Allison. 32. Writer. Romantic. Gryffindor. INFP. Crazy cat lady. Tea addict. Mecha-Vibe and Jeid apologist. Tumbling since 2012. Will tag anything upon request!
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SINGIN' IN THE RAIN (1952) ↳ dir. GENE KELLY and STANLEY DONEN
#I said it was part 1 of Singin' in the Rain day yesterday and my oldest sister asked what that meant#and my younger sister was like “you know...” and tried to explain the scene#but she wasn't getting it#so the two of us acted it out instead#and it cringed my brother out#it was great 😂
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Thinking about how Anakin canonically both touched grass and got laid and was still Like That.
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YOU can write whatever you want whenever however forevrr. i have to write something perfect and earth shattering and i have to do it perfectly the first time or else
#MOOD#though tbh reading The Outsiders has been oddly therapeutic regarding this issue#it's such a different experience reading a book written by a teenager#it reminds me of how I used to write when I was that age#and it's changing the way I'm looking at my oldest series now#I think maybe instead of trying to erase all traces of my teen self's writing and give it an adult makeover#I need to revisit my teen self's perspective and just apply my adult writing skills to it#I think that would fix it#I kind of lost sight of what it was supposed to be about because I was trying so hard to make it perfect#but what I really need to do is just tell the story I want to tell#and not worry about what an adult reading it would think because it was never supposed to be for them anyway#writer problems#writer the opposite of problems
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grantgust: Had to wear some Flashpoint swag to work today.
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Fucking slain in my tracks by this postcard on my friend’s dresser
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#this reminds me so much of the land where my best friend used to live#and seeing these two walking around there takes me back#yeah I know they're on the run#but it's so easy to see this as just two besties on an adventure exploring the countryside#in a better timeline Pony got his wish and his family moved to the country and Johnny moved in with them and they're doing just that
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Got to the part of the book where they're on the train, and Johnny's looking at the gun Dally gave him, and he's like, "I don't know why he gave me this. I could never shoot anyone." BABY, YOU JUST STABBED SOMEONE. You're on the run from a murder charge, and getting a gun was literally on your to-do list right after!
Like, it does make sense—it does. He has a lot running through his mind that he hasn't fully processed yet. On one hand, he knows that he killed Bob in self-defense, because he had to. He's still not a violent person, and he could never shoot someone just to keep them quiet about seeing him. Killing someone to keep from getting caught is not the same as killing someone to save his friend's life. On the other hand, he knows he needs the gun 'cause it'd be better protection than his switchblade would be if the other Socs came after him. He knew he would need a gun just in case, but actually having the gun and trying to picture himself using it when he's not under attack at the moment just feels foreign and wrong. He doesn't want to shoot anyone, and he doesn't plan to shoot anyone, so why should he be carrying this thing around as if he's going to shoot someone? It makes perfect sense that Johnny's head would be all mixed up, because what he's going through isn't entirely real to him yet, and because his principles still stand even though he's just been forced to go against them. He wouldn't kill anyone. He just did. But he wouldn't. He only did it because he had to.
Him having contradictory feelings about carrying a gun is the most natural thing in the world, honestly—but boy, looking at that line on just a surface level sure is somethin'.
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Your friends watching something for the first time and getting to that scene VS you, the knower.

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MARY MOUSER as SAMANTHA LARUSSO COBRA KAI SEASON 4 EPISODE 4.
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BARRY AND IRIS Duet, 3.17
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The Outsiders Characters + Book Descriptions: Patrick Swayze as Darrel Curtis ↳ Darry is six-feet-two, and broad shouldered and muscular. He has dark-brown hair that kicks out in front and a slight cowlick in the back.
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If you can picture a little dark puppy that has been kicked too many times and is lost in a crowd of strangers, you'll have Johnny.
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THE OUTSIDERS 1983 — dir. Francis Ford Coppola
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