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lornaka · 6 months ago

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My five cents on Tech’s fate in TBB

It’s been over three weeks since the show ended and I’ve been writing this in my head ever since, mostly to have it summed up in one post for posterity lol. I considered letting it go at this point but I know it’ll drive me crazy if I don’t get it out of my system so might as well.

So here we go, some of my rambly post-finale thoughts on Tech’s death (and a few other issues) under the cut!

Disclaimer: while this post is in critical spirit (because that’s how my brain works), I want to make clear that I have nothing but respect and gratitude towards everyone who’s worked on the show. My criticisms are of the final story as a whole as I interpret it (art is art, everything is subjective, you know the drill), but one never knows what goes into the process of making it behind the scenes, so I’m not holding anything against the creative team. I love this show dearly and am in awe of how good it is at its best, despite certain things I wish they did differently.

To begin, if I had to sum up the biggest problem that TBB writing suffers from, it would be lack of closure, and too many red herrings. Not just for Tech, but many things. Major plot threads as well as little character moments are cultivated or thrown in just to never culminate in anything or to be immediately discarded after serving the plot, some of them incredibly misleading. Some of the top examples:

- Crosshair’s chip. We never get an exploration of how the trauma of his chip activating and being left behind not only affected his motivation and choice to stay with the Empire, but his relationship with his brothers. While it was made fairly obvious, if subtly, that Crosshair became free of the chip’s influence after getting hit by the ion engine on Bracca, the narrative treated this change as if it didn’t matter at that point, while it obviously mattered a lot within the context of Crosshair’s character. Add to that all these little details with him clutching his head in s1 finale, Omega expressing her disappointment in him, and Tech’s comment on how “it is just his nature” (as if it matters!!! See what I mean about the narrative treating Cross’s chip as if it didn’t play the key part in his trajectory? They throw in this line, like we are supposed to take away that it’s simply Crosshair being Crosshair and not like, the results of brainwashing and abandonment), Wrecker blaming Crosshair for not going back to them, all while we as the audience have been shown and told repeatedly how these chips work (and so were the Batch), we ended up with an incredibly confusing situation with lots of mixed signals from the writers. And once Crosshair makes his choice to stay with the Empire in s1 finale, his chip and the confusion it brought to his relationship with his brothers is never brought up again, because the plot simply moves on.

- Cid’s betrayal. After her being a major character for two seasons with a continuous relationship build-up with Omega in particular, she is discarded as soon as her betrayal serves the plot, with all that character development getting thrown out of the window. You can be mad at Cid all you want, but to me it’s incredibly weird and wasteful to end two seasons worth of build up on that note without it having any closure for the characters, especially Omega whose whole theme is trusting people and bringing out the best in them. It’s fine if they decided to make Cid exactly what she appeared on the surface (untrustworthy and self-serving) after playing around with her potentially growing through her fondness of Omega, but then at the very least the betrayal should’ve had an impact on the characters, Omega most of all. Even just one casual line from Omega in s3 about how Cid’s betrayal impacted her emotionally, however minimally, would have solved that problem. And no, CX-2 mentioning how he extracted info on Phee from her off screen absolutely doesn’t count as closure, because I’m talking about emotional closure for the main pov characters as well as the audience. Cid had a presence for two seasons, then as soon as she executed her role as a traitor to further the plot, she was discarded like she was a random extra.

- Emerie’s relationship with Hemlock. We are led to believe that he basically raised her, instilling in her the idea that she had no chance without him and owed her purpose and “safety” to him. You can’t tell me that this didn’t deeply affect her struggle and eventual decision to break away from all that and choose to help the kids, basically betraying Hemlock. I get that the show only had so much screen time and Emerie is a supporting character in season 3 at best, but common, she has more tension with Dr. Scalder than Hemlock while the potential for this rich deep conflict between them is right there.

I can probably list more smaller examples but this is getting long and I don’t want to go on any more tangents, so, finally, the biggest example of lack of closure and tendency of TBB writing to display foreshadowing that leads nowhere:

Tech’s death.

First of all, I’ll die on the hill that it wasn’t denial or delusion that led to such a big portion of the audience to believe that Tech didn’t really die in s2. If we look at the facts:

- there was no body

- it’s the finale of season 2 out of 3, pretty early for one of the main titular characters to get killed off

- the only/last character to allegedly see Tech after his fall is a villainous scientist who is known to experiment on clones specifically

- not a fact but: the whole scene with Hemlock presenting Tech’s goggles to Hunter was incredibly suspicious. In hindsight, I think the whole purpose of it was so that the Batch got Tech’s goggles back in their possession as a memento (and to show how evil Hemlock is to rub it into Hunter’s face like that) but it was executed in a way that read as something much more. It read as if Hemlock was going out of his way to convince us/Hunter of Tech’s death, but with us knowing who Hemlock is, his background in experimenting on clones, everything screams at us to not trust a word he says. Is it really so surprising that so many of the viewers immediately jumped at the conclusion that something more was going on there?

- Hunter’s (lack of) reaction/immediate narrative fall-out. More on that later as I address lack of emotional impact of Tech’s death in s3.

- it’s Star Wars. And there was no body.

So yeah, to me, it is completely justified that so many people read that whole thing as open to speculation at the very least, foreshadowing Tech’s survival at most.

Personally, I was 70% sure Tech was truly dead prior to s3, but not because the text told me so, but because at that point I was used to the show’s writing regularly sending out mixed signals, and a part of me was resigned to Tech’s death becoming another example of the writer’s intent clashing with their accidental empty foreshadowing.

As season 3 aired and the whole CX-2 plot was unfolding alongside continued lack of closure for Tech’s fate, my hope for Tech Lives reveal grew and grew, but in the end my initial doubt was proven right, unfortunately.

Oh, CX-2.. what a mess. You can’t tell me the creators went over all of these scenes, all of these lines, looked at the whole picture and *didn’t* see how it was incredibly easy to interpret CX-2 as potentially being Tech with all these little potential parallels. “Domicile” alone.

If they didn’t want us to entertain the idea that it could be Tech, they could’ve done it differently, but for some reason, they chose to leave that space for speculation. My question is, why?

If they truly wanted us to believe Plan 99 was it, Tech’s Noble End that we were supposed to take as this dramatic super emotional ultimate sacrifice and all that, then why would they not make it clear that CX-2 couldn’t be Tech? Why breed confusion? And breed confusion they did. It’s hard for me to believe they didn’t foresee the “ohh is it Tech?” speculation.

When so many members of the audience immediately and individually jump at a theory or have the same take away from the story they are being told, yet the authors say it wasn’t meant to be taken that way, something went seriously wrong with the writing.

I don’t like to speculate on such things because we will probably never know for certain, but I wouldn’t be surprised if they had at some point considered CX-2 being Tech or at least something more for the whole CX plot thread, but changed and reshuffled things at the last minute for whatever reasons.

Which is fine and understandable. But it brings me to the heart of my biggest issue with how Tech’s fate was handled:

lack of impact and closure.

Let’s disregard all the Tech Lives theories for a moment and focus on what we did get: Tech, one of the main characters, getting killed off at the end of s2 out of 3, for stakes and consequences and NOTHING else. When I say nothing, I mean nothing.

Imagine, for a moment, he survived and stayed with the Batch. Nothing would have changed, in the grand scheme of things. Nothing. We wouldn’t have had a few obligatory “Tech mention, everyone feel sad now” throwaway lines/goggle shots and whatnot, sure, but that’s it.

Tech dying didn’t change the trajectory of the plot in any way, nor did it affect any of the other characters in a way that changed their trajectory. And anything less is simply not enough to justify killing one of your main characters. Stakes and consequences ain’t it.

Consider Mayday, for example: a supporting character, but his death in s2 affected Crosshair in such a way it completely redirected his journey, AND in s3 we got an episode that cemented the impact Mayday had on Crosshair and provided emotional closure for them. That’s a narratively meaningful death.

Tech’s death was not meaningful to the narrative beyond removing him from it. That’s why so many Tech fans insist he deserved better treatment: not only was he not present in one third of the show physically, but he lacked any sort of presence even in death. His absence was never processed or grieved by any of the main characters and so by extension by the audience.

