#just the right length

[monstrousproductions]

im listening to monstrous agonies while i do some boring copy-paste work and not to toot my own horn but.... it's pretty fuckin good lol

[psalm40speakstome]

Just binged Once Upon A Small Town while on vacation and it was hecka cute!

I’m also obsessed with this hair clip and want one!?

[liloinkoink]

the planned monthly update rate for ddvau is fucking insane and i wanna tell you why bc i feel like doody and maruu need more recognition for the shit they’re pulling off to bring ddvau to you guys

so first off. hi. if you do not know me. i am a webcomic fiend. i am not an artist nor have i ever drawn a comic, web or otherwise, but i have been an avid webcomic reader for a very long time. i’ve been reading and following, without exaggeration, hundreds of webcomics consistently for about a decade. at my last count i am currently actively following around 200 ongoing, still-updating, non-hiatus comics in a week across a few sites. i’ve also been following most of my favorite comic’s artists on other social media and reading about the process of webcomic making from them. these are my credentials for Knowing Things About Comics—no personal experience, but a decade of observation

that in mind. ddvau is a page format webcomic (as opposed to a scrolling format webcomic, like the sort of thing you generally see on webtoon). both comic formats have their own norms and rules, so we’re just gonna compare ddvau to other page format comics, bc comparing page and scrolling format is comparing different animals

most if not all page format webcomics update at a rate of one or two pages a week. i’d say loosely i’ve observed that hobbyists or people with busy full time jobs tend to update once weekly, while people making some income off the comic or with more time to dedicate to the comic might update twice, tho this isn’t a rule.

this means you generally see roughly 4-8 pages a month for most page format webcomics

the most recent two monthly chapters of ddvau were 18 and 16 pages. both of them were double the rate that’s standard for the medium and has been standard for the last decade i’ve been reading webcomics

genuinely i don’t know how else to get across how insane that rate is. like. if they were updating at a "one-page-per-update, x many updates a week" rate like most page format comics do, they’d be updating four days a week. they would be releasing a page on at least half of the days of month. do you have any idea how absolutely fucking crazy that is? double the pace of the average artist in their medium. i haven’t been able to get over it since i realized it

and this is double the normal workload/rate of a page format webcomic artist on top of weekly art on doody’s kofi! a bunch of extra sketches or even full color illustrations! i happen to know one of the next weekly kofi arts that is coming out will be a bunch of full color, which is, and i cannot stress this enough, a fucking insane choice and doody is crazy. and doody also draws the merch that they make! i know for a fact those two are planning to do several merch drops this year with unique new designs in every one

(and like, i didn’t even touch on the extra work maruu is also doing, like helping manage the fan discord or coordinating the merch drops and running the shop with their merch and shipping companies, as well as maruu’s work as a writer and her color work on the comic itself, simply bc i don’t understand much of anything maruu is doing there enough to talk about it in depth. what i DO know is that those two rlly are lucky to have each other, bc someone could not to all the shit they’re doing at the rate they’re doing it alone)

which… kind of points me to the whole point of making this post. doody and maruu are doing something absolutely fucking phenomenal and delivering wayyyy more shit to you guys than is standard or like. honestly more than what is reasonable i think you two are crazy. the amount of work that is going into ddvau behind the scenes is fucking unbelievable, like, “the longer i think about it the less i can wrap my head around it” level of unbelievable to me. especially with how consistently high quality ddvau is, especially these last few episodes

i guess my point is. the work these guys are doing is crazy and way above the standard pace, so much higher than anythign ive personally seen from any hobbyist webcomic makers. i'm sure that's lost on a lotta readers who aren't otherwise familiar w the medium, but i dont want it lost how crazy impressive and kind of unprecedented it is for a webcomic, esp one without any professional publishing backing. doody and maruu are something else for even attempting this tbqh.

so like. keep that in mind when you engage w the comics, esp in the next few months while doody and maruu try out this "full chapter every month" update pace, and def make sure to give em the support and grace they've earned w this sorta workload/pace they're setting just to bring you the story you love

[a-scary-lack-of-common-sense]

More of Stanley's sketchbook because he makes me sick /pos

(Just imagine he was looking in a mirror at the subway to draw this anshfhwj. The london bus ticket is unrelated, it's just a random knick knack he had lying around<3)

People weren't the only ones Stan met on the streets.

