#just so the timeline makes sense for them to have a five year old in line with the game | Explore Tumblr posts and blogs

cheshiresense · 16 days ago

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In the Ichigo & Starrk time travel 'verse I'm just picturing Ichigo registering for the academy like "I'm Ichigo. From the rukongai. No last name" and then kaien popping up like "he's a Shiba!!!" And the people there looking at each other and whispering like "ohhhh he wants to be independent and not rely on his family name!! How sweet!!!" and then Ichigo just sighing. XD

LMAO with his luck, this is exactly what happened.

Meanwhile Starrk's over there in the corner filling out his application forms and thanking every god he wants to beat up I find it rly funny to imagine he has this passive-aggressive grudge against Mimihagi for a variety of reasons that he in no way, shape, or form resembles any of the five big clans. But it would also be really funny to me if people at the admin desk looked at him, and then looked twice, and then looked thrice, and then be like "You sure you're not a Kyouraku?", because let's face it, he really does look a bit like Shunsui. Like it's not immediately noticeable the way Ichigo is with the Shibas, but if Starrk and Shunsui showed up and claimed they were blood-related, probably no one would doubt it.

And at any other time, people might not think of the possibility, but there just so happens to be a Kyouraku relative - even if she's just a bastard - attending the Academy at the moment, and all the teachers and staff are always made aware of any clan children in their halls. The Kyouraku Family isn't one of the Big Five, they're a Lower Noble House and also not a Shinigami-oriented clan, more politicians and scholars and even artisans than soldiers, but they're old and prestigious and the highest-ranked out of all the Lower Noble Houses, so the Academy paid attention when one of them decided to become a Shinigami for the first time in centuries. She ends up being a disappointment with none of her cousin's talent or charisma or wit, and the Eighth Division captain hasn't pushed hard enough for them to really show her any favouritism, but they've still kept an eye on her to make sure the bullying doesn't get too bad and she doesn't fall too far behind, lest they bring her family's wrath down on them, because it doesn't seem like most of her clan cares about her but who even knows with nobles and the things that set off their sense of pride.

But that means Starrk's looks immediately ring a few bells when he shows up. Of course, he denies it; unlike Ichigo, he really doesn't have any relation to the Kyourakus, although even back in their own timeline, a few people had made that mistake when they didn't know he was a Hollow, had thought he was some Kyouraku relative Shunsui had dug up to help out, because not everyone who goes through the Academy becomes a Shinigami, sometimes they're clan members who go home afterwards to guard the family and continue their own training there, plus with Starrk's strength and skill set - 1) powerful, and 2) sharing quite a few similarities to Shunsui's so it's not even just their looks - it had actually been more far-fetched to a lot of people for him to have just been some random nobody than to be a member of this powerful clan.

But no, no blood relation, just a quirk of fate. Still, the Academy notes his name down and makes sure to keep more tabs on his progress than they would an average Rukongai student. And alright, the teachers can be overly biased or overly indifferent depending on the student but they're not actually stupid, and yeah, for a while, it's Shiba Ichigo who takes up all their attention because Ichigo blows all the other students out of the water and skyrockets straight up to a category of genius nobody's ever seen before, even more impressive than his lieutenant cousin and slated to graduate in a year. It helps (Ichigo: "No it fucking doesn't.") that Kaien is constantly buzzing around making sure Ichigo is treated like a prince befitting of a Great Noble House so no one dares make his life difficult. Well, Koyonagi would probably dare, but fortunately (Ichigo: "No it fucking isn't."), he likes Ichigo enough to not hamper him in any way, even if he does come up with all sorts of annoying tasks to heap on Ichigo "for extra credit" (Ichigo: "For his own entertainment.").

Starrk in the meantime is about as entertained by all this as a passively suicidal grieving widow war vet can get, and he makes no effort to hide it every time Ichigo comes to hide in his room and bitch to him about it, because really, it's partly the kid's own fault for not knowing subtlety even if it shoots him in the face. It's harmless enough anyway so long as Ichigo doesn't stand out more than he already has, so Starrk doesn't see a problem with kicking back and enjoying the show. Right up until the novelty of a prodigal Shiba starts wearing off on the Academy teachers because it's not like they've never seen geniuses before even if this one is a little more unique. So the turn their attentions elsewhere and suddenly realize that the guy who might be another bastard Kyouraku and spends more time asleep than awake have some really interesting grades when they look at them altogether at the end of term. Average in everything—so average it's suspicious, meaning Starrk either has the weirdest luck in the universe or he's literally calculating everything he's doing in class to make sure he always falls within a very specific range. Koyonagi had already noticed of course, and he's checked all the boxes that would jump Starrk up to sixth year starting next semester, but the other teachers catch on quickly enough too, and then they also start taking a fourth and fifth look at him.

Now it's Ichigo's turn to be Very Amused. Shouldn't have laughed at his suffering, huh? Karma's a real bitch.

Starrk is Not Amused, but also he can be just as stubborn as Ichigo, even if it's in the opposite direction. Ichigo very stubbornly isn't willing to be held back, he can do more as an official member of the Gotei, and slogging through six years at the Academy is just wasting time. If he has to graduate in the least amount of time possible and thereby be seen as a genius anyway, he might as well put himself out of his misery early and get that out of the way right off the bat. At least then, by the time he graduates, some of the shine will have hopefully worn off for the masses after they've gotten used to him.

Likewise, Starrk very stubbornly isn't willing to be anyone's show pony. Ichigo isn't either, but Ichigo's solution is to just ignore the fact that he sort of is, for the sake of exempting himself from fatal boredom. In contrast, Starrk 100% doesn't mind going to lectures when nobody can stop him from sleeping through them anyway, and he always turns in his homework on time and never fails his tests either so the teachers can't complain. The training sessions in the practical courses are more annoying but he doesn't usually have to do much there either, especially once he's jumped to the sixth-year courses where the teachers teach less and more often pair them up for spars or take them to fight very low-level Hollows they've captured instead. And since he's been noticed now, he doesn't care about maintaining average scores anymore because once you finish your spar or kill your assigned Hollow, you get to sit around and do nothing until everybody else is done, which suits Starrk just fine.

Koyonagi calls him to his office a couple more times, but as Starrk expects, the man grows increasingly bored with Starrk's lack of a reaction to anything he says. He even pokes at him from the "bastard Kyouraku abandoned in the Rukongai" angle, which almost makes Starrk laugh, because from a hierarchical standpoint, and to all these proudly intolerant Shinigami, even an unwanted bastard disowned from a noble clan would already be several steps up from what Starrk actually is.

There's no substance to this insult anyway, because Starrk really isn't a Kyouraku, and what does a Hollow care about noble blood or lack thereof? Koyonagi takes his shot in the dark and misses, and maybe he sees the amused pity that even Starrk can't quite hide this time, because the man's own eyes go flat with displeasure, for once probably aimed more at himself than Starrk because men like Koyonagi don't like making such crude mistakes. He dismisses Starrk and never calls him back again, although Starrk thinks that might have something to do with Ichigo, who hasn't been best pleased for a while now about Koyonagi harassing Starrk in a way that's completely different from his own harassment, and everyone knows - or will soon discover once again - that it's all fun and games until Ichigo puts his foot down. Either way, Koyonagi gives up trying to make Starrk prey, and Starrk chats his way past the Academy chefs one evening to make a spicy mentaiko udon just for Ichigo as thanks.

So in the end, they both think that's the end of that. Ichigo still has his fair share of secret admirers and envious onlookers and background sycophants looking for an easy ride into the Gotei, but his prickly disposition wards off most of them, and Starrk's flat, indifferent gaze from over Ichigo's shoulder - like he could bury you tomorrow and forget you ever existed the moment it's done - scares away the rest.

And Starrk is likewise acknowledged as another genius, but he's so unmotivated about doing anything with that genius that most of the other students don't really notice, and it's hard for even the teachers to make a big deal out of it. Eventually, they stop trying to galvanize him into displaying more of his abilities, if only to catch a squad's attention, and just let him do what he wants. Geniuses, what can you do? Each one is quirkier than the last.

So that's the end of that.

Except-

Quietly, in the background, possibly Koyonagi's roundabout way of revenge, possibly just the Shinigami's inexplicable attachment to all things bloodlines and pedigrees, the Academy comes to the enlightened conclusion that Starrk must be a Kyouraku. Maybe a branch member who doesn't want attention - seems very Starrk - or he really had been disowned, or there's some other circumstance they're not aware of, but nobility is full of drama so it could be anything. Whatever it is, they collectively agree that this assumption must be true, and over the course of the passing months, it becomes an acknowledged fact that nobody really talks about.

Starrk is lazy, but he's not unpleasant to be around. Who doesn't like an intelligent student? He's also polite, always patient when teachers flag him down for yet another chat despite refusing all opportunities to show off a little, and the Academy chefs adore him because that man can cook - his future wife will be very lucky - and he always has time to trade recipes with them. And on the occasions where some of the youngest students who'd shared classes with Starrk back in the first term approach him with questions on one subject or another, Starrk would frown and sigh a lot, but he would also sit down and answer them one by one, indulgent in a way people wouldn't expect just by looking at him.

If he really is a disowned bastard, well, privately they think that's the Kyourakus' loss, but it also means that it's probably a pretty sensitive topic to Starrk, as these things tend to be, so it's better not to throw it in his face. They're not Koyonagi after all.

(They don't understand for quite a while to come why Koyonagi always rolls his eyes and leaves the room whenever they talk about it amongst themselves.)

To be fair, they really can't be wholly blamed for coming to this conclusion despite all lack of solid evidence and testimony.

First of all, Starrk really does share a physical likeness with the Gotei 13's very well-known Eighth Division captain. Their builds are different - one broad, the other lean - but they're both tall with high cheekbones, and they share the same colouring, grey eyes and brown hair and light skin. In that, Fujiwara's the exact same way, and she is a Kyouraku branch member. It's just even more obvious with Starrk because he's male, plus a few of the Academy teachers have been around long enough to still remember Shunsui before he'd grown his hair out, and Starrk resembles that version even more.

Secondly, and this was less conspicuous, but the teachers had even dug out some of Kyouraku Shunsui's very old, very dusty papers from his Academy days for comparison.

In terms of personality, the two are almost complete opposites. One flamboyant, the other solemn. One outgoing, the other reserved. One a flirt who socializes enough for ten, the other would rather stay in bed and sleep the day away. It's just that Starrk is surprisingly good with people when he tries, and some can recall that even Kyouraku Shunsui had had his moments of quiet contemplation, which only puts more stock in the familial tie theory.

But it's in terms of mindset that really drives it home for them, because when it comes to the way they look at the world, they sync up to an almost frightening degree.

They unearth the captain's old papers from the library archives, and it's been years, centuries, but Shinigami don't tend to change much. If anything, Kyouraku Shunsui’s essays read more immaturely than Starrk’s, but the foundational reasoning from both men is solid.

They review them, and then they look at Starrk's again, and Starrk might leave questions blank on homework and tests but he's never skimped on answers when he does turn them in, and a lot of those questions are essay topics - similar enough even between Kyouraku Shunsui's generation and the current one to make a fair comparison - about hypothetical situations on the battlefield, in a fight, if you meet an ally, if you meet an enemy, if you have to choose who to save, if you have to choose who to let die—what would you do?

The respective responses are evidently written by two different people, well-debated and well-presented, but at the same time, even hundreds of years apart, their opinions and strategies and perspectives and choices on almost every single topic are near-interchangeable.

(They can't have known that Starrk had spent seven years at Shunsui's side, watching him lead, watching him fight, watching him wage a war and command his soldiers and protect his people to the best of his ability... and ultimately fail. They can't have known that he'd spent one final year leading the gutted remains of a Gotei in Shunsui's name to the best of his own ability... and also fail in all the ways that had mattered. They can't have known that even before those years, the two of them had met across a battlefield and crossed minds as much as blades, and even then, they hadn't felt like strangers to each other.)

[AUTHOR INTERRUPTS TO SAY I actually didn't want to mention Starrk's Zanpakutou like this because I have a whole thing planned out for it, as in I was insane enough one day and spent an entire afternoon creating a Bankai for him, but I also think some of you guys have probably guessed at least a bit of what his Zanpakutou looks like since I've dropped a few hints in previous snippets, so whatever, I'll just confirm its sealed form now. I guess this officially makes this snippet not part of the AU though cuz I originally had him not revealing his Zanpakutou until like a year after he graduates, post-time travel reveal. And going forward, he'd be meeting Shunsui differently here since originally their first meeting is at one of Asuka's tutoring sessions. But whatever, you can just go with whichever version you like best. Anyway, let's get on with my increasingly off-topic snippet lmao, sorry Anon.]

And last but most definitely not least, even disregarding everything else, Starrk's Zanpakutou alone is simply a Glaringly Obvious Sign From The Heavens. It's not that people from the same family always share similar Zanpakutou, but it's not exactly uncommon either—just look at the Shibas, they all have elemental Zanpakutou, and the newest one will probably go the same way; the Kuchikis have katanas with identical guards and always a white hilt or sheath; and not a single member of the Feng family that's passed through the Academy has ever left with anything but a wakizashi.

It's especially hard not to make certain connections that lead to the most obvious conclusion when everybody knows that Kyouraku Shunsui is the only Shinigami in living memory to wield a Zanpakutou that exists as two separate blades in its sealed form.

And now there is another.

The first time Starrk had finally removed his Zanpakutou - his entire Zanpakutou - from that wooden case he always carries around over one shoulder for a Zanjutsu assessment compulsory for graduation, the entire room had first gone dead silent, then burst into an uproar. Thankfully, it was a private assessment so there'd only been Starrk and several teachers inside.

They'd all thought they'd seen his Zanpakutou before - after all, he has to use a weapon in his Zanjutsu classes - but apparently, he'd always only taken one blade out for training.

A katana and a wakizashi, a daishou pair, each with a pale gold hilt, a darker gold sheath, and a blue-grey rectangular guard decorated by a sun design. Almost exactly like Kyouraku Shunsui's tachi and wakizashi, with their dark blue hilts and gold rectangular guards decorated by cherry blossom petals.

The meaning of it all could not possibly be clearer. At this point, if they're not family, they would have to be the kind of soulmates you would only find in one of those ridiculously sappy unrealistic romance novels.

(They can't have known that sometimes fate likes its jokes a little too much, and its favourites have always been the butt of them.)

Miracle of miracles, the pseudo-secret of Starrk's Zanpakutou doesn't leak right away. Starrk obviously doesn't want the attention for one reason or another, and the teachers have no real cause to spread it around so they don't. For one, they like him enough to cater to his very simple wishes, and for another, this man is clearly going to be a very powerful Shinigami one day, very likely to snag a captaincy sooner or later, and every noble clan is the same—if Starrk really is disowned, once the Kyouraku Family gets wind of what he can do, he won't be for much longer. And on top of all that, Starrk seems to be friends with the Shibas' most recent pride and joy; that's a connection that will get him far even without his own clan's backing. The Academy doesn't have much to do with the goings-on in the Gotei 13 or the government or the courts of aristocracy, but there's no need to make enemies when they don't have to.

Then comes the day Kyouraku Shunsui himself comes around for a visit.

This in itself is not new. The only career Shinigami from the Kyouraku Family isn't one to throw his weight around too much the way a lot of the other clans like to do for their kin, but he still checks up on his cousin two or three times a year, which in their opinion is already pretty admirable considering Fujiwara is not only from about as distant a branch as one can get, but also illegitimate, out of favour with her clan, and... well, painfully average in a way that means they all have to wrack their brains for compliments every time the captain shows up to ask about her.

Fortunately, for the first time since he'd taken up a position at the school, Koyonagi had done them all a favour and assigned her a tutor capable of working miracles, and so they can very happily and very honestly tell Kyouraku Shunsui all about the leaps in progress Fujiwara has made over the past several months.

The captain listens with a smile that's equal parts amicable and unfathomable, nodding in all the right places. He thanks them for their hard work even as he rakes a discerning eye over them that has them all sweating internally, but at least he also seems willing enough to not make things difficult for them now that Fujiwara is thriving under Shiba Ichigo's protection.

