#just so lonely i could die

[mayplantstarrwaters]

people are dissapointing

[inkskinned]

one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.

the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.

like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.

but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.

so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.

i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?

but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?

sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?

and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.

nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.

the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!

and the rest of us are terrified of the entire fucking environment collapsing.

[dollypopup]

I can't stop thinking about Colin on his travels. Colin, alone, on a journey to 17 different cities, across several countries. Colin on his own.

Colin who writes letter after letter, to his family, to his friends, and barely gets a response back. How long before he understands that they didn't get lost in the mail? How long until he realizes that, just like when he was a boy, no one has the time for him? The space for him? How many letters unanswered before he lets it finally take root and fester in his mind?

He could have died on that tour.

Would they even notice? Would they see when the letters slow until they cease? Would they wonder why? His mum, surely (maybe, possibly, but she has enough on her hands, besides, and he's never been a concern, in need of her assistance, before), but anyone else? Anthony on his honeymoon, Eloise a stormcloud personified, Benedict taking on the familial responsibilities, Fran preparing for the marriage mart and in Bath, regardless. Daphne, his closest sister, a mum running her own estate.

Greg and Hyacinth who enjoy his stories, but are children.

Pen who ignores him. No explanation, no goodbye.

Colin who has no one in his corner. Colin who travels city to city, putting on personas. Will they like me? What about now? Colin who has hardly anything to read from the people he loves. Who do not think of him.

And yet he thinks of them. Brings them back gifts, writes his recollections for them until it hits him that, oh, they don't care. They don't care what he's doing, how he's doing. They didn't want to hear it before, when he was there with them, and they do not want to hear it now, either. Did they even open those envelopes? Did they see them come through the post, just as proof he's alive, and shrug off the contents? Did they look? Once, Colin sends an empty page. No one notices. Easier, then, to send just the outsides. People only ever care about the outsides. Pretty and prim in neat packages, uncaring of what lies beneath. Sea sick on the rocking boats, staring up at stars on the continent, Colin grows aware, but not bitter. Sad, but resigned.

He loves his family, he loves Pen, loves them to grace, loves them to it's okay. It was him, he determines. Too chatty, his letters too long, uninteresting, his passions dull or droll, or else, worse, he's displeased them in some way. Colin who takes refuge in stranger's arms and homes, who dreams and tries to sate his curiosity. Colin who pretends, because anyone, anyone but him would be received better, he's sure of it. Colin who must talk too much, surely, and with no one to listen. Colin who learns to hush.

Yes. Remarkable- as in, I have many remarks about it.

How many times did he go to excitedly write of what he did that week, and stopped himself, knowing it was a waste? How many times did he write and throw into the fire a letter asking Why don't you see me? Why don't you care?

If he didn't make it, how long would it take for anyone to notice? A month? Two? A year? Would they wave it off as his frivolity, denounce him as a flake and fume about the funds? Would they wonder where it was he had lost himself off at?

He cannot fall into that, so, he writes in his journal, instead. Of the ache of it, of how he longs for connection, for understanding, for someone to take him seriously. He keeps it with him, this log of his discontent, of his folly and felicity, of his pitfalls and pains.

If he didn't make it, would they realize all that's left of him is what he sent them, not even a body to bury? Did he look over the side of a bow of a boat and look at the churn of the ocean and think of how many bones it held? Did he tip his face to the sun? How many new scars did he earn? Who did he befriend?

Who did he become?

Somewhere along the line, Colin learned. He learned the real him wasn't wanted.

Somewhere along the line, somewhere between Patmos and Paris, Colin left Colin behind.

And, somewhere along the line, Colin laid face to face with loneliness in his bed, and it wrapped its arms around him.

[kendyroy]

i’ve always wondered what worst logan thinks of main logan. is he jealous at all of how revered he was? i mean what do you even think of the guy that’s considered the “best version” of you when you’re seen as the worst.

[mcytegg]

btw mapicc's everything today reminded me so violently of s4 ro and s4 dualities in general but if i think abt it too hard i will Actually Cry as i always do when it comes to dualities so im just gonna joke abt mawn and ignore it for my own sake ^-^

[sherlock-is-ace]

.

[ioannemos]

hmm.

it's probably just bc i've been sick, so i'm tired and major lonely, but WOW do i wanna die rn

[demonwebs]

fiy: vhaal supports the 'trust the emperor' route, if you were wondering.