And before anyone starts with the whole ‘they are soldiers/they had no time to grieve/etc’ arguments, it is the responsibility of the writers to provide the space for all of that emotional impact. It they don’t, there is no impact.

A few reactions here and there, moments of missing Tech as a person and a brother, not an asset, anything would have made this whole thing easier to accept.

The lines that we did get, from Omega mentioning the stuff Tech taught her to Echo commenting on how decryption would be easier if Tech was with them to “Clone Force 99 died with Tech” from Crosshair - each and every single one of those lines linked to Tech’s functions as part of the squad, his usefulness, but we didn’t get a single line in remembrance of him as a person of his own, no one missed or remembered him for himself or his personal impact on them.

Just one line from Omega about how he taught her about change being a constant part of life or whatever, or Wrecker making a comment on how Tech used to info dump about stuff, anything would have instantly provided that much needed sense of “he was here, he was a person and is still a part of us”. Instead, Tech was killed off to show that messing with the Empire is dangerous and risks are real, I guess, and immediately lost any and all presence within the story.

We never even got to see Crosshair’s or Phee’s reactions to losing him.

Speaking of Crosshair, that’s a whole other example of complete lack of closure: they never closed the loop on the family being reunited again after initially leaving Crosshair behind, and with Tech dead, it’ll forever stay broken.

They could’ve given this a bittersweet yet meaningful spin if they developed the angle of Tech dying on a mission to bring Crosshair home, making a sacrifice so Crosshair had a chance.

Instead, the moment Tech dies, we get Hunter (and through him, the narrative) immediately abandon the idea/plot thread of going to rescue Cross all while saying “let’s not waste Tech’s sacrifice”. Sacrifice for what? Clearly Hunter doesn’t see it as a sacrifice for Crosshair’s sake, so, what, to make sure the rest of them makes it from the mission? The mission to save Crosshair. That mission. Right.

I see people talking about Tech’s noble sacrifice that ensured his family got to live and eventually have their happy ending, but all I can think about is how the creators chose to have him die on a mission that was immediately abandoned and the only take away from that whole sub plot was Tech’s own demise.

And after Crosshair is back with the Batch, his reaction to Tech’s death is never explored at all.

So yes, to me Tech deserved so much better. If you are going to kill off a major character, it must be necessary to be compelling. The way I see it, Tech’s death was not necessary at all because it didn’t change anything. And if it was meant to, the creators failed to communicate that by choosing not to explore the emotional impact of it and not structuring certain story beats in a more precise manner.

To wrap this up, if the way Tech’s death was handled was satisfying for you, that’s valid and I’m glad for you. For me, unfortunately, it’s completely the opposite and will forever remain the biggest and most unfortunate low point in the story.

And while I welcome anyone to share their own perspective if they wish, please don’t take this post as an invitation for debate, since there is no one right or wrong way to interpret or be affected by art.

#tbb analysis #the bad batch #And I ask you to please not use this post as an excuse to hate on the show I love in spite of all the issues described above #you can make your own post to express your dislike of the show #especially for reasons not covered in this post #personally I consider TBB to have some of the deepest and most meaningful moments in all of Star Wars #at its best it is a masterpiece #the character writing is stellar and the subtlety of expression of certain moments is chefs kiss #it’s the story writing I have problems with #tech

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corrodedcorpses · 2 years ago

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Boys on Film. Part iv

Pairing: PS!Steve x PS!Eddie x Virgin!reader

Summary: It's been a year since you last saw Eddie and Steve. The last place you expected to see them again for the first time was at a club while you were out with your new boyfriend. The night does not go how you imagined it at all.

Warnings: Smut (18+ MDNI), public sex (ish), fingering, angst, cheating (sorry)

Word count: 6.8K

a/n: I hope this kind of makes up for the ending of the last chapter but also I'm sorry in advance. (also as always a massive thank yous to my babies @andvys @wroteclassicaly @usedtobecooler @bimbobaggins69 for all of your help I love you all so much)

Taglist is closed but if you want an update on when I post the next chapter you can follow my fic account @corrodedcorpsesfics and turn on notifications🖤

Part 1 // Part 2 // Part 3 // Part 4.5

Steve and Eddie stare at your closed door that had just been slammed in their face moments ago. It had all gone so wrong, so fast. Neither of them had meant for it to go that way or to fight like that with you. All of their (and your own) long harboured emotions coming out during the fight, all of the love turning into hate in order to protect your hearts from - what you all assumed - would no doubt be rejection.

Eddie is the first to break eye contact with your door. Scoffing and walking toward his van as Steve leans his head on the door, closing his eyes trying to will you to open it again. He’s almost sure he can hear tiny sobs coming from the other side and it feels like his heart is breaking all over again.

He can hear Eddie behind him, pacing and grumbling out “shit”, “fuck” and mumbling “that was so stupid” over and over again. Steve is frozen in place, he knows as soon as he breaks away from your door that it’s all over, that he’ll have to face the reality of what just happened. He doesn’t know if he can do that yet.

A loud smack, that was obviously Eddie’s palm hitting his car, finally jolts Steve out of his self pity. He finally turns to him, watching as Eddie continues to pace and mumble expletives under his breath, his ringed fingers running through his hair with so much force Steve thinks he’s about to rip it all out.

“Eddie,” he tries, too quietly as the other man doesn’t stop.

He glances at your door one more time before sighing and walking up to Eddie.

“Eddie,” he says more firmly, standing next to where he continues to pace, “come on man-”

“Don't you ‘come on man’ me,” Eddie interrupts, whipping around to finally look at Steve, “what the fuck was that, Harrington.”

Steve flinches at the use of his last name, something Eddie only uses to tease or hurt him.

“What the fuck was what, Munson?” Steve throws his own surname back at him with just as much venom, Eddie squinting his eyes into a glare.

“All that,” Eddie explains, wildly gesturing to your house, “bullshit you pulled in there. ‘At least you wouldn’t have been a virgin in your twenties’,” he mocks what Steve had said to you.

“The bullshit I pulled?” Steve almost shouts back, “What about you, huh?” He asks, a finger poking into Eddie’s chest to reiterate his point. “You didn’t break that shit to her gently at all! No wonder she went straight into ‘defence mode’.”

Eddie just rolls his eyes at him, even though he knows Steve's right.

The action only angers Steve more. “I wasn’t even in that stupid argument until you dragged me in with your bullshit about hanging out with King Steve.”

Eddie visibly cringes at the memory of using Steve’s old title, one he knew Steve loathed and has done years of work to be anything but. But, Eddie couldn’t let Steve ‘win’ the argument. If he did he would have to admit that all of this was his fault.

“Whatever,” Eddie scoffs, “the argument only turned nasty as soon as you put your 2 cents in! The shit you said was just—” Eddie pauses, remembering how Steve had teased him for not ‘making a move’ on you sooner, saying everyone thought you were Eddie’s ‘property’ during high school, outing him for scaring away anyone that dared to get close to you because he knew that weren’t good enough for you, “mean.”

Eddie whispers the last word. The only word he could come up with to express how he felt, how that whole argument transported him right back to his teenage years, something he truly thought he had gotten over from the help of you and Steve. Something he obviously was far from getting over.

Steve’s demeanour changes, he can see the hurt in Eddie’s eyes, the sliver of vulnerability that he’s been hiding behind his rage. He understands the weight that one word holds.

“I didn’t intend for it to be mean, I just, I don’t know, it just–-” he’s taken aback, stuttering through some sort of an explanation, but there isn’t one. He was mean.

“It’s like you wanted to hurt her,” Eddie continues, but he doesn’t mean just you, “hurt me.” He whispers so softly, he’s sure Steve wouldn’t even hear him. But Steve does.

“What? Why would I want to hurt someone I love!” Steve says too quickly in response, eyes widening when he realises what he just said, what he just confessed to Eddie. But when he looks at Eddie he only sees hurt in his eyes.

Eddie still doesn’t think Steve heard him say ‘hurt me’, so he takes Steve’s confession as a confession of love for you, not you and him.

Eddie just laughs with no humour, shaking his head. “I was fucking right, I fucking knew you hadn’t changed – you’re such an asshole, man.”