And that should've been it. That would've been it if Akabane Shiina, head of the Kidou department and arguably Starrk's favourite because he actually stays awake in her classes - he's certainly her favourite if the way she gushes about his gloriously tricky projects to a very resentful audience in the staffroom is anything to go by - suddenly bursts out just as the captain is making to leave:

"Are you not going to ask about your other relative?" She demands, her voice gone strident with righteous indignation. "Is it because he really was disowned and cast out into the Rukongai? But he is still better than Fujiwara!"

Shiina has no eyes for anyone without talent in Kidou. She doesn't have a problem with Fujiwara, and in fact, out of the four combat forms, Fujiwara is best at Kidou, although that might not last with the way she's catching up in all the other fields under Shiba Ichigo's tutelage, and Shiba Ichigo is notoriously slow at Kidou so he can't teach her anything in that area. But even on her own, Fujiwara's competency in Kidou is enough to meet all graduation requirements, and she'd even done fairly well in the fourth-year course Shiina had taught last year, certainly better than all her other subjects. However, she doesn't have the kind of flair for it that Shiina values.

Starrk does. And Shiina apparently does not appreciate her favourite pupil being dismissed out of hand just because he's considered one step lower on the social ladder than Fujiwara. Sure, Starrk is far more talented than Fujiwara; he's the last person anybody needs to worry about when it comes to graduating. But that's just all the more reason he deserves at least passing acknowledgement from a captain. And yet Kyouraku Shunsui can show concern for a neglected bastard but not a disowned bastard? Don't make her laugh.

Her temper has always been a straightforward creature, and so she ignores her colleagues' frantic squinting and meets Kyouraku Shunsui's gaze head-on when he pauses and then turns back, except he looks... entirely puzzled.

"Other relative?" The man echoes, looking genuinely baffled. "Did my clan send another child to the Academy? Maa, I wasn't informed. And Asuka-chan hasn't mentioned anything to me either."

A moment of silence follows. Shiina glares suspiciously at the pink-clad captain, who waits her out with the same unflappable calm Starrk pulls out whenever Shiina gets too excited about a Kidou seal and babbles for half an hour straight.

And she's supposed to believe these two have no relation to each other?

"He is not a child," She finally says. She doesn't know how old Starrk is, but it's very obvious he has at least several hundred years under his belt. He makes her feel young sometimes, and she's almost four hundred years old. "He came here from the Rukongai, with Shiba Ichigo."

She watches the way Kyouraku's eyes flicker as he takes in this information, but he doesn't emote anything except mild curiosity.

"Ah, I think I've heard a few things about Ichigo-kun's companion," Kyouraku muses. "Coyote Starrk, wasn't it? Also slated to graduate by the end of the year? But I'm afraid my clan definitely doesn't have a branch family by that name."

Well obviously, if he'd been disowned. He'd probably picked it for himself.

Kyouraku smiles a bit at whatever expression has crossed Shiina's face. It should be a scathing one. It feels scathing.

"But now I'm curious," Kyouraku continues, one hand reaching up to tilt his hat up. "For everybody-" His gaze sweeps the room, making everyone straighten in their seats. "-to think he's related to me of all people—we must be very obviously alike in some way."

Shiina scoffs, unimpressed. In some way? Try in every way.

But, at least he hasn't been ignoring Starrk on purpose. Mentally, Shiina grudgingly returns the 50 points she'd docked from him earlier.

She's about to interrogate him about what he's going to do about his curiosity - so help her, if he finds out Starrk really is family, then lets Starrk know that he knows now, and then rejects him for being disowned, captain or no, she's going to make him pay - when one of her colleagues, Koyonagi's gopher actually, because the man himself couldn't be bothered to show up, so as always, he'd sent his nominal vice-department head, interrupts.

"Are you certain you’ve never met?" The man blurts out like he can’t help himself. Especially now that Shiina’s fielded the hard part, and Kyouraku hasn’t taken offense. "Surely you've discussed his essays at least!"

Kyouraku arches an eyebrow. "I can't say I have. But what makes you say that?"

The Zanjutsu teacher flounders. The sixth-year Philosophy teacher is less unprepared and simply pulls out a folder, only about a third full, but they still have a little over a month to go. At least it lets the teachers spread them out a bit instead of having to read them all at once at the end. It was the original reason for the meeting today before Kyouraku had dropped by—going through some of these papers while their workload is still relatively light.

There is an essay question assigned to every student at the beginning of their final year at the Academy. Unlike all other assignments, this one must be completed in order to graduate whether or not your grades are up to par. Students have the whole year to finish it, but it can be handed in anytime.

It's long been said that the the essay question is something Yamamoto Genryuusai himself had come up with, originally posed to his two personal students hundreds of years ago, and unlike all other topics where the details would at least be switched up from year to year, this one has never changed since it had first been included in the curriculum.

To defend honour or to protect life—which should a Shinigami of the Gotei 13 choose to uphold? Why? Which would you choose? Why?

There is actually no correct answer. So long as the paper is written with some thought put in, it’s an automatic pass. But every year without fail, the lieutenant of the First will come by and cart the whole pile away. Nobody can say for sure what happens to them.

Nevertheless, most students choose honour for both parts of the question. Whether they believe it or not, they at least know the politically correct answer, the safe one. Some of the more outspoken students - usually Rukon stock - might choose honour for the first part but argue life for the second part.

Kyouraku Shunsui had been the only one in Academy history to have chosen life for both parts, and now, Coyote Starrk and Shiba Ichigo have joined him.

Shiina watches as Kyouraku wanders back over to peer down at the two essays the Philosophy teacher lays out on the table. She watches as the captain smiles, appreciative and a little amused, as he scans Shiba Ichigo's paper—a fierce discourse on the importance of friends and family, of prioritizing comrades even if it means breaking the law, of doing right by them even if it means discarding the honour of the Gotei or your own honour as a Shinigami because there's no honour in abandoning your loved ones.

And then she watches his gaze move to the other paper, and she watches as his smile fades and his expression goes still. His hand comes up again to tug down the brim of his hat but he never looks up from the essay—a succinct dissertation on doing everything possible to preserve the lives of those in your care, because the duty of a Shinigami to the Gotei 13 is first and foremost to protect the people who depend on them, to shield the world they all reside in, to stand between danger and the realms they have been charged with safeguarding.

—What does honour matter when you cannot protect what you have sworn to protect?

—When you make the choice to step on a battlefield, you are choosing to do all in your power to seize victory, because anything less is an insult to those who have placed their trust in you, a threat to those who rely on you, and a broken oath to those you gave your word to protect.

—When you make the choice to kill, because taking a life is in itself an evil act, you are choosing to carry the necessary sins that will be demanded of you in battle so that others will not have to.

—When you make the choice to protect, you are choosing to discard your honour, because honour will not protect your people. It will not protect the world. It will not protect anything save your own sense of righteousness, and what is that worth if all you care for is gone?

—To be a Shinigami means to shoulder the weight of countless souls. In essence, it is a promise to protect life to the very end, and if honour is the cost, then it is a small price to pay.

Shiina has read Starrk's paper several times already. She had even made her own copy.

She thinks he will make an exceptional Shinigami.

Nobody says a word even after enough time has passed for Kyouraku to have read the paper twice over. What little Shiina can still see of his shadowed face is utterly inscrutable.

When he finally stirs, straightening up to look around, there's something new in his eyes, some emotion Shiina can't place that remains even as he murmurs, "I don't suppose you know where-"

He stops when - as if on cue - a familiar reiatsu signature in the distance rounds the corner of the hallway leading to this room.

It isn't Starrk's reiatsu. He's hard to sense on a good day. But everyone has felt Shiba Ichigo's reiatsu at least once. Boy isn't subtle. He has the skill to hide most of it, but spikes of emotion or even just when he's distracted can bring it out sometimes, and his reiatsu - like that first shocking plunge into ice water that robs you of all breath right before any other sensation hits - isn't one people tend to forget.

And where Shiba Ichigo goes, more often than not, Starrk is there as well.

Shiina checks the time. Classes are out. It's Friday. Chances are good they're together.

Several feet beyond the door, the reiatsu signature comes to an abrupt halt. A few seconds pass, two muffled voices murmur something back and forth, and then footsteps resume, heavier this time, before three brisk knocks are heard.

The head of administration - the one with the highest rank in the room, bar the Shinigami captain - clears his throat, glances at her glower, glances at Kyouraku's perfectly genial expression, and then calls out like a coward, "Come in!"

The door swings open, Shiba Ichigo stalks in, and sure enough, Coyote Starrk shuffles in after him, hands in his pockets, and his bag and the wooden case containing his Zanpakutou slung over one shoulder. His face is so impassive it could've been carved out of marble.

Shiina docks 100 points from everyone in the room. Except Starrk of course.

But even she can't help staring at this meeting that somehow feels like it's been a long time coming.

Starrk's gaze rises. Kyouraku's gaze jumps straight past Ichigo. Their eyes meet, and for just a moment, all of time seems to shudder to a halt.

Silence stretches... and snaps.

"Hey, what's everyone staring at?" Ichigo cuts in irritably, waving the sheaf of papers he's holding in one hand. "We're supposed to hand in our waivers for the assessment on Monday, right? What's the hold up?"

He shoots a look to his left where Starrk and Kyouraku are still standing there staring at each other like the rest of the world has ceased to exist. He's already scowling, but he scowls even harder at the sight.

"Good afternoon, Kyouraku-taichou," He greets very pointedly.

Kyouraku blinks, and Starrk turns away, busying himself with digging out his own papers from his bag. The moment passes, and Kyouraku turns to Ichigo as if nothing out of the ordinary had happened, "Ichigo-kun, what a coincidence. What are you here for?"

Ichigo's gaze bobs between Kyouraku and Starrk again before he shakes the papers in his hand once more. "Starrk-san and I have our second Hohou assessment on Monday. It's the one where they drop us off in an arena full of Hollows, and we have to get out using only Hohou. But we have to assure the school we won't blame them if we get killed, so-"

He brandishes the waivers again and finally looks back at the teachers in the room. "I actually don't know why we have to do this. I asked Matsumoto, and she said she doesn't have to fill out any of this stuff."

The admin head coughs delicately. "It's for clan members, Shiba-san."

Three things happen at once:

Shiba Ichigo, predictably at this point, snaps, "I'm not a clan member!"

Coyote Starrk stops halfway through pulling out his own waivers.

And Kyouraku Shunsui goes back to staring at Starrk, although Shiina thinks he doesn't quite know he's doing it so blatantly.

"Shiba-san, your cousin has already had your name changed to indicate official entry into the clan," The admin head says placatingly. "And he assured us that it was with your approval."

Ichigo glares, clearly all set to spend the next hour fighting this new information tooth and nail. "That doesn't mean-"

"Ichigo," Starrk finally speaks up, but he doesn't say more than that. It doesn't seem like he needs to though because Ichigo breaks off, still scowling, but he also glances back at Starrk, who only arches an eyebrow in return.

Ichigo grumbles something under his breath before slapping his papers down on the desk in front of the admin head. "Fine, whatever, I'll go beat him up later. Starrk-san?"

Starrk meanders over, his own waivers already tucked away again. There's a slight slouch to his frame, his gloved hands are back in his pockets, and he doesn't loom, even stopping a foot behind Ichigo, but when he turns his attention on the admin head, the man almost visibly squirms under that blue-grey gaze.

"I'm not from a clan," He says mildly.

As one, the entire room sans the students and the Shinigami captain turn to look at said captain. A moment later, even the students turn to follow their line of sight.

Kyouraku stares back. Or rather, he meets Starrk's gaze again, dark and intent, searching.

Ichigo snorts. The tension breaks.

"This again?" Ichigo glances at Starrk again. "I thought that rumour went away months ago."

"I thought so too," Starrk agrees in bland tones. He looks from one teacher to the next, and even Shiina ducks her head a little when his gaze sweeps over her.

Another beat of silence ensues before it's Starrk's turn to heave a sigh.

"I'm not from a clan," He repeats in that quietly implacable way of his, and even though there's nothing threatening about him, not in his voice, not on his face, not in his posture, not even in his reiatsu, something in their hindbrains stills like cornered prey anyway.

"I am not a branch member," Starrk continues without much inflection. "Or an illegitimate child, I have never been disowned, and whatever else your... very healthy imagination has come up with," For a split second, he looks almost amused. "I can assure you, I am not that either."

He stops. He needn't have gone on because Shiina definitely believes him this time, or at the very least, she believes he genuinely believes he isn't a Kyouraku.

Except then Starrk also turns to the side where Kyouraku is observing everything in silence. Grey meets grey once more.

"This Taichou-san," Starrk says, looking at the captain in question. His face is unreadable. "Is Kyouraku Shunsui of the Eighth Division, right? Then he should be able to confirm—I am not a part of his clan."

Another moment of silence passes. Shiina catches the way Ichigo's expression has gone grim, although for what reason, she doesn't know.

There's been something off about this whole situation from the start. Why those two couldn't have gone away and come back later is beyond her. They'd clearly sensed Kyouraku inside even before knocking.

"It's true, as far as I'm aware, we really aren't related," Kyouraku says after a few seconds of studying Starrk some more. His eyes don't move away even as he speaks, and his tone is... strangely gentle. "And this should be our first time meeting."

Starrk's gaze slides away at almost the exact same time Ichigo reaches out and snags the sleeve of Starrk's Shihakushou, tugging him forward and around, which just so happens to plant him between Starrk and Kyouraku.

"So is there anything else?" Ichigo says loudly. "Or can we go?"

There's a moment where most of the teachers seem to have forgotten why they're there in the first place. Shiina huffs and decisively takes over.

If she could have her way, she would've already ejected Kyouraku from the room. Maybe they really aren't blood-related - what are the odds though? - but she's pretty sure there's something going on between them anyway. Them and Ichigo.

Whatever, it's not her business. Since both parties have said so, everyone else will just have to accept it.

But now that they've reached this point...

"Come here, I need to tag your Zanpakutou," She says briskly, taking out a box as she beckons them over. "The second Hohou assessment bans the use of Zanpakutou. You'd be surprised how many Zanjutsu-focused students try to cheat anyway, so all Zanpakutou have these attached to them before the assessment begins."

She shows them the tags with seals inscribed across the surface. They're nothing fancy, akin to nametags, but they do their job.

"We don't like separating Zanpakutou from their wielders once students reach their fifth year," She explains. "And all Shinigami are encouraged to get used to carrying their Zanpakutou with them at all times anyway. This way, you'll be able to take them in with you, but we'll know if you unsheathe them."

She takes out three tags and flares her reiatsu, watching half the seals light up before holding them out. "There. Loop the string around the sheath before tying it over the hilt, and then I'll finish locking them. They won't affect your Zanpakutou in any way, and you can still unsheathe your swords anytime. Try not to do that until after the assessment though. There's not much time on Monday to redo the tags, and you'll get marks docked off if you use them during the test."

Ichigo nods and grabs a tag first, head dipping as he reaches for the katana at his waist. Then he jerks back up again, wide-eyed, but Shiina isn't paying any attention to him anymore as she looks up at Starrk.

Starrk blinks at her once, slowly. His expression doesn't shift from its indifferent lines, but after a few seconds, something about his eyes thaws, the corners crinkling briefly with the faintest of mirth.

"You're a bit... petty, Sensei-san," He murmurs in a voice pitched so low only she and Ichigo can hear.

Shiina shrugs unrepentantly. She still can't be 100% sure Starrk isn't a Kyouraku no matter what the man himself believes, but she is sure that either way, it's the Kyouraku Family's loss.

If Starrk isn't a Kyouraku, then it doesn't matter, although knowing nobles, they'll probably be at least a little disgruntled that their unique dual-wielding Shinigami is unique no longer, and it's even someone from Rukongai who's manifested a daishou pair.

And if he is a Kyouraku, an ugly secret the clan had erased so thoroughly that even the only remaining heir of the main branch wasn't told, then Shiina wants them to know, wants to rub it in their faces, wants to shout, Look what you missed out on! Look what you lost! He's no less special than the only Shinigami you've produced!

