#justice for Tack

[icedteaandoldlace]

I'm still losing my mind over this.

[etirabys]

me: goddamn, I reviewed some fiction I wrote merely 4 months ago and it feels like it was written by a completely different person with way more life in them. the past months have been rough. I need to stop waiting around taking it easy, waiting for my energy to come back. I should just do the hard things I'm putting off

brain: like rereading and reviewing Nick Lane's dense book on the origin of unicellular life in hydrothermal vents

me: noooo anything but that

[andromeda3116]

people actually went on about how game of thrones made it socially acceptable to be a fantasy nerd, as though the lord of the rings movies hadn't been released less than a decade earlier and left far greater cultural ripples and i am just

got may have made the adults feel better about liking fantasy, but lotr got into the kids' heads when they (we) were just young and impressionable enough to be absolutely transported and emotionally rewritten by don't you leave him, samwise gamgee and my brother, my captain, my king and and rohan will answer

lotr was rewriting entire generations' brain chemistry long before asoiaf and so obviously it's not fair to compare any post-lotr fantasy novel to it, and each book series was trying to do different things within their own spheres and so that also is not a fair comparison, but in terms of the cultural impact of the adaptations that came out within a decade of each other, saying that it was game of thrones that made fantasy mainstream is baffling

game of thrones could only run because the lord of the rings movies laid the path, and i will die on this hill

[happyk44]

PJO: we need to recognize the value of the minor gods. The Olympians are important, sure, but the minor gods do a lot of work in maintaining and assisting the pantheon, have their own kids and deserve to be seen and valued just as much

HoO: Back at it again with Olympian-only nonsense!

[s1llycilantro]

please tell me this hasnt been done w them

[powpowexplosion]

the thief and the cobbler redesigns ‼️

[batbaffle]

also catwoman was a clone of the mayor

[wordsinhaled]

bit of genderfluid 60s mod crowley

[icecreamkink]

balletcore here balletcore there and yet i see not one fucking trashbag short in sight

[sixsoulssnuffed]

If you could have one wish, with no limits besides not having more wishes, what would you wish for?

*I think I'd like to be given the power of absolute persuasion. Nothing quite as invasive or as forceful as mind control. More so like...if there was a chance, any chance, that someone could choose to change their mind about something, I'd be able to spark that change.

*Life would be a lot easier that way. A lot more peaceful, too.

*Start over from scratch as some caring rich person's kid, but regain the memories of my old life as I aged.

*Have a better life, and the means to appreciate it.

*I'd like your wish as well.

*It wouldn't mean as much to me as it would to you, but...I'd like that.

*Start from scratch. In a different body as well. An able one.

*The same family?

*If you'd like.

*D'awww~

*Hush.

[shotmrmiller]

living in some dingy apartment building because it is all you can afford on your income unless you want to eat danimals yogurt and saltine crackers for breakfast, lunch, and dinner. the stern landlady lives on the first floor, and some neighbors blast music on weekday nights (even if they didn't, the walls are paper-thin. you know more about the cambrian period than you'd like to, thanks to room 105) but it's a modest roof over your head and while the darkened grout lines in the bathroom are permanent, at least there's hot water.

until there isn't. and the landlady has mysteriously gone on vacation for the next two months.

what used to be a cathartic cleansing has now become your torment. every other day is hair wash day which means you're bent over the cold, porcelain edge of your tub, back screaming in protest and pain shooting up your bruised knees even though you've sacrificed one of your very nice pillows to avoid exactly that.

and showering is torture. the icy cold water feels like a thousand tiny claws scraping over your tender scalp, sinking into your trembling shoulders. you don't wait for your body to acclimate, just hastily scrub yourself as clean as you can and hop out, your chattering teeth and shaky breaths echoing through the tiny bathroom.

it's like this for a week and a half, a whole 10 days of suffering with showers so cold it feels like shards of ice biting into your goosepimpled skin when it stops. warmth bleeds into the stream of frostbitten water. finally, it soothes instead of stings. your coiled, tense muscles gradually slacken with relief, with unadulterated bliss. steam rises, the tips of your fingers and toes tingle as if thawing. gratitude wells in the corner of your eyes.

if you had any money you could afford to give, you would to your savior, but every dollar you own is earmarked for the bare essentials. so, with your thick, warm bathrobe cinched around your waist, you pen down a little heartfelt note to stick to the bulletin board downstairs before heading out for work.