------

+ this is an absolute fucking batshit WILD oneshot I initially wrote for these drawings that got WAY out of hand, if you feel like reading that.

The oneshot below is a stand-alone now, and in no way is related to the drawings above, but I just wanted to show you guys because Jesus Christ

------

Winter of 1981, at a subway station Stan doesn't remember the name of-

The sorry excuse of a transport system that this hellhole of a city called a functioning subway was hardly anyone's first choice of a warm place to stay the night. And yet, here Stanley was; standing like an idiot in the middle of a small bustling stairwell that led down to the full screeching chaos of a train stop on a Tuesday evening. A rowdy crowd of exhausted office workers streamed out like a tidal wave from the entrance of the station, the bustle of their footsteps all too eager to go home and relax after a long day of work.

The faint, stuffy stench of old piss and sweat followed the crowd to the surface from the deep depths of a less than sanitary and overcrowded train station. The pungent smell intermingled with the crisp stinging winter air in a cocktail of shitty city gloom often associated with this time of the year; when the holidays were too far away and the sun seemed to come and go with practically the same 9 to 5 schedule as the workers had, leaving them going to work in the pitch dark and coming back out in the inky black as well.

He might have looked like he belonged there, depending on how one would want to look at it. He stuck out like a sore thumb amongst the sea of prim, pressed suits and neart uniforms. His ratty old jacket and generally unwashed appearance certainly didn’t help his case, but he also knew that stations like these also tended to shelter quite a number of homeless wanderers like him, especially during the winter. So, it wasn't exactly uncommon to see other sore thumbs seeking reprieve from the biting cold and the dangerous likelihood of frostbite from within the enclosed walls of the subway station.

Heck, if most of these underground kingdoms didn't also happen to be a breeding ground for several illicit activities, he might even have followed their lead. But, believe it or not, Stanley's already had enough experience with illegal activities to last him a last time, and he isn't looking for a new fill. He was satisfied with what meager shelter his trusty car offered him, as little a difference it might make in terms of safety.

Stanley's obstruction of the already narrow stairs with his loitering went unappreciated, as shoulders roughly shoved past him and swinging briefcases repeatedly bumped into his sides, usually coupled with a nasty glare and a snide comment or two. He paid them no mind, however. He wasn't here to start a fight with some random bum with a dead end job, as much as he thought it would probably do them both some good to duke their stresses out on one another.

The hours ticked by with wave after wave of new crowds being dropped off by a train and left to pour out of the station into the streets. By the time the streetlights turned on and the pale pink in the sky slowly faded to make way for the stark glittery black of the night sky, the tide of people had slowed to a trickle and rush hour was long since over. He was now the stairs’ sole occupier, with a few occasional stragglers stumbling up the steps and hurrying past him without a second glance.

Stanley did not move from his spot, however. He stood resolutely in the middle of the stairway, fervently rubbing his arms and stamping his feet in a futile attempt to try and regain feeling in his extremities as he waited. Rocking on his heels, he titled his head backwards to let his eyes roam the constellations that carpeted the endless expanse of the sky stretched out above his head, almost losing himself in the scintillating canvas of stars.

It reminded him of old times; of the sparkling beach sand twinkling in the dim moonlight, and the soft sound of lilting waves hovering in the background as he lay back on the cold wooden deck of his ship and watched the stars dance.

He still remembered every name his brother had once recited to him time and time again as he pointed out each star and galaxy from the night sky.

Then, like clockwork, he was broken out of his reveries by a telltale meow coming from below. The sound was a familiar blanket that immediately melted away the tension that had begun to build in his chest as he practically sagged with relief.