So sue her. Maybe she's been a little bitter about Starrk receiving no offers from the Gotei divisions beyond the generic ones most students get because there are always unseated cannon fodder positions needing to be filled. Technically, it's Starrk's own fault for utterly failing to stand out in any way, but Shiina doesn't mind blaming everyone else for being blind.

She doesn't know what all Starrk can do, but she is absolutely certain he is far, far more powerful than he's let on. His Kidou work alone is magnificent, and someone like that can't possibly remain in obscurity. Anyone who looks down on him for his circumstance of birth or lack of background will regret it. This is just the first step.

Starrk huffs out an exasperated breath but doesn't refuse her little scheme because obviously she's his favourite teacher. He takes the tags, and then reaches up to twist off the cap of the wooden case.

One could hear a pin drop in the subsequent silence as Starrk retrieves his katana and wakizashi in one fluid motion and lays them out on the desk in front of him. The nearby lamp light catches on the katana's hilt for a moment, making it shine, like sun on sand. With deft steady hands, he attaches a tag to each blade, calm even with a sea of eyes on him.

Shiina slants a look to the side through her eyelashes and suppresses a very satisfied smile.

Kyouraku Shunsui looks like he's been hit over the head with a hammer. She's willing to bet it's a rare look on him, even for someone with a reputation for making a bit of a fool of himself in public whenever he drinks.

He looks stunned now, stunned and... and something else, the same something he'd shown after reading Starrk's paper, except in his distraction, it's far more noticeable now, even if just for a few seconds.

Wonder, Shiina thinks, and doesn't know what to think of it.

"Sensei-san?" Starrk prompts, tilting his blades towards her.

Shiina gives herself a mental shake before finishing up with the tags, Starrk's first, then Ichigo's.

"That's done then, you can go," Shiina tells them. "Have a good weekend. Don't be late on Monday."

Ichigo breathes a sigh of relief, looking reenergized, while Starrk nods at her, nods at the other teachers, and even inclines his head in Kyouraku's direction, before they both turn to go.

"I should get going too then," Kyouraku says, smiling once more and as affably composed again as ever. "Wouldn't want to overstay my welcome."

Shiina stoops down to put the box of tags away just so nobody will see her roll her eyes. By the time she sits up again, her colleagues have seen the captain off, and she silently wishes Starrk good luck with that one. Still, she doesn't regret waving his Zanpakutou in the man's face. She does dock off another 20 points though because she's decided she doesn't much like Kyouraku, especially when he's in Starrk's vicinity.

"Hey!" The Philosophy teacher suddenly calls out, flipping through the papers on the desk. "Where did Coyote-san's essay go?"

Everyone spends a minute looking for it. Shiba Ichigo's is still on the table.

Shiina glances at the door and lets her lip curl. Minus 100 points. She's never met anyone who's hit the negative hundreds so quickly in her life.

The others realize it too soon enough, and the admin head eventually sighs. "It's fine, we have a few copies anyway, and it's not the first time we've lost an essay."

"So... he's not a Kyouraku then?" Someone else pipes up.

An uncertain hush falls over the room. No one is convinced, Shiina included.

"Just..." The admin head waves a weary hand. "Treat him as we always have. It doesn't hurt to be cordial to a future captain, noble or otherwise."

Everybody agrees, and that's that.

-0-

Ichigo has never felt so awkward in his life. He finally understands what being a light bulb means, and these two aren't even dating anymore. Yet. Again. Whatever.

Still, he obstinately makes sure he walks between them. It's not much, but it's probably better than inflicting all of... Kyouraku on Starrk right away. The past twenty minutes had been awful enough. Not many had noticed, or if they had, they probably hadn't been able to pinpoint exactly what was wrong, but Ichigo knows Starrk.

Knows him well enough to tell that the man isn't in any way as put-together as he seems on the surface. Knows too that he's probably thinking about crawling into bed or walking into a lake or disappearing into the sands of Hueco Mundo and just never coming out again.

Ichigo doesn't know how to fix it though, doesn't know if this can even be fixed. The last year in their own timeline had answered him with a resounding no. So all he can do for now is stay close and make sure Starrk is never alone in these moments.

No one is talking. Ichigo wouldn’t usually mind, but the silence this time is tense. It’s also rare to have Kyouraku around and not have any conversation going. The man isn’t actually that chatty most of the time, even if he is a people person, but for there to be something interesting in his immediate vicinity - and Kyouraku is interested in Starrk, even Ichigo can tell that much - and yet choose to remain silent? Ichigo doesn’t like it.

They get all the way to the entrance of the staff building before Ichigo cracks.

“So what were you here for today, Taichou?” Ichigo asks. “Uh, if you can say, I guess.”

Shunsui glances over at him, glances past him, then back. “Maa, it wasn’t anything special. I was just asking about Asuka-chan's progress. You’ve done a good job with her.”

Ichigo flushes a little. “I didn’t do much. She just needed some confidence.”

Kyouraku hums, amused but warm somehow. He's always been good at that. “We’ll agree to disagree then. I’m grateful either way.”

Ugh, this was not what Ichigo had wanted. But he ends up nodding stiffly, and thankfully, Kyouraku gets the hint and drops the subject with a chuckle.

But that also means he has time to glance at Starrk again, like he's checking for a reaction. Unfortunately for him, Starrk is currently impersonating a statue, and he hasn't looked at Kyouraku once since they'd left the meeting room.

It's only when they step outside that Starrk finally stirs. He turns to face them, eyes on Ichigo, features carved from stone. "I turn off here."

Ichigo blinks. Oh, right, but- "You're already going back to the dorms? Fujiwara and Matsumoto want to go out for dinner."

Starrk nods. "I know, you mentioned it yesterday. I won't go. Give me your bag, I'll take it back for you."

Reflexively, Ichigo hands him his bag, but he also tacks on, "You can come too, they're definitely expecting you to."

Starrk shakes his head. "I'm tired, I'll probably just turn in early."

Ichigo opens his mouth to argue, but... to be honest, in Starrk's place, he probably wouldn't want to be inflicted with Matsumoto's energy either. Fujiwara's taking after her a little too much for comfort these days, and Gin is probably going to be there too, and nobody wants to put up with Gin when they're already feeling bad. Of course, Gin always looks sour-faced around Starrk instead of the other way around. Ichigo is pretty sure it's because Starrk has a way about him that makes the suspicious brat feel like the man's constantly catching him red-handed or something every time Starrk so much as looks at him, which is hilarious, but it also means Gin tends to either avoid Starrk whenever possible or needle him when it isn't. Starrk doesn't usually care, but it isn't exactly what anyone would call a good time.

"Okay," Ichigo says instead. "Just make sure you eat something first."

"Mm," Starrk says, very obviously not agreeing to anything. God, Ichigo is surrounded by people who are going to worry him into an early grave. On the other hand, can it be called an early grave when he probably should've died something like ten years ago?

...Wow, that's depressing. Best not to think about it too hard.

"Go have fun," Starrk says before Ichigo can press on the point about food. Sometimes, it's like Starrk forgets he's not just a Hollow anymore. Ichigo had heard that Starrk had transcended hunger even as an Adjuchas because his reiatsu had done the "eating" for him—and then some. And even after reaching the peak of a Hollow's evolution, he's still never needed as much of any kind of food as regular Shinigami, but that doesn't mean it's healthy either for him to eat nothing.

"Don't stay out too late, don't drink too much," Starrk continues, and Ichigo is distracted enough by this to drop the previous subject.

He rolls his eyes. "Okay, Dad. You know it's a Friday, right?"

Also he's not a teenager anymore, he doesn't say, because he's still mindful of Kyouraku's presence behind him.

(His human body had died as a teenager though, at the ripe old age of seventeen. Some days, it feels like he's still aging at the pace of a human, all grown up and as jaded as an adult can get. Other days, when Kaien acts like an annoying big brother around him, or when Starrk fusses over him in that weary, gentle way of his, Ichigo feels exactly like the kid he would be if he'd been born in Soul Society.

He's still not sure how to feel about that. It's weird, always, but... not always bad.)

Starrk raises his eyebrows. "Matsumoto has a makeup test at noon tomorrow. Ichimaru has an early shift in the morning. Fujiwara has an appointment with her advisor at nine, and you-" A wisp of amusement actually makes it all the way onto his face for a moment. "-have remedial Kidou lessons with Koyonagi at ten."

Ichigo immediately scowls. "It's not remedial lessons! That bastard just doesn't know how to butt out of my business!"

Starrk hums noncommittally, but Ichigo's on to him. That's his I'm laughing at you on the inside because I'm secretly an asshole hum.

"How do you even know all these things?" Ichigo grumbles, because honestly, even when Starrk comes to hang out with them, he spends at least two-thirds of the time napping instead of paying attention to anything going on around him. Ichigo hadn't known they'd all be so busy tomorrow.

Starrk just gives him a blank look like he doesn't understand the question. Ichigo rolls his eyes again and gives up.

"It's not like I was planning on staying out that late anyway," He huffs. "We'll be fine for tomorrow."

Starrk nods and says nothing else. Ichigo doesn't have the words to describe how much he likes that about the guy. Unlike Kaien, Starrk says his piece when he feels strong enough about something to actually make his opinion known, but the rest is up to the other party to decide for themselves, for better or for worse. Unless of course you're bleeding a river with your insides hanging outside and trying to insist you can totally still fight.

Healers. They're somehow all carved from the same terrifying, unbending mold. The day Starrk meets Unohana, the Gotei 13 may never know peace again.

Starrk slings Ichigo's bag over his shoulder as well, and then his gaze finally skates past Ichigo to the man waiting patiently on the side while listening with shameless interest.

"Kyouraku-taichou, I'll be taking my leave," Starrk says, polite and formal as he bows his head, as an Academy student should before a captain, and it's- it's wrong, it's all wrong.

Ichigo doesn't really count the first time he'd met Starrk as their first meeting, which means that for as long as he's known this man, it has always been as a package deal with Kyouraku, right up until that final year. To this day, he has no idea how those two had happened, but it's not like 80% of the people he'd known and befriended hadn't been his enemies once upon a time too, so he has no room to judge.

The point is though, from Ichigo's perspective, Starrk had always followed faithfully in Kyouraku's wake, in his shadow, at his shoulder, hunched over the same desk and working long into the night or decimating a battlefield on Kyouraku's command, with eyes for no one else, even when - in the early days - enemy Quincy had mocked him as the Captain-Commander's tamed mutt, and their own allies had disdained him for being Ukitake's substitute. But likewise, while Kyouraku had forged ahead to pave a bloody road through the enemy ranks because there was no one else to do it for them anymore so he'd had to do it for everyone else, it was always Starrk he'd looked back at, always certain that he would only ever have to reach out and there Starrk would be, and no matter what anyone had said about lingering loyalty to Aizen or potential spy for the Quincy or even a Captain-Commander with such an unsightly weakness, Starrk had been the only thing Kyouraku had refused to hear a single dissenting word about.

They'd orbited each other and stood as a unit at the helm of the Gotei 13, and to see them like this now - separated by death and time and memory - even Ichigo aches at the sight. There's barely five feet between them but it might as well be a canyon.

Maybe Kyouraku can sense something of it too, because he tilts his hat down until it casts a shadow over his eyes, like he can't bear to look, but at the same time, his gaze remains glued to Starrk like he can't bear to look away either.

"Aa, I'm glad to have met Ichigo-kun's most mysterious friend at last," Kyouraku says, voice as laidback as ever, eyes anything but. "You've never come along with the others when Ichigo-kun is training Asuka-chan in my backyard."

It isn't quite a question, but Starrk blinks slowly and replies, "That's usually late afternoon. I prefer taking a nap."

Kyouraku smiles a little, and the curve of it is almost sly. "My division grows the most beautiful cherry blossom trees in all of the Seireitei, and they're just starting to bloom. It's a good place for a nap while you wait for your friends to finish up."

Starrk's brow furrows faintly. "...It would be disrespectful to intrude. I'm just a student."

Kyouraku waves a dismissive hand. "And I'm the captain. I can do what I want. And letting someone sleep under a tree is hardly an earth-shattering allowance."

Starrk blinks again before giving the impression of a shrug without actually moving his shoulders. "Thank you for the offer. I'll keep it in mind."

Even Ichigo has to hide a wince at the flat tone. But Kyouraku only smiles some more. "Good. You can come by anytime."

Starrk nods, a graceful dip of his head that lets his gaze fall away as he directs his next words at Ichigo, "I'll see you when you get back then." Then once more at Kyouraku, "Have a good evening, Kyouraku-taichou."

And then he's gone without so much as a blur left behind. Ichigo doesn't understand why they don't just give Starrk an automatic pass for Hohou when the guy uses Shunpou like he's teleporting, and then he remembers that most likely no one else has actually seen him use it yet with this kind of proficiency.

He turns back to Kyouraku, then falters. The man is staring after Starrk, smile nowhere to be found, which Ichigo had expected, but there's also an unsettling air of loss about him, heavy as a funeral shroud. And then, in the next second, Ichigo suddenly finds himself on the receiving end of a dark, ruthless, calculating gaze that Ichigo's only ever seen on the future Kyouraku, on the Captain-Commander at his best, at his worst, his blades stained with lifeblood, his shadows come alive with abyssal hunger.

All the hairs on the back of Ichigo's neck stand up, and a chill runs down his spine. He will honestly never understand how Starrk could look at this particular monster time and time again and never even seem to notice the threat, had always walked in Kyouraku's shadows like they were an embrace and not a bottomless void of remorseless avarice. But Ichigo's also faced down plenty of things just as scary as Kyouraku Shunsui, so he only needs a moment to re-center himself and beat back the instinctive lurch of alarm in his gut.

It's easy to forget, most of the time, just what this man is capable of.

They end up staring at each other in silence, and for a moment, it almost seems like Kyouraku might finally push for some answers. Ichigo knows he hasn't been the most subtle, and there are a handful of people out there nowadays who have their suspicions about him, but so far, none of them have approached him about it.

Kyouraku looks like he's about to. For a split second, he looks like he dearly wants an explanation, and he won't much care either what he might have to do to get it.

Figures, a part of Ichigo thinks wryly even as the rest of him goes tense with a guarded sort of apprehension. It would be Starrk-san who brings this out in him.

But between one breath and the next, Kyouraku blinks, blinks again, and the strained tension pops like a balloon as the monster disappears back into the shadows, and Kyouraku is casually adjusting his hat like the whole stare-down hadn't happened at all.

Ichigo feels his eye twitch.

"Well then, I should be heading off too," Kyouraku declares, and his gaze is feather-light when he glances at Ichigo once more. "I suppose I'll see you at Asuka-chan's next tutoring session. Perhaps I might see some of your friends too, hm? The more the merrier of course, so don't worry about any noise complaints. It's good to be livelier when you're young."

"Uh-huh," Ichigo says very dryly. Internally, he sighs and makes a mental note to do his best to convince Starrk to come with him next time.

Of course, he'll be first in line to beat Kyouraku up if this all turns into (more) heartbreak and (more) tragedy, but...

He's not actually so oblivious that he doesn't know Starrk might still only see a cliff's edge that he'll be more than happy to take a swan dive off of at the end of all this. He talks a good game, and after a year of practice, he's gotten a lot better at hiding his grief. At the very least, ever since they'd come back in time, Ichigo hasn't been able to pick up much more than a haze of melancholy from Starrk that comes and goes at irregular intervals.

He doesn't know how to fix it, doesn't know if it can even be fixed. But he does know that if anyone can pull Starrk back from that cliff, it's this man in front of him.

And Ichigo's lost enough people. He doesn't want to lose Starrk too.

So he'll keep an eye on this relationship, make sure Kyouraku doesn't overstep, and make sure Starrk isn't letting Kyouraku overstep, but otherwise, he doesn't think it's a bad idea to help it along a little.

He fervently hopes he's making the right choice.

Kyouraku takes off with a last friendly nod, and Ichigo also hurries away to meet up with Fujiwara and Matsumoto.

For now, everything will keep another day.