thank you, whoever you are, for fixing the boiler. i could kiss you <3

when morning comes, you use one of the dull, golden tacks that previously held a lost pet flyer (sorry, bilbo the hamster, but it's been a year) and pin your note up.

only to come home and find it gone, a torn corner all that remains. maybe it's karma for your callousness towards someone's pet. (justice for bilbo.) you shrug it off, giddily skipping up the steps to wash off the day's stress with hot water.

but before you even hang your keys on the wall, there's a pounding on your door, hard enough to rattle it in its frame. and the masked man you see through the peephole isn't familiar. against your better judgment, you clear your throat before cracking open the door. "yes?"

the piece of paper he's holding in his dinner plate-sized hands seems incredibly small— and it's your note.

"i fixed the water." oh. "'m 'ere for wha' 'm owed." owed?

"i'm not— um. the kiss. it's just a figure of speech." the thick muscle of his bicep coils as he crosses his arms over his barrel chest. he's a very large man, as broad as your door.

if you slammed it closed on him, he'd probably leave it hanging by its hinges. that's not worth a measly kiss.

"okay. but on the cheek since i never specified where so it's dealer's choice."

he huffs out an amused breath but complies, hooking his thumb under the edge to pull up his balaclava just enough to expose his stubbled cheek. he's got a couple of scars; thin, slightly raised. run along the sharp edge of his jaw and disappear beneath the fabric.

he leans close, enough to hear his steady, slow exhales. he smells of dirt. salt. something smoky, tangy-- like on new years, minutes after the clock strikes 12.

your hands cradle his face as you rise to your tippy-toes, wetting your lips and crane your neck-- but he snaps his head to the side,

and takes the kiss he was owed.

(he takes a screwdriver to the ac unit next. wire cutters to the fuse box. nails to your tires. anything that'll inevitably lead you back to him. you tried paying him with dinner but the only thing he was interested in eating was your cunt.)

[arolesbianism]

Yknow despite my absolute negative amount of interest in Wortox at this rate it's only a matter of time before I somehow start being mentally ill abt him too. If Wormwood and Willow got in my head then everyone else's days are numbered at this point </3

[malwaredykes]

well. here she is. miss Leigh Stasik.

trans woman. stubborn, incorrigible, eccentric. communist; she has leftist in-fighting with herself on the regular. a cannibal; she has no moral qualms about this, and its both a bit of a spiritual thing and a bit of a pragmatic thing. medic (not a doctor. no medical license). she knows for sure she had some kind of significant personality change from being shot in the head, but she doesn't remember what she was like exactly before it happened, it all became this kind of distant memory soup. shes originally from west new cali, but she grew very attached to the mojave. and has a lot of contempt for the ncr. She Will Serve Crack Before She Serves This Country. thank god the army discriminates against transsexuals etc. zero tolerance for the legion, obviously.

she firmly believes she is not nice, or kind, or compassionate, but instead her actions and her general sense of justice stem from her simply doing whats the most logical and objectively beneficial. it may be true to some extent, but she might also have a wee bit of ocd of the "i am a horrible person whos at all times like 2 seconds away from committing atrocities" variety.

shes a SCIENTIST. unofficially. she doesnt have a degree nor a chosen field of study. she makes her own hrt and other mysterious concoctions, including designer chems. which she claims she ingests injects etc not for recreational purposes, but to Enhance Her Powers And Possibilities. she reads old world books about psychology so she can manipulate people better. and makes weird contraptions and doohickeys while high. shes a HACKER of course and hacks terminals and systems for fun and just to see if she can.

her stats are out there due to implants and intense training, originally they were rather average. in-game she wears combat armor mk 2, but i see her having spruced it up like this. her main weapon is the ycs/186, the unique gauss rifle, but before that she used a modded plasma pistol. which she very much enjoyed the silly appearance of. because it was so small and with so much shit tacked on and she could just hold it in one hand like a mutated revolver like Hands up motherfucker bang bang bang lol. her melee weapon of choice is the machete gladius, but she's been training to be able to wield a thermic lance.

in my head the trajectory of her actions and the fate of the mojave that follows is different from what you can do with the game, because leigh could only go for The Secret Leftist Route Which Was Supposed To Be In The Game But We Were Robbed Of It.