The cogs in Eddie’s head turn, thinking back to how Steve had said all those things against him, no doubt finally seeing his opportunity to put a wedge between you both, so Steve could finally have you all to himself.

Steve just stares at him in shock as whatever fragments of his heart that were left break even further. He didn’t think Eddie loved him back but there was some part of him that had hoped, that had at least thought Eddie would be nice about it, gentle with his heart even if he didn’t want to keep it.

He didn’t think Eddie would laugh in his face and call him an asshole.

“Wow,” Steve says to himself in disbelief, “okay.” He feels the tears well up in his eyes as his chest physically aches from all of the heartbreak tonight. He doesn’t want Eddie to see him break down, he'd no doubt laugh at his misery.

He starts to walk away from Eddie, it’s the only thing he can think to do. It’s only a couple of miles to his house, the air isn’t too cold and it’s not too late — he can easily just walk home, he thinks.

“Steve?” Eddie questions as the other boy starts to hurry away from him, “Steve!” He tries again, an air of worry in his voice as he calls out, “Seriously? You’re just gonna walk away from me too huh?” Eddie yells.

“Whatever man,” Steve yells back, already at the end of your driveway, stopping only when his shoes hit the road to look back at Eddie, “you basically just rejected me so, I don’t need this shit anymore.” Steve spits, mentally cursing the way his voice wobbles as he says it. He continues down the road, needing to get as much distance between him and Eddie before he can finally break down.

“What?” Eddie says too quietly, he realises when Steve doesn’t respond, “rejected you?” he shouts this time. But still Steve doesn’t stop.

“Steve! Would you — shit,” Eddie curses. He’s so confused about what Steve meant, he’s so confused about this whole evening but he needs to know. The tiny sliver of his heart that is holding onto hope needs to know what Steve meant.

Eddie runs around to the drivers side and launches himself into his van. Cursing when the engine turns over way too many times before it finally roars to life. He swings out of the driveway like a madman, thanking the universe that you live on a quiet street.

He catches up with Steve quickly, slowing the van down until he’s driving right beside him. He’s happy he never listened to you and Steve about needing to roll his windows up.

“Steve, would you just stop,” Eddie pleads.

“No,” is all Steve replies.

“Steve,” Eddie pleads exasperatedly, “what did you mean?”

But Steve doesn’t answer and he doesn't stop walking. He hopes if he ignores Eddie long enough that he will just leave him alone.

And he thinks his plan worked when Eddie suddenly drives forwards down the road. But, those hopes are shattered when Eddie parks a little bit ahead of Steve and hops out.

Steve finally stops walking as he sees Eddie running towards him. He should just turn around and walk away, circle back around at the other end of your street, it’s a longer way to walk but at least he wouldn’t have to see Eddie. But he doesn’t, his feet won’t let him move. He sees Eddie rushing towards him and his whole body aches for Eddie to just hold him as he breaks down and melts into his arms.

When Eddie finally gets to Steve he’s quick to invade his space, cupping his face tenderly in both of his hands. Eddie searches Steve’s eyes, he can see the unshed tears threatening to spill, the hurt and the tiny bit of hope Steve also holds. It’s enough for Eddie to ask again, even if it could mean more heartache.

“Steve,” he whispers so tenderly, it makes Steve’s knees almost buckle, makes it even harder to not just fall at Eddie’s feet and beg him to love him back, “what did you mean?”

Steve swallows, hard. He looks into Eddie’s big, brown, pleading eyes. He knows he’s about to get his heart smashed, completely obliterated when he explains himself, but he can’t stop his mouth from moving. God, he would do anything Eddie asked while he cradled his face so delicately and looked at him like that.

“I basically just told you I wanted you,” he whispers, eye’s never leaving Eddie’s “a-and you just told me to, to get fucked.” He closes his eyes trying to will his tears to stay at bay, the last sentence coming out all wobbly as he tries to stop his bottom lip from trembling.

“Steve…” Eddie says in a way that has Steve opening his eyes again. He’s met with confusion and yearning swimming in Eddie’s beautiful brown orbs. “You want me?” Eddie asks in disbelief, “I - I thought you were talking about her!” It comes out like a question, like a plea.

“I was,” Steve says, and he can see Eddie’s eyes start to fall, feel his hands on his cheeks loosen, Steve is quick to grab Eddie’s wrists, keeping his hands on his cheeks before quickly continuing, “I was talking about both of you, idiot.” He says the last word fondly, with a hint of a smile dancing on his still trembling lips.

Eddie can’t help but return a small smile of his own. Steve wants him too. He leans forward to capture Steve’s lips with his own. It’s the only thing he can think to do in the moment, the only thing his body will let him do. Steve returns the kiss immediately. It’s soft, so soft that it sears their lips, all of the passion and pent up feelings and anger from the last hour coming out in the way their lips and tongue dance together so slowly.

Eddie finally pulls back after they’ve run out of air, resting his forehead against Steve’s. “I like you too,” he whispers, just in case it wasn’t obvious, revelling in the way it makes Steve smile, “I like you both too.”

Steve pulls back to look at Eddie properly, he can see the mix of happiness and regret all over Eddie’s face.

“Oh.” Steve says. It’s all he can say, he sees the whole argument differently now, sees how stupid they both had been. He realises why Eddie said and did what he did and regrets the things he said to him. Knowing how much more they would have hurt now.

“Yeah, ‘oh’,” Eddie replies.

“We're idiots.” Steve sighs.

“Yep.” Eddie agrees.

“Should we… go back inside?” Steve asks.

Eddie shakes his head knowingly, “give her some time, trust me.”

He thinks back to all the times you showed up at his trailer door, sheepishly asking if you could spend the day or the night or the weekend when you were upset. Always claiming to need space from your family after you fought. Eddie never realising what you needed wasn’t space, what you needed was him.

But you never told him that.

So, they do give you time. They give you a day to cool off, to sit with your thoughts before they call, but are only met with silence in return. They try again a day later — and again another day after that. They try to go over to your house a week later but you’re either not there or are pretending not to be.

They try again and again and again until trying every day turns into every two days, which turns into trying every week, which turns into trying every now and then over the next couple of months. The last time they tried was months later when they had had a particularly rough day and just needed you.

All of this was met with silence.

You weren’t sure what you expected when you kicked them out, but you hadn’t expected them to just leave. You had expected them to at least come back later that night or the next day.

Not call you late the next night like that would make up for anything and you didn’t expect it to take them a full week of calling before coming over to try and see you.

All of this just seemed to cement the idea in your head that they didn’t care about you as much as you'd been stupid enough to believe they did.

You didn’t realise how upset and borderline distraught this had also made them. You didn’t realise how upset they were after every failed attempt. How they had both sat on the kitchen floor in their new apartment months later and cried, surrounded by half unpacked boxes after that final time they tried, and failed, to call. Because none of this felt right without you.

And they didn’t realise how you’d done the exact same thing on the floor in your kitchen that night, cursing yourself for not just picking up the damn phone this time.

*******

You hold the two dresses up against your body, one at a time. Trying to decide between the black — tight, revealing and super uncomfortable or the dusty pink — a stark contrast, more modest, cute and comfortable.

You’d spent the last hour getting ready for your date with your boyfriend of about 6 months, Bradley. He was… nice… and fun… and, well, a good distraction. It was nice to feel needed. But, you know deep down that it ultimately won’t go anywhere.

There’s just something… missing. A spark? Passion? Familiarity? The fact that he’s not Eddie or Steve?

You groan at yourself for even having that thought, dropping the dresses back on your bed as your eyes land on the picture on your dresser next to your mirror. It’s a cute photo of you, Eddie and Steve, faces squished together and giant smiles plastered on your faces. A photo you still can’t bring yourself to get rid of.

You sigh and flip it over as you seem to before every date, the picture somehow making you feel guilty. As if the two people in the photo hadn’t completely broken your heart. But you know you’ll just put it back to its original position as soon as you get home again.

You shake yourself out of your thoughts, before you make the mistake of going down that black hole of missing them once again. You decide to just go for the revealing, uncomfortable dress — knowing Bradley would probably like it more, praise you for showing off the curves you mostly hid from him.