#bleach #kurosaki ichigo #coyote starrk #kyouraku shunsui #shunstarrk #myscrap #ichigo & starrk time travel verse #ok lbr out of the entire bleach cast who else would make the most sense to have two blades for their Zanpakutou in sealed form?#like even in canon Starrk was a dual wielder from the start (Kubo sure understood his audience when he threw him and Shunsui together lmao)#technically you could argue that even as an arrancar the “sealed state” of his Zanpakutou was already two “blades” him and Lilynette #because his power was never sealed in the swords that either of them had those were basically just decoration #so in this AU once he evolved enough and his soul was whole enough to produce a real Zanpakutou ofc it would manifest as a daishou pair #anyway this was fun to think about #and again it doesn't exactly fit with what i've written so far for this AU but you can just go with whichever version you feel like lol #also did i create yet another OC out of the blue? yes yes i did. i suppose we'll see if i do anything with her. fingers crossed for no lmao #i was going to make her a katori but then i was like cross be a little less obsessed with shunsui not everything has to tie back to him #so i just made up a name but who she is and what's her background idk tell me wat you think of her i guess #i do headcanon starrk is a natural at kidou because both kidou and ceros are basically reiatsu manipulation when it comes down to it #and starrk could fire ceros instantaneously all damn day from any part of his body without moving a single finger #i think that that control and skill would translate to kidou

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itsnoones-stuff · 4 months ago

Text

Her

Part one

Masterlist

Summary // your the sister Five never knew he had, home from the apocalypse he starts to fall for you.

Context // you’re both young teenagers

“Who’s that?” Five whispers to his six other siblings as they all sit around the kitchen table, unable to peel his eyes away from you as you stand at the counter making the boy’s sandwiches, they all shoot him a confused look, glancing at your back as you hum quietly to yourself. “That- that’s Y/N, Five” Allison answers, pointing in your direction. “That’s your sister”, Five stays silent, watching as you place sandwiches in front of your brothers, almost flustered when you place a peanut butter sandwich in front of him. Unsure if he’s in the right timeline or if he made another miscalculation. He almost looks at you with love in his eyes as you offer him a cup of freshly pressed coffee, clearing his throat he mumbles“thanks” watching as you nod and smile in acknowledgement.

After handing all your brothers their drinks you turn your attention back to the counter, cleaning up the mess that was made. Five took a bite of his sandwich as his siblings sat staring at him, waiting for him to explain where he’s been. “So Five…” Luther speaks, clearly getting frustrated at his brother’s nonchalant attitude, Five puts his sandwich down, taking a sip of coffee and nodding lightly too himself. Allison asks the question you’ve all had since he came home, “Five where have you been?” Looking around at his siblings, he lets out a small sigh “well, I’ve been stuck in the apocalypse for 45 years”.

You listen as Five explains how made it back, not fully understanding what he’s saying but you understand enough. Your siblings sit silent for a moment, trying to process what has just been said to them before Diego chooses to speak up “that doesn’t make sense” a puzzled and slightly pissed off look on his face, Five is quick to snap back “well, it would make sense if you were smart Diego” you can’t help but giggle at quick remark, turning away so your siblings don’t see, Five saw you, smiling a little wider, happy you enjoyed his remark.

“I’m heading up” you speak, momentarily breaking the tension in the room as Diego loses his temper at his brother. “Okay sweetheart” Klaus coos as you stroll past them, unable to deal with anymore arguments after your fathers funereal.

Sitting on the fire escape you sing softly to yourself, carefully placing a cigarette between your teeth and raising your light. Sparking, you take a long drag, filling your lungs with smoke, tilting your head back and taking it all in. Unable to hear your brother Five climbing out his window and onto the fire escape, a duffle bag on his shoulder, he stops, taking you in for a moment. He can’t help it, you’re the most beautiful woman he’s ever seen. “You shouldn’t smoke, your too young” he speaks, startling you, you chuckle at his words. Five smiles to himself, the sound of your laughter sending waves through his body, you watch him, unable to help but notice his outfit change. An oversized suit to his old school uniform, the two of you match. He notices you looking after a moment, cheeks turning a soft shade of pink as he blushes. Without another word Five steps over you, continuing his journey down the fire escape, you watch him go, unable to stop yourself from smiling.

As the night crept in, you sit on the fire escape once again, cigarette in hand, taking long deep drags as you lose yourself in thought. The sound of a bag falling to the floor brings you back. Startled, you turn your to Fives window, hearing faint heavy breathing, quickly putting out your cigarette you stand, walking over to his window and crouching down. Watching him jumping around his room, a bloody stained uniform temporarily flashing into view, he’s been shot. You tap lightly on his window, a small chuckle leaves your lips as he jumps at the sound. Five sighs, walking towards the window and opening it, clearly stressed.

“Are you okay?” You ask, climbing inside and trailing behind the boy, trying to look at his wound “yeah” he mumbles, picking up a needle and thread. Quickly taking them from his hands and ignoring his protests you usher him to the bed, watching as he begrudgingly complies.

Five watches as you prepare the needle and take a wipe from the first aid kit sat on his desk, you motion for him remove his jacket, watching closely as he does “is it still in there?” You mumble, gently taking his lower arm to look closer, he doesn’t reply for a moment, admiring your soft features and kind nature. “Five?” You ask tilting your head up to look at the flustered boy, he clears his throat and shakes his head “no I took it out” he points to the bedside table, blood soaked bullet fragments laying in a ball of tissue.

You watch closely as Five sighs before nodding, signalling you to begin stitching him up, jerking as you push the needle in. Finishing up the last stitch you mumble “almost done” he nods in acknowledgment, silently celebrating to himself. Cutting the thread you drop the needle on the side table, standing and turning to the first aid kid, grabbing a bandage for Five’s arm, he watches you intently, you’re hypnotic. He feels almost drunk in your presence. You snap him back to reality with a smile, bandage in hand “are you okay?” You ask, noticing him zoning out. He nods, watching as you place the bandage on his arm “thanks for your help princess” you freeze for a moment, sure, your other siblings call you ‘sweetheart’ but you didn’t expect Five to call you that. “No problem” you mumble, stepping back and offering the cute boy a smile “goodnight” you say, turning to the door “goodnight princess.” He says it again, sending waves through your body, you silently leave and head for your room, blushing lightly at the nickname. “Princess”. It sounds so sweet when he says it.

#five hargreaves x reader #five hargreaves x you #five hargreeves #the umbrella academy five #uc five #five umbrella academy #number five #five #tua five #five hargreeves x reader #five x y/n #five x reader

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fivelasanctum · 4 months ago

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Everything is real

S03 ep.07 and S04 ep.06 parallel: Been doing my rewatch of the series and noticed this gem inside Lila's psyche when she was talking to Allison being reminiscent of her yelling that her and five's life in the alternate timelines wasn't real. A blatant contradiction to what she mentioned here. "This isn't real Five! None of this is real!" -Lila S04 ep.05 Events when time travelling are real and still impact you, just can happen quickly and feel like a whirlwind. She also goes to mention to have something or someone to focus on to essentially keep you sane and grounded.

Five comes in right after they have this conversation, zooming in on him as he came to fetch them for the plan. Hmmmm...xD When Five and her get lost in the subway time travelling system, her focus point is her kids. Just as Lila became Five's purpose for surviving. To protect her and try to get her back home to them. Five also became her focus point. Just secondary to their shared goal. Being together, relying on the other for survival (initially), comfort and affection. Eventually falling for each other since they can sit down and have time to see how they are mirrors of each other in many ways. Lila has shown she has mental barriers both around her heart and mind. Self preservation. Much like Five with his own control over his emotions and keeping others at a distance from all his years alone and serving as an assassin. Lila has the same trauma... with being brought up by the handler and living in the same life. She lied about Stanley to Diego as a way to test him if he would be a good father because she was scared and didn't want to be rejected. Possibly lying about being with many people to make him jealous. Mind games that she probably was taught by the Handler.

In the above images you can see that lila is a very human character with inexplicable flaws. Seeing herself far too broken to have a family and cowardly. She tends to go for the jugular to hurt when she has been harmed or upset emotionally. She goes into denial and tries to run away from her problems to a certain extent. Whereas Five has always cut to the quick with his brutal honesty. Telling her Diego loves her but also the cold truth of how her mother never did. Making her almost cry so she lashed out by diminishing his experience by calling Dolores out for what she actually was. Something to note from their argument in season 4 leading up to their return to their present timeline. He confronted her about what they shared in all those years and that the marriage was broken. Lila lies to herself sometimes and wanted to run away from having to think about anything outside of seeing her kids.

I strongly feel she said those words to Five about it being all about survival and it not being real because she felt betrayed with his lies. Even though his words weren't wrong. She couldn't say anything to his reasoning for doing it. "You know why." Still - it's true to her character. When she saw the hurt on her lovers face...think that's when most of the anger faded from her. Replaced with a sense of powerlessness, sadness and resignment. Yearning to stay there in their happiness bubble (it was still their Anniversary when all this went down) but needing to have her kids back. She appeared as though she was ready to cry because in her heart she didn't want anything to change regarding the two of them. Just trying to push him away yet can't stand hurting him. Perhaps it's difficult for her to hold herself back from that defense mechanism.

This is the look of someone eager to get back to her old married life with the kids right? Again, ready to cry with the situation weighing heavy on her heart. Think why she had tunnel vision to focus on just seeing her kids again was because she didn't want to ponder what happens next with her relationship with Five, talking to Diego...figuring everything out. Damn. This was suppose to be a short post but turned into a mini essay. In short...she was lying about what they have not being real. Just tried to push it away due to in the moment anger with the reveal.

#five and lila #lila pitts #fivela #five hargreeves #five x lila #fila #live #ramblings

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32beesinatrenchcoat · 5 months ago

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So I was going to write a detailed post describing my every thought on the last season of the Umbrella Academy, but that would have taken forever to write and read. Not to mention people here have spoken about most of those things more eloquently than I ever could. Instead, I want to mention a running theme in the show: family. That seems obvious enough on the surface considering the premise is a dysfunctional superhero family. However, each character is motivated by the nebulous concept of a family.

This has a different meaning for each main character. Sometimes it's by blood, by marriage, or by teams. Each character may have different motivations that could come in conflict with each other's. In season 3, Allison is motivated by a loss of her family (Claire and Ray), Diego and Lila are motivated by starting a family together, and Luthor is conflicted between his old family (the umbrella academy) and a new family (the sparrows).

The problem I have with season 4 is that this theme is tossed aside for no reason. They spend very little time with each other, and they seem so miserable whenever they do get together. Viktor wants to help Ben cause he's his brother, but they have no connection beyond Umbrella!Ben. Allison saves Klaus only to have it thrown in her face. Luther spends the first episode trying to bring the family together and never does it again. But at least these people tried to help. The rest of the family would rather do anything else it seems.

Ben and Klaus immediately walk away after the fight in Maine to do whatever they want. It's been shown that Klaus likes to have people when he's hit bottom, whether that's to help him or just provide company. Ben spent the entire wedding episode angry that he was unwanted. It makes no sense he would throw away several chances to be a part of a family just to be an ass.

Diego and Lila chose to have kids and be together last season. Why are they shown to be completely unhappy now? Lila always wanted a family and people who loved her instead of manipulating her. In this timeline, her parents are alive, she has children and a husband, and his siblings are all there for her. What was the point of telling us several times last season how good of a dad Diego would be to not have that shown? Even if his job sucks and his life is stressful and he misses heroism, his children should be the most important thing to him.

Finally, we reach Five. Five's definition of family has always been his siblings. He fought for them. He killed for them. So him wanting to hide away in some fantasy timeline instead of saving his family is ridiculous and completely out of character. I could believe him and Lila being stuck together and they grow close over the years. I could maybe believe some romantic feelings happened if they truly saw no way out. The problem is that they should have gone straight home once the cipher was found.

The biggest issue is that none of these arcs were absolved. Diego/Lila/Five is never reconciled either way, Allison saves Klaus again and he learns nothing from it, Ben dies a painful death again, and the children are punished for the crime of being born by being erased from reality. The conclusion to the theme of the show is not only do they cause problems in every relationship they have, but that they are the problem. The show asks, What is family? The answer: nothing that can last apparently

#sorry i know that seems that dark but i cant find a good meaning out of the ending #why are they the problem and not the marigold or Abigail and Reginald or anything else #tua s4 #tua season 4 #tua #the umbrella academy #the umbrella academy season 4 #allison hargreeves #luther hargreeves #diego hargreeves #viktor hargreeves #five hargreeves #klaus hargreeves #ben hargreeves #lila pitts #lila hargreeves

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mindful-of-ideas · 28 days ago

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TW: mention of alcohol, reader gets black out drunk.

A/N: Based on this request here by anon. Sooooooo… it’s been a while since I watched Peaky Blinders so if it doesn’t make sense timeline wise, I’m sorry. Also it’s been a while in general, sorry to have vanished without a word. Life got busy. Also I never realised the age gap between Tommy and Ada was thaaaaat big, so I kind of worked my way around it. Hopefully you still like it.

“Come on,” you said whining, “it’s one night, I think I’ll manage!”

“I just don’t want anything to happen to my little girl,” Polly said almost whispering.

You sat down by her side on the couch and rested your head on her lap.

“I promise I’ll be careful, I’ll make sure all the doors are locked and go to bed early.”

Gently, she brushed your hair with her fingers.

“You promise? With all of the arrests lately and… “

There was a long silence. Last week, they had arrested a bunch of members of the Peaky Blinders, but some coppers went too far. They had humiliated their wives, beating them in front of their children when they could, throwing them in the streets barely clothed otherwise, just in hope they knew something about their husbands whereabouts. They almost never did.

“I promise. You even could have one of the boys come around to check on me,” you added.

You hated being checked on, and she knew that. But you wanted her to have an actual relaxing weekend, it took you weeks to convince her to take a break, and mostly you wanted to have a fun weekend out.

“Alright. But you open the door for no one else, and if anything happens…”

“I keep my mouth shut until you or Tommy come and get me out, I know.”

“And he’s probably the one I’ll send to come and check on you,” she added.

You raised an eyebrow at her. You had only suggested it to ease her mind. You never believed she would actually send one of the boys to look after you like you were some little child.

“If,” she corrected herself, “I were to send someone, I would send Thomas. But I trust you.”

She kissed your forehead gently.

But deep down you knew you had to think of a backup plan in case Tommy did actually show up. Though, you wouldn’t complain too much. He too was a busy man and you couldn’t remember the last time he took a break, or the last time you even saw him for that matter.

It probably was well over two months ago, and well, the whole night was kind of a blur, a mix of alcohol and too much fun. Yet you could remember everything that led to that one night.

Polly had taken you in when you were barely five years old. Your mother, a friend of hers, had become suddenly ill, and your father, in true manlike fashion, had fled to London like a thief in the middle of the night. It didn’t take much convincing for Polly to take you in. She always told you she could never refuse your mom anything, on her dying bed more than ever. You never felt like you were a burden to Polly either. If anything, you were her blessing. This was how you had ended up growing alongside the infamous Shelby family.

Ada was your best friend, probably your only real friend too. You were thick as thieves. Polly wasn’t too fond of your friendship however. She seemed to always come up with excuses when Ada was about to get herself, and you, into real trouble, trying to keep you safe. Often, she would ask for your help around the house, mostly with Finn, who was still so young. How could you say no, you loved Finn like a brother.

You didn’t care much for the older boys, John was nice to you, beating up your bullies, but Arthur always seemed too old for you to even consider getting closer to him. He would make an effort to be nice to you, probably out of respect for Polly, but to say you considered him like a brother would be wrong, false.

Then, there was Tommy. The dark and mysterious Thomas Shelby. Has he always been like this? No, that couldn’t be possible. You had a clear picture of him crying at his mother’s funeral, birthday cards retelling shared laughters and a curved scar on your collarbone, witness to great adventures. You knew a Tommy no one else knew. Yet these memories, as he got older, turned into echoes of conversation late at night between him and Polly, where he sounded like his heart had been ripped out of his chest, whispers about girls trying to take a bite out of him and ripples of tears you couldn’t see anymore. That’s when he became the mysterious Thomas Shelby and that’s when your indocile naïve teenage heart began aching for him. But when he never stopped caring for you, you had to realise that this crush couldn’t last.