boone was the first friend she made after leaving goodsprings and their relationship is particularly notable. they are Comrades, Siblings-In-Arms, Worsties (like besties but fucked up). theyve seen each other at their worst. they annoy each other on purpose. theyve had serious ideological clashes with each other and some ways in which boone perceives the world drive leigh absolutely nuts. they're ride or die for each other. theyre the kind of comfortable around each other where she'll be on the toilet and smoking a cig with the door open and talking to him, while he's naked sitting on the floor removing stitches from his leg. she's done surgery without anesthesia on him. he's projectile vomited blood on her from being poisoned by cazadores. she strongly encourages him to become a traitor to the ncr and to take part in the revolution and the formation of the new independent mojave alliance. somehow, it works on him in the end. shamefully they kinda like snuggling... boone bro come to bed man its nighty night man its beddy bye time.

shes in love with lily bowen. i havent decided yet whether she actually makes a move. but she thinks lily is sooooo dreamy. and shes right. if you dont think the enormous 203 year old blue mutant woman is dreamy thats your problem. outta her way

[tigercomplex]

i really thought we were beyond the "sga" marker of being lgbtq. i sincerely thought you people gave up on that stupid bullshit by now. like we've been over this and creating a false dichotomy between "sga" and hetero is not good. it implicitly values only part of bi people's attraction and devalues the other part(s). similarly it implicitly values "sga" trans people over transhets. it is inherently exclusionary of many nonbinary people who do not have a same or opposite gender. it excplicitly was popularized to exclude aspecs of all kinds. so why am i still seeing this shit around?

[fairandfatalasfair]

I know people have posted about this before but it honestly it striking how much the boys do not default to violence as a way of solving problems. They're detectives in the classic sense - they're looking for clues and unravelling mysteries, and most of the time they can handle things with subtlety instead of force. It's not off the table, but it's very much an option of last resort.

The first time we meet them they're dealing with a ghost that is actively trying to kill them, and they're not fighting, they're running. While trying to figure out what happened so that they can go back in with a better strategy. Even when the cursed ghost catches up with them, Charles hits it exactly once, to get enough breathing space that they can get back to the office and get the resources they need to break the curse. Their plan with Becky was to slip in and out while Esther was distracted - they only ended up in a fight because hauling Edwin and Becky out of the magical void took longer than expected.

And as much as Charles comments in Ep. 3 about puzzle solving being "Edwin's way" and hitting things with a cricket bat being his, that absolutely goes for him as well. In the flashbacks where he confronts his friends, he pulls them off and puts himself between them and the kid they're beating up - he doesn't continue the fight once the victim is safe. In the Devlin house he's visible shaken and upset from the first round of the cycle, but it's not until they've witnessed the murder several times and Edwin's plan to break the loop has failed and he's confronting the possibility that there may not be another option that he tries to fight Devlin directly. Most of what he does with his cricket bat is pull it out and plant himself between Edwin and whatever he's decided is a threat.

I suspect that's part of why Edwin was so rattled by the first encounter with the Night Nurse - not because it was wrong or unjustified, but because it's not normal for Charles to hit first.

And these are not normal circumstances! Charles has been pushed pretty hard at this point, and has just been assaulted in a way that Edwin probably isn't fully cognizant of, and was acting urgently to stop the Night Nurse from doing the same thing to Edwin. I think his reaction was absolutely justified, and possibly necessary. And I think Edwin's response, whether it was intended that way or not, did read as condemnation - at least to Charles who is already beating himself up for not being able to protect the people he loves and doubting whether he's a safe, trustworthy person.

But I also think it's notable that the next time he deals with the Night Nurse - after he's processed some of his feelings of anger and helplessness, after he's been reassured that he's still the best person Edwin knows - he takes a different tack. She's still imminently threatening to split them up and send Edwin to hell, which is probably Charles' worst nightmare. But this time he turns to negotiation, to appealing to her sense of justice, to looking for a loophole that could let them stay together. He's back to trying to solve problems by working through them.

And in fairness, the fact that she came back after being eaten by Angie is also a pretty strong indication that trying to fight her wouldn't have worked. But I do think it says something about Charles' attitude to the world that despite describing himself as "the brawn" and thinking of himself as the fighter between him and Edwin, his reflex is still to problem solve first, to use force defensively and only when necessary. That yes, he's angry and justly so, but unlike his father, or the boys who killed him, he doesn't choose to turn that into an excuse to hurt people. That his use of force is judicious and careful and is always, always about preventing harm.