You’ll hopefully be too drunk to feel the discomfort anyway.

*****

The club is loud and packed when you arrive with Bradley, the bass and the stench of spilled sugary drinks overwhelming. You clutch the strap of the purse that’s across your chest nervously, there’s a split second where you want to turn around, hightail it out of there and cuddle up at home by yourself instead. You from a year ago would’ve, but you’re not that same person anymore.

“Drinks?” He yells at you over the music. He’s at least courteous enough to keep a tight arm around your waist, hugging you in close to shield you slightly from the rowdy party goers who already had one too many to drink.

“Please,” you yell back before you both make your way to the bar. Winding through the growing crowd of rowdy people, his hand heavy on your skin, feeling out of place.

You rest your forearms against the bar, wincing at the sticky feeling underneath. You watch as the bartenders flit around, making the various overpriced, overly sweet drinks for the other patrons who arrived long before you.

Your eyes wander as you wait, taking in the neon signs behind the bar, the shelves of alcohol with countless cheap labels, smiling as you see two girls overly excited to see each other, the guys next to you obviously getting rejected by the girls standing in front of them, the couple that can't seem to keep their hands off each other at the very end of the bar –- wait.

Wait.

You stare at the couple for longer than you should. Your brain taking a second to catch up with your eyes. You can only see the back of the guy as you take in his dark clothes, the chain bracelet on his wrist, the tattoos littered along his pale skin, the bats adorning his forearm, the long mop of curly brown hair- No. No no no no no.

Eddie?

Your head starts to spin, and not just from the overwhelming atmosphere of the club. Why is he here? Why now? Why is he with a girl? You curse yourself for even thinking that last part and for the pang of jealousy in your chest. You’re here with your boyfriend, you can’t be getting jealous of the guy who broke your heart being here with some other girl.

Even if he was your best friend for all of highschool, the only person who got you through that hell hole, one of the only people you’ve ever truly trusted, truly loved, who you definitely still love more than your own boyfriend as much as you try to pretend you don't, whose back is doing more things for you than your boyfriend has the whole time you’ve been dating, who kisses so much better than him, who looks really good right now kissing… Steve?!

It’s only then that Eddie turns slightly, giving you a glimpse of the ‘mystery girl’. You feel like you’re gonna be sick. What are they doing? Here? Together? God they look so good.

All thoughts fail you as you’re mesmerised watching them. The way their bodies press against each other, how Eddie has both hands lazily in Steve's back pockets as Steve's hands fist the front of Eddie’s shirt. Your cunt aches at the way their lips move together as though they’ve done this a thousand times.

They probably have done this a thousand times, you realise. They way they are standing, so relaxed with each other, like there's no hurry to the makeout session, like they have all night.

You're confused and hurt as you watch them. You can’t help but wonder if they’re together, they make a hot couple afterall. But you can’t help the awful feelings that that realisation arises. All of your fears from a year ago come flooding back, you were right. They never wanted you.

Before you can fully spiral you see Bradley’s hand wave in front of your face, it’s then that you realise he’s been talking to you and you see a stressed bartender give you a forced yet polite smile, as they wait for you to tell them what you want.

“Hello? y/n?” He asks, concerned.

“Huh?” You reply, dumb, unable to take your eyes off of them — it’s all your brain can come up with as a response, too absorbed in the scene taking place just feet from you.

“What would you like?” He asks, like he’s already asked you multiple times. You rip your eyes away from them, focusing on Bradley’s face that’s still soft and full of admiration, as if you hadn’t been actively ignoring him. As if time hadn’t just stood still, as you watched on in what could only be described as devastation.

“Oh-- ah-- just my usual,” you say finally, glancing back at Eddie and Steve. Watching as Steve’s hand curls into Eddie's hair, it’s longer now, you realise. I wonder if it would still be as soft or if - you shake that image out of your head. “Maybe some shots? Patreon or tequila, you like both right?” You add quickly.

Bradley seems surprised but compiles, ordering one of his own. You take the small glass in your hand, bringing it up to your lips, the strong smell already paralysing, before downing it as fast as you can. You make the mistake of glancing at Eddie and Steve again as you do, finding yourself making eye contact with Steve, realising they’re both looking at you now. You almost choke on the drink in your mouth, wincing at how the liquid burns more than usual as it slides down your throat.

You grab your drink and Bradley's hand, quickly leading him to the dancefloor. Needing to get as much space between you and the boys as possible.

Eddie and Steve watch you take the other guy's hand with dark eyes. You spare a glance back seeing Steve’s angry eyes as Eddie whispers something in his ear.

Angry? What does he have to be angry about?

You weave in and out of the crowd as they stumble and bump into you, the alcohol making them stagger on their feet and spill their drinks haphazardly on the floor. The further you get lost into the sea of people the more you try to shake Steve and Eddie out of your head, determined to still have a good time despite the anxiety that has wrapped its way around your chest.

Once you’re almost in the centre of the dancefloor, safely concealed by the thrawl of dancers, you turn to your boyfriend. You pull him in close, rocking your hips to the sound of the music and giving him a forced smile.

You dance with him for a while, getting lost in the music as you feel the alcohol seep through your body. Although it does nothing to settle the ugly feeling deep in your stomach. As much as you try you can’t help but spare little glances around the club, not being able to stop yourself from aching for just one more glance at them.

You finally see them, startled by the fact that they’re only a couple of people away from you. Steve is the only one actually dancing but Eddie is happily swaying with him, more than content with and touching Steve and placing gentle kisses all over his neck. Your chest tightens further at the need to tease Eddie about finally dancing, the realisation that you can’t joke with him like that anymore and the jealousy that he would come out to the dancefloor with Steve, even though he never would for you.

As these ugly emotions swirl around your stomach you realise they’re both watching you, stealing glances the same way you are, but a lot less subtly. Your blood boils at the looks they're giving you, they seem hurt and angry and almost… sad? They have no right to.

You turn your attention back to Bradley, you make out and grind against him, every now and then looking at them both and winking when you see them clench their jaws.

You’re confused as you continue your show. What do they have to be angry about? Why do they even care that you’re dancing with someone that isnt them? There was a time when they could’ve had you, a time when you would’ve done anything for them but they were the ones who threw you away. They have no right to be angry now.

Bradley leans down to whisper in your ear, you’re hopeful that he’s going to say something hot, a compliment or something, instead he lets you know he’s going to get more drinks, leaving you alone in the crowd before you can say anything else. You try to not look anxious about being alone in such a dense crowd of strangers, knowing Bradley is going to take a long time with how packed it is.

You find some comfort knowing that Steve and Eddie are close by, although you’re not sure why. You decide to continue dancing, doing the most to look as hot and unbothered as possible, but when you spare another glance at Steve and Eddie you’re surprised to find they’ve also gone. It’s weird how their absence has made you feel more alone than Bradley’s.

You start to leave, deciding to head outside for some fresh air before going to find Bradley where he’s no doubt still waiting at the bar. That is, until you feel hands lightly on your waist. You start to panic, until you hear the stranger whisper in your ear.

“Hey there, little one.”

Eddie.

Your body shudders at hearing his voice again. You have to fight every nerve in your body to not melt back into him, turn around and wrap your arms around him and cry into his chest. But you don’t, you're frozen in place instead.

“We liked that little show you put on for us, sweetheart,” he continues as you feel his hands massage small circles in your hips as he presses himself closer to you, you can feel the outline of his semi against your ass and it takes everything in you not to moan at the feeling.

He starts to rock you both to the music before pressing gentle kisses along your neck. So feather light you’re not sure if you’re actually imagining them, just some mean trick your mind is playing on you. You start to melt back against him, your body betraying you as it’s automatically drawn into the safety of Eddie’s chest and arms.

You let yourself get caught up in the feeling before reality comes crashing down. You have a boyfriend, he has a boyfriend, you can’t be doing this. You snap out of the weird trance you’ve been in, pulling away from Eddie and finally turning to face him, fully preparing yourself to tell him off before you see the look on his face.