His body moved almost automatically as he leaned down to detach the frail tabby cat that was attempting to literally fuse with his legs, purring up a storm and rubbing her head against his pants as though her life depended on it. The cat gave a soft chirrup of dissatisfaction at being manhandled, which Stanley absentmindedly replied with a chiding click of his tongue as he lifted her up his chest and gently tucked her into his jacket in a practiced motion.

She thankfully remained blissfully limp in his grasp as he shifted around some more so that she was nestled comfortably inside the dark pocket of warmth inside his ratty jacket. The tiny warm lump that rumbled contently against his front radiated with heat, and his fingers finally began to feel like actual fingers rather than useless stiff frigid lumps of meat and bone attached to his palms.

A pointed cough startled him from his clumsy wriggling to get the cat to settle down. An oddly familiar security guard stood at the entrance of the station at the bottom of the stairs, leveling Stanley an unimpressed look with the metal gate in his grip already halfway closed, ready to seal the subway for the night. He must have been a comical sight; caught awkwardly bent over while trying to get his newly acquired cat to stop kneading biscuits on his stomach, with said cat peeking out from the gap between his collars.

Stanley faintly recognized the guard. He was a much older man, with a shock of thinning white hair neatly tucked underneath a dark blue cap and a strange depth in his eyes that reminded Stanley of the sea; with countless unspoken truths lurking far beneath the surface, but no less grand and knowing of all that the universe had to offer, as though he had already lived a thousand lives before this one.

He had seen the man around before, at another station, doing the opposite of his job by ushering stray buskers and homeless stragglers from the streets and into the (relatively) safe walls of the subway, instead of doing what any other law-abiding security guard would do and kick them out into the elements. He wasn't sure what the older man was doing here, of all places, since all the previous stations he'd seen the man at had been several states over, practically on the other side of the country.

A brief spark of panic shot through his spine at the thought that this man could be following him, but he quickly discarded the ridiculous notion as soon as it entered his mind. He had never even seen him before, and hardly ever even interacted with him; there was no reason for there to be any sort of bad blood between them. Unless he happened to be related to one of Stanley's many, many enemies, then perhaps his fear was a little warranted.

However, the old guard made no move to attack or do anything other than stare judgmentally, almost expectantly. For the first time in a long time, Stanley felt like a child being caught doing something he wasn't supposed to do. He tried his best to keep his uncomfortable squirming to a minimum under the unrelenting gaze, stubbornly returning the man's gaze with his own wary glare. His cat’s muffled whining came from inside his jacket. The traitor, she was leaving him to deal with the old man on his own.

With an exasperated jerk of his head, the security guard gestured towards the inside of the station. For a moment, Stanley stared dumbly, uncomprehending of what the old man could possibly want from him. Rolling his eyes, this time the man gestured more insistently at the small gap that still remained between the metal gate and the entrance, his arm sweeping the air in a low arc as he dramatically urged Stanley inside. Suddenly, it clicked, and Stanley shook his head.

“I have a car,” he said plainly, his voice echoing loudly in the desolate silence of the winter night that surrounded the unlikely pair.

He wasn't sure why he was so nervous, it wasn't as though he was lying. He did have a car, his trusty Stanley-mobile was parked safely away in the corner of an unassuming alley that wasn't often frequented by anyone. There was no way he was reaching it tonight, though; it was practically on the other side of the city, much too far away for him to arrive at a reasonable time. His nightly excursions to meet his small friend unfortunately left him with no other choice than to leave his car behind, the hunk of metal far too unwieldy and noticeable to drive around openly on the streets. He never knew who could be watching, after all.

He had simply been hoping to find himself a dark corner to tuck himself into with his cat, just for the night, but it seemed as though the universe had other plans. Or rather, this strange old man had other plans.

