#just very detail oriented...
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canisalbus · 1 year ago
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Ohh the scent thing is such a fascinating facet of your story! When Machete does his violent work, can Vasco smell it on him? Does Vasco's scent linger on him after they spend a night together? Can passerby smell sex or arousal? What kinds of smells do Machete's co-workers give off? That would make the forbidden things very difficult to hide.
Does any of their peers suspect them at any point?
I think Machete is too much of a neat freak to let any unpleasant odors stick to him for too long. Even though I have this habit of drawing him sprayed with blood and such, in reality it's fairly uncommon for him to get his hands properly dirty, even towards the end, at his worst. He has employees specifically for that business. I think the only affair that is exceedingly hard to avoid or scrub off would be executions by burning, which he has to supervise on occasion. Smoke is just one of those things that spreads far and wide and permeates everything. The persisting aroma of charred flesh and burnt dog hair makes him nauseous for days.
If there's enough close contact it's only reasonable that their personal smells would start to blend together. I can see this being a significant bonding thing under most circumstances. Machete always gets a little blue whenever he has his sheets changed after Vasco has gone back to Florence.
Depending on the situation recent sex might be noticeable, arousal would probably be only detectable on very close proximity. This kind of stuff starts to cross to pheromone territory and that's just a little too nebulous and instinctual for me to unpack in a logical and meaningful way, I think.
His co-workers smell of various things just like everyone else. If there's something seriously wrong with their health you might be able to tell, or not. You might be able to guess where they live, what they do for living and what kind of pastimes they enjoy if they smell familiar in a certain way. Some people are easier to read and some don't give you much of anything to work with.
But we're talking about very subtle things, I'd imagine in order to notice any of the above you'd have to stand at least withing a touching distance to a person, preferably be somewhat familiar with their usual scent profile and have the intent and awareness to decipher what you're sensing. It's not something you can catch from the other side of the room or a thing that dictates social interactions to an overwhelmingly great degree. So if you manage to maintain a sufficient distance to anyone who might suspect something, you're probably fine. Regular bathing helps, and using perfumes and other additional scents to divert people's attention away is very common.
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qiu-yan · 4 months ago
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i'll write a more in-depth post later, but imo one of the reasons for the level of disagreement in this fandom is that many of us readers can see what mxtx is trying to imply about ethics through her work and simply do not agree with her base premise. like i think that there are some conclusions about the various characters in mdzs that mxtx wants you as the reader to draw. you can kind of tell even if you don't agree with those conclusions. more importantly, though, you can also tell exactly what kind of moral philosophy mxtx (consciously or unconsciously) favors, and what she treats as the granularity of morality, so to speak. the most commonly-held positions in the fandom are those mxtx intends for the reader to reach using her own beliefs about ethics as fundamental axioms.
the problem, then, is when the reader does not agree with mxtx's unspoken axioms of morality. if you come into mdzs with a moral framework different enough from what mxtx has (consciously or unconsciously) used to write mdzs, then of course you're going to come to different conclusions regarding the characters or even the object lessons of the story.
or rather, in simpler terms: the rammies, mxtx....the rammies....
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blujayonthewing · 1 month ago
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I've realized that the problem with fursonas is that trying to engage with the concept feels exactly the same as when I was a little kid trying to have an imaginary friend; it sounds like fun, it looks like the other kids are enjoying it, it lowkey feels like something I, personally, should have, but whenever I try it just feels forced and fake and like I don't know how to do it, or that I'm doing it Wrong
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joelletwo · 6 months ago
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now it is incredibly late to be saying this but god the month-long hiring process has sucked kjsdf turns out thats the perfect amount of time for the excitement-anxiety to wear off and then the hopeful responsible problem-solving forward-thinking optimism to wear off and then the "fuck it" dissociation to wear off and whatever other defensive layers i had up between me and "huh maybe itd be easier if i died than to get a new job to do badly at" to wear off lol whoops. please. please. please. its literally gonna be fine once i actually get started and get in the swing of it. i JUST have to survive a few more miserable days <- NOT IN DANGER. just fucking miserable
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shalom-iamcominghome · 5 months ago
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Question to non-crocheters:
Can you notice how many different stitch types are in this?
I ask because I'm using different stitches for certain parts of my tallit to stand out, but I'm curious how noticable it is to a relatively untrained eye, since I feel other crocheters might have a leg up over you - if you see any differences, I'm curious what you see!