[arolesbianism]

Some very lazy concept doodles for my swap au Wendy

[akkivee]

ok now I'm imagining kuukou hosting Hot Ones interviews with the rest of the hpmi cast

for reference, Hot Ones is a celebrity interview show where the guest has to answer questions while eating progressively hotter and hotter sauces on wings. It catches them off their gaurd a little bit and they respond more earnestly because their PR brain is off and all they can focus is on dying of spice and answering questions

Imagining him doing this to Jakurai in particular 🤣

KUUKOU WOULD HAVE A BLAST BEING THE HOT ONES HOST HE GETS TO EAT EXTREME FOOD AND LEARN ABOUT THE OTHERS WITHOUT SHARING SHIT ABOUT HIMSELF THATS HIS BRAND LOL

[no-light-left-on]

hi I am still not normal about how we never get much of an epilogue for Emily and Corvo in the second game we are told how the rule turned out and that Emily is the beloved empress now but nothing beyond that and I get that the entire game is very much built on that I get that the first game we have close relationship with Emily and become fond of the staff that work with the Loyalists so we feel alone because we do not quite see eye to eye with our allies and all we have left is this little innocent child that sees Corvo as someone who can do no wrong in this world which is strongly contrasted with the second game where Emily (or Corvo) has few trusted allies that they can actually rely on and it feels like a group of almost-friends working to dismantle the conspiracy but at the very end of it all Emily is all alone, even her return to the Tower is so much more grim, her taking down Delilah, the entirety of Dunwall- it all feels so incredibly and thoroughly isolating, she is all Alone now, and maybe that's why it bothers me so much to see the story end so abrupty.

it would've been so, so poetic if both the first and the second game ended with Corvo and Emily embracing

[cavity-collector]

i genuinely need to be put down like a dog i cant do this anymore man holy shit

[idol-emu-otori-official-archived]

╰┈➤ SHUFFLE AU

DESTINATION POINT (DP)

the Leo/need adjacent unit, composed of Ichika Hoshino, Airi Momoi, Ena Shinonome, and Minori Hanasato. ☆ a girl who's lost her friendships, and three others searching for their worth.

about the group's name: ♡ originally, i had "from here to there" in mind, but someone from the Discord gave me the name "destination point" and i thought it was much better, so i went with that. ♪

about the SEKAI: ♡ the Train SEKAI. no one knows when it left, or where it's going - just that it never stops. it's the perfect place for those who feel like they're lagging behind. just close your eyes and let yourself be carried away, right? but maybe there's something you can do… starts with a Miku and a Rin. the former's hardworking and talented, but the latter struggles - Rin is somewhat influenced by Ena's (and, to a lesser extent, Airi's) jealousy towards others.

•

Ichika hasn't managed to rekindle her friendship with her friends, and she's not doing particularly well. At one point, she meets Airi - who just quit being an idol. The two start talking and become friends, at which point they end up forming a band together. Airi wants to try finding a place where she could finally be taken seriously.

Ena's invited by Airi, and Minori - who had failed auditions recently - ends up inspired by Ichika's kindness, Airi's drive and Ena's determination, which is how she joins. (Haruka completely gave up on being an idol; something Minori is saddened by.)

In my mind, Ichika plays the guitar; Airi, the drums; Minori, the keyboard and Ena, the bass.

-

IDEAL HEAVEN! (IH)

the MORE MORE JUMP! adjacent unit, composed of Mafuyu Asahina, Emu Otori, Mizuki Akiyama and Shizuku Hinomori. ☆ an up-and-coming idol group that combines cuteness and sophistication.

about the SEKAI: ♡ quite similar to the Empty SEKAI, but with some idol influences - a broken stage with no one in sight. there's no bright lights, no colorful props. nothing. that SEKAI both comforts and pains Mafuyu. home to a lone Miku. sweet, hopeful, but genuinely crushed by the pressure she's feeling.

•

Mafuyu's mother wants a perfect child. idols are very frequently represented as being perfect - so, she decides that her daughter should become one, too. Mafuyu's not keen on the idea, but that's her mother; she's obedient, so she goes along with it.

Shizuku still quit Cheerful * Days, but instead of stopping altogether she ends up with Mafuyu. Emu wants to make people smile, but no one ever came; Wonderlands × Showtime was never a thing. so she decides to become an idol instead, even if it means she'll never bring back the Wonder Stage to its former state.

Mizuki's half-dragged into IDEAL HEAVEN! by Emu, who saw them looking with interest at idol merch. after bringing them to meet Mafuyu and Shizuku, Mizuki ends up accepting - the idea of wearing cute clothes and being called cute doesn't seem too terrible.