Yet he was not acting dark and mysterious that night, which was something unusual. The thought that the old Tommy could be back left your heart racing. Yet you were certain you had gotten over your crush, it had been too long to still hold on to silly hope. Now, however, the embarrassment of a childlike crush wasn’t there. The feeling was different, sharper. Ada caught you staring at him.

“Come on,” she had said, “you can go and bother him, I’ll cover for you if he gets pissed, say you were drunk or something.”

She said those words as if she knew something you didn’t. It didn’t matter though. She was right, you were drunk, and well, drunk-you wanted to go say hi to Tommy. Drunk you felt like a strong independent woman, who knew better than to be intimidated by handsome boys. You had dated handsome boys, this was child’s play. Though Thomas was a man. You had gotten up clumsily and made your way to the bar. Slurring your words just a little, you managed to start a conversation. You don’t remember much of what was said. Niceties mostly, hopefully. Maybe something about the good old days, when everything new felt like a warm and bright sun shower. Still, you did remember his eyes. How they were piercingly cold when you had started talking, yet by the end of the night they had a soft coldness to them that felt welcoming. This and his laugh. Somehow you had made him laugh and even today, his crystal clear laugh still echoed in your head.

You had awoken up the next day with a massive headache. How you made it back home was still a mystery. You remembered an Ada-like shadow leaving the pub around an early midnight and drinks still getting poured out for you. Tommy was buying, why would you have left then?

•••

There was a faint knock on the door. Carefully, you got up and cracked the door open. It was still early in the night and you started worrying that this wasn’t one of the Shelby boys behind the door.

“Tommy? What are you…”

“Polly asked,” he answered.

“She said IF,” you said, whining.

“And decided she was going to,” he said sternly, “And Polly was really clear that you weren’t to get into trouble. If I had come by later, could you promise you wouldn’t have been out?”

“No,” you thought. He was right. You let the door swing open more. You had planned on going out but had not started getting ready yet. You were still in well-worn clothes, nothing unfamiliar to Tommy.

“I’m not a kid anymore, I can take care of myself just fine. I should be able to go out if I want to.”

“I know…”

“So you’ll let me go, great! Now please get out so I can get ready.”

But he stood in the doorway, not moving.

“Was there anything else?” you asked after some time.

“I really want to kiss you right now.”

“You… what…” you said blushing, “Tommy I look like shit right now. I… I haven’t…”

“I don’t care.”

He took a step towards you, pushed the door aside and grasped your face in his hands. Gently, you pried yourself away from him. His face was still close to yours. His blue eyes looking intensely at you, you could feel his gaze examining every inch of your face. Coldness washed over you, awakening all of your senses. You were suddenly hyperaware of your surroundings and you couldn’t look at him anymore. You had to look at the door. The wide-open door. What if someone saw you? What if the cops were to walk down the street right this instant?

“The door,” you finally whispered.

Grabbing you by the waist, he spun you around and pushed you against the door, closing it at the same time.

“What about the door?” he asked.

His other hand above your head, you felt small, trapped between him and the door. You bit your lip and started giggling.

“I’m sorry, I’m sorry,” you quickly said, “it’s just…”

“Just what?”

“I know you… this just exactly how I’d imagine the dark and mysterious Thomas Shelby to act, yet it feels so strange.”

“Dark and mysterious,” he said, feigning surprise.

“You know…” you started, lowering your gaze. If he could just move back a little bit, you would feel so much more confident. “How everyone talks about you. And how I suddenly got more books when you moved out…”

“And how somehow Ada’s destructive plans always fell through?” he suggested.

“Wh-… you…”

“Yeah, me.” He said, lifting your chin gently to face him again. “Can I?” he asked in a whisper, pulling your face closer to his.

You nodded timidly. What was going on with you. This was Tommy, not some fucking stranger at the bar.

“Say it,” he teased.

“Yes.”

He kissed you, passionately. Had his hand not moved from your chin to be tangled in your hair, you would’ve bashed your head against the door.

He kissed you. And kissed you again.

You closed your eyes as he trailed kisses down your neck, all the way to your collarbone. He lingered on your scar when you shot your eyes open, pushing him back.

“What, what is it?” he asked, genuinely concerned.

“Since when?”

“What?” He tried to lift your chin up but you swatted his hand away.

“Since when… do you have feelings… for me?” you managed to blurt out.

“You always…” he started but you cut him short.

“No!” you said, pushing him back. “I mean it, since when!”

“I don’t get what’s wrong? Y/N, just calm down.”

“What’s wrong?”

Thousands of things were wrong and they hit you all at once. Right there, right then, at the worst possible moment.

“What’s wrong?” you asked again. “What’s wrong is every single men who looked at me like I was some piece of meat every time I walked into a bar since I turned 18! What’s wrong is these same men doing the same thing year after year after year and to girls younger and younger and younger than me! If you said you loved me since forever, I would feel so disgusted with myself and I… and I…”

You were hyperventilating at that point. You didn’t know why and how these thoughts just suddenly came to you. Maybe it was because this was just too much to handle, maybe it was because you’ve only dated boys, man-children, before.

“Hey, hey, just breathe, okay,” he said, gently stroking your hair away from your face with both his hands.

“Since when?” you asked one last time between sobs.

“Since the last time I saw you, something… changed,” he finally answered.

Slowly, you managed to silence your breathing and slow down your sobs.

“But, you always were special, Y/N,” he said. “Things slowly fell into place, but I assure you, I never and would never consider you as anything else than my equal, if not more.”

Blushing deeply, you tried to turn away, but he forced you to look at him.

“But you however. You’ve had a crush on me since way before.”

“I got over it,” you said defensively even though it was true. If the spark was rekindled that one night, it had morphed from a strinking lightning bolt into a raging wildfire. “But that night… yeah, something changed.”

“So, can we keep going?”

“I think we should rather start over. I think I missed a few of my cues.”

“Oh yeah,” he said, leaning back against the door, tilting your chin with the other hand. “Like what?”

“Come and find out.”

His face inched closer to yours.

“Come on, beautiful, just tell me.”

Before you could answer, he was kissing your lips again. But as quickly as he had started, he broke the kiss. You grabbed the lower part of his shirt, gently pulling him towards you.

“I forgot to kiss you back,” you whispered before kissing him for the first time.

#mindful-of-ideas #peaky blinders imagine #peaky blinders #thomas shelby imagine #thomas shelby #tommy shelby imagine #tommy shelby #don't know when this will go out #don't know why i decided on a comeback literally a week from finals #this might be just a one time thing #the muse struck me with inspiration and this had to get out

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twdgkidsdeservebetter · 4 months ago

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Everything Wrong With Umbrella Academy Season 4 (Characters)

The way it felt like someone who had never seen the show wrote this season????

The characters were AWFUL and were almost entirely new characters with all their previous character development forgotten.

Allison - Honestly, I don't like Allison (after watching THAT scene w Luther), so I really didn't care what happened with her this season. I think it does suck that she wasn't able to be happy with Ray, they were nice together. Also, no rumours? Her power was one of the most interesting out of the family.

Luther - People were commenting about how childish and positive he was being this season and how it was out of character from him being so serious. Honestly? I love silly Luther, he's such a breath of fresh air. I also like to believe that because Luther was assigned the leader of the family (being number 1 and all), he's able to enjoy himself without that pressure. Also, I also love to believe that Luther is using being positive and silly as a coping mechanism as to not be overwhelmed by the sadness of losing Sloane and also his current living situation. Giving him his gorilla body back was so unnecessary and makes no sense cause it wasn't the marigold that gave him the body.

Ben - He sucked. I hate that Sparrow Ben was the one that was dragged with them because it meant that we had to deal with him sulking and being angsty the whole time. Also, the character development we witnessed 1-2 just disappeared instantly cause of Sparrow Ben. Also, his friendship with Klaus was the best thing in the show and I hate that we never get to see that in season 3.

Klaus - I was actually so happy for him being sober, even if he wasn't living the best life because of his paranoia with death and germs. So it really sucked when that immediately went down the drain the second his body got the marigold.

Diego - He deserved better. Yeah, his constant complaining about his "belly" (which wasn't even that big of a difference??) and wanting to go back to his old super spy life did affect his and Lila's marriage, but when he realised that he immediately accepted that he was at fault and was willing to improve their marriage to make Lila happy.

Lila - I liked Lila before season 4. I don't know what they were thinking honestly by changing her entire character. Yes, she and Five were stuck for 7 years together, but seriously? That plot added NOTHING to the story because in the end, Lila chose Diego and then they all DIED like 10 minutes later!!

Viktor - Honestly? Viktor didn't really stand out this season for me. Sure, he got kidnapped by Ian Hawk. I thought the idea of him trying to remove the marigold from Ben was a really cool idea but then it just didn't happen. I thought his interactions with Reginald were decent, since it's interesting to see how this Reginald thinks about Viktor compared to the original timeline Reginald.

Five - It's honestly kind of impressive how the writers were able to make the best character in the show the worst character by the end of it. They completely changed his whole character. First, his personality is duller than a door nail. He's so emotionless and so boring. Where's the excessive facial expressions and movements? Second, changing his motivations. For the past 3 seasons we have watched him with one goal in his mind; "Save the world and his siblings". So why would Five ever possibly consider both giving that up for Lila of all people. Third, giving Five a love interest was so useless and lazy. Why would he choose a girl over his siblings? Especially one literally MARRIED to his BROTHER. Fourth, him being all pouty and jealous over Lila choosing Diego (her husband and father of her kids - no shit she was gonna pick him over Five, literally have no idea why Five even thought he had a chance) to the point where he plans to just ditch his family in the middle of a big fight. Five, him fighting Diego in the middle of said big fight. THEN, Five just gives up??? Yeah, that's probably all he could do but seriously, this is Five we're talking about, the guy who survived in 45 years in the apocalypse to try and get back to his family and save the world. Do you really believe that he would just give up?

BONUS:

Jennifer - They could introduce a new character/love interest for Ben but they didn't do the same for Five so they just gave him the only other woman who wasn't his sister???? LAZY. Also, the amount of plot holes with Jennifer's character makes me queasy.

#umbrella academy #umbrella academy season 4 #tua s4 #tua season 4 #hargreeves siblings #luther hargreeves #ben hargreeves #allison hargreeves #five hargreeves #klaus hargreeves #diego hargreeves #lila pitts #tua jennifer #viktor hargreeves

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hoperays-song · 2 months ago

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Sing Timeline

After awhile of trying to figure out realistically in what order all the Sing materials occur just due to the events we see in certain promo material as well as shorts, I believe to have a current working timeline of everything that is likely canon to the story.

I did have rules on what materials could be included which were:

Only things that visibly included the Sing Cast could count to the timeline.

Clear ads or real world product promotion does not count.

No crossovers, no matter how fun.

This is only my personal theory so feel free to disagree but it is as follows:

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Sing for the Gold

This comes first as it just shows different talent show auditionees all enjoying music and singing without really revealing much about them or the plot. But! Still all canon sing characters.

Sing 1/Eddies Life Coach

In Sing 1, Eddie mentions that his mom has him meeting with a life coach to figure out his true purpose. That could very well be Gary, as it seems to follow his training mindset, and explain why Eddie is so infrequently appearing in the middle of the movie.

Gunter Babysits

Considering how this shows Gunter and Rosita as friends, as well as Norman and Rosita going out for the night (potentially even working on their relationship by doing so), it would make sense that this happens soon after Sing 1.

Animal Attraction

Darius had already won awards by the time he was cast in Out Of This World, something that he brags about to his new castmates. This would allow him to gain that notoriety that Buster was talking about as well as be likely new in the job market when OOTW begins casting.

Love at First Sight

Just due to the nature of the short (being about romance), I typically place it around Valentine's Day as that's also when people typically start really wanting romance much more vocally. This also would explain why Johnny's clothes are still from Sing 1, as his family would still be in jail and likely still aren't having much money/are there to give him new hand-me-downs.

Sing 2

I typically see this as a little over to exactly a year after the first movie timeline wise just due to Calatonia weather being very similar and that would also have likely been about the amount of prison time the gang would have served.

For Gunter’s Eyes Only

The only reason that this is not overlapping with Sing 2 is purely how busy the cast was during the entire movie. Slipping out even for one night for a show doesn't really make sense.

It’s Showtime

The stage area that the cast is in looks different from Crystal Theatre, leading me to believe it is likely the Majestic, though I am curious on why Johnny was all the way across town.

Sing: Thriller

Judging by the Halloween Party, this is seemingly set on Halloween, so the cast likely took a night or two off from Out Of This World to do a specialty performance back home.

Happy Holidays from Sing

Now, I know this was promo for the first movie. However, since Johnny can dance in this and the group seems really comfortable with each other, I'm placing it as after them having known each other for at least a year and Johnny going through dance lessons.

Come Home

Come Home mentions that they watch the "Moon Theatre Holiday Special" every year and the kids know the cast by name. Judging by how the kids seem young, likely around five or six years old, for this to have been a tradition, it probably would have started four or three years before. So this is actually likely a fair bit after both movies.

#okay the timeline has now been made lol #tbh the ice skating dancing #especially since it was breakdancing from johnny in happy holidays makes so much more sense after sing 2 #you know when he was trained in breakdance???#and come home being a large passage of time would also explain how the theatre is so well known enough to be televised #sing #sing 2 #sing johnny #sing buster #sing ash #sing 2016 #sing 2021 #sing thriller

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esvvel · 3 months ago

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one year, two months and four days

Lila

It feels like I'm going crazy. The platforms are blurring into each other in my mind, I can't remember how many of them I've seen already, I can't navigate my memories anymore. Five is still trying to rely on the map, but I don't think it makes any sense since we've been coming back to the same stations over and over again a few times; or maybe they were different and I just didn't notice… I found this weird (as if anything in this shithole could be normal) old-fashioned radio. It only gets one station with only one song playing 24/7 and it only works if you hang it right under the ceiling. But it is the best thing in this purgatory. It plays music, FUCKING REAL MUSIC. If Five is right, it's been at least a year since we got lost. And since then, it is the first time I can listen to something other than his boring lectures on the art of apocalypse survival or the subway announcements delivered by that hellish robotic voice in an encrypted language; sometimes I'm not sure which pisses me off more.

one year, two months and five days

Lila

Spent the whole night listening to this song, it made me think of Gracie and the twins. Looked like even this old man was glad to find something that reminded him of a real, normal life. We had to move on and leave the radio behind. If we see it again we'll realize we are going in circles, and anyway I’m pretty sure it wouldn’t work in any other timeline. We danced. Like that time at Luther’s wedding. Didn’t expect Five to be able to do that sober actually, which makes me think I’m not the only one going bananas here. I don’t know why I did it, why I keep pretending that things aren’t as bad as they are. I know Five’s right, fuck he’s right most of the time. But I can’t just admit that we’re stuck, that we’re completely lost, that I’ve come a lot further than I thought, that it’s all my fault. He’s never directly blamed me for any of it, but we both know the truth. And I can feel that we’re almost home, we’re so close.

It has to be that way.

okay there are a lot of words 😭 i've never written anything like this before so i hope this isn't too bad lol, i just wanted to give these sketches more context and yes they are highly inspired by harry and hermione's dance scene in deathly hallows (i love that scene so much). you can think of it as Lila's internal monologue or maybe she has some kind of journal(?) where she writes her thoughts while being in the subway to keep track of events. i have a LOT of headcanons and ideas for more fivelila sketches like this so maybe i'll make a series out of this if you're interested!!

#fivelila #five x lila #fivela #five hargreeves #lila pitts #the umbrella academy #tua s4 #lila x five #Spotify

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mozart-in-a-gokart · 4 months ago

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My Thoughts On How Five Could Have Had A Romance In Season 4 That Doesn’t Involve His Siblings Or Lila

You guys voted for it so…

Here it is! So far it’s been an overwhelming majority telling me to share so here you go! There’s only two ways IMO that the introduction and execution of giving Five a love interest could have been done well.