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bijoumikhawal · 13 hours ago
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*sees a long post from an American comparing Cardassia to the USSR/China* *rolls eyes and keeps scrolling*
#cipher talk#It's not that I think those are bad comparisons#It's that I don't trust white American liberals to make them and when yall do it tends to leave a bad taste in my mouth#Kinda veers into orientalism (and yes this is a factor in how Americans and Western Europe views Russia for shitty reasons)#As well as a weird fascination combined with loathing towards leftists that's just gross to be around#I don't even especially like the USSR or some of China's policies post revolution#Including the tendency some people have toward Han supremacy#But Cardassia is a Mish mash of whatever is scary to white progressive men in the 90s#And includes inspiration from the Ottoman British and Japanese empires as well as the Nazis who were Not Communists#So primarily analyzing Cardassia as a communist nation really is just. Foolish? Because they're also compared to fascists#Especially because we don't ACTUALLY know anything about Cardassian economics or much detail about politics#We know they venerate the family (which rings true for Chinese Japanese and Ottoman comparisons)#We know they have a military led ruling class that tries to balance with the Detapa council; military ruling class is not really like#A communist thing it's a dictatorship/authoritarian/fascist thing. A lot of African countries have or had those#Almost none of us are 'communist' in a meaningful way. At best Nasser was a socialist and that's not the same#And you can infer there's classism even from alpha Canon as well as food insecurity#If anything I think a pretty pressing comparison to Cardassia as a whole is they're Turks.#And even that is vague and stretches a bit because they weren't DESIGNED with that much intention#They were designed to be scary and not with a specific ideology and economic policy#If they were designed with such specifics by a politically informed person you would NOT have references to the Nazis alongside references#To communism because those two things are actually the opposite economic/political policy#And the ways they commit atrocities such as genocide or extend neocolonial influence aren't the same!#China for example has a VERY different stance to the US when it does that to the point where many Africans vastly prefer#To deal with Chinese companies because there's a material benefit from it even though Africans are often not getting a good deal#This doesn't make those dealings 'good' but it goes to show how just having a political history recently rooted in communism#Impacts how a government approaches things#Any government unfortunately is capable of genocide colonialism and imperialism. Resistance to those things is not simple.
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aq2003 · 14 days ago
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[pulls up a chair w the director of 2015 rsc LLL] wait okay so what do YOU think love's labour's lost is about if you're, like, taking away the play's commentary on race and beauty standards and how that interacts with the wider "frivolity of romance" theme
#i mention the 2015 version bc that's the one i watched but this applies to my bestie (/neg) kenneth branagh As Well#rip guys one of the most interesting parts of the play but like gatekept behind the fact#that LLL is nobody's favorite play and also people keep whitewashing rosaline#love's labour's lost#ws#mm. the whole 'beauteous as ink' line.. 'much in the letters nothing in the praise'..#as in. rosaline agrees with the physical description of herself that berowne describes but not the overwhelming praise of her beauty#and how katherine like. is supposed to have blonde hair and rosy cheeks as opposed to rosaline#and of course that whole tirade where the guys make fun of rosaline for not being fair haired/fair skinned/etc to get back at berowne#there is a SOLID amount of evidence in the text pointing to rosaline being a black woman. like three or four obvious places#and i'm not surprised greg doran picked that up bc his productions are so detail oriented#and he really mines the text for meaning and relevance and everything.#but like he cant be the only person who picked that up.. or at the very least 'read the play and made this connection'#even if you cut all those lines (and i can understand why bc some of them are very very mean spirited)#wouldn't you at least still want to keep with the spirit of the play and not cast her as white ...?#shakespeare didn't have lots of canonically nonwhite characters in his plays.. rosaline is a lead character and the main love interest..#i'm just surprised at the lack of discussion around this. even if it's not as well known or liked as othello or anything
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talentforlying · 9 months ago
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one of these days i'm going to write up all that i've changed from azzarello's bullshit era and the one (1) piece i've kept from milligan (and also changed) and the only thing currently stopping me is that it is going to be so, so inside-baseball incomprehensible. and i almost never want to go reading/screencapping azzarello and milligan to add references but i Want to add references.
canon is goop, just know that we continue to ride the bus down "hellblazer ended at #250 and looks like swiss cheese before that" street.
#( ooc. ) OUT OF CIGS.#i'm doing page maintenance before i fuck off to work rip it's got me thinking#anyway i think i said WAY back on this blog that a side goal of mine is to make hellblazer lore accessible to non-comic readers where i can#bc it's such a Heavy comic & i love it so much & i always felt Terrible recommending it to people only for them to be disgusted#and like. @ past me that particular goal is NOT as easy as you thought it would be lmao#esp because i have a habit of getting VERY detail-oriented when it comes to talking about hellblazer i think#but by GOD it's still a goal. i can put in some motherfucking references here and there when i talk about The Lore#like. azzarello's writing style never translates well for me in synopsis bc he Loves to put the audience in the outside perspective#where we are bystanders/with the rest of the bystanders to constantine's actions and not to his motivations/inner monologue#and i HATE that. hellblazer has ALWAYS been about what this guy has going on underneath the masked exterior#all the things you can't say out loud when you're queer and working class trying to survive in 70s-80s-90s england#but that you FEEL with your WHOLE fucking chest. how that feeling drives you to enjoy little rebellions wherever you can get them#(also azzarello just fucking Sucks LMAO but i'm talking style rn)#so i end up relying on frusin's art to tell the story a little more bc i think he understands the Theatre of constantine's public persona#and when that theatre is Absent then it's really REALLY noticeable. so frusin keeps me in it most of the time#and if i'm digging into frusin art then i'm Going to want to compare it to older panels bc i like body language consistency#milligan on the other hand has NOTHING to save his sorry ass bc his writing is drop-jaw fucking terrible AND the artist seems to like it#but the loss of john's thumb being tied to his mental health (ignoring the bullshit with shade) has always felt. important to me somehow id#anyway MUCH thinking about my favorite loser on this about-to-be-annoying day shdjksd he has been done so dirty#hellblazer brain go brrrr
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jflemings · 10 months ago
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‘type to read everything on the label so you end up staying for longer then originally planned’ oh i just know you’d get so sick of her😭😭 you’d beg her to move on to the next section but she’d be studying every little detail of the furniture
she’d be holding ur hand too (bc she insists on holding ur hand everywhere) so she’d be reading this long ass fucking label and you’d be pulling on her hand like “let’s go babe!” and she’s like “wait a sec i gotta read this” like ??? NO YOU DONTTTT
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goblinbeetle · 3 months ago
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hello! sorry to bother you but could you tag vore please?