[thekingofwinterblog]

My Hero Academia - How NOT to do an Open Ending

In 2022, the American animated series Amphibia ended with an open ending that left all of it's ships up in the air, and the question of where the main characters would go from there up to the reader.

That might be a rather weird way to open an essay about how My Hero Academia failed, but the reason I do so, is to illustrate a point.

Namely that there is a way to do what Hori tried to do with MHA right.

Amphibia ending has the main human trio of that series reuinte after a long timeskip, with all 3 of them having found their passion in life and built careers for themselves, and while there are some suggestions that Sasha and Anne are a bit closer than what might be apparant on screen, it ultimately left the situation of their romantic relationship at this point, and from there on, up in the air withouth confirming or denying anything, beyond the fact that they for whatever reason drifted apart in highschool, but have come back together again at this point in time.

It left you with enough pieces to figure out the specifics, and how you can understand how things got from one point to another, while still giving all the characters a satisfying payoff, continued the shows themes, had no real plot holes, and wheter you ship any of the characters in question or not, it didnt ultimately matter for the quality of the ending.

The fun part about an open ending is that there is room to speculate, so long as it manages to balance all of the above.

A story does not HAVE to end on the main characters hooking up. it does not have to end with tying every single character up in a relationship and showcasing the beginning of the next generation. It does not have to have a definite ending that gives all the answers to be good.

That is one way to end a story, but it's not the only one.

There certainly are stories that NEED to end like that to be good, stories with a greater mystery, or revenge tales, or who's entire story was about one, specific romantic relationship are shit endings if they ultimately end on an open ending withouth answers.

within the context of MHA, Hori managed to weave this balance very well with it's villains.

The story of the Todoroki family in particular has all the definite endings, and tells us where all the players ends up... but it also leaves the possibility, and question of wheter or not dabi ultimately managed to make peace with his family or not up in the air.

This is a good, satisfying, tragic ending.

Spinner and compress both end up in jail for the rest of their lives, but Spinner resolves to write a book, that for better or worse will tell the league's version of the story. It's not AS good an ending as the above, but it still works just fine.

Clearly Hori CAN write a good open ending that still gives closure.

Which is why it's so baffling that MHA 430, ends up doing EVERYTHING WRONG as far as an open ending possibly could.

It has no closure, it has plot holes aplenty, it manages to leave the question of will they or wont they unanswered, not by being ambigious, but by telling us, in the most unintentionally agressive manner possible that it did NOT happen, and most damningly of all, it shits all over the Story's themes.

MHA ends with the cast all grown up in an "and the adventure Continues!" ending, similar to justice league Unlimited.

That's not a BAD way to end it... The problem is EVERYTHING ELSE in this chapter.

Because we learn WAY too much in this chapter. the gaps in the timeskip is filled... but not in a good way. instead in an infuriating manner that pisses you off if you actually starts to break it down.

Let's start with Izuku being forgotten.

So i have seen some people try to shut down criticism about the fact that Izuku didnt win fortune or fame, by noting that from the thematic point, being a hero was NEVER about that from Izuku's point of view.

And that is true... but this argument misses the bigger and more obvious problem.

The story REFUSES to tackle this from that angle.

As many have pointed out, this is a BAD outcome ending for Izuku.

He returned to being quirkless, he had to settle for a job that wasn't being a hero, he has been mostly forgotten after his one big highlight, and his friends have effectively begun to move on.

And he does not care.

At all.

Hell, a 14 year old izuku who for one brief moment gave up on his dreams to chase a more realistic future, has more genuine and mixed emotion and mixed feelings in one shot, than Izuku has about actually living through a much more bittersweet scenario.

Hell, the one moment Izuku has when he looks genuinely down in this chapter, is when Aizawa admonishes him for not being strict enough with his students.

Basically the premise here is sound. Izuku ended up in a bad personal ending to set up the return to actual heroics at the end of the chapter... And that could have worked if it committed to that.

If he was portrayed as actually having regrets about his lot in life. you know, the same thing All Might's ENTIRE STORYLINE was built around!