I’ve never taken a screen writing class and this all may sound very fanfictiony. For that I am sorry. This is the first time I’ve actually posted a full rundown of a character that I’ve created online for people to read about, consider, and discuss with me! Also This post is so VERY long. I MEAN IT. I will not make you scroll through it if you aren’t interested! More below!

You can scroll down if you don’t wanna read any of the introductory info. It makes more sense if you do though. Your life though man! I’ll have it separated from the actual story bits!

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!Start of Introductory Information!

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Basic Character Information

I have given both love interests neutral names and tried to be as gender neutral with how I’m writing this as possible.

I am fully FOR the idea of Five being an Ace or Aroace icon. I adore his character and fully embrace all variations of him. (That being said I wish I had the ability to shove the home wrecker version of him we received in season 4 underwater and hold him there until I see the bubbles stop.)

Both of these options for love interests can and are intended to be open to being ace or non-ace regardless. These are just ideas that can be tweaked!

Also If you all like these I am debating writing either of the options into a few one shots? However, If you all hate them I won’t. (If you like anything you read in here I fully encourage you to use bits of it if you like the ideas. I love seeing people write stories and come up with their own versions. You all inspire me and helped inspire these characters!)

Both these versions of love interests would have bits of common background.

Both of these variants would start off as someone that he is established to work with at the CIA. (These organizations do not just let people do whatever they want whenever and with whomever they want.) They could have written it similar to season one with Diegos relationships. How Diego had this established life in an organization that he left. Diego established ties and interpersonal relationships with his coworkers which is not out of the norm. Acquaintances, Friends, rivals. All normal things that could develop between Five and a coworker similar in age to his physical body over the course of a SIX YEAR PERIOD.

Both of them will always take Five at his word. Neither variant of love interest would distrust him. Both know he’s not one to beat around the bush. If he says something he means it. Five is a blunt character regardless of how tired of all the work he’s doing all the time. This is an established character trait of his. The love interest would be USED to how BLUNT he is.

To Establish Age And Timeline: Five is stated to be in a 13 year old body in season 1 and that ends in April. Seasons 2 and 3 happen over the course of a few weeks for him. Then season 4 happens and he’s about 19 physically. I’m pushing season 4 so it’s more like a 7 or 8 year time-skip instead. Having Five be in a relationship like this ace or not at physically 19 is just odd for me. It feels wrong. So in order to make a romance work in this situation you’d need to push it further down the timeline. Make Fives physical age 20 or 21. It makes the audience feel better about seeing him involved with someone, Ace Or No Ace, and it allows for more wiggle room when they explain he’s now working for a government agency. People would be more inclined to believe he’s allowed to work for the government because he’s at the very least physically an adult man now. (Aiden Gallagher is 20 years old so him actually playing a 20-21 year old Five is not out of reach) — With that in mind both love interests would be the same physical age as Five and were recruited to the CIA because they were prodigies in their respective fields, but they went through training and recruitment with Five during the 7-8 year period we don’t get to see during the start of season 4.

This bullet is just so you understand some of the choices I make later in my run downs: Five has always just kind of done what he wants and gone where he wants so I think there’s a great opportunity for a running gag or even just a fun plot point about how in order to keep tabs on Five both love interests have their own special way of tracking him. (Explanations further below)

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!End Of Introductory Information!

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The Actual Characters

1—: Optimistic Opposite Partner : his handler researcher he always calls, personable, soft, NEEDS approval, and a prodigy

For this post let’s refer to Optimistic Opposite Partner as, Ash

2— Pragmatic Mirror Partner : his work partner, stubborn, practical , dry, Hot headed, and always left out

For this post we’ll refer to Pragmatic Mirror Partner as, Morgan

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Both Ash and Morgan would highlight different aspects of Five’s character in, at least from my point of view, very delightful ways. I think characters like these would be a great addition to the story if we got more episodes to insert them and add more interactions with All of The Umbrellas. For now however I will only be inserting them into the story that we got so there’s less interaction with the whole Hargreeves family. I will however do what we all know is right and disregard the cannon ending. I will be writing this under the assumption that the show would end how I detailed in my previous post where I detailed how I thought season 4 should have ended. That post can be found HERE.

Another Note: I’m not writing fully fleshed stories just bulleted versions of arcs and scenes I believe would have been better than what we got. Specifically and mostly following the “lost in the subways among the timelines” bit.

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Main Key Ash:

Five - Blue Text

Ash - White Text

Diego — Green Text

Lila — Pink Text

Luther — Orange Text

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THIS IS WHERE THE ACTUAL STORY BITS START

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Ash

They are the cute and fun character that eventually gets pushed a little too far.

They are the person Five is calling at the CIA every time he needs background research done. And I mean every single time.

When you think of this dynamic think Varric and Zhu Li From LOK mixed with a dash of Garcia and Morgan from criminal minds. Ladybug And Maria from Bullet Train.

The first time we see them is when he gets out of the meeting with his boss in that first episode. Maybe Give goes to his office and there they are set up across from him with a quirked eye brow.

“So how’d it go? Wait let me guess? Not well?”

“I really don’t need this from you right now Ash.”

“Too bad.”

“You know what I really need is—“ he stops as the camera focuses on a to go cup of coffee steaming on his desk already.

“Why did you—“

Ash gets up “I figured you’d need it. You got a party to get to. Lots of screaming kids.” They wave as they walk out the door. “If I were you I’d chug it! Have a good night!”

We see five irritated beyond belief silently indicate that Ash has a point, pick up the cup and drink from it with no hesitation. In one scene we establish that at the very least Ash knows Five very well and Five seems to trust Ash because he without hesitation accepts the coffee and takes the advice to chug it.

Ash Tracks him through his phone. He has a government issued one. It needs to be used like this because as we saw in the show in other seasons, Five just goes where he wants. He did that when he had powers. He does it now. As his research assistant THATS EXTREMELY FRUSTRATING. A scene that could happen is

“I can’t believe you’re in ‘New Grumpson right now.”

“I told you to stop tracking me.”

“How else am I supposed keep tabs on you Five? You never tell me where you’re going. What am I gonna do when you need back up? Just throw a dart at a map and hope I’m right?”

“Look can you just send me the file I need”

“I can’t just fax it anywhere it’s classified.”

“It’ll be fine just—“

“Too late I’m already here.”

Five gritting his teeth and looking up to see them getting out of a car waving the file at him. His siblings are there and it’s amazing for them and us as the audience to watch Fove unravel in front of us. We feel like an older sibling watching him be pushed around by someone he can’t retaliate against. Five shakes his head and just takes the file from them. If done right this interaction could be something that feels like it happens every single mission he goes on at some point.

It’s obvious to everyone else that this person cares about Five deeply already, but Five just kind of takes them for granted. He doesn’t not care about them. He just doesn’t realize how much he relies on them. This is communicated nonverbally through the show in the CIA building. (Ex. Like when he’s in the office and in the middle of explaining something and walking Ash is anticipating and handing him things to help him make his point before he realizes he’s going to need them. They’re his bubbly little shadow at the office. There could even be a scene showing this if it wasn’t 6 episodes and 10 instead. At some point Five is at the office and he reaches to his side or in front of him and he doesn’t even realize there’s nobody there with him. Like there’s a shot of their usual desk in the corner exactly as it was the previous scene when Ash left it. They aren’t here today and they are always here. It throws him off. We get to see him be a little taken aback by it.

Ash gets pulled into the Cleanse mess because they bring him a file in the Christmas town and get caught up in the gun fight.

Five tries to blink them out of the fight and they both end up in the subway.

Personally I like the idea of Five getting on the train and the door closing before Ash can get on. The train leaves and Ash tries to run after the train but is too cautious to try following the tracks. They don’t know how to leave the station and they don’t wanna abandon Five, so they’re just kind of stuck there. They walk around the platform for a few minutes and end up sitting on the bench and just as they do the train rolls back into the station. Five walks off the train having done what he does in cannon, albeit a little more unnerved. In the other timeline he gets off the train at the next station and leaves the platform. He discovers it’s an alternate timeline. He gets back on the train and goes back and gets off the train in front of Ash. He’s been gone for ten minutes almost but it was only 5 minutes or so For Ash. Ash sprints at him. Five is surprised to be hugged by Ash and hugs them back for a second before they quickly lets go and hold each other at arms length purposefully. Five doesn’t even let them speak. He just cuts in before Ash can and tells them how its alternate timelines. At this point there’s no use in hiding it from Ash and they’re here in the subway with him so they ought to know.

Ash is more spiritual and fate oriented as a character. They take Fives abilities to blink specifically to the subway as a sign of it being important. Lila still convinces Five to check out the subway again and they do. He encounters himself. They both come back, and Ash is the one whose been looking into The Jennifer Incident File for Five. He meets them at the office and they fill him in on the file.

Ash is the one who gets him to really think about Ben before he goes to Reginald’s mansion. They comment on the file explaining

“This is a somewhat biased account, I’ll give you that. It’s the guys you were fighting against so there’s always gonna be an amount of “he said she said”. But the guy who wrote this seems to be blunt as hell. Very factual presentation of everything. No punches pulled about how badly he fought or how his team failed to achieve goals.”

“What are you saying?”

“What I’m saying is… History is written by the winners Five. I don’t know your dad well. Hell I don’t know him at all, but I gotta ask… Is he the kinda man who would lie about this stuff? Is he the kind of man you could trust to tell you how you actually won? What do you remember?”

Five squints at them. “Nothing… I wasn’t there… but it’s an interesting thought.” He gets up and walks around to Ash’s desk.

“I try.” Five starts to leave and ash calls out after him “I’ll let you know if anything develops on this end.”

Five waves the copy of the File at them in aknowledgement and disappears out of the office door

Ash comes out with them to the Alpaca farm when they get the call about it. They’re standing with Five And Lila when she tries to convince Five to go back to the subway again. Five agrees he’ll go and take a look but not with her. This irritates Lila. Ash tries to level with Lila and this annoys her. She snaps that it’s none of Ash’s business and to stay out of it. Lila snapping at Ash is Five’s cut off. He tells Lila she isn’t coming with him to the subway because of her attitude right now. She’s acting way too impulsively right now and he’s not going to risk that. She needs to take a breath go regroup with Diego and Luther. Keep tabs on them. Lila is irritated by this and storms away. (This may be out of character for her but I truly have never understood Lila as well as other characters. I’m so sorry.)

Ash asks if they can come with. Five is about to ask them if they’re serious? He just denied Lila why would he bring Ash? Ash says that they’re just curious about this all honestly. Plus it’s always better to bring someone to watch your back. Five reluctantly agrees because Ash is right. Plus they’ve kept a very level head through all this. If something happens he can just bring them home. It’ll be fine.

So he brings Ash with on that second run to investigate and everything with the sparrow academy timeline happens.

Then as we know they both end up getting stuck.

They roll past their stop.

“Five? Wasn’t that our—“

“Stop? Yes. Yes it was.”

The montage of what happens down there wouldn’t really be a montage it would be an entire episode or at the very least half of an episode dedicated to following them over the course of these six years. (If it was a montage though, the song I feel like that would be amazing in vibe and fit would be “You’re Dead” By Norma Tanega)

We would get a lot more scenes above the subway when they’re looking for supplies and gathering information. Fighting things that are on the surface in these other timelines.

This version of Five is one who is coming at the fact he’s stuck in a never ending nightmare universe like this again as if it’s a personal slight against him. Like of course, of fucking course it happens to him again. OF COURSE. When his family needs him this happens AGAIN. (It’s a very self centered way of looking at it. The fact Ash is there and also dealing with this is not even on his radar at first. Ash's feelings about this don’t even register to him until later because as a defense mechanism he’s automatically slipped back into ‘survival apocalypse’ mode. ‘One problem at a time’ mode. ‘This physical problem in front of my face is what I’m focusing on’ mode. we can tell when he finally picks up on Ash's feelings about being stuck here but he doesn’t say anything to them about it. His character has never been good at approaching people gently and while they’re in survival mode gently isn’t really an option.

Ash is obviously so scared about the fact that they’re trapped there and don’t know how to get home. They just don’t want to show it. They put on a brave face the whole time and we watch it crack.

Ash can seem to sense Five’s irritation and just slips into doing what they do best. Following Fives lead.

So Five makes a plan. They are both agents for the CIA so they both should be able to survive out here. They both spend months staring at the map terminal and physical map, trying to decode it and it gets more and more frustrating for five. But Ash is trying their best to stay optimistic on purpose. You can tell it’s somewhat forced but still somewhat genuine.

Ash is also doing what they do best. Assisting Five. But at the beginning it seems like it’s much more difficult. Apocalypses and time travel aren’t anything they trained for. Plus their survival training was minimal since they joined the CIA as an analyst not a field agent. They aren’t sure what Five needs. There are moments we see Five hold out his hand out of habit and Ash just stares. They don’t know what he needs and it’s unsettling for both of them. Five realizes he has to reach Ash what they need to do out here and you can tell it’s irritating to him.

A full year passes and Ash's optimism seems to fade but they’re getting better at knowing what needs to be done to survive in the subway. They get better at anticipating things that are needed. When they talk Ash's smile doesn’t seem to reach their eyes as much. Five doesn’t notice this still. Five always seems slightly annoyed that Ash is always so upbeat.

Year two you can tell the smile isn’t barely real at all but Ash still pokes fun at five along the way. Ash is the one trying to keep them both feeling human. They have to force Five to do things like wash clothes, eat, sleep, comb his hair. Five is visibly irritated by it. He doesn’t want to be dragged away from the problem but he always begrudgingly acknowledges that Ash is right.

It’s around the middle of year 3 that they both break. Ash offers to help five shave (similar to how Lila does in the show) because he’s doing a god awful job of it. He hasn’t had to do upkeep like this since the first apocalypse and even then he just let his beard grow out then. We see Ash in the “mirror” Five is using to shave and even he can tell the smile is so forced it hurts to look at. Five glares at them and breaks his silence. He snaps at the about how shaving isn’t fucking important. Getting back home is important. At least when he was alone before he didn’t have to worry about some chipper chipmunk of a person following him around like a lost puppy. He berates them about the fact that they’re so chipper all the time and how irritating it is when all he needs to do is work. He Berates them for trying so hard at it. Why won’t they just admit that this all sucks. It’s awful. He wants Ash to get mad. He wants Ash to blame him. Ash needs to blame him. He implies that Ash doesn’t seem to care at all about the fact that they’re stuck here and that’s when Ash snaps back.

Ash isn’t smiling anymore. They go off at five about how much they care and how selfish Five has been. They know this isn’t a game. They understand the stakes. Theyre trying so fucking hard he has no idea. They’re just trying to keep it together because of they don’t they’re gonna go insane. (Essentially they lose it at him and tell him how much of a selfish prick he’s being.)

The two end up screaming back and forth at each other all sorts of things that devolve into nothing insults about little things that have annoyed them about each other (we as an audience get an insight into how well these two really know each other with how insanely specific some of the stuff is)

“At least I don’t gag when I skin a rabbit!”

“Oh I’m sorry apocalypse boy? Does my lack of enthusiasm towards skinning small animals upset you? I’m so so sorry you dad never let you have a pet rabbit! But some of us still—“

“Yeah, yeah, I remember your pet bunny. You’ve only mentioned sir pumpernickel 300 times. Im sorry you used to love one 👏🏻but 👏🏻we 👏🏻have 👏🏻to 👏🏻eat👏🏻this 👏🏻one 👏🏻to 👏🏻live👏🏻 so stop gagging and get it done.”

Ash then says something along the lines of “ You know? You talk about your ‘dad’ and you pretend you’re nothing like him, but you act exactly the same. Pompous and arrogant. So wrapped up in your need to stop the apocalypse and ‘save your family’ that you don’t give a shit who you hurt to do it!”

With that Ash storms off out of the station to whatever world they’ve stopped in.

Five is stunned by what they’ve said and lets them go still half shaven.

He turns back and tries to keep shaving and after a few minutes he realizes what he’s said to Ash.