Oh uh- It's not meant to be vore, I'm sorry 😭
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darkartistyt · 4 months ago
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Yknow what i understand why they reuse animation for the bey avatars all the time these fuckers are hard to draw
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redrobin-detective · 2 years ago
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I think one of my problems as an AU fanfic writer is that I have a hard time deviating from canon with my ‘soft AUs’. I can and do come up with all sorts of wild scenarios and spin out from there but I like keeping the facts of canon as close as possible.
I think of the constraints as a challenge, to tell a story within my self imposed limitations. If I change ONE thing, how will events change and in many cases the answer is, not much at all on a story level while I focus on the emotional. But as much as I have adhered to canon and my only personal beliefs, it does tend to make the story a little predictable, a bit boring.
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karl-raccoon-in-a-teacup · 1 year ago
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Pros of writing a Poe-centric murder mystery fic: Exploring a genre I love, Poe gets to show off the skills usually outshined by Ranpo, getting to come up with a clever scheme, etc etc
Cons of writing a Poe-centric murder mystery fic: Writing a murder mystery is very hard and the narrative consistency has me at gunpoint help
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thesearchforbluejello · 9 months ago
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I fundamentally do not understand this show. The Dominion War was RIGHT THERE. Like, RIGHT. THERE. Why did we need some whack Romulus-blew-up backstory when the federation was already decimated by the war?? A follow up on the fallout of that and how the ceding of territory, the betrayal by allies, and the xenophobia of threats from both within and outside would have been SO much more interesting to me.
And they're so busy pulling half developed plotlines out of thin air that they're not even pounding in their anchor points for it all. Like, case in point, Jay looking for Icheb's cortical node. SEVEN HAS IT. IT IS LITERALLY IN SEVEN'S FUCKING HEAD. Like, okay fine easter egg? Maybe? But a major plot point isn't exactly an Easter egg?? Like obviously Beyer knows a shitload about Voyager, so at least one of them must be aware of that, so I assume it's implied... but not everyone has seen every Trek and that is from one specific Voyager episode, and Seven had the perfect opportunity to rub that in Jay's face... And are we not going to talk about Seven becoming a Ranger which is HUGELY antithetical to where she was at in Voyager? Because the fact that she became an individual on a ship that was what, 1/3 Maquis? Um, that's a super fucking important fact? Love that for her, but Christ alive nail. these. plot points. home.
idk I guess these two are nitpicks, but I have so many more and just don't feel like writing a novel expounding upon what I perceive as their many (MANY) failures in writing this show. But this show is just full of those moments and I don't understand their choices. Easter eggs only work when there's actually something semi coherent to hide them in (hence why most of M*rvel's fail nowadays, just saying). This feels almost as incoherent as Renegades, and I am SOOOOO very sorry to be actually saying that because woooooof that is not a compliment. Like... it's the Romulans, it's the androids, it's the Borg. It feels like whatever unholy combination is happening with Applebee's and iHop right now. Like... Okay I guess? But it's just a weird combination and very unnecessary. Just fucking pick one and go from there.
I do however need like a lot more ex-Borg bonding that was such a good moment okay thanks bye
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trainer-ace · 10 months ago
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ACE-DEX ENTRY: Jolteon
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JOLTEON- THE LIGHTNING POKÉMON
Electric type, FAST!
Carnivore. Can use Thunder.
Watch for static and sharp fur!!
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xj6 · 2 years ago
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not to place myself as any kind of authority on the matter but ive never improved so quickly or been happy with the outcome of my art until i started paying serious attention to not overworking a piece and focusing on the tempo of the strokes im putting in. i feel like super long drawing sessions are normalized in the art community when at least in my experience being in the Zone for 6-8 hours without taking a step back at least lends to losing objectivity/flow through different elements/consistency and eventually burnout
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