Although, if Stanley thought about it, the subway wasn't such a bad suggestion. This was one of the safer stations in the city; and with the rich neighborhoods being so close by, no rogue criminal or dealers dared to come near this area unless they wanted to be slapped with a hefty fine or face a higher potential to be arrested. And of course, there was the obvious shelter from the unrelenting cold that now seemed to permeate his bones, even with the purring warmth that was nestled inside his jacket.

So, that was how he found himself hunkering down for the night inside a shabby old subway station, with a satisfied cat still rumbling away against his chest and a strange old security guard locking down the gates behind him. The man said nothing as he hooked his keys back onto his belt and gave a firm pat on Stanley's shoulders as he walked past him, pausing to scratch his cat behind her ears before moving away. His footsteps bounced off of the grimy tiled walls with an odd reverb as he turned a corner.

“You'll be safe in here,” the man said, voice sage and gravelly. The words had a weight to them, and seemed to hang in the air with such a presence it was as though the old man had never even left his side.

The subway was empty, quiet. It was such a stark contrast to the loud rowdiness of the rush hour crowd these halls once held. Stanley hadn't yet registered the utter silence of the station as he aimlessly made his way down the winding, deserted halls of the ancient station. He mindlessly walked past the aged and peeling advertising posters plastered on the walls, his nose becoming accustomed to the stinging stench of the subway. The quiet seemed to swallow the sound of his steps as he explored the branching paths and endless tunnels. They were almost kaleidoscopic, dizzying, nonsensical. There were doors where there shouldn't be, and deadends where it didn't make sense.

The silence only began to truly settle in his bones the more he walked. He suddenly wished that he would head the telltale footsteps of the old security guard again, just to hear another sign of life in this underground hellscape other than himself. The ghostly memories of screeching trains and bustling crowds haunted the halls; now, only nothingness reigned supreme. He glanced down at his small feline companion, who slumbered away against his chest, blissfully unaware of his jackrabbiting heartbeat threatening to burst out of his ribs. The silence seemed to permeate every inch of space and crush the air out of his lungs. He couldn't breathe.

Stanley’s steps grew faster, more frantic as the walls and ceilings seemed to close in on him. They grew smaller, tighter; squeezing, trapping. He hardly even registered his cat's complaints as she was jostled around in his grasp, breaking into a full out run. His breathing sounded loud, too loud, and the world was collapsing around him.

When he finally broke out into a large, open platform, he could finally breathe again. He had arrived at the tracks, the empty tunnel where the trains would pass an empty, gaping maw in the wall that seemed to swallow all light around it and beckon him closer. He felt his cat wriggle out from within his jacket and hop out with a displeasured yowl, scampering away and disappearing behind a corner much like the old man had. True silence pierced his ears and thrummed like a deafening pressure in his temples. He was alone.

Stanley was stuck in that subway station for years.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[exutrio]

orym and dorian in c3 x 120: "the red end"

[lefthandarm-man]

Bucky Barnes // The Winter Soldier Captain America: The Winter Soldier (2014)

appreciation post for bucky's hair in catws

[egophiliac]

Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷

So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH

(P.s: Lovin' the art style ✨)

oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!

and sometimes it's just "weird things my sister has said that I make fun of her for"

[just-null]

im so mad at u omg

how dare u make my noritoshi obsession 10 times worse

Noritoshi spews his true feelings when you're upset with him. Similar to a very eager puppy trying to regain your favor by any means...... but realizes what he says and blames you for turning him into a fool. Another downside for him is that he won't take his words back in fear of you getting the wrong idea.

you're just a bully that he hopes will forget about the embarrassing words he blurted out.

hes simultaneously reeling and embarrassed. is this what happens when you make your love upset? does that imply he's your love?!

[fatedroses]

Finally I draw the flipside of the scary adventuring duo that is estinien and zenos. aka one man using the other as a third eye blindfold and the other being absolutely dead to the world because cozy (until he overheats in two hours and is unable to escape).