It causes your breath to hitch as you see the pure lust written all over his face, his blown and glassy pupils staring into your soul and the possessiveness buried deep inside them that makes your thighs clench.

You go to take a step back, needing space between you both but your back collides with another chest instead. Another set of lips brushing your ear as they whisper lowly to you.

“Don't be like that, honey.”

Steve.

Your head swims at the proximity of both of them. The familiar smells and feel of them crumbling whatever stubborn exterior you were trying to portray.

You feel Steve's hands run along the sides of your waist and down your thighs before tracing light patterns back up again, your dress pulling up at the sides as he does. He pushes against you as Eddie had, although he is a lot more worked up from your little show than Eddie was — a testament to how he always was more of the jealous type.

“Can you feel what your little show did to us baby?” He asks like you’ve wounded them. Eddie pushing against you at the same time. “You’re so fucking naughty, getting us all worked up like that.”

“Anything to say for yourself, miss?” Eddie asks when you don’t respond right away. How could you? Your head feels like it's about to spin off your shoulders, your cunt feels like it’s about to start dripping down your thighs, they’ve thoroughly wrecked you with no more than some gentle touches, barely any grinding and a couple of words whispered seductively in your ears.

You only manage a small moan in response, one that you’re thankful only they can hear over the loud music.

They both chuckle at your response, knowing they have you right where they want you. Loving how fucking easy you are for them.

Steve’s fingers continue to dance along your thighs as Eddie’s hand comes to rest on your waist again, both of them pressing into you and swaying you to the music, causing their hardening cocks to grind against you.

Steve's fingers slide to the front of your dress, tracing up the inside of your thighs as you let out a little whimper. Steve smirks against your skin as he starts to kiss up your throat as Eddie had just before. Your eyes start to flutter shut as Steve’s fingers inch higher, so close to where you desperately need him.

“That feel nice, pretty girl?” Steve asks, although he already knows the answer, “want me to keep going?”

Eddie keeps his eyes trained on your blissed out face, sucking on his bottom lip as he anxiously waits for your answer.

You nod your head slowly, words failing you as you melt back into Steve.

“Ah, ah,” Eddie tuts, “you know the rules princess, use your words.”

“P-please.” You barely breathe out, and Eddie’s sure he would’ve missed it if his eyes weren't glued to your lips.

He nods at Steve, who groans as his fingers finally make contact with your dripping cunt, feeling the slick that’s soaked through your panties.

Eddie holds your waist tighter, half keeping you upright as your legs start to shake, half shielding you from any onlookers as he continues to sway his hips, making it look like you three were just dancing.

Steve dips his fingers into your underwear, moaning in your ear as he gathers your slick on his thick fingers before rubbing your clit.

“Fuck, you’re dripping,” he teases, “this is all for us huh?”

You can only nod and whine in response, too far gone to be embarrassed by how close they were getting you already. No one except for Steve and Eddie have been able to get you this close this fast.

You feel the coil in your stomach tighten further as Steve's thick digits breach your aching cunt, finding a steady pace immediately, his palm dragging deliciously over your slick clit. Eddie’s grip on your waist becomes so tight you’re sure he’s gonna leave bruises that you’re going to have to try and explain to Bradley later, but you can’t bring yourself to care. You’re happy that he’s at least holding you somewhat upright as your knees start to get weak.

Eddie presses further into you still to keep you upright, so far that Steve can feel Eddie’s hard cock pulsing against his hand even through his jeans. Making Steve’s cock ache for some sort of release as he starts to rock gently into your ass. Craving some relief.

You feel the familiar feeling of your orgasm approaching as you teeter on the edge. Only able to get out small sputters of “I’m, I’m—” before you’re burying your face in the crook of Eddie’s neck as your orgasm comes crashing into you.

Your ears ring and your vision goes white as you ride out your orgasm around Steve’s fingers, rutting against his hand while clinging to Eddie.

When you finally start to come down from your high you’re barely aware of the music still blaring around you, focusing only on Steve’s hands rubbing soothing circles in your thighs, Eddie’s hand in your hair and their praises gently flowing through your ears.

Suddenly, reality hits you like a truck. Completely cracking the walls of whatever weird dream you’ve been trapped in with Eddie and Steve. Suddenly everything seems too much, their touch is suffocating and grating against your skin, the music of the club is blaring too loud, rocking your skull and their sweet whispers might as well be screams in your ear.

You need to get away.

You finally look at Eddie, his eyes meeting yours. He knows that look.

“y/n-,” he tries as you start to squirm out of their grip.

“Let me go”, you suddenly hiss at him, finally breaking free and rushing through the crowd and out the door. You hear them yell after you, but you keep going, their voices being drowned out by the music the further you get away from them.

By the time you finally make it outside you feel as if you can hardly breathe. Your chest is so tight and you struggle to take shallow breaths, you can feel the unshed tears prick your eyes as you try and will them to keep at bay. Although you’re not sure why, you’re almost certain your makeup must be a mess now, most of it left on Eddie’s collar, you doubt a couple of tears would really make much of a difference.

You shakily reach into the clutch still thankfully secured across your chest, fishing out a smoke. You put one between your lips as you try, but fail to find your lighter. You sigh in frustration, of course you’ve lost your lighter.

“Here, let me.” You hear someone whisper, before you see the flicker of a lighter in front of your lips. You don’t have to look up from your clutch to know that it’s Eddie. Your eyes meet his timid ones as you lean forward, using the flame to light the end of your cigarette.

“Thanks,” you mumble before looking beside Eddie, realising Steve also followed you out here.

You all stand in awkward silence, Eddie busying himself by lighting his own cigarette.

“I– ah,” Steve finally breaks the silence. There’s so much he wants to say, so much he needs you to hear, but the words won't form, instead he opts for, “didn’t know you smoked.”

You snort half a laugh, shaking your head. You weren’t sure what you were expecting him to say but it definitely wasn't that. Sorry would have been a good start… but at least you’re talking, you guess.

“There’s a lot you both don’t know about me anymore,” you reply, deadpan. You see them both visibly flinch at the implication of your words. It's been over a year since they last saw you, you've had a whole year's worth of experiences without them, would they even recognise the person you'd become?

You bring your smoke back up to your lips, thankful for the distraction it provides and for how it's almost calming most of your nerves.

It doesn't, however, distract you enough to not feel their hungry eyes on you. You're surprised your dress doesn't have holes burnt into the fabric with how hot and heavy their gazes are. You adjust your dress with your free hand trying to pull the fabric down, cursing yourself now for wearing the revealing dress.

You don’t want them to see you squirm, you need to keep up this teasing, nonchalant act you were trying to portray, you couldn't let them know how much seeing them again was hurting you.

“See something you like?” You slur seductively at them, not shying away from their eyes. Even as your palms sweat and your heart rattles in your chest.

They both chuckle and shake their heads, not in disagreement but at the absurdity of your question. Of course they did. You looked stunning, confident. In a dress you usually would be too shy to wear. It was nice to see you like this, but it was also weird.

Not weird in a bad way, it just hurt. It hurt them to see that you finally seemed to be growing into yourself and hopefully finally seeing how beautiful you were. Except it was without them.

“You seem… different,” Eddie finally managed. He couldn't think of a better way to put it. Not better, not worse, just different. But that's what heartbreak will do to a person.

“I am different.” You say back, no hidden meaning behind it, like it’s that simple.

They were different. You were different. You’d just grown away from each other. You’d all changed and grown in the year that had passed, in the year that you had all ached for each other. Now here you were, and it felt like you were talking to strangers.

You had a picture of them on your dresser that you saw everyday, and yet it felt like those two men were different from the ones that stood in front of you now.

It makes your whole body ache.

You want to fill the silence, distract yourself from the heavy feeling. You want to mess with them, annoy them, make them even more jealous and angry and hurt than they’ve already seemed to have been tonight.

“Trust me,” you say finally, “I’ve had lots of experience since you last saw me.” You wiggle your eyebrows suggestively, trying to joke around with them as if it’s no big deal.

You see their jaws clench. Eddie fights the urge to scoff at you, to roll his eyes, to scream in your face. Steve is a little better at hiding his distaste at what you’re insinuating. Both knowing they have no right to feel as hurt and betrayed as they do right now.