-

READY MADE SUCCESS (RMS)

the Vivid BAD SQUAD adjacent unit, composed of Haruka Kiritani, An Shiraishi, Shiho Hinomori and Akito Shinonome. ☆ two street musicians chasing after their dream, and the two girls they brought with them.

about the SEKAI: ♡ the Street SEKAI. weirdly, it seems Haruka's idol background has somewhat influenced its appearance. its inhabitants are Miku, Meiko and Len. this Miku is levelheaded, but it seems like there's something holding her back from going all-in...

•

after quitting being an idol, Haruka is invited by An to join her.

An's never met Kohane, and she never found a partner. Haruka is hesitant for a moment before deciding to give it a shot, though she keeps struggling with singing. Shiho tries getting more experience, meets Akito. no one really knows how these two ended together, but they both have a similar drive and take music very seriously.

eventually, they all start working together. Haruka deals with her guilt and, while she doubts she'll become an idol again, she's mostly made peace with what happened.

-

STARLIGHT ☆ EVERMORE (S ☆ E)

the Wonderlands × Showtime adjacent unit, composed of Tsukasa Tenma, Saki Tenma, Kanade Yoisaki and Toya Aoyagi. ☆ a strange troupe of people who aim to help others through their performances.

about the SEKAI: ♡ still very much Tsukasa's, so it's the Wonderland SEKAI. [kanade goes there for the first time and dies. alas, they're still a shut-in and this place is simply too colorful for her poor eyes.] starts with a Miku and a Kaito, though this version of the former uses far less onomatopoeias.

Tsukasa figures he needs to show the world how much of a star he is himself, and he drags his siblings into it (with varying degrees of willingness).

a part of Saki still wishes she could be in a band with her friends; she's only somewhat managed to repair her friendship with Ichika. but she's still happy to do something fun and lighthearted after all her struggles. Toya's very excited to do something with Tsukasa and his siblings. he also gets to stick it to his dad, which, honestly - is a bonus.

out of the three, Kanade is obviously the most hesitant about the whole thing. but she sees Tsukasa's drive to make others happy, something she shares with him, so she ends up agreeing. Kanade is… slightly healthier physically on account of the stubborn people looking after her, as well as all the exercise she does she does as part of Starlight ☆ Evermore. mentally? eh… we'll get there. i need her traumatized to be interesting. <3

-

LONELY SYNDROME (LS)

the 25-ji, Nightcord de. adjacent unit, composed of Nene Kusanagi, Rui Kamishiro, Honami Mochizuki and Kohane Azusawa. ☆ hidden behind avatars, these citizens of the web tell stories online.

about the SEKAI: ♡ the arcade SEKAI. this Miku is shy and withdrawn, though she one day hopes she'll be able to break out of her shell, just like Nene. alongside her is Luka - she has a bit of a teasing attitude and a catlike personality, but she always does her best to boost Nene's confidence.

about the group's name: ♡ syndrome refers to a group of symptoms - i paired it with the word lonely because i felt like it represented the atmosphere of an arcade. you're connected with people who share your interests, but at the same time, you're sort of separate from them. surrounded by people, but utterly alone…

•

Nene's social anxiety hasn't gotten better over the years. since she never joins Wonderlands × Showtime, she doesn't learn how to fight her stage fright.

but, she finds an alternate solution; using an avatar online. it's less stress-inducing, and it lets her pursue acting, in a way - it's not what Nene wants, but it's close enough. she figures she could be satisfied with that. Rui ends up figuring out what she's doing, and asks if he can help. Nene doesn't really have any reason to say no, so they start working together.

as for Honami and Kohane, they ended up on Nene's channel by pure accident. but her performances quickly became a comfort to them, since they were struggling at the time (the former because she no longer had her friends, the latter because of her lack of confidence).

unfortunately, ignoring your problems only goes so far, and eventually, her feelings give birth to the arcade SEKAI.

[mumintroll]

i want to see my ex boyfriend while im home bc idk i want to know what hes up to and apologise for the way that i used 2 act and maybe he could apologise for the things he did to me. if he wanted to. but i dont have his number on my new phone and im not on social media anymore so ive just been walking outside aimlessly in case hes there. or anyone else i used to know that im too shy/unable to reach out to

[soapywankenopy]

holding space for the person i was and the person i could've been and the person i might yet be

[parasitoidism]

I played a lot of minecraft as a young child despite not liking to mine or craft this is because I essentially used it as 1. a stage for me to play pretend in and 2. social media for babies