crashing the show he was set to perform in and caused Akito to snap. Kotaro's scared Akito's reverted back to his old self, who worked so hard in secret he could barely talk. Toya runs to the livehouse with An and Kohane following.

Chapter 7: After a bit of taunting from Arata, Akito begins his solo performance. The audience is amazed by his power. Still, Arata's song after completely overpowered his.

Just when Akito begins doubting if he really can do it, An, Kohane, and Toya arrive to crash the event. Toya apologizes for not recognizing just how hard Akito's always been pushing himself and asks to be his supporter this time.

Akito tells Arata that though he alone doesn't have what it takes to beat him, Vivid BAD SQUAD will be the ones to surpass RAD WEEKEND.

Chapter 8: Vivid BAD SQUAD, as a unit, rivals the energy Arata brought. Akito realizes that he truly believes in the power of his team. After the song, Arata asks for the contest to be called in a draw. Kotaro reappears, and Akito thanks him for bringing the others. He also agrees to let himself rely on the others more.

[fictionkinfessions]

feeling really sentimental right now but here goes!!

hello there kaito (if your seeing this), I really miss you :(

I wish you an AMAZING anniversary this week! Thank you for being the best big brother I could ask for

-Kagamine Rin

x

[noramthe]

2 weeks until proska 3rd anniversary🧍🏻‍♀️

Wish me luck I’m hoping for fesrui and(but not necessarily) kaito's anniversary card…

[yupuffin]

In summer 2016, I got one of the Japanese bookstore's last copies of the KAITO 10th anniversary album Glorious Blue. The whole album is full of BOPS, but I got particularly hooked on Doctor=Funk Beat by nyanyannya. I was super excited to see it slated to be performed at Magical Mirai later that year. I learned the choreography as fast as I could and became, to my knowledge, the first person to publicly upload a dance cover of Doctor=Funk Beat using the Magical Mirai choreography.

Sometime in the next few months, I got hooked on the rest of nyanyannya's discography and decided to subscribe to his Patreon. We got monthly updates and the early release versions of some songs, which was cool! I believe it was in the announcement post for the song Justin⇒Jive⇒Justify in which he included the song lyrics, footnoted with "It'd be cool if I had an English translation!"

So, like the bilingual student I was, I went 🤔🤔🤔, assembled my best attempt at a translation, and stuck it in the comments with "Hey, I wasn't sure if you were serious about wanting an English translation for this, but in case you were and wanted to use one, I gave it a shot!"

I thought this would be a singular instance, but I was wrong! Unexpectedly, this led to us collaborating on quite a bit of translation work for him over the years, including captions for his music videos back when community captions on YouTube were a thing. It was a really cool experience. I remember consulting one of my housemates, an exchange student from Japan, to help me proofread my responses to the messages we exchanged. Once nyanyannya started to get into Vtubing, I learned how to make subtitle files from scratch to match the skit videos he'd send me so he could upload them with the final product. Most of those videos have sadly been unlisted now, but I have fond memories of his avatar's antics, and many of the one-liners still live in my head rent-free despite the defunct source material.

The cozy fandom for his body of musical work "the Namari Hime series" was led by a dedicated user who'd host regular drawing chats -- the kind where everyone doodles on the same canvas while voice chatting. Every few weeks or months I'd get to wake up ridiculously early to discuss new song releases and favorite characters with a bunch fellow fans from the other side of the Pacific Ocean, and nyanyannya even joined in himself on a couple of occasions. He laughed at the cleverness of me posting a photo in cosplay of one of his characters "Cash" gesturing dramatically at an ATM. He rightly proclaimed our little corner of the Internet a "super cool fandom."

For a while, we had an unofficial Discord server for the worldwide English-speaking sector of the fandom as well. It's probably still out there, actually! It was really cool to see how the fandom grew over the years from just a couple of people to at least several dozen, if not more.

Shortly after protests broke out across the United States in 2020, I woke up to a message from nyanyannya saying he'd seen the news about what was happening on my side of the pond and wanted to ask if I was okay. It was really touching.

I followed his work less closely after he officially started Vtubing, just because, as a college student, I didn't have the spare time to watch a large quantity of ~3-hour-long videos. And a couple of years ago, I stopped financially supporting him after he started experimenting with generative AI to make YouTube thumbnail images and singing samples.

But we still follow each other on Twitter--even though he posts mostly about Vtubing now, and I mostly post about Hoyoverse games and not Namari Hime. I still see the selfies he posts on Instagram from time to time. And I'm still mutuals with a lot of the previous fandom members, too, even though a lot of them are less active and we don't speak directly basically at all anymore.

nyanyannya's song Fräulein=Biblioteka is featured in the ongoing MIKU EXPO North America tour. nyanyannya is not a mainstream musician. In fact, he deliberately quit mainstream music production before he wrote Namari Hime because of the toll it was taking on his mental and physical health, and turned instead to Vocaloid as tool to help him express his individuality, instead of whatever would be the most commercially successful.