You’re not theirs.

“Well, they must be some lucky guys then.” Eddie tries to speak sincerely. It comes out like venom.

“Hmm,” you hum, revelling in their reactions. Trying to think of what else you can say to rile them up like this. “And girls,” you say with a wink.

Lies, it’s all lies.

You had drunkenly kissed one girl out the back of a club after too many drinks. She was nice and soft and tasted like vodka and raspberries. But that was it… just a kiss.

The furthest you’d gotten with your current boyfriend was some grinding and heavy touches. Always stopping before it got too far. He was always respectful of that, something you appreciated.

They look at you stunned. You could see their brains working a mile a minute. You could tell they were imagining something much more lewd than reality. Victory.

Desperate for this conversation to be over before they pried and realised you were talking all of your experiences up to be something much more, you stomp out your cigarette. Giving them a small smile that said ‘are we done here?’ as you started to walk away.

Before you can get too far you feel a hand desperately grasp your arm. You know it’s Steve before you even turn around.

You see his mouth open as he struggles to find the right words to say but you don’t want to hear it. You can’t.

“Don’t,” you interrupt, before he can even say a single word. His mouth closes as his hand reluctantly lets go of your arm, brushing the skin of your forearm as he drops his hand. You curse your body for the goosebumps that appear along the trail of his fingertips.

You’re about to turn around again when you decide to ask them just one thing. Something that’s been weighing heavy on you since you first saw them at the bar.

“So, um,” you start tentatively, rubbing your hand over the arm that Steve had just touched, unsure if you’re trying to warm yourself up or wipe away the memory of his fingertips, “how long have you been dating?”

They share a look before Eddie slowly mumbles, “a little over a year.”

A little over a year.

The same amount of time since your fight. The guilty looks on their faces let you know it was very shortly after they broke your heart. So while you were alone, completely breaking and having to put yourself back together again all by yourself, they were just having the time of their lives? Starting a new and exciting relationship? Typical.

“Of course you have been,” you scoff. Turning abruptly and stalking away from them as fast as your stupidly uncomfortable heels would let you.

“Y/n wait! It’s not like tha–“ Steve calls after you, desperately trying to catch you before you run off once again. Like he’s worried this time you’ll be gone for good.

“Just leave me alone!” You practically yell. You feel bad for raising your voice and how it makes them flinch but finally, they let you go.

*****

Taglist: @pxrxcxa @eddiemunsonfuxks @translatemunson @bandofoxxking @munsonsbaby @corrodedhawkins @chainsawmunson @divinelyruled @parkermunson @bimbobaggins69 @eddiemunsonspantschain @hammity-hammer

*******

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torchflies · 6 months ago

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Hi TG Fandom!

Okay, so I’ve seen a couple of posts about Bradley calling Maverick “Dad” or not and I just wanted to throw my own two cents in — as someone who lost their own biological parent at about the same age (2-5).

Yes. He would absolutely call Maverick “Dad”. But he would never do it in front of Maverick, if that makes sense? And he’d probably never do it in front of his Mom, or Ice or any one of the flyboys.

But in conversation with his friends, his teachers, in casual interaction with the public and on documents? Yes, 100%.

In his own mental dialogue? Yes.

But, I think he would stick to Mav with the people who knew Goose and the man himself, for their benefit and not his own.

Goose isn’t a person to Bradley as an adult, Goose is someone else’s memory. His father that he tries to emulate from Polaroids and bedtime stories, but Goose isn’t his Dad. His Dad is Maverick. But he loves Maverick enough to refer to him as Mav where the man can hear him.

Just my thoughts 😉💜

#top gun #pete maverick mitchell #bradley rooster bradshaw #top gun maverick #kit rambles #of course everyone is entitled to their own opinion #This is just mine #top gun 1986 #mavdad

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vixensbrainrotts · 10 months ago

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Committed to you - Manjiro >Mikey< Sano

(part two)

Idea/ prompt: Mikey from the last timeline who wants to propose to us but has no idea how to ask so he ask advices from draken and emma

Vixen's two cents: Hi. I know ive been gone for like 2 weeks, I dont know why but it's been hard writing lately. anyway, thanks a million to @anahryal for giving me this idea whilst I was in the pits of my writers block!!! thanks girl, I can't tell you how much this helped. anyway, REQUESTS ARE OPEN and I advise you to use them! now please enjoy my revival piece!

Mikey has thought every possible thought he could have. He had run through every possible situation, every possible outcome, every possible setting, but damnit why was this so hard? He couldn’t do it. Not for the life of him.

He had browsed millions of travel blogs, pondering about every possible spot on earth to take you for the occasion. He had woken in and out of more jewelry stores in the past month than he had ever in his entire life. He had specifically stood in corner stores, reading the wedding catalogues in the magazine section trying to figure out what the hell he was supposed to do.

None of it helped.

Manjiro wanted it so bad. So so very bad. Every white dress he walked by, he envisioned you in it. Every bakery shop he passed, his eyes flitted up and down the fancy display cakes, pondering whether or not it would be good enough. Any time he woke up next to you, every time he joined you in the shower, every time he watched you cook, the urge to sink to one knee overtook him.

He knew he couldn’t make it that simple though. It was too domestic for him, so little of a gesture. He wanted you to know that he loved you, that he would bring you the moon if you wanted it. He needed you to see just how much he appreciates you for sticking with him through everything, and for that he needs a grand gesture.

However it seemed that nothing he could think of was quite big enough, quite meaningful enough, quite heartfelt enough. He was at the end of his wits. For one and a half months- seven weeks he had been fighting this battle alone.

He had made some progress in that time, having picked the ring because when he picked it up he just felt that this was the one. It was a niche store, and he was initially appalled by the average price of the rings, but decided, ah what the fuck? and entered the store for mostly shits and giggles. He was greeted by an expensive looking elderly gentleman who donned a monocle and silk gloves, clearly the clerk, and clearly an expert. He had the longest, most engaging talk with the man, explaining his situation and his frustrations, to which the man nodded understandingly and told of his own story and experience with marigge.

Seven long weeks he had kept it a secret from everyone, and now he couldn’t take it anymore.

He was just about to throw the towel on this whole thing and say fuck it and give up on this whole marriage thing and just accept that he would never make it, when he remembered that he didnt have to be alone in this. Not at all matter of fact. His best friend married his sister after all. If Ken could do it with the pressure of Shinichiro, Izana AND Mikey breathing down his neck, then surely he could do it too, right?

You were out on a girls night with Hinata, Senju and Yuzuha. Emma would have tagged along normally too, but with the addition of a new-born baby, she decided that it would be best to sit out this time. Either way you were out of the house for the night, and Mikey was left to his own devices. You had left him with a kiss and a home-cooked meal (which he felt bad about leaving behind so he completely stuffed himself before coming here) before he gave Ken a quick heads up over the phone that he was coming over with a VERY important problem.

Thats how he found himself here. Standing in the Kitchen of Emma and Ken‘s flat, hands perched on the counter, looking down at the surface, face in a deep frown. „What’s goin on? What’s the problem?“ Ken asks roughly, leaned on the refrigerator as he eyed his friend. Mikey didnt really respond though.

„What problem?“ Emma‘s voice was hushed as she entered through the kitchen door, pulling the door shut behind her, probably for the sake of the baby. „I dont know.“ Ken responded, rubbing his eyebrows „Ask your brother.“ he sighed as he gestured to Mikey who was still staring down the counter.

“Mikey?!” Emma sounded confused and a little concerned as she turned to look at him, eyes flitting between her brother and her husband. “Did you know he was coming over?”

Ken nodded wordlessly. “Said he needs our help about something.” Emma’s head tilted in question but accepted the fact. “What’s up Mikey?” She asked, approaching him and joining Draken at the other side of the counter.

Mikey didn’t say anything though, instead reaching into his pocket and producing a small, black, silk-encased box. He dropped it onto the table and looked up at the couple in desperation. “How do I do it?”

Ken gasped and felt his lips tug into a smile, happy that finally, finally Mikey was wiping you up (he had told him to do so since they were teens).