MHA has ALWAYS been a human story that confronted the fact that people had regrets, and problems, and they need to be honest about them to deal with them.

To not bottle everything up inside and pretend the problems arent there.

For the story to end, with Izuku doing EXACTLY THAT is a slap in the face that goes EVERYTHING this story has preached about how you need to communicate with the people around you. the entire point of chapter 429, the CHAPTER RIGHT BEFORE THIS ONE!

Then of course there is the whole "Everyone Growing apart" thing too.

Now, it's not as bad as the early translation made it seem, but the point still stands that despite the entire chapter right before the end then emphasises how everyone went their separate ways.

This chapter COULD have shown us moments where Izuku is still in contact with the rest of his class, but it does not. instead it emphasises how distant he is becoming from the rest of his former friend group. He is the lone one out, the one guy who seemingly is no longer in regular contact with the rest.

The reason for that, is that Hori wanted to make the moment where he returns to the fold that much more impactfull... but it does not work, because it basically tells us that none of the class was able, or willing to make the personal sacrifice to keep in regular touch with him during those 5 years.

But FAR more egrigiously, and spitting in the face of the Theme of actually communicating and talking with the people you care about, is HOW Izuku gets back into the game.

Apparently they spent the last 5 years pooling their money to finance a high tech suit for him to fight crime in.

And i get it. I get what Hori WANTED to do with this. He wanted to show "See, Class 1-A didnt forget Izuku after all, they still love him!".

Thats the intended message.

But the problem is, it does not work. and in fact, not only does it NOT work, but it completely goes against EVERYTHING that the story has been trying to preach for the entire 10 years of it's run.

The rest of class A never told Izuku about this. ever. Why? apparently because they wanted it to be a surprise. So they just let him go on with his life for 5 years, all while none of them really bothered to keep in regular contact with him.

There is... so much wrong with that.

But before going over the way it just hammers in the point that actually talking with the people you love isnt important after all, let's go over how this entire stupid plan could have backfired SO badly on the part of class A. Hell, it kinda did actually, if not quite as spectacularily as it could have.

What if Izuku had gotten married and moved overseas during this period? What if he had gotten married in Japan, but his entire family dynamic and plans had revolved around the fact he had a job that did not require moving around much and so got to spend a lot of time at home? Hell, even within the context of what actually Happened, U.A is still going to find itself suddenly short of one teacher who his classes relies upon, if he actually wants to go pro for real.

There are so many ways this stupid 5 year scheme of secrecy could have backfired, and it does not take a genuis to be able to see them.

basically the entire class planned out Izuku's life ahead of him withouth telling him anything about it, withouth giving him the context or preparation for how to plan his future with it in mind, and how none of them seemingly cared about how this might upend his actual personal life.

And thats just the logistical issues.

Morally speaking, this just repeatedly hammers in how this final chapters just completely abandons the themes of how you need to actually work, talk and discuss your personal matters and feelings with the people around you.

1-A did none of that.

They let their relationships with Izuku cool, when they didnt have to, seemingly with the idea that it didnt matter in the end because he'd join them anew as a hero later anyway, and they could catch up then.

Which leads me to discussing the one, actual ship who's ending actually DID matter from a storytelling perspective.

Izuku and Ochako.

Now i have seen so many bad takes across the web from the people who are happy this did not happen, or argue that it does not matter.

But the brutal truth is, it does.

And the reason it does, is not because Izuku HAD to end up with Uraraka, or even that they had to be together in the final moment of the series.

It's because one of the longest running stories of this manga had NO ENDING, NO RESOLUTION, and rather than that, it wants to suggest it might still happen anyway... Despite unintentionally KILLING IT in the most infuriating way possible.

Out of all of the cast, it is Uraraka's character who is butchered by this stupid 5 year plan, to the point it even taints her entire new character direction at the end.

Uraraka ends the story having reformed the Quirk system for people growing up, helping those with difficult quirks get past mental problems... But just all the rest of her class, she chose to neglect her relationship with Izuku under the seeming thought process that she could patch it up later... Or that she could finally confess her feelings.

I'll let Shigaraki speak for my feelings on this way of thinking.

"You heroes hurt your own families just to help strangers. You heroes pretend to be society's guardians. For generations, you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you built. That means your system's rotten from the inside with maggots crawling out. It all builds up little by little over time."