[shroomerr]

I love this orange airpod

[misty-quigley]

INTERVIEW WITH THE VAMPIRE | 1.02 After the Phantoms of Your Former Self

TWILIGHT (2008) dir. Catherine Hardwicke

[tathrin]

Hey, so do you ever stop to think about how the premise of Lord of the Rings being an in-universe book written by some of the characters who lived through that story means that they decided what parts and perspectives to use to tell that story...?

And when our authors weren't there to experience the events themselves, they have to rely on what they're told about them by the characters who were there, right...?

Okay so stop and think about the Glittering Caves.

We never actually go to the caves in the narrative. Tolkien LOVES describing nature and natural beauty, but we don't actually see the caves described "by him" the way we do other places. Obviously Gimli's words are Tolkien's, yes; but we only see the caves filtered through his words about them, after the fact.

When Gimli and Éomer and the other Rohirrim take refuge there, the narrative doesn't follow them. Obviously from a narrative standpoint this is to keep the focus narrow, and not to interrupt the battle-sequence with a long ode to the beauty of the caves, and to create tension in the reader who doesn't know if these characters are okay or not. Which all makes sense!

But think about it in terms of the book that was written in Middle-earth by the folk living there. Why DON'T we get to have a direct experience of those caves? Gimli obviously related several other parts of the story that none of the Hobbits were there to witness to them, and which were written into the books as Direct Events Happening In The Narrative (think of the Paths of the Dead scene, for one of the more visceral moments!). So why not the Glittering Caves?

Was it because they wanted to keep that narrative focus and tension, and so they didn't include his perspective on that part of the battle? Perhaps, that's certainly a possibility to consider.

But also consider: when we do hear about the Glittering Caves, what we hear is Gimli telling Legolas about the Glittering Caves. THAT is the part of that event that is considered of importance to include in the book: not Gimli's actual experience when he was in them, but rather the part where he relates that experience TO Legolas.

And I kind of just THOUGHT about that today.

And went HUH.

[serpentface]

Some government assigned fursonas:

Palo - hare

Janeys - hyena

Brakul - dzo (vaguely)

Hibrides - green heron

Couya - also hyena

[smileposting]

point: one of the most common criticisms of the hobbyhoo chapter that i've seen even from diehard fans is that its central conflict doesn't leave much room for forms of love that aren't romantic or (implicitly) sexual in nature - platonic relationships can just as easily lend themselves to deep and dramatic and introspective art, after all!

counterpoint: said central conflict is clearly a commentary on entertainment companies censoring/refusing to commit to explicitly queer relationships for the sake of raking in more cash, and the vital importance of not watering down your identity and relationships to appeal to people who only care about how much money they can wring out of you and your loved ones. also, neither milldread or buzzhuzz feature romance in their main plots, with the latter even going out of its way to emphasize that the relationship between its two gods is the most important relationship in both of their lives while Also not being even remotely romantic in nature; not to mention that it is Also a story about the importance of artistic freedom in the face of censorship. while the hobbyhoo chapter Probably could have gotten its central point across just as easily if not More effectively by like. idk rick wanting byella to get with feldly or something. to act like the game itself believes that romance is necessary for any given work to be True Art just bc it brings it up as an inspiration in One chapter is to ignore everything outside of hobbyhoo.

counter-counterpoint: that still doesn't mean that those other relationships don't get overshadowed by romantic shipping in fanwork. this is common in all fandoms, of course, but it's an especially missed opportunity in this case, isn't it? also, most of the fans posing that initial criticism are themselves on the aroace spectrum and therefore queer - they aren't trying to water anything down, they just want more variety in an area that's all about variety.

counter-counter-counterpoint: the game's already out. what do?

conclusion: we Gotta extend the "dramatic novella-length multichapter pre-ascension fic" treatment to huzzle mug and/or bauhauzzo. cobigail as well But i would be lying if i said that born on the cob hasn't been doing an excellent fucking job of that already. still. we need More.

[mewkwota]

Last-night doodles of Volnutt, each with some anatomical error. With the way you're built (in this body at least) I feel a strong need to take you apart and observe every detail-- even then I'm still drawing you wrong.