Emma slapped her hands over her mouth to muffle a silent scream, beginning to voice up and down on excitement as she realized- her brother was marrying you! She thanked the gods that Mikey fell in love with you because there was no better in-law than her Soulsister.

“Ahhhhh! Oh my goodness Mikey! I’m so happy for you! Can I see? Wow! Oh my god Ken are you seeing this!? He’s proposing! Ah I’m so glad!” Mikey nodded in response and let Emma pick up the box and crack it open, revealing the beautiful white-gold wedding band, encrusted with more diamonds than she could count. Notably, one large diamond sat in the middle of the ring, flanked by two smaller diamonds on each side.

“Oh.” Emma breathed. “Ken why didn’t you ask Manjiro for help when picking my ring?” Emma sounded slightly offended as she spoke, glaring down at the ring.

“Nah nah, don’t get it twisted girl. You told me what ring you wanted, I didn’t have much picking liberty other than the price.” Ken waved his hands in dismissal, brushing off her accusations with a grin still wide on his face. He made his way over to Mikey and clapped a hand on his shoulder, congratulating him for the occasion.

“Good on you man! Finally givin it the push, hah?” Ken was smiling as he searched for Mikey’s eyes, but he didn’t look up. “What’s up with the long face? You’re about to propose dude, you should be over the moon!”

Mikey sighed and shook his head. “I’ve been trying to propose to her for months. Months Ken. I can’t do it. It’s never right.”

The couple halted their celebrations and turned to look at Mikey again, Emma putting down the dainty box as her looks turns to one of concern. “What do you mean?” She fingered at the box as she leaned across the counter.

“It’s… i don’t know. Ken made it look so easy when he proposed to you, and Pah-chin was even more mindless about it! I really want to. I really do, but every time I get close, I chicken out because I get scared or because something isn’t right, and I’m starting to think that it’s better if I just… don’t.” Mikey sighed and cradled his head in his hands, his elbows resting on the counter.

Emma and Ken shared a look, a wordless exchange of worry and empathy. "What kind of proposal were you thinking of? Big? Small? Public? Private?" Emma started, hand rubbing soothingly across her brother's back.

"Big." Mikey mumbled into his hands, remaining hunched over the counter. "Big and public. I wanna make sure that everyone knows, everyone sees, I want them all to know. want them to know how much I love her."

Emma's eyes softened and she suppressed a smile, because all in all, it was cute. She had always known her brother to be big and strong, undefeatable, and most of all unwaverable. Mikey always put up the strong front when really, he was hurt. Vulnerability wasn't something that she was used to seeing from him, which made this moment all the more special.

"Do you want to go somewhere with her?" Ken steps in and asks, an idea arising. Mikey only grunts, a noise of agreement sounding through the room. "Do you know what kind of places she likes?" Ken continues.

Mikey's head slowly raises from the position on the table and he stares forward at the refrigerator. "Europe."

Emma and Ken looked at one another again, sensing that they were getting somewhere. "Then take her on Vacation. You both have that long shared break coming up, don't you? Travel through Europe and when it feels right, ask!" Ken said.

"How do I know when it feels right, though? What if it's not the moment?" Mikey asks, still not entirely convinced. "You'll know. I promise you, you'll know. I knew too and I didn't think I had the stuff to ever get married." Ken reassures again, and this time the two share eye contact, and it takes Draken a lot not to tear up.

Draken took a moment in his mind to look at Mikey. He had stuck by his side since they were kids, through thick and thin it's always been the two if them against the world. And now as he looked at Manjiro he no longer saw the unmatchable delinquent he saw ten years ago, but rather a distinguished person with complex thoughts and emotions. He saw a man that felt, a man that cared and a man that loved in front of him, and he couldn't be prouder.

Ken nodded at Mikey, and Mikey nodded back at him. "Yeah. She'll love it! Thanks, I'll do that! Gosh I don't know what id do without you two.."

"Oh, please propose to her in front of the Eifel Tower! Or the Coliseum! Or on some romantic Bridge in Venice!" Emma swooned and held her hands over her chest, hearts in her eyes.

Mikey smiled at her and nodded again. "I'll try and film it if I can."

The rest of the evening was spent with the three of them checking about a thousand booking sites, mapping travel routes and destinations, and the occasional cacophony of laughter which led to a grumpy Ryuguji-baby. Manjiro couldn't wait to go with you, he thought as he sat on one of the armchairs, gently running a thumb over the silk box that sat pretty in his hand.

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tianlavellan · 2 months ago

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actually no I'm fine with it

I had something to eat and a li'l sugary drink and I'm okay now

quick thoughts on the latest da4 updates (which got a lot of people (me included) a bit frustrated for a minute) under the cut

as long as they don't invalidate the choices I made, which he said they don't, I'm okay with them not directly addressing all of them either. that's fine, i'm not enthusiastic obviously but I can deal with it. do I think the big choices should Matter? YEAH obviously. if they don't At All I'll be as disappointed as the next person but I'll also be okay because like.

not every choice from origins mattered in da2. not every choice from da2 mattered in dai. some choices from dai night not matter until da5, if we get one. some choices might never really make a difference - except they DO. to US.

so as long as I can spin my own happy little canon in my own happy little head and nothing in game directly contradicts my choices from previous games? I'm OK 👍

I'm sure they'll throw us crumbs. this is still bioware and this team is PASSIONATE. a lot of people on this team have been da fans for YEARS and I trust them to make me love this game just as much as I've loved the other 3.

okay that's my 2 cents which nobody cares about but I wanted to throw some positivity out there anyway. back to being excited now 😌✌

#da4 #dav #dav spoilers #da4 positivity

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liloinkoink · 10 months ago

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hey! i'm opening commissions for writing and editing!

if you don't recognize my URL, i'm driflew and skelew on ao3. my most popular current work is the Lamplight AU on skelew, which is the account i’ve been using the most recently, but i've got quite a few works around. take a look at those links for examples of my work and the tone/content i'm best at!

💀 slots:

i've not done this before and am testing it out, so to start i'm only going to have three writing comm slots. if all goes well, i'll probably open them again once i finish, but i don't have a timeframe for how long this will take

i'll also do three editing slots, but those might refresh sooner

💀 price:

writing comms, the rate i'm thinking is 5 cents a word.

(that's $5 for 100 words, $25 for 500 words, and $50 for 1000 words)

editing comms, the rate i'm thinking is $5 for every 1000 words read

💀 what i'll write:

for fandoms, i'm definitely open to write for third life, one piece, and magnus archives. i'd be willing to hear out other fandoms i'm familiar with, like blue exorcist or certain webcomics, but might refuse if i'm not as familiar

for content, you can assume i'm willing to write something similar in content or tone to anything i've already posted. i'll write fluff, angst, character death, and i'd be willing to talk about some amounts of horror / gore, certain romance/ships

if you have questions about specifics about what i'll write, just ask!

💀 what i won't write:

poetry, nsfw (i just don't have the skillset for it), super heavy gore, ships i'm not into (as a general rule i'm not interested in incest or adult/minor)

....pretty sure this wont come up but im not writing any academic essays for you people either

i also reserve the right to just say no because i don't want to

if you have questions about specifics about what i won't write, just ask!

💀 how this works (writing):

DM me here at @liloinkoink or over at @asexualzoro to let me know what you’re thinking. we can talk out the prompt you want written and figure out a word count range of the lowest and highest word count you want, and i’ll aim to fulfill your prompt within those numbers

💀 how this works (editing):

what i'm offering is help with both copy editing and content editing.

DM me here at @liloinkoink or over at @asexualzoro with a summary of the piece you want edited and what specifically you want help with, and i'll do my best to help! if you want content editing, i'll be sure to help with as much advice as i can

you can assume the rules about what i will and won't edit are roughly the same as what i will and won't write

💀 payment:

payment'll be handled through paypal invoice

i won't ask you to pay me anything until the piece is done. i won't give you the piece until you've paid me

if you want to be nice and throw me a bone, my kofi is driflew

💀 AVAILABLE SLOTS:

writing: open, 2/3 available!

editing: open, 3/3 available!

thanks for reading all this! ♥️

#says words #writing commissions #editing commissions #lew commissions #my poll didn’t finish but i got a few interested votes so. there you go #top hits

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aniihera · 4 months ago

Text

Ok. I’ve been compiling my thoughts on the pathologic 2 endings for a while now, and I’ve finally pinpointed my feelings on them (enough to share at least). I’m desperate to hear what others think about them too.