Well, that's just one example. There's plenty more.

KIRA, the producer who wrote the featured song "Highlight," is younger than I am by several years. He wrote the lyrics to another one of his hit songs, "MONSTER," when he was sixteen, and almost scrapped it because he thought nobody would like it. Now a song he wrote played at COACHELLA and he's over the moon.

Utsu-P, behind "Hyper Reality Show," is experiencing similar feelings, as he never would have dreamed of one of his songs featuring at Coachella back when his parents bought him Hatsune Miku with graduation money.

yukkedoluce is another of my favorite Vocaloid producers. He grew up wanting to be an astronaut, but didn't qualify because his eyesight was too poor -- so now he lives his dream in a different form by writing Miku songs about space.

At one of the side events at MIKU EXPO 2018, my siblings and I happened to sit next to a Vocaloid producer named Lystrialle who specializes in making contemporary folk music featuring MEIKO and KAITO. I looked up her music after the expo; her album "You, in the Endless Starlight" almost literally defined my sexuality (or lack thereof), and my Genshin Impact AU is named after some of her lyrics. She runs a Mastodon instance for Vocaloid fans.

What I'm trying to say is... there are Vocaloid producers who might be more comparable to mainstream producers, and there are musicians who started with Vocaloid work and eventually transitioned to more mainstream work. But there's also an endless list of Vocaloid producers who make little to no money off their work and hence are far from major corporate entities.

Individuality and collaboration is at the heart of Vocaloids like Hatsune Miku. Miku is primarily a tool to give musicians the power to create the music they want, not to make a highly successful commercial product. I've given an entire hour-long panel on this that convention attendees still remember ten years later, but that's a lot to put into a post that's already long enough, so I'll spare you the details for now.

Vocaloid was one of my first fandoms back in 2011. I got into cosplay and dance because of Vocaloid. Now I'm heavily involved in my local cosplay performance scene, both in terms of participating in events and helping organize them.

How does that phrase go? Do not recite the magic to me; I was there when it was written.

Don't spread misinformation that Vocaloid producers don't care about people's feelings because all they care about is making a commercial Product(tm).

Instead, please fuck all the way off.

[revmorte]

A few days after Rantaro's accident during the competition, Kaito found himself browsing the internet... Sure to say, people have wild theories about Rantaro's "sudden retirement".

Figure Skating AU. I.. really need to actually post my stuff here. I post it on discord and then never share them in public. The AU goes so far, I have so much brainrot over it.

Can't believe it's 1 year anniversary is in a week. Surprise, surprise. Somewhere in the depths of my art folder, I have more of those comics.

The first ever mention of the AU can be found here and then again here.

Also have this :) For clicking on read more.

And the original sketch for that comic!

[crescenttm00n]

▫️◽My artwork◽▫️

•| Aoi Akane // TBHK

•| Naegiri doodle

•| Naegiri animation meme

•| Naegiri [Danganronpa x Riichi City collab]

•| animation practice // Ichika

•| Twenty Øne Pilots Clancy

•| Taylor Swift the eras tour ttpd

•| Nagito and his doggy // Danganronpa

•| Kaito Momota // Danganronpa

•| the bride and the ugly ass groom // MLP

•| Kaede's bday // Danganronpa

•| makoto // Danganronpa

•| HanaNene Week day 6 // TBHK

•| Naegiri // Danganronpa

•| sans & frisk // Undertale

•| Danganronpa scene redraw

•| Makoto bday doodle // Danganronpa

•| Maki Harukawa bday // Danganronpa V3

•| OMORI GIF animation

•| shuichi & kaede // Danganronpa V3

•| Gundham Tanaka & Okabe Rintarou bday doodle

•| Naegiri week day 4 // Danganronpa

•| Kyoko Kirigiri + dark coquette // Danganronpa

•| Yugi twins // TBHK

•| Mitsuba // TBHK

•| Fionna and Cake

•| Kyoko Kirigiri // Danganronpa

•| BG practice + Horimiya

•| Undertale 8th anniversary GIF

•| Yato Day! // Noragami

•| Iki Hiyori's Birthday // Noragami

•| Skip and loafer fan art

🤍 Please consider following me on other platforms 🤍

▫️◽◻️ Twitter // @crescentt_m00n

▫️◽◻️ Instagram // @crescentt_m00n_