He stops shaving and washes his face off. He goes up after them. He finds them washing clothes in the river he sits next to them.

Five helps them finish washing clothes. It’s silent the whole time. They bring clothes back to the station he offers Ash the barber knife. It’s an olive branch. Ash takes it.

We then get the shaving scene but it’s Ash and Five. The scene is silent save for the scraping of blade against skin. Then Five speaks.

“I’m sorry.” A pause. “For saying all of that and for treating you like—.”

“It’s okay. Stop talking, or I’ll end up cutting you.” More quiet scraping.

Five waits til Ash is finished shaving him and wiping off the knife before he speaks again. He says he’ll do better.

“Yes, yes you will.” There’s another pause “or else I’ll only shave half your face next time.”

This is the first time Five cracks a genuine smile in YEARS. Ash smiles back. There’s a renewed sense of understanding. A silent deal is struck essentially. Be kinder to each other in this.

The next two years we get scenes that are more gentle between the two very similar to the ones we get in the actual show. Five is more open to teaching Ash things about the worse parts of hardcore survival. Which in turn helps Ash feel more useful and lightens the load on Five. He can trust them to handle themselves more.

We watch them Slowly moving closer too each other over the course of the train rides. Falling asleep with heads on shoulders. Cooking for one another. Interspersed with scenes of them just entertaining themselves with the other. Reading from books they find in these universes. Playing chess together, cutting hair, sewing up cuts. Light Play fighting in the rivers they wash clothes in eventually leading to the sixth year five months two days conversation.

It happens just after a scene where we watch Ash set Fives Broken leg.

That’s RIGHT the reason they end up in the green house is a legitimate reason in this one.

Five loses his footing hunting in a previous scene and falls down a hill. He blinks and lands haphazardly on rubble in the subway startling Ash who has to immediately jump into action and help.

Ash after setting and wrapping Fives leg tells him that he needs to rest. They have to settle somewhere and let his leg heal. Five doesn’t want to stop but has to concede that Ash is right. Ash starts packing up the camp and they brainstorm where would be the safest place to rest. Five brings up the greenhouse.

“The one with strawberries and that fun little office room?”

Five nods. “It was pretty clean and there was a desk there. I can still work on figuring out this subway while I’m bedridden…”

Ash rolls their eyes at him. “Like you’ll actually stay in bed once I make you a set of crutches.”

Five glares at them as they finish packing things up.

“Don’t be such a baby. It’ll only be for a few months till you can put weight on it. We aren’t giving up.”

And here’s the big change from cannon. THEY DONT GIVE UP.

They do rest there. Five recuperates there. He’s the one messing rolling about in a chair scribbling things down in a notebook while he messes the strawberries in the greenhouse. Ash goes Hunting instead.

They do have their cute little cottage core moments but they don’t give up. And it’s not in the green house that the strawberry throwing happens. It’s a basket of clothes that Ash brings in while five is WRITING IN THE JOURNAL trying to decipher the glyphs from the subway.

Ash throws socks at five instead of food. That conversation about winter happens and Ash DOES FALL but it’s into the handmade wheelchair that Five has been using while healing.

Five is always holding a notebook in his hands. I cannot emphasize enough HE IS STILL WORKING TO FIND HIS FAMILY.

THATS when the kiss moment happens.

“Was that not okay? I’m sorry. I know this isn’t the time—“

Five cuts them off with a kiss again and that’s answer enough.

They don’t ask if it’s weird because ITS NOT. They are two people with and established back and forth coming together in this moment.

Five finds the journal on one of his first trips out since his leg has healed enough to walk freely. The dinner is an anniversary dinner but more so to celebrate his leg healing. He shows it to Ash IMMEDIATELY. There is no fear of returning and losing them to someone because Ash is not married to his brother. 👀

Ash and Five end up staying in that greenhouse together while they make sure the journal is legit and figure it out together for a few days.

They finally figure out how to get home using it.

They wait a week to gather supplies to help them to continue on in case the journal screws them over and they got it wrong

Before they leave green house they have one last candle lit dinner and say good bye to it. They leave it all set up and all their things strewn about. Because the things don’t matter they’re going home together and there’s no question of will this last after they’re home because they don’t need to question it. Of course they are. It’s the same as Diego and Lila in season 2 and 3. There’s no questioning it.

They will stay together.

We get a fun scene at Lila and Diego’s house with the whole family talking about everything but Klaus is staring at Five and Ash. He is looking them up and down because they aren’t wearing suit jackets and pants anymore. They’re both in casual. Five is wearing his sweater vest and Ash is wearing jeans and a flannel. Diego calls it out.

“What is this then? No offense to, Ash, right? But why’re you here?”

“I vaguely recall asking you the same question about lila back in 63.”

“Lila’s different”

Lila has picked up on what five has indicated and his body language

“Not sure how different the situation is Di.”

This is when everyone on the couch picks up on it. Allison and Klaus immediately react silently. Klaus open mouthed impress and shock Allison bewildered looking at Ash for confirmation. Ash maybe makes eye contact with Allison and looks away a little embarrassed.

Diego looks at Lila confused “what do you— wait— You’re!” Diego accusatorially pointing a finger at Five. “Since when?!”

“My love life isn’t important right now Diego”

Only when Five says this does Luther pick up on it. He’s got a look of bewildered awe on his face and He looks right at Ash and addresses them.

“Wait, you two are dating?”

Klaus and Allison gag on their water like we got in cannon.

Ash looks like they truly have no idea what to say and five holds the bridge of his nose.

“Really not important right now. Can we get back to what’s important? Like the apocalypse? namely Stopping it?”

They continue their regular conversation about stopping the apocalypse

All of them leave and pretty much everything that happens leading up to my version of the “Cleanse” happens

These next bullets happen in the universe where my version of the ending is cannon once again you can read it here.

They have a meaningful moment on the subway after they’re all speeding away we get him asking them if they regret knowing him. Knowing what was gonna happen. Ash looks at him funny then says they could never.

“Besides. If we do get to live whole new lives… that means you still owe me all the years that we would’ve gotten in this one. Also a pet rabbit. You owe me a pet rabbit too.”

Five laughs “Of course.”

Five is holding them closely when the train hits the reset point.

The next we see them both is when the I detailed as his wife in the polkadot blouse comes walking into the classroom. Now Fives spouse in the true timeline, full name Asher Delores Murphy (Male/Female/ Or Nonbinary) Also PHD is wearing dress pants and a polkadot button up shirt

Maybe in the scene where they’re gathered around a tv in the physics building we see a rabbit cage in the corner. Five got them their rabbit that he owed them.

That’s Ash character arc. Five never stops looking and he falls in love with a character who is always willing and able to meet him where he’s at. Match his energy. Understand him without having to say anything to him. Someone we get to watch learn and teach Five to not shoulder a burden alone. Someone who carries the weight of the world alongside him, while simultaneously bringing out the human side of him that we as the audience rarely get from him.

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Morgan is Different. Morgan is more one sided rivalry to realization that it was actually just tension all along. Fighting with him and being on his side and willing to go down with him in the end.

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Main Key Morgan:

Five — Blue Text

Morgan — White Text

Lila — Pink Text

Klaus — Purple Text

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Morgan

They’re one of the CIA’s newest recruits and very similar to Five from season one. Also a prodigy.

Desperate to prove themselves

They don’t understand why Five keeps getting sent out into the field and they’re being denied the opportunity

“We’re the same age! We have the same experience! We’re technically partners! Let ME try for once!”

Five almost seems to pity them at first which absolutely infuriates Morgan

The first time we as an audience are introduced to them, is when they’re the one who comments on Fives lateness instead of the blond bespectacled operative we aren’t even properly introduced to in season 4

Five doesn’t need to have his suit handed to him he already has remembered it and is wearing it walking in the building.

Morgan is leaning against one of the pillars and they are quick to fall in step with five on his way.

“You’re late.”

“I am aware.”

“If you were aware, you wouldn’t have been late. Do you even know how to read a clock?”

“If anyone is gonna lecture anyone about time it’s me. I’m certain I know quite a bit more about how time works than you do Morgan.”

“Oh really? That’s interesting because last I checked, when you decide on a time to meet and a person gets there after that arranged meeting time, it means they’re late. That’s how time works.”

Five just sighs his defeated sigh and ignores them

He used to deal with worse from his siblings when they were younger. He’s completely fine with this. it’s almost welcomed by five it’s nostalgic for him in a way(the fact he’s never completely phased by the jabs you can tell is infuriating to Morgan)

At the last minute Morgan stops Five before he opens the office door and makes five look at them

Five has been wearing that gross mustache the whole time they’ve been talking

Morgan rips the mustache off Fives face and Five recoils

Morgan makes a quip about the mustache before pushing open the door and five walks in with them scowling

There could be a small bit where Morgan could also be suspicious of Five not checking in when his brother is kidnapped

Morgan is also in the room when Five blinks for the first time in eight years in their shared office.

We can tell what Morgan’s space and what’s fives space. Five’s is overly organized with books of mathematics strewn about and a chalk board covered in equations. Morgan’s side is covered in puzzle books. Sudoku, word scramble, decryption puzzle books, anagram puzzle books, books on linguistics, cryptograms. Notebooks with sticky notes just sticking out of every page. Morgan is obviously clever. Curious, a puzzle solver. Needs a challenge.

They just turn around and Fives just gone. They are fucking baffled. They think he walked out in the middle of a conversation. Rude!

Morgan leaves to get something and they come back and Five is falling into the chair bewildered and starts to keel forward.

Morgan is once again baffled. Then their face pass through a few emotions. Starting with irritation then suspicion And finally landing on concern

“I thought you’d left. In the middle of a— Are you alright?”

“No. I don’t think I am…” Five gets up and grabs his jacket and says he’s taking a sick day.

Morgan is absolutely taken aback. “A— You’re? Okay?”

Five ends up doing his thing and driving with his siblings up to New Grumpson

He calls Morgan from the pay phone and has them look into Sy Grossman and Jennifer Grossman

We watch it play out in a vertical split screen.

Morgan gives him the information but you can hear them just before Five hangs up

“There’s no one listed living in New Grumpson under those names Five. Are you gonna—“

“Thanks Morgan. Gotta go”

“Wait! Five! I’m your partner! you can’t just—“

Click.

The audience sees Morgan is slamming the receiver into the dock of the phone over and over again. This happens while the screen transitions Morgan off screen and focus back on Five

Everything that happens in New Grumpson still happens

Five ends up in the subway and comes back

They escape in the van and get into an accident

Five calls again and we get another vertical split screen. This is the call about running the Chrysler and Morgan is sick of this after Five hangs up this time. Instead of lingering on Five we linger on Morgan.

They’ve run the address and they message it to Five but instead of just leaving him to it that first time they meet him and his family at Gene and Jeans apartment.

Five is irritated but Lila doesn’t seem to care and Diego is trying to be cool for Morgan because they’re also from the CIA

Diego leaves and while Morgan is investigating something on the other side of the room Lila asks the blink question and they have that conversation with Morgan in the room.

Morgan doesn’t know what blinking is but it’s something they latch onto because Five can’t do it.

“What is it five? What do you mean by blink? You have to let me in! I can help!”

they’re poking him when Lila says to get back on the horse and grabs Five.

“Don’t!”

All three of them end up in the subway

Morgan is absolutely horrified and nearly throws up

“Oh my god! What did you do?! What is this?! Am I in hell? Is this 9-5 commuter hell?!”

Morgan is visible my freaking out in the background while Five and Lila argue about what she’s just done

Lila doesn’t care she’s just kinda whatever she doesn’t fully work for the CIA like Five does, she’s just doing it to feel alive again , same as Diego wants too. (look at that they’re Diego and Lila are husband and wife and they want the same thing? Who’da thought it?)

They are straight up just going to leave Morgan on the platform as when the tarain pulls into the platform (Morgan is not part of the family yet they are tagging along at this point.)

Morgan doesn’t wanna be left alone so they jump the train with the other two.

“Where you going to leave me there?!”

Simultaneously “You’d’ve been fine.” “Yes.”

“We’d have come back for you…”

“At some point”

“Probably”

Morgan glares at them both and is silent pretty much the whole rest of the trip. Lila cracks a joke at them about their crack about ‘commuter hell’ but Morgan scowls and ignores her

Five comments on how Morgan is taking this remarkably well. Morgan’s response is very curt and the only real response they give for a while

“I work for the CIA. Secrets are what we do. I will ask you more questions about those secrets when I’m no longer trapped in a weird freaky subway with you.”

EXTREME FORESHADOWING.

“You aren’t trapped. Trust me. You’d know it if we were trapped here.”

Everything happens like it did before with the breadcrumbs commentary and being shot at by OG timeline Five

Morgan and Five deal with being shot at like pros and Lila is as she was in the show not the best at it and they all get on the subway. Lila is last this time.

They come back to apartment they blinked out of and learn about the file. from here on out Morgan refuses to leave Five alone.

Morgan comes with to Reginald’s house. They’re there for the conversation about Ben’s death and the mind control.

Five has obviously filled in some details on the way and Morgan is able to deduce details themselves and provide an outside perspective

All of the siblings are a little weirded out by the fact Morgan is there. They ask who Morgan is and Five tells them that Morgan is his partner. (This could be the fun start of a joke where Five NEVER elaborates on that word and all of the siblings are like what does he mean by Partner? But all of them refuse to ask because they know he’d never tell them.)

Reginald, Diego, and Allison I think wouldn’t appreciate Morgan being there but Five would actually stand up for them.

I don’t know how he would or what would be said but it feels like it would be a weird kind of turning point for the trust between the two

Then finally they get to memory machines and I’m not sure if he would let Reginald restore his memory or not. (If he did I think he’d tell Morgan to shoot Reginald if this looks like it’s going bad. And Morgan would respectfully agree to.)

Everything happens like normal and they get called out to the Alpaca Farm Massacre site where Ben murdered all those people

The conversations are the same including Lila convincing Five to use the subway except this time Morgan is present for it

Morgan Volunteers to go with instead of Lila

“I have the training. I think It would make more sense for me to go.”

This is when Lila snaps. She, like Diego, wants to be important to the mission but it’s more subtle than Diego. She doesn’t just wanna be a mom but also a bad ass and this subway stuff is scratching her itch and filling her need of getting out of the house and away from Diego for a bit. Morgan is threatening that.

“How on earth does it make more sense for you to go? I was raised an assassin and what are you some CIA puppy? New recruit Wanna prove yourself so badly? Think you’re tagging along on a fun adventure? It’s not fun. It’s life or death. I have way more experience with that than you’ll ever have.”

Five is staring at Lila a little taken aback at the outburst but Morgan is impassive and gentle in their response.

“i recall how dangerous it was Lila, but unlike you, I don’t have any family. I am, for lack of a better word expendable. If something happens Five can leave me behind and come back to let you all know that route is bust. It makes more sense for ME to go with him.”

We can focus on five and Lila’s reactions to this response. Lila seems embarrassed and agrees respectfully that

“yeah um yeah sorry no you make a good point. I gotta report in anyway.”

(I’m so sorry every time I try to write for Lila I feel like I’ve written garbage for her. I’m so sorry. She deserves better than me.)

Five doesn’t say anything to Morgan about that but you can tell it’s struck a cord with him. He doesn’t like the idea of that. Of Morgan thinking they’re expendable.

Diego walks over to Lila and they converse same as before while Morgan and Five walk over to their CIA boss they have the same conversation about babysitting Diego and Luthor maybe this time also Lila.

Morgan maybe mentions talking to Lila and Diego seriously about joining the CIA.

Five is once again taken aback by how considerate Morgan is being.

Everything happens leading up too Morgan and Five walking into the subway and just before they do five asks if Morgan is sure about this. Morgan agrees that yes they are.

“Field work like this is why I joined the CIA. I wanted to do big things and i don’t think it hets much bigger than trying to work out how to use an inter dimensional subway station to save the world from devastation.”

Five nods his head in a conceding motion and he blinks them into the subway.

When they get there Morgan pulls out a little book from their pocket and starts writing down more of the symbols from the walls and train.

