#just want to be safe :)

[divorce-quartet-memes]

[shvoowsh]

mom: i don’t understand why you have body image issues

mom: you should change before you leave, that tank top sometimes shows your stomach (in the way that it is designed to, during a heatwave)

mom: you should track everything you eat with me as a bonding activity!

[river--ghost]

work all night on a drink of rum

daylight come and me wan go home

stack banana til the morning come

daylight come and me wan go home

come mr tallyman tally me banana

daylight come and me wan go home

come mr tallyman tally me banana

daylight come and me wan go home

lift six foot seven foot eight foot bunch

daylight come and me wan go home

six foot seven foot eight foot bunch

daylight come and me wan go home

day

me say dayo

daylight come and me wan go home

day

me say day

me say day

me say dayo

daylight come and me wan go home

a beautiful bunch of ripe banana

daylight come and me wan go home

hide the deadly black tarantula

daylight come and me wan go home

lift six foot seven foot eight foot bunch

daylight come and me wan go home

six foot seven foot eight foot bunch

daylight come and me wan go home

day

me say dayo

daylight come and me wan go home

day

me say day

me say day

me say dayo

daylight come and me wan go home

come mr tallyman tally me banana

daylight come and me wan go home

come mr tallyman tally me banana

daylight come and me wan go home

dayo

dayo

daylight come and me wan go home

day

me say day

me say day

me say dayo

daylight come and me wan go home

[iclimbtreestofeelalive]

hey for everyone talking about jury nullification etc etc: it only works if you lie and say you dont know what it is. if youre chosen for jury duty and they ask you if you know what it is, you say no. here's an article going more in depth, and here's the cgp grey video about it.

like. just so we're clear, it's good to know about, but if you go into a courtroom and start talking about nullification, you could very well have voided your place on that jury. be smart about it 👍

[symphonyofsilence]

Let the poor man rest.

[atypicalshele]

EDIT - I forgot their face marks,,

Started as pose practice but, I really liked how the sketch came out. So, I just finished it.

Reference used: https://x.com/UDekure/status/1670532605446348800/photo/2 [Be aware: there's censored NSFW art on this user's page, as well as a little bit of non-sexual nudity. Take care of yourself.]

[detentiontrack]

When Mabel comes out to Stan, she’s really scared that he’s going to reject her and have an issue with it, so she’s emotional and asks him if he still loves and supports her and he’s just like “??? Kid I’ve been telling you all summer I’m one of the LBTGs” and then it’s her turn to be like “wait what??” because she thinks he had never mentioned a sexuality before, and it turns out Stan had been constantly telling the kids that he’s “ambidextrous” because he thought it meant the same thing as bisexual.

[chloesimaginationthings]

Jeremy Fitzgerald bravery in FNAF 2 worries Michael..

[literarymerritt]

Thinking about Them 🥺

Art Tumblr | Twitter

[egophiliac]

crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[pippynsworld]

Soap's first ride as a backpack.

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[flwrkid14]

Tim and Danny: Love, Trust, and the Weight of Protection

part 1

Danny knows what it's like to be hunted.

It’s been his reality for as long as he can remember—forever glancing over his shoulder, never truly at ease. Between vengeful ghosts, government agents, and countless other dangers, his survival has depended solely on his instincts, his powers, and the fickleness of luck. He has his friends—two best friends and a sister who would drop everything to stand by him, who he knows would always have his back. But the weight of that reliance feels heavy, a burden he can't quite shake.

Trusting others, truly leaning on them, has always felt like a luxury he couldn’t afford. He wants to feel safe, to let someone else take some of the weight, but the thought of putting them in danger because of him? That’s a risk he can't bring himself to take.

Then he meets Tim Drake.

At first, Tim’s protectiveness doesn’t faze him. It’s Gotham. You don’t date a Wayne-adjacent vigilante and expect anything less than a little paranoia. Danny’s been through worse. A tracker on his phone? Standard. Tim pulling files on his professors? Honestly, kind of funny.

But then, Danny finds out how deep it goes.

He stumbles upon a folder on Tim’s desk—his name printed neatly on the tab. Inside? Background checks on his classmates, neighbors and friends. Surveillance reports. A detailed map of his daily routine. Heart rate data. Sleeping patterns. Eating habits. There’s even a file on Phantom.

For a moment, Danny froze.

This should terrify him—it used to. Being watched, tracked for his every move, reminded him too much of those who hunted him, who’d wanted to tear him apart and dissect him like a lab rat. His first instinct was always to run.

But at that moment? He felt... safe. The notes in the margins weren’t cold or clinical like the ones his parents would have written. No, instead, they were worried. Make sure he’s eating enough. Possible threat? Keep an eye on this one. Look for ectoplasmic spikes—could mean trouble.

This wasn’t someone trying to control him. This was someone trying to protect him.

Tim’s not like the people who hunted him in Amity Park. There’s no malice in what he does. No intent to control or hurt. It’s all fear. Love, even. Danny can see it in Tim’s eyes when he stammers through an explanation, bracing himself for anger or rejection.

He’s scared Danny will leave.

And that’s what gets Danny.

No one has ever cared for him like this, no one willing to go through such lengths just to ensure his safety. Yeah, it’s intense, maybe unhealthy, even by the standards of a world that isn’t known for its normalcy. Danny knows Sam, Tucker, and Jazz would do the same—they’ve all put their lives on the line for him before, and he loves them for it. But Tim is different.

Tim is strong enough to face the dangers of Danny’s world and carry the weight of his burdens without hesitation. It’s something Danny could never ask his friends to do—not because they wouldn’t, but because they have their own lives, their own paths. They would drop everything for him, just as Tim would, but Tim does it with the resolve of a vigilante, already living a life where protecting others is his duty. This is someone who understands the risks, who’s already made those sacrifices, and still chooses to say, “I will protect you, no matter the cost.”

So, he smiles. He kisses Tim’s cheek. And he asks, “Can I put a tracker on you too?”

The way Tim’s eyes light up? Yeah, Danny thinks. This is love.

-----------------

The batfamily doesn’t get it.

They corner Danny one day, all serious expressions and careful words.

“Danny, we’re worried,” Dick starts, voice soft. “About Tim?” Danny tilts his head. “About both of you,” Steph says. “This… surveillance thing. It’s not normal.”

Danny shrugs. “Neither am I.”

They might understand—on some level. They’d lived through their own kind of danger, faced their own threats. But for Danny, it was different. They didn’t grow up being hunted, didn’t spend years hiding from people who wanted to tear them apart just for existing. For him, trusting the wrong person wasn’t just a risk; it was a matter of life and death.

Tim’s methods might be extreme, but Danny sees the intent behind them. It’s not control. It’s care. Tim watches his back because he knows what it’s like to lose people. Danny lets him because he knows what it’s like to be alone.

“Tim’s the first person who’s made me feel safe,” Danny tells them, voice steady. “You see obsession. I see someone who cares enough to watch my back.”

They don’t know what to say to that.

-----------------

Their relationship isn’t conventional. But in a city like Gotham, love isn’t always soft and simple. Sometimes, it’s vigilance. Sometimes, it’s knowing someone’s tracking your heartbeat because they’d die if it ever stopped.

Tim watches over Danny. Danny watches over Tim. It’s not about control—it’s about trust. About knowing that, no matter what, someone’s got your back.

The bats worry. They whisper about boundaries, red flags and healthy relationships.

Danny doesn’t listen. He knows what he’s got.

In a world where ghosts and vigilantes collide, where danger lurks in every shadow, Danny’s finally found someone who won’t let him face it alone.

And that? That’s everything.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.