Lengthy Kin-themed rant oncoming? Perhaps.

More under the cut.

CW: Spoilers for Pathologic 2 (of course).

- - -

To preface: As I am Māori, not Buryat or of the other cultures I have heard the Kin to be based on, my perspective is more from *my* understanding of what it means to be Indigenous than anything else. There are probably many things I’m missing. But I’d like to throw in my two cents, however relevant they are.

Suffice to say, my feelings are complicated. Stylistically and narratively, there was a lot that I enjoyed. From a reconnecting/ mixed Indigenous perspective, however, I still feel unwillingly bisected, torn.

At the culmination of everything, Artemy Burakh and the player are roped into a cruel, two-pronged choice. Destroy the Polyhedron along with the miracles of the Steppe, or let the plague devour the town as you lead the Kin back to its heart. In these scenarios, you either assimilate the Kin into the town, which many of them will despise you for, or push out the nonindigenous townsfolk by force, letting nature run its course. Any third option has already been amputated, beyond your will. You cannot protect the Kin completely either way, some will likely die from the plague in the latter, and the more fantastical will in the first, by being cleaved from the earth’s dying magic.

Diurnal, or Nocturnal. No matter how you look at it, the kin cannot thrive in either. For it to be a choice at all, hurt, to say the least. After playing the bachelor’s route in the first game, I’m sure that was deliberate in an anti-utopian sense, perfection is impossible etc, etc. But the first lens I saw it through, stuck with me.

When I initially read Isidor say this after Artemy’s trial in the abattoir:

“Facing the Future is the way of Love. Facing the Past is the way of Love. But the two are incompatible, and it broke my heart.”

I was devastated. The hopeless dichotomisation of future and past… and I could only construe it as assimilation or death in some manner (but I could not see what role it took yet). That feeling festered for a while, but I wanted to see it from another angle. I think it's natural to be sensitive to the words “progress” (which is usually linked to “civilisation” and colonisation) when anchored against Indigenous culture, but I didn’t want that to blind me completely.

On its own, I do like this line. It’s weighty. And I think it articulates aspects of Indigenous struggle well, to some degree. Going back to the “past” is somewhat impossible for many reasons. Decolonisation is needed but I don’t believe it means restoring the “past” fully by any means. Culture is not stagnant, and neither is the future. To say they are incompatible though pains me. Especially when contextualised inside the divide between the kin and the town. It is an intentionally agonising line, and successfully so. Pitting the themes of Past/Future, against, Kin/Town, is something I find hard to reconcile with. Even just the first part irks me; personally the past walks with me at every step, the future is void and useless without it in full view. But I wouldn’t say a line from Isidor (or Artemy’s subconscious) necessarily defines the game more than it does his perspective. For me, it is the patterns that follow and precede it.

Aspity is a very obvious portrayal of what it looks like to “face the past” completely. Visiting her sanctuary, It becomes very evident that her opinions of the non-Kinfolk sway towards genocidal. They must “flood the town”, as she put it. Considering their treatment on the Bull Project and well… everything else, It’s not unfounded. During the night visits, we develop a growing understanding of what is at stake for the kin. Their language, legends, arts, and traditions, and too many Kin are dying from pest and persecution (Its a familiar story). Herb brides are forced to sell their cultural dance to get by (another familiar story for Māori, kapa haka and tourism, our culture has also become a commodity out of necessity). Legends like the shabnak adyr too are warped by the townsfolk (as it is used as an excuse to target Kin women). Assimilation means these things for them too.

There's also the case of how the Kin are depicted as more animalistic than the “more human” townsfolk. Oyun, Big Vlad, and even Artemy have a long history referring to them as such. To make the Kin less than human is inherently othering (as is any case where the empire views us as inherently more primitive or unevolved). The importance placed on Aurochs and being one with nature in Kin culture paints this in a less hostile light (Big Vlad’s view not so much). But I fear the effect this might have on player perceptions of the Kin will be negative regardless. I’ve seen a few statements about the Kin being a “hivemind”, I can't say I entirely agree. Many are divided on how they view Artemy, as well as what they desire for the future. I’ve also seen this in reference to when a few odonghe gift you organs for your tinctures, but at this point everyone in the town is desperate for a cure no matter the cost. Their more violent practices appear to weaken many fans' empathy for the Kin, painting the Nocturnal ending darker and darker. Getting rid of herb bride “marriages” would be a good thing at least right? Assimilation might be a good thing then? Nothing good comes without cost, and for the Kin this cost is too steep. Survival doesn't have to mean losing yourself piece by piece.

I will say that despite liking the non-Kin townsfolk, I do wish there was a larger Kin presence among the main roles. While we have Nara, Aspity, Oyun, and Taya, I understand how their presence does little to assuage the dread of seeing the rest of the cast wade out into the Steppe. For me, seeing Murky and Sticky in such a lost state during the Nocturnal ending, made me unable to see it as anything but a mistake.

Two other alternating themes are present through the endings. Childhood (miracles and dreams) and adulthood (waking up and walking forward). The dominant presence of children in Nocturnal, and the fact that walking through the near empty town really does feel like a nightmare, showcases this. The impossible has been made possible, the earth sleeps, sated. The endless cycle of responsibility, from father to son, from parent to child... Children rule the future here. In Diurnal, this cycle, at least, has some room to be broken. Responsibilities are weighed more evenly. Letting go of miracles and childhood dreams, that is the only future in this end. I’m not sure If i have to discuss how problematic it might be to place indigenous revival in the realm of childishness, and assimilation in the realm of growing up, but i thought i'd leave the notion there regardless.

Leaving how you view the two ends aside, it's obvious that Nocturnal has a heavier, gloomier tone.

Maybe having a third ending would’ve been reductive, to have one person so easily find a solution to unifying the town. But, it hurts so deeply to have that choice wrenched from your hands. The choice might have been severed by Isidor, but it felt like so much was possible for Artemy. With one foot in both worlds, the potential of true reconnection, i thought we could move past what was possible for his father. It felt like that was the direction Artemy was moving in, seeing the choices before him and bullheadedly trampling through the middle. Just like he did with the cure, finding the impossible connection.

As it stands, the endings are brutal. Survival for the kin is held by a thread, regardless of the direction you look. They either die a physical death, or a cultural and spiritual one (the two could very well be interpreted as present in both depending on how you look at it). By your conversations with Aspity, even if they survive, the Diurnal end is hinted to lead to an essential “dissolution” of the Kin as they know it. Wherein the differences between the Town and Kin will become so negligible that the two are no longer distinct. Which from my perspective is its own, however voiceless tragedy.

Ok, that was a lot of negativity but I’d like to be candid. Even despite all that, Pathologic is still one of my favourite games of all time. I saw someone say on here that Pathologic 2 is most interesting when allowing the player to decide where love takes them (even if they are led to extremes). Love being at the forefront, regardless of the choices you make, no wrong answers, that's what I appreciated most when playing as Artemy. Whether you chose to kill the three odonghe for Rubin, begged him to stay despite everything, killed Oyun, the Oglimskys, or the pest, it was for the love of something. The internal strife of having a mixed identity too, the rejection and affection from both sides, is something I related to even if the circumstances were miles apart from my own. I wish that Nocturnal aligned with that energy, that the nuances there were a little less stark. That opposing assimilation felt like less of a mistake.

There's a lot more I could delve into but this is pretty long already. This post could all read like nonsense/surface level, but I’m curious to see what other people think! Especially other indigenous folk, I’m dying to know how others interpreted the endings regarding the Kin.

#I'm sure there are definitely way more themes I haven't discussed/thought of #I’m also yet to finish Artemy and Claras routes in classic HD so my thoughts are obviously less contextualised #but i couldn't wait any longer #Ok I need to get back to my thesis now fr someone chastise me #pathologic #pathologic 2 #pathologic 2 endings #criticism #txt

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