We get a conversation about this where Five asks Morgan about it, and says he recalls them doing the same thing when they were on the subway earlier.

Morgan shrugs and explains that they’ve always enjoyed word puzzles.

“I’ve always thought that Decryption was just a more fancy way of saying puzzle, and you know how great I am at those.”

Five makes a sound of concession once again and we get our first real grin from Morgan. Morgan isnt being hostile this time and it’s shocking.

“Besides! It’d be good to figure out how to read what’s written on the walls. Could be helpful and it may be the key to understanding this place and why it’s here.”

Morgan is trying to be fun and interesting because they’re excited. They’re is excited that they’re finally in the field. That’s all they’ve been asking for. They just wanted to be allowed to try.

As the two board the train we hear Morgan comment out loud about how alien the symbols look. They aren’t typical symbols like other symbolic languages. They maybe comment on certain similarities to other ancient languages that are dead that scientists haven’t been able to place but that they’re still different. Gosh they wish they had their textbooks to study this better. That’s fine though. This note book will help when they get home.

After that the same things happen that Five did with Lila in the other timelines on this excursion with Morgan. (I.E. Traveling back in time in the sparrow timeline and all that with Five exasperatedly saying they aren’t going to wing this and it was a terrible idea. He’s immediately calling the mission and saying it’s a bust.)

Morgan runs into the train with him and tries to convince him that it’s fine! They can’t quit after only one attempt.

They’re having a back and forth about this still on the train when the train passes their stop.

Five notices and has to quiet Morgan

“That was our stop.”

“What?”

“We just passed our station.”

“What do you mean what’s—“

The PA comes on and we hear garbled reversed speech and then “express”

Simultaneously “Shit.” “Shit!”

Instead of just a shot of the tunnel flashing green we get a shot of them inside the train looking at one another and both look shaken

“Five?”

A flash of green and we move on

Then it’s same thing as before we get a montage of the two losing their shit at one another over the fact that they’re lost. Which similarly to the other love interest before eventually the becomes mutual respect, care and love for each other.

It’s different from the previous love interest because they’re both “trained” as field agents. Both would have survival skills except one of them is also trying to solve an insane decryption issue at the same time.

While we watch this version of Five trapped in the Subway with Morgan it becomes clear to us as the audience that we are essentially watching the same thing we did in season 1, where Five was trapped alone, but with two people instead. In this case too we realize Morgan is taking on Five’s role from the original timeline. They are the one who seems to feel this intense drive to understand this particular problem. Five having done this all before becomes the Delores of the two. A support system. Always Helping and trying to keep Morgan sane. He recognizes and feels like he’s watching the same thing happen to Morgan that happened to him in season 1. However this time the key to understanding this isn’t something he can solve with mathematics. It’s words and he’s never been great with those. Sure, he can speak plenty of languages, but he’s never had to translate an entirely new language from scratch before. Morgan is the only one of them that has experience with that. Morgan is the key this time.

We get to see the years progress through Morgan’s “Notes” and it’s a montage set to “Dear God — Remastered” by XTC

The Notes are along the outer edges of the screen and the scenes we watch are super imposed on top of the “notebook” itself like we’re watching it on the books

The first year it’s just a bunch of wild scribbles Morgan isn’t writing anything down in it slowly. They’re frantic because they wanna get home. We see five and them arguing the same as we watched him and Lila do in the original

The second year they’re both in survival mode. Cooking food and making fires collecting supplies.

The notes are more organized. There are some sketches of the platforms. The symbols are better sketched at the top with more care. Morgan seems to be trying to visually keep track of stations

Year three is when the notes start to get more and more clear but still no words or even letters are decoded. There are notes about how time feels like it’s passing but “is it really?” Time is resetting every stop they make. Is the subway taking them back in time of freezing time everyone they’re in it? There’s a scene of Morgan scribbling angrily on the book and throwing it down the train car and falling down on the bench.

We watch Five get up like he’s done this a million times before (we get the sense he definitely has) and pick it up. He walks back over, slides it into Morgan’s pack and sits down next to them. Morgan leans into Five’s shoulder looking somewhat defeated. Five seems surprised by this but doesn’t push them away.

We get the chess scenes and in this variation they find a deck of cards so we get a billion scenes of them playing card games.

Year four the notes in the margins are sharp. Morgan is getting better at sketching the same things over and over. We start to see questions pop up about repeating letters and why doesn’t there seem to be any? Sketches of the PA system. Sketches of the train car’s interiors.

This is the year where there’s more laughter and intimacy in the interactions between them. There’s the visions of them caring for one another. In various ways Morgan bandaging Fives hand. Five fixing a dislocated shoulder for Morgan. Morgan shaving Five and Five cutting Morgan’s hair.

Year five is when interesting questions start popping up in the margins of the screen. We see sketches of the door mechanisms form in the train. Questions like is it possible to drive? WHO is driving? What is driving? Do we want to know? Can we get in there? A sketch of the drivers car through the window of the train but it’s impossible to see through a blacked out window in the sketch. A caption of “drivers car impossible to reach. new plan is the old plan?”

This is the year becomes clear there’s real feelings forming between the two but they are also looking really tired. Morgan starts falling asleep tucked next to Five.

Morgan just keeps staring at the book and you see scenes of five taking it from them and pointing to the sleeping cot or handing them food. They reluctantly take it and sit right next to Five and eat with their head on his shoulder

Year six is when the margins start fading from the screen and we pan up away from the book

A string of symbols on a page and the word “Station” circled. A double sided arrow connects the two as we pan away from this we see it’s written on the pages of the book that is in Morgan’s hand. They’re clutching it in one of their hands as they sleep and l are in the same position we saw Five a Lila in under the umbrellas.

The six year montage ends not with despair but with a kind of hope

So the next time we see them their conversation isn’t about giving up. It’s about really sitting down and cracking into this. Morgan really thinks they can solve this. But it’s just so hard to focus like this. It’s off hand in reference to moving around on the subway

“Morgan, what do you need to solve this. Anything you need we’ll figure it out. You need to tell me what it is though.”

“If I could just.. I don’t know… sleep. Like really sleep. In a bed… bathe? Shower, if I can? I know I could get this… WE could get this… We’re so close…”

Five agrees and they have a conversation about instead of staying in the subway going somewhere to work in peace where they don’t have to scrounge. Just for a while until they’ve fully cracked this.

They debate and land on that greenhouse so they GO THERE to sit and decode it

We get a scene of them setting up shop. Just after they’ve cleaned up. And it’s a nice scene like you get in any romance show or movie where the characters are seeing each other for the first time in a new light for real. (like a wow look at you I never realized just how nice this person is to look at?)

And we get a few scenes throughout the episode of them slowly but surely solving it. More letters going up in a bulletin board connected to symbols with twine and other things salvaged. Interspersed with moments of them eating dinner and playing cards. Playful throws of paper. Morgan excitedly running in with a record player and putting it on. They drag Five away from the bulletin board and start dancing. Five argues they should keep working but Morgan says that if they don’t take breaks they’re gonna go crazy staring at the symbols so please just dance. Do something for himself you know?

Five kinda has a moment that you see where he recalls that’s exactly what happened with him originally. He NEVER stopped and he went insane on the OG timeline.

So he takes a real minute not like the games before. Just a real minute to dance.

The two laugh Morgan trips Five catches them

Five’s holding them close

They look in one another’s eyes.

“What are you doing?”

“Something for myself.”

He kisses Morgan and Morgan reciprocates.

AND BY GOSH BY GOLLY WE HAVE A WELL BUILT RELATIONSHIP THATS KiNdA ONE SIDED RIVAL TO LOVER

The last scene we have of them in the greenhouse obviously more time has passed

Five does the same thing he did for Lila. He makes Morgan something. I think Five fixes them up a Rubix cube or even whittles them a cool wooden hand held puzzle. Like one of those puzzle balls or even a puzzle box that has something else in it? Idk. I just feel like a ring or any type of jewelry is too cheesy and fast to be in the box So maybe it’s just the box. Morgan loves it and gives Five something in return. They’re like it’s not as crazy as a hand carved gift but they took some time between solving the decryption to go and find him something special. It’s a mug that used to say “Life Is About More Than Coffee.” but coffee is crossed out with red paint and in big red letters it says Apocalypses so it now reads “Life Is About More Than Apocalypses”.

Five can’t stop laughing when he looks at it. It’s stupid. It’s a dumb joke that’s really insensitive to him the more you focus on it. He’s told Morgan all of stories about all 3 of the apocalypses he’s experienced in his life during these six years trapped here with them, but for some reason the fact they took time out of their day to repair this cracked mug and personalize a stupid word play joke at his expense makes him lose it. This also happens the same day they completely decode the alphabet. THEY CAN GO HOME BECAUSE THEY ARE ABLE TO READ THE MAP NOW. (I can’t begin to tell you how mad I am that that alien language was never talked about once. Or the fact that they never considered trying to decode it at any point? They’re stuck in this subway… LEARN TO READ THE SIGNS)

They’re excited but you can tell after the hype dies down it’s a little sad. They kind of liked this existence here. It was simple. Five could sit and do old man things and just keep them alive. He wasn’t the one the solution hinged on so he gets to rest a while. Morgan was spending their all of their time solving a HUGE puzzle. It was kind of heaven for both of them.

They pack up everything that’s needed and leave the deck of cards and a half solved crossword puzzle book they found previously on the table. Something for whomever comes across this place to find.

They have a conversation just outside the greenhouse about what they’re gonna do about what they’ve become when they return

Morgan responds by taking Five’s hand

“One problem at a time right? We’ve decoded the subway. Next is stopping the apocalypse. Then, after that’s done and we know for a fact that we can still stand the sight of one another while other people are present, we’ll worry about filling out the relationship paperwork at the agency.”

Laughing. “There’s paperwork for that?”

“Yes. Lots of boxes to check and forms to fill.”

“If it makes you happy.”

“It does actually. Soothes me.”

Five picks up their bags. “Once more into commuter Hell?”

“I said that one time!!”

There’s a flash of blue and the camera holds on the playing cards and their initials carved into the table (childish maybe Fanfictiony? Probably? I’m not a screen writer!)

I think we also deserve a pleasant little scene to replace when they get back and there’s the whole Lila/Five dramatic cheating reveal on Christmas at her families house 👀👀👀

It would be them all regrouping at Lila and Diego’s house because they get back and it makes sense to regroup there

They walk in holding hands. Five helps Morgan in and refuses to let go of them the whole time they regroup.

The funny stuff comes from everyone on the couch, while explaining their info, trying to figure out what is going on with Five and Morgan.

Five is sitting on the arm of the chair Morgan is in, his arm is around them and finally Klaus is the one to break tension and be like

“Obviously the elephant in the room though… what is THIS!?”

And just motions to five and Morgan and five and Morgan get to explain how the subway was a bust and they got trapped there for almost 7 years

Lila tries to push to use the subway again and they all get in an argument about using it

She argues that Morgan decoded it so they can read the map now.

Five argues back that they decoded how to get back here, it would take weeks to figure out which specific world would be the one they needed to do all of what they wanted

Lila is angry that they didn’t map that while they were stuck

Morgan jumps in with the are you kidding we were stuck there seven years because that’s how long it took to figure out how to read the map all while trying to survive. Sorry that wasn’t enough for them all.

Essentially we get that argument but then the same things cascade like before. Things fall apart and we end up at the end of the world again. Once again my version of the cleanse occurs. (Because I refuse to acknowledge the real ending and think all of them deserve happiness and to live. Sue me.)

These next bullets happen in the universe where my version of the ending is cannon once again you can read it here.

Morgan and Five’s moment of the subway train is not exactly the same as Ash’s but kind of similar. Five asks apologizes for the fact Morgan’s first ever field mission was ending like this. He asks if they regret getting involved with him now that they know what’s happening.

“Are you kidding me? This is the kind of mission kids get told stories about and then join the CIA because of. I got to decode an alien language, time travel, possibly save the world, and fall in love with a super hero… I almost hope this resets because…”

They put a hand on Fives cheek. “I’d love to do this all again… I only got to complete one mission with you as my partner so, please find me? Even if you forget me? Find me. So we can do more big things together.”

“Of course…”

Five is seated with them on the train bench. He’s holding them with one arm and holding his family with the other when the train hits the reset point.

Again the next we see them both, is when the person I called his wife in the polkadot blouse comes walking into the classroom. Now Five’s spouse in the true timeline, full name Morgan Delores Murphy (Male/Female/ Or Nonbinary) Also PHD is wearing dress pants and a polkadot button up shirt is handed a puzzle box when they sit on Five’s desk in the final montage.

In the scene where they’re gathered around a tv in the physics building we five holding a mug aloft. Five drinks from it. It’s personalized to say “Life Is About More Than Rocket Science.” They’re still the same couple who make the same jokes and give the same gifts. No matter what timeline.

That is Morgan’s Arc. Someone who desperately wanted to be Fives equal and prove themselves. Someone who Five saw himself in and refused to let become him. Someone who is helped through the speedrun version of what happened to Five and comes out the other side fulfilled, safe and supported not wired up, scared, and paranoid. Morgan’s character is essentially meant to be a mirror to reflect all of what Five has been doing to others back at him. So Morgan becomes Fives equal by literally experiencing a smaller scale version of what Five went through and being allowed to process it all along side Five in real time.

Thank you so much if you’re still here! I appreciate you taking the time to read this. You’re amazing. If you liked this or have thoughts on it, I would love to discuss these things more with you! Message me! I want your feedback! If you hated this don’t message me. I’m terrified of your feedback! I’m so sorry, and if I could erase it from your memory, I would. Please forgive me.

Thank you so much for reading this far if you have!

Have a wonderful day!

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Extras if you want:

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These are other things I think would be great but have no clue where they could go In the timeline or where they’d be appropriate:

A scene where five asks Morgan about how they were enjoying field work and Morgan says to remind them to tell the boss they never want to go into the field EVER again.

A bit with Ash where it’s established that they always pick up ( I cannot emphasize enough that no matter WHAT TIME. THEY ALWAYS PICK UP) and this is mentioned at some point in the story. maybe they get kidnapped by Gene and Jean. (This is if it’s a 10 episode season and there’s time for this)They don’t pick up. And this is something that Five is immediately shaken by.

I didn’t explain how Morgan would track Five in their outline but it would be kind of a gag I think. Morgan pops up in places where Five asks how they found him. Morgan always replies with

“I put a tracker in your ____”

it’s always a different piece of clothing. His socks. His Tie. His jacket. His hat. His Shirt. and the next time five pops up he’s either removed that piece of clothing or replaced it. The reality? It’s in his shoes. The tracker is in his shoes. And when this is finally revealed to Five in the subway he can’t stop laughing. Of course. He only has like three pairs and one pair is exclusively for work of course that where Morgan would have planted trackers. God he’s an idiot. Morgan is very proud of themselves for this.

An interaction as follows when they’re in the subway or maybe when Viktor says Five’s name:

“Max huh?”

“Yes, it’s short for Maximillian and I hate it. Please don’t start.”

Laughing then “Don’t sweat it. I understand. I’m not a huge fan of my name either.”

Five gives them a curious look.

A Sigh “My Full Name is (Morrigan/Asher) Delores Wilcox.”

We get a shot of Five’s whole demeanor shifting, like he’s been punched in the gut. He’s short circuiting. He’s blank. No fucking way. No FUCKING way. No fucking WAY. That is NOT their middle name. (If he had a nickel for every time he’d been stranded somewhere in time for a great many years with only someone named Delores for company, he’d have two nickels which isn’t a lot but it’s insane it’s happened twice)

Love interest takes this as a sign he hates it too.

“Yeah see?! Even you think it’s awful. God damn it! Please don’t—“

“It’s wonderful.”

“What?”

“I love it. It’s perfect for you.”

“Really? You don’t think it’s too fancy?”

“I think it suits you…”

“Oh, well… thank you.”

There’s silence while they go about doing things. Five breaks it suddenly

“Weird question but… how do you feel about sequins?”

“I love them?”

“I fucking knew it.”

“What?”

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