The intended message of MHA is a refution of this... but in this final chapter, Shigaraki's words ring true, at least as far as class A is concerned.

As they became Heroes, they neglected the one amongst them who needed the most support and instead went off to, as shigaraki put it, Help Strangers.

They pretended that Izuku's situation in the moment did not matter, because in the long haul it would all be worth it.

And just like their predeccessors, it taints everything they do.

But Uraraka most of all. If you ignore the romance angle, she has started a massive program to help strangers in need... while also neglecting and frankly mistreating someone she loves and cares about her who needed her support in his weakest period.

If you do take Romance into account, it gets even WORSE, because then you have to accept that Uraraka ultimately rejected the message that she preached with Toga, the thing that got the blonde girl to turn coat for her.

She in the end did not manage to live a life where she actually was able to do what she wanted to do, and instead remained the exact same wishywashy girl who refused to actually be open about her feelings.

Instead, she, in her final shot of the series, is in the exact same spot she was back then. A girl who would forever pine after Izuku, but never be able to open up about it.

Which would be a bad enough way to end her character on... But then when you take into account that she also participated in the 5 year plan, and there is nothing to suggest she kept in touch with him more than the rest, just makes it so much worse.

I have said before that with this ending, Uraraka's love story was an objective waste of time, and i stand by that.

Hori didnt have to end the series with Izuku and Urarak married, engaged or obviously in a relationship, but by refused to actually make it happen, and lumping Uraraka in with the entire rest of the class, he instead did something way worse.

He made it abundantly clear that regardless of what Uraraka's feelings on the matter, the relationship to Izuku was not something special. She was NOT his Hero in the moment when he actually needed one.

Neither as a friend, or as a love interest.

Her actions tainted everything else.

And of course, there is the big plot hole of this chapter.

The single biggest, and most obvious hole that is just gaping through it, that for this story to work you have to completely ignore.

Namely that 1. All Might is one of the richest peoples in the world. Class A should not have had to actually fund Izuku's suit. All Might could, and SHOULD have done that all on his own. and 2. That this tech EXISTED 8 YEARS AGO!!!!

All Might's armored suit made him one of the most powerfull figures in this entire series.

Sure it was a bit experimental, but it WORKED! it was not some unstable prototype that coudl explode at any moment, it would have worked just fine as an actual permanent power up!

For this entire stupid 5 years of Sidelines Izuku to work, you have to just PRETEND this massive hole does not exist.

And it's not a small hole that you can justify that the characters didnt think about it. It's there, and it's MASSIVE.

The only reason it's not talked about as much as all the rest is that while this is the big Material problem of this chapter, everything else is so much worse because it attacks, destroys, and taints pretty much every theme MHA had over the course of it's long run.

---Edit---

Apparently there is a throw away line in the Trivia section of Volume 39 that All Might apparently spent almost his entire fortune on his Mech suit.

Meaning that while this isn't quite the plothole I assumed it was, it IS still TERRIBLY communicated within the story itself why All Might didn't just fund Izuku's suit themselves.

---

The themes that more than anything else was what set it apart from every other battle manga that ever existed. The Human themes of actually talking to the people around you that made MHA a special story, far more than it's superhuman battles ever did.

That is why so many people are pissed off about it.

It's also why MHA is such a textbook example of how NOT to do an open ended story.

Hori could have kept the details about Izuku's life, be it his personal or proffesional life incredibly vague, beyond the basics... but he choose not to, and instead peeled back the curtain... but rather than showcasing depth, it just made the whole thing fall apart by giving us the specific details that we did not need, and which pretty much tainted the entire ending down to it's core... All completely unintentionally.

He didnt have to show that Izuku had NO specific remaining bonds with any single members Class A that were still more important to him than the rest.

But he did.

He didnt have to go out of his way to show that Izuku was completely forgotten by society at large.

But he did, and subsequentially did not actually choose to explore that.

He didnt have to show us deep, long, internal monologues from izuku's perspective where he is cartoonishly at ease with his lot in life.

But he did.

He was too specific and detailed about the things he NEEDED to keep vague, and not specific about the details that we actually needed to know, and so it all collapses in on itself in a mess of broken Themes and morals, and shattered logic, and above all else, he managed to carelessly and unintentionally cheapen every single relationship Izuku formed with the rest of his classmates over the course of this story.